{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":29,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":29,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"90cabb150659","filters":{"venue":"Journal of Cultural Economics"}},"results":[{"id":"W2998719201","doi":"10.1007/s10824-020-09379-z","title":"Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics","year":2020,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":104,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Studio; Filmmaking; Institutional logic; Movie theater; Hollywood; Heuristics; Film industry; Product (mathematics); Advertising; Marketing; Analytics; Production (economics); Service (business); Perspective (graphical); Computer science; Business; Multimedia; Sociology; Economics; Visual arts; Data science; Art; Telecommunications; Artificial intelligence; Microeconomics","authors":[{"name":"Allègre L. Hadida","is_ca":false},{"name":"Joseph Lampel","is_ca":false},{"name":"W. David Walls","is_ca":true},{"name":"Amit Joshi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09370611315981026,"gpt":0.2676568694087127,"spread":0.1739507562489025,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004117211,0.0001038449,0.0005796422,0.00008418285,0.00003960641,0.00001892274,0.0002872529,0.00004073338,0.00003838791],"category_scores_gemma":[0.0002405042,0.00007649556,0.000205127,0.0001452405,0.0001220092,0.0002478774,0.00005620696,0.0001978746,0.000006965499],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005329326,"about_ca_system_score_gemma":0.00004045052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002640765,"about_ca_topic_score_gemma":0.00006355655,"domain_scores_codex":[0.9986627,0.00001231363,0.001054543,0.0001084938,0.0000348608,0.0001271357],"domain_scores_gemma":[0.9987306,0.00007441967,0.001010547,0.00008443101,0.00006238731,0.00003762159],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005308578,0.0008482173,0.2911714,0.0004034494,0.00113586,0.0001908732,0.06481598,0.05945795,0.001685405,0.5677258,0.006626676,0.005407475],"study_design_scores_gemma":[0.02276768,0.003494896,0.4170219,0.0005034923,0.000266218,0.0005712113,0.03326023,0.004834967,0.002441078,0.06307472,0.4501041,0.00165947],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9881206,0.002532184,0.00009039877,0.002398511,0.000313759,0.00009660774,0.00005240086,0.000001746562,0.006393822],"genre_scores_gemma":[0.9972359,0.001360773,0.0005910431,0.0005033996,0.0002678543,0.000001714364,0.000003752724,0.000004798593,0.00003077725],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5046511,"threshold_uncertainty_score":0.3119398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1965181832","doi":"10.1007/s10824-014-9234-1","title":"Economics of motion pictures: the state of the art","year":2014,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":68,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Cultural economics; The arts; State (computer science); Motion (physics); Economics; Art; Social science; Visual arts; Political science; Sociology; Computer science; Computer vision","authors":[{"name":"Darlene C. Chisholm","is_ca":false},{"name":"Vı́ctor Fernández-Blanco","is_ca":false},{"name":"S. Abraham Ravid","is_ca":false},{"name":"W. David Walls","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02054225343124613,"gpt":0.2052743570053218,"spread":0.1847321035740757,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006510351,0.0001203135,0.0005249003,0.00007019475,0.00006757167,0.00002556052,0.0003792378,0.0000456987,0.00003866031],"category_scores_gemma":[0.0002136191,0.00007087435,0.0003383799,0.00006210186,0.0001557799,0.000220095,0.00006637816,0.0001721871,0.00001697345],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007140473,"about_ca_system_score_gemma":0.000025121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001898108,"about_ca_topic_score_gemma":0.00008421589,"domain_scores_codex":[0.9985739,0.00002100072,0.001136322,0.0001064756,0.00002108543,0.0001412275],"domain_scores_gemma":[0.9974302,0.00009758856,0.002089698,0.0002404886,0.00009866946,0.00004333899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006839625,0.0007193036,0.1533117,0.0004401883,0.002858028,0.000001543068,0.02861926,0.1791809,0.0007934521,0.5106422,0.05876301,0.0639864],"study_design_scores_gemma":[0.003406768,0.0005896292,0.1737112,0.0001233791,0.0001386318,0.00009656368,0.002229363,0.00798044,0.005933091,0.1983828,0.606821,0.0005872231],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9891514,0.0007586029,0.0001858749,0.002562549,0.001224529,0.0001014106,0.00004008609,0.000002007577,0.005973507],"genre_scores_gemma":[0.9959062,0.002545996,0.0001494193,0.0002170289,0.0002771348,0.000001423328,0.000001276548,0.00001015407,0.0008913496],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.548058,"threshold_uncertainty_score":0.2890172,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2899211191","doi":"10.1007/s10824-018-9334-4","title":"Cultural and economic value: a critical review","year":2018,"lang":"en","type":"review","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":67,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Blackberry (Canada)","funders":"","keywords":"Cultural economics; Value (mathematics); The arts; Order (exchange); Sociology; Economics; Positive economics; Social science; Political science; Law","authors":[{"name":"Francesco Angelini","is_ca":false},{"name":"Massimiliano Castellani","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.133129582160419,"gpt":0.3410853324119455,"spread":0.2079557502515265,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005699995,0.0003882063,0.002279985,0.0001180439,0.0002890011,0.0002812558,0.000342289,0.0001290819,0.002097913],"category_scores_gemma":[0.0001360385,0.0002453337,0.001280529,0.00001468898,0.0006096874,0.0009439996,0.0000808695,0.0004016725,0.0002444519],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003223421,"about_ca_system_score_gemma":0.0002096135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001544421,"about_ca_topic_score_gemma":0.0001014548,"domain_scores_codex":[0.9978592,0.0001507792,0.001470409,0.0002362472,0.00006229118,0.0002210273],"domain_scores_gemma":[0.9979923,0.0001705567,0.001264671,0.0001804589,0.0002008422,0.0001911693],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001996746,0.00004124008,3.234672e-7,0.02574757,0.001376123,0.00002115069,0.002607008,7.267464e-7,1.493138e-8,0.08579819,0.4590258,0.4253619],"study_design_scores_gemma":[0.00008459258,0.0001141234,4.851025e-8,0.0108937,0.003014686,0.0003915168,0.0002920197,0.000006669359,2.220097e-8,0.0002574352,0.9846239,0.0003212694],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00003888537,0.9817904,5.539168e-7,0.0002640733,0.001541466,0.0001353367,0.00005311203,0.000008850584,0.01616738],"genre_scores_gemma":[0.00000715097,0.9918745,0.0001121735,0.0003393884,0.003899137,0.000005157564,0.00002027504,0.00002725061,0.003715002],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.5255981,"threshold_uncertainty_score":0.9999999,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1977904994","doi":"10.1007/s10824-004-3587-9","title":"Convention on Cultural Diversity","year":2004,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"World Trade Organization Law","field":"Social Sciences","cited_by":51,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Convention; Negotiation; Political science; Credibility; Cultural diversity; Mandate; Diversity (politics); Cultural policy; Liberalization; Law; Public administration; Law and economics; International trade; Economics","authors":[{"name":"Keith Acheson","is_ca":true},{"name":"Christopher