{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"3e483d31d0ee","filters":{"venue":"Konturen"}},"results":[{"id":"W1905380995","doi":"10.5399/uo/konturen.3.1.1406","title":"A Way of Comparing Levi-Strauss and Lacan","year":2010,"lang":"en","type":"article","venue":"Konturen","topic":"Psychoanalysis, Philosophy, and Politics","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Structuralism (philosophy of science); Subject (documents); Reading (process); Space (punctuation); Epistemology; Foundation (evidence); Perception; Levi strauss; Philosophy; Sociology; Point (geometry); Psychoanalysis; Psychology; Linguistics; Humanities; Law; Mathematics; Computer science","authors":[{"name":"Yvan Simonis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03313978969527821,"gpt":0.3246936666858791,"spread":0.2915538769906009,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00597789,0.0007033126,0.0007038151,0.004786505,0.00567504,0.007111268,0.001533425,0.002546163,0.004644814],"category_scores_gemma":[0.01166692,0.000242074,0.0006308841,0.003121649,0.01929939,0.007641871,0.003772891,0.004702118,0.001009243],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009503803,"about_ca_system_score_gemma":0.003483684,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008180269,"about_ca_topic_score_gemma":0.01060398,"domain_scores_codex":[0.9914829,0.005148775,0.0001644937,0.0005290344,0.00214895,0.00052585],"domain_scores_gemma":[0.996268,0.001905478,0.000304201,0.0003047222,0.001026791,0.0001909055],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000004783364,0.000004016087,0.00006649843,0.00000732311,0.000002314999,0.000008314053,0.001233806,0.00004589169,0.00002587446,0.9957888,0.0007350916,0.002077298],"study_design_scores_gemma":[0.00001517012,0.00006954524,0.0004865934,0.00009803075,0.00000989111,0.00008224606,0.003621323,0.0007939359,0.0003959088,0.8394914,0.15491,0.00002602426],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03481565,0.0165625,0.08569656,0.04001753,0.0009120304,0.00006923446,0.0000679228,0.000204039,0.8216546],"genre_scores_gemma":[0.9150461,0.007629118,0.0253771,0.006143243,0.0008439053,0.0002585318,0.00007853046,0.0002275772,0.04439606],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009503803,"threshold_uncertainty_score":0.06895518,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2917468599","doi":"10.5399/uo/konturen.10.0.4511","title":"War in Peacetime: Authorship between Bachmann and Ungaretti","year":2019,"lang":"en","type":"article","venue":"Konturen","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Peacetime; Allusion; Poetics; Reading (process); Literature; Poetry; History; Art; Philosophy; Linguistics","authors":[{"name":"Barbara Agnese","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01821730136417306,"gpt":0.2117973591621297,"spread":0.1935800577979566,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003097181,0.0005471694,0.0004706225,0.001435843,0.008536901,0.01157087,0.0007360613,0.002159263,0.00349318],"category_scores_gemma":[0.01172777,0.0003042644,0.0001527076,0.001450212,0.01996292,0.006795228,0.005296488,0.003028941,0.0006892196],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004500377,"about_ca_system_score_gemma":0.001552391,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003465126,"about_ca_topic_score_gemma":0.006009167,"domain_scores_codex":[0.9962385,0.002228312,0.00008736158,0.0003554574,0.0005513739,0.000538885],"domain_scores_gemma":[0.9967613,0.002187441,0.000396321,0.0001811461,0.0001645362,0.0003092895],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009039056,0.00002123919,0.0007219865,0.00008143864,0.000007184814,0.000899979,0.5333462,0.00009724173,0.0002927364,0.4318485,0.0127287,0.01986438],"study_design_scores_gemma":[0.00001696719,0.00009615459,0.002304565,0.0007179274,0.00001842046,0.001936723,0.2737552,0.0002817217,0.001415616,0.05712494,0.6622831,0.00004861056],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3380397,0.03962319,0.00520668,0.0612709,0.00644978,0.00004116246,0.00006697928,0.0002092613,0.5490924],"genre_scores_gemma":[0.9794242,0.001938336,0.0002662066,0.001005805,0.0006370022,0.000008872606,0.000007994356,0.00006355704,0.01664805],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01157087,"threshold_uncertainty_score":0.03265268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4286354856","doi":"10.5399/uo/konturen.12.0.4919","title":"Lucy Reynolds, Women Artists, Feminism, and the Moving Image. Bloomsbury, 2019","year":2022,"lang":"en","type":"article","venue":"Konturen","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Feminism; Image (mathematics); Art; Gender studies; Visual arts; Sociology; Computer science; Artificial intelligence","authors":[{"name":"Jillian Vasko","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01212120933152389,"gpt":0.2089155139503623,"spread":0.1967943046188384,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001902487,0.001114942,0.0009379042,0.002319647,0.003896484,0.006279931,0.001656516,0.007435287,0.02007872],"category_scores_gemma":[0.003432373,0.0007843871,0.0003625471,0.003445911,0.006340433,0.008254931,0.002271196,0.007654023,0.005222025],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0086873,"about_ca_system_score_gemma":0.006419879,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0790443,"about_ca_topic_score_gemma":0.157101,"domain_scores_codex":[0.9987541,0.0004947603,0.00006097009,0.0001505964,0.0003931104,0.0001464074],"domain_scores_gemma":[0.9979089,0.001388468,0.0001239094,0.00006343687,0.0003463448,0.0001688661],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002355693,0.00001431161,0.0001147701,0.0007814339,0.000008391733,0.00004396291,0.001284059,0.00003952904,0.00005167855,0.04027705,0.904401,0.05296017],"study_design_scores_gemma":[0.000007526663,0.00000443041,0.0005910386,0.001973098,0.000005045607,0.00004904622,0.001442082,0.00001531724,0.00004144773,0.006328619,0.9895318,0.00001065929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001102971,0.8922819,0.00005871213,0.0904689,0.00585812,0.000004392806,0.00004387299,0.000006405933,0.01116745],"genre_scores_gemma":[0.007673891,0.8689426,0.0001920172,0.04894518,0.01070173,0.0000346411,0.00006515095,0.00004024439,0.06340466],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.0790443,"threshold_uncertainty_score":0.1571684,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}