{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":16,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":16,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"f1fc7e95c841","filters":{"venue":"Journal of Dance & Somatic Practices"}},"results":[{"id":"W2328615442","doi":"10.1386/jdsp.6.2.233_1","title":"A pedagogy of vital contact","year":2014,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Innovative Education and Learning Practices","field":"Social Sciences","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Improvisation; Stress (linguistics); Psychology; Sociology; Aesthetics; Pedagogy; Linguistics; Visual arts; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.08376928718427146,"gpt":0.4819044365163621,"spread":0.3981351493320907,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.005004195,0.00008129519,0.0002752394,0.0001310595,0.0002242789,0.0001052681,0.0003315414,0.00005769605,0.0004154234],"category_scores_gemma":[0.02641311,0.00006746998,0.00007761404,0.0003029697,0.0001535456,0.002045778,0.00001648355,0.0003411622,0.00002933251],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004884139,"about_ca_system_score_gemma":0.0007293132,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002717506,"about_ca_topic_score_gemma":0.0001091887,"domain_scores_codex":[0.9975469,0.001012354,0.0005859076,0.00008393088,0.000599561,0.0001713872],"domain_scores_gemma":[0.9900607,0.002675269,0.00634151,0.0001273787,0.00071281,0.0000823091],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006286456,0.002140297,0.1858567,0.0004510633,0.0006234224,0.00002866243,0.3288119,0.00006107249,0.02821922,0.3595057,0.01094961,0.08272363],"study_design_scores_gemma":[0.0007678258,0.0005950829,0.04021318,0.000264725,0.0001336018,0.00005557551,0.08885861,0.0000676727,0.001386295,0.00238903,0.8650725,0.0001959351],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9139136,0.0003444558,0.001975655,0.01546102,0.001277589,0.0001009491,6.467765e-7,0.00001389549,0.06691217],"genre_scores_gemma":[0.9935935,0.0001104882,0.004655756,0.0002718419,0.0006635795,0.000001461766,2.876354e-7,0.000007125857,0.0006960062],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8541229,"threshold_uncertainty_score":0.9817878,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2779928311","doi":"10.1386/jdsp.9.2.145_1","title":"Looking for blind spots in somatics’ evolving pathways","year":2017,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Paranormal Experiences and Beliefs","field":"Psychology","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Field (mathematics); Perspective (graphical); Agency (philosophy); Embodied cognition; Sociology; Psychoanalysis; Psychology; Epistemology; Visual arts; Art; Social science","retraction":null,"screen_n_in":null,"score":{"opus":0.1230921923100233,"gpt":0.4418304606834246,"spread":0.3187382683734014,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001660749,0.0001521611,0.0004135687,0.0001302991,0.0003217216,0.0003417343,0.0007971374,0.00009769896,0.0001621558],"category_scores_gemma":[0.003522013,0.0001214968,0.0001311812,0.00006496766,0.00009217502,0.002447776,0.00005955174,0.0003068366,0.00002995132],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005032143,"about_ca_system_score_gemma":0.0001211166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005956851,"about_ca_topic_score_gemma":0.00004928109,"domain_scores_codex":[0.9982176,0.0001018091,0.0008439616,0.0001648203,0.0003235917,0.0003481975],"domain_scores_gemma":[0.9928243,0.00074769,0.005717227,0.0004596542,0.0001583271,0.00009285485],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.004622006,0.005174064,0.5732299,0.001470287,0.001246196,0.002484972,0.1582616,0.0003677881,0.0356436,0.03233136,0.003708294,0.1814599],"study_design_scores_gemma":[0.01622763,0.001739849,0.8799228,0.003207579,0.0003823595,0.001887575,0.03903133,0.01012963,0.003103641,0.01808337,0.02519606,0.00108816],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9787268,0.001916483,0.001551015,0.0005830496,0.001605382,0.0002457311,0.000003315945,0.000008835089,0.01535939],"genre_scores_gemma":[0.9880356,0.00008146511,0.01088621,0.0001073344,0.0004827692,0.00002287539,3.51127e-7,0.00001623465,0.0003671148],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3066929,"threshold_uncertainty_score":0.4954496,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321527601","doi":"10.1386/jdsp.3.1-2.127_1","title":"The