{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":49,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":49,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"531dbb6deb9f","filters":{"venue":"Journal of Popular Music Studies"}},"results":[{"id":"W2075828233","doi":"10.1111/j.1533-1598.2001.tb00011.x","title":"You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard","year":2001,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Humor Studies and Applications","field":"Psychology","cited_by":41,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Taste; Aesthetics; Advertising; History; Art; Communication; Psychology; Business; Neuroscience","authors":[{"name":"Keir Keightley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04784518927364386,"gpt":0.3315661611363433,"spread":0.2837209718626995,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007015716,0.0001451751,0.0005113205,0.00004120767,0.0004403082,0.00001888151,0.0003071585,0.0000359557,0.00006541436],"category_scores_gemma":[0.0002465317,0.0000707134,0.0001954685,0.0002330246,0.0006274125,0.00003199575,0.0002106008,0.0002491501,0.000006571437],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000344388,"about_ca_system_score_gemma":0.00001978697,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006791266,"about_ca_topic_score_gemma":0.000345779,"domain_scores_codex":[0.9985663,0.0001552553,0.0006154909,0.0001418724,0.0002965491,0.0002245136],"domain_scores_gemma":[0.9984726,0.0001610906,0.0007150076,0.0002864207,0.0003240629,0.0000408257],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00231202,0.0005379269,0.1459212,0.0002157786,0.008513764,0.0001188743,0.2619554,0.00006850621,0.0002814723,0.2237746,0.2889481,0.06735241],"study_design_scores_gemma":[0.009145421,0.0008089095,0.07930035,0.0005928618,0.001206872,0.000704736,0.3563461,0.00004840085,0.00002613715,0.01440312,0.536961,0.0004561304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9281038,0.04262203,0.0001938114,0.0218069,0.001879881,0.0004216994,0.0000264494,0.000008004028,0.004937422],"genre_scores_gemma":[0.993881,0.003887942,0.0002738702,0.0007567287,0.0003259979,0.00001346582,1.881438e-7,0.00001197371,0.0008488304],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2480129,"threshold_uncertainty_score":0.3386539,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1971809202","doi":"10.1111/j.1533-1598.2008.00160.x","title":"In Excess? Body Genres, “Bad” Music, and the Judgment of Audiences","year":2008,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Citation; Judgement; Taste; Popular music; Politics; Rock music; History; Media studies; Art history; Sociology; Literature; Art; Psychology; Law; Political science","authors":[{"name":"Leslie M. Meier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0873589713898988,"gpt":0.2595388231889501,"spread":0.1721798517990513,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005154019,0.0001251717,0.0004666918,0.00009005557,0.0004283133,0.00001613808,0.000156397,0.00002461111,0.0004834262],"category_scores_gemma":[0.0001048956,0.00006543908,0.0001214184,0.00004641915,0.001084796,0.0002032861,0.00005695643,0.0001798301,0.00000227862],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003096652,"about_ca_system_score_gemma":0.00002708556,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008747921,"about_ca_topic_score_gemma":0.001859678,"domain_scores_codex":[0.9988509,0.0001011002,0.0005157746,0.00009549689,0.000300974,0.0001357573],"domain_scores_gemma":[0.9991916,0.00005574725,0.0004359923,0.0001005534,0.0001851984,0.00003089826],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000190122,0.0001490142,0.0008382075,0.000100199,0.0003833377,0.00019989,0.6778687,0.00000963975,0.0001426736,0.08515135,0.2343037,0.0006632214],"study_design_scores_gemma":[0.002820485,0.0003261721,0.003672503,0.000284123,0.000199962,0.0001901068,0.1351942,0.00000560191,0.00005515042,0.005329675,0.8516819,0.0002400428],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9450734,0.04401657,0.000001696697,0.001084189,0.001543539,0.0001193029,0.000003799317,0.000003872952,0.0081536],"genre_scores_gemma":[0.9938713,0.001502288,0.00002754251,0.0007284954,0.0008834484,0.000005038364,2.451428e-7,0.00000575011,0.002975935],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6173782,"threshold_uncertainty_score":0.5293178,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2909043276","doi":"10.1525/jpms.2018.300409","title":"Vaporwave","year":2018,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Ideology; Ambiguity; Identity (music); Sociology; Aesthetics; Consumerism; Order (exchange); Orientalism; Linguistics; Art; Literature; Political science; Philosophy; Law; Business","authors":[{"name":"Ken McLeod","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09044338315817757,"gpt":0.3127734217714749,"spread":0.2223300386132973,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002434548,0.00008633044,0.0002255126,0.0001084217,0.00007379989,0.00005269385,0.0004501189,0.00002028241,0.000005721357],"category_scores_gemma":[0.0002484485,0.00005993731,0.0001022261,0.0002122128,0.0001029974,0.0004307172,0.0001706936,0.00008652618,0.00004541701],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002400284,"about_ca_system_score_gemma":0.00002976584,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":6.291973e-7,"about_ca_topic_score_gemma":0.000002068908,"domain_scores_codex":[0.9991374,0.00002492915,0.0002897227,0.00009635021,0.0003099045,0.0001416923],"domain_scores_gemma":[0.9990684,0.00003509174,0.0002271085,0.0001906459,0.0004044382,0.00007425815],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007211602,0.0004516637,0.005348825,0.00009820992,0.00162327,0.001523631,0.04083251,0.000005790975,0.001637324,0.3983464,0.2489454,0.3011149],"study_design_scores_gemma":[0.001351988,0.003165703,0.005274244,0.0003377028,0.00009994339,0.001013567,0.001091088,0.0001527481,0.002991853,0.7301835,0.253813,0.000524627],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7715172,0.02821518,0.06485766,0.03028164,0.04318647,0.0003290339,0.000004430191,0.0001686316,0.06143983],"genre_scores_gemma":[0.9882671,0.00005778934,0.008765357,0.0009212009,0.001822247,6.290323e-7,5.623901e-8,0.000004723172,0.0001609533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3318371,"threshold_uncertainty_score":0.2444172,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4225886136","doi":"10.1525/jpms.2022.34.1.90","title":"Functions of Expressive Timing in Hip-Hop Flow","year":2022,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Rhythm; Beat (acoustics); Reminiscence; Computer science; Linguistics; Improvisation; Flow (mathematics); Speech recognition; Communication; Psychology; Aesthetics; Cognitive psychology; Art; Visual arts; Acoustics; Mathematics","authors":[{"name":"Ben Duinker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1119525974206894,"gpt":0.266636722792046,"spread":0.1546841253713566,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000276205,0.00008964794,0.0003072581,0.0001552044,0.0004873963,0.00001068153,0.0001122236,0.0000136268,0.003972942],"category_scores_gemma":[0.0000772608,0.00007028164,0.0001452045,0.00005886005,0.0001116657,0.0001285903,0.00007607492,0.0002758408,0.000003231075],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009665931,"about_ca_system_score_gemma":0.00003022424,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001902635,"about_ca_topic_score_gemma":0.0004573945,"domain_scores_codex":[0.9990416,0.00008808126,0.0004127805,0.00007721497,0.000270012,0.0001102963],"domain_scores_gemma":[0.9993296,0.00002654374,0.0003704848,0.0000763116,0.0001731052,0.00002389952],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008500312,0.0002226417,0.0002355404,0.00007336227,0.0003197018,0.0001393941,0.5280507,0.0009530548,0.0006649425,0.00568154,0.4607355,0.002838605],"study_design_scores_gemma":[0.0004496056,0.0001914531,0.00009224607,0.0000779366,0.00008108168,0.00002712917,0.300557,0.00001553643,0.00001683758,0.0006680968,0.6977274,0.00009561767],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9484251,0.02523232,0.00002874157,0.0006943835,0.007502573,0.0001746808,0.00005990702,0.0000158761,0.01786649],"genre_scores_gemma":[0.9900447,0.00003205089,0.00008485772,0.0003057838,0.0008693835,0.00001276161,0.000002448913,0.00001008236,0.008637947],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.236992,"threshold_uncertainty_score":0.9969376,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1987186934","doi":"10.1111/j.1533-1598.2009.01186.x","title":"“What Do We Mean by Opera, Anyway?”: Lloyd Webber's<i>Phantom of the Opera</i>and “High-Pop” Theatre","year":2009,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Opera; Art; Superstar; Legend; Musical; Entertainment; Art history; Criticism; Exaggeration; Performance art; Burlesque; History; Visual arts; Literature; Psychology; Psychoanalysis","authors":[{"name":"David Chandler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0263197485920902,"gpt":0.2377146725926166,"spread":0.2113949240005263,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004714098,0.0002735877,0.0006588877,0.0001360234,0.0006164903,0.0001299296,0.0003570722,0.00005408647,0.0002003824],"category_scores_gemma":[0.00001996105,0.000153995,0.0002320715,0.00006246065,0.0005997024,0.0006352323,0.0000855363,0.0002863495,0.000006314779],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007372784,"about_ca_system_score_gemma":0.00004383146,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000697402,"about_ca_topic_score_gemma":0.0005048634,"domain_scores_codex":[0.9982758,0.0001012667,0.0007171232,0.0001821677,0.0004412258,0.0002824765],"domain_scores_gemma":[0.9988896,0.00003129775,0.0004459928,0.0002844163,0.0002667241,0.00008200938],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002087614,0.000447897,0.0005676806,0.000202631,0.001021864,0.00004519605,0.5568959,0.00001958131,0.004587526,0.0166897,0.3178721,0.1014412],"study_design_scores_gemma":[0.001164622,0.0005105179,0.0003891467,0.0008825448,0.0002666398,0.00005829688,0.05770645,0.000003167511,0.0005244664,0.001402817,0.9368333,0.0002580379],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8436247,0.1455807,0.000001616635,0.003226348,0.004788006,0.0001974176,0.00002306633,0.00001565943,0.002542482],"genre_scores_gemma":[0.9651585,0.02683605,0.00003456591,0.001106714,0.001372418,0.000003674693,0.000001048184,0.00002183956,0.00546523],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6189612,"threshold_uncertainty_score":0.6279732,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2909701019","doi":"10.1525/jpms.2018.300412","title":"Southern Sounds, Northern Voices","year":2018,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Western University","funders":"","keywords":"Indigenous; Country; Studio; White (mutation); History; Colonialism; Folk music; Visual arts; Ethnology; Archaeology; Art","authors":[{"name":"Ryan Shuvera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08059652433200439,"gpt":0.268089558356724,"spread":0.1874930340247196,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002758501,0.0001465871,0.0003192446,0.00007573071,0.0006691929,0.0000644499,0.0001919021,0.00003270198,0.002564365],"category_scores_gemma":[0.0000918481,0.00009391369,0.0001817895,0.0000332062,0.0005087928,0.0001782546,0.00003729814,0.0001660327,0.0002751235],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004753601,"about_ca_system_score_gemma":0.00002916761,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004015216,"about_ca_topic_score_gemma":0.01809123,"domain_scores_codex":[0.9990107,0.00004963184,0.0003822393,0.0001036165,0.0002826445,0.0001712043],"domain_scores_gemma":[0.9986879,0.00001618414,0.0004011319,0.000128599,0.0007127537,0.00005343907],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005022851,0.00008049545,0.0008595794,0.00004152944,0.0005867056,0.00004759401,0.6919952,9.878667e-7,0.0001094498,0.008693135,0.2939158,0.003619277],"study_design_scores_gemma":[0.0001883781,0.0002161816,0.00004902666,0.00006982592,0.0001093679,0.0000234345,0.1287718,6.207978e-7,0.00001078037,0.002483263,0.8679568,0.0001204979],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9399722,0.01352618,0.00001336874,0.0006469688,0.006169234,0.00008283895,0.00001678422,0.00003492794,0.03953749],"genre_scores_gemma":[0.9528583,0.0000326405,0.00007379868,0.001044524,0.01297982,0.000002086376,0.000001107448,0.00002177462,0.03298595],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.574041,"threshold_uncertainty_score":0.9998261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2063023074","doi":"10.1111/j.1524-2226.2006.00074.x","title":"Music