{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"2f17815cc357","filters":{"venue":"Journal of Interdisciplinary Voice Studies"}},"results":[{"id":"W2987590309","doi":"10.1386/jivs_00004_1","title":"Ballad of the dork-o-phone: Towards a crip vocal technoscience","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Technoscience; Phone; Phenomenology (philosophy); Audiology; Psychology; Communication; Sociology; Linguistics; Medicine; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.03342251140167035,"gpt":0.2942106819047585,"spread":0.2607881705030882,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004047581,0.0001517445,0.0003888268,0.00008894862,0.0004721439,0.00003389928,0.0005812402,0.0000392872,0.0006905357],"category_scores_gemma":[0.00007682741,0.00007677403,0.0003051072,0.00009487685,0.0007887827,0.0002907926,0.0005835333,0.0003366912,0.00004309235],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000863502,"about_ca_system_score_gemma":0.00006743061,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006309769,"about_ca_topic_score_gemma":0.0002470107,"domain_scores_codex":[0.9987188,0.00005180689,0.0005119335,0.0001297767,0.0004210699,0.0001666041],"domain_scores_gemma":[0.9986576,0.00005624568,0.000522554,0.0002242616,0.0005015238,0.00003777978],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002782846,0.000337279,0.0005134561,0.0003834364,0.0005290947,0.00003746941,0.6259547,0.00004699169,0.005107013,0.0165051,0.3465403,0.003766863],"study_design_scores_gemma":[0.0009209923,0.001411841,0.00329039,0.001703076,0.0002258777,0.0001986584,0.4066653,0.00003094627,0.001492571,0.007892936,0.5757697,0.0003977554],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8812727,0.003559502,0.00001405102,0.003883553,0.007182735,0.0001684348,0.00001533308,0.00001667338,0.103887],"genre_scores_gemma":[0.9827829,0.0000317593,0.00004609909,0.0002177792,0.0005783633,0.000002497874,1.376607e-7,0.000008102881,0.01633236],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2292294,"threshold_uncertainty_score":0.7560882,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2984656311","doi":"10.1386/jivs_00007_1","title":"The moaning of (un-)life: Animacy, muteness and eugenics in cinematic and televisual representation","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Mirroring; Zombie; Eugenics; Representation (politics); Trope (literature); Subject (documents); Literature; Sociology; History; Art; Communication; Politics; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.0254819209915953,"gpt":0.3953994046600121,"spread":0.3699174836684168,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001389475,0.00007506941,0.000342052,0.0001223451,0.0002471683,0.00004330167,0.0001220221,0.00003629526,0.000004807498],"category_scores_gemma":[0.000670623,0.00004528546,0.00006618805,0.0002765627,0.0002397506,0.0002902628,0.0002161204,0.0001699561,5.873817e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000281117,"about_ca_system_score_gemma":0.00005751859,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002368604,"about_ca_topic_score_gemma":0.0004147562,"domain_scores_codex":[0.9988537,0.0001934301,0.0004555007,0.00009481462,0.000277578,0.000124989],"domain_scores_gemma":[0.9983048,0.0008678063,0.0004075012,0.00007568533,0.0002922561,0.00005193436],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003746698,0.0001522063,0.1581,0.0005108655,0.001148664,0.00005458182,0.8241823,0.00005596567,0.001770415,0.002930898,0.001018292,0.009701107],"study_design_scores_gemma":[0.001051992,0.0004553484,0.06400099,0.0009500139,0.0002788953,0.00003475595,0.9211054,0.0003238414,0.0001665159,0.01072685,0.0007583312,0.0001470959],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9812248,0.01301895,0.00001663537,0.004759263,0.0002932839,0.0001131005,5.66684e-7,0.000002178844,0.000571226],"genre_scores_gemma":[0.9952914,0.004147408,0.0001644672,0.00003455612,0.0001483673,0.000002461191,1.671143e-7,0.000003928294,0.0002072626],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09692303,"threshold_uncertainty_score":0.1901044,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3135492103","doi":"10.1386/jivs_00027_7","title":"‘Visualizing dysfluency’: An interview with Conor Foran","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Stuttering Research and Treatment","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Set (abstract data type); Embodied