{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":602,"total_is_capped":false,"direct_labels_cover":2,"predictions_cover":602,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9d0fc1e7679d","filters":{"venue":"Journal of Religion and Popular Culture"}},"results":[{"id":"W2510937922","doi":"10.3138/jrpc.23.2.101","title":"From ‘Televangelist’ to ‘Intervangelist’: The Emergence of the Streaming Video Preacher","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":45,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Broadcasting (networking); Convention; Neologism; Multimedia; Advertising; Video game; Media studies; World Wide Web; Sociology; Computer science; Political science; Business; Law; Computer security","authors":[{"name":"Denis J. Bekkering","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0478633129103089,"gpt":0.2547653762582354,"spread":0.2069020633479265,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002163857,0.000223173,0.0002028912,0.001258165,0.00913294,0.006009606,0.0008166751,0.001672389,0.008408607],"category_scores_gemma":[0.003905174,0.0003462049,0.0001270578,0.0007952285,0.02093263,0.004915793,0.005699291,0.004290605,0.0009781693],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003485123,"about_ca_system_score_gemma":0.00233501,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004529307,"about_ca_topic_score_gemma":0.009198442,"domain_scores_codex":[0.9980791,0.000870439,0.00004585612,0.0003542162,0.0002559032,0.0003945085],"domain_scores_gemma":[0.9980927,0.0006863771,0.0002264552,0.000167335,0.0003323224,0.0004948506],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009651619,0.0001075946,0.006494345,0.00008488429,0.000003572252,0.00185259,0.7284412,0.00005295388,0.002966758,0.2230145,0.005157889,0.03172721],"study_design_scores_gemma":[0.0000183759,0.0002201886,0.01739017,0.0003347124,0.000007143743,0.003327074,0.6928766,0.0003893398,0.00178435,0.01757094,0.2660077,0.00007337522],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8192737,0.0007303171,0.002475802,0.006059868,0.0002445069,0.00004835932,0.00003062932,0.00005640916,0.1710803],"genre_scores_gemma":[0.9905697,0.000189575,0.0003488621,0.0005073757,0.00005503673,0.0000135451,0.00001167444,0.00003848894,0.008265755],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00913294,"threshold_uncertainty_score":0.02812958,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W17383797","doi":"10.3138/jrpc.26.2.267","title":"Apocalyptic AI: Visions of Heaven in Robotics, Artificial Intelligence, and Virtual Reality","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":43,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Heaven; Vision; Robotics; Virtual reality; Artificial intelligence; Computer science; Philosophy; Robot; Theology","authors":[{"name":"Michael S. A. Graziano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04531392032426142,"gpt":0.2893495900015498,"spread":0.2440356696772884,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003123077,0.000603196,0.0003496675,0.001412804,0.002871803,0.008609371,0.0009162526,0.003229817,0.005687093],"category_scores_gemma":[0.005854296,0.0002923696,0.0002869807,0.0008657958,0.03747693,0.01576509,0.005024236,0.009191644,0.000883396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004029688,"about_ca_system_score_gemma":0.003903239,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00531823,"about_ca_topic_score_gemma":0.005858705,"domain_scores_codex":[0.9984101,0.0009093071,0.00007467724,0.0001261105,0.0003813557,0.00009851599],"domain_scores_gemma":[0.9977105,0.001117034,0.0001834325,0.0003840609,0.0003823433,0.0002227026],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002153124,0.0000111896,0.0001039369,0.00004731741,0.000003230753,0.00004422645,0.00212122,0.0001960994,0.0001174009,0.9672833,0.01631204,0.01373834],"study_design_scores_gemma":[0.00002173413,0.00002516966,0.000416985,0.0002606347,0.000005774767,0.0001465937,0.001984521,0.001024193,0.0003712753,0.7945242,0.2011971,0.00002175047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01593338,0.07513883,0.06366182,0.3389818,0.01029437,0.00007834435,0.000155107,0.0003469014,0.4954093],"genre_scores_gemma":[0.8342917,0.03499603,0.02493254,0.03056754,0.004352587,0.000158879,0.0001187063,0.0001950136,0.07038706],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008609371,"threshold_uncertainty_score":0.02923757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2045800593","doi":"10.3138/jrpc.25.2.186","title":"Aliens Are Us: Cosmic Liminality, Remixticism, and<i>Alien</i>ation in Psytrance","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Alien; HERO; Narrative; Liminality; Consciousness; Media studies; Movie theater; Entertainment; Sociology; Aesthetics; Visual arts; History; Art; Literature; Epistemology; Philosophy","authors":[{"name":"Graham St John","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01835118183919707,"gpt":0.2240389486697366,"spread":0.2056877668305395,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001454371,0.0003109,0.0002769003,0.001137287,0.009346451,0.006401182,0.0004579893,0.0007672548,0.004189901],"category_scores_gemma":[0.002310002,0.0001774914,0.0001871362,0.0009911521,0.02590519,0.004116909,0.007288388,0.002409371,0.0001852235],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002655018,"about_ca_system_score_gemma":0.001108205,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005729421,"about_ca_topic_score_gemma":0.01032059,"domain_scores_codex":[0.9988375,0.0005823664,0.00002721196,0.0001420399,0.0001492664,0.0002614862],"domain_scores_gemma":[0.9990232,0.0004555423,0.000200325,0.00009674187,0.00005896153,0.0001652665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004144703,0.00002065697,0.00355156,0.00004344042,0.000005619183,0.00049246,0.9158634,0.0000278367,0.0003697494,0.07272951,0.0007567851,0.00609751],"study_design_scores_gemma":[0.00001263633,0.00006150437,0.01041158,0.0001502069,0.00001331946,0.0009720515,0.855388,0.0001169308,0.0006063367,0.01221745,0.1200291,0.00002083399],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.856117,0.001358122,0.001499673,0.002484953,0.00008032109,0.00001608901,0.00002701671,0.0000232788,0.1383936],"genre_scores_gemma":[0.9963099,0.0001744891,0.00007998537,0.0001127505,0.00001644539,0.000004111305,0.000006538194,0.000009168737,0.003286539],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009346451,"threshold_uncertainty_score":0.01926357,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243005118","doi":"10.3138/jrpc.24.3.339","title":"(Carrying the Fire on) No Road for Old Horses: Cormac McCarthy’s Untold Biblical Stories","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Whirlwind; Exceptionalism; Adversary; Curse; American exceptionalism; Faith; Literature; Archetype; Aesthetics; History; Law; Sociology; Philosophy; Art; Political science; Theology; Politics; Computer security; Geography","authors":[{"name":"Richard Walsh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02480774608136705,"gpt":0.2696158407748044,"spread":0.2448080946934374,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00209377,0.0004290671,0.0003556725,0.001387482,0.02250407,0.007492915,0.001183874,0.002977646,0.005407562],"category_scores_gemma":[0.007669779,0.000230255,0.0001349376,0.001123597,0.01897909,0.003876188,0.003229952,0.007235031,0.0006542834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01257119,"about_ca_system_score_gemma":0.003297969,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09686405,"about_ca_topic_score_gemma":0.2024963,"domain_scores_codex":[0.9981357,0.0009013856,0.00004041233,0.0001280229,0.000384717,0.000409778],"domain_scores_gemma":[0.9972274,0.00134288,0.0003387348,0.0001753571,0.0003411808,0.0005745554],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000581588,0.00005310864,0.00105077,0.0001079328,0.00001242674,0.002526785,0.4437576,0.00008968612,0.0002775408,0.1947773,0.3437096,0.01357903],"study_design_scores_gemma":[0.000007139907,0.00001348046,0.001976524,0.0003065248,0.000008485734,0.0006800536,0.1359393,0.00009716587,0.0003184451,0.00563068,0.8549986,0.00002348787],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1933497,0.01221783,0.0006675447,0.2514901,0.002847773,0.00003886464,0.0001708321,0.00008472245,0.5391326],"genre_scores_gemma":[0.923725,0.003599866,0.0002430388,0.01363294,0.0009549781,0.00002871941,0.00003509245,0.00008310848,0.05769723],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09686405,"threshold_uncertainty_score":0.1926005,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2334167980","doi":"10.3138/jrpc.10.1.003","title":"Forest Spirits, Giant Insects and World Trees:
The Nature Vision of Hayao Miyazaki","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Mythology; Appeal; Harmony (color); Anime; Aesthetics; Art history; Art; Natural (archaeology); History; Literature; Visual arts; Philosophy; Archaeology; Law; Political science","authors":[{"name":"Lucy Wright","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009450274021676069,"gpt":0.2762126058808598,"spread":0.2667623318591837,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005134974,0.0002791191,0.0002337992,0.0003021259,0.005201819,0.002495732,0.0002973475,0.0009024505,0.002038295],"category_scores_gemma":[0.0004191739,0.000180663,0.0001729128,0.000407991,0.003411414,0.0028355,0.002485669,0.001786273,0.0001655206],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001574281,"about_ca_system_score_gemma":0.0008420672,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004904014,"about_ca_topic_score_gemma":0.02211502,"domain_scores_codex":[0.9998639,0.00004637049,0.000004749162,0.00002171696,0.00001956409,0.00004365819],"domain_scores_gemma":[0.9997784,0.00005356053,0.00004128752,0.00001410243,0.00003021985,0.00008242419],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004207405,0.0001135259,0.01102177,0.001089026,0.00003859745,0.004028297,0.707374,0.0003235022,0.03862253,0.1462508,0.02989328,0.06082397],"study_design_scores_gemma":[0.00004527985,0.0002264165,0.03448118,0.0004696877,0.00009588186,0.001710601,0.3580469,0.0003949942,0.002012691,0.01960937,0.5828016,0.0001053272],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7770894,0.01939523,0.003876462,0.03926235,0.001978687,0.00005490057,0.00008430456,0.00005780578,0.1582008],"genre_scores_gemma":[0.9681676,0.004188429,0.00216842,0.002534468,0.0002438096,0.0000282849,0.00002405879,0.0000303352,0.02261455],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005201819,"threshold_uncertainty_score":0.01142222,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079160231","doi":"10.3138/jrpc.8.1.005","title":"The Structural Characteristics of the Cinematic Christ-figure","year":2004,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":34,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Movie theater; Criticism; Humanism; Literature; Reading (process); Film theory; Popular culture; Phenomenon; Film studies; Art; Philosophy; Epistemology; Theology","authors":[{"name":"Anton Karl Kozlovic","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009845583307996062,"gpt":0.2948737853371782,"spread":0.2850282020291822,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001310804,0.0002794839,0.0001678528,0.001947681,0.002494325,0.00517835,0.0005062435,0.0007122637,0.003862606],"category_scores_gemma":[0.004081002,0.0001679812,0.0001514904,0.001506471,0.009551127,0.003214361,0.001331135,0.001090799,0.000300641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002063377,"about_ca_system_score_gemma":0.001192828,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002945147,"about_ca_topic_score_gemma":0.005920494,"domain_scores_codex":[0.9992213,0.000359502,0.00004836191,0.0001062686,0.000194953,0.00006948306],"domain_scores_gemma":[0.9965869,0.0018524,0.000711801,0.0002543415,0.0004212841,0.0001732704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001113474,0.00003575021,0.01112914,0.001287483,0.00002542326,0.001173692,0.3019266,0.0001970619,0.007107366,0.5988138,0.006889271,0.07130307],"study_design_scores_gemma":[0.00001740279,0.0001692425,0.06831205,0.001528174,0.0001027344,0.005587011,0.3346046,0.0006339576,0.006938954,0.06429895,0.5177366,0.00007031921],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4091218,0.01041482,0.02158798,0.00930592,0.0007454767,0.0002968544,0.0003936427,0.0001170712,0.5480164],"genre_scores_gemma":[0.9752802,0.003113005,0.005516526,0.0002982937,0.000155118,0.00006355061,0.0000968391,0.0000584071,0.0154182],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00517835,"threshold_uncertainty_score":0.01497096,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2074458487","doi":"10.3138/jrpc.11.1.001","title":"The Apocalyptic Imagination and Popular Culture","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Fantasy; Destiny (ISS module); Popular culture; Comics; Narrative; Civilization; Literature; Manifest