{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":100,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":100,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"1e4a7d30ac2a","filters":{"venue":"Le Monde français du dix-huitième siècle"}},"results":[{"id":"W2864754339","doi":"10.5206/mfds-ecfw.v3i1.4365","title":"Rousseau on Stage: Playwright, musician, spectator.","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Stage (stratigraphy); Art; Spectator sport; Literature; Psychoanalysis; Aesthetics; Psychology; Advertising; Geology","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01505534749330249,"gpt":0.2183692861784286,"spread":0.2033139386851261,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001706634,0.001055268,0.0004598244,0.001944015,0.006880603,0.006803567,0.001175181,0.004031586,0.03170282],"category_scores_gemma":[0.004566588,0.0005450714,0.0003324413,0.001793802,0.006161664,0.008346653,0.004452189,0.003782429,0.006740331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004086088,"about_ca_system_score_gemma":0.004081591,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09349927,"about_ca_topic_score_gemma":0.2348752,"domain_scores_codex":[0.997408,0.00136297,0.00009331834,0.0002500071,0.0004145467,0.0004711171],"domain_scores_gemma":[0.9986936,0.0005004499,0.0001529422,0.00006515402,0.0002398205,0.000347988],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009374193,0.00002357984,0.0008216154,0.0003169779,0.000009071005,0.000395157,0.06470922,0.00002777438,0.0003027545,0.0722453,0.7250631,0.1359917],"study_design_scores_gemma":[0.000004375928,0.00001106313,0.001423426,0.000540794,0.00000284928,0.0002365897,0.02328037,0.0000136143,0.00009700532,0.001676156,0.9727056,0.000008148402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.008394164,0.439997,0.001495639,0.1107352,0.01642776,0.00005106298,0.0003379689,0.0001802257,0.4223809],"genre_scores_gemma":[0.2814847,0.1084822,0.001507393,0.01977548,0.005720467,0.0001361635,0.0003416948,0.0003969119,0.5821551],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.09349927,"threshold_uncertainty_score":0.1859101,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3215033775","doi":"10.5206/mfdsecfw.v6i2.14506","title":"Rumeur, persiflage, caquet, calomnie, diffamation","year":2021,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01469592648932723,"gpt":0.2212503047515608,"spread":0.2065543782622336,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000939982,0.0005005074,0.0004069634,0.002268633,0.004094965,0.006880607,0.0006564001,0.002140222,0.01609787],"category_scores_gemma":[0.00452671,0.0002259987,0.0002586103,0.002652145,0.005434327,0.003576304,0.001411149,0.002763766,0.003342797],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003727799,"about_ca_system_score_gemma":0.001752585,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01449048,"about_ca_topic_score_gemma":0.02135237,"domain_scores_codex":[0.9988427,0.0005291698,0.00003751447,0.0001841631,0.0002992742,0.0001071923],"domain_scores_gemma":[0.9976215,0.001636142,0.0001768821,0.00008420841,0.0003571383,0.0001241927],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008762189,0.00003275637,0.001873916,0.0006858582,0.00001759824,0.0003591658,0.03251972,0.0001443542,0.0002827776,0.5659142,0.3451431,0.05293887],"study_design_scores_gemma":[0.000007871291,0.00001960554,0.003247665,0.0006531999,0.00001164012,0.0003405225,0.01097615,0.0001154143,0.0001255744,0.03346347,0.9510238,0.0000152088],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01784313,0.1701152,0.004147807,0.08192086,0.01894781,0.00003748524,0.000368439,0.0002094127,0.7064099],"genre_scores_gemma":[0.51656,0.09597182,0.002689312,0.01440775,0.02049124,0.0001633268,0.0005479291,0.0004246224,0.348744],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01609787,"threshold_uncertainty_score":0.05385274,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2819949469","doi":"10.5206/mfds-ecfw.v3i1.4371","title":"Critiques de l’origine et historicité du monde chez Voltaire et Rousseau","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Nicolas Piqué","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01132150372880771,"gpt":0.2265119303870831,"spread":0.2151904266582753,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001470822,0.0002688643,0.0003189672,0.001012274,0.007305057,0.005852551,0.0006610741,0.002402917,0.005432629],"category_scores_gemma":[0.002195101,0.0002162667,0.0003129334,0.0008269083,0.01518919,0.002754028,0.002975655,0.003864566,0.0003740951],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01446443,"about_ca_system_score_gemma":0.002433815,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02882092,"about_ca_topic_score_gemma":0.04051325,"domain_scores_codex":[0.9986483,0.0007905817,0.00002401011,0.0001287802,0.0001968482,0.000211411],"domain_scores_gemma":[0.9995054,0.0002997788,0.00005395486,0.00003264084,0.00005083887,0.00005727067],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001383501,0.000002238324,0.0002347576,0.0000263082,0.000002218619,0.00007757641,0.02445347,0.00005486007,0.0001212265,0.9691552,0.002740047,0.003118395],"study_design_scores_gemma":[0.00001737211,0.00002290424,0.003512782,0.0005006977,0.00001154373,0.0003594863,0.02719638,0.000305761,0.0005573555,0.2413148,0.726171,0.00002981274],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1699486,0.08878211,0.006429732,0.111225,0.001527222,0.00001912665,0.0001130222,0.00005804833,0.6218972],"genre_scores_gemma":[0.9517883,0.004152667,0.0005739959,0.001827509,0.0002499259,0.00001709172,0.00001418086,0.00003477383,0.04134147],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02882092,"threshold_uncertainty_score":0.1049473,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2800763224","doi":"10.5206/mfds-ecfw.v3i1.1688","title":"Diderot, Raynal et l’historiographie des origines dans l’Histoire des deux Indes","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Muriel Brot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01540993465129875,"gpt":0.2116139353491867,"spread":0.1962040006978879,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001544413,0.0003758262,0.0001819629,0.001107785,0.00583277,0.005261663,0.0006630152,0.0012702,0.008022347],"category_scores_gemma":[0.002279836,0.00024014,0.0002148695,0.001609622,0.01349078,0.003439217,0.002674311,0.003462854,0.0008108307],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008684045,"about_ca_system_score_gemma":0.003768162,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02724657,"about_ca_topic_score_gemma":0.07224835,"domain_scores_codex":[0.9988331,0.0005609984,0.00003137517,0.0002337051,0.0002042615,0.000136533],"domain_scores_gemma":[0.9992913,0.0003349194,0.00008804729,0.0001413003,0.00009332556,0.00005113389],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003216181,0.000009424747,0.001120702,0.00009721571,0.000005244466,0.0001928881,0.05445168,0.00008078835,0.0002683142,0.9244834,0.008085475,0.01117263],"study_design_scores_gemma":[0.000005890933,0.00001208511,0.004136837,0.0003087404,0.0000093243,0.0002515841,0.01505747,0.0001357249,0.0005906697,0.03859571,0.9408827,0.00001319181],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.065084,0.01762349,0.007119685,0.02798516,0.001352292,0.00005042704,0.0002507949,0.00004111756,0.880493],"genre_scores_gemma":[0.6476724,0.006531795,0.00274901,0.001974594,0.0003571327,0.00008479596,0.0001217219,0.00009681907,0.3404118],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02724657,"threshold_uncertainty_score":0.06300741,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3012540213","doi":"10.5206/mfds-ecfw.v5i1.10548","title":"Transformation de l’autre exotique dans Les Indes galantes de Rameau et Fuzelier (1736), ou comment l’autre se construit sur la scène","year":2020,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Catherine Gallouët","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02897495279071272,"gpt":0.255996589559455,"spread":0.2270216367687423,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009700985,0.0003662435,0.0001594517,0.0008522118,0.005818023,0.00350157,0.0003896861,0.001137568,0.004672397],"category_scores_gemma":[0.00158431,0.0001441466,0.000177372,0.0008533917,0.01184189,0.001745067,0.001874635,0.002349332,0.0004184326],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005650066,"about_ca_system_score_gemma":0.002552003,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0628038,"about_ca_topic_score_gemma":0.1497224,"domain_scores_codex":[0.9992564,0.0003023712,0.00001645207,0.0001052628,0.00013846,0.0001810027],"domain_scores_gemma":[0.9995131,0.0002131709,0.000062033,0.00007458834,0.00008029749,0.00005667237],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005341131,0.00001673895,0.001736162,0.00005091228,0.00000560116,0.0004680012,0.2215318,0.00009181558,0.001241025,0.7506402,0.004251512,0.0199128],"study_design_scores_gemma":[0.00001873534,0.000073316,0.01487169,0.0002291218,0.00001755281,0.0008758657,0.06555589,0.000295959,0.001867426,0.02773921,0.8884116,0.00004378228],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3136691,0.002998909,0.004042772,0.007316959,0.0003618551,0.0000341909,0.00008380266,0.00004655921,0.6714458],"genre_scores_gemma":[0.9176499,0.0004366345,0.000669012,0.0003872635,0.0000371248,0.00001425102,0.00001860331,0.00002671888,0.08076054],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0628038,"threshold_uncertainty_score":0.1248765,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2834398715","doi":"10.5206/mfds-ecfw.v3i1.1697","title":"Une théorie du libelle : Linguet et l’émergence de l’idée de littérature","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Thibault