and Canadian Nationhood Post 9/11: An Analysis of Music Without Borders: Live","year":2006,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Queen's University; McMaster University","funders":"","keywords":"Queen (butterfly); Citation; Popular music; Visual arts; Art history; History; Art; Library science; Computer science","authors":[{"name":"Susan Fast","is_ca":true},{"name":"Karen Pegley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0412278498783237,"gpt":0.2561373695997476,"spread":0.2149095197214239,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003315678,0.000204367,0.0006615338,0.0006943773,0.0005708426,0.00008357608,0.0001558473,0.00005924444,0.001572814],"category_scores_gemma":[0.00008650129,0.0001569566,0.0002373689,0.0001889021,0.0003199396,0.0003764933,0.00002437387,0.0001668798,0.000003094697],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001256544,"about_ca_system_score_gemma":0.0001253106,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05016205,"about_ca_topic_score_gemma":0.9257475,"domain_scores_codex":[0.9985759,0.00009061702,0.000592734,0.0001777391,0.0003371999,0.0002258563],"domain_scores_gemma":[0.9981647,0.00002385838,0.0005438441,0.0001671691,0.0009686708,0.0001317872],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009160036,0.0005175245,0.02534046,0.0002141152,0.007313345,0.0002304896,0.708429,0.0003321336,0.0004253937,0.1181659,0.1364264,0.002513591],"study_design_scores_gemma":[0.001370465,0.0007036438,0.04802335,0.0002227999,0.00673662,0.00005295485,0.3324276,0.0001230757,0.00001254819,0.001894168,0.6077421,0.0006906184],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9906803,0.004919902,0.000004118686,0.0003489371,0.0007321812,0.0001017878,0.00007495727,0.00001038189,0.003127412],"genre_scores_gemma":[0.996792,0.00002506444,0.00009180146,0.0007503271,0.001018789,0.000002787207,0.00002422697,0.00001523096,0.001279727],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8755855,"threshold_uncertainty_score":0.9993399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2127890778","doi":"10.1111/j.1533-1598.2010.01243.x","title":"Interpretations of Tradition: From Gaelic Song to Celtic Pop","year":2010,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cape Breton University","funders":"","keywords":"Celtic languages; Cape; Citation; History; Art history; Media studies; Art; Library science; Sociology; Computer science; Archaeology","authors":[{"name":"Christopher L. McDonald","is_ca":true},{"name":"Heather Sparling","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07007286139614724,"gpt":0.3559115753933017,"spread":0.2858387139971544,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003584612,0.00007173038,0.000247973,0.0000820727,0.0002905204,0.00001358428,0.0001955174,0.00004723612,0.0002017693],"category_scores_gemma":[0.0007575288,0.00005792301,0.0001373218,0.0001833109,0.0001726246,0.0001797517,0.00001901332,0.000215821,0.000008990867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005245124,"about_ca_system_score_gemma":0.0000763468,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001141371,"about_ca_topic_score_gemma":0.003110269,"domain_scores_codex":[0.9991118,0.00008288745,0.0003203373,0.00007639069,0.0003031744,0.0001053656],"domain_scores_gemma":[0.9991962,0.00005051616,0.0002572766,0.00008799168,0.0003148175,0.00009323943],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007012503,0.0002635233,0.002310982,0.0000336738,0.00056959,0.0000512256,0.8594819,0.0000257217,0.02904954,0.02487395,0.07459048,0.008679322],"study_design_scores_gemma":[0.001132755,0.0006533944,0.0448973,0.0005934098,0.0006730639,0.0000319996,0.3511863,0.000008152104,0.0007643327,0.05214728,0.5473707,0.0005412471],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9897623,0.001832447,0.00007566928,0.003448377,0.002649426,0.00006936798,0.00001154092,0.000008561202,0.00214229],"genre_scores_gemma":[0.9974161,0.00005324882,0.0008884126,0.0003339731,0.001058683,0.000002512878,8.60637e-7,0.000004379434,0.0002417665],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5082955,"threshold_uncertainty_score":0.2362032,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3087264428","doi":"10.1525/jpms.2020.32.3.73","title":"Hip Hop and the University","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Scholarship; Poetry; Embodied cognition; Sociology; Hop (telecommunications); Poetics; Space (punctuation); Aesthetics; Media studies; Epistemology; Art; Computer science; Literature; Linguistics; Political science; Telecommunications; Philosophy; Law","authors":[{"name":"Sara Hakeem Grewal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09517030129911115,"gpt":0.2179010427132881,"spread":0.122730741414177,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001503732,0.00006211361,0.0001976993,0.00001639787,0.000438329,0.00002085185,0.00009201266,0.00001224012,0.0004043631],"category_scores_gemma":[0.00008669099,0.00003320631,0.00008661308,0.00002079788,0.0004112459,0.0001001353,0.00003861281,0.0001374204,0.000006827496],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001534503,"about_ca_system_score_gemma":0.00001016749,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006150435,"about_ca_topic_score_gemma":0.0001152229,"domain_scores_codex":[0.9995937,0.00006249632,0.0001241945,0.00005026974,0.0001098961,0.000059435],"domain_scores_gemma":[0.9996436,0.00002445727,0.0001381149,0.00003940993,0.0001161633,0.00003825131],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001284131,0.000009073511,0.00003323733,0.00003020833,0.0002358057,0.00005994203,0.4506065,0.000001312935,0.00001644952,0.1460759,0.4019345,0.0008686763],"study_design_scores_gemma":[0.0006753831,0.00005196509,0.00003743731,0.00001801007,0.0001097265,0.000009346993,0.1244494,0.000002463959,0.000001313228,0.0006654428,0.873937,0.00004251896],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7991222,0.07444451,0.00004346288,0.05906245,0.003737368,0.0002872719,0.00001718591,0.00004567671,0.0632399],"genre_scores_gemma":[0.9903374,0.0002995238,0.00002728878,0.003478683,0.001672197,1.520324e-7,2.017432e-7,0.000004410341,0.004180128],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4720025,"threshold_uncertainty_score":0.4427492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1746054641","doi":"10.1111/jpms.12118","title":"Pete Seeger's Mediatized Folk","year":2015,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Citation; Computer science; Art history; History; Library science","authors":[{"name":"Henry Adam Svec","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1895062111617311,"gpt":0.2901437628617491,"spread":0.100637551700018,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005418016,0.0001453223,0.0004267122,0.0000893362,0.0002576783,0.00004665896,0.0001651674,0.00003324238,0.0008757004],"category_scores_gemma":[0.000349019,0.00009488074,0.0001871745,0.00003520101,0.0001921094,0.0002471261,0.00004142933,0.0002057908,0.00006142493],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008713797,"about_ca_system_score_gemma":0.00006563338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001040569,"about_ca_topic_score_gemma":0.0005458503,"domain_scores_codex":[0.9987909,0.00008029036,0.0004428816,0.00009193494,0.000427923,0.0001661303],"domain_scores_gemma":[0.9986843,0.00002447005,0.0004002688,0.0001183951,0.0006456793,0.0001268827],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004343547,0.00004322896,0.00005693989,0.00002417266,0.0003144594,0.0001075614,0.2426974,0.000004047376,0.00003444353,0.01799385,0.7379452,0.0007352663],"study_design_scores_gemma":[0.0007726623,0.000170269,0.00002482311,0.00005767466,0.000137214,0.00003937829,0.07428252,0.000001439063,0.000009514009,0.00378682,0.9205951,0.0001225852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7202523,0.09496809,0.0000443559,0.004771859,0.03432457,0.0003533032,0.00003124809,0.0001152518,0.145139],"genre_scores_gemma":[0.9532429,0.0001646478,0.0004148577,0.002173518,0.01154955,0.000007319567,0.000003590444,0.00003359733,0.03241003],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2329905,"threshold_uncertainty_score":0.9588306,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399135474","doi":"10.1525/jpms.2024.36.2.76","title":"The Alien Resonances and Queer Obscurities of Hyperpop’s 100 gecs","year":2024,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Queer; Alien; Sociology; Materials science; Gender studies; Demography","authors":[{"name":"Cameron MacDonald","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08156387418131673,"gpt":0.2802300039386346,"spread":0.1986661297573179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007173452,0.0001126648,0.0005052425,0.000142818,0.000156331,0.00004431484,0.0001188207,0.00003113606,0.00001005438],"category_scores_gemma":[0.0005106276,0.00007291804,0.0001452075,0.0001397605,0.0002537726,0.000133123,0.00008832345,0.0001352879,0.000005869358],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000344615,"about_ca_system_score_gemma":0.00001752345,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003878426,"about_ca_topic_score_gemma":0.000103156,"domain_scores_codex":[0.9989475,0.0000143789,0.0006795965,0.0001246788,0.00007479225,0.000159063],"domain_scores_gemma":[0.9992604,0.0001942297,0.000309261,0.0001070328,0.00009746488,0.00003158253],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000105596,0.00009857768,0.1049393,0.001069006,0.004672354,0.0001758548,0.06784262,0.00001170811,0.0001220853,0.497863,0.2860084,0.03709147],"study_design_scores_gemma":[0.0003449362,0.0002176525,0.02330456,0.0003422288,0.00009681937,0.00006444826,0.01405807,0.00002379355,0.00006500827,0.05040793,0.9109158,0.0001587435],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.3534674,0.6392949,0.00001045677,0.004327255,0.001863688,0.00005159172,0.00001621523,0.000005680912,0.0009627492],"genre_scores_gemma":[0.8917406,0.1053568,0.0001764673,0.0001070509,0.0005724319,0.000006093931,2.406859e-7,0.00001306011,0.002027239],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6249074,"threshold_uncertainty_score":0.2973512,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2045523597","doi":"10.1111/j.1533-1598.2006.00112_2.x","title":"The Popular Music Studies Reader Edited by Bennett, Andy, Barry Shank, and Jason Toynbee","year":2007,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Citation; Art history; Art; Library science; Computer science","authors":[{"name":"Kate Galloway","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07720240074967552,"gpt":0.280675563328237,"spread":0.2034731625785614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001525447,0.0003634376,0.000729784,0.0001357202,0.002083405,0.0001489256,0.0002805138,0.00009749735,0.0002124766],"category_scores_gemma":[0.0004491466,0.0002185884,0.0002341026,0.00009952667,0.0008718246,0.000363024,0.0001329999,0.0005221023,0.000009320574],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001344474,"about_ca_system_score_gemma":0.00002465997,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003773515,"about_ca_topic_score_gemma":0.004669708,"domain_scores_codex":[0.9976124,0.0001302499,0.0009006584,0.0002692686,0.000592589,0.0004948691],"domain_scores_gemma":[0.9980988,0.0001686201,0.0006412601,0.0002513922,0.0006961558,0.0001437897],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001033109,0.00007028504,0.0001939711,0.00008516821,0.00106109,0.0001232343,0.1337729,8.974709e-7,0.0002462671,0.00769265,0.8507072,0.005943028],"study_design_scores_gemma":[0.0006045741,0.0002768857,0.0003430998,0.0001928016,0.0003139053,0.00007069597,0.1518235,0.000001180071,0.00002885243,0.00157717,0.8445069,0.0002603755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6076168,0.3754274,0.00001545818,0.00376296,0.00945238,0.0003360256,0.00003350886,0.00005332441,0.003302054],"genre_scores_gemma":[0.9401613,0.008640047,0.0001720607,0.005194508,0.01631614,0.00002107914,0.00001591932,0.00009479565,0.02938415],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3667874,"threshold_uncertainty_score":0.9992157,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3007350735","doi":"10.1525/jpms.2020.32.1.57","title":"Refusing