cognition; Typeface; Visual arts; Art; Computer science; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.1969372670392216,"gpt":0.4822529679447503,"spread":0.2853157009055287,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003846844,0.0002269925,0.0005799413,0.0001237919,0.0001931366,0.00004545808,0.0003513035,0.00003684343,0.0001569923],"category_scores_gemma":[0.00006118586,0.0001403603,0.0001659701,0.0001900666,0.0001879751,0.00030845,0.0004300097,0.0003296724,0.0001107873],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009083348,"about_ca_system_score_gemma":0.00003812207,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004053432,"about_ca_topic_score_gemma":0.00002454075,"domain_scores_codex":[0.9983729,0.0002064048,0.0005484563,0.0002518434,0.0002799497,0.0003404478],"domain_scores_gemma":[0.9986839,0.0001722296,0.0003369271,0.0001951552,0.0003441055,0.0002677393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.01472627,0.004610372,0.08246803,0.001508757,0.02807707,0.01833634,0.626908,0.00008373393,0.002722318,0.001346659,0.09215017,0.1270623],"study_design_scores_gemma":[0.016661,0.09662575,0.190496,0.003743524,0.001366817,0.004140604,0.660289,0.00008406033,0.001546501,0.002673608,0.02090821,0.001464895],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9706798,0.009932691,0.0006330058,0.01442011,0.0005211771,0.000210023,0.00001032563,0.00003739443,0.00355543],"genre_scores_gemma":[0.9978878,0.0001569696,0.0005873726,0.0006377627,0.0005098075,0.00001966519,0.000001362715,0.00002839678,0.0001708581],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1255974,"threshold_uncertainty_score":0.5723729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133918567","doi":"10.1386/jivs_00025_1","title":"Stutter and phenomena: The phenomenology and deconstruction of delayed auditory feedback","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Marxism and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Stuttering; Phenomenology (philosophy); Consciousness; Psychology; Deconstruction (building); Différance; Conversation; Demonstrative; Auditory feedback; Aesthetics; Philosophy; Epistemology; Metaphysics; Communication; Linguistics; Neuroscience","retraction":null,"screen_n_in":null,"score":{"opus":0.0436008310090317,"gpt":0.2911449892114661,"spread":0.2475441582024344,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002511153,0.0001173764,0.0003431195,0.00004929425,0.0003213792,0.0000304573,0.0001171918,0.00002236998,0.0001174373],"category_scores_gemma":[0.00006610397,0.00006759171,0.00006601965,0.0000222728,0.001494823,0.0001984349,0.0004242882,0.0002009946,0.000003659524],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001399047,"about_ca_system_score_gemma":0.00001175408,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001103876,"about_ca_topic_score_gemma":0.00001528772,"domain_scores_codex":[0.9991714,0.00006628324,0.0004277987,0.0001061711,0.0001070752,0.0001212069],"domain_scores_gemma":[0.9991192,0.0003016033,0.0002416811,0.00006543451,0.000214407,0.00005772837],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.001927806,0.0001804288,0.0006879797,0.0007604722,0.00299853,0.00006254605,0.692808,0.000009408426,0.00106035,0.2325079,0.03765885,0.0293378],"study_design_scores_gemma":[0.00146493,0.003235014,0.001603842,0.0002102846,0.0004820012,0.0002073674,0.8394669,0.00005635933,0.00007977837,0.1174847,0.03542692,0.0002818325],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9590927,0.009058679,0.0000561189,0.01766368,0.001048254,0.00009056383,0.00001436381,0.000008479995,0.01296712],"genre_scores_gemma":[0.9968811,0.0005367087,0.00005665455,0.0005080842,0.001799474,0.0000021409,2.258322e-7,0.000007813175,0.0002077749],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.146659,"threshold_uncertainty_score":0.5507738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3135537418","doi":"10.1386/jivs_00024_1","title":"Talking heads and shitting in the street: Stuttering Parrhesia in three modes","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Face (sociological concept); Power (physics); Politics; Lexicon; Aesthetics; Mode (computer