Maule","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03309736718629192,"gpt":0.28175399011268,"spread":0.2486566229263881,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002241795,0.00006316116,0.0001247522,0.00003838055,0.0004579218,0.0001010029,0.0002070916,0.000051941,0.000177928],"category_scores_gemma":[0.00008297431,0.00005096562,0.000109834,0.00008900379,0.0001253036,0.0008642271,0.000032078,0.0001268132,0.00007364256],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004646044,"about_ca_system_score_gemma":0.0000882618,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001126377,"about_ca_topic_score_gemma":0.0002712863,"domain_scores_codex":[0.9994279,0.00003628332,0.0002297758,0.00006587088,0.0001194347,0.0001207463],"domain_scores_gemma":[0.9993257,0.00001728884,0.0003133305,0.00004305121,0.0001902763,0.0001103394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005147544,0.00009890836,0.00270646,0.000003599846,0.00006969165,0.00000977014,0.01841078,0.004723225,0.0001262413,0.9701719,0.002931834,0.0006961586],"study_design_scores_gemma":[0.004859473,0.0004397,0.03328576,0.0001089275,0.0001281626,0.00008429717,0.03300155,0.00001297644,0.003529351,0.02607014,0.8978741,0.0006056255],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.964806,0.00002331779,0.00001778527,0.0166249,0.0008480565,0.0000527105,0.000002125921,0.00001431561,0.01761082],"genre_scores_gemma":[0.9977218,0.0002482629,0.0002898084,0.0003623806,0.0004983144,1.01321e-7,0.000001701574,0.000003881054,0.0008737382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9441017,"threshold_uncertainty_score":0.3522011,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079463165","doi":"10.1007/s10824-012-9181-7","title":"Australian films at the Australian box office: performance, distribution, and subsidies","year":2012,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":41,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Box office; Publicity; Subsidy; Ceteris paribus; Corporation; Cultural economics; Distribution (mathematics); Government (linguistics); Advertising; Economics; Business; Marketing; Finance; The arts; Political science; Law; Market economy","authors":[{"name":"Jordi McKenzie","is_ca":false},{"name":"W. David Walls","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03767297609425659,"gpt":0.2395305314412697,"spread":0.2018575553470131,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004919192,0.0001583447,0.0003974849,0.00004741795,0.0002506019,0.0000708958,0.0001561026,0.00007489873,0.0002735961],"category_scores_gemma":[0.00007611146,0.0001098373,0.0001432306,0.00006695506,0.0001694531,0.0006853078,0.00007007438,0.0001992875,0.0001406651],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001427008,"about_ca_system_score_gemma":0.00001219095,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002088489,"about_ca_topic_score_gemma":0.00003058215,"domain_scores_codex":[0.9988142,0.000009018604,0.0007022479,0.0001150728,0.00002584846,0.0003336623],"domain_scores_gemma":[0.9989383,0.00004554963,0.0006673667,0.0001273456,0.00006197178,0.000159532],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001585451,0.0001076412,0.5995968,0.0000827711,0.0004431871,0.000002620089,0.005049942,0.0002704248,0.00008467463,0.01826292,0.3744943,0.001446165],"study_design_scores_gemma":[0.0005545661,0.00008790893,0.2908534,0.00001699992,0.00003311535,0.0001823905,0.001913052,0.00002344061,0.0005510561,0.0001958166,0.7053875,0.0002008358],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9898673,0.002914952,0.000003263278,0.004129645,0.001096383,0.00007952246,0.0001288573,0.000005557403,0.00177451],"genre_scores_gemma":[0.9837425,0.00610002,0.0000968999,0.0001263876,0.0005616912,0.000003284931,0.00002025444,0.00000946343,0.00933952],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3308931,"threshold_uncertainty_score":0.4479036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2785470326","doi":"10.1007/s10824-018-9319-3","title":"Cultural participation in major Chinese cities","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":36,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Highbrow; Elitism; Cultural economics; Socioeconomic status; China; Sociology of Education; Economic growth; Political science; Sociology; Development economics; The arts; Social science; Economics; Politics","authors":[{"name":"Pascal Courty","is_ca":true},{"name":"Fenghua Zhang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05254474969567919,"gpt":0.3408121991612741,"spread":0.288267449465595,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004126783,0.0001011947,0.0002124389,0.00005482819,0.0002267015,0.0001823495,0.0001951157,0.0000900228,0.0004856109],"category_scores_gemma":[0.0002123975,0.00006599573,0.00008905012,0.0001533163,0.0002480814,0.001027046,0.00002591911,0.0001584224,0.00002991719],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003419777,"about_ca_system_score_gemma":0.0001393621,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005366139,"about_ca_topic_score_gemma":0.007450109,"domain_scores_codex":[0.9990044,0.00005641537,0.0005026442,0.00008475161,0.0001130208,0.0002388192],"domain_scores_gemma":[0.9991428,0.0000348394,0.0003356705,0.00004780476,0.0003202247,0.0001186974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006641789,0.0003101574,0.2657599,0.00002564789,0.0003109192,0.00004091901,0.3468016,0.0006065055,0.0009343112,0.02243715,0.2968273,0.06528143],"study_design_scores_gemma":[0.001467721,0.0002618181,0.173722,0.00007723909,0.0000292874,0.00003370916,0.07716695,0.0001284063,0.0005870289,0.003471662,0.7426139,0.000440299],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9824817,0.0001013671,0.000002318097,0.005500235,0.0008551225,0.00007387765,0.000001991209,0.000007838808,0.01097561],"genre_scores_gemma":[0.9905508,0.0003142364,0.0002579905,0.0002095036,0.001483927,0.00000200595,0.000002258561,0.000004242456,0.007175007],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4457866,"threshold_uncertainty_score":0.5317098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1044682917","doi":"10.1007/s10824-018-9320-x","title":"The geography of music preferences","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Politics; Variation (astronomy); Musical; Metropolitan area; Bivariate analysis; Proposition; Race (biology); Preference; Sociology; Geographic variation; Economic geography; Social science; Geography; Political science; Economics; Demography; Gender studies","authors":[{"name":"Charlotta Mellander","is_ca":false},{"name":"Richard Florida","is_ca":true},{"name":"Peter J. Rentfrow","is_ca":false},{"name":"Jeff Potter","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03247490690141862,"gpt":0.2843053345670306,"spread":0.2518304276656119,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004812358,0.0000638471,0.0001568066,0.00002187671,0.0005422416,0.00009529115,0.0003883834,0.00006327182,0.00006822647],"category_scores_gemma":[0.0001265262,0.00003424798,0.0001882181,0.0001136285,0.0008022782,0.0003668832,0.0000218951,0.0001049914,0.000007664178],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004324736,"about_ca_system_score_gemma":0.0001063365,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001983978,"about_ca_topic_score_gemma":0.001946884,"domain_scores_codex":[0.9992414,0.0000670493,0.0003604117,0.00005351115,0.0001174801,0.0001601454],"domain_scores_gemma":[0.9987413,0.00009233154,0.0005545328,0.0000559379,0.0004827428,0.00007318782],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004695852,0.0002072659,0.06636427,0.00002499999,0.0009456993,0.000003305375,0.1467389,0.0001196996,0.0006120175,0.4214518,0.02418581,0.3388766],"study_design_scores_gemma":[0.0008340384,0.0008009161,0.0871987,0.0000743766,0.0001411501,0.00001869066,0.147211,0.0001020004,0.0005195072,0.1330352,0.6296324,0.000432028],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9745168,0.0002550531,0.000003193852,0.001177847,0.001080126,0.00005038444,0.000002807894,0.000004914842,0.02290889],"genre_scores_gemma":[0.9963533,0.001881807,0.0001567525,0.00008913608,0.001193505,5.690045e-7,4.16245e-7,0.000002697222,0.0003218358],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6054465,"threshold_uncertainty_score":0.4170538,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2049269306","doi":"10.1007/s10824-012-9189-z","title":"Learning about movies: the impact of movie release types on the nationwide box office","year":2012,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Consumer Market Behavior and Pricing","field":"Business, Management and Accounting","cited_by":30,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Hollywood; Box office; Unobservable; Studio; Counterfactual