the Interrogation","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Terrorism; CONTEST; Narrative; Geopolitics; Politics; Political dissent; Interrogation; Dissent; Ethnic group; Sociology; Political science; State (computer science); Gender studies; Criminology; Media studies; Law; Art; Literature","authors":[{"name":"Reem M. Hilal","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2403433283838142,"gpt":0.2845728079284028,"spread":0.04422947954458861,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000170269,0.00007115703,0.0001658684,0.00001972781,0.0003841663,0.00004281117,0.0001178765,0.00001305789,0.0007137464],"category_scores_gemma":[0.00009696482,0.00003702745,0.00011064,0.00002719086,0.0001373658,0.0001474258,0.00002913953,0.0001708591,0.0000179279],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003626118,"about_ca_system_score_gemma":0.00001767545,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00000315529,"about_ca_topic_score_gemma":0.0001936014,"domain_scores_codex":[0.9994054,0.00004892058,0.0002564215,0.0000525946,0.0001660121,0.00007064745],"domain_scores_gemma":[0.9994488,0.00001419899,0.0002491697,0.00005306883,0.0002052059,0.00002953788],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002467192,0.00001358405,0.00001385285,0.00002923387,0.0001811536,0.00002389987,0.6313741,0.000007961182,0.0002061086,0.03190104,0.3341862,0.002038144],"study_design_scores_gemma":[0.0001274003,0.00008449746,0.00002044551,0.00004643423,0.00006892275,0.00001032806,0.155876,0.000006021365,0.00001566789,0.0005007511,0.8431973,0.00004621063],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8912404,0.02679675,0.0001171835,0.03656686,0.008166325,0.0002009994,0.000006905184,0.00005062052,0.036854],"genre_scores_gemma":[0.9895345,0.00002722421,0.00004388862,0.005129128,0.003875973,9.377137e-7,4.69494e-7,0.000006529378,0.001381327],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5090111,"threshold_uncertainty_score":0.7815023,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2123977814","doi":"10.1111/j.1524-2226.2005.0049f.x","title":"Kruse, Holly. Site and Sound: Understanding Independent Music Scenes. New York: Peter Lang, 2003","year":2005,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trent University","funders":"","keywords":"Citation; Sound (geography); Art history; History; Performance art; Art; Library science; Computer science","authors":[{"name":"Alan O’Connor","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1893276337851625,"gpt":0.2725580481376133,"spread":0.0832304143524508,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003825572,0.0002313581,0.0004464748,0.0002012515,0.0006126066,0.0001587393,0.0001309803,0.00006336327,0.001365062],"category_scores_gemma":[0.00008391415,0.0001666164,0.0001382373,0.0000841911,0.0002116048,0.0003738865,0.00006173097,0.0003803387,0.00003838588],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002982767,"about_ca_system_score_gemma":0.00007076684,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003448074,"about_ca_topic_score_gemma":0.009284589,"domain_scores_codex":[0.9986216,0.00007220888,0.0004659263,0.0001766133,0.0003942039,0.0002694398],"domain_scores_gemma":[0.9991229,0.00002396841,0.0003765395,0.0001366402,0.0002019382,0.0001380225],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004689807,0.00006220024,0.0007421879,0.00004907711,0.0004078444,0.00008207278,0.2433255,0.0000111977,0.0000695777,0.03009668,0.7232615,0.001845296],"study_design_scores_gemma":[0.0009401741,0.0001225257,0.0002908681,0.0001477104,0.0002205274,0.0001084003,0.0528408,0.000004080508,0.000004246426,0.002483451,0.9425862,0.0002510099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7063102,0.1710376,0.0005724261,0.002882147,0.01464472,0.0006134214,0.00004529675,0.0001351537,0.1037591],"genre_scores_gemma":[0.9369689,0.0002542759,0.0003273431,0.002496444,0.00634806,0.000002356841,0.000003115722,0.00003280525,0.05356672],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2306587,"threshold_uncertainty_score":0.9995478,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402569598","doi":"10.1525/jpms.2024.36.3.49","title":"No Future in Retrospect","year":2024,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Biographical and Historical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia, Okanagan Campus","funders":"","keywords":"History","authors":[{"name":"George C. Grinnell","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04515536297226638,"gpt":0.2569599816252344,"spread":0.211804618652968,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002285938,0.0001017591,0.0003467762,0.0003414792,0.0001114999,0.00007613665,0.0001006775,0.00003176958,0.0006853416],"category_scores_gemma":[0.00004850813,0.00006050459,0.0003381551,0.0001932601,0.0001302093,0.000133987,0.00002790051,0.0003041925,0.00004946267],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007384003,"about_ca_system_score_gemma":0.00001164323,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005153055,"about_ca_topic_score_gemma":0.001227248,"domain_scores_codex":[0.9991181,0.00002740471,0.0003854851,0.00010091,0.0002382931,0.000129794],"domain_scores_gemma":[0.9995993,0.00002327276,0.00008280119,0.00006397007,0.0001905544,0.00004006195],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005395867,0.0001711897,0.002019785,0.0002725678,0.001412932,0.0008748365,0.03984008,0.000001815808,0.00008244591,0.4929987,0.4512218,0.01104993],"study_design_scores_gemma":[0.00009937089,0.0001325961,0.0004789213,0.0001289056,0.000127072,0.000008424173,0.003597371,0.000008619861,0.000001028483,0.009575357,0.9857553,0.00008703691],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1834436,0.6897778,0.00002179249,0.03194312,0.0321079,0.0001638864,0.00002833752,0.000120029,0.06239355],"genre_scores_gemma":[0.9660549,0.005346353,0.0001426287,0.0005674681,0.01359066,0.000002592063,0.000001073983,0.00001721751,0.01427717],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7826113,"threshold_uncertainty_score":0.750401,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2138553154","doi":"10.1111/j.1533-1598.2012.01318.x","title":"On the Doctoral Dissertation of One Electroacoustic Musician (Fragments)","year":2012,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Queen (butterfly); Citation; Library science; Computer science; Art history; Art","authors":[{"name":"Rick Moody","is_ca":false},{"name":"Michael D. Snediker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06313247660930543,"gpt":0.3074599636847456,"spread":0.2443274870754402,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007382964,0.0001329679,0.0003735648,0.0001542311,0.0002396892,0.00001578806,0.0004841216,0.00004850998,0.00001021514],"category_scores_gemma":[0.0005779066,0.00007933429,0.000127187,0.0003217269,0.0001311858,0.0002419977,0.0001241873,0.0002471377,0.000005276869],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005586587,"about_ca_system_score_gemma":0.00002115046,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003886762,"about_ca_topic_score_gemma":0.00001654772,"domain_scores_codex":[0.9987175,0.00009605053,0.0004325646,0.0001006951,0.00038587,0.0002672533],"domain_scores_gemma":[0.9987623,0.0002042321,0.0004960352,0.0002725523,0.0002282948,0.00003656134],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00008554573,0.0008632754,0.01208307,0.00008984376,0.002059816,0.00002209345,0.0462543,0.00005407555,0.00482631,0.896753,0.02175925,0.01514949],"study_design_scores_gemma":[0.004725586,0.00589582,0.4630187,0.001699373,0.001685922,0.0003139998,0.04979882,0.0007869521,0.01439599,0.4433285,0.01249858,0.001851742],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9801905,0.005121672,0.01046194,0.002489641,0.001315973,0.00009857608,6.006464e-7,0.00002102672,0.0003000616],"genre_scores_gemma":[0.9972327,0.0001315717,0.001810554,0.0005434778,0.0001952049,0.000004907114,1.437928e-7,0.000005246387,0.00007616235],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4534245,"threshold_uncertainty_score":0.3235159,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385712837","doi":"10.1525/jpms.2023.35.3.144","title":"Contributors’ Notes","year":2023,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Parade; Indie film; Meditation; Performing arts; Visual arts; Art; History; World Wide Web; Art history; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.3274266823358982,"gpt":0.3119478154309754,"spread":0.01547886690492273,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005147092,0.0001510662,0.0005154036,0.0001728017,0.0004463511,0.0001328488,0.0001812144,0.00002756133,0.0005049775],"category_scores_gemma":[0.00145283,0.00009602117,0.0002286245,0.0001121995,0.0003587923,0.0001654141,0.0001904887,0.0001536654,0.0002845829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006110095,"about_ca_system_score_gemma":0.00001399536,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001677035,"about_ca_topic_score_gemma":0.0000980995,"domain_scores_codex":[0.9987535,0.00005345381,0.0004441786,0.0001087155,0.0003631375,0.0002770257],"domain_scores_gemma":[0.9987037,0.0002460425,0.0003215692,0.00008858649,0.0005864951,0.00005358323],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006969648,0.0001459347,0.00422499,0.00006991222,0.002012033,0.0006995929,0.07526623,0.00002662847,0.0001283392,0.2690348,0.6402357,0.00808612],"study_design_scores_gemma":[0.000579139,0.0003071978,0.002704249,0.00007045941,0.0001540006,0.000009122879,0.03657493,0.000002653194,0.00001701417,0.008884296,0.9505383,0.0001586745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9597339,0.009312463,0.000007898252,0.009389155,0.009275635,0.0001886498,0.00003632766,0.0001624786,0.0118935],"genre_scores_gemma":[0.9920931,0.0005283377,0.00004468766,0.0009016494,0.002592732,0.000005653308,0.000001567194,0.00001388819,0.003818388],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3103026,"threshold_uncertainty_score":0.5529149,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399135558","doi":"10.1525/jpms.2024.36.2.130","title":"Contributors’ Notes","year":2024,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1115154872465288,"gpt":0.2953196823330395,"spread":0.1838041950865107,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002951334,0.0001159683,0.0002943228,0.00009455279,0.0002733296,0.0001100561,0.000100962,0.00002727409,0.001963931],"category_scores_gemma":[0.000186077,0.00007214197,0.0002139847,0.0000368773,0.0001681462,0.0002198528,0.00002353247,0.0002122801,0.00007212512],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006204739,"about_ca_system_score_gemma":0.00003196245,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006943996,"about_ca_topic_score_gemma":0.0002790422,"domain_scores_codex":[0.9991896,0.00003610688,0.0003365665,0.00008641186,0.0002185832,0.0001327865],"domain_scores_gemma":[0.9994366,0.00005862967,0.0001180245,0.00007285819,0.0002714549,0.00004238644],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001357239,0.00002995363,0.00002527468,0.0001126792,0.0005748208,0.0003049083,0.147131,0.0000020436,0.000152023,0.2034501,0.6439225,0.004281117],"study_design_scores_gemma":[0.0001348765,0.00009818793,0.00001986878,0.0002315571,0.0001463901,0.00004859002,0.01266295,0.000002622296,0.00002421015,0.00389315,0.9826435,0.00009408555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.3504674,0.540828,0.0001620417,0.00808342,0.05202784,0.0002867761,0.00008004482,0.0002167089,0.04784781],"genre_scores_gemma":[0.9808211,0.0001909267,0.00004494021,0.0007100626,0.006460517,0.000002425307,0.000001431499,0.00001469806,0.01175393],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6303537,"threshold_uncertainty_score":0.9989484,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4226502043","doi":"10.1525/jpms.2022.34.1.175","title":"Contributors’ Notes","year":2022,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Society for Music Theory; University of Toronto; University of Michigan","keywords":"Musicology; The arts; Poetry; Performance studies; Scholarship; Sociology; Library science; Art