destiny; Aesthetics; Ideology; History; Art; Sociology; Political science; Law; Politics","authors":[{"name":"Mervyn F Bendle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01046905935808418,"gpt":0.3138640743111924,"spread":0.3033950149531082,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00220794,0.0001968238,0.0002105465,0.001219547,0.004988609,0.008742404,0.0004924489,0.001109967,0.003348297],"category_scores_gemma":[0.005013889,0.0001616635,0.0001009781,0.001126697,0.03410374,0.005864471,0.003532108,0.002213946,0.0002641331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002215012,"about_ca_system_score_gemma":0.0008917617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001994104,"about_ca_topic_score_gemma":0.002297812,"domain_scores_codex":[0.997162,0.001779788,0.00006421947,0.0002101052,0.0005018247,0.0002820636],"domain_scores_gemma":[0.9972198,0.001382904,0.00048956,0.0002989048,0.0003055843,0.0003031721],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000454828,0.00005489507,0.005724812,0.00006678408,0.00001330667,0.000326377,0.2998064,0.00006352133,0.0006708751,0.6743922,0.003970129,0.01486519],"study_design_scores_gemma":[0.00004959095,0.0001149973,0.01787625,0.0003738962,0.00002055399,0.00104155,0.5036816,0.0005099291,0.00119137,0.2229139,0.2521694,0.00005697469],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5619771,0.003361278,0.001666584,0.02875115,0.0002708085,0.000008799681,0.00003692684,0.00001981179,0.4039076],"genre_scores_gemma":[0.9968799,0.000408076,0.00006663012,0.0005187521,0.00005986931,0.000002372615,0.000003060998,0.000005253109,0.002056078],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008742404,"threshold_uncertainty_score":0.01607114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2327267028","doi":"10.3138/jrpc.9.1.003","title":"Role-Playing Games and the Christian Right: Community Formation in Response to a Moral Panic","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Crime, Deviance, and Social Control","field":"Social Sciences","cited_by":27,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Moral panic; Coping (psychology); Panic; Social psychology; Psychology; Criminology; Christian right; Sociology; Political science; Anxiety; Law; Psychotherapist; Psychiatry; Politics","authors":[{"name":"David Waldron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01562262178057018,"gpt":0.298151738576542,"spread":0.2825291167959718,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001917646,0.0004307221,0.0002748168,0.001090451,0.007766891,0.004962841,0.001051785,0.001683064,0.003391353],"category_scores_gemma":[0.008057551,0.000269417,0.0002170205,0.0003101829,0.00992445,0.001613922,0.006542419,0.003470015,0.0002138107],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001841818,"about_ca_system_score_gemma":0.001322257,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003978916,"about_ca_topic_score_gemma":0.009097593,"domain_scores_codex":[0.9963971,0.002424846,0.00004531407,0.0002060536,0.0002973294,0.0006294294],"domain_scores_gemma":[0.995641,0.00123705,0.0007898383,0.0001811809,0.0002268752,0.001924035],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003548851,0.001870204,0.05012332,0.0001293868,0.00004766949,0.002096695,0.8635948,0.0002553929,0.00659502,0.02572755,0.004137105,0.04506794],"study_design_scores_gemma":[0.00007813343,0.0005455453,0.05732715,0.0001017929,0.00001719178,0.0007252842,0.8949299,0.0009362479,0.0007226653,0.008460634,0.03609655,0.00005896099],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9830708,0.0001823884,0.0005122509,0.001813255,0.00008636933,0.00003486792,0.00000550306,0.00001411423,0.0142804],"genre_scores_gemma":[0.9986157,0.00005311007,0.0001315048,0.0002192119,0.00001620529,0.00001096733,0.000004603442,0.000004172012,0.000944554],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007766891,"threshold_uncertainty_score":0.01336336,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2301742399","doi":"10.3138/jrpc.23.1.53","title":"Doomsday America","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Hollywood; Movie theater; Pessimism; Politics; Agency (philosophy); Aesthetics; Representation (politics); Zombie; History; Literature; TRACE (psycholinguistics); Media studies; Sociology; Art; Political science; Art history; Social science; Law; Philosophy; Epistemology","authors":[{"name":"John Walliss","is_ca":false},{"name":"James Aston","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01542952695656884,"gpt":0.278050930327932,"spread":0.2626214033713631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001735685,0.0002860798,0.0001296243,0.0005872952,0.00341281,0.002297303,0.0002638215,0.0007046007,0.1097071],"category_scores_gemma":[0.0004699754,0.0000973253,0.0001208138,0.0005649606,0.000703437,0.001379795,0.001531224,0.001806058,0.01387432],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001201446,"about_ca_system_score_gemma":0.0007276127,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01065581,"about_ca_topic_score_gemma":0.0341462,"domain_scores_codex":[0.9998569,0.00001455437,0.000003575769,0.00003403392,0.00003739407,0.00005344136],"domain_scores_gemma":[0.9998782,0.00001611394,0.00001074769,0.00001262896,0.00003326037,0.00004906784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001601416,0.00007395277,0.004577275,0.0002442056,0.00001529691,0.001279279,0.01556489,0.00005193511,0.003308669,0.1926639,0.6509249,0.1311356],"study_design_scores_gemma":[0.000001318147,0.000004332274,0.001324027,0.00002284047,8.761519e-7,0.00007038514,0.001512756,0.00000495515,0.0001278576,0.0005623515,0.9963664,0.000001944035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02123629,0.002082604,0.000322391,0.007034355,0.002924165,0.00004032304,0.0009304979,0.0001019748,0.9653275],"genre_scores_gemma":[0.1163007,0.002201797,0.0006007999,0.003512768,0.0005612876,0.00004713553,0.000833627,0.0001549157,0.8757871],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1097071,"threshold_uncertainty_score":0.3670068,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083499989","doi":"10.3138/jrpc.21.2.006","title":"Cyberpilgrimage: A Study of Authenticity, Presence and Meaning in Online Pilgrimage Experiences","year":2009,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Pilgrimage; Meaning (existential); Skepticism; The Internet; Phenomenon; Aesthetics; Expression (computer science); Epistemology; Sociology; History; Philosophy; World Wide Web; Computer science; Ancient history","authors":[{"name":"Connie Hill‐Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02989703868278854,"gpt":0.2868282921166279,"spread":0.2569312534338393,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002522294,0.0003503713,0.0006533375,0.001626326,0.008325229,0.008835709,0.00126757,0.001919868,0.004761294],"category_scores_gemma":[0.01105876,0.0004309137,0.0003012745,0.001297377,0.01654264,0.009464174,0.009548755,0.003680589,0.0003792369],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001965849,"about_ca_system_score_gemma":0.001416806,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002420333,"about_ca_topic_score_gemma":0.004933934,"domain_scores_codex":[0.9973091,0.00167682,0.00008718149,0.0002022223,0.0003304481,0.0003942929],"domain_scores_gemma":[0.9939461,0.003785719,0.0009655873,0.0003920705,0.0002282506,0.000682348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002117339,0.00005560376,0.002959739,0.00005541414,0.000003321768,0.0002740724,0.9893499,0.00001149731,0.0002872736,0.003751007,0.0001496973,0.003081263],"study_design_scores_gemma":[0.00000347344,0.00003652119,0.005765141,0.00004560897,0.000003484442,0.0002552778,0.9885486,0.0000471568,0.0001091024,0.0007528531,0.004422317,0.00001040424],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9862394,0.0002436233,0.000430355,0.0007197876,0.00002443344,0.0000246881,0.00001172898,0.000006438027,0.01229957],"genre_scores_gemma":[0.9985998,0.0001598697,0.00009626069,0.00009969952,0.00001168172,0.0000200076,0.000006586026,0.000006032057,0.001000098],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008835709,"threshold_uncertainty_score":0.01592815,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079284065","doi":"10.3138/jrpc.21.3.005","title":"Muslim Marriage Goes Online: The Use of Internet Matchmaking by American Muslims","year":2009,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Islam; Faith; The Internet; Ethnic group; Sociology; Muslim community; Gender studies; History; Anthropology; Computer science; Theology; World Wide Web","authors":[{"name":"Mbaye Lo","is_ca":false},{"name":"Taimoor Aziz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03601287367677965,"gpt":0.2649829505272899,"spread":0.2289700768505102,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001396966,0.0001338678,0.0001701629,0.001096015,0.002496394,0.002474084,0.0004078724,0.0008153023,0.003163326],"category_scores_gemma":[0.00565297,0.0001843569,0.0001511121,0.001065408,0.001325044,0.001908911,0.001678127,0.0009340767,0.0003601546],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003929385,"about_ca_system_score_gemma":0.0005547997,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005127608,"about_ca_topic_score_gemma":0.01190038,"domain_scores_codex":[0.9991571,0.0005122114,0.00003504488,0.00005124672,0.0001453979,0.00009906801],"domain_scores_gemma":[0.9965277,0.001661968,0.0008595107,0.0001672829,0.0002668217,0.0005166972],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001724128,0.0005904945,0.4106787,0.0001563764,0.0000589146,0.00172375,0.4893732,0.00007036168,0.001504522,0.002322951,0.001478786,0.09186956],"study_design_scores_gemma":[0.000005266598,0.0001786014,0.1501366,0.0001087916,0.00004082351,0.001235087,0.8385081,0.0002892172,0.000311324,0.0003713754,0.008792154,0.00002256019],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9957496,0.0002492156,0.00006496406,0.0003437924,0.00001399672,0.000006074747,0.00001492266,0.000002115209,0.003555296],"genre_scores_gemma":[0.9986377,0.0004303991,0.00009867536,0.0001530693,0.0000122769,0.000003949518,0.00001432983,0.000001611904,0.0006479938],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005127608,"threshold_uncertainty_score":0.01058245,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2051833515","doi":"10.3138/jrpc.22.2.007","title":"Greed and the Nature of Evil: Tolkien versus Wagner","year":2010,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Legend; Mythology; Politics; Literature; Power (physics); Philosophy; History; Art; Law; Political science","authors":[{"name":"Stefan Arvidsson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008024701114379671,"gpt":0.2389464299040676,"spread":0.2309217287896879,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002940157,0.0002683567,0.0003709472,0.001970159,0.007938677,0.01300134,0.0009794096,0.002205809,0.002516895],"category_scores_gemma":[0.007275075,0.0002017072,0.0001845111,0.002132334,0.0362481,0.007435421,0.003942314,0.003418197,0.0004070635],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006962216,"about_ca_system_score_gemma":0.002438881,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007434222,"about_ca_topic_score_gemma":0.02072632,"domain_scores_codex":[0.9965407,0.002241013,0.00007272568,0.0002098621,0.0004793528,0.0004563239],"domain_scores_gemma":[0.9955069,0.003318302,0.0005074576,0.0001844456,0.0001864076,0.0002964346],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000325921,0.00001748538,0.0007771861,0.00008108101,0.000006514784,0.0002591564,0.3411748,0.00005335466,0.00009123263,0.6435488,0.004901703,0.009056061],"study_design_scores_gemma":[0.00001237924,0.00003028493,0.003198022,0.000746625,0.00001546908,0.0004623831,0.6066559,0.000157322,0.0002927234,0.1014158,0.286976,0.00003706949],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.317811,0.03047751,0.001598914,0.06190644,0.0009624042,0.00001483014,0.00003185121,0.00002382674,0.5871732],"genre_scores_gemma":[0.9808189,0.004100669,0.0001176219,0.00138773,0.0001172622,0.000006703951,0.000005720685,0.00002122476,0.01342416],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01300134,"threshold_uncertainty_score":0.05051458,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2077314161","doi":"10.3138/jrpc.26.2.157","title":"Pop Religion in Japan: Buddhist Temples, Icons, and Branding","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Buddhism; Visibility; Aesthetics; History; Sociology; Media studies; Art; Geography; Archaeology","authors":[{"name":"Elisabetta