Boixière","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009419759058888547,"gpt":0.245327701674337,"spread":0.2359079426154485,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004521077,0.0004616912,0.0004913768,0.003229346,0.007531567,0.01108616,0.001357201,0.002295741,0.01076759],"category_scores_gemma":[0.006267517,0.0004096024,0.0004631039,0.002938625,0.0330404,0.01748887,0.004537762,0.003946931,0.001244255],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01028341,"about_ca_system_score_gemma":0.005492076,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0268876,"about_ca_topic_score_gemma":0.02461137,"domain_scores_codex":[0.9971555,0.001738824,0.00007329712,0.0003604923,0.0003943794,0.0002773482],"domain_scores_gemma":[0.9954522,0.002831546,0.0002849605,0.0004845051,0.0006946701,0.0002521824],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007317713,0.000004659342,0.0003154464,0.00002998778,0.000001799021,0.00005056576,0.01485436,0.00003407503,0.00004929346,0.9783397,0.002112134,0.004200695],"study_design_scores_gemma":[0.00001623739,0.00002022929,0.001812516,0.0005773571,0.0000132903,0.000314916,0.01963565,0.000715084,0.0003383143,0.5303658,0.4461595,0.00003097947],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.078514,0.02553468,0.03138393,0.06784802,0.0007499958,0.00003220084,0.0002426312,0.0002256769,0.795469],"genre_scores_gemma":[0.9030148,0.007508989,0.006370891,0.003983545,0.0005662096,0.00009949174,0.0001819763,0.0003344424,0.07793956],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0268876,"threshold_uncertainty_score":0.07461172,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2991452147","doi":"10.5206/mfds-ecfw.v4i1.8558","title":"Enseigner la Terreur en plurilinguisme et interculturalité : quelles implications pour l’approche historienne des relations entre France, îles britanniques et Amérique du Nord à la fin du XVIIIe siècle ?","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Nicole Biagioli","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00852567466911385,"gpt":0.2271846368805303,"spread":0.2186589622114164,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004594725,0.0004560604,0.0002265499,0.001370062,0.006274096,0.01262323,0.001099744,0.001472268,0.008878028],"category_scores_gemma":[0.003797976,0.0002021071,0.0001992082,0.001825821,0.01808599,0.006493798,0.003132405,0.003295528,0.0005647858],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0165203,"about_ca_system_score_gemma":0.01127459,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1937783,"about_ca_topic_score_gemma":0.3559204,"domain_scores_codex":[0.9976929,0.001027831,0.00005755587,0.0002505837,0.0004406471,0.0005304111],"domain_scores_gemma":[0.9976634,0.0008806778,0.0003650553,0.00017917,0.0006086534,0.000303097],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006659982,0.0000449191,0.01752776,0.0001665706,0.00002207945,0.0003883543,0.4816847,0.0003137841,0.0005863918,0.4499289,0.00557605,0.04369394],"study_design_scores_gemma":[0.000008819279,0.00004034926,0.04765945,0.000813074,0.00002298231,0.0001801576,0.4636582,0.0003141202,0.0005808152,0.0312377,0.4554195,0.00006475838],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4297848,0.01702313,0.003408775,0.06288581,0.0007517721,0.00003629137,0.000145911,0.00004445392,0.4859191],"genre_scores_gemma":[0.9555607,0.005056906,0.0007318216,0.001662291,0.00009366557,0.00002134667,0.00005479734,0.00003797819,0.03678038],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8062217,"threshold_uncertainty_score":0.3853008,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3062212875","doi":"10.5206/mfds-ecfw.v5i1.10877","title":"Quelques remarques sur Est-il bon ? Est-il méchant ?","year":2020,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Muriel Brot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02079867794561887,"gpt":0.2317315060206875,"spread":0.2109328280750687,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004048181,0.0005489063,0.0003940723,0.000981588,0.01022047,0.01033308,0.0009121825,0.003456303,0.01583299],"category_scores_gemma":[0.007271275,0.0002095843,0.0003820613,0.0009209631,0.01437184,0.00764836,0.002408923,0.00426898,0.00231885],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006770992,"about_ca_system_score_gemma":0.003643357,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03041154,"about_ca_topic_score_gemma":0.06655498,"domain_scores_codex":[0.9976923,0.0009959701,0.00007135885,0.0003211964,0.0004326734,0.0004864852],"domain_scores_gemma":[0.9967566,0.001495564,0.000310599,0.000248415,0.0007939438,0.0003948626],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005433613,0.00002388284,0.001951885,0.0001687951,0.00001476359,0.0004755799,0.08509432,0.00006984554,0.0005445288,0.8569759,0.03313848,0.02148773],"study_design_scores_gemma":[0.00000923982,0.00003126283,0.003898466,0.0007280484,0.0000142605,0.0005270003,0.1082773,0.0001415758,0.0006630524,0.06174527,0.8239291,0.00003547698],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09719802,0.02895891,0.006168019,0.22469,0.005861488,0.00004966728,0.0001853307,0.00006391152,0.6368247],"genre_scores_gemma":[0.7781163,0.01060205,0.00216469,0.01326486,0.002312481,0.00005471991,0.0001070807,0.0001542402,0.1932236],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03041154,"threshold_uncertainty_score":0.06046903,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403813972","doi":"10.5206/mfds-ecfw.v9i1.21614","title":"Lahontan. Lettres de Hanovre. Correspondance inédite (1710-1716) et autres documents. Éd. Sébastien Côté &amp; co. 2024","year":2024,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01292575986368229,"gpt":0.2430200744575079,"spread":0.2300943145938256,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004783121,0.001487473,0.0003802777,0.002722161,0.00501284,0.005151623,0.0006691926,0.001243828,0.05788014],"category_scores_gemma":[0.0006258974,0.0005014275,0.0002278038,0.005083972,0.002589024,0.00286507,0.001687173,0.001607848,0.01005583],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009231687,"about_ca_system_score_gemma":0.005538754,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1155062,"about_ca_topic_score_gemma":0.3096173,"domain_scores_codex":[0.9995217,0.00009565074,0.00002724148,0.00009300373,0.0001697389,0.00009260316],"domain_scores_gemma":[0.9997358,0.0000620879,0.00004174538,0.00002288189,0.00008436114,0.00005319276],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001213488,0.00005178162,0.001703995,0.001326318,0.00001138987,0.0007899306,0.03185613,0.00009051905,0.0007615308,0.08884883,0.6570078,0.2174305],"study_design_scores_gemma":[0.000001244938,0.000004740448,0.001116254,0.0001624361,0.000001466282,0.00008229058,0.001437454,0.000004444367,0.00007311157,0.0004035418,0.9967101,0.000002925275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005524856,0.4376374,0.0002094785,0.007050084,0.01034835,0.00003952539,0.0005840908,0.00006642072,0.5385398],"genre_scores_gemma":[0.0521563,0.1318835,0.0003139145,0.001000331,0.00156502,0.00005718426,0.0004445445,0.0001429193,0.8124363],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1155062,"threshold_uncertainty_score":0.2296677,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3103211696","doi":"10.5206/mfds-ecfw.v5i1.11147","title":"Movement(s) in Elizabeth Helen Callender Melville’s travel letters from Sierra Leone","year":2020,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sierra leone; Abolitionism; History; Colonialism; Subject (documents); Laziness; Identity (music); Politics; Prejudice (legal term); Feeling; Ethnology; Art; Archaeology; Law; Psychology; Political science; Aesthetics","authors":[{"name":"Hélène Palma","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01733143518195139,"gpt":0.189918495331507,"spread":0.1725870601495556,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005253857,0.0004894392,0.0001683879,0.0005235316,0.01028921,0.002730255,0.0004416847,0.001789477,0.03031215],"category_scores_gemma":[0.002006056,0.0001775258,0.0001347415,0.0003207505,0.001973072,0.001585053,0.002949288,0.002890548,0.004183173],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001522062,"about_ca_system_score_gemma":0.001755339,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02255695,"about_ca_topic_score_gemma":0.06129629,"domain_scores_codex":[0.999479,0.0001827722,0.00001291698,0.00006884382,0.00008393627,0.0001727106],"domain_scores_gemma":[0.9993555,0.0001393436,0.00005365359,0.00002837159,0.0001033512,0.0003198159],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003692213,0.00005199343,0.000972856,0.0001391562,0.000003842934,0.001838305,0.07939827,0.00002323029,0.001265781,0.01878358,0.8706101,0.02687603],"study_design_scores_gemma":[0.000001612539,0.000008439224,0.0006069157,0.00007565987,7.331982e-7,0.0002953226,0.02176966,0.000007537939,0.00006922596,0.0001275567,0.9770336,0.000003806854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08355749,0.01514228,0.0006371471,0.3179766,0.03083009,0.0001577796,0.0002254439,0.0002216029,0.5512516],"genre_scores_gemma":[0.1409612,0.003537323,0.0004009547,0.04183076,0.002564879,0.00009466899,0.00006943571,0.000163472,0.8103774],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03031215,"threshold_uncertainty_score":0.1014042,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2981127846","doi":"10.5206/mfds-ecfw.v4i1.8396","title":"Architec(x)tures, introduction &amp; préface du dossier « Transferts et confrontations transatlantiques » sous forme de rapport de conférence","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Western