Feldenkrais method and women with eating disorders","year":2011,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Eating Disorders and Behaviors","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Thematic analysis; Grounded theory; Action (physics); Psychology; Qualitative research; Eating disorders; Variety (cybernetics); Developmental psychology; Clinical psychology; Sociology; Social science; Computer science; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.03973308803165542,"gpt":0.3630030247702546,"spread":0.3232699367385992,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001360586,0.0001151786,0.0002054228,0.00004412155,0.000247575,0.00008623484,0.0002342281,0.00004256454,0.0001389986],"category_scores_gemma":[0.0004821748,0.0000627705,0.00003155704,0.000123201,0.0001094161,0.0004748658,0.00002632742,0.0002975526,0.000005976262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001702427,"about_ca_system_score_gemma":0.00004263149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001093537,"about_ca_topic_score_gemma":0.00008640374,"domain_scores_codex":[0.9987571,0.0002783846,0.000384787,0.0001167456,0.000222387,0.0002405687],"domain_scores_gemma":[0.9964915,0.0009584844,0.002208979,0.0001953579,0.00007022739,0.00007543406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.000757046,0.0006189705,0.6694767,0.00006132601,0.0004611709,0.00006087246,0.1016067,0.000004049112,0.0003825238,0.001157436,0.0004833404,0.2249299],"study_design_scores_gemma":[0.00205212,0.003650225,0.8334143,0.000297802,0.0003664711,0.0009057328,0.1438232,0.00005807569,0.00004781209,0.00878857,0.006236741,0.0003588951],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9874601,0.001274347,0.002330021,0.0004599761,0.0002248825,0.0001055434,4.381746e-7,0.00001109417,0.008133597],"genre_scores_gemma":[0.9746428,0.0001827575,0.02465374,0.00009557918,0.00005995337,0.00001719268,6.731941e-8,0.00001658587,0.0003313713],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.224571,"threshold_uncertainty_score":0.2559707,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2832419366","doi":"10.1386/jdsp.10.1.65_1","title":"The Porous Body: Cultivating malleability in traditional dance training","year":2018,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Malleability; Dance; Metaphor; Performative utterance; Aesthetics; Feeling; Psychology; Sociology; Visual arts; Art; Social psychology; Computer science; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.1541142689618354,"gpt":0.382177949006854,"spread":0.2280636800450186,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002609145,0.000136649,0.0002795858,0.00006915694,0.0003412313,0.0001312891,0.0005656789,0.00007112695,0.0003225265],"category_scores_gemma":[0.004233257,0.00008904809,0.00008764504,0.0002319857,0.0003285421,0.001738785,0.00003637822,0.0005818066,0.00005784965],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009994789,"about_ca_system_score_gemma":0.0001921086,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004752081,"about_ca_topic_score_gemma":0.00005652737,"domain_scores_codex":[0.9979488,0.0003834244,0.0006880297,0.0001686262,0.0004635866,0.0003474961],"domain_scores_gemma":[0.9947399,0.002058484,0.002657344,0.0002621956,0.000190583,0.00009143469],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00462433,0.004466351,0.5554388,0.0002891763,0.001402745,0.0009136808,0.1786112,0.0001032149,0.008361597,0.03206626,0.03755166,0.176171],"study_design_scores_gemma":[0.002130826,0.00108935,0.9254355,0.0005066717,0.00007524981,0.0009232084,0.03759664,0.0002667878,0.0002398736,0.008687182,0.02276714,0.0002815325],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9734113,0.0004645777,0.0002929679,0.005126882,0.001230787,0.0001172772,0.000006412145,0.00001301358,0.01933674],"genre_scores_gemma":[0.9950939,0.00005271729,0.003377978,0.0003674757,0.0007449721,0.000003680457,5.393572e-7,0.000009609797,0.0003491391],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3699967,"threshold_uncertainty_score":0.5067909,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4291289376","doi":"10.1386/jdsp_00072_1","title":"Leaning