{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9828a0934a77","filters":{"venue":"Journal of Sichuan International Studies University"}},"results":[{"id":"W2386722811","doi":"","title":"Manawaka's Stone Angel:On the artistic image of Hagar in Margaret Laurence's Stone Angel","year":2002,"lang":"en","type":"article","venue":"Journal of Sichuan International Studies University","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanity; Identity (music); Art history; Art; Psychoanalysis; Aesthetics; Sociology; Psychology; Philosophy; Theology","authors":[{"name":"Wang Li","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03154239924123462,"gpt":0.2511532174718857,"spread":0.2196108182306511,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007701313,0.0003708928,0.000215111,0.0008084051,0.02240706,0.004583315,0.0007709916,0.001171422,0.007031874],"category_scores_gemma":[0.001171704,0.0001970018,0.0001721804,0.0007004631,0.01217918,0.001243742,0.002926833,0.002459545,0.000525761],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01186248,"about_ca_system_score_gemma":0.007328028,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4611751,"about_ca_topic_score_gemma":0.8304241,"domain_scores_codex":[0.9993907,0.0001824736,0.000005622003,0.00003613145,0.000150573,0.0002345154],"domain_scores_gemma":[0.9995987,0.00007236729,0.00002685748,0.00001964416,0.00007621331,0.0002062274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007799645,0.00003162517,0.00180133,0.00008797388,0.000008271576,0.00256245,0.6349746,0.0001608024,0.00119266,0.1786345,0.1603062,0.02016156],"study_design_scores_gemma":[0.000004896265,0.00001922104,0.003170609,0.0001071382,0.000008145835,0.0008482401,0.3460868,0.00008851379,0.0003574581,0.001492347,0.6477859,0.00003078874],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2586349,0.003651409,0.0009558223,0.04771395,0.002349868,0.00003878421,0.0001065989,0.0001070426,0.6864417],"genre_scores_gemma":[0.867566,0.001383754,0.0004654009,0.001958878,0.0001784682,0.000009983217,0.00002383584,0.0000959129,0.1283178],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5388249,"threshold_uncertainty_score":0.9169816,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2388697833","doi":"","title":"Uniqueness:On the Canadian Feature of Feminist Literary Translation","year":2009,"lang":"en","type":"article","venue":"Journal of Sichuan International Studies University","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"China; Boom; Politics; Gender studies; Feature (linguistics); Literary translation; Sociology; Translation studies; Political science; Linguistics; Literature; Art; Law; Philosophy; Engineering","authors":[{"name":"Chen Xi-ron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07536230782156654,"gpt":0.2738471454576296,"spread":0.1984848376360631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01583802,0.0004822621,0.000656467,0.004816639,0.04838179,0.01371032,0.001276574,0.001318254,0.005543873],"category_scores_gemma":[0.02930302,0.0004153198,0.0003620963,0.01402749,0.02931764,0.004472,0.007307031,0.003494343,0.0003223446],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07550796,"about_ca_system_score_gemma":0.1903906,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9442304,"about_ca_topic_score_gemma":0.98016,"domain_scores_codex":[0.9834808,0.005849602,0.0005337037,0.001547639,0.006323558,0.002264702],"domain_scores_gemma":[0.9709555,0.01019057,0.001489816,0.001786381,0.01317736,0.002400413],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001367272,0.0000172622,0.01110362,0.000268994,0.00002046247,0.00061089,0.2213258,0.0001339326,0.0007031796,0.6770412,0.01620823,0.07242968],"study_design_scores_gemma":[0.00004715873,0.0001072565,0.04910361,0.001319942,0.0001564979,0.001347666,0.2789517,0.000706616,0.002217236,0.06493522,0.6008603,0.000246827],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1779548,0.00858595,0.009604521,0.06853873,0.001817848,0.0001741584,0.0004390446,0.000144511,0.7327405],"genre_scores_gemma":[0.9691306,0.002274439,0.003759323,0.003559239,0.0001863905,0.0000605036,0.00007731328,0.0001091618,0.02084308],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07550796,"threshold_uncertainty_score":0.5478512,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2352222710","doi":"","title":"Narrative Levels in the Chaotic World of Beautiful Losers","year":2006,"lang":"en","type":"article","venue":"Journal of Sichuan International Studies University","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Defamiliarization; Narrative; Subversion; Narratology; Key (lock); Literature; Chaotic; Narrative structure; Aesthetics; History; Linguistics; Sociology; Art; Computer science; Philosophy; Political science; Law; Computer security; Artificial intelligence; Politics","authors":[{"name":"Tang