thinking; Advertising; Sample (material); Marketing; Appeal; Business; Economics; Art; Visual arts; Political science; Psychology; Econometrics; Social psychology","authors":[{"name":"Xinlei Chen","is_ca":true},{"name":"Yuxin Chen","is_ca":false},{"name":"Charles B. Weinberg","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02516266871615041,"gpt":0.2610229513114066,"spread":0.2358602825952562,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009643503,0.0001086964,0.000174944,0.00007016557,0.0001801686,0.0001601277,0.0002315522,0.00003237662,0.0003247081],"category_scores_gemma":[0.000435486,0.00005087098,0.0002282757,0.0001050079,0.00004254526,0.00103487,0.00004746315,0.0002806066,0.0000428049],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004276458,"about_ca_system_score_gemma":0.00002848362,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002073842,"about_ca_topic_score_gemma":0.00001661804,"domain_scores_codex":[0.9993166,0.00003156514,0.0003630863,0.00005073517,0.00008324068,0.0001548018],"domain_scores_gemma":[0.9986399,0.0002648335,0.0007851056,0.0001023516,0.0001924263,0.00001532226],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.001418054,0.000471525,0.6252012,0.0001695073,0.001098725,0.000006814667,0.005425795,0.0679963,0.002643759,0.02332675,0.02800256,0.244239],"study_design_scores_gemma":[0.0009777248,0.00009623942,0.8451372,0.0002077153,0.0004562366,0.00005426759,0.006628321,0.005570136,0.0003293561,0.0006362157,0.1394636,0.0004430297],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9898121,0.0004708533,0.000005200289,0.0008153322,0.000257558,0.0000682332,0.000001190317,0.000005891156,0.008563604],"genre_scores_gemma":[0.9983501,0.0002787401,0.00001489055,0.0003321245,0.0008187777,9.781421e-7,0.000002065428,0.000009853055,0.0001925067],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2437959,"threshold_uncertainty_score":0.3555326,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1506106331","doi":"10.1023/a:1026352903371","title":"Valuing the Canadian Broadcasting Corporation","year":2003,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Economic and Environmental Valuation","field":"Economics, Econometrics and Finance","cited_by":30,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Corporation; Contingent valuation; Willingness to pay; Valuation (finance); Preference; Government (linguistics); Public broadcasting; Cultural economics; Broadcasting (networking); Public opinion; Economics; Business; Advertising; Political science; Marketing; The arts; Accounting; Finance; Computer science; Law","authors":[{"name":"Adam Finn","is_ca":true},{"name":"Stuart McFadyen","is_ca":true},{"name":"Colin Hoskins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.147077940682435,"gpt":0.2132313651639253,"spread":0.06615342448149031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001094843,0.0000955006,0.0002159799,0.00008891979,0.0002411953,0.0001647321,0.0001552772,0.00006556648,0.000316586],"category_scores_gemma":[0.0001322575,0.00007998999,0.000124335,0.00004845857,0.00005035701,0.0006643478,0.000008995338,0.000170478,0.0002453709],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006410694,"about_ca_system_score_gemma":0.0000725338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002483931,"about_ca_topic_score_gemma":0.0068953,"domain_scores_codex":[0.9989448,0.00002070316,0.0007303316,0.0001128263,0.00001669657,0.0001746963],"domain_scores_gemma":[0.9988088,0.00003058801,0.0009121656,0.0001106621,0.00002785239,0.000109926],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009945298,0.00003217801,0.2028875,0.000007614823,0.0001423808,0.000003593058,0.001917994,0.03829675,0.00006447398,0.7515347,0.003024804,0.002078031],"study_design_scores_gemma":[0.002492945,0.0002987662,0.2179106,0.00004221725,0.00006434258,0.0006889172,0.004238374,0.01255774,0.0008531495,0.1738177,0.586067,0.0009682126],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9591931,0.0006492475,0.0002916106,0.000866427,0.0008733397,0.00008079613,0.000009915202,0.000002935731,0.03803262],"genre_scores_gemma":[0.9977443,0.0002158501,0.0009932006,0.0004104422,0.0001695762,0.00000154668,0.000003857089,0.00001091812,0.000450302],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5830422,"threshold_uncertainty_score":0.3847739,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1563835170","doi":"10.1023/a:1007652201187","title":"Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits","year":2000,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Economic and Environmental Valuation","field":"Economics, Econometrics and Finance","cited_by":25,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Visitor pattern; Enthusiasm; Tourism; The arts; Skepticism; Product (mathematics); Marketing; Cultural economics; Economics; Business; Political science; Law; Computer science; Psychology; Social psychology","authors":[{"name":"Dick Stanley","is_ca":true},{"name":"Sandra Smeltzer","is_ca":true},{"name":"Luc Perron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05061810691663846,"gpt":0.2150502581565984,"spread":0.1644321512399599,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007092932,0.0001669009,0.0004448609,0.00005401731,0.0001594152,0.0001032671,0.0004027019,0.00008260761,0.002161122],"category_scores_gemma":[0.00003313528,0.0001042889,0.0001981307,0.00004169876,0.000194008,0.0007580895,0.00006376851,0.0001999782,0.0001626457],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002943012,"about_ca_system_score_gemma":0.00004144811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005876094,"about_ca_topic_score_gemma":0.0001098546,"domain_scores_codex":[0.998469,0.00002891835,0.001093253,0.0001980101,0.00002291396,0.0001879328],"domain_scores_gemma":[0.9984993,0.00009561988,0.001083543,0.0002386019,0.00001329235,0.00006957942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.001105173,0.0002684301,0.5372379,0.0001616705,0.001236539,0.000006861821,0.01137324,0.3158009,0.0002623437,0.06079154,0.03327461,0.0384808],"study_design_scores_gemma":[0.004572906,0.0005121388,0.6332113,0.0001695398,0.0001485021,0.0006814494,0.003097948,0.02203095,0.001692258,0.01469333,0.3181213,0.001068375],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9872038,0.000948402,0.000008567944,0.002158529,0.0004328061,0.0001398429,0.00004576599,0.000003575512,0.009058737],"genre_scores_gemma":[0.9909963,0.003859674,0.0001321585,0.0003541955,0.0002504447,0.00000299656,0.000002796709,0.00001747564,0.004383937],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.29377,"threshold_uncertainty_score":0.998751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1974208472","doi":"10.1007/s10824-005-1065-7","title":"Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries","year":2005,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cultural economics; Quarter (Canadian coin); Composition (language); The arts; Economics; Agricultural economics; Art; History; Visual arts; Literature; Archaeology","authors":[{"name":"Peter Tschmuck","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.019557813510567,"gpt":0.1954814709283483,"spread":0.1759236574177813,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002756384,0.00008603282,0.0002000738,0.00005208164,0.0001741031,0.0001070696,0.0001085705,0.00002221449,0.0001228051],"category_scores_gemma":[0.000007241135,0.00004488708,0.00008410679,0.000009415737,0.0002703787,0.0005104659,0.00001750621,0.0001154299,0.000001362072],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003252383,"about_ca_system_score_gemma":0.00001173217,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002288471,"about_ca_topic_score_gemma":0.001020811,"domain_scores_codex":[0.9994035,0.00004793119,0.0003770063,0.00006255871,0.00002931563,0.00007967255],"domain_scores_gemma":[0.9993833,0.0001392656,0.000341086,0.00006781349,0.0000451687,0.00002340034],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006385859,0.0002778266,0.005892375,0.00009809787,0.0007379741,0.000005291852,0.4353347,0.002965794,0.0001517261,0.4803422,0.01380292,0.05975258],"study_design_scores_gemma":[0.002299703,0.0006234416,0.01472317,0.00009950296,0.0005880296,0.0001602214,0.0721408,0.005349542,0.0003456522,0.006631988,0.8965103,0.0005276214],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9925758,0.001126771,0.000002689,0.003085354,0.0001144178,0.00004973593,0.000008261855,0.000001405585,0.00303553],"genre_scores_gemma":[0.9971303,0.001813045,0.00006423995,0.0003994646,0.0005279275,7.773692e-7,0.000003080066,0.000003566376,0.00005763856],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8827074,"threshold_uncertainty_score":0.1830442,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2006931408","doi":"10.1007/s10824-007-9046-7","title":"The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints","year":2007,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University; University