{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":15,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":15,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"1ec91a7433f2","filters":{"venue":"Language and Literature International Journal of Stylistics"}},"results":[{"id":"W2030297858","doi":"10.1177/0963947007075979","title":"Foregrounding and refamiliarization: understanding readers' response to literary texts","year":2007,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":60,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Foregrounding; Introspection; Defamiliarization; Reading (process); Interpretation (philosophy); Process (computing); Feeling; Perspective (graphical); Computer science; Psychology; Linguistics; Aesthetics; Cognitive psychology; Art; Social psychology; Philosophy; Artificial intelligence","authors":[{"name":"Olívia Fialho","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01995716902628087,"gpt":0.3200350063052413,"spread":0.3000778372789604,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002855946,0.0005711766,0.0004276327,0.0009030208,0.001305321,0.0046835,0.0009259988,0.002095969,0.002297206],"category_scores_gemma":[0.03254738,0.0004329382,0.0002975763,0.0005165794,0.004334598,0.004229211,0.00262988,0.001806697,0.0003939601],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007715391,"about_ca_system_score_gemma":0.000409593,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007649846,"about_ca_topic_score_gemma":0.0008055645,"domain_scores_codex":[0.996771,0.002066826,0.0000970188,0.000347368,0.0004787809,0.0002390406],"domain_scores_gemma":[0.9778312,0.01762677,0.002484148,0.0007814894,0.0008432651,0.0004330424],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003438405,0.00007393959,0.007321598,0.0002154384,0.00001817405,0.0005339407,0.9519365,0.0001062588,0.02267638,0.001973199,0.0001974673,0.01460328],"study_design_scores_gemma":[0.00008658414,0.0008502748,0.08602577,0.0004017105,0.00009545534,0.001069969,0.8694493,0.002485691,0.01503452,0.009579194,0.01479519,0.0001264727],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9891548,0.0002281899,0.00263124,0.000431993,0.00002075859,0.00003829654,0.0000126452,0.00004189191,0.007440153],"genre_scores_gemma":[0.9975545,0.0001364303,0.001134093,0.0001297747,0.00001661245,0.00002878765,0.00001779609,0.00003209553,0.0009499174],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0046835,"threshold_uncertainty_score":0.01510382,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2104447738","doi":"10.1177/0963947005051281","title":"Blending and narrative viewpoint: Jonathan Raban’s travels through mental spaces","year":2005,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":54,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Conceptual blending; Narrative network; Variety (cybernetics); Interpretation (philosophy); Narrative structure; Relation (database); Epistemology; Mechanism (biology); Computer science; Style (visual arts); Narrative criticism; Narrative inquiry; Sociology; Cognitive science; Linguistics; Psychology; Artificial intelligence; Literature; Philosophy; Art; Cognition","authors":[{"name":"Barbara Dancygier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01131120075128814,"gpt":0.3150839810690164,"spread":0.3037727803177282,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001035618,0.0003545651,0.0002233912,0.0009213963,0.00349503,0.005065696,0.0007246223,0.001380839,0.002345372],"category_scores_gemma":[0.002571567,0.0002406144,0.0001868007,0.0008420207,0.01122629,0.007676067,0.002559692,0.002476265,0.0003460795],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002646668,"about_ca_system_score_gemma":0.001011591,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004542751,"about_ca_topic_score_gemma":0.006203579,"domain_scores_codex":[0.9989169,0.000786373,0.0000142373,0.00007939715,0.0001377007,0.00006537855],"domain_scores_gemma":[0.9992557,0.0004786949,0.00007414867,0.00005715118,0.00007396054,0.00006031994],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004497714,0.00001125592,0.0003948