University","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01696299066630436,"gpt":0.240245955227633,"spread":0.2232829645613287,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001127316,0.0008640001,0.0003905906,0.003139197,0.003694002,0.00612377,0.0008528105,0.001774926,0.144084],"category_scores_gemma":[0.004132814,0.0003529263,0.0004825164,0.002536606,0.001965931,0.003121018,0.002339137,0.004079461,0.05628061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003945092,"about_ca_system_score_gemma":0.002449002,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009243652,"about_ca_topic_score_gemma":0.01122083,"domain_scores_codex":[0.9989926,0.0002272464,0.00006141468,0.0001560385,0.0004657993,0.00009690085],"domain_scores_gemma":[0.99708,0.001063838,0.0001711004,0.0002726911,0.001066744,0.0003455926],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003892386,0.00002789049,0.0001284847,0.0002268278,0.000002770755,0.00008532935,0.001267552,0.00009628025,0.0005856658,0.02258321,0.9396459,0.03531116],"study_design_scores_gemma":[0.00000125459,0.000005949145,0.0002111592,0.0001101297,6.027316e-7,0.00004599299,0.0002623811,0.00002211746,0.0000924427,0.0007070238,0.9985371,0.00000390653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003694746,0.03660366,0.005357823,0.05989746,0.1388606,0.0002746882,0.002977028,0.001058619,0.7512754],"genre_scores_gemma":[0.01805564,0.01667371,0.002208244,0.008204314,0.03545869,0.0002917274,0.001650388,0.0008885758,0.9165686],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.144084,"threshold_uncertainty_score":0.4820091,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3120837392","doi":"10.5206/mfds-ecfw.v6i1.13457","title":"La didactique du roman libertin à travers les expressions figées sur la beauté féminine","year":2020,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Luisa Messina","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01528940984298564,"gpt":0.197564574027831,"spread":0.1822751641848454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001883201,0.0003795378,0.0002573637,0.0007998244,0.003792155,0.005460611,0.0004416163,0.001000613,0.009110739],"category_scores_gemma":[0.002693058,0.0001876482,0.0002374566,0.001254387,0.01784735,0.002679833,0.001887808,0.002560764,0.0008293861],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004494913,"about_ca_system_score_gemma":0.002456103,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01654009,"about_ca_topic_score_gemma":0.0275495,"domain_scores_codex":[0.9975585,0.001460776,0.00005178705,0.0002405582,0.0003724662,0.0003160287],"domain_scores_gemma":[0.998421,0.0008923357,0.0002513661,0.0001530737,0.0001879352,0.00009438157],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003685132,0.00001053507,0.002236003,0.0001014403,0.000005797462,0.0002280766,0.1647758,0.00008416194,0.0008182582,0.8169028,0.001760597,0.01303972],"study_design_scores_gemma":[0.00002000098,0.00006121089,0.01379561,0.0005282355,0.00001720185,0.0009479268,0.1636128,0.0003099416,0.002165684,0.05675124,0.7617399,0.00005031681],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2118129,0.006914457,0.01089104,0.009697424,0.0002577771,0.00003442877,0.0001191973,0.00003365375,0.7602391],"genre_scores_gemma":[0.9458313,0.001887789,0.001780222,0.0005079738,0.00007686971,0.00002409118,0.00003624484,0.00005026951,0.04980519],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01654009,"threshold_uncertainty_score":0.03288764,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389334386","doi":"10.5206/mfds-ecfw.v8i1.17157","title":"Les arguments contre la calomnie (ou sa pratique) chez Marie de Gournay et Voltaire","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Mélanie Paré","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01630108283369825,"gpt":0.2701515580357363,"spread":0.2538504752020381,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001585392,0.0003468051,0.0002628644,0.0007888802,0.009374917,0.00525834,0.0006481215,0.002960285,0.00692379],"category_scores_gemma":[0.003509463,0.0002507408,0.0001552829,0.001053087,0.01440846,0.002943596,0.002582099,0.004506107,0.0006424155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008860034,"about_ca_system_score_gemma":0.003328087,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03456626,"about_ca_topic_score_gemma":0.09932869,"domain_scores_codex":[0.9986973,0.0007273361,0.00002820917,0.0001577543,0.0001919085,0.0001974596],"domain_scores_gemma":[0.9985982,0.001035982,0.0001270343,0.00004319628,0.0001111337,0.00008449843],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004380393,0.00000920336,0.0009792728,0.000152692,0.000006774409,0.000558675,0.4301905,0.00004655093,0.0007054274,0.5478026,0.01137847,0.008126144],"study_design_scores_gemma":[0.00001940418,0.00002301777,0.006506293,0.0009100677,0.00001463216,0.0004435923,0.145141,0.0001253111,0.000696799,0.02469298,0.8213902,0.0000366919],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3370965,0.0259763,0.003321371,0.08638962,0.001336002,0.00004613308,0.0001984919,0.00005448864,0.5455812],"genre_scores_gemma":[0.9411348,0.002464312,0.0005610865,0.00422089,0.0002323334,0.00004198735,0.00003585468,0.00005984486,0.05124882],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03456626,"threshold_uncertainty_score":0.06873012,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406155114","doi":"10.5206/mfds-ecfw.v10i1.22196","title":"Peut-on défendre l’égalité des femmes en parodiant d’autres textes ? Les réécritures de Poulain de la Barre dans son traité De l’excellence des hommes contre l’égalité des sexes (1675)","year":2024,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Monika Malinowska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0198677729856108,"gpt":0.2812743214198565,"spread":0.2614065484342457,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002774412,0.0005258136,0.0003418133,0.001096678,0.006932812,0.005483873,0.0007631883,0.003528018,0.004927],"category_scores_gemma":[0.006651773,0.0001895935,0.0002806941,0.0007612715,0.01780456,0.004328656,0.002124457,0.00489243,0.001034718],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003269242,"about_ca_system_score_gemma":0.002197793,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02456893,"about_ca_topic_score_gemma":0.04153371,"domain_scores_codex":[0.9976761,0.001466515,0.00005730832,0.0002399505,0.0002769636,0.0002831174],"domain_scores_gemma":[0.9977515,0.001492016,0.0001693956,0.0001217311,0.0003271872,0.0001381348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005542202,0.00001044501,0.0009595565,0.0001755859,0.000009088707,0.0003683566,0.2725458,0.00004135125,0.0003119222,0.6718811,0.03537466,0.0182667],"study_design_scores_gemma":[0.000007801334,0.0000255381,0.002901624,0.0006455569,0.00001127708,0.0003891146,0.09262737,0.00007180544,0.0003200833,0.03938408,0.863588,0.00002770156],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09174877,0.07224457,0.004209902,0.3018531,0.0110481,0.00003082542,0.0001640362,0.00007955355,0.5186211],"genre_scores_gemma":[0.8376936,0.01006685,0.001356065,0.02950856,0.003319555,0.00005563868,0.00004104735,0.0001098583,0.1178488],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02456893,"threshold_uncertainty_score":0.04885179,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3001919481","doi":"10.5206/mfds-ecfw.v5i1.9441","title":"Yann Robert, Dramatic Justice. Trial by Theater in the Age of the French Revolution (Philadelphia: U of Pennsylvania P, 2019)","year":2020,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Economic Justice; Democracy; Monarchy; Law; Political science; Sociology","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01718921720594474,"gpt":0.1970115923999811,"spread":0.1798223751940363,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001648427,0.0007556868,0.0003069502,0.00106948,0.008260278,0.006929179,0.001009261,0.006572018,0.01468857],"category_scores_gemma":[0.003609664,0.0004604909,0.0002982955,0.001316632,0.006523037,0.008752402,0.001448219,0.00640077,0.004477578],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007014964,"about_ca_system_score_gemma":0.004501464,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09794192,"about_ca_topic_score_gemma":0.2338597,"domain_scores_codex":[0.9982421,0.0009266609,0.00005974605,0.000182306,0.0003613151,0.000227847],"domain_scores_gemma":[0.9987537,0.0007212501,0.0001476231,0.00004273716,0.0001896899,0.0001450171],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001439208,0.00001150335,0.0001853278,0.00009537,0.000003613068,0.00009253421,0.003611179,0.00004435802,0.00003087627,0.102454,0.8722523,0.02120457],"study_design_scores_gemma":[0.000003592983,0.000005728068,0.0007327789,0.0003203981,0.000001949464,0.0000701288,0.003009633,0.00001590625,0.00003793711,0.007993716,0.9877985,0.000009837385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00116418,0.5075442,0.0005954384,0.28787,0.00708681,0.00002845219,0.0001221345,0.00007334134,0.1955154],"genre_scores_gemma":[0.1364302,0.246272,0.001315077,0.1640257,0.01014955,0.0001877908,0.000161105,0.0002694711,0.4411891],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.09794192,"threshold_uncertainty_score":0.1947437,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401075090","doi":"10.5206/mfds-ecfw.v9i1.18705","title":"Was Kandiaronk in France? Kandiaronk, Adario, and “Indigenous Critique”","year":2024,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Indigenous; Ethnography; Rhetorical question; History; Literature; Art; Archaeology","authors":[{"name":"Robert J. Twiss","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00670254082514274,"gpt":0.2442176627593047,"spread":0.237515121934162,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002923945,0.0003978784,0.0003073968,0.0015386,0.01011206,0.008066741,0.0006935562,0.002699843,0.00242102],"category_scores_gemma":[0.003186205,0.0001109446,0.000250567,0.001141144,0.02258753,0.003830618,0.002442458,0.002402838,0.0002540413],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01364298,"about_ca_system_score_gemma":0.003836219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05461871,"about_ca_topic_score_gemma":0.07377876,"domain_scores_codex":[0.9975962,0.001419465,0.000034315,0.0002187895,0.0003053802,0.0004257658],"domain_scores_gemma":[0.9986946,0.0007164828,0.0002091052,0.00006613973,0.0002131046,0.0001006085],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005306011,0.0000216586,0.002711562,0.0001945966,0.00001803863,0.0009637765,0.4196124,0.0001516059,0.0003761358,0.5533245,0.006883092,0.01568954],"study_design_scores_gemma":[0.00002287035,0.00005082779,0.009675981,0.0007724947,0.00002677062,0.0007108924,0.2183799,0.0001556301,0.0004846258,0.04973396,0.7199376,0.00004856029],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3465363,0.07317399,0.002251044,0.09125725,0.001019255,0.00001601899,0.00004512819,0.00006260316,0.4856384],"genre_scores_gemma":[0.9795151,0.003392543,0.0002046709,0.00180752,0.0002793142,0.000008232911,0.000008286333,0.00001684299,0.01476761],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05461871,"threshold_uncertainty_score":0.1086016,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224441989","doi":"10.5206/mfdsecfw.v7i1.14877","title":"Triages : des comptes-rendus aux articles","year":2022,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Political science; Philosophy","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05079751936500368,"gpt":0.2527559811759393,"spread":0.2019584618109356,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005173213,0.001026444,0.0005817899,0.007321916,0.007862886,0.01564247,0.001057761,0.002190479,0.04148044],"category_scores_gemma":[0.02899952,0.0005096601,0.0006442005,0.007832743,0.007969075,0.01113572,0.004780439,0.005909859,0.01512061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005041921,"about_ca_system_score_gemma":0.004893575,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00449368,"about_ca_topic_score_gemma":0.006393944,"domain_scores_codex":[0.9891908,0.00495928,0.0007397558,0.001011264,0.003430344,0.0006685964],"domain_scores_gemma":[0.9736378,0.01310103,0.00235561,0.002890892,0.006262787,0.00175187],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002813156,0.0001163029,0.0009855344,0.001007873,0.00002580868,0.00116749,0.132179,0.0002522334,0.004856886,0.4639351,0.2481004,0.147092],"study_design_scores_gemma":[0.000006151907,0.00003088534,0.0005325388,0.0003933944,0.0000067986,0.000312876,0.01212345,0.00009459264,0.0006368757,0.005508539,0.9803351,0.00001883117],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03711672,0.03332553,0.02303724,0.04974001,0.0465062,0.0002452441,0.0006519472,0.001193739,0.8081834],"genre_scores_gemma":[0.2832167,0.03153339,0.01442064,0.006717623,0.02582454,0.0005091693,0.0007525612,0.003036048,0.6339892],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04148044,"threshold_uncertainty_score":0.1387659,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2980707730","doi":"10.5206/mfds-ecfw.v4i1.8394","title":"Le recours à l’Angleterre dans les débats publics de la France révolutionnaire","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy; Art","authors":[{"name":"Pascal Dupuy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009028507322817347,"gpt":0.1952913372561224,"spread":0.186262829933305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002286917,0.0002418661,0.0002318128,0.0020942,0.01163051,0.01018955,0.0004451511,0.002263054,0.01317994],"category_scores_gemma":[0.004929335,0.0002470394,0.0002313253,0.003229223,0.009320702,0.003624927,0.001970839,0.002648962,0.0008331522],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02548629,"about_ca_system_score_gemma":0.008805888,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.207682,"about_ca_topic_score_gemma":0.2661377,"domain_scores_codex":[0.9970555,0.001009193,0.00005305086,0.0002979051,0.0005706966,0.001013759],"domain_scores_gemma":[0.9974952,0.001126561,0.0004833284,0.0001459884,0.0004428394,0.0003061223],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008189887,0.00003950737,0.008402315,0.00008598806,0.00001285994,0.0005576412,0.2401864,0.0002380014,0.0006483973,0.7046,0.01693135,0.02821564],"study_design_scores_gemma":[0.00002079276,0.00005469082,0.03381397,0.0002334533,0.00001162172,0.0002179744,0.08937107,0.0001472225,0.0004667501,0.007904205,0.8677232,0.00003511238],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5403844,0.007565959,0.0009993816,0.0463464,0.0002958981,0.00002655372,0.0002104595,0.00006273052,0.4041083],"genre_scores_gemma":[0.9376435,0.0009191688,0.000115054,0.001059878,0.0001217341,0.00001175469,0.0000368438,0.00002678683,0.06006533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.207682,"threshold_uncertainty_score":0.4129462,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406796085","doi":"10.5206/mfds-ecfw.v10i1.22460","title":"Paul-André Dubois, Lire et écrire chez les Amérindiens de Nouvelle-France, PUL, 2020","year":2025,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005800104127341474,"gpt":0.2189906066372714,"spread":0.21319050250993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000809197,0.0005775327,0.000191112,0.000703454,0.004967001,0.003112756,0.0005262275,0.001529599,0.0226032],"category_scores_gemma":[0.001687622,0.0001925536,0.0001520422,0.0007076845,0.003004434,0.002662068,0.00153708,0.002817086,0.003600728],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005903346,"about_ca_system_score_gemma":0.003769815,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1184967,"about_ca_topic_score_gemma":0.1952476,"domain_scores_codex":[0.9994271,0.0001931061,0.00001206758,0.0001057084,0.0001496258,0.0001124514],"domain_scores_gemma":[0.9995624,0.0001326854,0.000040234,0.00001891593,0.0001392384,0.0001063827],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000960317,0.00003034533,0.006641345,0.0003559649,0.00001604491,0.00101934,0.06329057,0.0001242601,0.001168259,0.1896156,0.5964991,0.1411431],"study_design_scores_gemma":[0.000001437532,0.000007329503,0.001746451,0.0001197097,0.000001584377,0.0001979526,0.004534279,0.00001955843,0.00009775225,0.001130185,0.9921374,0.000006350146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04274879,0.2232591,0.003145308,0.2602628,0.01554828,0.00005066385,0.0009065113,0.0003037947,0.4537747],"genre_scores_gemma":[0.3881269,0.05827278,0.002223059,0.0263666,0.003089357,0.0000583146,0.0004722129,0.0002494929,0.5211414],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8815033,"threshold_uncertainty_score":0.2356139,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2980525858","doi":"10.5206/mfds-ecfw.v4i1.8393","title":"Enraciner, explorer, pénétrer le secret dans la fiction du XVIIIe siècle","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Floriane Daguisé","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00912025554050009,"gpt":0.1831802769317892,"spread":0.1740600213912891,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005857043,0.000581768,0.0002269399,0.0009827446,0.00455609,0.004877236,0.0004418354,0.001178199,0.007128253],"category_scores_gemma":[0.001718668,0.0001853052,0.0002638592,0.0008013578,0.007563037,0.001730855,0.001552172,0.00285508,0.001308322],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003837436,"about_ca_system_score_gemma":0.00155159,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01219545,"about_ca_topic_score_gemma":0.02347974,"domain_scores_codex":[0.9993578,0.0002511482,0.00001572494,0.00009864457,0.0001731908,0.0001034785],"domain_scores_gemma":[0.9995471,0.0002582172,0.00003944576,0.00004093784,0.00007970336,0.00003461016],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001164644,0.00001637729,0.001753591,0.0003536152,0.00001894527,0.000819872,0.124499,0.0003736577,0.002251204,0.7692195,0.05966051,0.04091731],"study_design_scores_gemma":[0.000007539972,0.00002509583,0.002796724,0.0004286656,0.000009710597,0.0005979919,0.01113358,0.0001778459,0.0009260488,0.01309206,0.9707882,0.00001649171],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08672074,0.01931482,0.01101406,0.01516302,0.003564316,0.00006979476,0.0003110543,0.0001371624,0.8637051],"genre_scores_gemma":[0.6845874,0.006287328,0.002685791,0.002324147,0.00111916,0.00006177745,0.0002095111,0.0002495731,0.3024752],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01219545,"threshold_uncertainty_score":0.0278427,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3002535300","doi":"10.5206/mfds-ecfw.v5i1.9442","title":"O’Malley, Maria and Denys van Renen eds. Beyond 1776. Globalizing the Cultures of the American Revolution. Charlottesville: U of Virginia P, 2018","year":2020,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Art history; Art; Sociology; History","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009113518270770216,"gpt":0.2435209649237476,"spread":0.2344074466529774,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001186178,0.00190416,0.001013702,0.004739832,0.00346505,0.006447843,0.001157052,0.002983204,0.02415976],"category_scores_gemma":[0.002943116,0.001021674,0.0005982558,0.006517875,0.002908701,0.007634114,0.001951553,0.003488546,0.01355599],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00404064,"about_ca_system_score_gemma":0.006780291,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04424519,"about_ca_topic_score_gemma":0.09961524,"domain_scores_codex":[0.9990591,0.0002654522,0.0000635578,0.0001015884,0.0003852409,0.0001249885],"domain_scores_gemma":[0.9985281,0.0006145833,0.0001427082,0.00006498077,0.0004724349,0.0001771783],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003437949,0.00002654147,0.0003696076,0.0005214879,0.00001110195,0.0000738958,0.003176798,0.00009957726,0.00005443707,0.0282518,0.8453529,0.1220274],"study_design_scores_gemma":[0.000002362539,0.00000423867,0.0007050875,0.00110277,0.000006115396,0.0000609376,0.001338101,0.00002140703,0.00004403111,0.006219053,0.9904885,0.000007227446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0002932269,0.9470072,0.00039691,0.01722142,0.003595927,0.00000714,0.0001742793,0.00004157648,0.03126231],"genre_scores_gemma":[0.008340178,0.9305869,0.0006949065,0.00242476,0.002183444,0.00002903234,0.0002037982,0.00008457249,0.05545239],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.04424519,"threshold_uncertainty_score":0.08797532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401075328","doi":"10.5206/mfds-ecfw.v9i1.19626","title":"Narrating Humanity: From Graeber &amp; Wengrow to