Porcu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01336046641222204,"gpt":0.269402786094012,"spread":0.25604231968179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009245058,0.0003825332,0.0001470321,0.001443115,0.004487809,0.005285211,0.000402895,0.0005116877,0.004175366],"category_scores_gemma":[0.001226316,0.0002329641,0.0001468004,0.001315464,0.006523522,0.001969604,0.002417207,0.0008468356,0.0003082211],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001801042,"about_ca_system_score_gemma":0.0006404946,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006661692,"about_ca_topic_score_gemma":0.02162074,"domain_scores_codex":[0.9996408,0.0001721925,0.00001753438,0.00004130807,0.00006520618,0.00006293919],"domain_scores_gemma":[0.9993652,0.0001845315,0.0001201397,0.00007917594,0.0001008888,0.000150143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001322038,0.00008534569,0.03564898,0.0002531236,0.00001981568,0.001315618,0.8601845,0.00009853469,0.005456106,0.05149685,0.003186974,0.04212195],"study_design_scores_gemma":[0.00001963825,0.0001374308,0.1243985,0.0002358133,0.00008014182,0.0009375593,0.7121467,0.0005235139,0.001976738,0.005596941,0.1538887,0.00005830736],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8807588,0.001376211,0.0006826403,0.0008954399,0.0001144455,0.00002720894,0.00002697287,0.00002579168,0.1160923],"genre_scores_gemma":[0.9922895,0.0003662925,0.0005043554,0.00009466982,0.0000379355,0.000008333506,0.00001474279,0.00001815135,0.006665964],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006661692,"threshold_uncertainty_score":0.01396799,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2065201667","doi":"10.1353/rpc.2012.0001","title":"Selling Faith: Marketing Christian Popular Culture to Christian and Non-Christian Audiences","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Subculture (biology); Christian faith; Publishing; Sociology; Faith; Identity (music); Popular culture; Focus group; Culture industry; Christian music; Advertising; Aesthetics; Media studies; Political science; Business; Law; Social science; Theology; Art; Christian philosophy; Philosophy; Anthropology","authors":[{"name":"Charles Brown","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01083092955078087,"gpt":0.2769336516250238,"spread":0.266102722074243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001960324,0.0001793729,0.0000785997,0.0002986333,0.003022138,0.003066161,0.0002836926,0.0009933889,0.006372878],"category_scores_gemma":[0.002908135,0.00009923048,0.00009474751,0.0003107983,0.002755943,0.001855973,0.001699273,0.001259417,0.000450579],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007994507,"about_ca_system_score_gemma":0.0008797802,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001119719,"about_ca_topic_score_gemma":0.00349644,"domain_scores_codex":[0.9992447,0.0005483837,0.00001164788,0.00002982594,0.0000843234,0.00008116629],"domain_scores_gemma":[0.9983125,0.0009542652,0.0001933263,0.0001264838,0.00009015165,0.0003233094],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002424761,0.002063231,0.04857361,0.0007093561,0.00003996637,0.001262323,0.4667283,0.0003088777,0.01457579,0.09801542,0.01338716,0.3540935],"study_design_scores_gemma":[0.00008030904,0.001606088,0.08345354,0.0007613841,0.00008137234,0.001276159,0.6418179,0.00185617,0.009788489,0.01756473,0.2416575,0.00005640337],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8966635,0.0005209713,0.002099625,0.006459052,0.0001283192,0.00007756083,0.00001007019,0.00003540578,0.09400555],"genre_scores_gemma":[0.9920084,0.0003078958,0.001307416,0.0005160682,0.00005214257,0.00001575707,0.00000532455,0.00001108302,0.005775728],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006372878,"threshold_uncertainty_score":0.02131939,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2334971511","doi":"10.3138/jrpc.14.1.003","title":"“<b>Then Sings My Soul”: Gospel Music as Popular Culture in the Spiritual lives of Kenyan Pentecostal/Charismatic Christians</b>","year":2006,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Charisma; Sociology; Christianity; Gospel; Popular culture; Gender studies; Aesthetics; Religious studies; Media studies; Literature; Political science; Art; Law; Philosophy","authors":[{"name":"Damaris Parsitau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01502035839426181,"gpt":0.219769186660588,"spread":0.2047488282663262,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008862992,0.0002419632,0.0001510836,0.0007327006,0.008199915,0.003969407,0.000334547,0.000993814,0.003225567],"category_scores_gemma":[0.001014239,0.0001556179,0.0001290011,0.0007909385,0.007176736,0.002554074,0.00193889,0.001404369,0.0002404211],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002221694,"about_ca_system_score_gemma":0.00163866,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01411199,"about_ca_topic_score_gemma":0.04432375,"domain_scores_codex":[0.9995909,0.0002215543,0.000007849151,0.00002698953,0.0000511911,0.0001014853],"domain_scores_gemma":[0.9995266,0.0002034776,0.0001121086,0.00001453831,0.00005140177,0.00009184355],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00012896,0.00008836512,0.02360418,0.000293905,0.00001725642,0.001142024,0.9015267,0.00003610192,0.002335322,0.03766735,0.008432816,0.02472704],"study_design_scores_gemma":[0.000006641503,0.00005609397,0.0442718,0.0003178482,0.00001563474,0.0003752682,0.892406,0.00006117229,0.0004371206,0.001482779,0.06055056,0.00001910799],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9042066,0.006142219,0.000344226,0.01394812,0.0002571561,0.00003188389,0.00005600976,0.000006007489,0.07500777],"genre_scores_gemma":[0.9931256,0.001976415,0.0001764743,0.001142831,0.00005608189,0.00001672077,0.00002081045,0.00000790256,0.003477258],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01411199,"threshold_uncertainty_score":0.02805972,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1968771547","doi":"10.3138/jrpc.21.3.004","title":"Everyday a Miracle: History According to Trinity Broadcasting Network (TBN)","year":2009,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Literature, Language, and Rhetoric Studies","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Broadcasting (networking); Legitimacy; Miracle; History; Political science; Sociology; Business; Computer science; Law; Computer security; Politics","authors":[{"name":"Victoria Meng","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0214311044902688,"gpt":0.2973193954023216,"spread":0.2758882909120527,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00164848,0.000195323,0.0001650368,0.002987537,0.007256334,0.00670299,0.0004974242,0.0008432709,0.006956904],"category_scores_gemma":[0.005054897,0.0001709531,0.00007178013,0.003719561,0.01062073,0.005618528,0.002542437,0.001860876,0.000671649],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006321229,"about_ca_system_score_gemma":0.002948904,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02199569,"about_ca_topic_score_gemma":0.04746428,"domain_scores_codex":[0.9983498,0.00103828,0.00004727379,0.0001128369,0.0002833918,0.0001684547],"domain_scores_gemma":[0.9961069,0.002128723,0.0005074781,0.0001216964,0.000627798,0.0005073422],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003324894,0.0000144915,0.006013893,0.000162111,0.000003919882,0.0005564723,0.7060646,0.00004876152,0.0002609557,0.2220623,0.04488568,0.01989357],"study_design_scores_gemma":[0.000003433839,0.00002636224,0.01160724,0.0004966747,0.000004800952,0.0002870585,0.3952163,0.00009753941,0.0001612614,0.0102598,0.5818172,0.00002238152],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1904431,0.009110139,0.0009515996,0.03165619,0.001370062,0.00005080212,0.0003003341,0.00005862537,0.7660592],"genre_scores_gemma":[0.9431535,0.003622702,0.0004939386,0.001824556,0.0003034874,0.00004528097,0.0001720932,0.0000916079,0.05029278],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02199569,"threshold_uncertainty_score":0.04586399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2160314729","doi":"10.1353/rpc.2012.0008","title":"The Cultural Foundations of the Islamist Practice of Charity in Morocco","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Power (physics); Islam; Generosity; Socialization; Articulation (sociology); Sociology; Loyalty; Political science; Political economy; Law; Social science; Politics; Philosophy; Theology","authors":[{"name":"Mohammed Maarouf","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07628184006484688,"gpt":0.4170340284030987,"spread":0.3407521883382518,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002890092,0.0001516365,0.0001382517,0.0006630986,0.01136781,0.003601852,0.0005143532,0.0006880144,0.001822734],"category_scores_gemma":[0.002426579,0.0001722326,0.00007494622,0.0006050806,0.01423476,0.0009089014,0.003163744,0.001029095,0.000117794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00952563,"about_ca_system_score_gemma":0.004505885,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04432162,"about_ca_topic_score_gemma":0.06657729,"domain_scores_codex":[0.9980451,0.001111955,0.00003400865,0.00009060943,0.0001847613,0.0005334902],"domain_scores_gemma":[0.9982528,0.0007913259,0.0003650307,0.0001010474,0.0001854689,0.0003043098],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008313479,0.0000710996,0.01817133,0.0001312474,0.000008977889,0.0020289,0.6283045,0.000160965,0.001656922,0.3178223,0.002980026,0.02858043],"study_design_scores_gemma":[0.00002977674,0.0001945476,0.1065248,0.0006218849,0.0000219172,0.001976536,0.6513832,0.0006380983,0.001119669,0.02353636,0.2138825,0.00007072052],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8990136,0.001911731,0.0005539995,0.01525168,0.0001126859,0.00001825694,0.00001931258,0.000006871129,0.08311179],"genre_scores_gemma":[0.9986342,0.0001640019,0.00007058235,0.0002201526,0.00001473297,0.000003331034,0.000001130717,0.000001487627,0.0008904883],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04432162,"threshold_uncertainty_score":0.08812732,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2339150963","doi":"10.3138/jrpc.23.2.139","title":"Searching for the (Sacred) Sound: Phil Lesh, the Grateful Dead, and Religion","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Phenomenon; Charisma; Religiosity; Lyrics; Dead end; Sociology; Epistemology; Aesthetics; Art; Philosophy; Literature; Theology","authors":[{"name":"Michael Kaler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04926592569013376,"gpt":0.2452936366797178,"spread":0.196027710989584,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00123152,0.000187801,0.0001480409,0.000746439,0.006476845,0.005422721,0.0004045158,0.001465961,0.003514237],"category_scores_gemma":[0.002239477,0.0001488104,0.00007141029,0.0005622939,0.01323253,0.003255739,0.002165783,0.002697671,0.000318762],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009858228,"about_ca_system_score_gemma":0.0005732087,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001579972,"about_ca_topic_score_gemma":0.00405699,"domain_scores_codex":[0.9993224,0.0004755319,0.0000117738,0.00004489451,0.00008127865,0.00006409021],"domain_scores_gemma":[0.998659,0.00090132,0.0001750492,0.00003444476,0.00007591167,0.0001542037],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009472355,0.0001449105,0.00779585,0.0002795569,0.00001406776,0.002035944,0.6871474,0.0001002988,0.0007756343,0.2237584,0.03081583,0.0470374],"study_design_scores_gemma":[0.00001723936,0.00008504907,0.007382876,0.0004613227,0.00001230515,0.001393277,0.7619361,0.000191869,0.0005415442,0.03084896,0.1971025,0.00002709779],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5647938,0.02668483,0.002764716,0.1098436,0.00132,0.00002970659,0.00004313989,0.00004676342,0.2944734],"genre_scores_gemma":[0.9857745,0.003090637,0.0002817102,0.001904926,0.0003032356,0.000007166652,0.000004919015,0.000008594293,0.008624314],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006476845,"threshold_uncertainty_score":0.0117563,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2058738756","doi":"10.3138/jrpc.25.2.175","title":"Neil Gaiman’s Lucifer: Reconsidering Milton’s Satan","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Comics; Literature; Mythology; Art; Judaism; Poetry; Intertextuality; Allegory; Art history; Philosophy; Theology","authors":[{"name":"Adam L. Porter","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02486085609023956,"gpt":0.2260001618901612,"spread":0.2011393057999216,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001818997,0.0003243759,0.0002182192,0.0006502102,0.01172881,0.006785956,0.0006426368,0.002332213,0.00445887],"category_scores_gemma":[0.00368759,0.00015862,0.00008365455,0.0004659343,0.01477807,0.004299984,0.003493841,0.003725657,0.0006864246],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004551363,"about_ca_system_score_gemma":0.001847947,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01180966,"about_ca_topic_score_gemma":0.04579468,"domain_scores_codex":[0.9987721,0.0007886603,0.00001868215,0.00007970197,0.0001801562,0.0001607194],"domain_scores_gemma":[0.9987185,0.0007830766,0.00008748623,0.00007860095,0.0001986272,0.0001337987],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003970869,0.00003068291,0.000745329,0.00005852511,0.000003761442,0.0009753061,0.3666478,0.00008133253,0.0004020522,0.5409108,0.07629663,0.01380797],"study_design_scores_gemma":[0.000007895976,0.00002880756,0.0006382561,0.0002506778,0.000005823365,0.0005030848,0.2286067,0.0002678921,0.0005690057,0.03534742,0.7337528,0.00002164456],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2270896,0.005162421,0.001458958,0.1273598,0.002606121,0.00003150746,0.00003199106,0.00006552668,0.6361941],"genre_scores_gemma":[0.9322022,0.0009262844,0.0005109836,0.007583181,0.0002261923,0.00001694247,0.00001015832,0.00005085725,0.05847318],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01180966,"threshold_uncertainty_score":0.03302264,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2316722757","doi":"10.3138/jrpc.10.1.001","title":"Episode 