399,0.00006343955,0.000007932269,0.0006796674,0.272279,0.0004305868,0.0004887577,0.7085757,0.00348858,0.01353521],"study_design_scores_gemma":[0.00002835181,0.00007270948,0.001396353,0.0002372428,0.00002122636,0.00274572,0.255631,0.003295226,0.001159093,0.3794246,0.3559345,0.00005396435],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3972747,0.009876946,0.03979735,0.02948252,0.0004008778,0.0000673991,0.00007034674,0.0001773178,0.5228525],"genre_scores_gemma":[0.9822365,0.001183736,0.004448221,0.0003292718,0.00004789457,0.0000168702,0.00001541387,0.00004074338,0.01168134],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005065696,"threshold_uncertainty_score":0.01920301,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2002667019","doi":"10.1177/0963947007075984","title":"`Creation from nothing': a foregrounding study of James Joyce's drafts for Ulysses","year":2007,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":47,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Foregrounding; Nothing; Reading (process); Narrative; Literature; Sentence; Argument (complex analysis); Art; Poetry; Craft; History; Linguistics; Philosophy; Visual arts; Epistemology; Chemistry","authors":[{"name":"Paul Sopčák","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01294985644991053,"gpt":0.3372064126736484,"spread":0.3242565562237379,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003555387,0.0004485229,0.0004757942,0.001308139,0.00435472,0.003734391,0.0005493875,0.0007071971,0.002790879],"category_scores_gemma":[0.02783494,0.000305332,0.000200975,0.001353665,0.004190288,0.001526912,0.001874066,0.001717528,0.0003816469],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001661532,"about_ca_system_score_gemma":0.0006953948,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003737563,"about_ca_topic_score_gemma":0.009827382,"domain_scores_codex":[0.9973844,0.001517303,0.0001055391,0.0002226706,0.0006267396,0.0001433197],"domain_scores_gemma":[0.9829509,0.01287392,0.00147479,0.0007924812,0.001347248,0.0005606523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001232177,0.0000821655,0.005033449,0.0001422192,0.000008780994,0.001063386,0.9640217,0.00004693035,0.01009113,0.003254906,0.0007567125,0.0153755],"study_design_scores_gemma":[0.0000379777,0.0008263883,0.1177861,0.000320951,0.00003104572,0.001313683,0.7653161,0.0003096526,0.01267483,0.001671778,0.09961466,0.00009671963],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9894238,0.0003414291,0.0009279572,0.0002931635,0.00004074264,0.00004770771,0.00003485128,0.00001870364,0.008871729],"genre_scores_gemma":[0.9930087,0.0003485991,0.001466423,0.0001004243,0.00005522414,0.00004130094,0.00006712038,0.00004704604,0.004864956],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00435472,"threshold_uncertainty_score":0.01880288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1993732151","doi":"10.1177/0963947009356717","title":"Pedagogical stylistics, literary awareness and empowerment: a critical perspective","year":2010,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Discourse Analysis in Language Studies","field":"Arts and Humanities","cited_by":43,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Stylistics; Argument (complex analysis); Perspective (graphical); Premise; Sociology; Reading (process); Critical thinking; Critical practice; Epistemology; Critical reading; Empowerment; Orientation (vector space); Literary criticism; Pedagogy; Psychology; Linguistics; Social science; Philosophy; Computer science; Political science","authors":[{"name":"Sônia Zyngier","is_ca":false},{"name":"Olívia