history; Art; Visual arts; Pedagogy; Literature; Anthropology; Political science; Computer science","authors":[{"name":"Alena Aniskiewicz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1095186067186561,"gpt":0.2698737167607603,"spread":0.1603551100421042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004068703,0.0001021084,0.0003129155,0.00007992511,0.001107718,0.00002968741,0.0001638675,0.00001171486,0.006762586],"category_scores_gemma":[0.0001679484,0.00007440247,0.0001867628,0.0000363276,0.0001332575,0.000116995,0.00008337401,0.0002749208,0.00001189391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001102988,"about_ca_system_score_gemma":0.00002945471,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001119221,"about_ca_topic_score_gemma":0.0002072226,"domain_scores_codex":[0.9990035,0.00009397164,0.0003450823,0.00007675767,0.0003418177,0.0001389063],"domain_scores_gemma":[0.9992361,0.00003972197,0.000342079,0.00008847402,0.0002550639,0.00003856435],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000502202,0.0001097928,0.0001562144,0.00002378757,0.0004184525,0.0001709503,0.2051219,0.00003080634,0.0001329189,0.09196563,0.700357,0.001462309],"study_design_scores_gemma":[0.0003445708,0.0002101446,0.00004462578,0.00001480706,0.00008554031,0.00005432187,0.05359223,8.267851e-7,0.000008854658,0.001995621,0.943556,0.00009246921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8493849,0.08888053,0.0000315551,0.005579631,0.02763757,0.0003098013,0.0001322642,0.00007547762,0.02796827],"genre_scores_gemma":[0.9877533,0.00003265331,0.000030126,0.001611594,0.002432644,0.000007664152,0.000002368087,0.00001080836,0.008118829],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2431989,"threshold_uncertainty_score":0.9941454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4381322766","doi":"10.1525/jpms.2023.35.2.130","title":"Contributors’ Notes","year":2023,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Society for Theatre Research","keywords":"Psychology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1618086070923958,"gpt":0.3002663571030643,"spread":0.1384577500106685,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000375782,0.0001101651,0.0003294149,0.0001180118,0.0004240737,0.00004162497,0.0001234672,0.0000271567,0.001103792],"category_scores_gemma":[0.0003863987,0.00007294297,0.000181701,0.00006766218,0.0001681075,0.0001524603,0.00003643459,0.0001573235,0.0001527888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004140081,"about_ca_system_score_gemma":0.00002021878,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007282172,"about_ca_topic_score_gemma":0.0003451998,"domain_scores_codex":[0.9991141,0.00004313694,0.0003461782,0.0000762711,0.0002497848,0.0001705437],"domain_scores_gemma":[0.9991779,0.00005872086,0.000253207,0.00008849206,0.0003748551,0.00004684623],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001876569,0.00002949016,0.0001628239,0.0000385171,0.0003381704,0.0001657675,0.1311492,0.000006655187,0.0001605078,0.05343239,0.8127652,0.001732436],"study_design_scores_gemma":[0.0003097164,0.0000971125,0.0002356985,0.00007192673,0.00008167783,0.00001604478,0.02756302,0.00000160937,0.00002305862,0.003022935,0.9684785,0.00009869539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9325843,0.02451432,0.00001861042,0.004959394,0.01840059,0.0002055791,0.00004804481,0.000174268,0.01909486],"genre_scores_gemma":[0.9782398,0.0001877384,0.00002718624,0.0009259681,0.004864475,0.000003709455,0.000003676852,0.00001566902,0.01573182],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1557132,"threshold_uncertainty_score":0.9998093,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409222143","doi":"10.1525/jpms.2025.37.1.93","title":"Review: <i>Computing Taste: Algorithms and the Makers of Music Recommendation</i>, by Nick Seaver","year":2025,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Taste; Computer science; Psychology; Neuroscience","authors":[{"name":"Sophie Ogilvie-Hanson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09916374056178685,"gpt":0.2945299672408652,"spread":0.1953662266790784,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001133624,0.0001778956,0.0007648284,0.0000786758,0.0004743375,0.00007550971,0.0001889466,0.00002519691,0.0002906168],"category_scores_gemma":[0.0006220141,0.00009757505,0.0002053912,0.0001072269,0.0007992439,0.0001249653,0.0003221357,0.0002166645,0.000003500973],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000505678,"about_ca_system_score_gemma":0.00002107379,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004240956,"about_ca_topic_score_gemma":0.00004178101,"domain_scores_codex":[0.9985193,0.0001876399,0.0007546188,0.0001421524,0.000216142,0.0001801218],"domain_scores_gemma":[0.9983416,0.0003354886,0.0006826579,0.0001103846,0.0005016515,0.00002824526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004961286,0.00006961216,0.0002412024,0.0004625114,0.001160733,0.000005187912,0.008725886,0.00000221958,0.000006001238,0.01954473,0.9419224,0.02780994],"study_design_scores_gemma":[0.001457769,0.0001107717,0.0001386373,0.001258474,0.0005426948,0.000006733721,0.02095821,0.00001306072,0.000004822921,0.001561912,0.9738281,0.0001188011],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.05451327,0.833901,0.0001714488,0.0634273,0.00808698,0.001293222,0.00008835136,0.00005152664,0.03846687],"genre_scores_gemma":[0.6061924,0.2423519,0.002068794,0.1198627,0.00427115,0.00004170597,0.00002360082,0.00009160549,0.02509609],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.5915492,"threshold_uncertainty_score":0.3978995,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409221273","doi":"10.1525/jpms.2025.37.1.100","title":"Contributors’ Notes","year":2025,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"H2020 Marie Skłodowska-Curie Actions; University of the Western Cape; University College Cork","keywords":"Psychology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1933637686410843,"gpt":0.3055330522036807,"spread":0.1121692835625965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003590027,0.0001495487,0.000547256,0.0001540935,0.0004288659,0.000141819,0.0001898951,0.00002947604,0.0003937176],"category_scores_gemma":[0.001397874,0.00009523529,0.000222278,0.00006975883,0.0004037232,0.0001413913,0.0001742349,0.0001662802,0.00002933511],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009184297,"about_ca_system_score_gemma":0.00002533504,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002186791,"about_ca_topic_score_gemma":0.0001417176,"domain_scores_codex":[0.9989254,0.00005449999,0.0004725393,0.0001053866,0.0002346039,0.0002075934],"domain_scores_gemma":[0.9986229,0.0002218558,0.0002913589,0.00009257118,0.0007379761,0.00003331579],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007086161,0.0001811573,0.00370676,0.00006417498,0.002031823,0.0001224235,0.01995452,0.000006196666,0.00005787945,0.7043135,0.2617752,0.007715502],"study_design_scores_gemma":[0.0006622088,0.0001900975,0.001530969,0.0001394369,0.0002564583,0.000003674139,0.02014994,8.869535e-7,0.00002965135,0.01545958,0.9614597,0.000117429],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.757654,0.07832525,0.0001415669,0.02622888,0.02267764,0.0004484289,0.00004230105,0.0001199315,0.114362],"genre_scores_gemma":[0.9901066,0.0003290796,0.0001063694,0.002398427,0.001177049,0.000004680861,4.867193e-7,0.000006497004,0.005870836],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6996845,"threshold_uncertainty_score":0.4310931,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2972223202","doi":"10.1525/jpms.2019.313007","title":"Response to Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”","year":2019,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Icon; Citation; Download; Popular culture; Set (abstract data type); Art; World Wide Web; History; Computer science; Art history; Literature","authors":[{"name":"Norma Coates","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05755911480680675,"gpt":0.2656377283933758,"spread":0.208078613586569,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006891894,0.0001929008,0.0005901746,0.0001356877,0.0002385423,0.00004456497,0.0001605461,0.00005140491,0.0006423365],"category_scores_gemma":[0.0002125057,0.0001310898,0.0001540293,0.00006715768,0.00009088185,0.0002008161,0.00007764014,0.0002047552,0.00002509196],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000663944,"about_ca_system_score_gemma":0.00002415797,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002715231,"about_ca_topic_score_gemma":0.0001462274,"domain_scores_codex":[0.998698,0.0001293002,0.0005393705,0.0001518798,0.0003003583,0.0001810824],"domain_scores_gemma":[0.9989285,0.00004160657,0.0004357601,0.0001585584,0.0003514215,0.00008409951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001068056,0.00009199268,0.002657853,0.0003165826,0.0006295688,0.00004035241,0.5077982,0.000006285441,0.005984308,0.01290683,0.4673317,0.00116828],"study_design_scores_gemma":[0.0005478531,0.0005609467,0.0002886613,0.0004951315,0.0001068766,0.00004126003,0.05777323,0.000001265658,0.0001005168,0.0001911196,0.9397152,0.000177936],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9606782,0.03152401,0.00001709104,0.0009369239,0.001617807,0.0002802133,0.00002712776,0.00001813016,0.004900516],"genre_scores_gemma":[0.9832832,0.0001371585,0.0003349803,0.002458142,0.0007897837,0.000003731956,8.96984e-7,0.00002436956,0.01296772],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4723835,"threshold_uncertainty_score":0.7033134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4245629299","doi":"10.1525/jpms.2020.323007","title":"Hip Hop and the University","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Scholarship; Poetry; Embodied cognition; Sociology; Hop (telecommunications); Poetics; Space (punctuation); Aesthetics; Media studies; Epistemology; Computer science; Art; Literature; Political science; Telecommunications; Linguistics; Philosophy; Law","authors":[{"name":"Sara Hakeem Grewal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09517030129911115,"gpt":0.2179010427132881,"spread":0.122730741414177,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001503732,0.00006211361,0.0001976993,0.00001639787,0.000438329,0.00002085185,0.00009201266,0.00001224012,0.0004043631],"category_scores_gemma":[0.00008669099,0.00003320631,0.00008661308,0.00002079788,0.0004112459,0.0001001353,0.00003861281,0.0001374204,0.000006827496],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001534503,"about_ca_system_score_gemma":0.00001016749,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006150435,"about_ca_topic_score_gemma":0.0001152229,"domain_scores_codex":[0.9995937,0.00006249632,0.0001241945,0.00005026974,0.0001098961,0.000059435],"domain_scores_gemma":[0.9996436,0.00002445727,0.0001381149,0.00003940993,0.0001161633,0.00003825131],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001284131,0.000009073511,0.00003323733,0.00003020833,0.0002358057,0.00005994203,0.4506065,0.000001312935,0.00001644952,0.1460759,0.4019345,0.0008686763],"study_design_scores_gemma":[0.0006753831,0.00005196509,0.00003743731,0.00001801007,0.0001097265,0.000009346993,0.1244494,0.000002463959,0.000001313228,0.0006654428,0.873937,0.00004251896],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7991222,0.07444451,0.00004346288,0.05906245,0.003737368,0.0002872719,0.00001718591,0.00004567671,0.0632399],"genre_scores_gemma":[0.9903374,0.0002995238,0.00002728878,0.003478683,0.001672197,1.520324e-7,2.017432e-7,0.000004410341,0.004180128],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4720025,"threshold_uncertainty_score":0.4427492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3024947208","doi":"10.1525/jpms.2018.200015","title":"Promoting Social Change Through Audio Repetition1","year":2018,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mainstream; Dominance (genetics); Repetition (rhetorical device); Popular music; White (mutation); Visual arts; Quarter (Canadian coin); Period (music); Social change; History; Aesthetics; Art; Sociology; Media studies; Political science; Linguistics; Law","authors":[{"name":"B. Lee