into life with somatic sensitivity: Lessons learned from world-class experts of partnered practices","year":2022,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University; University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dance; Feeling; Motion (physics); Class (philosophy); Psychology; The arts; Sensitivity (control systems); Human–computer interaction; Cognitive psychology; Cognitive science; Computer science; Social psychology; Artificial intelligence; Visual arts; Engineering; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1574272228671175,"gpt":0.4006732384652137,"spread":0.2432460155980962,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002266339,0.000290984,0.0008648706,0.000327495,0.0004750552,0.0001711613,0.0005954347,0.00006923184,0.001157673],"category_scores_gemma":[0.004500102,0.0002530137,0.0001758138,0.0005873945,0.0001888579,0.002985229,0.0002360227,0.0008693974,0.00003384879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001425818,"about_ca_system_score_gemma":0.0004849801,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007616252,"about_ca_topic_score_gemma":0.0003288392,"domain_scores_codex":[0.9953734,0.001701823,0.0009555637,0.0003504621,0.001204052,0.0004147016],"domain_scores_gemma":[0.9808659,0.00393141,0.01413163,0.0005826099,0.0002425733,0.0002458747],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.02530201,0.01766558,0.2846484,0.001657498,0.01646347,0.00960687,0.3806322,0.007415659,0.1067345,0.00792094,0.06256416,0.07938872],"study_design_scores_gemma":[0.01735961,0.007998453,0.1379391,0.003242624,0.004833271,0.003620714,0.6772721,0.004383416,0.006925873,0.008716757,0.1251525,0.00255559],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9744062,0.001831836,0.0006359848,0.01613586,0.000803586,0.0002166032,0.00002624285,0.0000370523,0.005906638],"genre_scores_gemma":[0.9915072,0.0001104922,0.006615025,0.0007433078,0.0002578162,0.00001221403,0.000005864324,0.00003638579,0.0007117398],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2966399,"threshold_uncertainty_score":0.9999922,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2922447188","doi":"10.1386/jdsp.10.2.189_1","title":"Somatic/embodiment/technology as an evolutive strategy: The ontological shift of the performative body in contact with technologies","year":2018,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Performative utterance; Performativity; Aesthetics; Premise; Perception; Deconstruction (building); Human body; Perspective (graphical); Dance; Context (archaeology); Epistemology; Mediation; Sociology; Cognitive science; Psychology; Art; Philosophy; Computer science; Visual arts; History; Social science; Artificial intelligence; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.0212924445356639,"gpt":0.2987910486624339,"spread":0.27749860412677,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009049145,0.0001808186,0.0003958435,0.0001693737,0.0001700502,0.0001647472,0.00228675,0.0001124103,0.000005217214],"category_scores_gemma":[0.001530451,0.00008042544,0.00006313148,0.0007235228,0.0006544807,0.003587048,0.0002505869,0.0006694199,0.000009489299],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005936816,"about_ca_system_score_gemma":0.0003478352,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001809148,"about_ca_topic_score_gemma":0.00004702731,"domain_scores_codex":[0.9981179,0.0002578784,0.0006287223,0.0001762758,0.0005574417,0.0002617873],"domain_scores_gemma":[0.9954749,0.0007602872,0.002840591,0.0006224125,0.000258714,0.00004314302],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.001222202,0.004269522,0.1979605,0.0003831958,0.001077217,0.0004064765,0.07802774,0.0001672321,0.00839233,0.6594296,0.0001899369,0.04847409],"study_design_scores_gemma":[0.002011181,0.01277702,0.1779417,0.001347803,0.0001