Fialho","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02072076171861197,"gpt":0.3535894607356632,"spread":0.3328686990170512,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01247566,0.00103153,0.0006407144,0.005230372,0.01144495,0.0138285,0.001293004,0.003480324,0.002969334],"category_scores_gemma":[0.01200563,0.0003917965,0.0003940836,0.001569684,0.09288972,0.01459306,0.008945346,0.006136379,0.0003114313],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006141718,"about_ca_system_score_gemma":0.004872716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001069158,"about_ca_topic_score_gemma":0.001495732,"domain_scores_codex":[0.9894823,0.008508116,0.0001701321,0.0005218335,0.0007729562,0.0005447739],"domain_scores_gemma":[0.9753915,0.02098126,0.001234749,0.0006727441,0.0008374141,0.0008823056],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001676042,0.00003787725,0.0003626737,0.0001504963,0.000004345015,0.0003060763,0.2081927,0.0001187178,0.0003745841,0.7816045,0.001137054,0.007694207],"study_design_scores_gemma":[0.0000282627,0.00006825652,0.0006538767,0.0007967984,0.00001308949,0.0007599777,0.3096962,0.0004929166,0.001158254,0.5402498,0.1460593,0.00002332074],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1539236,0.01757638,0.07838834,0.1228646,0.001938794,0.0004701501,0.0000527046,0.000149516,0.6246359],"genre_scores_gemma":[0.9804991,0.003255762,0.005677061,0.00188751,0.0004630626,0.0001596211,0.000009211914,0.00004114018,0.008007405],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0138285,"threshold_uncertainty_score":0.06597841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2075652301","doi":"10.1177/0963947014555450","title":"Pedagogical stylistics in multiple foreign language and second language contexts: A synthesis of empirical research","year":2015,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Discourse Analysis in Language Studies","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Stylistics; Linguistics; Foreign language; Sociology; Dialogic; Sociocultural evolution; Empirical research; Psychology; Pedagogy; Epistemology; Philosophy","authors":[{"name":"Gary G. Fogal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.105236261335049,"gpt":0.4077031810116475,"spread":0.3024669196765984,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02061993,0.0007874862,0.001750734,0.01145373,0.002985932,0.007951399,0.001140882,0.001440478,0.004158188],"category_scores_gemma":[0.06686715,0.0007610085,0.0008919362,0.01256301,0.006541486,0.008528067,0.005462421,0.002104676,0.0003433898],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00560381,"about_ca_system_score_gemma":0.007894572,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00770434,"about_ca_topic_score_gemma":0.01127505,"domain_scores_codex":[0.9866121,0.006502861,0.001965994,0.001774281,0.002563591,0.0005811456],"domain_scores_gemma":[0.8709094,0.1115801,0.006544452,0.002966494,0.007046398,0.0009531388],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"systematic_review","study_design_scores_codex":[0.0003477117,0.0005671419,0.06855476,0.03373669,0.0007428178,0.00146804,0.5528407,0.0004420991,0.001091692,0.04083401,0.001840105,0.2975344],"study_design_scores_gemma":[0.00004071601,0.0002644987,0.1085239,0.05316526,0.0007412544,0.001192545,0.7676028,0.000465088,0.00150817,0.007910474,0.05850391,0.00008144729],"study_design_candidate":"systematic_review","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"review","genre_scores_codex":[0.7093589,0.2425349,0.00670735,0.003700644,0.0003016533,0.0004988162,0.0003894191,0.00003555842,0.03647268],"genre_scores_gemma":[0.9394224,0.05508804,0.003521859,0.0004545724,0.00007198583,0.000309217,0.0002009185,0.00003748517,0.0008934785],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.02061993,"threshold_uncertainty_score":0.1090499,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158578196","doi":"10.1177/0963947013510650","title":"Just what is narrative <i>urgency</i>?","year":2014,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Media Influence and Health","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Narrative; Stylistics; Reading (process); Style (visual arts); Point (geometry); Narratology; Sight; Linguistics; Narrative network; Psychology; Key (lock); Empirical research; Sociology; Narrative criticism; Epistemology; Narrative inquiry; Computer science; Literature; Art","authors":[{"name":"Paul