712: <i>South Park</i>, Ridicule, and the Cultural Construction of Religious Rivalry","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Rivalry; Ascription; Deviance (statistics); Sociology; Social psychology; Aesthetics; Psychology; Art; Epistemology; Philosophy","authors":[{"name":"Douglas E. Cowan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009762397465732847,"gpt":0.2191799379579178,"spread":0.209417540492185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007493518,0.0002758932,0.0002752634,0.0005629738,0.01196076,0.003582084,0.0006182413,0.002083202,0.004403019],"category_scores_gemma":[0.002347178,0.0002812591,0.0001741565,0.0007297985,0.009816711,0.002884993,0.005320559,0.003728213,0.0002900452],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00336821,"about_ca_system_score_gemma":0.001470326,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04682449,"about_ca_topic_score_gemma":0.1051386,"domain_scores_codex":[0.998995,0.0004871134,0.00002624956,0.00008006735,0.0001393684,0.0002723054],"domain_scores_gemma":[0.9992486,0.0003535975,0.0001378042,0.00004715238,0.00006011438,0.000152677],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002482974,0.00001215003,0.0020163,0.00005178833,0.000002596472,0.001249005,0.9570005,0.00002866178,0.0003719265,0.03143077,0.004730789,0.003080565],"study_design_scores_gemma":[0.000005945473,0.00002251878,0.00415414,0.0001098599,0.000005195297,0.001452682,0.8602425,0.0000540931,0.0003809361,0.002265192,0.131292,0.00001499523],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8544757,0.000991097,0.001037172,0.01157048,0.0002003256,0.00005282799,0.0001141066,0.00002446638,0.1315338],"genre_scores_gemma":[0.9827116,0.0003548853,0.0002020634,0.0007712953,0.0000433616,0.00002534825,0.00003723863,0.00002283281,0.01583133],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04682449,"threshold_uncertainty_score":0.09310389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W789670521","doi":"10.3138/jrpc.26.3.373","title":"Understanding Religion and Popular Culture: Theories, Themes, Products, and Practices","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sociology; Psychology","authors":[{"name":"Sarah N. Petrovic","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06129649639048905,"gpt":0.2810367039573223,"spread":0.2197402075668333,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002500542,0.0002141557,0.0002195113,0.002510586,0.002557384,0.004989037,0.0006226814,0.001061415,0.00376117],"category_scores_gemma":[0.005645564,0.0001612965,0.000249243,0.002890198,0.01130161,0.007558332,0.002990667,0.001784539,0.0002672014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002331692,"about_ca_system_score_gemma":0.003724119,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008792526,"about_ca_topic_score_gemma":0.0133775,"domain_scores_codex":[0.9989854,0.0006749239,0.00003750556,0.00005321938,0.0001611016,0.00008790944],"domain_scores_gemma":[0.996564,0.00230783,0.0004263763,0.0001369642,0.000284278,0.0002806358],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003523094,0.000174591,0.0488366,0.0007413577,0.00003201561,0.0003584168,0.3967036,0.0001847755,0.0004924861,0.4005236,0.01885726,0.1330601],"study_design_scores_gemma":[0.00002659131,0.00007764343,0.05625916,0.00316157,0.00007075445,0.0005252426,0.6040429,0.0008540571,0.0007075117,0.1416147,0.1926094,0.00005057977],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5985557,0.04668837,0.005548009,0.134487,0.0006852262,0.0001034878,0.0002803554,0.00005729411,0.2135946],"genre_scores_gemma":[0.9784595,0.0141316,0.001904034,0.002062654,0.0001314127,0.00004179145,0.00007656307,0.0000111196,0.003181379],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.008792526,"threshold_uncertainty_score":0.0174827,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2332318072","doi":"10.3138/jrpc.20.1.002","title":"The Passion as Horror Film: St. Mel of the Cross","year":2008,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Violence, Religion, and Philosophy","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Passion; Spectacle; HERO; Torture; Art; Movie theater; Action (physics); Narrative; Rage (emotion); Literature; Popularity; Aesthetics; Psychoanalysis; Psychology; Social psychology; Law","authors":[{"name":"Richard Walsh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01883007922481665,"gpt":0.2490765423198267,"spread":0.23024646309501,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007245892,0.0003292136,0.0001504572,0.000502206,0.006738297,0.004333944,0.0002669755,0.001422935,0.008951177],"category_scores_gemma":[0.001616007,0.0001646803,0.0001144559,0.000379005,0.003777598,0.001984891,0.002235465,0.003475393,0.0005749355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00198094,"about_ca_system_score_gemma":0.0007498176,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01299763,"about_ca_topic_score_gemma":0.0461227,"domain_scores_codex":[0.9996697,0.0001535322,0.000006307936,0.00003721482,0.00006975883,0.00006359384],"domain_scores_gemma":[0.9994133,0.000271924,0.00003715868,0.00003027983,0.00007632556,0.0001710478],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002199184,0.00008626941,0.002683532,0.0002545164,0.0000268774,0.003818856,0.6201606,0.0001305334,0.002468684,0.1093448,0.2236072,0.03719829],"study_design_scores_gemma":[0.00002065243,0.0001378276,0.005890471,0.0004891914,0.00001779343,0.00148272,0.2603458,0.0002423644,0.001592167,0.004362549,0.7253923,0.00002609064],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4061421,0.01123322,0.0006989211,0.07658014,0.005135109,0.00005381335,0.0001506113,0.00009093295,0.4999151],"genre_scores_gemma":[0.920887,0.002463043,0.0002603004,0.004555607,0.0005655503,0.00001363678,0.00003269746,0.00007911347,0.07114298],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01299763,"threshold_uncertainty_score":0.02994472,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1967000585","doi":"10.3138/jrpc.20.1.004","title":"Ecstasy, Joy, and Sorrow: The Religious Experience of Southern College Football","year":2008,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Doping in Sports","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sorrow; Football; Ecstasy; Religious experience; Consciousness; Sociology; College football; Religious studies; History; Social psychology; Psychology; Philosophy; Epistemology; Anthropology; Archaeology","authors":[{"name":"Eric Bain–Selbo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01658303619124296,"gpt":0.2802666840681488,"spread":0.2636836478769058,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006361775,0.0002824811,0.0002811393,0.0005619217,0.005754067,0.002322901,0.0003051152,0.0009195041,0.002624142],"category_scores_gemma":[0.001888149,0.0001729376,0.0001210996,0.0005752814,0.006914013,0.001403784,0.00271032,0.001730038,0.0001614737],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009498296,"about_ca_system_score_gemma":0.0008421868,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01315952,"about_ca_topic_score_gemma":0.02665554,"domain_scores_codex":[0.9995201,0.0002609574,0.00001075217,0.00002417012,0.00007803296,0.0001060354],"domain_scores_gemma":[0.99923,0.0002612825,0.0001568287,0.00002230317,0.00006596757,0.0002635607],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005889874,0.00007429093,0.0159784,0.00005852656,0.000008893423,0.0008582909,0.9646842,0.00003259983,0.001428792,0.003383212,0.002884824,0.01054905],"study_design_scores_gemma":[0.000005824703,0.00009247319,0.02173002,0.00007152687,0.000005636415,0.0007668227,0.9603649,0.00004561004,0.00008321487,0.000528988,0.01629294,0.00001212438],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9861644,0.000891441,0.00009789789,0.003249597,0.0001135812,0.000005387332,0.00001202323,0.000005881278,0.009459839],"genre_scores_gemma":[0.9969059,0.0006382563,0.0000473834,0.0004752194,0.00004972248,0.00000334066,0.000006917785,0.000003410573,0.00186999],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01315952,"threshold_uncertainty_score":0.02616584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992160704","doi":"10.3138/jrpc.15.1.001","title":"“Beyond Beards, Scarves and Halal Meat”: Mediated Constructions of British Muslim Identity","year":2007,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Islam; Identity (music); Context (archaeology); Public sphere; Sociology; Isolation (microbiology); Media studies; Construct (python library); Gender studies; Assimilation (phonology); Cultural identity; Political science; History; Aesthetics; Linguistics; Law; Politics; Social science; Art; Computer science","authors":[{"name":"Yasmin Moll","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01193535268859564,"gpt":0.2788244347119751,"spread":0.2668890820233795,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002168098,0.0003267172,0.0002299325,0.0008290092,0.01005703,0.006321582,0.0006317905,0.001767584,0.003167629],"category_scores_gemma":[0.003544137,0.0003662488,0.0001795607,0.0006811948,0.02139453,0.003981221,0.004583672,0.00202085,0.0004418051],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00330775,"about_ca_system_score_gemma":0.001712281,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0442085,"about_ca_topic_score_gemma":0.05828963,"domain_scores_codex":[0.9981802,0.0012702,0.00002509432,0.00008391101,0.0002587406,0.0001819193],"domain_scores_gemma":[0.9986159,0.0008257792,0.0001196333,0.0001050689,0.0001882463,0.0001453799],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002733793,0.00001049058,0.001095222,0.00003094817,0.000003922244,0.0004625135,0.9507189,0.00001465502,0.0008619208,0.04199498,0.0009898216,0.003789304],"study_design_scores_gemma":[0.00001205295,0.00004183051,0.004539323,0.0001990359,0.0000180284,0.0007141915,0.8917972,0.0001580726,0.0009487483,0.01466306,0.08687133,0.00003706525],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8316355,0.002656447,0.003051781,0.009146825,0.000226576,0.00002185157,0.00002712801,0.00004602882,0.1531878],"genre_scores_gemma":[0.9941477,0.0002643582,0.0003078846,0.0004353245,0.00001390584,0.000006826166,0.000006192823,0.00001898676,0.004798936],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0442085,"threshold_uncertainty_score":0.08790237,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1978122489","doi":"10.3138/jrpc.26.3.353","title":"iReligion: Religious Elements of the Apple Phenomenon","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Consumer Behavior in Brand Consumption and Identification","field":"Business, Management and Accounting","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Taboo; Phenomenon; Religiosity; Symbol (formal); Creativity; Sociology; Aesthetics; Criticism; Religious studies; Art; Literature; Epistemology; Philosophy; Psychology; Social psychology; Theology; Anthropology; Linguistics","authors":[{"name":"Anja Pogačnik","is_ca":false},{"name":"Aleš Črnič","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01286510735096074,"gpt":0.236479135096102,"spread":0.2236140277451413,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001607477,0.0001170068,0.0001323261,0.0009212291,0.002939465,0.003264156,0.0003890883,0.0006582343,0.003646822],"category_scores_gemma":[0.00306654,0.0001031647,0.0001097893,0.0007376279,0.00957349,0.002363168,0.002934731,0.001428842,0.0001349611],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001584486,"about_ca_system_score_gemma":0.0004572471,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00163542,"about_ca_topic_score_gemma":0.002801809,"domain_scores_codex":[0.998637,0.0008544804,0.00003701679,0.00008929094,0.0002405424,0.0001415721],"domain_scores_gemma":[0.9974406,0.001359831,0.0005277682,0.0002953374,0.0001694136,0.0002069752],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001580864,0.0001821809,0.04826887,0.0001112583,0.00001630859,0.001106224,0.4772038,0.00009080607,0.002515369,0.4232624,0.002520586,0.04456414],"study_design_scores_gemma":[0.0000417681,0.0002191238,0.1579281,0.000454952,0.00003482381,0.002307531,0.5678647,0.001024955,0.001745887,0.08060551,0.187707,0.00006565018],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8675359,0.0007507935,0.001484116,0.003560069,0.00006545956,0.00001432751,0.00001903238,0.00001498841,0.1265553],"genre_scores_gemma":[0.9987311,0.00007246587,0.0001066337,0.0001159974,0.00001855668,0.000002235135,0.000003506234,0.000002340979,0.0009472541],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003646822,"threshold_uncertainty_score":0.01219982,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2319590699","doi":"10.3138/jrpc.6.1.001","title":"The