of Toronto","funders":"","keywords":"PICASSO; Common value auction; Irrational number; Collectable; Art; Economics; Art history; Advertising; Visual arts; Business; Microeconomics; Mathematics","authors":[{"name":"James E. Pesando","is_ca":true},{"name":"Pauline Shum","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0244292172304377,"gpt":0.2231814603443557,"spread":0.198752243113918,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008710501,0.00005664483,0.0001313566,0.00001711219,0.0005212552,0.00007338258,0.00009406667,0.00001986243,0.000122595],"category_scores_gemma":[0.00003494868,0.00002968831,0.0001165383,0.000008832136,0.0002456248,0.0003300025,0.00001295991,0.00008202188,0.000001137566],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004533956,"about_ca_system_score_gemma":0.00001907604,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000008528593,"about_ca_topic_score_gemma":0.001136179,"domain_scores_codex":[0.9994237,0.00002011798,0.0003733911,0.00004814772,0.00005151256,0.00008316177],"domain_scores_gemma":[0.9990516,0.0001959864,0.0004549236,0.00005861804,0.000209275,0.00002960498],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001589707,0.0001226286,0.0002789694,0.00004637776,0.0007479819,8.175919e-7,0.02701377,0.0002233993,0.0003183763,0.9322884,0.02091922,0.01645034],"study_design_scores_gemma":[0.0003447652,0.00007530741,0.001832535,0.0000101031,0.0000865384,0.00001269348,0.004112934,0.000371231,0.00009217702,0.0055306,0.9874667,0.00006439591],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9296221,0.0005119309,0.0004086486,0.002603451,0.000908713,0.0001856778,0.00001453056,0.000004340902,0.06574059],"genre_scores_gemma":[0.9921641,0.0003147542,0.0002069695,0.0001543009,0.0008582551,0.000001839757,0.000001525839,0.000004399436,0.006293809],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9665475,"threshold_uncertainty_score":0.4009126,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1553069513","doi":"10.1023/a:1015641715440","title":"Canadian versus American Art: What Pays Off and Why","year":2002,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Bishop's University","funders":"Ministerstvo Školství, Mládeže a Tělovýchovy","keywords":"Painting; Valuation (finance); Nationality; Hedonic regression; Market value; Beauty; Cultural economics; The arts; Value (mathematics); Economics; Art; Sociology; Aesthetics; Political science; Art history; Visual arts; Econometrics; Law; Mathematics; Immigration; Statistics","authors":[{"name":"Călin Vâlsan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02792376548192861,"gpt":0.1940100584174327,"spread":0.166086292935504,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008670934,0.00008551804,0.0002094309,0.00009484083,0.0002206331,0.0002801321,0.0000885903,0.00001718546,0.002412292],"category_scores_gemma":[0.00001419851,0.00006588452,0.0001143069,0.00001365677,0.0001761252,0.001167509,0.000009345407,0.0001071853,0.00007145146],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001996941,"about_ca_system_score_gemma":0.00002239051,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002136757,"about_ca_topic_score_gemma":0.3278633,"domain_scores_codex":[0.9995068,0.0000185154,0.0002384597,0.00006801412,0.00003395187,0.0001342275],"domain_scores_gemma":[0.9994018,0.00002924785,0.0002408123,0.0000599501,0.00007663102,0.0001915316],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002066257,0.00005485943,0.0002331279,0.00001309192,0.0007149378,0.00005530178,0.06712229,0.0001651564,0.000007722955,0.03033795,0.6650776,0.2360113],"study_design_scores_gemma":[0.0002511849,0.0001355525,0.00001896806,0.000007541338,0.00006438429,0.00001727193,0.01267506,0.0002788494,0.000001543084,0.0000900731,0.9863614,0.00009817087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8929713,0.002515672,8.19483e-7,0.005883094,0.001419769,0.00003326822,0.000009374941,0.000006459949,0.09716023],"genre_scores_gemma":[0.9692972,0.01172348,0.00006921759,0.001633209,0.001016417,6.383124e-7,0.000003532474,0.00001069818,0.01624566],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3257266,"threshold_uncertainty_score":0.9984996,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2944535301","doi":"10.1007/s10824-019-09353-4","title":"Ticket resale, bots, and the fair price ticketing curse","year":2019,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Auction Theory and Applications","field":"Decision Sciences","cited_by":24,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"University of Victoria","keywords":"Ticket; Curse; Profit (economics); Economics; Business; Winner's curse; Microeconomics; Industrial organization; Marketing; Commerce; Computer security; Computer science; Common value auction","authors":[{"name":"Pascal Courty","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04537442805455188,"gpt":0.3367678096720857,"spread":0.2913933816175339,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00292778,0.00006897729,0.0002195221,0.00004672025,0.0001387125,0.0002395323,0.0004050475,0.00003602282,0.000237941],"category_scores_gemma":[0.000660255,0.00003357697,0.000112606,0.0001074906,0.0001817717,0.0005887905,0.00006257987,0.0001789956,0.0002731403],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002476804,"about_ca_system_score_gemma":0.00003540604,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00000134731,"about_ca_topic_score_gemma":0.000001473247,"domain_scores_codex":[0.9989067,0.0001183468,0.0006218798,0.0001176055,0.0001391514,0.0000962586],"domain_scores_gemma":[0.9977521,0.0009594985,0.0008115057,0.0001979503,0.0002093205,0.00006964369],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001066813,0.00008539067,0.006434528,0.00001135795,0.000168369,0.000003179975,0.008828572,0.00731694,0.0008367361,0.8821345,0.03930863,0.05380501],"study_design_scores_gemma":[0.003114876,0.0001139682,0.009719957,0.00003162592,0.00005508697,0.0007108921,0.02546419,0.00540355,0.0005842797,0.3194407,0.6350973,0.0002635933],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9830249,0.0001730883,0.0003275821,0.006801824,0.0003556949,0.00009952064,0.000002583213,0.000004162675,0.009210637],"genre_scores_gemma":[0.9944074,0.0001846429,0.000621789,0.0004150844,0.000235953,0.000001115674,2.709883e-7,0.000003921165,0.004129827],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5957887,"threshold_uncertainty_score":0.3510757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2117936128","doi":"10.1007/s10824-010-9125-z","title":"Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs","year":2010,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Consumer Market Behavior and Pricing","field":"Business, Management and Accounting","cited_by":24,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Box office; Revenue; Advertising; Motion picture; Cultural economics; Entertainment; Economics; Sample (material); Distribution (mathematics); Empirical distribution function; Empirical research; Empirical evidence; Econometrics; Marketing; Business; The arts; Statistics; Mathematics; Computer science; Finance; Art","authors":[{"name":"W. David