Simpson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01497750442836883,"gpt":0.2879744943417534,"spread":0.2729969899133846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002224991,0.0002724163,0.0003366006,0.001146164,0.001279959,0.007653381,0.0005062688,0.0009697057,0.002644706],"category_scores_gemma":[0.01867616,0.0002384899,0.0002466981,0.0009479071,0.004693264,0.005871147,0.001931017,0.001516009,0.000554371],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001027021,"about_ca_system_score_gemma":0.000651961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001052766,"about_ca_topic_score_gemma":0.000960383,"domain_scores_codex":[0.9985318,0.0006661268,0.0001589671,0.0002478276,0.0002659913,0.0001292505],"domain_scores_gemma":[0.9899596,0.004983909,0.002895234,0.0006393667,0.0008428211,0.0006790382],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0008564233,0.0001215149,0.1406438,0.002410318,0.0002246165,0.001959861,0.3267349,0.0007134081,0.01832772,0.2970082,0.008061989,0.2029373],"study_design_scores_gemma":[0.00004428048,0.0005012507,0.2000103,0.002167358,0.0002509232,0.004662585,0.3020226,0.001686917,0.01210009,0.2806521,0.1955842,0.0003174342],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7142742,0.01075245,0.0302467,0.0205836,0.0008988653,0.0001453694,0.0006266653,0.0002079478,0.2222643],"genre_scores_gemma":[0.9938759,0.001671317,0.00179108,0.0005637545,0.0001950557,0.00002459611,0.0001102262,0.00004623106,0.001721891],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007653381,"threshold_uncertainty_score":0.01176703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2954121574","doi":"10.1177/0963947019859954","title":"A reader response method not just for ‘you’","year":2019,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"Arts and Humanities Research Council","keywords":"Narrative; Narratology; Empirical research; Interpretation (philosophy); Stylistics; Computer science; Linguistics; Psychology; Epistemology","authors":[{"name":"Alice Bell","is_ca":false},{"name":"Astrid Ensslin","is_ca":true},{"name":"Isabelle van der Bom","is_ca":false},{"name":"Jen Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0187289737276356,"gpt":0.3147533241715266,"spread":0.296024350443891,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.06922501,0.001487307,0.001326376,0.004740662,0.001888211,0.003864435,0.002351975,0.0035054,0.02044625],"category_scores_gemma":[0.1791195,0.0008616623,0.001211553,0.00445251,0.004284752,0.005766299,0.004861164,0.004427087,0.01086797],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001448613,"about_ca_system_score_gemma":0.001402351,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003046232,"about_ca_topic_score_gemma":0.0006355473,"domain_scores_codex":[0.8286564,0.1412923,0.007953286,0.008014626,0.01306214,0.001021259],"domain_scores_gemma":[0.76194,0.1604002,0.01161965,0.03443633,0.03034175,0.00126212],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.002283746,0.001055474,0.01278648,0.007169708,0.0003776587,0.00100721,0.1934023,0.001337502,0.0515247,0.1432846,0.05118068,0.5345899],"study_design_scores_gemma":[0.0009214513,0.003432581,0.01765511,0.003396084,0.0002789403,0.002178549,0.07609466,0.009083554,0.04568107,0.1054856,0.7349979,0.0007944549],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.06618278,0.001061504,0.8533925,0.004758704,0.003482698,0.01147175,0.00169447,0.00182249,0.05613308],"genre_scores_gemma":[0.2650723,0.0008362108,0.6444005,0.00560708,0.0009801408,0.04935607,0.001202964,0.001782199,0.03076253],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.06922501,"threshold_uncertainty_score":0.3661013,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134814431","doi":"10.1177/0963947006060557","title":"‘The explosive devices of memory’: trauma and the construction of identity in narrative","year":2006,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Identity (music); Psyche; Conceptual blending; Construct (python library); Metaphor; Representation (politics); Narratology; Conceptual metaphor; Cognition; Epistemology; Cognitive linguistics; Cognitive science; Psychology; Sociology; Linguistics; Psychoanalysis; Aesthetics; Computer science; Politics; Philosophy; Law","authors":[{"name":"Sean