416768,0.001279857,0.03572126,0.009442145,0.03722613,0.7213753,0.0002967637,0.0004391675],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9827884,0.0002460822,0.001892282,0.009858097,0.0001906442,0.0002996811,0.000001337375,0.0000388234,0.00468461],"genre_scores_gemma":[0.9944998,0.00002304187,0.005318219,0.00009261096,0.00004208872,0.00001302556,9.214043e-8,0.000005287015,0.000005859995],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06194571,"threshold_uncertainty_score":0.4249389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4246286364","doi":"10.1386/jdsp.6.1.3_2","title":"Editorial","year":2014,"lang":"en","type":"editorial","venue":"Journal of Dance & Somatic Practices","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.01796634293262345,"gpt":0.3167202020198359,"spread":0.2987538590872124,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002128065,0.0002700647,0.0005844291,0.0001822844,0.00007372229,0.000229203,0.0004553703,0.0006125419,0.001642471],"category_scores_gemma":[0.007622678,0.0002391326,0.0001800743,0.00009036902,0.00003724595,0.001090126,0.00002115582,0.001550563,0.001576543],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002490552,"about_ca_system_score_gemma":0.0002965545,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":6.601223e-7,"about_ca_topic_score_gemma":0.000007975574,"domain_scores_codex":[0.9966271,0.000199994,0.0009715452,0.0001282935,0.001864758,0.0002082928],"domain_scores_gemma":[0.994536,0.001381701,0.003043966,0.0002792932,0.0006365937,0.0001224086],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002537902,0.00002625711,0.000002414806,0.0003557935,0.0001100304,0.000003380217,0.000323021,0.001150615,0.0003658734,6.210664e-7,0.9967967,0.0008399286],"study_design_scores_gemma":[0.0005653512,0.0001264142,0.00001955714,0.000421505,0.0002420898,0.000009160707,0.000081263,0.001428688,0.00001917017,0.0001645357,0.9966905,0.0002317914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.0006222957,0.0003686681,0.001031005,0.00005122145,0.9958202,0.00008391764,0.000008774656,0.00007333206,0.001940564],"genre_scores_gemma":[0.0003959129,0.0008105027,0.0009830397,0.00001102844,0.9972907,0.000005553126,0.00001856384,0.0000614301,0.000423239],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.005494613,"threshold_uncertainty_score":0.9992701,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2319484287","doi":"10.1386/jdsp.4.2.161_1","title":"Holistic pedagogy in practice: The curriculum and ideology of embodied self-discovery in Franziska Boas’s dance classes, 1933–1965","year":2012,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Dance; Dance education; Syllabus; Creativity; Choreography; Curriculum; Visual arts; The arts; Pedagogy; Sociology; Embodied cognition; Psychology; Art; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.03590767951880031,"gpt":0.4046401152954159,"spread":0.3687324357766156,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003094493,0.0002443628,0.000691061,0.0002718093,0.00009329825,0.00008794019,0.0005851698,0.0001793697,0.00007985044],"category_scores_gemma":[0.005191326,0.0001826994,0.0000960041,0.0004307291,0.0002610255,0.005640644,0.0001342851,0.0009942607,0.00002751574],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009409459,"about_ca_system_score_gemma":0.0002372942,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008356897,"about_ca_topic_score_gemma":0.0002387954,"domain_scores_codex":[0.996545,0.001110123,0.001071165,0.0002208982,0.0004802648,0.0005725379],"domain_scores_gemma":[0.9913729,0.003232754,0.004668861,0.0004128211,0.00017566,0.0001369486],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0008008137,0.003435658,0.9508615,0.0002856062,0.0003937271,0.0002722822,0.02371749,0.00004598411,0.0002967256,0.01581463,0.002429558,0.001646021],"study_design_scores_gemma":[0.003388549,0.0007315049,0.9238514,0.0004789897,0.0005092111,0.002060735,0.04844977,0.000132946,0.00005918633,0.001349125,0.01864018,0.0003483986],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9700697,0.0132723,0.0001624144,0.003495803,0.00129597,0.0002665435,0.000008855342,0.00001127172,0.01141712],"genre_scores_gemma":[0.9942784,0.001673887,0.002921118,0.0006686904,0.0002870736,0.000007848874,0.000001029515,0.00001646867,0.0001454931],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0270101,"threshold_uncertainty_score":0.7450263,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2921262244","doi":"10.1386/jdsp.10.2.261_1","title":"Fibromyalgia