Walls","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02424949762329471,"gpt":0.2640478567532118,"spread":0.2397983591299171,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005785439,0.00009093102,0.0003037657,0.0002232852,0.00005430907,0.0001320364,0.0001790647,0.00004973349,0.0001599547],"category_scores_gemma":[0.0001099986,0.00005926993,0.0002399513,0.0002174615,0.00004789274,0.0005524939,0.00006232169,0.0001729874,3.127042e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002435356,"about_ca_system_score_gemma":0.0000175169,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001000249,"about_ca_topic_score_gemma":0.001381461,"domain_scores_codex":[0.9992515,0.00001049091,0.000472302,0.00009182472,0.00005211608,0.0001218033],"domain_scores_gemma":[0.9992911,0.00009178323,0.0004055697,0.00009841342,0.00009967433,0.0000134438],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0003489772,0.00004984822,0.9876111,0.00003361303,0.000220076,9.806487e-7,0.0002699325,0.00007216423,0.0008790984,0.000207434,0.001225495,0.009081282],"study_design_scores_gemma":[0.001390091,0.00002306405,0.9352252,0.00003465252,0.001177524,0.00001068221,0.0013709,0.01023997,0.0001683696,0.0004742123,0.04968705,0.0001982815],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.997319,0.00003021421,0.000008280727,0.001443877,0.0003973119,0.000101186,0.000004662299,0.000001928209,0.0006935545],"genre_scores_gemma":[0.9991977,0.00004201268,0.0001860427,0.0003444221,0.0001424335,0.00000173731,0.000002376557,0.000005789834,0.00007748212],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05238589,"threshold_uncertainty_score":0.2416957,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2930090948","doi":"10.1007/s10824-019-09343-6","title":"Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data","year":2019,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"RMIT University; Fonds de Recherche du Québec-Société et Culture; Trinity College Dublin","keywords":"Creativity; Cultural economics; Valuation (finance); Hedonic regression; Context (archaeology); Association (psychology); Movement (music); The arts; Regression analysis; Sociology; Economics; Art; Aesthetics; Visual arts; Psychology; Econometrics; History; Social psychology","authors":[{"name":"Douglas J. Hodgson","is_ca":true},{"name":"Christiane Hellmanzik","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1150820109975923,"gpt":0.2566359417789348,"spread":0.1415539307813425,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002496631,0.00007907002,0.0002440016,0.00005364351,0.000149966,0.00005403323,0.0001684088,0.000029636,0.0002255903],"category_scores_gemma":[0.00006113182,0.00005478879,0.00004443544,0.0000139634,0.0001117654,0.001300285,0.00004978544,0.0001649195,0.000007170469],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007041874,"about_ca_system_score_gemma":0.00004408471,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009720034,"about_ca_topic_score_gemma":0.001173878,"domain_scores_codex":[0.9992995,0.00005005574,0.0003841689,0.0001185179,0.00007611242,0.00007169601],"domain_scores_gemma":[0.9989005,0.0001364532,0.0005811661,0.0002049592,0.0001156623,0.00006129377],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.001850058,0.0002670851,0.7060319,0.0003298837,0.005026173,0.00002279927,0.1938741,0.01841302,0.001199169,0.01721174,0.0171014,0.03867261],"study_design_scores_gemma":[0.009313975,0.003857131,0.3503807,0.007086493,0.00817711,0.0001309694,0.1619627,0.08723844,0.0006224599,0.0699388,0.2981251,0.00316606],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9978246,0.0007190694,0.0002037414,0.0001655953,0.0001603681,0.00005108515,0.00008559605,0.000003456372,0.0007864835],"genre_scores_gemma":[0.9976832,0.0002916495,0.0003554342,0.00001437617,0.0002164428,4.083502e-7,0.00003748699,0.00000573899,0.001395276],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3556512,"threshold_uncertainty_score":0.2470056,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1966846469","doi":"10.1007/s10824-012-9171-9","title":"Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts","year":2012,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"University of Ottawa","keywords":"Classical music; Common value auction; Cultural economics; Symphony; Economics; Value (mathematics); Index (typography); Hedonic regression; Order (exchange); Art; Musical; Literature; Visual arts; Econometrics; Mathematics; The arts; Microeconomics; Computer science; Statistics","authors":[{"name":"Patrick Georges","is_ca":true},{"name":"Aylin Seçkin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05418124469480153,"gpt":0.2194669043793304,"spread":0.1652856596845289,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002460548,0.00009870738,0.0002801668,0.0000968988,0.0001137826,0.00006247503,0.0000877475,0.00003556213,0.0001900303],"category_scores_gemma":[0.00002321871,0.00007093278,0.0001439957,0.00001964811,0.0001584235,0.0008907993,0.00002968694,0.0001114752,0.00001075302],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006548443,"about_ca_system_score_gemma":0.00001647939,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009182585,"about_ca_topic_score_gemma":0.0001027044,"domain_scores_codex":[0.9993267,0.00002433888,0.0003809133,0.00007495679,0.00005710679,0.000135995],"domain_scores_gemma":[0.9993092,0.00002448006,0.0003725249,0.0000663357,0.0001045406,0.0001228717],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001273881,0.001526266,0.009505357,0.0005336233,0.001881259,0.000003549334,0.6712295,0.005805761,0.001528663,0.1779084,0.1066189,0.02218479],"study_design_scores_gemma":[0.0007179459,0.0003922455,0.007634342,0.00004977742,0.0004983119,0.00007505251,0.02509888,0.001345614,0.0001629964,0.0006168868,0.9630106,0.0003973596],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9801227,0.0002667199,0.0001168597,0.0004094841,0.0004445619,0.00005276299,0.00000454922,0.000004548307,0.01857774],"genre_scores_gemma":[0.9953509,0.0001001722,0.000689605,0.0001445785,0.00112142,9.993289e-7,0.000002290853,0.000006715415,0.00258331],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8563917,"threshold_uncertainty_score":0.2892555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3142813899","doi":"10.1007/s10824-021-09410-x","title":"The China museum visit boom: Government or demand driven?","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Diverse Aspects of Tourism Research","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Boom; Government (linguistics); China; Space (punctuation); Population growth; Quality (philosophy); Government expenditure; Population; Economics; Business; Agricultural economics; Economic growth; Geography; Public finance; Demography; Sociology; Engineering","authors":[{"name":"Fenghua Zhang","is_ca":false},{"name":"Pascal Courty","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0258841554885005,"gpt":0.3138208364101365,"spread":0.287936680921636,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008309025,0.00008162504,0.0001804139,0.00001371171,0.0006502092,0.0005685216,0.0005021683,0.00005565477,0.0004646683],"category_scores_gemma":[0.0005627094,0.00004757124,0.000169941,0.0000758436,0.0001751905,0.0006295615,0.0001201237,0.0002521366,0.00004573624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004715046,"about_ca_system_score_gemma":0.0004221953,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007580697,"about_ca_topic_score_gemma":0.001203293,"domain_scores_codex":[0.9987606,0.0001388234,0.0003238805,0.0001022692,0.0003908838,0.0002835722],"domain_scores_gemma":[0.9989976,0.0001837955,0.0003191231,0.0001241665,0.0001851046,0.0001902405],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001806186,0.0008729717,0.00904295,0.00005845379,0.002518154,0.004507262,0.05886123,0.006809454,0.001834864,0.2385222,0.59178,0.08338626],"study_design_scores_gemma":[0.0009365217,0.000175959,0.006392131,0.00003873362,0.00005053821,0.0001012636,0.0521838,0.0001998795,0.0009592624,0.003603783,0.9351473,0.0002108613],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9115549,0.0006365174,0.000008114178,0.03900345,0.001050442,0.00009968853,0.000006853755,0.000007633562,0.04763244],"genre_scores_gemma":[0.9694566,0.01279232,0.0004927488,0.0002083392,0.001264948,0.000001042569,4.238184e-7,0.00000894708,0.0157747],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3433672,"threshold_uncertainty_score":0.5482267,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3153778675","doi":"10.1007/s10824-021-09415-6","title":"Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities?","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Homophily; Relocation; Cultural