McAlister","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006396205644418351,"gpt":0.2906598588868671,"spread":0.2842636532424488,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001946614,0.0003916975,0.0002927718,0.001761473,0.003663561,0.007234754,0.001036068,0.001615921,0.002271463],"category_scores_gemma":[0.006058466,0.0002086852,0.0002799311,0.001360949,0.03017069,0.01114292,0.004599157,0.001963439,0.0002882995],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001989076,"about_ca_system_score_gemma":0.001021298,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001713676,"about_ca_topic_score_gemma":0.001620544,"domain_scores_codex":[0.9980779,0.001304489,0.00005807683,0.0001242253,0.0002490702,0.0001863302],"domain_scores_gemma":[0.9980811,0.001177344,0.0002981311,0.0002208004,0.0001172865,0.0001053157],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002795272,0.000009395842,0.0005252156,0.00009128932,0.000004741797,0.0005057065,0.263438,0.0001267383,0.0004791361,0.7244275,0.001113908,0.009250377],"study_design_scores_gemma":[0.00002399385,0.00008869309,0.002028682,0.0005152995,0.00001961667,0.003507719,0.2782304,0.0009100804,0.002134809,0.4856344,0.2268548,0.00005154747],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4536707,0.01898444,0.09347332,0.02642463,0.0009661269,0.0001041572,0.0001128678,0.0001901053,0.4060736],"genre_scores_gemma":[0.9908222,0.001561021,0.002817012,0.0004456083,0.00008605135,0.00002366945,0.00001695174,0.00002606338,0.004201348],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007234754,"threshold_uncertainty_score":0.01443183,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2167961162","doi":"10.1177/0963947007075982","title":"Foregrounding and the sublime: Shelley in Chamonix","year":2007,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Sublime; Foregrounding; Defamiliarization; Poetry; Aesthetics; Philosophy; Materialism; Metonymy; Poetics; Literature; Art; Linguistics; Metaphor; Epistemology","authors":[{"name":"David S. Miall","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00808364204952256,"gpt":0.2979598099746812,"spread":0.2898761679251586,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001170203,0.000399966,0.0002866037,0.0005535943,0.007539006,0.005070695,0.0004898513,0.002684878,0.003799982],"category_scores_gemma":[0.004747299,0.0002031726,0.000182967,0.0004336065,0.02117648,0.006655977,0.00244476,0.003423049,0.0003828718],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00387271,"about_ca_system_score_gemma":0.001036873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01383051,"about_ca_topic_score_gemma":0.0163787,"domain_scores_codex":[0.9988835,0.0006800872,0.00001799634,0.0001299427,0.0001616793,0.0001266943],"domain_scores_gemma":[0.99858,0.001011607,0.0001034437,0.00008187346,0.0001258532,0.00009724578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009144114,0.00001084907,0.0004312786,0.00007352149,0.000004585559,0.000894364,0.275334,0.0001025216,0.001254529,0.6978284,0.01661081,0.007363717],"study_design_scores_gemma":[0.00002424831,0.00007110164,0.003071339,0.0002941157,0.00001968473,0.002108492,0.1401881,0.0009339252,0.002306363,0.1950491,0.6558555,0.00007803576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2798002,0.0159674,0.0118622,0.1241294,0.002044141,0.00003848528,0.0000433188,0.0002602131,0.5658546],"genre_scores_gemma":[0.9780533,0.000839317,0.0006866304,0.002418205,0.0002561259,0.00001034523,0.00000503491,0.00006460166,0.01766646],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01383051,"threshold_uncertainty_score":0.02809858,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2317437666","doi":"10.1177/0963947010396348","title":"The soul of wit: A relevance theoretic discussion","year":2011,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Humor Studies and Applications","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Interpretation (philosophy); Relevance theory; Relevance (law); Theme (computing); Soul; Utterance; Context (archaeology); Epistemology; Process (computing); Philosophy; Literature; Linguistics; Psychology; Computer science; History; Art; Cognition; Political science; Law","authors":[{"name":"Anne Furlong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01027612964007416,"gpt":0.3058716600836381,"spread":0.295595530443564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003714717,0.0006350436,0.0005917397,0.003207311,0.00461478,0.005899133,0.001799336,0.004070646,0.005083921],"category_scores_gemma":[0.00533373,0.0004530291,0.0007188922,0.001917443,0.03937634,0.01459599,0.003263243,0.005013832,0.0008070378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004046795,"about_ca_system_score_gemma":0.001112871,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001232824,"about_ca_topic_score_gemma":0.0008790913,"domain_scores_codex":[0.9975285,0.001408026,0.00006305087,0.0002548118,0.0004752168,0.0002704966],"domain_scores_gemma":[0.9972421,0.002081294,0.0001723107,0.0001966333,0.0002027347,0.0001050126],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000003561325,0.000003289029,0.00003632856,0.0000291621,0.000001847716,0.00008366656,0.004039566,0.0001052404,0.00005573251,0.9936562,0.0004567491,0.00152879],"study_design_scores_gemma":[0.000005894291,0.00001782674,0.0002641201,0.00008582374,0.000004652818,0.0001774843,0.002185261,0.0006142933,0.0001801345,0.9642985,0.03215623,0.000009818269],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06020419,0.03716773,0.07533944,0.03741866,0.00108905,0.000102698,0.00008640383,0.0001708684,0.7884209],"genre_scores_gemma":[0.9594715,0.0084979,0.00515177,0.001642685,0.001753355,0.00009344837,0.00004315653,0.0001132724,0.02323302],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005899133,"threshold_uncertainty_score":0.02936172,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402248229","doi":"10.1177/09639470241273555","title":"Constraints on verse form and syntactic well-formedness in the <i>cywyddau</i> of Dafydd ap Gwilym","year":2024,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Welsh; Syntax; Adjective; Poetry; Linguistics; Attributive; Grammar; Rule-based machine translation; Literature; Philosophy; Computer science; Art; Noun","authors":[{"name":"Calvin Quick","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009705926479112791,"gpt":0.3193708561218191,"spread":0.3096649296427063,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00100699,0.0002114744,0.0003062743,0.001054789,0.001734172,0.002740507,0.0003377224,0.0003368746,0.003408836],"category_scores_gemma":[0.004563026,0.00032443,0.0001467844,0.0009371525,0.006088896,0.001897772,0.001562799,0.0008156547,0.0002487084],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001253657,"about_ca_system_score_gemma":0.0007427555,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003290534,"about_ca_topic_score_gemma":0.009591375,"domain_scores_codex":[0.9993981,0.0002354511,0.00006484107,0.0001218225,0.00009388107,0.00008591079],"domain_scores_gemma":[0.9977077,0.001491635,0.0003210666,0.0002362588,0.000152172,0.00009128347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005480956,0.00007251533,0.08070731,0.0003280941,0.00006232545,0.001736487,0.1296046,0.001529046,0.04180778,0.6904704,0.001175164,0.05195817],"study_design_scores_gemma":[0.0001049231,0.0003142878,0.4487741,0.0002882591,0.0001144469,0.003373952,0.07138197,0.007052555,0.0236909,0.390571,0.05410614,0.0002275247],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9726451,0.0001395617,0.002499263,0.0001709071,0.00000991358,0.00001202575,0.00005691667,0.00001467112,0.0244517],"genre_scores_gemma":[0.9986138,0.0000323278,0.0005431849,0.000007703823,0.000003078039,0.000004559457,0.00003131358,0.00001098213,0.0007529238],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003408836,"threshold_uncertainty_score":0.01140374,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1999212765","doi":"10.1177/0963947004036631","title":"A Rose is a Rose is a Hero is a Horse: Naming and Referentiality in the Poetry of Robert Kroetsch and Gertrude Stein","year":2004,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Poetry; Poetics; Postmodernism; Literature; Representation (politics); Modernism (music); Meaning (existential); Philosophy; Art; New Criticism; Metafiction; Irony; Literary criticism; Aesthetics; Literary theory; Epistemology; Politics","authors":[{"name":"María Mercè López Casas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01070025105824161,"gpt":0.266989563105012,"spread":0.2562893120467704,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002444212,0.0004083122,0.0002670489,0.0009754461,0.004869078,0.005345221,0.0006042367,0.001093948,0.001584097],"category_scores_gemma":[0.006152674,0.0001873108,0.0001306217,0.00105552,0.01927043,0.003044031,0.001564729,0.001829139,0.0005291263],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005577354,"about_ca_system_score_gemma":0.002932544,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04727976,"about_ca_topic_score_gemma":0.0639009,"domain_scores_codex":[0.9982703,0.0009406054,0.00004290289,0.0001411823,0.0004579556,0.0001470268],"domain_scores_gemma":[0.9983274,0.0008611246,0.000158504,0.0001282127,0.0003794598,0.0001452714],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006743563,0.00002445823,0.0007034938,0.00009079894,0.000008946589,0.0006881052,0.1856765,0.000383274,0.001517104,0.7577021,0.02468853,0.02844924],"study_design_scores_gemma":[0.000016302,0.00003793378,0.002014721,0.0002805243,0.000014067,0.001240822,0.1017924,0.0006706248,0.002393247,0.1021137,0.7893273,0.00009830231],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3210385,0.03213356,0.0199243,0.05334897,0.002533677,0.00009443137,0.00009062973,0.0003064669,0.5705294],"genre_scores_gemma":[0.9571946,0.004058801,0.003475839,0.001004583,0.0001427959,0.00001815649,0.00001886151,0.0001578114,0.03392865],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04727976,"threshold_uncertainty_score":0.09400916,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2733303818","doi":"10.1177/0963947017732199","title":"The year’s work in stylistics 2016","year":2017,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Stylistics; Work (physics); Linguistics; Psychology; Sociology; Literature; Art; Philosophy; Engineering","authors":[{"name":"Jane Lugea","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01192344323357983,"gpt":0.2696458449104145,"spread":0.2577224016768346,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004206686,0.0005099295,0.0004316311,0.00371839,0.007773011,0.009459767,0.0006625794,0.002742708,0.02781367],"category_scores_gemma":[0.007674273,0.0004071733,0.0005637546,0.003314646,0.006253755,0.00494352,0.004554879,0.003857421,0.0092137],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007312882,"about_ca_system_score_gemma":0.008395758,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01887075,"about_ca_topic_score_gemma":0.04079748,"domain_scores_codex":[0.9972693,0.0008088206,0.0001781283,0.0004247901,0.001017169,0.0003017262],"domain_scores_gemma":[0.9968451,0.0009016593,0.0001653209,0.0004179814,0.0008955449,0.0007744465],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004771613,0.0000209641,0.001053777,0.0001666078,0.00001235255,0.000159319,0.008333453,0.0001060162,0.0003403723,0.3178809,0.5337394,0.138139],"study_design_scores_gemma":[8.858748e-7,0.000002926982,0.0002797688,0.0001369386,0.000001456438,0.00006909116,0.0007372852,0.00001841246,0.00008881665,0.00470971,0.9939504,0.000004494649],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.00955223,0.1121979,0.008787486,0.2174471,0.1233265,0.00007514514,0.0006021208,0.0003328402,0.5276785],"genre_scores_gemma":[0.1345167,0.05054055,0.005599795,0.01777636,0.01932747,0.0000688708,0.0003367912,0.0005802084,0.7712533],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.02781367,"threshold_uncertainty_score":0.09304601,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2788901903","doi":"10.1177/0963947017753346","title":"Book Review: Caroline Tagg, <i>Exploring Digital Communication: Language in Action</i>","year":2018,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Digital Communication and