interface); Sociology; Philosophy; Literature; Linguistics; Law; Art; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.1044825840000447,"gpt":0.4048657206823051,"spread":0.3003831366822605,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002039082,0.0001069645,0.0002877201,0.00008721233,0.0004617692,0.00009261032,0.0003088428,0.0000417767,0.000002234407],"category_scores_gemma":[0.000344784,0.00007154718,0.00006373171,0.0002013114,0.0002632165,0.0003924039,0.0003800442,0.0005374702,6.40404e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007700073,"about_ca_system_score_gemma":0.00004870913,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008444327,"about_ca_topic_score_gemma":0.008225046,"domain_scores_codex":[0.9987088,0.0002138274,0.000409937,0.0001260923,0.000318024,0.000223272],"domain_scores_gemma":[0.9990287,0.0005590946,0.000237295,0.00005508495,0.00007300983,0.00004676092],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001006341,0.0000813588,0.09810979,0.00009098367,0.00009855707,0.0003603048,0.8897534,0.0001839675,0.000542224,0.004332283,0.000140286,0.006206236],"study_design_scores_gemma":[0.0004917453,0.0003754829,0.1329045,0.0008404903,0.0000264365,0.0000163264,0.8406803,0.0004000882,0.00004188259,0.02366625,0.0003730434,0.0001834348],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9559388,0.002630223,0.00006041442,0.03937186,0.00009457969,0.00008957497,8.064069e-7,0.000005434584,0.001808286],"genre_scores_gemma":[0.9986312,0.0004670006,0.000125734,0.0003781365,0.0003836845,0.000003028078,5.987653e-8,0.000006642573,0.000004495531],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04907309,"threshold_uncertainty_score":0.4589769,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3134832565","doi":"10.1386/jivs_00023_1","title":"A warm and sympathetic thing: Voice and dysfluency in Robert Browning’s ‘Mr Sludge, “The Medium”’","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Browning; Vitality; Metaphor; Literature; Aesthetics; Psychology; Philosophy; Art; Linguistics; Biology; Horticulture; Theology","retraction":null,"screen_n_in":null,"score":{"opus":0.03456393576763891,"gpt":0.2828529665158956,"spread":0.2482890307482567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006262775,0.000282214,0.0006654326,0.0002328708,0.0006042733,0.0001902033,0.0003338422,0.0000502843,0.0000481545],"category_scores_gemma":[0.0002484945,0.000171055,0.0001783325,0.000123745,0.0006638275,0.0005686426,0.0006414807,0.000622804,0.000009768426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001002827,"about_ca_system_score_gemma":0.00004012218,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002146717,"about_ca_topic_score_gemma":0.000708753,"domain_scores_codex":[0.9982032,0.0001545248,0.0007786452,0.0002639713,0.0003424444,0.0002572122],"domain_scores_gemma":[0.9985477,0.0003329327,0.0004815903,0.0001623985,0.000344201,0.0001311366],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001561123,0.00009749849,0.001217584,0.0002637254,0.0007511495,0.000174141,0.9697544,0.00001898007,0.000343514,0.001169619,0.02535004,0.0007032519],"study_design_scores_gemma":[0.002772265,0.002731529,0.003523117,0.002160975,0.001687384,0.0004717676,0.6884082,0.0006721008,0.0001946014,0.01375981,0.2825527,0.001065599],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8092859,0.1156022,0.0000250889,0.06566225,0.001531884,0.0002510799,0.00001833352,0.00004099913,0.007582269],"genre_scores_gemma":[0.9949505,0.001037534,0.0000810695,0.00134477,0.001166779,0.000006916143,9.107979e-7,0.00002631136,0.001385245],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2813462,"threshold_uncertainty_score":0.697542,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2987957662","doi":"10.1386/jivs_00008_1","title":"Singing tone: Disability and pianistic voices","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Singing; Piano; Embodied cognition; Foregrounding; Aesthetics; Tone (literature); Intonation (linguistics); Lyricism; Musical expression; Musical; Natural (archaeology); Movement (music); Sensibility; Art; Communication; Psychology; Visual