and the Feldenkrais method: Action research examining the teacher–student dynamic in transfer of learning","year":2018,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Historical Education Studies Worldwide","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Panacea (medicine); Fibromyalgia; Psychology; Action (physics); Everyday life; Process (computing); Transfer of learning; Knowledge transfer; Knowledge management; Computer science; Epistemology; Developmental psychology; Medicine; Alternative medicine","retraction":null,"screen_n_in":null,"score":{"opus":0.1711747457049243,"gpt":0.5349592947018803,"spread":0.363784548996956,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.01992283,0.00007128979,0.0002524685,0.0001241288,0.0008763217,0.0001035042,0.00038842,0.00004594576,0.00006601114],"category_scores_gemma":[0.01422434,0.0000405927,0.00004498703,0.000657137,0.0009144401,0.0006169142,0.00004595746,0.0007911301,0.000004311832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002469855,"about_ca_system_score_gemma":0.0002867671,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001056712,"about_ca_topic_score_gemma":0.001517702,"domain_scores_codex":[0.9939724,0.004238654,0.0005297293,0.0001117635,0.0009329384,0.0002145568],"domain_scores_gemma":[0.9900122,0.008523932,0.0008761128,0.0001331144,0.0004023971,0.00005219801],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003393596,0.0002594197,0.0301584,0.0001184128,0.0001777179,0.000004789532,0.9318948,0.00005140825,0.001765735,0.00265625,0.0008373429,0.03173633],"study_design_scores_gemma":[0.001375624,0.0004078097,0.1862851,0.0005317469,0.0001577747,0.00003107145,0.7492846,0.0006932862,0.0001330323,0.001866832,0.05908231,0.0001508663],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9712735,0.001856601,0.001604252,0.01867183,0.0003998074,0.0002356544,1.339668e-7,0.000006047533,0.005952169],"genre_scores_gemma":[0.9958032,0.001088786,0.001960161,0.00002565943,0.0002016783,0.00001036238,4.080271e-8,0.000006511867,0.0009036281],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1826103,"threshold_uncertainty_score":0.9940792,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4291289364","doi":"10.1386/jdsp_00073_1","title":"Break-in’ Point: Somatic narratives: The convergence of arts and science in the transformation of temporal communities","year":2022,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Community Based Research Centre","funders":"","keywords":"The arts; Dance; Embodied cognition; Psychological resilience; Narrative; Sociology; Performing arts; Dance education; Visual arts; Community resilience; Point (geometry); Interrogation; Aesthetics; Pedagogy; Psychology; Media studies; Art; Social psychology; Epistemology; Political science; Engineering; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.0512433585069808,"gpt":0.2994618032815973,"spread":0.2482184447746165,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002768782,0.00007888235,0.0002367675,0.000130125,0.0005363628,0.0000610496,0.0004300875,0.00000725387,0.0001075011],"category_scores_gemma":[0.00008437211,0.00004285205,0.00003920371,0.0001592347,0.0006856269,0.001872249,0.00004782209,0.000267216,3.371229e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002111831,"about_ca_system_score_gemma":0.0001157721,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003238048,"about_ca_topic_score_gemma":0.001472726,"domain_scores_codex":[0.9984963,0.0002743375,0.0006225446,0.00004010168,0.0004536004,0.0001131059],"domain_scores_gemma":[0.9976545,0.0006074614,0.001488102,0.0001308611,0.0001076174,0.00001146638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000648177,0.0001364737,0.00769277,0.0002219959,0.00002145387,0.000002205727,0.9798184,0.00009597007,0.0001632