Rousseau","year":2024,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanity; Philosophy; Sociology; Theology","authors":[{"name":"Célia Abele","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02025735552104356,"gpt":0.2845991205200992,"spread":0.2643417649990556,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004302277,0.0006277284,0.0004503119,0.001614616,0.01000896,0.007476694,0.001162093,0.004606114,0.002387527],"category_scores_gemma":[0.008484538,0.0002731513,0.0001971799,0.001674379,0.0280247,0.01054128,0.00466094,0.005504365,0.0004115845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007423295,"about_ca_system_score_gemma":0.002908965,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01829754,"about_ca_topic_score_gemma":0.0234209,"domain_scores_codex":[0.993652,0.005318643,0.00005612414,0.0002606594,0.0004492435,0.0002632929],"domain_scores_gemma":[0.9965922,0.002765293,0.0001673478,0.0001102675,0.0001664257,0.0001983503],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002495503,0.00002024956,0.0003060397,0.0001156365,0.000004728698,0.0007513495,0.4214711,0.000124323,0.0002839941,0.5075595,0.05243707,0.01690104],"study_design_scores_gemma":[0.000005383371,0.00001581846,0.000293342,0.0005615069,0.000002997926,0.000448855,0.1344293,0.00009060256,0.0002160318,0.07509121,0.7888266,0.00001847394],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.07454524,0.1510518,0.006474501,0.5120334,0.005342962,0.00005226165,0.0001211717,0.0001022289,0.2502765],"genre_scores_gemma":[0.8989868,0.02728163,0.00339236,0.03041325,0.001781637,0.0001195159,0.00005912776,0.0001298136,0.03783597],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01829754,"threshold_uncertainty_score":0.05386001,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393278799","doi":"10.5206/mfds-ecfw.v8i1.18211","title":"Dassoucy et l’équivoque","year":2024,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Computer science","authors":[{"name":"Saman Shahriari","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01753393335443625,"gpt":0.2580316073467994,"spread":0.2404976739923632,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003467201,0.0007838629,0.0005007698,0.002654172,0.006086752,0.005897878,0.0007394006,0.001267862,0.009814867],"category_scores_gemma":[0.009572185,0.000442056,0.0003714718,0.00192344,0.01633917,0.005405295,0.005411456,0.002914758,0.001019336],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006213353,"about_ca_system_score_gemma":0.002297252,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02292405,"about_ca_topic_score_gemma":0.02762324,"domain_scores_codex":[0.9938168,0.003604167,0.000210458,0.0007346389,0.001193793,0.0004401293],"domain_scores_gemma":[0.9944026,0.003811049,0.0004320591,0.0004107823,0.000783333,0.0001602406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001405368,0.00001167505,0.004341799,0.0003501177,0.00002724416,0.0008826466,0.3286826,0.0001221793,0.002949034,0.6318833,0.006032138,0.02457677],"study_design_scores_gemma":[0.00002396284,0.00004293857,0.007961926,0.0005762882,0.00004697569,0.001218662,0.1157443,0.000540134,0.003400691,0.03456442,0.8358033,0.00007641687],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3373176,0.007825331,0.0406076,0.02125269,0.001746454,0.0001616518,0.000581331,0.0004479241,0.5900593],"genre_scores_gemma":[0.9633641,0.001120632,0.003126743,0.0008103055,0.0001886035,0.00004594324,0.0001266929,0.0003579638,0.03085906],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02292405,"threshold_uncertainty_score":0.04558128,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406141903","doi":"10.5206/mfds-ecfw.v10i1.22360","title":"Maréchal, Sylvain. The Last Judgment of Kings / Le Jugement Dernier Des Rois: A Bilingual Edition. Transl. by Yann Robert. Bucknell UP, 2024","year":2025,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Library science; Art history; Art; Computer science","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009372221642914406,"gpt":0.230373078009485,"spread":0.2210008563665706,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000572012,0.001090057,0.0004098916,0.001986528,0.005152867,0.002833587,0.0007447848,0.001913702,0.02865724],"category_scores_gemma":[0.00113429,0.0005264207,0.000224938,0.002570414,0.003314081,0.003933608,0.001394486,0.002797751,0.007012104],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005195393,"about_ca_system_score_gemma":0.003435093,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06560286,"about_ca_topic_score_gemma":0.1800713,"domain_scores_codex":[0.9996452,0.0001346163,0.00001590335,0.00005823497,0.00009879149,0.00004722727],"domain_scores_gemma":[0.9995596,0.0002090409,0.00004532405,0.00001968576,0.00009741603,0.00006887557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000821182,0.00001372113,0.0002944369,0.0003222274,0.00000662226,0.0003753178,0.0251735,0.00005532517,0.0003961617,0.08063946,0.8299735,0.06266754],"study_design_scores_gemma":[0.000003716213,0.000005300408,0.0008815936,0.0002354659,0.000001543017,0.00009182811,0.002361736,0.000007040145,0.00007691127,0.002202125,0.9941297,0.000003104041],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.002494865,0.6924525,0.0006735521,0.04370191,0.005229416,0.00003088168,0.0007430408,0.0001137952,0.25456],"genre_scores_gemma":[0.1223818,0.2550012,0.002037804,0.008346329,0.003211891,0.0002147991,0.0007094464,0.000490352,0.6076064],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06560286,"threshold_uncertainty_score":0.130442,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234900950","doi":"10.5206/mfds-ecfw.v6i1.13891","title":"Pédagogies et Héritages : Introduction","year":2021,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01624778058070375,"gpt":0.2548933421841619,"spread":0.2386455616034582,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001194478,0.0007360342,0.0004597763,0.002289864,0.00459527,0.006577525,0.0006984323,0.002266459,0.01845631],"category_scores_gemma":[0.001914105,0.0002508924,0.0002735338,0.002991304,0.01183391,0.004859218,0.00300901,0.003664704,0.001913641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00800625,"about_ca_system_score_gemma":0.004420821,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03579826,"about_ca_topic_score_gemma":0.03288723,"domain_scores_codex":[0.9989748,0.0004709756,0.00004490998,0.0001466627,0.0001936986,0.0001689886],"domain_scores_gemma":[0.9984837,0.0009684397,0.0000865633,0.00008798386,0.000213591,0.0001598189],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001701392,0.0000302374,0.001082727,0.0003478848,0.000005299726,0.0001901504,0.02903179,0.0002042048,0.0002149549,0.8961099,0.02752863,0.04523737],"study_design_scores_gemma":[0.00000236889,0.0000188816,0.00152578,0.0006567731,0.000002441443,0.0001654137,0.009961139,0.00006525044,0.0000741804,0.05780738,0.9297125,0.00000788757],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"editorial","genre_scores_codex":[0.01855986,0.211418,0.007241908,0.04871695,0.004030297,0.00009798273,0.0003765969,0.0001130812,0.7094453],"genre_scores_gemma":[0.4653148,0.1924028,0.005625725,0.009945722,0.006201081,0.0002979697,0.0004558793,0.0002547851,0.3195014],"genre_candidate":"editorial","genre_consensus":null,"teacher_disagreement_score":0.03579826,"threshold_uncertainty_score":0.07117975,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386397098","doi":"10.5206/mfds-ecfw.v8i1.16768","title":"Revue Balzac, L’adaptation/Adaptation, n°6, 2023","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Adaptation (eye); Art; Philosophy; Psychology","authors":[{"name":"Fabrice Szabo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03238529102535419,"gpt":0.2429230566442605,"spread":0.2105377656189063,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001788704,0.0006182371,0.0003751836,0.001228048,0.0045151,0.004815599,0.0005529022,0.002673689,0.01711155],"category_scores_gemma":[0.003371421,0.0002637264,0.0002364819,0.001728867,0.006809173,0.003016276,0.002642657,0.003842259,0.003617632],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006588215,"about_ca_system_score_gemma":0.007131041,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06413343,"about_ca_topic_score_gemma":0.07466026,"domain_scores_codex":[0.9983639,0.0006748966,0.00006796157,0.0002216205,0.0004468066,0.0002248865],"domain_scores_gemma":[0.9993604,0.0002027345,0.00005710731,0.0001068745,0.0002054645,0.00006739913],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007700632,0.00002902619,0.0008794923,0.0003812021,0.00001073951,0.0001963599,0.01557763,0.0001231624,0.0006225065,0.616163,0.2666828,0.09925713],"study_design_scores_gemma":[0.000002358838,0.000003704544,0.0008280767,0.0002129542,0.000001521749,0.0000436275,0.000834131,0.00001072973,0.00008918728,0.004448439,0.9935216,0.000003542744],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009302313,0.2236995,0.0015129,0.08027945,0.01180719,0.00005447425,0.0002806003,0.0001196265,0.6729439],"genre_scores_gemma":[0.2743282,0.07832212,0.002532495,0.0153615,0.003819752,0.0002326035,0.0003064713,0.0003874547,0.6247093],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06413343,"threshold_uncertainty_score":0.1275203,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3099358122","doi":"10.5206/mfds-ecfw.v5i1.11148","title":"Will Bashor, Marie Antoinette’s World : Intrigue, Infidelity, and Adultery in Versailles (Rowmann &amp; Littlefield Publishers, 2020)","year":2020,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Adultery; Humanities; Art; Queen (butterfly); Philosophy; Theology","authors":[{"name":"Florian