Production of Christian Fiction","year":2004,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Publishing; Product (mathematics); Production (economics); Aesthetics; Work (physics); Sociology; Literature; Art; Engineering; Economics","authors":[{"name":"Jonathan Cordero","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01436170709667234,"gpt":0.2376696693426724,"spread":0.2233079622460001,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002937571,0.0004281654,0.0002451008,0.001372703,0.006865241,0.006652053,0.0005484319,0.001250423,0.01357574],"category_scores_gemma":[0.009217371,0.000224768,0.0001963503,0.0008104367,0.01214054,0.002600757,0.004247359,0.002186829,0.002061529],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001962224,"about_ca_system_score_gemma":0.00120828,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004742059,"about_ca_topic_score_gemma":0.00104035,"domain_scores_codex":[0.9976957,0.001260551,0.00006131366,0.0002266103,0.0005227202,0.0002330446],"domain_scores_gemma":[0.9954304,0.002229205,0.0004931312,0.0009218581,0.0004858976,0.0004394394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009969674,0.00003800415,0.0008525533,0.0003355933,0.00001368533,0.001046062,0.08112644,0.0002233259,0.001826407,0.7792847,0.1012413,0.03391231],"study_design_scores_gemma":[0.00001415152,0.00005153744,0.0008096283,0.0002423274,0.000005783664,0.0007760152,0.008829829,0.0001750176,0.00165522,0.02739923,0.9600242,0.00001722256],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09076553,0.006977574,0.003643393,0.02738441,0.004747604,0.00004745105,0.0002574021,0.0002693284,0.8659073],"genre_scores_gemma":[0.8768852,0.002369658,0.002254148,0.002183425,0.002613956,0.00003105158,0.0001543682,0.000269748,0.1132383],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01357574,"threshold_uncertainty_score":0.04541534,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2106849850","doi":"10.1353/rpc.2012.0010","title":"Superstars and Misfits: Two Pop-trends in the Gender Culture of Contemporary Evangelicalism","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Theological Perspectives and Practices","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Popular culture; Political science; Economic geography; Sociology; Geography; Media studies","authors":[{"name":"Kelsy Burke","is_ca":false},{"name":"Amy McDowell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06208148884518359,"gpt":0.3685804303704699,"spread":0.3064989415252863,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002958098,0.0002650781,0.000370393,0.001526961,0.01176423,0.004807801,0.0007275718,0.0009629261,0.002317203],"category_scores_gemma":[0.003886837,0.000284813,0.000125158,0.001457178,0.01656832,0.003392362,0.005316467,0.002676036,0.0001643907],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002752492,"about_ca_system_score_gemma":0.001783136,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01144951,"about_ca_topic_score_gemma":0.02983453,"domain_scores_codex":[0.9975173,0.001374802,0.00005306648,0.0002698351,0.0003536724,0.0004313988],"domain_scores_gemma":[0.9967386,0.001508543,0.0005525206,0.000222103,0.0002876209,0.0006905621],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004031835,0.0000265714,0.01156681,0.00002679804,0.0000042708,0.0001782016,0.9577897,0.00001064902,0.0005202921,0.02045494,0.0009516443,0.008429814],"study_design_scores_gemma":[0.000003644763,0.00003404423,0.01686448,0.00005630852,0.000003798341,0.00017118,0.9620772,0.00003856127,0.0002486257,0.001583063,0.01890764,0.00001134667],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9827033,0.000587887,0.0002350941,0.003351176,0.0000648924,0.000004794776,0.00001116886,0.000005694795,0.01303605],"genre_scores_gemma":[0.9984719,0.0001530852,0.00005373683,0.0002815845,0.0000167922,0.000003642681,0.000005963901,0.000007956695,0.001005308],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01176423,"threshold_uncertainty_score":0.02276576,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1968866104","doi":"10.3138/jrpc.23.2.236","title":"“I Think You and I Are Destined to Do This Forever”: A Reading of the Batman/Joker Comic and Film Tradition through the Combat Myth","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Comics; Knight; Mythology; Literature; Monster; Theme (computing); Popularity; Reading (process); Art; Aesthetics; History; Psychology; Law; Political science; Social psychology; Computer science","authors":[{"name":"Michael Nichols","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03038604769482558,"gpt":0.2267772284490804,"spread":0.1963911807542548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001629113,0.0004806968,0.0002679287,0.001194262,0.009497517,0.007021138,0.0005518816,0.001581154,0.004357474],"category_scores_gemma":[0.004310337,0.000243357,0.0001425001,0.0009317709,0.01599626,0.004454941,0.0026938,0.004542548,0.0003948377],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002829544,"about_ca_system_score_gemma":0.0009135437,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00643831,"about_ca_topic_score_gemma":0.01392627,"domain_scores_codex":[0.9984871,0.001159004,0.00001818047,0.00009153198,0.0001335662,0.000110506],"domain_scores_gemma":[0.9974725,0.001854787,0.0002067913,0.0001202173,0.0001661361,0.0001795774],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004336653,0.00002252235,0.0005567123,0.00007102158,0.000005087278,0.0005383451,0.9126966,0.000036124,0.0005689106,0.07291739,0.00791006,0.00463387],"study_design_scores_gemma":[0.00001121924,0.00005240541,0.002036674,0.0003840126,0.00001121123,0.0008119307,0.7353762,0.0002432718,0.0008295371,0.006443235,0.2537841,0.00001614872],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5496004,0.006279573,0.003308266,0.04841794,0.001742996,0.00005023883,0.000101701,0.00008753932,0.3904113],"genre_scores_gemma":[0.9792052,0.0009941934,0.0004199583,0.001785869,0.000254094,0.00001409289,0.00002413958,0.00008728453,0.01721519],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009497517,"threshold_uncertainty_score":0.02052981,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2109397109","doi":"10.3138/jrpc.26.1.124","title":"“Goodbye God, I’m Going to Texas”: The Migration of Louisiana Creoles of Colour and the Preservation of Black Catholic and Creole Traditions in Southeast Texas","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Creole language; Faith; Ethnic group; Identity (music); Ethnology; Immigration; African american; History; Anthropology; Gender studies; Sociology; Archaeology; Art; Theology; Philosophy","authors":[{"name":"Glenn A. Chambers","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01443323908967037,"gpt":0.2711267479218898,"spread":0.2566935088322194,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005632135,0.0001161923,0.00008080527,0.0003183651,0.004362879,0.001500064,0.0003698194,0.00042447,0.002196088],"category_scores_gemma":[0.0008124479,0.00006332411,0.00005994649,0.0003195099,0.002109746,0.0006915649,0.00118637,0.000903115,0.0001197677],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002351639,"about_ca_system_score_gemma":0.002665492,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1197627,"about_ca_topic_score_gemma":0.4398835,"domain_scores_codex":[0.9997943,0.0001004728,0.000003004835,0.00001970007,0.00001376357,0.00006883952],"domain_scores_gemma":[0.9996337,0.0000556401,0.0001024742,0.0000145522,0.00007961401,0.0001140547],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001422739,0.00009513437,0.1383363,0.00008682744,0.00002602936,0.001523257,0.8100127,0.00006511582,0.004240185,0.006110151,0.005292438,0.03406955],"study_design_scores_gemma":[0.000003103585,0.000054277,0.122525,0.00009762429,0.00001132839,0.0002737285,0.8484514,0.00004477595,0.000407499,0.0002258546,0.02789435,0.00001110494],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9958572,0.0001490379,0.00002919775,0.00146968,0.00001149778,0.000002014599,0.000009059346,0.00000113755,0.002471212],"genre_scores_gemma":[0.9970627,0.0002066438,0.00005214575,0.0003211695,0.000005466086,0.000002913906,0.000009475765,0.000002401522,0.002337139],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1197627,"threshold_uncertainty_score":0.2381311,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2069781389","doi":"10.3138/jrpc.21.1.005","title":"Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal","year":2009,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Ideology; Blasphemy; Christianity; Resistance (ecology); Aesthetics; Art; Literature; Philosophy; Religious studies; Theology; Politics; Law; Political science","authors":[{"name":"Jonathan Cordero","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01675677049484731,"gpt":0.2321464101607968,"spread":0.2153896396659495,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009443212,0.000357384,0.0001307851,0.0009474444,0.008010269,0.004391717,0.0003950559,0.00101571,0.004081282],"category_scores_gemma":[0.0008169918,0.0001669644,0.0001556604,0.0005956154,0.01637799,0.001518972,0.003114181,0.002042689,0.0003442148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001537878,"about_ca_system_score_gemma":0.000476921,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001850998,"about_ca_topic_score_gemma":0.0072017,"domain_scores_codex":[0.999448,0.0003030031,0.000006751122,0.00003114921,0.0001026514,0.000108299],"domain_scores_gemma":[0.999706,0.0001262448,0.0000360814,0.00003648212,0.00004037351,0.00005477737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002536121,0.00004943661,0.002794517,0.0001185127,0.00001611561,0.001216549,0.5228375,0.0002303034,0.005673627,0.4366875,0.01056867,0.01955376],"study_design_scores_gemma":[0.0000468717,0.0001581579,0.0111336,0.0002477922,0.00002645074,0.00213588,0.5882334,0.0008987532,0.002853446,0.0549564,0.3392613,0.00004794275],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6123367,0.001433996,0.00267475,0.00691323,0.0004010648,0.00001217806,0.00001944665,0.00004591073,0.3761627],"genre_scores_gemma":[0.9900435,0.0001313757,0.0002920731,0.0001704224,0.00004257011,0.000002174935,0.00000376935,0.00002220233,0.009291776],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008010269,"threshold_uncertainty_score":0.01365322,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242082194","doi":"10.3138/jrpc.22.2.001","title":"Apocalyptic Premeditations","year":2010,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Crime, Deviance, and Social Control","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Administration (probate law); Authoritarianism; Evocation; Futures contract; Vulnerability (computing); George (robot); Political science; Sociology; Environmental ethics; Law; Philosophy; Democracy; Art; Literature; Computer security; Politics; Economics; Computer science; Art history","authors":[{"name":"Justin Remes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0130201024896805,"gpt":0.313866067808122,"spread":0.3008459653184415,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001579252,0.0003022729,0.0001534633,0.000649615,0.002197904,0.003465509,0.0004144356,0.001161314,0.004546731],"category_scores_gemma":[0.005940911,0.0001505895,0.000119701,0.0003524594,0.01040148,0.002619208,0.001904009,0.003878271,0.0007161553],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002145648,"about_ca_system_score_gemma":0.0009782768,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001361078,"about_ca_topic_score_gemma":0.001924673,"domain_scores_codex":[0.998785,0.0005366793,0.00004931722,0.0001713988,0.0003359749,0.0001217347],"domain_scores_gemma":[0.9977109,0.0009574096,0.0003097664,0.0004345728,0.0004365238,0.0001508016],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006017461,0.00002357416,0.0004017688,0.00005443139,0.000003726112,0.0001342023,0.0105888,0.00006808663,0.001863174,0.962944,0.007165203,0.01669294],"study_design_scores_gemma":[0.00005091913,0.0001441359,0.002395059,0.0002592703,0.00002592276,0.000770224,0.007026737,0.001018311,0.01059149,0.2375266,0.7401475,0.00004379034],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1426968,0.002774004,0.02584314,0.02838408,0.002952016,0.0001008459,0.0001619257,0.00033411,0.7967531],"genre_scores_gemma":[0.9591342,0.0006501153,0.002610238,0.002583867,0.0004846521,0.00003538634,0.00002503387,0.00007443382,0.03440201],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004546731,"threshold_uncertainty_score":0.01556784,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2325425349","doi":"10.3138/jrpc.12.1.001","title":"Secular Versus Religious Fans: Are they Different?: An Empirical Examination","year":2006,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Secular variation; Social psychology; Psychology; Sociology; Demography","authors":[{"name":"Stephen Reysen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0227538053098611,"gpt":0.3362139067415376,"spread":0.3134601014316765,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006979476,0.0002452446,0.000428745,0.00180283,0.00113225,0.001183252,0.0004898258,0.0006295837,0.004769298],"category_scores_gemma":[0.01753726,0.000211612,0.0001593519,0.001273786,0.001400954,0.001494688,0.0009094822,0.0009631398,0.0003989337],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000404836,"about_ca_system_score_gemma":0.0003925955,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003374357,"about_ca_topic_score_gemma":0.006041099,"domain_scores_codex":[0.9977404,0.001068691,0.0001624526,0.0002670606,0.0004934031,0.0002679918],"domain_scores_gemma":[0.9778757,0.01179236,0.005640734,0.0005326191,0.002488016,0.001670606],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001184871,0.0003338219,0.9668127,0.00005770117,0.00003150585,0.0001672871,0.02351783,0.000009352486,0.0001679367,0.0003482999,0.0002734292,0.008161702],"study_design_scores_gemma":[0.00001605601,0.0002503619,0.9106817,0.00007982587,0.00001866331,0.0003069145,0.08707455,0.000176451,0.0001007355,0.0001213788,0.001165545,0.000007769837],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9988695,0.00007860705,0.00002681645,0.0001113485,0.000005207557,0.00000819921,0.00002105273,3.037036e-7,0.0008788604],"genre_scores_gemma":[0.9994789,0.00009790773,0.00004210831,0.00008121218,0.00001147844,0.000009068341,0.00004034047,9.02982e-7,0.0002381804],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006979476,"threshold_uncertainty_score":0.03691149,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2068910675","doi":"10.1353/rpc.2012.0031","title":"(Carrying the Fire on) No Road for Old Horses: Cormac McCarthy's Untold Biblical Stories","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Whirlwind; American exceptionalism; Adversary; Exceptionalism; Curse; Faith; Archetype; Aesthetics; Literature; History; Law; Sociology; Art; Philosophy; Political science; Theology; Politics; Computer security; Engineering","authors":[{"name":"Richard Walsh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02417779945363274,"gpt":0.2689818715778876,"spread":0.2448040721242549,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001214796,0.0004140851,0.0002941786,0.001102134,0.01886677,0.007026087,0.0009443873,0.002292764,0.005452191],"category_scores_gemma":[0.005962142,0.0001966362,0.0001464662,0.001010074,0.01253669,0.003575988,0.002689345,0.005877003,0.0007474369],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009226507,"about_ca_system_score_gemma":0.00295018,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1027677,"about_ca_topic_score_gemma":0.2201705,"domain_scores_codex":[0.998735,0.0005501179,0.00002513621,0.0000785444,0.0003137264,0.0002975428],"domain_scores_gemma":[0.9983766,0.000698991,0.0001862951,0.0000994875,0.0002352809,0.0004033405],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004242338,0.00004299096,0.0008610165,0.0001052917,0.000009385923,0.001760437,0.2611192,0.00006568518,0.0002352999,0.1724086,0.5437969,0.0195527],"study_design_scores_gemma":[0.000004803792,0.000009387877,0.001761477,0.0002355194,0.000006581479,0.0004826105,0.07272208,0.00004859517,0.0002125343,0.00394959,0.9205515,0.00001533446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1188451,0.01985647,0.0005966329,0.2278038,0.003218604,0.00003726062,0.0002041432,0.00009210667,0.6293458],"genre_scores_gemma":[0.829146,0.007925151,0.0003291255,0.02007458,0.001392298,0.00004341135,0.00005403887,0.0001025628,0.1409328],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1027677,"threshold_uncertainty_score":0.2043391,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2131923518","doi":"10.3138/jrpc.25.3.372","title":"Real or Not Real:<i>The Hunger Games</i>as Transmediated Religion","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Negotiation; Modernity; Aesthetics; Postmodernity; Sociology; Jewish mysticism; Judaism; Epistemology; Art; Philosophy; Social science; Theology","authors":[{"name":"Yonah Ringlestein","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02407221343194126,"gpt":0.2554503116265341,"spread":0.2313780981945928,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001738493,0.000345078,0.000203602,0.0007901441,0.004467803,0.01130053,0.0008120791,0.001352207,0.006276547],"category_scores_gemma":[0.003908423,0.0002153346,0.0001862068,0.0004657579,0.01667722,0.007941596,0.00567118,0.002413411,0.0004326927],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002175507,"about_ca_system_score_gemma":0.0007353643,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001545912,"about_ca_topic_score_gemma":0.002741724,"domain_scores_codex":[0.9985415,0.001084334,0.00002472308,0.00007454411,0.000104571,0.0001703335],"domain_scores_gemma":[0.9978101,0.001250064,0.000214589,0.0002074377,0.00011971,0.0003982631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001625901,0.00009307719,0.002831305,0.0001277977,0.00001353541,0.0007570682,0.2237303,0.0002551041,0.0008584651,0.7327275,0.008861128,0.02958211],"study_design_scores_gemma":[0.00008105304,0.0002410388,0.0075526,0.0007024487,0.00005378903,0.001519684,0.3339688,0.002837848,0.003306248,0.2334097,0.416227,0.00009972765],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4818439,0.002119136,0.01212607,0.0181523,0.0007181019,0.00006468358,0.00007662342,0.0001717077,0.4847276],"genre_scores_gemma":[0.9917862,0.0002062167,0.000664243,0.0004909502,0.00004528095,0.0000172335,0.000009252519,0.00002939211,0.006751294],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01130053,"threshold_uncertainty_score":0.02099717,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1993879100","doi":"10.3138/jrpc.26.3.323","title":"Indonesian <i>Pesantren</i> and Community Social Change: Moderate Islam’s Use of Media and Technology as Tools for Community Engagement","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Islamic Studies and Radicalism","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Indonesian; Islam; Terrorism; Social media; Perception; Muslim community; Sociology; Community engagement; Public relations; Political science; Psychology; Geography; Law","authors":[{"name":"Jeff Ritchey","is_ca":false},{"name":"Nurhaya Muchtar","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08070899803119722,"gpt":0.3235077331175302,"spread":0.242798735086333,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001194583,0.0001911309,0.0001392442,0.0003611667,0.002273711,0.002430521,0.0002769056,0.0004676984,0.00303793],"category_scores_gemma":[0.001631656,0.0001802336,0.00008742935,0.000304431,0.002282357,0.001079302,0.002032607,0.0009265644,0.0002657677],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005877211,"about_ca_system_score_gemma":0.0006717918,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001675018,"about_ca_topic_score_gemma":0.005691099,"domain_scores_codex":[0.9994218,0.0002987007,0.00002586533,0.00005365398,0.00007963989,0.0001203442],"domain_scores_gemma":[0.9988292,0.0004815901,0.0003543504,0.0000608123,0.00009210669,0.0001818969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0001315692,0.0003694189,0.1238464,0.0002305448,0.00001891362,0.001081234,0.8295475,0.00006207023,0.004810591,0.002536601,0.0005089302,0.03685631],"study_design_scores_gemma":[0.000009880034,0.0002290366,0.09409587,0.0001227477,0.00001923295,0.0005161527,0.8896078,0.0001132447,0.001377924,0.0003898528,0.01349889,0.00001940968],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9947211,0.00004726873,0.00004613488,0.0001196238,0.000004167234,0.000006227894,0.000004383748,0.00000130725,0.005049818],"genre_scores_gemma":[0.9992262,0.0000506585,0.0000608749,0.0000354088,0.000001688932,0.000004231483,0.00000305191,9.491161e-7,0.0006168938],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00303793,"threshold_uncertainty_score":0.01016289,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2000970847","doi":"10.3138/jrpc.2.1.001","title":"The Evolution of Rock and Roll: Its Religious and Ecological Themes","year":2002,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Ecofeminism; Spirituality; Diversity (politics); Rock music; Aesthetics; Sociology; Environmental ethics; Ecology; Art; Philosophy; Literature; Anthropology; Popular music; Biology","authors":[{"name":"Dirk Dunbar","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01728842667559309,"gpt":0.2073291824910019,"spread":0.1900407558154088,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001178237,0.0001633542,0.0001209746,0.001160999,0.003431079,0.003836886,0.0004445471,0.0008209387,0.00207128],"category_scores_gemma":[0.002611881,0.0001160647,0.00007700572,0.0008738005,0.01275226,0.002338791,0.00202749,0.001461177,0.0001533686],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001758076,"about_ca_system_score_gemma":0.0006962108,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003092769,"about_ca_topic_score_gemma":0.005346166,"domain_scores_codex":[0.999299,0.0003154587,0.00002245096,0.00007614106,0.0001889636,0.00009797501],"domain_scores_gemma":[0.9989941,0.0004334133,0.0001921421,0.0001089489,0.0001010997,0.000170415],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000156762,0.000055416,0.01463229,0.0001082158,0.000009937085,0.001208087,0.6507626,0.0001230583,0.004457502,0.2606905,0.001920052,0.0658756],"study_design_scores_gemma":[0.00004091954,0.0003442197,0.1125342,0.0003177672,0.00003736131,0.002436518,0.4936042,0.0007663482,0.003408791,0.0473936,0.3390444,0.00007184404],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.8504843,0.001941521,0.001708056,0.007094466,0.0001427998,0.00002103695,0.00003072569,0.00003381599,0.1385434],"genre_scores_gemma":[0.9972405,0.0001950806,0.0001711296,0.00009650415,0.00004169882,0.000002548527,0.000003853335,0.00000720672,0.002241373],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.003836886,"threshold_uncertainty_score":0.01275575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2316661484","doi":"10.3138/jrpc.10.1.005","title":"“You Either Get It or You Don’t”: Conversion Experiences and <i>The Dr. Phil Show</i>","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Spectacle; Narrative; Testimonial; Confessional; Commodification; Sociology; Secularization; Aesthetics; Media studies; Psychoanalysis; Psychology; Art; Political science; Literature; Law; Advertising","authors":[{"name":"R. Danielle Egan","is_ca":false},{"name":"Stephen Papson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02495868066540132,"gpt":0.2551989078833113,"spread":0.23024022721791,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003478755,0.0005842898,0.0005195849,0.001051024,0.01637373,0.007385337,0.00130445,0.002675144,0.006956002],"category_scores_gemma":[0.008307816,0.0004813805,0.000426381,0.0009094228,0.01644738,0.003945128,0.008028052,0.007722015,0.000771136],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002814577,"about_ca_system_score_gemma":0.001141684,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007037633,"about_ca_topic_score_gemma":0.01129537,"domain_scores_codex":[0.9946503,0.003898622,0.0000788133,0.0001943353,0.0003715747,0.0008062781],"domain_scores_gemma":[0.997112,0.001706398,0.0002872001,0.0001664884,0.0001525268,0.0005753714],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005244325,0.0001273703,0.001249588,0.00005679603,0.000006139232,0.002163856,0.9853821,0.00002946725,0.0007518836,0.004897126,0.001582558,0.003700606],"study_design_scores_gemma":[0.000007678271,0.00006123446,0.000952268,0.0000538702,0.000005450309,0.001298936,0.9740969,0.00004895861,0.000459072,0.0004183106,0.02257865,0.00001869099],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9654218,0.0005117196,0.0006009811,0.003731372,0.0001632461,0.0000456189,0.00003175559,0.0000335372,0.02946008],"genre_scores_gemma":[0.9923944,0.0003131715,0.0002030796,0.0006351584,0.00003983861,0.00002755732,0.00002410228,0.00003209985,0.006330599],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01637373,"threshold_uncertainty_score":0.02327019,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2887823468","doi":"10.3138/jrpc.2016-0005.r1","title":"Hijabi Cosplay: Performances of Culture, Religion, and Fandom","year":2018,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Fandom; Habitus; Geek; Popularity; Sociology; Gender studies; Performativity; Aesthetics; Popular culture; Cultural phenomenon; Media studies; Art; Anthropology; Ethnography; Psychology; Social psychology","authors":[{"name":"Juli