863,0.01129917,0.00005198892,0.0004314782],"study_design_scores_gemma":[0.0003641428,0.0003571284,0.009819175,0.000249132,0.00002799782,0.00007784899,0.9810675,0.0007238925,0.0001762499,0.005079916,0.001995215,0.00006180949],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9911216,0.001432603,0.000006770697,0.00312764,0.0001682228,0.0001563821,0.000007533913,0.000001745719,0.003977496],"genre_scores_gemma":[0.9993812,0.000402513,0.0000497943,0.0001052994,0.00003238308,0.00001070039,4.645102e-7,0.000002873905,0.00001476209],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008259604,"threshold_uncertainty_score":0.4125323,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4252460866","doi":"10.1386/jdsp.6.1.111_5","title":"Review","year":2014,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Ethnography; Sociology; Art; Visual arts; Anthropology","retraction":null,"screen_n_in":null,"score":{"opus":0.04232005243751589,"gpt":0.3925842305982396,"spread":0.3502641781607237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.003042244,0.00006729533,0.0002695694,0.00002244306,0.00056145,0.00003955667,0.0002724357,0.00002920078,0.0001411618],"category_scores_gemma":[0.01038092,0.00004754694,0.00009783261,0.0001494561,0.0001363271,0.001013244,0.00001519545,0.0001787434,0.00005119444],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004706581,"about_ca_system_score_gemma":0.0001255872,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001084805,"about_ca_topic_score_gemma":0.0001099169,"domain_scores_codex":[0.9985455,0.0004990934,0.000360457,0.00006374878,0.0004001529,0.0001310796],"domain_scores_gemma":[0.9971037,0.0001912484,0.002270727,0.0001065366,0.0002493434,0.00007847326],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007186603,0.0005618508,0.003574826,0.003780829,0.0004376086,0.00005218683,0.1711498,0.000007373224,0.0005749575,0.05724172,0.647186,0.115361],"study_design_scores_gemma":[0.000099788,0.00005936609,0.0001925328,0.001510073,0.0001145138,0.00002028186,0.007958706,0.000001788603,0.000004581685,0.001919955,0.9880532,0.00006521033],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01276085,0.4124688,0.001011452,0.1192485,0.002818605,0.0003700413,9.503734e-7,0.00005747562,0.4512634],"genre_scores_gemma":[0.8706313,0.1065435,0.008240174,0.008108093,0.002874452,0.00001201251,3.515953e-7,0.00001763586,0.003572454],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8578705,"threshold_uncertainty_score":0.9979551,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321674874","doi":"10.1386/jdsp.6.1.29_1","title":"Narratives of dancers: Somatic and artistic practices of a Canadian and a Brazilian dancer","year":2014,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Narrative; Negotiation; Aesthetics; Visual arts; Performing arts; Sociology; The arts; Gesture; Directive; Art; Literature; Social science","retraction":null,"screen_n_in":null,"score":{"opus":0.04306495685232333,"gpt":0.3489974509292539,"spread":0.3059324940769306,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001323979,0.0001933768,0.0006384837,0.0004605872,0.0001262883,0.00008215029,0.0003253048,0.00009959844,0.000194067],"category_scores_gemma":[0.004377601,0.000166385,0.00006882224,0.0003588101,0.0004036704,0.002150282,0.0000460276,0.000307236,0.000008050242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004012173,"about_ca_system_score_gemma":0.0002698808,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005374346,"about_ca_topic_score_gemma":0.006577799,"domain_scores_codex":[0.9979137,0.0004250949,0.0007880898,0.0002022983,0.0003760311,0.0002947618],"domain_scores_gemma":[0.9900594,0.001204171,0.007909764,0.0003001251,0.0002411328,0.0002854602],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.002539723,0.002173245,0.6237328,0.005859486,0.003733889,0.0002774221,0.2474597,0.00006412056,0.0305082,0.02137259,0.0112674,0.05101144],"study_design_scores_gemma":[0.004996067,0.003920729,0.8544427,0.003363293,0.001100888,0.001487122,0.09119388,0.0005949491,0.001385655,0.01032196,0.02648122,0.0007115687],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9827081,0.003610788,0.000260072,0.003178167,0.0003508563,0.0001724805,0.00002067774,0.000006032825,0.009692817],"genre_scores_gemma":[0.9911076,0.0004721381,0.007943511,0.000181693,0.0001104457,0.000002943023,7.712107e-7,0.00001347013,0.0001674512],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2307098,"threshold_uncertainty_score":0.812444,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4248500185","doi":"10.1386/jdsp.7.2.229_1","title":"The