Ponty","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01449164645495258,"gpt":0.1957377972674837,"spread":0.1812461508125311,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001074667,0.000504794,0.0002125874,0.000833675,0.008333272,0.006886072,0.0006160265,0.002553766,0.01437573],"category_scores_gemma":[0.001319544,0.0003968708,0.0001557294,0.000991308,0.005031803,0.004908623,0.002251889,0.002875685,0.002816447],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003358468,"about_ca_system_score_gemma":0.004109527,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05975734,"about_ca_topic_score_gemma":0.1917419,"domain_scores_codex":[0.9992571,0.0003370656,0.00001732435,0.00005826591,0.0001773971,0.0001528628],"domain_scores_gemma":[0.9993493,0.0002463941,0.00006370778,0.00002388887,0.00007973875,0.000236978],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002598881,0.00002311491,0.0007601739,0.0001360823,0.00000439991,0.0003991635,0.05184152,0.00003462649,0.0001273804,0.08042103,0.7970443,0.06918221],"study_design_scores_gemma":[0.000001261293,0.000005052216,0.001257578,0.0002230255,0.000001300118,0.00022764,0.0240066,0.000007826795,0.00004693538,0.002642249,0.9715737,0.000006847327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.009176934,0.3994969,0.0003867685,0.2652512,0.00663005,0.00001964719,0.00009782723,0.00004382441,0.3188969],"genre_scores_gemma":[0.1893013,0.1649465,0.0006538032,0.03205595,0.002912734,0.00004906551,0.0000675449,0.0001261159,0.609887],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05975734,"threshold_uncertainty_score":0.1188191,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4320725597","doi":"10.5206/mfds-ecfw.v8i1.16043","title":"Voltaire, Lettres sur les Anglais, INTRODUCTION 6A (I), &amp; 6A(II) Lettres sur les Anglais (IB) LETTERS CONCERNING THE ENGLISH NATION, Voltaire Foundation, 2022.","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02555749475150833,"gpt":0.2270680923687853,"spread":0.2015105976172769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005782775,0.000459978,0.0001618293,0.0009336779,0.00473287,0.00447896,0.0004073165,0.002066227,0.03329092],"category_scores_gemma":[0.001276934,0.000252351,0.0001736233,0.001195755,0.001851592,0.002228375,0.001240766,0.002990108,0.007307764],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003929447,"about_ca_system_score_gemma":0.003491427,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05144337,"about_ca_topic_score_gemma":0.09664106,"domain_scores_codex":[0.9994636,0.0001502216,0.00002573673,0.00006085337,0.0001885298,0.0001111467],"domain_scores_gemma":[0.9995877,0.0001621306,0.0000350913,0.00001930514,0.0001197606,0.00007606296],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003345791,0.00003417,0.000758432,0.0001993599,0.000002865492,0.0001531295,0.009308358,0.00008508819,0.0003476962,0.1545762,0.7854018,0.0490994],"study_design_scores_gemma":[0.000001379277,0.000004567005,0.001418188,0.0001898783,7.150036e-7,0.00003137167,0.001546238,0.000009622853,0.00003522358,0.001815491,0.994944,0.000003241668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006704186,0.1594059,0.0003433895,0.06619893,0.01378026,0.00003035291,0.0005174905,0.00004906456,0.7529705],"genre_scores_gemma":[0.07646666,0.05045165,0.0004234526,0.01029529,0.003985217,0.00006391675,0.0003919545,0.00008871507,0.8578331],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05144337,"threshold_uncertainty_score":0.1113693,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194342036","doi":"10.5206/mfdsecfw.v6i1.14187","title":"Increasing Motivation and Engagement in Advanced Literature Courses: Visions of Home: Johann Wolfgang Goethe’s Novel Die Wahlverwandtschaften (1809; Elective Affinities)","year":2021,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Linguistic Education and Pedagogy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Vision; Problematization; Context (archaeology); Theme (computing); German; Alterity; Sociology; Visual arts; Aesthetics; Pedagogy; Psychology; Art; Literature; Philosophy; Epistemology; Linguistics; History; Computer science; Anthropology","authors":[{"name":"Karin A. Wurst","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02690138023000192,"gpt":0.256248366739086,"spread":0.2293469865090841,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001406659,0.0001919667,0.0001321682,0.0004920998,0.002924232,0.004375848,0.000417579,0.0009170902,0.00352796],"category_scores_gemma":[0.001585215,0.0000954433,0.0001485521,0.0002503497,0.003439897,0.001777222,0.003639215,0.002065493,0.0006744045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002410536,"about_ca_system_score_gemma":0.001555993,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001280345,"about_ca_topic_score_gemma":0.004967906,"domain_scores_codex":[0.9993247,0.0003297332,0.00000793862,0.00005911785,0.00009239226,0.0001860053],"domain_scores_gemma":[0.9990177,0.0001786949,0.00006094328,0.00002190857,0.000056252,0.000664516],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001469132,0.001728943,0.01136805,0.0002075146,0.00001775664,0.001249873,0.4156637,0.000277566,0.003862845,0.1878636,0.1475732,0.23004],"study_design_scores_gemma":[0.00005387997,0.0003273879,0.03420661,0.0003983238,0.00001252974,0.000594029,0.1981724,0.0003596394,0.003028579,0.0391631,0.7236321,0.00005140826],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7437792,0.002684123,0.002884035,0.07498667,0.001116364,0.00006201405,0.00004531994,0.0001201799,0.174322],"genre_scores_gemma":[0.9607475,0.0008769066,0.001260397,0.002339203,0.0001523964,0.00004418761,0.00002446106,0.00004499292,0.03450989],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004375848,"threshold_uncertainty_score":0.01748973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388896119","doi":"10.5206/mfds-ecfw.v8i1.17113","title":"Manon Lescaut : L’Ériphile du XVIIIe siècle","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Reginald Bradley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01807798931892648,"gpt":0.2356052155531224,"spread":0.217527226234196,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006323082,0.0004321445,0.0001616324,0.0004551091,0.007230532,0.002906278,0.0002588449,0.001039691,0.00827847],"category_scores_gemma":[0.0008365366,0.0001484733,0.0001497521,0.0005865694,0.005682999,0.001168159,0.001366139,0.001853271,0.0008860248],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007150564,"about_ca_system_score_gemma":0.00364364,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1114471,"about_ca_topic_score_gemma":0.2202557,"domain_scores_codex":[0.9993798,0.0002131154,0.00000878938,0.00008044927,0.0001288354,0.000189106],"domain_scores_gemma":[0.9997916,0.00008317678,0.00002580033,0.00001103544,0.00004852412,0.0000399502],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002236515,0.00003207695,0.003879456,0.0002046948,0.00001144648,0.002113501,0.4651161,0.0002152176,0.001749916,0.4317368,0.04996159,0.04475564],"study_design_scores_gemma":[0.00000669568,0.00003480087,0.004986206,0.0002098715,0.000003996382,0.0003035209,0.03500333,0.000053677,0.0005768092,0.002335016,0.956471,0.00001504828],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2883372,0.01721115,0.002215299,0.01638269,0.001937148,0.00004639591,0.0002147249,0.00005730026,0.6735981],"genre_scores_gemma":[0.744342,0.003191248,0.0003277798,0.001122625,0.000192281,0.00001959336,0.0000569999,0.00005373712,0.2506938],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1114471,"threshold_uncertainty_score":0.2215967,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200033543","doi":"10.5206/mfdsecfw.v6i2.14511","title":"Rumeur publique et voix des lecteurs dans le discours de la presse sur le vêtement au XIXe siècle","year":2021,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"The King's University","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Corina Sandu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01138436626323103,"gpt":0.2219923386792197,"spread":0.2106079724159887,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003164232,0.0002871556,0.0002804082,0.001899959,0.005796126,0.009328538,0.0004907243,0.001332962,0.01050692],"category_scores_gemma":[0.006658153,0.0002527832,0.0001493178,0.002825791,0.01141055,0.003189451,0.001996946,0.002066352,0.001201849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006251678,"about_ca_system_score_gemma":0.006804209,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03341544,"about_ca_topic_score_gemma":0.04102924,"domain_scores_codex":[0.9977456,0.001149226,0.0000794741,0.0002183383,0.0004743645,0.0003330741],"domain_scores_gemma":[0.992382,0.004843388,0.00118162,0.0003076709,0.000878601,0.0004067543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002323885,0.00007738479,0.0185666,0.001177488,0.00004859984,0.001526505,0.3400774,0.0003265126,0.00170673,0.5197823,0.02169077,0.0947872],"study_design_scores_gemma":[0.00004203533,0.0001624818,0.06892315,0.003308139,0.00004951276,0.0006682235,0.1857132,0.0002636859,0.001471521,0.01769421,0.7216361,0.00006773895],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4527809,0.03654173,0.001521784,0.04617566,0.0009149215,0.00004275212,0.0001826851,0.00004583231,0.4617937],"genre_scores_gemma":[0.9265326,0.01213271,0.0003139223,0.002079341,0.0004676528,0.00003018338,0.00004278671,0.00002380613,0.05837689],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03341544,"threshold_uncertainty_score":0.06644189,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243182681","doi":"10.5206/mfds-ecfw.v6i1.13908","title":"Apgar, Garry and Edward M. Langille eds. and presenters. The Quotable Voltaire. Bucknell UP, 