economics; Economic geography; Creative class; Competition (biology); Popularity; The arts; Marketing; Urban economics; Creativity; Economics; Advertising; Sociology; Business; Political science; Microeconomics; Social science","authors":[{"name":"Douglas S. Noonan","is_ca":false},{"name":"Shiri M. Breznitz","is_ca":true},{"name":"Sana Maqbool","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05488949725715804,"gpt":0.3090481938875002,"spread":0.2541586966303421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007563577,0.000202893,0.0003779903,0.00002046221,0.0006898787,0.0007498055,0.000546824,0.000125803,0.003555303],"category_scores_gemma":[0.001154433,0.0001140477,0.0002491106,0.0002432718,0.0001710299,0.0007183185,0.0001476633,0.0003377276,0.00002070347],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006113459,"about_ca_system_score_gemma":0.0004929847,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004328197,"about_ca_topic_score_gemma":0.002237201,"domain_scores_codex":[0.9980904,0.0002115339,0.0007965333,0.0002314576,0.0002582564,0.0004118309],"domain_scores_gemma":[0.9980957,0.0002620854,0.0004632896,0.0001851565,0.0007009539,0.0002928198],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009033849,0.00004884788,0.0006603167,0.000005154081,0.0001059336,0.00002371148,0.009380501,0.000268799,0.0002076021,0.0001758496,0.9839292,0.005103735],"study_design_scores_gemma":[0.0003411582,0.00004767921,0.001193919,0.00003432926,0.00003309548,0.0001219498,0.04619652,0.00001610018,0.001115917,0.0001614316,0.9505202,0.0002177591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9350868,0.0004360387,0.000004701444,0.05025415,0.001374264,0.0002196245,0.00003905341,0.00001840726,0.0125669],"genre_scores_gemma":[0.7496808,0.003201149,0.001017709,0.004725034,0.002296686,0.00001426335,0.00001144106,0.0000216573,0.2390313],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2264644,"threshold_uncertainty_score":0.9973556,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2307954217","doi":"10.1007/s10824-015-9265-2","title":"An economic perspective on rock concerts and climate change: Should carbon offsets compensating emissions be included in the ticket price?","year":2016,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Climate Change Policy and Economics","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec en Outaouais; Université du Québec à Montréal","funders":"","keywords":"Greenhouse gas; Ticket; Carbon footprint; Popularity; Carbon offset; Climate change; Carbon neutrality; Context (archaeology); Global warming; Perspective (graphical); Business; Natural resource economics; Environmental economics; Economics; Political science; Geography; Computer science; Ecology","authors":[{"name":"Marie Connolly","is_ca":true},{"name":"Jérôme Dupras","is_ca":true},{"name":"Charles Séguin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1794858282000239,"gpt":0.3401919084267114,"spread":0.1607060802266876,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001071611,0.0002698976,0.0006866372,0.0002589045,0.0001716638,0.0001711271,0.000431281,0.0001629861,0.0001106139],"category_scores_gemma":[0.000124509,0.0001864716,0.0001520526,0.00006114625,0.00008463523,0.0009013049,0.00009013558,0.0002989809,0.00003615408],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009104083,"about_ca_system_score_gemma":0.00003418484,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003505372,"about_ca_topic_score_gemma":0.0005585605,"domain_scores_codex":[0.997959,0.00005466484,0.001157211,0.000363814,0.00002903107,0.000436273],"domain_scores_gemma":[0.9979438,0.0002789707,0.001258021,0.0002910221,0.00004681548,0.0001814089],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0009999138,0.000618463,0.1620559,0.00009354977,0.0003413545,0.00004640152,0.07972297,0.001869546,0.0003555887,0.7483119,0.001384015,0.004200363],"study_design_scores_gemma":[0.03055281,0.006564464,0.4013066,0.001614278,0.0002606883,0.002234436,0.1441616,0.1018842,0.001606483,0.2233104,0.0800335,0.006470582],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.975265,0.0004259714,0.000003920083,0.01614624,0.0004659242,0.0002463345,0.0002772171,0.00001015136,0.007159271],"genre_scores_gemma":[0.9926427,0.004488022,0.00008675297,0.00197631,0.0007343045,0.00001458762,0.000006250367,0.00002864447,0.00002239969],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5250015,"threshold_uncertainty_score":0.7604093,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3182326240","doi":"10.1007/s10824-021-09425-4","title":"Some economics of movie exhibition: increasing returns and Imax revenue premium","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":6,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Cultural economics; Exhibition; Economics; Revenue; The arts; Art; Visual arts; Finance","authors":[{"name":"Dapeng Liu","is_ca":false},{"name":"Pascal Courty","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02855956040035737,"gpt":0.2248014026619141,"spread":0.1962418422615567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005078352,0.0001537922,0.0007550209,0.00009420342,0.00007117296,0.00006588172,0.000124332,0.00009749336,0.00005250649],"category_scores_gemma":[0.0003107239,0.0001577725,0.0002228325,0.00006327991,0.00009880753,0.0007101826,0.00008686524,0.0001983239,0.00001024043],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000142897,"about_ca_system_score_gemma":0.00007502017,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002611108,"about_ca_topic_score_gemma":0.00005585478,"domain_scores_codex":[0.9983987,0.00001994451,0.001169968,0.0002045935,0.00001765362,0.0001891819],"domain_scores_gemma":[0.998182,0.00009715917,0.001295654,0.0001652102,0.0001391868,0.0001208141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001120387,0.001025568,0.2627345,0.001467268,0.003639183,0.0002484462,0.02330044,0.003292996,0.007783214,0.6421319,0.03870336,0.0145528],"study_design_scores_gemma":[0.01232386,0.001104473,0.1649341,0.001024025,0.0004265729,0.005408207,0.01715761,0.001579486,0.0239087,0.3662129,0.4033758,0.002544263],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.977172,0.01786717,0.000008668792,0.002131172,0.0008879928,0.00006087563,0.0001623886,0.00000354767,0.001706251],"genre_scores_gemma":[0.9522324,0.04419089,0.001753623,0.0002835269,0.0009694232,0.000001789989,0.000009810183,0.00001807286,0.0005404848],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3646724,"threshold_uncertainty_score":0.6433776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2300127171","doi":"10.1007/s10824-016-9271-z","title":"Balancing the score: the financial impact of resource dependence on symphony orchestras","year":2016,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"HEC Montréal","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Symphony; Cultural economics; Revenue; Incentive; The arts; Finance; Control (management); Economics; Government (linguistics); Business; Management; Political science; Art; Art history; Market economy; Law","authors":[{"name":"Tara McGrath","is_ca":true},{"name":"Renaud Legoux","is_ca":true},{"name":"Sylvain Sénécal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04339017442664307,"gpt":0.2892104546610549,"spread":0.2458202802344118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008790247,0.0001028291,0.0001877032,0.00001964166,0.0003469359,0.00008866709,0.0005133962,0.0000814622,0.0001473401],"category_scores_gemma":[0.0005233216,0.00003534104,0.0002276619,0.00009512496,0.0002931963,0.0002910541,0.000036246,0.0002038585,0.000008411906],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005008611,"about_ca_system_score_gemma":0.000523835,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003898497,"about_ca_topic_score_gemma":0.0006574224,"domain_scores_codex":[0.9990077,0.00009985593,0.0004139851,0.00008204108,0.0001763133,0.0002201015],"domain_scores_gemma":[0.9987463,0.0003191744,0.0005795847,0.0001081827,0.0001591337,0.0000876727],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001098658,0.0001678181,0.04984603,0.00001339479,0.0005687281,0.00003041234,0.06016671,0.005180506,0.003218837,0.03414383,0.4933166,0.3522485],"study_design_scores_gemma":[0.001659584,0.0008508519,0.2460812,0.0004676376,0.00008842594,0.0001673113,0.02587505,0.00003855856,0.003157359,0.003936388,0.7171482,0.00052932],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9834434,0.0001174986,0.000007919904,0.01335328,0.0002877818,0.00009667275,0.000005026172,0.000003578366,0.002684819],"genre_scores_gemma":[0.9962386,0.0005028936,0.00002449153,0.000201847,0.0006806561,0.000001012686,2.342099e-7,0.000004181386,0.002346034],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3517192,"threshold_uncertainty_score":0.2668386,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3210184453","doi":"10.1007/s10824-023-09480-z","title":"The