{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"5d0f3ae187a8","filters":{"venue":"Journal of Musical Arts in Africa"}},"results":[{"id":"W1974988401","doi":"10.2989/18121004.2014.995447","title":"Female Voices from an Eνe Dance-Drumming Community in Ghana: Our Music has become a Divine SpiritBurns, James (2009). <i>Female Voices from an Eve Dance-Drumming Community in Ghana: Our Music has become a Divine Spirit</i> . Surrey, England: Ashgate. SOAS Musicology Series. ISBN: 978-0-7546-6495-6. 28 b&amp;w illustrations, 58 musical illustrations, glossary and DVD. 234 pp. &lt;www.ashgate.com&gt; $59.95 (cloth).","year":2014,"lang":"en","type":"article","venue":"Journal of Musical Arts in Africa","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Electronic dance music; Art; Visual arts; Sacred music; Aesthetics; Sociology; Musical","authors":[{"name":"Michael Frishkopf","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08370246907428165,"gpt":0.271097028600955,"spread":0.1873945595266733,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.004488486,0.001412263,0.00278623,0.0008014488,0.003593604,0.001443254,0.002044228,0.0008288496,0.001429206],"category_scores_gemma":[0.00102608,0.001295759,0.0004640591,0.0007460852,0.001673803,0.003939666,0.00081653,0.00593145,0.00004638923],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005301058,"about_ca_system_score_gemma":0.0005194853,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01859917,"about_ca_topic_score_gemma":0.6302376,"domain_scores_codex":[0.9878676,0.004693211,0.00333081,0.001177249,0.001276399,0.001654746],"domain_scores_gemma":[0.9934792,0.001403865,0.001898011,0.00169858,0.0005980771,0.0009222904],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002270869,0.01393864,0.03390018,0.0008576543,0.0008135032,0.001149968,0.8283534,0.001070864,0.003189994,0.00536192,0.0967814,0.01231162],"study_design_scores_gemma":[0.008648137,0.002830027,0.04310772,0.00194152,0.0004885423,0.0001593018,0.1783488,0.001907248,0.00004658383,0.003486591,0.7564194,0.002616124],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9834176,0.003273,0.00008553709,0.00766657,0.002240492,0.0008443442,0.0007413344,0.0001514992,0.001579657],"genre_scores_gemma":[0.989498,0.0001554409,0.001690609,0.002833836,0.004425254,0.000103164,0.0006663681,0.0001411153,0.0004862007],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.659638,"threshold_uncertainty_score":0.9998627,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2288716049","doi":"10.2989/18121004.2015.1129146","title":"The Hans Kramer Collection at the National Library, Cape Town: an archival perspective on Jewish patronage of music in 20th-century South Africa","year":2015,"lang":"en","type":"article","venue":"Journal of Musical Arts in Africa","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cape; Judaism; Club; Narrative; Perspective (graphical); Media studies; Quarter (Canadian coin); History; Sociology; Art history; Visual arts; Art; Archaeology; Literature","authors":[{"name":"Annemie Stimie Behr","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06617177603639494,"gpt":0.2508647613094124,"spread":0.1846929852730175,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008988562,0.0001841931,0.0003699129,0.0003916717,0.0003591493,0.0001212783,0.0003965392,0.00006907776,0.001212497],"category_scores_gemma":[0.0004157911,0.0001005291,0.0002449848,0.0003301461,0.0006783945,0.0003080973,0.0001285375,0.0006732235,0.00001818647],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002408394,"about_ca_system_score_gemma":0.0002118624,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002915069,"about_ca_topic_score_gemma":0.001251895,"domain_scores_codex":[0.9976529,0.0004189174,0.0006366386,0.0002286883,0.0007275749,0.0003352687],"domain_scores_gemma":[0.9982522,0.0007305274,0.0004112776,0.0001704158,0.0002841571,0.0001514352],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002211386,0.002262607,0.0004413333,0.0000101611,0.0002701016,0.00007873632,0.4354619,0.001183294,0.0001352181,0.3714406,0.1829009,0.003603843],"study_design_scores_gemma":[0.002258331,0.001893503,0.006407721,0.00008917112,0.0001451362,0.00002362427,0.04738574,0.001375636,0.000041403,0.07910012,0.8609229,0.0003566632],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6121439,0.0005929109,0.00001660496,0.012817,0.00141456,0.0003304403,0.00005031316,0.00001922049,0.3726151],"genre_scores_gemma":[0.9940181,0.0000240405,0.00005129325,0.0007188129,0.001278869,0.00001335543,0.000003187869,0.00001562446,0.003876709],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6780221,"threshold_uncertainty_score":0.9997005,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2509129605","doi":"10.2989/jmaa.2009.6.1.3.1055","title":"Tracing Lines for violin and cello","year":2009,"lang":"en","type":"article","venue":"Journal of Musical Arts in Africa","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cello; Violin; Tracing; Art; Computer science; Art history; Programming language","authors":[{"name":"Robert Fokkens","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1410586290073844,"gpt":0.2577179857812547,"spread":0.1166593567738703,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002706816,0.00009172742,0.0002690774,0.00008617956,0.0001276172,0.0001379784,0.0000893172,0.00003151629,0.0002071542],"category_scores_gemma":[0.000206939,0.00006015095,0.00009208026,0.000027228,0.0001233221,0.0001303877,0.0000247195,0.000145809,0.000004059552],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000209129,"about_ca_system_score_gemma":0.00000870873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002142828,"about_ca_topic_score_gemma":0.00001909217,"domain_scores_codex":[0.9992392,0.00001848945,0.0003279195,0.00009295865,0.0001355508,0.0001858658],"domain_scores_gemma":[0.9994091,0.000241808,0.0001359164,0.00004054435,0.0001083927,0.00006420489],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007134384,0.001892317,0.00019438,0.00006941232,0.0001060396,0.0002748735,0.08957431,0.0001177425,0.001014294,0.5679497,0.09589271,0.2422008],"study_design_scores_gemma":[0.0007998266,0.0009341052,0.001147759,0.00006885465,0.00003248016,0.000008570556,0.002230201,0.00009587663,0.00003360776,0.02946603,0.965056,0.0001266746],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8607551,0.001034961,0.0001602296,0.00999381,0.001106063,0.0002585434,0.00001064268,0.00002530449,0.1266554],"genre_scores_gemma":[0.9966165,0.00002515064,0.0007499581,0.000725311,0.001144036,0.000001788957,1.669391e-7,0.000004005291,0.0007331073],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8691633,"threshold_uncertainty_score":0.2452885,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}