2021","year":2021,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Philosophy","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009067060926359954,"gpt":0.1803977649627217,"spread":0.1713307040363618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001300646,0.001876962,0.001342834,0.003975133,0.002651796,0.006225987,0.001559355,0.003716859,0.07918236],"category_scores_gemma":[0.004105907,0.001335384,0.0006383601,0.007712682,0.001858936,0.01143172,0.001691427,0.005136068,0.05824082],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00336176,"about_ca_system_score_gemma":0.004653928,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02937243,"about_ca_topic_score_gemma":0.07202462,"domain_scores_codex":[0.999072,0.0001854249,0.00008571288,0.000148128,0.0004231968,0.0000855569],"domain_scores_gemma":[0.9980737,0.0007156618,0.0001467981,0.00009778304,0.0008084754,0.0001575695],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000221449,0.00001132035,0.0001306304,0.0004413543,0.000006420338,0.00005955476,0.0008468197,0.00009347156,0.0000556375,0.01465315,0.8547367,0.1289428],"study_design_scores_gemma":[0.000002203014,0.0000033112,0.00030721,0.0005901814,0.000004723512,0.00007967112,0.0004291332,0.00001573732,0.00002620683,0.003491008,0.9950452,0.000005469017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0001687108,0.9048852,0.0007713086,0.02036448,0.006032196,0.00001450552,0.0003778212,0.0001185983,0.06726728],"genre_scores_gemma":[0.005142712,0.7452556,0.001259239,0.004039374,0.002484277,0.00005447987,0.0004457733,0.0001809099,0.2411375],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.07918236,"threshold_uncertainty_score":0.2648914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366982994","doi":"10.5206/mfds-ecfw.v7i1.16426","title":"Isabelle Tremblay, Les fantômes du roman épistolaire d’Ancien Régime. L’interlocuteur absent dans la fiction monophonique, série Faux titre, Leiden/Boston, Brill/Rodopi, 2018, 185 p.","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Brill; Art; Ancien regime; Humanities; Political science; Classics; Politics; Law","authors":[{"name":"Reginald Bradley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01323656230983074,"gpt":0.2100584365549609,"spread":0.1968218742451302,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001232632,0.001095376,0.000478786,0.001517571,0.008698752,0.006223781,0.000979543,0.003221856,0.00953524],"category_scores_gemma":[0.002776942,0.0005952422,0.0002954082,0.001639347,0.008973781,0.006230796,0.001721852,0.005710487,0.003293994],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006020488,"about_ca_system_score_gemma":0.003053642,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05212069,"about_ca_topic_score_gemma":0.1451768,"domain_scores_codex":[0.9989035,0.0005596237,0.00003409294,0.000129937,0.0002477514,0.000125043],"domain_scores_gemma":[0.9988379,0.0007713323,0.00009882257,0.00004522951,0.0001539849,0.00009273946],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000751602,0.00002521261,0.0003312292,0.0004144454,0.00001255198,0.000380398,0.0707623,0.00006129216,0.0002871869,0.230453,0.6666692,0.03052791],"study_design_scores_gemma":[0.00001123113,0.000009003579,0.001308012,0.0004718314,0.000004644694,0.000177568,0.008890859,0.00002907065,0.0001178805,0.01015078,0.9788187,0.00001049702],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00621283,0.5451143,0.001256931,0.1044337,0.007935962,0.00003861868,0.0003671804,0.00006715592,0.3345732],"genre_scores_gemma":[0.2822134,0.2375658,0.00196519,0.02945027,0.01221841,0.0002524065,0.0003836624,0.0005270691,0.4354239],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05212069,"threshold_uncertainty_score":0.1036346,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406169603","doi":"10.5206/mfds-ecfw.v10i1.22361","title":"Burlesque et équivoque, deux tendances infortunées du Grand Siècle","year":2025,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"European Political History Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Burlesque; Humanities; Political science; Art; Art history","authors":[{"name":"Saman Shahriari","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01109224305828616,"gpt":0.2221047467193976,"spread":0.2110125036611114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00133907,0.0007364384,0.0003903396,0.001189612,0.005098705,0.006783122,0.0009835094,0.002137648,0.0267025],"category_scores_gemma":[0.003559699,0.0002913839,0.0002972846,0.001026572,0.009609901,0.00364249,0.003469884,0.004241827,0.003648557],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005599772,"about_ca_system_score_gemma":0.003315952,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02113,"about_ca_topic_score_gemma":0.05294977,"domain_scores_codex":[0.9978994,0.0006707541,0.00005132656,0.0004650861,0.0006082745,0.0003052753],"domain_scores_gemma":[0.9989499,0.0003921913,0.0001194778,0.0001392885,0.0002968947,0.0001023393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004949799,0.00001223916,0.001048399,0.0001881747,0.00001299251,0.0003997534,0.04460077,0.0001188042,0.001017339,0.8676158,0.05464638,0.03028993],"study_design_scores_gemma":[0.000005403084,0.00001683207,0.001750145,0.0002033811,0.000006170592,0.0002745856,0.008843434,0.00009032724,0.0004174367,0.02473501,0.9636409,0.00001636027],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06544395,0.02222369,0.01549746,0.06311604,0.004056397,0.00005337864,0.0004166446,0.0002393447,0.828953],"genre_scores_gemma":[0.5171437,0.005764099,0.005188496,0.01162731,0.001082552,0.00009976658,0.0002805419,0.0004033836,0.4584103],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0267025,"threshold_uncertainty_score":0.08932877,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2982555104","doi":"10.5206/mfds-ecfw.v4i1.8485","title":"La configuration architecturale de l’espace carcéral dans Manon Lescaut de Prévost : les enjeux d’une représentation romanesque","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Salwa Ben Taktak","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009844850470531291,"gpt":0.2135083892397396,"spread":0.2036635387692083,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009657016,0.0004925043,0.0001760758,0.0007208937,0.006773994,0.01039434,0.0007921231,0.001234172,0.02054618],"category_scores_gemma":[0.001998766,0.0002836312,0.0002222652,0.001234163,0.01163634,0.00322742,0.004141759,0.001878921,0.002832266],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004951925,"about_ca_system_score_gemma":0.003908858,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03785178,"about_ca_topic_score_gemma":0.05743483,"domain_scores_codex":[0.9986517,0.0006492684,0.00002479192,0.0001744761,0.0002844117,0.0002154729],"domain_scores_gemma":[0.9994057,0.000115281,0.00004304711,0.0001311475,0.0001521723,0.0001526348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001096551,0.00001927742,0.002073053,0.00007019089,0.000006896005,0.0007202835,0.1241844,0.000900984,0.001272184,0.8165943,0.01415954,0.03988925],"study_design_scores_gemma":[0.00001734239,0.00004904037,0.004353837,0.0001910375,0.00001156527,0.0007713074,0.08788142,0.001119321,0.0007618856,0.0289067,0.8758984,0.00003819836],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1547762,0.001447219,0.0161853,0.004477834,0.0004088945,0.00004735592,0.0001085559,0.0002618238,0.8222868],"genre_scores_gemma":[0.8503511,0.0005521624,0.003533793,0.0002502872,0.00005602522,0.00003280468,0.0001029847,0.0002733821,0.1448475],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03785178,"threshold_uncertainty_score":0.0752629,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2972591161","doi":"10.5206/mfds-ecfw.v4i1.8277","title":"Jeffrey M. Leichman, Acting UP. Staging the Subject in Enlightenment France","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Political Theory and Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Enlightenment; Subject (documents); History; Philosophy; Computer science; Library science; Epistemology","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01032598286564401,"gpt":0.2492845934853447,"spread":0.2389586106197007,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00132828,0.0007775356,0.0008986189,0.003353195,0.002379296,0.004854597,0.001060609,0.003318465,0.02309331],"category_scores_gemma":[0.003154407,0.0005245474,0.0004961591,0.004098987,0.002157611,0.005130116,0.001051692,0.003812217,0.008943046],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004922238,"about_ca_system_score_gemma":0.004858912,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03412873,"about_ca_topic_score_gemma":0.08153994,"domain_scores_codex":[0.9992718,0.0002305924,0.00003537517,0.00008768526,0.0002875785,0.00008695701],"domain_scores_gemma":[0.9983701,0.0008929172,0.0001226384,0.00003089457,0.0004532254,0.0001303505],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009430112,0.000008627379,0.00007008823,0.0003895276,0.000006978818,0.00002703498,0.0002275144,0.00005113276,0.0000282429,0.01162738,0.9456388,0.04191521],"study_design_scores_gemma":[0.000004613693,0.00000709473,0.0003551203,0.0007105903,0.000005359526,0.00005508369,0.0002134912,0.00001567759,0.00002317119,0.003221547,0.9953816,0.000006710989],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0001491295,0.9098395,0.0001458438,0.0554773,0.01239055,0.0000107655,0.00005999429,0.00002529864,0.02190175],"genre_scores_gemma":[0.005952667,0.7757626,0.0003519658,0.04349322,0.01708208,0.00004702133,0.0001429045,0.00007467866,0.1570929],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03412873,"threshold_uncertainty_score":0.07725483,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204134932","doi":"10.5206/mfdsecfw.v6i2.14129","title":"The Role of the Nouvelles Ecclésiastiques in Toppling the Old Regime","year":2021,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Reputation; Public opinion; Monarchy; Order (exchange); Perception; Frame (networking); History; Law; Sociology; Political science; Philosophy; Politics; Epistemology; Engineering; Economics","authors":[{"name":"Aleksandra