Wei-shen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04774092492956131,"gpt":0.2592221460138618,"spread":0.2114812210843005,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001648455,0.00027597,0.0002548543,0.001379316,0.006973685,0.008992187,0.0005628539,0.0007196183,0.001624686],"category_scores_gemma":[0.002524556,0.0002469184,0.0001565286,0.001130762,0.02357651,0.006023445,0.004288426,0.001595083,0.0001359912],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004844017,"about_ca_system_score_gemma":0.001665017,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007474342,"about_ca_topic_score_gemma":0.009129782,"domain_scores_codex":[0.9986847,0.000838772,0.00002567749,0.0001006078,0.0001876887,0.0001624778],"domain_scores_gemma":[0.9991307,0.0003769521,0.0001575168,0.0001334353,0.00008197848,0.0001195242],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003859754,0.000008601965,0.001339786,0.00002707164,0.000006551849,0.000322072,0.3369679,0.0003483804,0.0003148934,0.655459,0.0007571391,0.004409994],"study_design_scores_gemma":[0.00003098241,0.00006691147,0.006358869,0.0001635377,0.00002563153,0.0007066165,0.3978965,0.002206355,0.001314937,0.453329,0.1378498,0.00005082978],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7887533,0.001642224,0.0111334,0.005500962,0.00009423139,0.00002757119,0.00004451812,0.00006545857,0.1927385],"genre_scores_gemma":[0.997409,0.00009655341,0.0004387281,0.00003796012,0.000007026899,0.000005253933,0.000005081085,0.00000765253,0.001992655],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008992187,"threshold_uncertainty_score":0.03514594,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2387192234","doi":"","title":"Margaret Atwoods journey of creative writing","year":2000,"lang":"en","type":"article","venue":"Journal of Sichuan International Studies University","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Creative writing; Life writing; Code (set theory); Literature; Art; Visual arts; Art history; Sociology; Biography; Computer science; Programming language","authors":[{"name":"Shan Yu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03018141513919552,"gpt":0.2654554223689317,"spread":0.2352740072297361,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002546763,0.0005113261,0.00030731,0.001569892,0.04628836,0.01201844,0.0009966475,0.002038076,0.009332028],"category_scores_gemma":[0.004876558,0.0002964863,0.0001981574,0.001781052,0.01726168,0.004253153,0.004083382,0.006130309,0.001493607],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01478407,"about_ca_system_score_gemma":0.03075304,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3719174,"about_ca_topic_score_gemma":0.6235818,"domain_scores_codex":[0.9972459,0.0007982802,0.00003958493,0.0001697997,0.001024885,0.0007215906],"domain_scores_gemma":[0.995834,0.0007861872,0.0001471893,0.0001402633,0.0009426671,0.002149595],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004558239,0.00003993616,0.001029501,0.00009691514,0.000009242457,0.001467433,0.3839237,0.0000736914,0.000637697,0.1490996,0.4081474,0.05542937],"study_design_scores_gemma":[0.000001995548,0.000007998318,0.0004724984,0.0001325151,0.000002455723,0.0003565627,0.1023735,0.00002264834,0.0002198321,0.007231722,0.8891626,0.00001561123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0661445,0.03562146,0.002236063,0.3000776,0.006665009,0.00008529815,0.0001596518,0.0003114402,0.5886991],"genre_scores_gemma":[0.5544247,0.01740953,0.003680374,0.0228305,0.0009156319,0.00005965559,0.00006369124,0.0002866299,0.4003292],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3719174,"threshold_uncertainty_score":0.7395052,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2353454958","doi":"","title":"The acceptance of Canadian literature in China","year":2002,"lang":"en","type":"article","venue":"Journal of Sichuan International Studies University","topic":"Comparative and World Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"China; Canadian literature; Perspective (graphical); Canadian studies; Political science; Sociology; Geography; Media studies; Law; Literature; Art","authors":[{"name":"Lan Ren","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03502300098900114,"gpt":0.2276047929431476,"spread":0.1925817919541465,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007578134,0.0002987546,0.0004456946,0.01143021,0.0141198,0.0080637,0.0009874828,0.0009297688,0.00708315],"category_scores_gemma":[0.01754119,0.000264053,0.0004134054,0.02407247,0.00603378,0.002020897,0.003102881,0.001490132,0.0002703639],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.06657918,"about_ca_system_score_gemma":0.1090796,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9646529,"about_ca_topic_score_gemma":0.9757077,"domain_scores_codex":[0.9913606,0.001090733,0.0003811096,0.0007879689,0.004381535,0.001998017],"domain_scores_gemma":[0.9624225,0.004591198,0.003507883,0.001081678,0.02372569,0.00467101],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003283509,0.00007045543,0.353646,0.00116774,0.0001904339,0.002179853,0.2201719,0.0004989626,0.001943668,0.1727884,0.07314326,0.173871],"study_design_scores_gemma":[0.00002684835,0.00006708442,0.5688617,0.00076184,0.0000988152,0.0003393085,0.1019915,0.0004146628,0.0004566049,0.003618043,0.3232269,0.0001366361],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7420634,0.01590747,0.0003500834,0.04762938,0.0004386436,0.00007384431,0.001307262,0.00005195195,0.192178],"genre_scores_gemma":[0.9804066,0.006483933,0.0002848607,0.002562737,0.00008819287,0.00002361939,0.000271186,0.00001402821,0.009864764],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06657918,"threshold_uncertainty_score":0.483068,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}