arts; Linguistics; History; Acoustics; Literature; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.03305828554429414,"gpt":0.3358100560329591,"spread":0.302751770488665,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004027283,0.000144633,0.0004801779,0.00007894487,0.0003938689,0.00007525504,0.0001406752,0.00002937216,0.0006095722],"category_scores_gemma":[0.00008636023,0.00009311923,0.00017603,0.0000389253,0.0007573715,0.0003370244,0.0004178245,0.000232718,0.00004714439],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004942865,"about_ca_system_score_gemma":0.00001286292,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006949254,"about_ca_topic_score_gemma":0.0003923526,"domain_scores_codex":[0.9989933,0.0000654774,0.0004604615,0.0001549967,0.0001571049,0.0001687048],"domain_scores_gemma":[0.9988511,0.0004280644,0.0003026869,0.0001177634,0.0002418579,0.00005854094],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.001860736,0.002088004,0.09997404,0.002471947,0.00968035,0.000332147,0.689033,0.0002132316,0.00261324,0.1226771,0.04009198,0.02896421],"study_design_scores_gemma":[0.00318756,0.00575065,0.1101316,0.002018749,0.002830323,0.0003801229,0.6304658,0.000642104,0.0002135646,0.09576833,0.1471402,0.001471014],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9788598,0.002046746,0.00001211216,0.004495673,0.001338003,0.00006612068,0.000004671699,0.00001165914,0.01316515],"genre_scores_gemma":[0.9960768,0.0000707658,0.00006086096,0.0002376424,0.0008635878,0.000001696494,5.312503e-7,0.000007498486,0.002680666],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1070482,"threshold_uncertainty_score":0.6674389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2725602353","doi":"10.1386/jivs.2.2.97_2","title":"Voicing belonging: Traditional singing in a globalized world","year":2017,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Voice; Singing; Linguistics; History; Economics; Management; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.1151532791629074,"gpt":0.3471254313682512,"spread":0.2319721522053438,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004832479,0.0001682518,0.0004339608,0.0002303022,0.001838736,0.000199981,0.0003744393,0.0000239667,0.0004138934],"category_scores_gemma":[0.0001265573,0.0001233765,0.0002153894,0.00003073462,0.0004417262,0.0008073704,0.0002504668,0.0003501672,0.0000154979],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001963762,"about_ca_system_score_gemma":0.00003710595,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009398505,"about_ca_topic_score_gemma":0.005064496,"domain_scores_codex":[0.9988115,0.00004596883,0.0005472213,0.0001340746,0.000253283,0.0002079627],"domain_scores_gemma":[0.9987794,0.00009711678,0.0006517483,0.0001717027,0.000245546,0.00005452123],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005385689,0.0004525595,0.001914901,0.000244531,0.0008642646,0.001067601,0.6195325,0.000141592,0.0002997231,0.08737004,0.2838247,0.003748988],"study_design_scores_gemma":[0.004243547,0.0008191498,0.01733577,0.006941409,0.0003581463,0.0004250984,0.308676,0.0001604166,0.00008142113,0.07102273,0.5889542,0.0009821368],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.660191,0.005518871,0.00003018968,0.009818313,0.009270445,0.0001592805,0.00002290166,0.00003091793,0.3149581],"genre_scores_gemma":[0.9875572,0.00002224245,0.0001255714,0.0001736514,0.002166359,0.000003518646,9.715935e-7,0.00001111413,0.009939409],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3273662,"threshold_uncertainty_score":0.9994608,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242964338","doi":"10.1386/jivs.2.2.201_5","title":"Reviews","year":2017,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Modernity; Art; Drama; Musical; Art history; History; Theology; Humanities; Philosophy; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.3131390048993214,"gpt":0.3958693858924271,"spread":0.08273038099310565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006318812,0.0001714595,0.0006543656,0.00007112896,0.002129154,0.0004344752,0.0006248546,0.00002143896,0.0003937341],"category_scores_gemma":[0.0007228435,0.00009696639,0.0003272457,0.0000100263,0.001018414,0.0006251057,0.001639092,0.0002187361,0.0002632972],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006650048,"about_ca_system_score_gemma":0.00001061135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003870469,"about_ca_topic_score_gemma":0.0001293217,"domain_scores_codex":[0.9988447,0.00005218335,0.0005880044,0.000120227,0.0002044318,0.0001904268],"domain_scores_gemma":[0.99791,0.0001267458,0.001141842,0.0002616577,0.0005059729,0.00005380981],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001913322,0.0002711514,0.001138679,0.00016775,0.001237038,0.0003118854,0.1212665,0.000001679255,0.00005461037,0.03746756,0.8145923,0.02329952],"study_design_scores_gemma":[0.0003597457,0.000655772,0.002559676,0.0004233434,0.0001453111,0.00002415982,0.05066626,8.748386e-7,0.000009301475,0.00916752,0.9358312,0.0001568193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2191814,0.03868274,0.00001391218,0.03240605,0.01327712,0.0003367502,0.00001631269,0.0000381566,0.6960476],"genre_scores_gemma":[0.9715595,0.003115957,0.0002196573,0.0004664625,0.003882813,0.000009914994,2.23464e-7,0.00001352656,0.02073201],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.752378,"threshold_uncertainty_score":0.9991699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410772621","doi":"10.1386/jivs_00093_5","title":"Echo, Amit