L. Gittinger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01470313419480208,"gpt":0.2948687340162469,"spread":0.2801655998214448,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001676222,0.0005019828,0.0002494636,0.0009243988,0.006650642,0.003893563,0.0004571505,0.0008884938,0.005829254],"category_scores_gemma":[0.003448873,0.0001962715,0.0001432811,0.0006439805,0.005964288,0.00177197,0.003565427,0.001301049,0.0004589571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008405953,"about_ca_system_score_gemma":0.0005094709,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002045001,"about_ca_topic_score_gemma":0.005740277,"domain_scores_codex":[0.9989684,0.000703278,0.00001605613,0.00006231265,0.0001134824,0.0001365232],"domain_scores_gemma":[0.9981108,0.001198972,0.0001570239,0.0001206637,0.0001331241,0.0002793472],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002301015,0.0001424479,0.01549861,0.0001557872,0.0000177022,0.001425883,0.9283841,0.00004405995,0.004576295,0.01354551,0.004482843,0.03149668],"study_design_scores_gemma":[0.00001460484,0.0001625437,0.01773353,0.0001524955,0.000015486,0.001043137,0.9219856,0.0002161755,0.001846482,0.001588956,0.05521695,0.000023954],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9446766,0.0003690729,0.0007665409,0.001229921,0.0001537235,0.00002330268,0.00002360585,0.00003302848,0.05272431],"genre_scores_gemma":[0.9930502,0.0001540222,0.0002406008,0.0001567572,0.00005039799,0.00001368505,0.0000128231,0.00002299623,0.006298503],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006650642,"threshold_uncertainty_score":0.01950079,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2087947077","doi":"10.3138/jrpc.26.1.1","title":"Christmas in the 1960s:<i>A Charlie Brown Christmas</i>, Religion, and the Conventions of the Television Genre","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Mainstream; Assertion; Secularity; Order (exchange); Media studies; Art; Sociology; Television series; Law; Political science; Computer science","authors":[{"name":"Stephen J. Lind","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01581276925172559,"gpt":0.2349948703754041,"spread":0.2191821011236786,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001054828,0.0001410888,0.0001489755,0.001526229,0.004258809,0.003768814,0.0003108552,0.000416077,0.004935048],"category_scores_gemma":[0.003931542,0.0001390118,0.00004950491,0.00173264,0.005078309,0.0020756,0.001330601,0.001632338,0.0003013518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004330063,"about_ca_system_score_gemma":0.001861841,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04530998,"about_ca_topic_score_gemma":0.08884787,"domain_scores_codex":[0.9993081,0.0003089891,0.00001848548,0.00007217204,0.0001873851,0.0001048168],"domain_scores_gemma":[0.997763,0.001038999,0.0004293271,0.00007761697,0.0003645539,0.0003264239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001648992,0.00007958787,0.01474912,0.0001606194,0.000007159364,0.0006792755,0.8899958,0.00004353953,0.002304628,0.04709628,0.008053893,0.03666514],"study_design_scores_gemma":[0.000008696199,0.00009739045,0.1077303,0.0004896378,0.00001084899,0.0004419796,0.5891469,0.0001085731,0.001821075,0.002380811,0.2977326,0.00003117019],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9225469,0.002495131,0.0002666058,0.002654909,0.0001905456,0.00001728728,0.00008913023,0.00001263373,0.0717268],"genre_scores_gemma":[0.9903933,0.0008626129,0.0001174032,0.0001867604,0.00009599311,0.000007800125,0.00003650938,0.00001864368,0.00828091],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04530998,"threshold_uncertainty_score":0.09009248,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2386877729","doi":"10.3138/jrpc.27.3.2938","title":"The Cannibal Talking Head: The Portrayal of the Windigo “Monster” in Popular Culture and Ojibwe Traditions","year":2015,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Monster; Harmony (color); Comics; Popular culture; Literature; Perspective (graphical); History; Sociology; Aesthetics; Media studies; Art; Anthropology; Visual arts","authors":[{"name":"Brady DeSanti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02373379777025347,"gpt":0.2539396809597415,"spread":0.230205883189488,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007848088,0.0002788109,0.000159334,0.001119111,0.007238449,0.004427897,0.0004037557,0.0006055731,0.001733909],"category_scores_gemma":[0.001367997,0.0001592142,0.0001292896,0.001559256,0.01007282,0.002218357,0.002917346,0.001819902,0.0001480751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002447132,"about_ca_system_score_gemma":0.001222423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.022244,"about_ca_topic_score_gemma":0.05039208,"domain_scores_codex":[0.9994847,0.0002727597,0.00001166217,0.0000283538,0.00009691271,0.0001056583],"domain_scores_gemma":[0.9994233,0.0003046588,0.0001095886,0.00004040846,0.00005744865,0.00006468446],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006681553,0.000017822,0.004404237,0.0001361323,0.000007163336,0.0007231112,0.9098108,0.00005150568,0.001524884,0.0666122,0.002680148,0.01396523],"study_design_scores_gemma":[0.000007446072,0.00005624925,0.01807914,0.000345709,0.00002978173,0.001000317,0.8401218,0.0002327557,0.0009332094,0.003041957,0.136115,0.00003659465],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8135965,0.004290874,0.0007804623,0.006510903,0.0003448585,0.00001556325,0.00005445843,0.00003768751,0.1743687],"genre_scores_gemma":[0.995029,0.0007389601,0.0001064889,0.0003111172,0.00007455805,0.000004214653,0.000007686256,0.00001373766,0.003714157],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.022244,"threshold_uncertainty_score":0.04422909,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2073532270","doi":"10.3138/jrpc.21.3.001","title":"Happy Holidays: Creating Common Ground in the “War on Christmas”","year":2009,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Theme (computing); Common ground; Sociology; Sample (material); Media studies; History; Work (physics); Political science; Engineering; Computer science; Communication","authors":[{"name":"Richard K. Olsen","is_ca":false},{"name":"Julie W. Morgan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03508323129709193,"gpt":0.2782283820603402,"spread":0.2431451507632483,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005422539,0.0005389132,0.0004091493,0.001972928,0.01982292,0.007243409,0.001241411,0.002858549,0.007786594],"category_scores_gemma":[0.009768255,0.0004252469,0.0003183939,0.001034979,0.02053099,0.009099171,0.01004561,0.005543652,0.000776522],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003808319,"about_ca_system_score_gemma":0.001804285,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004890316,"about_ca_topic_score_gemma":0.008903604,"domain_scores_codex":[0.9942873,0.004135767,0.00007945971,0.0003370381,0.0005931752,0.0005671983],"domain_scores_gemma":[0.994034,0.004170355,0.0005634888,0.0002724706,0.0003040116,0.0006556586],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001124901,0.00004472593,0.001121473,0.0001217738,0.00001605207,0.0007407722,0.5391624,0.00007012687,0.0006302427,0.4238162,0.01932883,0.01483494],"study_design_scores_gemma":[0.00003511946,0.0001191292,0.002484079,0.0003946156,0.00003797682,0.0006175912,0.4896144,0.0004664785,0.001660359,0.05297472,0.4515506,0.00004483062],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3184621,0.006293525,0.01208088,0.07398032,0.004051264,0.0000951916,0.00005703753,0.0001748309,0.5848048],"genre_scores_gemma":[0.9811272,0.0005521622,0.000907591,0.001923652,0.0006811553,0.00002558617,0.00001976584,0.0001027287,0.01466014],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01982292,"threshold_uncertainty_score":0.02867746,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2232385110","doi":"10.3138/jrpc.26.2.230","title":"“Othering” and “Others” in Religious Radio Broadcasts in Tanzania: Cases from Radio Maria Tanzania and Radio Imaan","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Tanzania; Community radio; Liberalization; Political science; Sociology; Islam; Gender studies; Geography; Media studies; Socioeconomics; Law","authors":[{"name":"Francis Ng’atigwa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01509241410314437,"gpt":0.2316645994242028,"spread":0.2165721853210584,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003213346,0.0005300576,0.0004395644,0.002456645,0.01488669,0.003513241,0.001168208,0.002147842,0.003726016],"category_scores_gemma":[0.007056008,0.0005323726,0.0003609391,0.002030494,0.01000726,0.002833712,0.005179956,0.002909344,0.0002527777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003280441,"about_ca_system_score_gemma":0.00146415,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02864754,"about_ca_topic_score_gemma":0.06200511,"domain_scores_codex":[0.9964309,0.00215105,0.0001026035,0.0001944846,0.0002972266,0.0008237431],"domain_scores_gemma":[0.9918454,0.005633491,0.001167136,0.0002542581,0.0002780147,0.0008217124],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002414459,0.00002762819,0.006832714,0.00006135149,0.000003786728,0.004139242,0.9835812,0.000009867184,0.0004403658,0.002152396,0.0003415078,0.00238577],"study_design_scores_gemma":[0.000003034557,0.00002487154,0.0065765,0.00007207933,0.000005663669,0.001240484,0.9868422,0.00002823812,0.0001501642,0.000126399,0.004922054,0.000008371479],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9936336,0.0003829043,0.000111368,0.0007910707,0.00001889166,0.00001995905,0.00001301289,0.000002642882,0.005026577],"genre_scores_gemma":[0.9980121,0.0003960209,0.00007923662,0.0002041312,0.00002488544,0.00001552875,0.00001155706,0.000005351505,0.001251255],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02864754,"threshold_uncertainty_score":0.0569616,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2039417634","doi":"10.3138/jrpc.23.2.182","title":"Theological and Psychological Reflections on Identity in Sport","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Pride; Identity (music); Humility; Idolatry; Context (archaeology); Sociology; Multiculturalism; Religious studies; Psychoanalysis; Aesthetics; Gender studies; Epistemology; Psychology; Philosophy; Theology; History; Pedagogy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0752755315999138,"gpt":0.3973887194053223,"spread":0.3221131878054085,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003247101,0.0002614475,0.0002134719,0.001502273,0.01282336,0.007893788,0.0008968958,0.003650337,0.005356933],"category_scores_gemma":[0.003327883,0.0001533616,0.0001977378,0.000872908,0.05843117,0.004000479,0.005831551,0.005753868,0.0003549652],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004540298,"about_ca_system_score_gemma":0.002626484,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006018553,"about_ca_topic_score_gemma":0.007571972,"domain_scores_codex":[0.9957685,0.003106202,0.00006529673,0.000133354,0.0004200147,0.0005066897],"domain_scores_gemma":[0.9981709,0.0010462,0.0001675364,0.00008712113,0.0001741681,0.0003540743],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001242252,0.00006173048,0.0005414669,0.00002520673,0.000002100339,0.0002232427,0.1057493,0.00007121206,0.0000898552,0.8850678,0.005084639,0.003071077],"study_design_scores_gemma":[0.00002963363,0.00007544038,0.002289652,0.0003309873,0.000005408504,0.0003749326,0.374245,0.0003582321,0.0004216874,0.2639097,0.3579357,0.00002368071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1989915,0.004095237,0.002236296,0.1373519,0.001996486,0.00002164655,0.00002460888,0.00001153281,0.6552708],"genre_scores_gemma":[0.9814099,0.00076154,0.0001394372,0.003980618,0.0003851414,0.00001211751,0.00000672798,0.000007000437,0.01329753],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01282336,"threshold_uncertainty_score":0.0329423,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2274162801","doi":"10.3138/jrpc.27.2.3027","title":"Religion and the Pathologization of Fandom: Religion, Reason, and Controversy in<i>My Little Pony</i>Fandom","year":2015,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Fandom; Sociology; Media studies","authors":[{"name":"Andrew Crome","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02013265790350292,"gpt":0.2437937829406705,"spread":0.2236611250371676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00434904,0.0002772583,0.0002049397,0.001528999,0.006558033,0.007828597,0.000547633,0.001461343,0.002881796],"category_scores_gemma":[0.00720215,0.0001939981,0.0001948534,0.0005983228,0.02390609,0.00424673,0.003235342,0.00208326,0.0001508509],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001945087,"about_ca_system_score_gemma":0.001266253,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002233935,"about_ca_topic_score_gemma":0.003468135,"domain_scores_codex":[0.9966896,0.002710371,0.00003540349,0.0001051654,0.0002344979,0.0002249603],"domain_scores_gemma":[0.9925769,0.005121358,0.0009336368,0.0002320405,0.0004246595,0.0007114065],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001193032,0.000238954,0.04023749,0.0001335205,0.00001814242,0.001121506,0.7352862,0.00006513118,0.0006510931,0.192066,0.00470204,0.02536069],"study_design_scores_gemma":[0.00004607938,0.0001364343,0.0417701,0.0004341272,0.00002435774,0.001447463,0.8289696,0.0005284466,0.0005760519,0.03907499,0.08694166,0.00005074091],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.841077,0.002798881,0.00165569,0.01492304,0.0004623435,0.00002533152,0.00001053106,0.00002195549,0.1390254],"genre_scores_gemma":[0.9973827,0.0002228308,0.0001066592,0.0005447677,0.00007096276,0.000005243528,0.000002497708,0.000006664252,0.001657722],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007828597,"threshold_uncertainty_score":0.02300018,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125102740","doi":"10.3138/jrpc.26.2.215","title":"The