moon as my witness","year":2015,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Witness; Poetry; Visual arts; Documentation; Reciprocal; Duration (music); History; Adaptation (eye); Art; Literature; Psychology; Computer science; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.1056627565615384,"gpt":0.4218037442096813,"spread":0.3161409876481428,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.006056847,0.00007692631,0.000160433,0.00003083106,0.000721202,0.0004627886,0.0005775076,0.00006112544,0.00002599528],"category_scores_gemma":[0.01046362,0.0000471722,0.00006384872,0.0001479858,0.0003544608,0.00170041,0.00003640279,0.0004061261,0.00006210177],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009784439,"about_ca_system_score_gemma":0.001075538,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000397622,"about_ca_topic_score_gemma":0.0004291689,"domain_scores_codex":[0.9979081,0.0004783056,0.0003431171,0.00007320619,0.0009795114,0.0002177557],"domain_scores_gemma":[0.9953366,0.001477539,0.002405702,0.000161232,0.0004444634,0.00017447],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004613634,0.0006968147,0.00510416,0.00007162673,0.0003749426,0.0002864775,0.2181809,0.00005813782,0.001313895,0.7185925,0.01542439,0.03943484],"study_design_scores_gemma":[0.0005791982,0.0002739037,0.001365723,0.0001671312,0.00009204388,0.0001252449,0.07337482,0.00006178342,0.0004123116,0.2824206,0.6409503,0.0001769762],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8382013,0.002390998,0.0002503958,0.05077386,0.00163245,0.00014856,6.869938e-7,0.00002117075,0.1065806],"genre_scores_gemma":[0.9964231,0.0006778025,0.0004523743,0.0003119909,0.000644003,0.000002276245,8.01437e-8,0.000007481549,0.001480859],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6255259,"threshold_uncertainty_score":0.9978717,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4405130094","doi":"10.1386/jdsp_00128_1","title":"Dance knowledge through the body: Gender roles within contact improvisation","year":2024,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Improvisation; Psychology; Choreography; Communication; Visual arts; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0711216735137643,"gpt":0.3906535722237818,"spread":0.3195318987100175,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001527433,0.0001925085,0.0003048763,0.0000811047,0.0002116363,0.0003920315,0.0005821472,0.00009919759,0.0003063971],"category_scores_gemma":[0.0009363706,0.0001238512,0.0001637615,0.0002733719,0.0001096107,0.003533052,0.00005908348,0.0006769972,0.0003889333],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001064397,"about_ca_system_score_gemma":0.0003189983,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005785632,"about_ca_topic_score_gemma":0.00002711109,"domain_scores_codex":[0.9980847,0.000368167,0.0006204678,0.0002119805,0.0004151228,0.0002996204],"domain_scores_gemma":[0.9963829,0.001122098,0.001891756,0.0003521338,0.0001673758,0.00008376982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001788307,0.002611757,0.01391803,0.001762868,0.005272496,0.001118682,0.4535443,0.0002013213,0.02323409,0.2557963,0.1946556,0.04609623],"study_design_scores_gemma":[0.004876033,0.003102125,0.1826083,0.003319294,0.002883962,0.004928775,0.1291936,0.00455488,0.005489013,0.04458913,0.6129706,0.001484286],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8564724,0.03817017,0.007039785,0.009148421,0.007757122,0.0004194002,0.00002240158,0.0001061443,0.08086421],"genre_scores_gemma":[0.9958373,0.0003039859,0.001271465,0.0005910213,0.0007756926,0.000005554143,0.000001292849,0.000021042,0.001192606],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4183149,"threshold_uncertainty_score":0.5050505,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2966884935","doi":"10.1386/jdsp.11.1.81_1","title":"Body