Cooper","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2465908003051417,"gpt":0.3215411864173083,"spread":0.07495038611216667,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003054944,0.0001306652,0.0003177151,0.00004870263,0.001174242,0.00004861939,0.0001230159,0.00003642214,0.001906295],"category_scores_gemma":[0.0000990903,0.00009248099,0.0001746497,0.00004192336,0.000428353,0.0004007904,0.00004285876,0.0001802601,0.00004802426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006888675,"about_ca_system_score_gemma":0.00001789551,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001606541,"about_ca_topic_score_gemma":0.0007628661,"domain_scores_codex":[0.999001,0.00006170144,0.0003799648,0.0001098776,0.0002700503,0.0001774683],"domain_scores_gemma":[0.9988389,0.000009709286,0.0004474683,0.00007972917,0.0005955008,0.0000286935],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001587298,0.00004721673,0.00002556855,0.00004854229,0.0001834926,0.00003346073,0.7099481,1.010819e-8,0.00006248767,0.03795105,0.2493581,0.002326024],"study_design_scores_gemma":[0.0002642575,0.0002430922,0.0001634122,0.0001461727,0.0001031425,0.00003488572,0.03548217,4.494203e-7,0.00003785974,0.004194682,0.9592062,0.0001237056],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8529226,0.01469375,0.00003367498,0.009761615,0.0188307,0.0004550866,0.00003118049,0.0001171723,0.1031543],"genre_scores_gemma":[0.9523362,0.00006319086,0.0001638351,0.002806427,0.03818813,0.00001000778,0.000001927664,0.00002003082,0.006410263],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.709848,"threshold_uncertainty_score":0.9990061,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204413225","doi":"10.1525/jpms.2021.33.3.208","title":"Review: <i>Hungry Listening: Resonant Theory for Indigenous Sound Studies</i>, by Dylan Robinson","year":2021,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Active listening; Sound (geography); Indigenous; Sociology; Psychology; Acoustics; Communication; Physics; Ecology","authors":[{"name":"Kristina Jacobsen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1713436235222903,"gpt":0.3197657924657998,"spread":0.1484221689435095,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001470854,0.0003626112,0.001389584,0.00008977234,0.001111658,0.0001690764,0.0003079382,0.00005882373,0.0001825105],"category_scores_gemma":[0.002607344,0.0002406066,0.0005612482,0.000107115,0.0005479493,0.0002213884,0.0003388327,0.0003119205,0.00001615552],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002371723,"about_ca_system_score_gemma":0.00006866211,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007985793,"about_ca_topic_score_gemma":0.000180304,"domain_scores_codex":[0.9974405,0.0002672643,0.001012211,0.0003195537,0.0004664554,0.0004940027],"domain_scores_gemma":[0.9962937,0.0005232715,0.0008589062,0.0002341405,0.001993574,0.00009646429],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000113091,0.0003095392,0.0001463059,0.001278291,0.003575007,0.0002729444,0.06159567,0.000001395814,0.0001006277,0.02447724,0.9006795,0.007450376],"study_design_scores_gemma":[0.0007412851,0.0005688921,0.00002526879,0.001401023,0.0008855491,0.00005231706,0.07258705,2.272683e-7,0.00003395123,0.01241485,0.911001,0.0002885974],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.03445314,0.9552755,0.00003394563,0.003132525,0.004763485,0.00048293,0.00009461572,0.00003868291,0.001725158],"genre_scores_gemma":[0.1240201,0.72111,0.00229208,0.07257031,0.0140029,0.0003752527,0.00008238055,0.0002750299,0.06527195],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2341655,"threshold_uncertainty_score":0.9811655,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4230017610","doi":"10.1525/jpms.2021.33.3.22","title":"Country Canon","year":2021,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Indie film; Taste; Art; Ballad; Art history; Dandy; History; Literature; Poetry; Psychology","authors":[{"name":"Steacy Easton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08747261960264088,"gpt":0.266151836988418,"spread":0.1786792173857771,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001664376,0.00009748934,0.0002874942,0.00003829938,0.0003352687,0.00004493454,0.00008363084,0.00002510546,0.003235007],"category_scores_gemma":[0.0001275064,0.0000688191,0.0001291273,0.0000351161,0.0001304126,0.0001421278,0.00002897945,0.0001729237,0.0000200106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006197218,"about_ca_system_score_gemma":0.00007741052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000008671357,"about_ca_topic_score_gemma":0.002615218,"domain_scores_codex":[0.999211,0.0000466083,0.0003046322,0.00007757104,0.00024091,0.0001192613],"domain_scores_gemma":[0.9990703,0.0000149912,0.0002158356,0.00009754671,0.0005590243,0.00004229844],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001390019,0.00006588875,0.00008923308,0.00006078106,0.0003798976,0.0005442612,0.1032761,0.000003097422,0.0002930935,0.07654078,0.8171055,0.001627534],"study_design_scores_gemma":[0.0002218369,0.00004645525,0.00005843605,0.00008563806,0.0001016354,0.0001002254,0.03934967,2.964102e-7,0.0000451763,0.001456758,0.9584485,0.00008531443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4911971,0.2537197,0.00001942241,0.003137269,0.02649072,0.0001351959,0.00004892493,0.0000529911,0.2251987],"genre_scores_gemma":[0.870148,0.0007292263,0.0002451787,0.00631037,0.01176917,0.000003961112,0.000008274353,0.00003255397,0.1107533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3789509,"threshold_uncertainty_score":0.9976762,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4255787127","doi":"10.1525/jpms.2021.33.3.8","title":"33⅓ rpm","year":2021,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"String (physics); Space (punctuation); Rotation (mathematics); Center (category theory); Geodesy; Physics; Mathematics; Computer science; Geometry; Geology; Theoretical physics; Crystallography","authors":[{"name":"Jonathan Sterne","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05958653316732649,"gpt":0.2999222440462487,"spread":0.2403357108789222,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003979114,0.0001237563,0.0004210464,0.0001197884,0.0002335257,0.00003911753,0.000487964,0.00005842917,0.00001335185],"category_scores_gemma":[0.00066072,0.00009328,0.0001749818,0.000379098,0.0001167464,0.0002393935,0.0004677988,0.0002506518,0.00001213005],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004527327,"about_ca_system_score_gemma":0.00007273942,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001146567,"about_ca_topic_score_gemma":0.00002382685,"domain_scores_codex":[0.9988446,0.00007140562,0.0004125994,0.0001680568,0.0002958598,0.0002074595],"domain_scores_gemma":[0.9987482,0.0000671231,0.0002642697,0.0003298628,0.0005482121,0.00004231255],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002158826,0.0004049179,0.01210397,0.0001271965,0.003323293,0.006152169,0.0340059,0.00002912081,0.001991481,0.4733045,0.3650031,0.1035327],"study_design_scores_gemma":[0.0023587,0.0006261482,0.02334115,0.000407701,0.0002877015,0.003926738,0.01875374,0.0001192266,0.003592331,0.2781804,0.6675832,0.0008229854],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6362991,0.2067586,0.09302583,0.04495123,0.01324649,0.0001409408,0.00000247953,0.0002395846,0.005335745],"genre_scores_gemma":[0.9511669,0.002493336,0.04183889,0.002260039,0.0005851229,0.000003688234,2.255704e-7,0.0000100507,0.001641728],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3148679,"threshold_uncertainty_score":0.3803848,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047258620","doi":"10.1525/jpms.2020.32.2.178","title":"“New Life” into Old Sounds","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Reading (process); History; Reflexivity; Visual arts; Sociology; Psychology; Art; Law; Anthropology; Linguistics; Political science; Philosophy","authors":[{"name":"Ryan Shuvera","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07034053131969638,"gpt":0.301671631739836,"spread":0.2313311004201396,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003287107,0.00005984742,0.0002458288,0.0001657071,0.0005925185,0.0001066707,0.0002053182,0.0000401851,0.0004076102],"category_scores_gemma":[0.001389693,0.00006376714,0.0001487958,0.0002579087,0.0002220583,0.000201088,0.00003765371,0.0001608213,0.00005091837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003686846,"about_ca_system_score_gemma":0.0006737208,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.0532296,"about_ca_topic_score_gemma":0.3872378,"domain_scores_codex":[0.9990443,0.00006622542,0.0002675029,0.00007747107,0.0003960815,0.0001484396],"domain_scores_gemma":[0.9991795,0.00002453137,0.0002109214,0.00005231547,0.0001621798,0.000370526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001352336,0.000009600175,0.0007487567,0.00002145724,0.0001746575,0.00007399719,0.1717741,0.0000037162,0.00004094222,0.007545935,0.8095104,0.01008299],"study_design_scores_gemma":[0.0001961487,0.00006266778,0.0007915546,0.00002483997,0.00006480183,0.000002185162,0.03022725,3.397939e-7,0.000001176746,0.002508198,0.9660449,0.00007592903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3658187,0.2728782,0.0008692878,0.3153889,0.01357478,0.0003961285,0.000009724396,0.0001269349,0.03093739],"genre_scores_gemma":[0.9109209,0.01321764,0.003726493,0.02265493,0.02201813,0.000002629799,7.884366e-7,0.00004427044,0.02741423],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5451022,"threshold_uncertainty_score":0.9530751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388782488","doi":"10.1525/jpms.2023.35.4.18","title":"“Let’s See If We’ve Been Missing Out!”","year":2023,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Radio, Podcasts, and Digital Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Emotive; Popular music; Embodied cognition; White (mutation); Aesthetics; Affect (linguistics); TRACE (psycholinguistics); Sociology; Visual arts; Black music; Musicology; Media studies; Art; Linguistics; Movement (music); Communication; Computer science","authors":[{"name":"Morgan Bimm","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1718757859404584,"gpt":0.3830227457748485,"spread":0.2111469598343902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001194728,0.000144177,0.0004447969,0.0002220027,0.0005272231,0.0001238927,0.0002777175,0.00007190018,0.00004770195],"category_scores_gemma":[0.002282612,0.0001151115,0.0002312201,0.0003978024,0.000317438,0.000402887,0.00007949207,0.0002047829,0.0001332211],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000153715,"about_ca_system_score_gemma":0.0001499152,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004842641,"about_ca_topic_score_gemma":0.000315451,"domain_scores_codex":[0.9980125,0.0001385069,0.000485386,0.000143144,0.0008006313,0.0004198664],"domain_scores_gemma":[0.9988526,0.0002067062,0.0003496452,0.0001174436,0.0002691157,0.0002045661],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003633239,0.00008315243,0.006943443,0.00007501137,0.0005696471,0.0007918981,0.3232776,0.00001805383,0.0001801869,0.002212116,0.4563872,0.2094254],"study_design_scores_gemma":[0.0006866199,0.0002008342,0.008274895,0.0004219409,0.0001654007,0.00003525121,0.2039504,0.00001241262,0.00004665162,0.02249436,0.7633707,0.0003405209],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8471215,0.03627777,0.0001125741,0.05327469,0.01968195,0.0003850087,0.00001850332,0.0002332607,0.04289479],"genre_scores_gemma":[0.9802147,0.00507124,0.0004104221,0.0006154426,0.00544379,0.000003446831,0.000001287092,0.00002887977,0.008210831],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3069835,"threshold_uncertainty_score":0.4694112,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4251674419","doi":"10.1525/jpms.2021.33.3.213","title":"Contributors’ Notes","year":2021,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Materials