Politics of a Praying Nation: The Presidential Prayer Team and Christian Right Sexual Morality","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Prayer; Politics; Morality; Christian right; Sociology; Context (archaeology); Presidential system; Political science; Law; Religious studies; History; Philosophy","authors":[{"name":"Cynthia Burack","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01337600062999233,"gpt":0.2927477396479925,"spread":0.2793717390180002,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004106217,0.0001360903,0.0001654935,0.000656727,0.01242278,0.00739231,0.0004987334,0.001729745,0.005511171],"category_scores_gemma":[0.006909938,0.0002686485,0.0001077652,0.0004831481,0.0158587,0.004182423,0.005106812,0.004365459,0.0004128603],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002417157,"about_ca_system_score_gemma":0.002370703,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0038438,"about_ca_topic_score_gemma":0.008551843,"domain_scores_codex":[0.9950028,0.004026238,0.00004302213,0.0001831081,0.0002130846,0.0005317752],"domain_scores_gemma":[0.9948354,0.002978742,0.000760244,0.0001461079,0.0002005779,0.001079083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004983459,0.0002878701,0.01220141,0.0000523276,0.000005401536,0.0004940018,0.8417938,0.00003712834,0.00114008,0.1238973,0.002577764,0.0174631],"study_design_scores_gemma":[0.00002343384,0.0001157686,0.02770673,0.0001643017,0.000009802538,0.0002814026,0.9038057,0.0002153558,0.0006926579,0.0160086,0.0509511,0.00002523368],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8379989,0.0008046441,0.001568887,0.02168422,0.0001811987,0.00002607313,0.000008576288,0.00001819427,0.1377092],"genre_scores_gemma":[0.9959608,0.0001779696,0.0002136593,0.0008185746,0.00003149497,0.0000133411,0.000002442382,0.00001085862,0.002771041],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01242278,"threshold_uncertainty_score":0.02171606,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200609265","doi":"10.3138/jrpc.2020-0026","title":"Liberal Prepping as Apocalyptic Eco-Religion","year":2021,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanity; Hobby; Environmental ethics; Preparedness; Politics; Political economy; Political science; Sociology; Aesthetics; Law; Philosophy","authors":[{"name":"Juli L. Gittinger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01989351901388743,"gpt":0.3223915334248371,"spread":0.3024980144109496,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00156958,0.0001613223,0.0001352162,0.0002541172,0.003399059,0.003259214,0.0003442751,0.001004696,0.002447552],"category_scores_gemma":[0.002669072,0.00008796011,0.00009425288,0.0003100241,0.02201693,0.002503418,0.003541001,0.003829879,0.0004108231],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001263231,"about_ca_system_score_gemma":0.001516971,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007494182,"about_ca_topic_score_gemma":0.001292859,"domain_scores_codex":[0.9984561,0.0008888343,0.00003554903,0.0001159752,0.0003183793,0.000185139],"domain_scores_gemma":[0.9985689,0.0004673563,0.0002333881,0.0002660644,0.0002130964,0.0002512032],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001919609,0.00002647772,0.0009506125,0.00003552493,0.000002120264,0.0001300593,0.02640528,0.00003819958,0.0005350424,0.9585981,0.004354756,0.008904594],"study_design_scores_gemma":[0.00002159952,0.0001339306,0.006588948,0.0002693352,0.00001065933,0.001098482,0.04167971,0.0007293412,0.001653282,0.4700102,0.4777717,0.00003301748],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2743932,0.00228274,0.01168533,0.03700882,0.001183031,0.00003636735,0.00004714379,0.00007878598,0.6732846],"genre_scores_gemma":[0.9860816,0.0003146172,0.0006510189,0.002768047,0.0001400825,0.0000102307,0.000007728044,0.0000226578,0.01000402],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.003399059,"threshold_uncertainty_score":0.009165406,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2049768201","doi":"10.3138/jrpc.22.1.007","title":"The Postmodern Sacred","year":2010,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Postmodernism; Postmodernity; Realm; Aesthetics; Philosophy; Spirituality; Sensibility; Buddhism; Popular culture; Hinduism; Faith; Religious studies; Literature; Sociology; Epistemology; Theology; Art; History","authors":[{"name":"Emily McAvan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.017469603941135,"gpt":0.2453540707898742,"spread":0.2278844668487392,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002619472,0.0002744677,0.0001879527,0.001204052,0.003241,0.007438808,0.0008250728,0.001554764,0.005744238],"category_scores_gemma":[0.004674533,0.0001622788,0.0001608199,0.0008425793,0.03231976,0.007177127,0.004084028,0.002988725,0.0006959974],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00247066,"about_ca_system_score_gemma":0.001332071,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006967982,"about_ca_topic_score_gemma":0.001088166,"domain_scores_codex":[0.9982998,0.000890622,0.00005160857,0.0001901464,0.0003988456,0.0001690699],"domain_scores_gemma":[0.9960532,0.002087341,0.0003478955,0.0008662582,0.000407775,0.0002375346],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001279014,0.00001312785,0.0004667384,0.00003936635,0.000001934284,0.00007129835,0.02492018,0.00002270047,0.0002354296,0.9650053,0.00201047,0.007200596],"study_design_scores_gemma":[0.00001709575,0.00009119232,0.002916748,0.0005663284,0.0000122213,0.0008742023,0.03160524,0.0005697627,0.001672426,0.3903746,0.5712802,0.00002010894],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1275648,0.006279304,0.02186595,0.04332358,0.001469574,0.00004673227,0.0001106952,0.0001046788,0.7992347],"genre_scores_gemma":[0.9608211,0.001460339,0.002331334,0.002778556,0.0007317788,0.00005388925,0.00002933307,0.00004691849,0.03174688],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007438808,"threshold_uncertainty_score":0.01921642,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2114567615","doi":"10.3138/jrpc.8.1.002","title":"Mel Gibson’s <i>The Passion Of The Christ</i>: Market Segmentation, Mass Marketing and Promotion, and the Internet","year":2004,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Publicity; Passion; Promotion (chess); The Internet; Market segmentation; Advertising; Marketing; Order (exchange); Business; Sociology; Computer science; Political science; Psychology; World Wide Web; Law; Social psychology","authors":[{"name":"Peter A. Maresco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01017898250471518,"gpt":0.2125585654980192,"spread":0.202379582993304,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007738401,0.0001772176,0.0001677792,0.0006958058,0.002207357,0.006110855,0.0003166089,0.001065578,0.003261765],"category_scores_gemma":[0.002440887,0.0001423048,0.0001150849,0.0009160753,0.004126848,0.003415208,0.0009481221,0.0021497,0.0003437644],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002197896,"about_ca_system_score_gemma":0.0006575045,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01597993,"about_ca_topic_score_gemma":0.03034565,"domain_scores_codex":[0.9995654,0.0002389774,0.0000106552,0.00003496975,0.00008771713,0.00006236262],"domain_scores_gemma":[0.9990717,0.0005544213,0.0001289377,0.00004067397,0.00006978882,0.0001343719],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001795499,0.0001048703,0.005978122,0.0005853073,0.00003021384,0.001006295,0.09690205,0.0001829174,0.001717455,0.6301839,0.1913884,0.07174086],"study_design_scores_gemma":[0.00001366386,0.00008896882,0.01885555,0.000790538,0.00003354785,0.0006541592,0.05072091,0.0003852398,0.001149053,0.02450125,0.9027703,0.00003684019],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2168657,0.06873762,0.002600966,0.1588855,0.002551883,0.00004985606,0.0001205903,0.00006434158,0.5501235],"genre_scores_gemma":[0.9266827,0.02321773,0.0009550538,0.005432184,0.001401203,0.00001743942,0.00003877138,0.00004733437,0.04220765],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01597993,"threshold_uncertainty_score":0.03177387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2330943774","doi":"10.3138/jrpc.2.1.005","title":"Marriage, Womanhood, and the Search for “Something More”: American Evangelical Women’s Best-selling “Self-Help” Books, 1972–1979","year":2002,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Disappointment; Femininity; Narrative; Sociology; Confusion; Gender studies; Aesthetics; Psychology; Social psychology; Literature; Art; Psychoanalysis","authors":[{"name":"Jennifer Heller","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02285237622972273,"gpt":0.3114024026775879,"spread":0.2885500264478651,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003407521,0.0002966509,0.0001246857,0.0006563622,0.005495773,0.002521948,0.0003063418,0.0009771767,0.005633659],"category_scores_gemma":[0.0007726321,0.0001717588,0.0000676881,0.0008953029,0.005832248,0.002279536,0.0008071255,0.001642856,0.0008004828],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004387375,"about_ca_system_score_gemma":0.003262012,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02109708,"about_ca_topic_score_gemma":0.08855318,"domain_scores_codex":[0.9997509,0.0001147091,0.000005990609,0.00001460788,0.00007353878,0.00004022029],"domain_scores_gemma":[0.9997481,0.0001350449,0.00002546547,0.00001001209,0.00003345327,0.00004784133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003150748,0.00009962524,0.00134148,0.0001539874,0.000004864169,0.0003756807,0.1080478,0.00008035656,0.0003147458,0.4002464,0.4321068,0.05719678],"study_design_scores_gemma":[0.000004703611,0.000008716689,0.001298637,0.0001303522,0.000002110638,0.00009851107,0.02108841,0.0000209766,0.00008326367,0.006254736,0.9710062,0.000003364348],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04002055,0.1721539,0.0004046145,0.09419041,0.002678989,0.00002377253,0.00008564525,0.00004572393,0.6903964],"genre_scores_gemma":[0.4530549,0.06867801,0.0005105038,0.01265268,0.002165661,0.0000631666,0.00007452838,0.00006099803,0.4627396],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02109708,"threshold_uncertainty_score":0.04194856,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1986176956","doi":"10.3138/jrpc.25.2.230","title":"Shout-Outs to the Creator: The Use of Biblical Themes in Rap Lyrics","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Lyrics; Literature; Power (physics); Incarnation; Aesthetics; Musical; Poetry; Faith; Sociology; Art; Philosophy; Theology","authors":[{"name":"Carey Walsh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05177110009808694,"gpt":0.2421723397692942,"spread":0.1904012396712073,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003530742,0.0004592809,0.0002890636,0.002565608,0.005478188,0.005201264,0.0008728944,0.001146142,0.004442188],"category_scores_gemma":[0.01434443,0.0002285269,0.0002101755,0.001485979,0.008200485,0.00339091,0.00419977,0.00217567,0.0006807003],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001356588,"about_ca_system_score_gemma":0.001084975,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001245557,"about_ca_topic_score_gemma":0.003215191,"domain_scores_codex":[0.995129,0.003817907,0.0001056686,0.0001714408,0.0005786034,0.0001974281],"domain_scores_gemma":[0.991586,0.005919505,0.0006869637,0.0006922797,0.0008064961,0.0003086992],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001294753,0.00004655088,0.001789625,0.0004692209,0.00001766478,0.0008503926,0.8195726,0.0002772826,0.002847431,0.1167497,0.007919727,0.04933029],"study_design_scores_gemma":[0.00002238037,0.0001979561,0.006923174,0.001273894,0.00003463098,0.002573828,0.4885964,0.002269936,0.004602698,0.0182225,0.4751903,0.00009235701],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5275457,0.004084873,0.04754941,0.01165096,0.001377674,0.0003229076,0.000295153,0.0008208788,0.4063525],"genre_scores_gemma":[0.979192,0.0006665925,0.006647198,0.0003200833,0.0002380951,0.00008573142,0.00006754545,0.0001800884,0.01260257],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005478188,"threshold_uncertainty_score":0.01867259,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}