inking: butoh: (a poetic narrative): ... artist pages","year":2019,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Poetry; Context (archaeology); Studio; Art; Visual arts; Narrative; Performance art; Art history; History; Literature; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.03215026166913207,"gpt":0.2795624593664793,"spread":0.2474121976973473,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005676925,0.0001711616,0.0004020559,0.00008504259,0.0003326312,0.0003121137,0.000267827,0.00003083836,0.001678354],"category_scores_gemma":[0.000235665,0.0001177255,0.0001186552,0.00004935545,0.0001499954,0.002211176,0.00004508852,0.0003228042,0.0002867926],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003305842,"about_ca_system_score_gemma":0.00008193299,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002300436,"about_ca_topic_score_gemma":0.0001283432,"domain_scores_codex":[0.9985724,0.00009955112,0.0005816341,0.0001170196,0.0003983256,0.0002310314],"domain_scores_gemma":[0.9969691,0.0003940348,0.002147761,0.0001939944,0.0002378962,0.00005723464],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005921195,0.0009578624,0.0539605,0.00124048,0.001510718,0.0001732397,0.8257403,0.00007541147,0.005167119,0.0454583,0.05315407,0.01196988],"study_design_scores_gemma":[0.001167462,0.001227096,0.00931546,0.0008752337,0.0002683288,0.0002191675,0.1340009,0.0001517251,0.0007980633,0.004857149,0.8466919,0.0004275149],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9012846,0.002823989,0.00001215266,0.003238117,0.001508666,0.0001334641,0.000003934882,0.00002339565,0.09097164],"genre_scores_gemma":[0.9909832,0.0007985841,0.0002596545,0.0002864277,0.001077953,0.000003670601,9.697527e-7,0.00001559307,0.006573946],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7935379,"threshold_uncertainty_score":0.9992343,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2324207892","doi":"10.1386/jdsp.7.1.21_1","title":"Somatic education and embodied discourses: Using the Feldenkrais Method to challenge dominant discourses in the sexually abused body context","year":2015,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Embodied cognition; Subjectivity; Nature versus nurture; Context (archaeology); Dance; Perception; Sociology; Aesthetics; Psychology; Gender studies; Epistemology; Visual arts; Art; History; Anthropology","retraction":null,"screen_n_in":null,"score":{"opus":0.1062279491635522,"gpt":0.4482712242855642,"spread":0.3420432751220119,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003839499,0.000206647,0.0004347233,0.000156528,0.0001973572,0.0003029437,0.0007250721,0.0000709666,0.00003247025],"category_scores_gemma":[0.001972984,0.0001155296,0.00007190608,0.0002482465,0.0001272748,0.001773318,0.00007259871,0.000420471,0.00001946529],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008796222,"about_ca_system_score_gemma":0.0004289694,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003648311,"about_ca_topic_score_gemma":0.0002247848,"domain_scores_codex":[0.9970825,0.001215999,0.0006237928,0.0001949083,0.0005753121,0.0003074983],"domain_scores_gemma":[0.9953627,0.001655891,0.002211428,0.0004220741,0.0001846062,0.0001632728],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.001716498,0.0064802,0.02048529,0.0003779418,0.0009815895,0.0002846391,0.8572454,0.0002580475,0.002351304,0.01206729,0.01259475,0.08515699],"study_design_scores_gemma":[0.002829392,0.001376972,0.04706053,0.001121488,0.0007251408,0.001589429,0.9286132,0.000481057,0.0001330745,0.005073136,0.0105927,0.0004038732],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9615299,0.004901858,0.003163954,0.02505121,0.001160185,0.0005430681,0.000005608573,0.000007037414,0.003637192],"genre_scores_gemma":[0.9914767,0.0001164087,0.00672877,0.001116966,0.0003457998,0.00001392429,6.690436e-7,0.00001500539,0.0001857857],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08475312,"threshold_uncertainty_score":0.4711161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}