science; Psychology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1191979061789226,"gpt":0.2823702716283219,"spread":0.1631723654493993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002137994,0.0001083127,0.0003592047,0.00004318261,0.0003625473,0.00005342006,0.00008927161,0.0000278355,0.002870668],"category_scores_gemma":[0.0004927322,0.00007511985,0.0002050816,0.00003395819,0.0001476768,0.0001519663,0.00003489179,0.0001751898,0.00002909904],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004928546,"about_ca_system_score_gemma":0.00004882373,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004629142,"about_ca_topic_score_gemma":0.0006707389,"domain_scores_codex":[0.9991319,0.00006230804,0.0003558105,0.00008428163,0.0002287285,0.0001369405],"domain_scores_gemma":[0.9987106,0.00004602063,0.0002560184,0.0001017526,0.0008372018,0.00004836309],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002861849,0.0001413243,0.0002699714,0.0000733269,0.0008401762,0.0007926137,0.1759885,0.000004503474,0.0007885756,0.1579841,0.6600101,0.003078271],"study_design_scores_gemma":[0.0003521035,0.00006483808,0.00009286213,0.00008728111,0.0001231702,0.00007890807,0.02861818,3.571338e-7,0.0001763578,0.002413112,0.9678932,0.00009960818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7203857,0.196999,0.00009478246,0.007445476,0.0244873,0.0001705116,0.00005779165,0.00006769608,0.05029174],"genre_scores_gemma":[0.9754647,0.0002331904,0.0001525906,0.002233134,0.005414277,0.000002071181,0.000003467668,0.00001423908,0.01648233],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3078831,"threshold_uncertainty_score":0.9980409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3113211838","doi":"10.1525/jpms.2020.32.4.60","title":"Way Out Music for Way Out Kids","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Electronic music; Musical; Context (archaeology); Visual arts; General partnership; Popular music; Aesthetics; Art; History; Political science; Law","authors":[{"name":"Nicholas Laudadio","is_ca":false},{"name":"Meghan M. Sweeney","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1310235434405574,"gpt":0.3043013563814201,"spread":0.1732778129408627,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004660807,0.0003436295,0.0009720296,0.0001449816,0.0006599549,0.0001428744,0.0003216999,0.00007139776,0.0002137177],"category_scores_gemma":[0.0007976879,0.0002324594,0.0005292925,0.00004765123,0.000485217,0.0002734883,0.0001488968,0.0003661955,0.00004332181],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004773765,"about_ca_system_score_gemma":0.00002713371,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004207972,"about_ca_topic_score_gemma":0.000404682,"domain_scores_codex":[0.9980707,0.00008255828,0.0008161243,0.0002838794,0.0003360364,0.0004106718],"domain_scores_gemma":[0.9982566,0.0001244892,0.0005062005,0.0001758737,0.0008052666,0.0001316225],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001772301,0.00007137076,0.0002267914,0.0002553916,0.001315618,0.00009095278,0.4037726,0.000002363771,0.0001705493,0.03631406,0.5551137,0.002489412],"study_design_scores_gemma":[0.001122716,0.0009266646,0.0002296248,0.0001402071,0.0004142063,0.00001669397,0.07256008,0.000005113939,0.00005169707,0.003977348,0.9202527,0.000302991],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.3349152,0.3496151,0.00118132,0.1423852,0.0834516,0.002688555,0.0007085418,0.0005032908,0.08455126],"genre_scores_gemma":[0.9572608,0.0008825396,0.001188867,0.01160625,0.02048902,0.00003489978,0.00001069093,0.00007753776,0.008449337],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6223457,"threshold_uncertainty_score":0.9479421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388782498","doi":"10.1525/jpms.2023.35.4.146","title":"Contributors’ Notes","year":2023,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"St. Francis Xavier University","funders":"California State University, Fullerton; University of Washington; Rijksuniversiteit Groningen; University of Southern California","keywords":"Punk; Icon; Citation; Popular music; Popular culture; Scholarship; Insider; Media studies; Visual arts; Art; Sociology; Library science; Art history; Computer science; Political science","authors":[{"name":"Morgan Bimm","is_ca":true},{"name":"Anjuli Joshi Brekke","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1618086070923958,"gpt":0.3002663571030643,"spread":0.1384577500106685,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000375782,0.0001101651,0.0003294149,0.0001180118,0.0004240737,0.00004162497,0.0001234672,0.0000271567,0.001103792],"category_scores_gemma":[0.0003863987,0.00007294297,0.000181701,0.00006766218,0.0001681075,0.0001524603,0.00003643459,0.0001573235,0.0001527888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004140081,"about_ca_system_score_gemma":0.00002021878,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007282172,"about_ca_topic_score_gemma":0.0003451998,"domain_scores_codex":[0.9991141,0.00004313694,0.0003461782,0.0000762711,0.0002497848,0.0001705437],"domain_scores_gemma":[0.9991779,0.00005872086,0.000253207,0.00008849206,0.0003748551,0.00004684623],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001876569,0.00002949016,0.0001628239,0.0000385171,0.0003381704,0.0001657675,0.1311492,0.000006655187,0.0001605078,0.05343239,0.8127652,0.001732436],"study_design_scores_gemma":[0.0003097164,0.0000971125,0.0002356985,0.00007192673,0.00008167783,0.00001604478,0.02756302,0.00000160937,0.00002305862,0.003022935,0.9684785,0.00009869539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9325843,0.02451432,0.00001861042,0.004959394,0.01840059,0.0002055791,0.00004804481,0.000174268,0.01909486],"genre_scores_gemma":[0.9782398,0.0001877384,0.00002718624,0.0009259681,0.004864475,0.000003709455,0.000003676852,0.00001566902,0.01573182],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1557132,"threshold_uncertainty_score":0.9998093,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385713185","doi":"10.1525/jpms.2023.35.3.82","title":"Toward A Purple Aesthetic","year":2023,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Politics; Power (physics); Racism; Sociology; Theme (computing); Context (archaeology); Aesthetics; Gender studies; Empowerment; Patriarchy; Political science; History; Law; Art","authors":[{"name":"Douglas Rasmussen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2588659157865453,"gpt":0.3783797450523942,"spread":0.1195138292658489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000754541,0.00007554686,0.000226237,0.0000937786,0.0003499494,0.0000420924,0.0001680861,0.00004352906,0.00007665937],"category_scores_gemma":[0.000424131,0.00005274639,0.000114099,0.000485857,0.0001376319,0.0001162628,0.00006388409,0.0001288489,0.00003169171],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001306355,"about_ca_system_score_gemma":0.0001011384,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001305404,"about_ca_topic_score_gemma":0.0004105292,"domain_scores_codex":[0.9988907,0.00006679636,0.0002948272,0.00007131221,0.0004439609,0.0002324039],"domain_scores_gemma":[0.9993947,0.00001782102,0.0001863489,0.00005179553,0.0002690722,0.00008025274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006168228,0.00001318621,0.001405382,0.000006647605,0.00008134059,0.0001348203,0.04275417,0.00000622779,0.00001582287,0.001310171,0.9347965,0.01946955],"study_design_scores_gemma":[0.0001580316,0.00004864322,0.002028517,0.000056761,0.00002608543,0.00002129908,0.1048891,7.896577e-7,0.00001070523,0.002301869,0.8903784,0.00007982315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.846521,0.008093452,0.000009508302,0.1378587,0.003642596,0.000185589,0.000002006768,0.00007626933,0.003610927],"genre_scores_gemma":[0.9158992,0.005162543,0.0003339216,0.000629488,0.001437649,0.000007714029,0.00000119093,0.00001550703,0.07651284],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1372292,"threshold_uncertainty_score":0.2691563,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4251248155","doi":"10.1525/jpms.2020.32.2.238","title":"Contributors' Notes","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1643786037339435,"gpt":0.2730186621215973,"spread":0.1086400583876538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001524407,0.0001142028,0.0003649366,0.00003201528,0.0002956833,0.00004066564,0.00012979,0.00002449234,0.001742782],"category_scores_gemma":[0.0004701734,0.00007570705,0.000181222,0.00003019486,0.0001551228,0.0001620834,0.00003123386,0.0001897587,0.00004786531],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002934611,"about_ca_system_score_gemma":0.00002096383,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004201601,"about_ca_topic_score_gemma":0.0001185271,"domain_scores_codex":[0.9991756,0.00004229668,0.0003547575,0.00008082204,0.0002199223,0.00012661],"domain_scores_gemma":[0.9991703,0.00003328161,0.0002870996,0.00005946952,0.0003659515,0.00008387994],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005346211,0.00004123629,0.0001515681,0.00006200641,0.0004310034,0.0001311937,0.2838735,0.000005400383,0.0002959024,0.05494462,0.6585083,0.001501751],"study_design_scores_gemma":[0.0003786689,0.0001981708,0.00003898508,0.00004477225,0.0001082901,0.00001173703,0.0233391,0.000001861189,0.00004256245,0.000715366,0.9750205,0.00009994501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.758324,0.1303553,0.0002757883,0.04763508,0.01904915,0.0004972793,0.0001019416,0.0001814434,0.04357997],"genre_scores_gemma":[0.9872534,0.00006870098,0.0000686011,0.005446666,0.00591966,0.000001374741,0.000001170497,0.00001080918,0.001229606],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3165122,"threshold_uncertainty_score":0.9991698,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2345731181","doi":"10.1111/jpms.12172","title":"Allison McCracken, Real Men Don't Sing: Crooning in American Culture. Durham, NC: Duke University Press, 2015. 429 pp.","year":2016,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Citation; Art history; Art; Media studies; Library science; Sociology; Computer science","authors":[{"name":"Art Munro Blake","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05126866899243912,"gpt":0.2598791778290331,"spread":0.208610508836594,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003476981,0.0002275436,0.0005582683,0.00009383533,0.0004927301,0.0000489398,0.0002644866,0.00005178781,0.0003857088],"category_scores_gemma":[0.0001091935,0.000140302,0.0001940911,0.0000695441,0.0005192948,0.0005022173,0.00009142191,0.000268914,0.000009897217],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003038088,"about_ca_system_score_gemma":0.00004601099,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004868239,"about_ca_topic_score_gemma":0.005941859,"domain_scores_codex":[0.9985605,0.000160444,0.0004388266,0.0002063018,0.0003393346,0.0002945858],"domain_scores_gemma":[0.9987145,0.00004105678,0.0006315589,0.0001666505,0.0003508668,0.00009533185],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001784486,0.0001412567,0.001515859,0.00004244317,0.0003896079,0.0003387934,0.1235414,0.000006226809,0.001015262,0.02126346,0.8492837,0.002283558],"study_design_scores_gemma":[0.0007962292,0.0002078245,0.001102756,0.0002748207,0.0001168097,0.00001814649,0.05686836,0.000001132137,0.0000324518,0.000198273,0.9401804,0.0002028065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8178467,0.02947938,0.00004249022,0.006325947,0.004420141,0.0004691725,0.00009409385,0.0001212793,0.1412008],"genre_scores_gemma":[0.9196767,0.005894715,0.0002560943,0.0004135099,0.002961395,0.000002278889,0.000003745128,0.0000359251,0.07075559],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1018301,"threshold_uncertainty_score":0.5721348,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047341743","doi":"10.1525/jpms.2020.32.2.42","title":"Me, Hank Williams, and My Dad","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"History; Art","authors":[{"name":"Joe Kadi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1249830276265973,"gpt":0.2595437269761152,"spread":0.1345606993495179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001382163,0.0001243765,0.0003404107,0.00003474338,0.0003505486,0.00005109788,0.0001005657,0.00002520701,0.0007511337],"category_scores_gemma":[0.0001235754,0.00008343368,0.0001042353,0.00002738144,0.0002124588,0.0001989301,0.00004608833,0.0001893539,0.00001607167],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000197273,"about_ca_system_score_gemma":0.00001571161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004483731,"about_ca_topic_score_gemma":0.0001494299,"domain_scores_codex":[0.9992254,0.00003811389,0.0003130039,0.0001009881,0.0002055478,0.0001169247],"domain_scores_gemma":[0.9994102,0.00001506235,0.000232131,0.00006029083,0.0001914658,0.00009088824],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003975003,0.00002957665,0.0001618795,0.0001025634,0.0003685876,0.000108409,0.2782884,0.000001807048,0.0002737273,0.03119935,0.6872939,0.002131981],"study_design_scores_gemma":[0.0003283469,0.0001890485,0.00008771499,0.00006357185,0.0001223744,0.00002355034,0.04396637,0.000002446613,0.0000143138,0.0007114871,0.9543828,0.0001080254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7857848,0.1511625,0.00004985862,0.01748178,0.006280427,0.0002736331,0.00003496322,0.00007407144,0.03885797],"genre_scores_gemma":[0.9729003,0.0007692004,0.0002312129,0.009601315,0.006833406,0.000003020255,0.000001912786,0.0000249076,0.009634676],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2670888,"threshold_uncertainty_score":0.8224387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083664808","doi":"10.1111/j.1533-1598.2007.00130.x","title":"Join the Ranks! Québec's Musical Union and “Emergent Musics”: A New Field of Cultural Activity?