{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"cb5525941051","filters":{"venue":"Journal of Latin American Cultural Studies"}},"results":[{"id":"W7118381788","doi":"10.1080/13569325.2025.2598858","title":"The elections are a circus and Neto Bran is the clown: Affective Publics in Guatemala","year":2025,"lang":"en","type":"article","venue":"Journal of Latin American Cultural Studies","topic":"Politics and Society in Latin America","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Natural Environment Research Council; Federation for the Humanities and Social Sciences","keywords":"Politics; Gesture; Publics; Popular culture; Performance art; Video game; Social analysis; Blue collar","authors":[{"name":"Julie Cupples","is_ca":false},{"name":"Charlotte Gleghorn","is_ca":false},{"name":"Raquel Ribeiro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0357168008118132,"gpt":0.3802736645535841,"spread":0.3445568637417709,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008219178,0.0004784231,0.0002784554,0.001402043,0.02190584,0.005703378,0.0008836965,0.001610012,0.006411906],"category_scores_gemma":[0.001735726,0.0003212236,0.000186424,0.001912898,0.01229713,0.002591457,0.006450516,0.002007632,0.0004315832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01150908,"about_ca_system_score_gemma":0.003035209,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2094689,"about_ca_topic_score_gemma":0.4008478,"domain_scores_codex":[0.9989152,0.0005074827,0.00001385774,0.00007626403,0.0000837103,0.000403573],"domain_scores_gemma":[0.9991934,0.0002696137,0.0001694315,0.00003450986,0.00006539808,0.0002677833],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008573065,0.00003217587,0.01176894,0.0001556239,0.000009119659,0.002995503,0.9534569,0.00003613554,0.001257739,0.01479642,0.007494395,0.007911319],"study_design_scores_gemma":[0.000005699194,0.00002282415,0.03996579,0.0001361954,0.00001027244,0.0003449422,0.8913274,0.00006363502,0.0001937342,0.0009967774,0.06691264,0.00002008617],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8918255,0.002472523,0.0002126658,0.02170497,0.0002121179,0.00006293803,0.0002059331,0.00007885191,0.08322456],"genre_scores_gemma":[0.9950093,0.0004077471,0.00005309803,0.0008721536,0.00003439132,0.00002676971,0.00004162302,0.0000266901,0.003528236],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2094689,"threshold_uncertainty_score":0.4164993,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1982357670","doi":"10.1080/13569321003590011","title":"Lino Novás Calvo's ‘the Other Key’: the Other Insular Space in the Hispanic Caribbean","year":2010,"lang":"en","type":"article","venue":"Journal of Latin American Cultural Studies","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Period (music); Humanities; Art history; Art; History; Aesthetics","authors":[{"name":"Jorge Marturano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05308748631155306,"gpt":0.3456849483307401,"spread":0.292597462019187,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007349997,0.0003575362,0.0002612137,0.001126534,0.009708622,0.005365046,0.0006751501,0.001245215,0.01457106],"category_scores_gemma":[0.001746276,0.0001464134,0.0001770869,0.001687626,0.004671251,0.003173633,0.003040388,0.001976451,0.0007541911],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006147064,"about_ca_system_score_gemma":0.003473013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3267322,"about_ca_topic_score_gemma":0.536652,"domain_scores_codex":[0.9995762,0.0002096449,0.000005653006,0.00004131076,0.00005574875,0.0001115805],"domain_scores_gemma":[0.9995615,0.0001557905,0.00003822711,0.0000253942,0.00008232303,0.0001367839],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009390402,0.00003675598,0.002506783,0.0002817178,0.000008059924,0.001808393,0.4160926,0.00005996088,0.0004413018,0.2693804,0.250305,0.05898514],"study_design_scores_gemma":[0.000005734174,0.000005916258,0.002284403,0.0004797595,0.000005935291,0.0002697709,0.2613845,0.00004146255,0.0001269685,0.00438621,0.7309958,0.00001352412],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.100359,0.04293128,0.0006390113,0.1405027,0.003206991,0.00003942007,0.0002873554,0.00006567472,0.7119685],"genre_scores_gemma":[0.834404,0.01815246,0.0004145935,0.01143942,0.0007655602,0.00005620722,0.0001469751,0.0001895408,0.1344313],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3267322,"threshold_uncertainty_score":0.6496607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402973915","doi":"10.1080/13569325.2024.2387061","title":"Roundtable/Photo Essay with Archivo El Insulto","year":2024,"lang":"es","type":"article","venue":"Journal of Latin American Cultural Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"York University","keywords":"Art; History; Humanities","authors":[{"name":"A G Hugo Vega","is_ca":false},{"name":"Michelle Davó Ortiz","is_ca":false},{"name":"Zeb Tortorici","is_ca":false},{"name":"Layla Fassa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0469511157773295,"gpt":0.3181142121235497,"spread":0.2711630963462202,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004275684,0.0005735207,0.000276718,0.0007795673,0.004740716,0.002479328,0.000512107,0.001595835,0.1067745],"category_scores_gemma":[0.001783225,0.0001863043,0.0003202665,0.0006236747,0.0009457209,0.001692754,0.002061827,0.003334817,0.02847293],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001720103,"about_ca_system_score_gemma":0.0009773234,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006900537,"about_ca_topic_score_gemma":0.02114971,"domain_scores_codex":[0.9997416,0.00005726055,0.000009891627,0.00004844744,0.00009566785,0.00004711018],"domain_scores_gemma":[0.9990891,0.000247671,0.00004810883,0.00006598034,0.0003391408,0.0002099452],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002287776,0.00001320984,0.00004843328,0.00002879067,8.318891e-7,0.0001226938,0.0003829909,0.0000115277,0.0001358096,0.002672095,0.9915582,0.00500247],"study_design_scores_gemma":[0.000002814372,0.000005364589,0.0002739557,0.00004794987,8.70252e-7,0.0001074041,0.0008614428,0.000010696,0.0001341772,0.0004823428,0.9980698,0.000003104084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004665914,0.01127179,0.001214432,0.123206,0.2324076,0.0002051562,0.002195281,0.0003986766,0.6244351],"genre_scores_gemma":[0.0295047,0.004796289,0.0008357517,0.01556214,0.02879241,0.0001438987,0.0007226148,0.0003435187,0.9192986],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1067745,"threshold_uncertainty_score":0.3571963,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}