Language","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Action (physics); Linguistics; Cognitive science; Computer science; Communication; Psychology; Sociology; Philosophy; Physics","authors":[{"name":"Dorota Lockyer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01596680293829875,"gpt":0.297653753351871,"spread":0.2816869504135722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001605025,0.001013329,0.001918404,0.003771941,0.001561719,0.004312667,0.002084807,0.005405016,0.03368581],"category_scores_gemma":[0.01237086,0.0005538387,0.0006420457,0.003490401,0.0016402,0.004046524,0.002208331,0.006836357,0.03162363],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003137428,"about_ca_system_score_gemma":0.005056787,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008092999,"about_ca_topic_score_gemma":0.02404266,"domain_scores_codex":[0.9986749,0.0002092594,0.0000877277,0.0001697243,0.0007757263,0.00008271632],"domain_scores_gemma":[0.9930392,0.002250532,0.0003511485,0.0001953133,0.00335501,0.0008088432],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002211015,0.000001647408,0.00001018806,0.0001205495,0.000001845629,0.00001140864,0.00001216626,0.000007932204,0.00001466367,0.0001898535,0.990688,0.008939515],"study_design_scores_gemma":[0.000003604106,0.000003967808,0.0000629561,0.000324276,0.000004631044,0.0001032816,0.00002901234,0.000008687623,0.00002070662,0.0002358517,0.9991983,0.00000465594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"commentary","genre_scores_codex":[0.0001709712,0.444306,0.0004773888,0.2810079,0.2436268,0.00008121814,0.0003363076,0.0001554887,0.02983787],"genre_scores_gemma":[0.002356693,0.3098104,0.0006775068,0.279068,0.1395278,0.0002240525,0.0006258741,0.0002918884,0.2674178],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.03368581,"threshold_uncertainty_score":0.1126902,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1982584169","doi":"10.1177/0963947012444952","title":"Thomas Campion’s iambic and quantitative Sapphic: Further evidence for phonological weight in Elizabethan English quantitative and non-quantitative meters","year":2012,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Phonetics and Phonology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Iambic pentameter; Syllabic verse; Syllable; Linguistics; Poetry; Stress (linguistics); English poetry; Stress (linguistics); History; Literature; Art; Philosophy","authors":[{"name":"Jennifer Roberts-Smith","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05775151429875752,"gpt":0.4162819949777817,"spread":0.3585304806790242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004744708,0.0001338163,0.0001126261,0.0004690471,0.0008352681,0.001334201,0.0002830051,0.0003232389,0.002453892],"category_scores_gemma":[0.002537261,0.0001695287,0.00008117792,0.0004230687,0.003563767,0.001684765,0.001613208,0.0008188631,0.0001844534],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005101062,"about_ca_system_score_gemma":0.0003626932,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004532866,"about_ca_topic_score_gemma":0.01221481,"domain_scores_codex":[0.9997148,0.00009780474,0.0000141811,0.000039833,0.00009915526,0.00003420622],"domain_scores_gemma":[0.9990646,0.00047744,0.0001467193,0.00009846932,0.0001494425,0.00006333571],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003233641,0.00006603564,0.08505108,0.0001624158,0.00002290872,0.002009836,0.2727993,0.0002032399,0.02058535,0.5555745,0.00340744,0.05979456],"study_design_scores_gemma":[0.00007171519,0.0003728841,0.5536929,0.0001898665,0.0000478186,0.003101031,0.1406454,0.002922552,0.0127321,0.1225846,0.1634991,0.00014006],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9448796,0.0002365491,0.00131717,0.00132889,0.0000276253,0.00000742693,0.00002503113,0.000008875553,0.05216883],"genre_scores_gemma":[0.9962967,0.00004358695,0.0003297144,0.0001118399,0.000007694698,0.000002637571,0.000006484877,0.000007955674,0.003193343],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004532866,"threshold_uncertainty_score":0.009012997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}