Pinchevski (2023)","year":2024,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Sound Studies and Aurality","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Echo (communications protocol); Computer science; Computer security","retraction":null,"screen_n_in":null,"score":{"opus":0.06440365694206732,"gpt":0.452920250001299,"spread":0.3885165930592317,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007913177,0.0002511165,0.0005893878,0.0002248099,0.000293256,0.00007331023,0.000329231,0.00007847798,0.0004179441],"category_scores_gemma":[0.0001206049,0.0001673805,0.0004655668,0.0003382799,0.0002512036,0.0002411751,0.0007474901,0.0005737732,0.0005690472],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001791061,"about_ca_system_score_gemma":0.00003488423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007428798,"about_ca_topic_score_gemma":0.000038964,"domain_scores_codex":[0.9981394,0.0001166919,0.0008182995,0.0002730144,0.0002965314,0.0003561057],"domain_scores_gemma":[0.9985373,0.0005599096,0.0002498217,0.0002474939,0.0003181911,0.0000873072],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003588992,0.0002672678,0.002751538,0.0002877392,0.006496821,0.002019954,0.07591445,0.00001103257,0.0002016529,0.003384648,0.8829533,0.02535267],"study_design_scores_gemma":[0.001755567,0.003617085,0.09424809,0.002584598,0.001165691,0.003577422,0.5267827,0.00004755291,0.0001092689,0.04548183,0.3195907,0.001039488],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5964383,0.2235329,0.0007005694,0.02710196,0.03246472,0.000263235,0.00004456464,0.0001636241,0.1192902],"genre_scores_gemma":[0.9851236,0.0008868571,0.0002173631,0.0002384867,0.002189769,0.00001256435,8.50175e-7,0.0000270195,0.01130348],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5633627,"threshold_uncertainty_score":0.7314141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2938054049","doi":"10.1386/jivs.4.1.101_1","title":"A singer’s perspective on Sirens and singing: An interview with coloratura soprano/conductor Barbara Hannigan","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Singing; Siren (mythology); Art; Visual arts; Vocal music; Meaning (existential); Mythology; History; Music; Literature; Aesthetics; Psychology; Music education; Acoustics","retraction":null,"screen_n_in":null,"score":{"opus":0.04802126598388093,"gpt":0.3114722331984363,"spread":0.2634509672145553,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003890162,0.000282312,0.0006010091,0.0002596399,0.000576222,0.0001402347,0.0001934475,0.00003811992,0.0001324184],"category_scores_gemma":[0.00001839056,0.0001755276,0.0001256932,0.00004603234,0.0005524662,0.0008299945,0.0001713132,0.0003925818,0.0000332188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002052751,"about_ca_system_score_gemma":0.00006326669,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007373854,"about_ca_topic_score_gemma":0.0004053516,"domain_scores_codex":[0.9987236,0.00008685916,0.0004476153,0.0002518785,0.0002410806,0.0002489979],"domain_scores_gemma":[0.9985973,0.00009423283,0.0004020887,0.0001919612,0.0006118006,0.0001026013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.001342207,0.0003871429,0.0002354015,0.0003042055,0.000964408,0.0001243022,0.9793829,0.00002676358,0.001046259,0.006866277,0.00772257,0.001597545],"study_design_scores_gemma":[0.00176848,0.01262747,0.001132107,0.002638063,0.0002915467,0.0002835911,0.8894367,0.00005398442,0.000181741,0.001213195,0.08983119,0.0005419951],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9717142,0.004387956,0.000002936853,0.002121826,0.002030129,0.0001931918,0.000009754717,0.0000274037,0.01951263],"genre_scores_gemma":[0.9941032,0.0001525648,0.00005727358,0.0004282589,0.0009886967,0.000006038523,0.000001112404,0.00003022247,0.004232642],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08994628,"threshold_uncertainty_score":0.7157809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}