<sup>1</sup>","year":2007,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Musical; French; Humanities; Art; Art history; Sociology; Visual arts","authors":[{"name":"Martin Lussier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06745084865705181,"gpt":0.2860423594488096,"spread":0.2185915107917578,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007143198,0.0002062806,0.0004793465,0.00008769872,0.0005063947,0.00004129498,0.0001845108,0.00006450747,0.0009226126],"category_scores_gemma":[0.0002687119,0.0001137022,0.0002526034,0.00006686869,0.0003415453,0.0002558933,0.00008404611,0.000398382,0.000003573429],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006568228,"about_ca_system_score_gemma":0.0000662383,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001345962,"about_ca_topic_score_gemma":0.02093564,"domain_scores_codex":[0.9985999,0.0001081661,0.0005424394,0.0001421,0.0003837041,0.0002236375],"domain_scores_gemma":[0.9988483,0.0001284377,0.0004444263,0.0001647423,0.0003102534,0.0001038784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002042298,0.0001345198,0.000146934,0.0000852839,0.0005595806,0.00004975787,0.4693384,0.00002288341,0.0006953546,0.01027477,0.4961192,0.02236902],"study_design_scores_gemma":[0.000745362,0.0004029883,0.0006183694,0.0001466442,0.0002709897,0.00006260148,0.1094849,0.00001165033,0.0001457153,0.0005537913,0.8873719,0.0001850299],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9809594,0.00993796,0.00008476975,0.004443395,0.001428425,0.000146553,0.000004203493,0.00001245556,0.002982891],"genre_scores_gemma":[0.990543,0.0002595883,0.00007384666,0.00112108,0.00308403,0.000001375563,7.325518e-7,0.0000127972,0.004903566],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3912527,"threshold_uncertainty_score":0.9999907,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3008862513","doi":"10.1525/jpms.2020.32.1.126","title":"Review: Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature by Gary Peters","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Improvisation; Icon; Dance; Jazz; Musicology; Electronic dance music; Performing arts; Art; Visual arts; Citation; Art history; Computer science; Library science","authors":[{"name":"Asher Tobin Chodos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07698745840768548,"gpt":0.2708286471126486,"spread":0.1938411887049631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002341026,0.0002078785,0.0008269654,0.00007494435,0.0002053675,0.00005378517,0.0001586967,0.00005344221,0.0002858621],"category_scores_gemma":[0.0002769389,0.0001460274,0.0002721237,0.00007780929,0.0002761734,0.000306091,0.0001048968,0.0003101003,0.000003400061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001737442,"about_ca_system_score_gemma":0.00002470275,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001779377,"about_ca_topic_score_gemma":0.00006765444,"domain_scores_codex":[0.9985546,0.00009841623,0.0007270798,0.000210759,0.0002433666,0.0001657021],"domain_scores_gemma":[0.9985554,0.00007461833,0.0007224711,0.0001269061,0.0004087684,0.0001117974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001984241,0.0001642884,0.0003923218,0.002593351,0.00268638,0.0001332973,0.1487272,0.000001310178,0.00587639,0.005485876,0.8181812,0.01556],"study_design_scores_gemma":[0.002458516,0.00156917,0.000415201,0.006777517,0.003819861,0.00002610987,0.01537945,0.00006700115,0.0003618966,0.01153375,0.9567618,0.0008297632],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2629958,0.697183,0.00007361175,0.03477608,0.002465473,0.000339464,0.0002102011,0.00003039662,0.00192596],"genre_scores_gemma":[0.9307527,0.02437373,0.0004150753,0.03831751,0.005739698,0.000006923147,0.00003866179,0.00003072127,0.000324979],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6728093,"threshold_uncertainty_score":0.5954823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4244416914","doi":"10.1525/jpms.2020.32.3.161","title":"Contributors’ Notes","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Poetry; Download; History; Art history; Art; Library science; Media studies; Literature; World Wide Web; Computer science; Sociology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1552780311362007,"gpt":0.3648058149344145,"spread":0.2095277837982138,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005557152,0.0001029763,0.0004132905,0.00003183239,0.0009524405,0.00002135952,0.0001845393,0.00004331607,0.0000694116],"category_scores_gemma":[0.004172165,0.00007493726,0.0001945606,0.0002153826,0.0003093459,0.0001740293,0.00004896796,0.0001770709,0.00002141466],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008939491,"about_ca_system_score_gemma":0.00007029736,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009527328,"about_ca_topic_score_gemma":0.0002033217,"domain_scores_codex":[0.998791,0.0001596413,0.0003371084,0.00009399627,0.0004253689,0.0001929203],"domain_scores_gemma":[0.9989313,0.00004060024,0.0003186382,0.00004890658,0.0005308135,0.0001297216],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007078341,0.00005580837,0.004167662,0.00004127865,0.0008048065,0.0001717572,0.7493761,0.000009633117,0.0003989627,0.0178173,0.2224582,0.004627621],"study_design_scores_gemma":[0.0003616945,0.000157909,0.0003915185,0.0000448568,0.0001226072,0.000004135835,0.1913209,3.958298e-7,0.00002098136,0.001397645,0.8060629,0.0001143683],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2431709,0.3030287,0.0006856106,0.4195583,0.0106891,0.0005791357,0.00001941754,0.0001762315,0.02209261],"genre_scores_gemma":[0.9943495,0.0008614801,0.0002561864,0.001836551,0.002435233,0.000001773509,1.912144e-7,0.000006360632,0.0002527351],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7511786,"threshold_uncertainty_score":0.7325499,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237870004","doi":"10.1525/jpms.2019.313019","title":"Contributors’ Notes","year":2019,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Punk; Citation; Art history; Popular music; Art; Rock music; History; World Wide Web; Visual arts; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07554460448116988,"gpt":0.2633591533938086,"spread":0.1878145489126387,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002645898,0.0001157437,0.0003782834,0.00006526162,0.0002135422,0.00003975156,0.0001263469,0.00002888542,0.003966357],"category_scores_gemma":[0.0001603543,0.00007489113,0.0001862936,0.00002400019,0.0001161845,0.0001918196,0.00002811213,0.0001751535,0.0001591442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005076151,"about_ca_system_score_gemma":0.00002153961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007784654,"about_ca_topic_score_gemma":0.0002210657,"domain_scores_codex":[0.9991562,0.00004047041,0.0003435614,0.00008073875,0.0002358236,0.0001431626],"domain_scores_gemma":[0.999086,0.00004332928,0.0003153313,0.0001070555,0.000406557,0.00004176138],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007812879,0.000123442,0.001797085,0.0001237243,0.000884549,0.00009795215,0.2324389,0.00001072156,0.000746505,0.1926895,0.568547,0.002462425],"study_design_scores_gemma":[0.0004650578,0.0001709601,0.0001866692,0.00009274005,0.00008066808,0.00002122668,0.01949462,8.115885e-7,0.00003342856,0.001491289,0.977852,0.0001104544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9423401,0.02121116,0.000009088594,0.001048899,0.01039453,0.0001492064,0.00001345534,0.00002509557,0.02480843],"genre_scores_gemma":[0.9829947,0.00005180228,0.00003816188,0.0009658542,0.00240117,0.000001270315,0.000001104656,0.0000100685,0.01353582],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4093051,"threshold_uncertainty_score":0.9969441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4295921122","doi":"10.1525/jpms.2022.34.3.159","title":"Contributors’ Notes","year":2022,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Musical; Citation; Blues; Folklife; Popular music; Order (exchange); Scholarship; Folklore; Visual arts; Library science; World Wide Web; History; Art; Art history; Computer science; Literature","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1095186067186561,"gpt":0.2698737167607603,"spread":0.1603551100421042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004068703,0.0001021084,0.0003129155,0.00007992511,0.001107718,0.00002968741,0.0001638675,0.00001171486,0.006762586],"category_scores_gemma":[0.0001679484,0.00007440247,0.0001867628,0.0000363276,0.0001332575,0.000116995,0.00008337401,0.0002749208,0.00001189391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001102988,"about_ca_system_score_gemma":0.00002945471,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001119221,"about_ca_topic_score_gemma":0.0002072226,"domain_scores_codex":[0.9990035,0.00009397164,0.0003450823,0.00007675767,0.0003418177,0.0001389063],"domain_scores_gemma":[0.9992361,0.00003972197,0.000342079,0.00008847402,0.0002550639,0.00003856435],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000502202,0.0001097928,0.0001562144,0.00002378757,0.0004184525,0.0001709503,0.2051219,0.00003080634,0.0001329189,0.09196563,0.700357,0.001462309],"study_design_scores_gemma":[0.0003445708,0.0002101446,0.00004462578,0.00001480706,0.00008554031,0.00005432187,0.05359223,8.267851e-7,0.000008854658,0.001995621,0.943556,0.00009246921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8493849,0.08888053,0.0000315551,0.005579631,0.02763757,0.0003098013,0.0001322642,0.00007547762,0.02796827],"genre_scores_gemma":[0.9877533,0.00003265331,0.000030126,0.001611594,0.002432644,0.000007664152,0.000002368087,0.00001080836,0.008118829],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2431989,"threshold_uncertainty_score":0.9941454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3007236206","doi":"10.1525/jpms.2020.32.1.130","title":"Review: I'm Not Like Everybody Else: Biopolitics, Neoliberalism, and American Popular Music by Jeffrey T. Nealon","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Biopower; Popular music; Neoliberalism (international relations); Art history; Sociology; Media studies; Art; Visual arts; Law; Social science; Political science; Politics","authors":[{"name":"Natalie Farrell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1569079101350701,"gpt":0.2865958118898287,"spread":0.1296879017547587,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003907959,0.0004581754,0.00150048,0.0001045178,0.0005796995,0.0002224222,0.0003614523,0.00004849868,0.0003488474],"category_scores_gemma":[0.0007201128,0.0003288834,0.0003490028,0.0001597732,0.001222835,0.0003377579,0.0004349419,0.0004350647,0.00004234038],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001148509,"about_ca_system_score_gemma":0.00002829379,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003063733,"about_ca_topic_score_gemma":0.0001682681,"domain_scores_codex":[0.9972726,0.0001956375,0.001009927,0.0003868589,0.0005949059,0.0005401479],"domain_scores_gemma":[0.9978625,0.00009747698,0.0009342168,0.0002023862,0.0005947849,0.0003086771],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007412727,0.0001306783,0.0005387631,0.0006077973,0.001015098,0.000185962,0.0244676,0.000001262959,0.00009729815,0.0123448,0.9557846,0.004752054],"study_design_scores_gemma":[0.0006605457,0.0009419115,0.0003226053,0.0005219916,0.0006321037,0.00002623567,0.01675329,0.000003986264,0.00001128152,0.0007163071,0.9790004,0.0004093161],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5243851,0.3905684,0.00001187801,0.07716709,0.003992665,0.0008309653,0.000256437,0.0001569158,0.002630544],"genre_scores_gemma":[0.5638093,0.1067316,0.0006577922,0.3165697,0.00741882,0.00003947648,0.00003265969,0.0001484589,0.004592106],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2838368,"threshold_uncertainty_score":0.9999163,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200137555","doi":"10.1525/jpms.2021.33.4.229","title":"Contributors’ Notes","year":2021,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Queer; Download; Library science; Folklife; Transgender; State (computer science); History; Media studies; World Wide Web; Sociology; Computer science; Gender studies","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.08501519256776482,"gpt":0.3751081529100105,"spread":0.2900929603422457,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006774751,0.00009256855,0.000425913,0.00005243461,0.0004831649,0.00004634758,0.0001480021,0.00003404645,0.00008881633],"category_scores_gemma":[0.005673964,0.00007084667,0.0001779648,0.0003273649,0.0002937446,0.0001653116,0.00009335264,0.000134592,0.000007027214],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009669139,"about_ca_system_score_gemma":0.0002033405,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006746258,"about_ca_topic_score_gemma":0.0004481939,"domain_scores_codex":[0.9986296,0.0002290441,0.0003667386,0.00009596368,0.0004478928,0.0002307372],"domain_scores_gemma":[0.9981433,0.0002750792,0.0003594182,0.00009903657,0.00104436,0.0000788557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005223259,0.0004443694,0.1134096,0.00009262472,0.00435684,0.002065811,0.3530231,0.00002552735,0.001432259,0.2505835,0.1638521,0.110662],"study_design_scores_gemma":[0.001116932,0.0001873726,0.02019295,0.0002075133,0.0002630012,0.00006744426,0.1882966,0.000002581061,0.0005212589,0.01289202,0.7758883,0.0003640377],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5274751,0.268097,0.00267786,0.1184221,0.01291004,0.0003686829,0.00001546407,0.0001506105,0.06988307],"genre_scores_gemma":[0.9892233,0.005015979,0.002496208,0.0009979125,0.001104275,0.000001410849,2.833868e-7,0.000006561387,0.001154055],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6120363,"threshold_uncertainty_score":0.6792675,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234444724","doi":"10.1525/jpms.2019.311017","title":"Contributors’ Notes","year":2019,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ethnomusicology; Icon; Musicology; Citation; Popular music; Library science; Sociology; Parade; Folklife; Popular culture; Media studies; Visual arts; Art; Art history; History; Musical; Anthropology; Folklore; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07554460448116988,"gpt":0.2633591533938086,"spread":0.1878145489126387,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002645898,0.0001157437,0.0003782834,0.00006526162,0.0002135422,0.00003975156,0.0001263469,0.00002888542,0.003966357],"category_scores_gemma":[0.0001603543,0.00007489113,0.0001862936,0.00002400019,0.0001161845,0.0001918196,0.00002811213,0.0001751535,0.0001591442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005076151,"about_ca_system_score_gemma":0.00002153961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007784654,"about_ca_topic_score_gemma":0.0002210657,"domain_scores_codex":[0.9991562,0.00004047041,0.0003435614,0.00008073875,0.0002358236,0.0001431626],"domain_scores_gemma":[0.999086,0.00004332928,0.0003153313,0.0001070555,0.000406557,0.00004176138],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007812879,0.000123442,0.001797085,0.0001237243,0.000884549,0.00009795215,0.2324389,0.00001072156,0.000746505,0.1926895,0.568547,0.002462425],"study_design_scores_gemma":[0.0004650578,0.0001709601,0.0001866692,0.00009274005,0.00008066808,0.00002122668,0.01949462,8.115885e-7,0.00003342856,0.001491289,0.977852,0.0001104544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9423401,0.02121116,0.000009088594,0.001048899,0.01039453,0.0001492064,0.00001345534,0.00002509557,0.02480843],"genre_scores_gemma":[0.9829947,0.00005180228,0.00003816188,0.0009658542,0.00240117,0.000001270315,0.000001104656,0.0000100685,0.01353582],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4093051,"threshold_uncertainty_score":0.9969441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392544833","doi":"10.1525/jpms.2024.36.1.164","title":"Review: <i>Record Cultures: The Transformation of the U.S. Recording Industry</i>, by Kyle Barnett","year":2024,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Transformation (genetics); Engineering; History; Chemistry","authors":[{"name":"Andy Kelleher Stuhl","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05577580565092619,"gpt":0.2831402823162252,"spread":0.227364476665299,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005776826,0.0001326438,0.0003067397,0.00003205111,0.0004641872,0.00005577908,0.0002473095,0.00005353003,0.0008160261],"category_scores_gemma":[0.0001060018,0.00005626164,0.0003072953,0.0000942173,0.000202076,0.0002687378,0.00002509714,0.0006017403,0.000006147097],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004958996,"about_ca_system_score_gemma":0.00003293577,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000027247,"about_ca_topic_score_gemma":0.000375497,"domain_scores_codex":[0.9988495,0.0001232232,0.000557819,0.00007920092,0.0002749763,0.0001152547],"domain_scores_gemma":[0.9992909,0.00003585732,0.000310295,0.0001299007,0.0002086546,0.00002435924],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004953952,0.00001485923,0.000009909892,0.0005708502,0.0002093528,0.000002208005,0.07463295,0.000001413628,0.0001039156,0.005794971,0.9121271,0.006527559],"study_design_scores_gemma":[0.00008437537,0.00005000874,0.000006848513,0.002834324,0.0002696153,0.00002129744,0.02119739,0.000002177952,0.0000420232,0.0006377386,0.9747803,0.00007396009],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.03571511,0.9158395,0.00001656147,0.02005818,0.009470654,0.0004342194,0.00005221675,0.00002875753,0.01838478],"genre_scores_gemma":[0.8622947,0.07080555,0.00005000942,0.02004441,0.007638101,0.00004490428,0.00001072705,0.00006486181,0.03904668],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.8450339,"threshold_uncertainty_score":0.8934914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392544838","doi":"10.1525/jpms.2024.36.1.167","title":"Contributors’ Notes","year":2024,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology; History","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.2506634296359076,"gpt":0.3073637682079121,"spread":0.05670033857200452,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004052387,0.0001589285,0.0004608308,0.0001383594,0.000288789,0.0003495065,0.0001483907,0.00002768417,0.0008968575],"category_scores_gemma":[0.0007046445,0.00009496859,0.0002690051,0.00006126607,0.0003589235,0.0002386355,0.0001229967,0.0002067665,0.0001343105],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009143368,"about_ca_system_score_gemma":0.00002208336,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001614805,"about_ca_topic_score_gemma":0.00008012469,"domain_scores_codex":[0.998866,0.00004485711,0.0004320206,0.0001230771,0.0003180052,0.0002160334],"domain_scores_gemma":[0.9990553,0.0002469009,0.0001505927,0.00007300558,0.0004257425,0.00004851257],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000344227,0.0001010409,0.0004529636,0.0001383871,0.002324942,0.0008749008,0.05804623,0.000005611312,0.00008296913,0.6275135,0.2968098,0.01361531],"study_design_scores_gemma":[0.0002185401,0.0002677384,0.0002013958,0.0001946144,0.0002364051,0.00002360512,0.01454668,0.000003715048,0.00001538866,0.009793076,0.9743683,0.0001304968],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6146214,0.286205,0.00009545518,0.0211721,0.03626982,0.0003655871,0.00008395956,0.0002810044,0.04090569],"genre_scores_gemma":[0.9918686,0.0005749885,0.00007875392,0.0007368538,0.003678146,0.000003961558,6.565081e-7,0.00001394821,0.003044139],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6775586,"threshold_uncertainty_score":0.9819961,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3086379795","doi":"10.1525/jpms.2020.32.3.153","title":"Review: Spotify Teardown: Inside the Black Box of Streaming Music, by Maria Eriksson, Rasmus Fleischer, Anna Johansson, Pelle Snickars, and Patrick Vonderau","year":2020,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Carleton University","funders":"","keywords":"Fleischer; Art; Punk; Art history; Performance art; Headline; Media studies; Visual arts; History; Advertising; Sociology; German","authors":[{"name":"James Deaville","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07281523895125983,"gpt":0.2572554067366496,"spread":0.1844401677853898,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006450215,0.0003242115,0.0009307443,0.00006006048,0.000551735,0.00006816329,0.0002993661,0.00007260065,0.001047049],"category_scores_gemma":[0.0004589823,0.0001989995,0.0003076708,0.0001268655,0.0005094095,0.0002692034,0.0001534404,0.0005433091,0.00001125475],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005031682,"about_ca_system_score_gemma":0.00005760941,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005477924,"about_ca_topic_score_gemma":0.0005055841,"domain_scores_codex":[0.997811,0.0002369799,0.0009708657,0.0002504619,0.0004549858,0.0002757499],"domain_scores_gemma":[0.9980933,0.00007777862,0.0009759075,0.0002313245,0.0004858028,0.000135873],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005070866,0.00006574851,0.0002041536,0.0008804749,0.0004730016,0.00003871978,0.1081298,0.000003557494,0.0006016952,0.0008000426,0.8858617,0.00289039],"study_design_scores_gemma":[0.0006204506,0.0002972454,0.0002342961,0.0009030259,0.0005328965,0.00002697448,0.04191047,0.000006878668,0.00005083136,0.0002069444,0.9549673,0.0002426479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2425832,0.7374758,0.000024676,0.01273943,0.00170217,0.0005937902,0.000104431,0.00003645467,0.00474009],"genre_scores_gemma":[0.8852186,0.07773805,0.0002842853,0.02554501,0.005399957,0.00001435547,0.00002175691,0.0001035249,0.005674433],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6597378,"threshold_uncertainty_score":0.9998661,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4295957167","doi":"10.1525/jpms.2022.34.3.1","title":"Editors’ Note","year":2022,"lang":"en","type":"article","venue":"Journal of Popular Music Studies","topic":"ICT Impact and Policies","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Upload; World Wide Web; Diversity (politics); Search engine optimization; Computer science; Media studies; Library science; Sociology; The Internet; Political science; Law","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03324037230747648,"gpt":0.2876796117344676,"spread":0.2544392394269911,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002170481,0.0000875953,0.0002211386,0.0001271372,0.0001435256,0.00001010619,0.0001238794,0.00001421463,0.00007683496],"category_scores_gemma":[0.00006334029,0.00007296293,0.0001071789,0.0001328765,0.00002033566,0.00007677494,0.0000655816,0.0002398855,0.000005602301],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001228841,"about_ca_system_score_gemma":0.00001300072,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004089878,"about_ca_topic_score_gemma":0.000002620857,"domain_scores_codex":[0.9992967,0.00002422264,0.0002427429,0.00001846063,0.0002630589,0.0001547778],"domain_scores_gemma":[0.999732,0.00002506343,0.00007736417,0.00007298719,0.00005387631,0.00003868667],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001122698,0.00002065935,0.0006625706,0.00003923978,0.0003431785,0.00004416287,0.02817298,0.01032672,0.001819993,0.000130119,0.9562052,0.002223977],"study_design_scores_gemma":[0.0003968483,0.0002269921,0.002046602,0.00002566911,0.00009188182,0.0002180426,0.01583909,0.00009064786,0.0005141558,0.000576918,0.9797943,0.0001788051],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9539392,0.01632226,0.0001043309,0.0009692483,0.02740309,0.0000510417,0.00001084706,0.00005675581,0.001143236],"genre_scores_gemma":[0.9923432,0.0002430786,0.0001074761,0.0002131481,0.006758146,0.000002668249,4.783863e-7,0.00001961451,0.000312119],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03840408,"threshold_uncertainty_score":0.2975342,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}