impact of social media activities on theater demand","year":2023,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Digital Marketing and Social Media","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ticket; Advertising; nobody; Cultural economics; Social media; Context (archaeology); The arts; Consumption (sociology); Subject (documents); Business; Marketing; Sociology; Computer science; Political science; Social science; World Wide Web; History; Law","authors":[{"name":"Andrea Baldin","is_ca":false},{"name":"Trine Bille","is_ca":false},{"name":"Raghava Rao Mukkamala","is_ca":false},{"name":"Ravi Vatrapu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03188931604434606,"gpt":0.3236359302997149,"spread":0.2917466142553689,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001174331,0.00006735897,0.0001915933,0.00004079863,0.0003711139,0.0001462699,0.0002102829,0.00006206886,0.00002076081],"category_scores_gemma":[0.0007157933,0.0000368519,0.0002729084,0.000100751,0.0002898451,0.0002939889,0.00001759525,0.0001291922,0.00001018983],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001376223,"about_ca_system_score_gemma":0.0001634965,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003788939,"about_ca_topic_score_gemma":0.0001597077,"domain_scores_codex":[0.9992335,0.0001260794,0.0002671786,0.00004531369,0.0001345448,0.0001934006],"domain_scores_gemma":[0.9984813,0.0009923315,0.0003335248,0.00003662258,0.00008677149,0.0000694302],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00142986,0.0001756528,0.006874144,0.00002168778,0.0009545502,0.00001827667,0.6138886,0.001190831,0.000387526,0.0746723,0.1220227,0.1783639],"study_design_scores_gemma":[0.00227701,0.0009389233,0.2182996,0.0001659428,0.000113554,0.00001490766,0.574333,0.0001253132,0.0007696432,0.07060514,0.1316008,0.0007561292],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9614772,0.00002450305,1.061122e-7,0.001420624,0.000679036,0.00003282358,0.000008447899,0.000009226292,0.03634803],"genre_scores_gemma":[0.9976904,0.0006080223,0.000003295709,0.00001701808,0.001040954,6.845001e-7,8.288315e-7,0.000005414253,0.0006334082],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2114254,"threshold_uncertainty_score":0.2854345,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1980498107","doi":"10.1007/s10824-006-9007-6","title":"The welfare and equity implications of competition in television broadcasting: the role of viewer tastes","year":2006,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Merger and Competition Analysis","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Syracuse University","keywords":"Economic surplus; Distribution (mathematics); Advertising; Cultural economics; Welfare; Equity (law); Economics; Competition (biology); Consumer welfare; Quality (philosophy); Marketing; Business; Broadcasting (networking); The arts; Market economy; Computer science","authors":[{"name":"Yong Liu","is_ca":false},{"name":"Daniel S. Putler","is_ca":true},{"name":"Charles B. Weinberg","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02094340305860447,"gpt":0.2420382248699989,"spread":0.2210948218113944,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005423554,0.00006555594,0.0002774347,0.00008158544,0.0001022446,0.00004482981,0.000186254,0.00003097857,0.00007637363],"category_scores_gemma":[0.00004916219,0.00004234811,0.0001354622,0.0001134944,0.00008342321,0.0001675955,0.00004594804,0.00009744291,0.000002884613],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004133905,"about_ca_system_score_gemma":0.00001020013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001112313,"about_ca_topic_score_gemma":0.0001450199,"domain_scores_codex":[0.9988483,0.00001965566,0.0009452904,0.00007807953,0.00002109074,0.00008759344],"domain_scores_gemma":[0.9985837,0.00007481965,0.001092799,0.0001233834,0.0001021346,0.00002316741],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00002182001,0.00006738901,0.05124979,0.0000143518,0.00004853359,1.194482e-7,0.0002066018,0.002253008,0.000340579,0.9367656,0.0001333879,0.008898814],"study_design_scores_gemma":[0.0009164842,0.0001418163,0.5742071,0.00007068815,0.00004795497,0.00004588342,0.003462875,0.005945616,0.001032979,0.2541634,0.1597278,0.0002373718],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9795442,0.00486858,0.000114183,0.003414798,0.00008227659,0.00006348811,0.0000393077,0.000001484017,0.01187164],"genre_scores_gemma":[0.9978837,0.001842134,0.0001308463,0.00003014373,0.00005913816,0.000001507814,0.000004283328,0.000003688366,0.00004460656],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6826022,"threshold_uncertainty_score":0.1726906,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992725247","doi":"10.1007/s10824-014-9231-4","title":"Innovation, experience and artists’ age-valuation profiles: evidence from eighteenth-century rococo and neoclassical painters","year":2014,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal; McGill University","funders":"McGill University","keywords":"Valuation (finance); Painting; The arts; Cultural economics; Earnings; Originality; Style (visual arts); Socioeconomic status; Economics; Art; Sociology; Visual arts; Demography; Social science; Accounting","authors":[{"name":"John W. Galbraith","is_ca":true},{"name":"Douglas J. Hodgson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04737889435889246,"gpt":0.2484787932874285,"spread":0.201099898928536,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003593774,0.00009580205,0.0002057181,0.00007305425,0.0001966701,0.0002034494,0.00008221943,0.00003040999,0.0002533642],"category_scores_gemma":[0.0001722824,0.00007050057,0.0000500288,0.00002072945,0.0002498225,0.001081581,0.00002805866,0.0001067975,0.000005359736],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006001576,"about_ca_system_score_gemma":0.00001964117,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001989817,"about_ca_topic_score_gemma":0.00008013719,"domain_scores_codex":[0.9992155,0.00007063568,0.0004398507,0.0001200478,0.00006849887,0.00008540925],"domain_scores_gemma":[0.9991799,0.0001033903,0.0004152949,0.00006530431,0.0001794131,0.00005666923],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008195278,0.0001842896,0.01700896,0.0001178108,0.000615143,0.00002117154,0.4753304,0.0002103769,0.004661896,0.2686578,0.04294337,0.1894292],"study_design_scores_gemma":[0.001064439,0.0004900849,0.009385898,0.0003318621,0.0002438737,0.00003443198,0.03161655,0.008887818,0.0004805399,0.006680515,0.940262,0.0005219664],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9972516,0.0004245485,0.0003764929,0.0004917879,0.0003052335,0.00005362736,0.000002722784,0.00000609541,0.001087917],"genre_scores_gemma":[0.9972774,0.0009312368,0.0004217803,0.0002769175,0.000610123,0.000002938343,0.000005993824,0.000004975687,0.0004686395],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8973187,"threshold_uncertainty_score":0.287493,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402679275","doi":"10.1007/s10824-024-09522-0","title":"Beyond the big screen: secondary channel releases and their impact on the theatrical market","year":2024,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Cultural economics; Channel (broadcasting); The arts; Economics; Business; Marketing; Advertising; Visual arts; Art; Telecommunications; Engineering","authors":[{"name":"Danielle Brennan","is_ca":true},{"name":"Kyle D. S. Maclean","is_ca":true},{"name":"Mercedes Sánchez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02885966672259413,"gpt":0.2299860177882496,"spread":0.2011263510656555,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007396959,0.0002067758,0.0004384824,0.0001201193,0.0001879461,0.0002576133,0.0002487688,0.00006509238,0.0002194641],"category_scores_gemma":[0.0001319471,0.00008586061,0.0003705207,0.0001121825,0.0001431856,0.0002369308,0.00006719307,0.0004529934,0.00004261799],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001033564,"about_ca_system_score_gemma":0.00005359197,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002684458,"about_ca_topic_score_gemma":0.00001799434,"domain_scores_codex":[0.9989708,0.00002604419,0.0005838394,0.0001778624,0.00002373525,0.0002177259],"domain_scores_gemma":[0.9987803,0.0006179925,0.0003019014,0.000169351,0.00003622859,0.00009424617],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006301996,0.0001637003,0.002774643,0.00009637867,0.003187918,0.00005053062,0.01118506,0.0005210097,0.00003429333,0.1957513,0.7017859,0.08381907],"study_design_scores_gemma":[0.001665119,0.001506268,0.05282691,0.0002040939,0.0001427721,0.001278731,0.012101,0.009934566,0.0002142253,0.1987021,0.7205532,0.0008709936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8983994,0.03819525,0.00002232815,0.02881736,0.001566314,0.0001624268,0.0002591936,0.00001254702,0.03256515],"genre_scores_gemma":[0.9820398,0.01456128,0.00001417871,0.001147672,0.001290382,0.000004314728,0.000002240126,0.00001795864,0.0009221833],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08364037,"threshold_uncertainty_score":0.3501294,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4398172561","doi":"10.1007/s10824-024-09510-4","title":"The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance","year":2024,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Cultural economics; Competition (biology); The arts; Economics; Market competition; Economic geography; Business; Market economy; Political science","authors":[{"name":"Richard A. Briesch","is_ca":false},{"name":"Ernan Haruvy","is_ca":true},{"name":"Glenn B. Voss","is_ca":false},{"name":"Zannie Giraud Voss","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04617604469534982,"gpt":0.2790227770722735,"spread":0.2328467323769237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001207852,0.00008079327,0.0001475877,0.00002983333,0.0003001534,0.0002658869,0.0002409856,0.00005797549,0.00003853345],"category_scores_gemma":[0.00009500411,0.00004199549,0.00007585426,0.00009099527,0.0001812386,0.0004882278,0.00001709878,0.0002966865,0.000001857491],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002932895,"about_ca_system_score_gemma":0.0001512502,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001589243,"about_ca_topic_score_gemma":0.0009151781,"domain_scores_codex":[0.9991087,0.00007966466,0.000419083,0.00006856729,0.0001542851,0.0001697231],"domain_scores_gemma":[0.9990742,0.000582464,0.0001993534,0.00004612306,0.00006382726,0.0000339909],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001271632,0.0001021966,0.003442175,0.0003599242,0.0004075226,0.00007318001,0.1579426,0.004186055,0.0003595089,0.01366339,0.02071044,0.7974814],"study_design_scores_gemma":[0.001805407,0.0007497124,0.01649399,0.001347601,0.0001002702,0.00008834022,0.2277735,0.01790875,0.001275172,0.0001920579,0.7319183,0.0003468448],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9924018,0.0006864038,0.00002677014,0.002135525,0.001566899,0.0001053048,8.908031e-7,0.000004274483,0.003072106],"genre_scores_gemma":[0.9972333,0.001855671,0.00003277381,0.00003809369,0.0004599685,0.000002297191,9.597784e-7,0.000003650258,0.0003732312],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7971345,"threshold_uncertainty_score":0.2563953,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4414584229","doi":"10.1007/s10824-025-09559-9","title":"QR code-enabled tips to street performers at the Edinburgh Fringe Festival","year":2025,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Sexuality, Behavior, and Technology","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"European Commission; University of East Anglia; Trent University; Nottingham Trent University","keywords":"Payment; Code (set theory); Digital signage; Signage; The arts; Camera phone; Tourism; Cash","authors":[{"name":"Meg Elkins","is_ca":false},{"name":"Tim R. L. Fry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03967921491767801,"gpt":0.3361434873094568,"spread":0.2964642723917788,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004344865,0.000174312,0.0003586632,0.0001411593,0.0001923937,0.00005390823,0.0005298574,0.0001930882,0.001040182],"category_scores_gemma":[0.00007824731,0.0001126713,0.0001682401,0.0001333351,0.000130412,0.0001537268,0.0001417071,0.0004567241,0.00008486794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003265459,"about_ca_system_score_gemma":0.00007046077,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007301191,"about_ca_topic_score_gemma":0.0003933113,"domain_scores_codex":[0.9987556,0.00004808286,0.0006028879,0.0001986381,0.00006857917,0.0003261937],"domain_scores_gemma":[0.9990075,0.0001173548,0.0003379453,0.000298581,0.0001334605,0.0001051228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001053437,0.0003514057,0.126947,0.00001378352,0.0008733336,0.00007343839,0.006500653,0.000539586,0.001823737,0.03709588,0.7675735,0.05715427],"study_design_scores_gemma":[0.001881668,0.0003952426,0.02812086,0.00003494104,0.00019166,0.0003957661,0.01798574,0.0000337008,0.001673063,0.001142193,0.9478463,0.0002988742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9646139,0.0002485914,0.00001699643,0.00653653,0.003150163,0.0001504344,0.00001659775,0.00002330454,0.02524346],"genre_scores_gemma":[0.9401609,0.00008538824,0.0001452135,0.001237269,0.0004268983,0.000009991039,0.000004302043,0.00001311143,0.05791694],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1802728,"threshold_uncertainty_score":0.999873,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4377098261","doi":"10.1007/s10824-023-09477-8","title":"For those about to rock… is stability a determinant of rock bands success?","year":2023,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Sports Analytics and Performance","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Center for Interuniversity Research and Analysis on Organizations","funders":"","keywords":"Interpretation (philosophy); Stability (learning theory); Cultural economics; Cover (algebra); Psychology; Sociology; The arts; Visual arts; Computer science; Engineering; Linguistics; Art; Philosophy","authors":[{"name":"Étienne Farvaque","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.067766505748758,"gpt":0.2848547894631466,"spread":0.2170882837143886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007922243,0.0001548997,0.0006790684,0.0002393773,0.00008239551,0.00007997102,0.0003363115,0.00008788663,0.0002749168],"category_scores_gemma":[0.00009774178,0.0001364121,0.0003805323,0.0002023531,0.00001572561,0.0004552465,0.0000582533,0.0001188989,0.00007870023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001182419,"about_ca_system_score_gemma":0.00005123425,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004597844,"about_ca_topic_score_gemma":0.00003284384,"domain_scores_codex":[0.998076,0.000003652645,0.001392489,0.0002150036,0.00003272099,0.0002801473],"domain_scores_gemma":[0.9981695,0.00005432358,0.00119772,0.00022634,0.0001988042,0.0001533225],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001655033,0.0006574498,0.626556,0.001080835,0.001221171,0.0000256072,0.01922497,0.2040174,0.0006192231,0.04965986,0.07968697,0.0155955],"study_design_scores_gemma":[0.00282711,0.001238316,0.1296934,0.0001732469,0.00007686116,0.00004776806,0.001307268,0.22442,0.005577606,0.01170824,0.621987,0.000943214],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9963093,0.0003365832,0.0008125098,0.0008667115,0.0006529685,0.0001650601,0.0003219612,0.000006861239,0.0005280355],"genre_scores_gemma":[0.9970462,0.001305549,0.0003321799,0.0002836926,0.0002725387,0.000006775743,0.00000849864,0.00001811007,0.0007264438],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5423,"threshold_uncertainty_score":0.5562722,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}