Gieralt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006675549826458326,"gpt":0.2330639530311857,"spread":0.2263884032047274,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004581227,0.000279005,0.0002146123,0.001431793,0.009627981,0.009518781,0.0006870578,0.003676116,0.003363117],"category_scores_gemma":[0.008785306,0.0002418438,0.0001432757,0.0008742407,0.03157039,0.00695124,0.002576836,0.005997788,0.0004764016],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005563933,"about_ca_system_score_gemma":0.002408198,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009507566,"about_ca_topic_score_gemma":0.02042153,"domain_scores_codex":[0.9973441,0.001328783,0.00006978264,0.0002498991,0.0005088008,0.0004987885],"domain_scores_gemma":[0.9959954,0.002616959,0.0003218459,0.0003501402,0.0004075701,0.0003079618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001604347,0.00001127564,0.0006673359,0.0000212231,0.000002922709,0.000130796,0.02491064,0.00003351073,0.0001159739,0.9537994,0.01366985,0.006621149],"study_design_scores_gemma":[0.00002979106,0.00002383648,0.004282383,0.000379563,0.000008377453,0.0002239659,0.01618254,0.0002132876,0.0007411785,0.2317466,0.7461192,0.00004921764],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1049835,0.0218941,0.002404207,0.1609195,0.002094425,0.00001607155,0.00003999909,0.00005671214,0.7075916],"genre_scores_gemma":[0.9390388,0.002297139,0.0006484271,0.007802809,0.0009730801,0.00001475041,0.00001038992,0.00003721718,0.0491774],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009627981,"threshold_uncertainty_score":0.04036933,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401075406","doi":"10.5206/mfds-ecfw.v9i1.19627","title":"How to Narrate History to Inspire a Better Future","year":2024,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanity; Dream; State (computer science); Aesthetics; History; Environmental ethics; Taste; Art history; Sociology; Art; Law; Political science; Philosophy; Psychology","authors":[{"name":"Rachel K. Carnell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01183150169300946,"gpt":0.2371425667093115,"spread":0.225311065016302,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003453525,0.000804248,0.0004286395,0.001779886,0.00749901,0.01387699,0.001508796,0.00367899,0.01213611],"category_scores_gemma":[0.01258414,0.0003433048,0.0003495289,0.001263723,0.01690148,0.02418557,0.003291909,0.008104214,0.004103455],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004361713,"about_ca_system_score_gemma":0.003088981,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005886186,"about_ca_topic_score_gemma":0.01102963,"domain_scores_codex":[0.9973848,0.001809323,0.0000601362,0.0001834667,0.0003415725,0.0002205659],"domain_scores_gemma":[0.9968374,0.001671903,0.0002682062,0.0003117787,0.0005726421,0.0003380281],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001914453,0.00001557517,0.0002674324,0.0001124618,0.000009835456,0.0001932803,0.05266365,0.0001340326,0.0002129122,0.7744543,0.1578676,0.01404978],"study_design_scores_gemma":[0.000003932871,0.000007528595,0.000135729,0.0002765799,0.000003852906,0.000151566,0.02131545,0.0001165762,0.0001060912,0.1523232,0.8255462,0.00001329918],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.007354559,0.03360119,0.01933924,0.5189239,0.02023354,0.00008984517,0.0002799615,0.0002872652,0.3998905],"genre_scores_gemma":[0.602713,0.03056881,0.02069593,0.09392104,0.01845076,0.0004524129,0.0003946061,0.001165242,0.2316382],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01387699,"threshold_uncertainty_score":0.04059929,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2972731598","doi":"10.5206/mfds-ecfw.v4i1.8281","title":"Le sublime de Burke. Transpositions : une assignation par la peinture française","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sublime; Philosophy; Art history","authors":[{"name":"Corinne Streicher","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005194464905954598,"gpt":0.2063436848383508,"spread":0.2011492199323962,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001052802,0.0003926039,0.0001948865,0.0007799244,0.008667984,0.004540354,0.0004043047,0.001151135,0.01015791],"category_scores_gemma":[0.002166274,0.0002240318,0.0001350986,0.001119071,0.01326795,0.003926184,0.002591333,0.00191983,0.0008720413],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008233449,"about_ca_system_score_gemma":0.002718734,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1337077,"about_ca_topic_score_gemma":0.1942331,"domain_scores_codex":[0.9988557,0.0005679289,0.00002819812,0.0001796942,0.0001635358,0.0002049728],"domain_scores_gemma":[0.999215,0.0002611575,0.00009083389,0.0000969522,0.0002272946,0.0001086915],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007095623,0.00001076957,0.002658865,0.00008550649,0.000007024359,0.0005097032,0.2182298,0.0001032417,0.00144376,0.7359799,0.008626849,0.0322735],"study_design_scores_gemma":[0.00001440042,0.00004237035,0.01389524,0.0002388696,0.00001421485,0.0006725343,0.09133807,0.0003645316,0.001113533,0.04937898,0.8428762,0.0000511918],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1971996,0.0104973,0.01667271,0.01798981,0.0009456197,0.00006052332,0.0001790569,0.0001365458,0.7563188],"genre_scores_gemma":[0.9204976,0.0009162021,0.001206719,0.0006523505,0.00005033377,0.00002221343,0.00002891158,0.00007760818,0.07654806],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1337077,"threshold_uncertainty_score":0.2658589,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406151873","doi":"10.5206/mfds-ecfw.v10i1.21616","title":"Le burlesque merveilleux de Marivaux","year":2025,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Burlesque; Art; Literature","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006863077325538859,"gpt":0.1945688948898792,"spread":0.1877058175643403,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005265935,0.0004614317,0.0002279188,0.0007772993,0.007124221,0.003567108,0.0006847307,0.001597446,0.01764296],"category_scores_gemma":[0.001318276,0.0003875674,0.0003041061,0.0006610665,0.004184528,0.001452592,0.002345055,0.002892817,0.002068214],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004444281,"about_ca_system_score_gemma":0.003115658,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06072183,"about_ca_topic_score_gemma":0.19157,"domain_scores_codex":[0.9994342,0.0001394279,0.00001424399,0.0000995849,0.0002073094,0.000105131],"domain_scores_gemma":[0.9996992,0.00008511355,0.00003929611,0.00003812813,0.00007768071,0.00006056488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002096898,0.00004180531,0.006972202,0.0004505136,0.00003595066,0.00171027,0.1100322,0.0002980644,0.007484504,0.6573375,0.05028243,0.1651448],"study_design_scores_gemma":[0.000007657968,0.00003362172,0.007711025,0.0002409552,0.000007139462,0.0003462799,0.01100211,0.0001090233,0.0009482853,0.004296347,0.9752773,0.00002024097],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1963806,0.02944926,0.00567952,0.02807047,0.004516135,0.000076089,0.0001714174,0.000185943,0.7354705],"genre_scores_gemma":[0.4736188,0.005808827,0.00246788,0.00171363,0.0004789075,0.00003632946,0.00007019363,0.00016426,0.5156412],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06072183,"threshold_uncertainty_score":0.1207368,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3001643334","doi":"10.5206/mfds-ecfw.v5i1.9447","title":"L’Académie des sciences et des beaux arts des Etats-Unis de l’Amérique","year":2020,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sculpture; Painting; The arts; Art; Humanities; Art history; Political science; Sociology; Visual arts","authors":[{"name":"Reed Benhamou","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07131211771584886,"gpt":0.2998673674576361,"spread":0.2285552497417873,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008371259,0.000297714,0.0001833323,0.0007434732,0.00381831,0.003484714,0.0002238652,0.0008700432,0.01863451],"category_scores_gemma":[0.001929254,0.0001271024,0.0001263117,0.001271816,0.003991954,0.001845205,0.001113526,0.002572314,0.001636346],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00963747,"about_ca_system_score_gemma":0.0118636,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1995732,"about_ca_topic_score_gemma":0.2538295,"domain_scores_codex":[0.9992731,0.0001657984,0.00001671721,0.00007452173,0.0002593348,0.0002105751],"domain_scores_gemma":[0.9990878,0.0003899448,0.00008404933,0.00005449015,0.0002315751,0.0001521632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005451417,0.00003229922,0.005727937,0.0002219428,0.00001897669,0.0003126184,0.0189775,0.0001838508,0.001579106,0.7098539,0.129481,0.1335564],"study_design_scores_gemma":[0.000002531119,0.00000515414,0.008442315,0.00007463203,0.000001408671,0.00007959022,0.001477864,0.00002538532,0.00008327186,0.005543078,0.9842584,0.000006441704],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03798825,0.05152325,0.001246727,0.04634789,0.00271115,0.00001459097,0.0002589004,0.00005041281,0.8598588],"genre_scores_gemma":[0.5792411,0.03165679,0.002210582,0.006391741,0.002043369,0.00004625366,0.000253136,0.0000976415,0.3780594],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1995732,"threshold_uncertainty_score":0.396823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2881778071","doi":"10.5206/mfds-ecfw.v3i1.4374","title":"L’écriture et le problème de l’ancienne histoire chinoise","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Yan Wang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01403856020477888,"gpt":0.2416138122758364,"spread":0.2275752520710576,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001325177,0.0003838388,0.0001999105,0.0008274303,0.007776422,0.007737613,0.0007079949,0.001873938,0.006866311],"category_scores_gemma":[0.001697497,0.0001760409,0.0001985638,0.001617083,0.01862016,0.002271389,0.002677183,0.002400026,0.0005284013],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007880098,"about_ca_system_score_gemma":0.006201833,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.13097,"about_ca_topic_score_gemma":0.2300968,"domain_scores_codex":[0.9990023,0.0004669798,0.0000191806,0.0001183196,0.0002065041,0.0001867165],"domain_scores_gemma":[0.9992515,0.0003172103,0.00009353318,0.00009867944,0.0001527074,0.0000863501],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000377997,0.000008361757,0.00383258,0.0001127055,0.00001367194,0.0004465445,0.07593041,0.0001383857,0.001271173,0.8819847,0.01182211,0.02440162],"study_design_scores_gemma":[0.00001335536,0.00003535726,0.02045049,0.0002852123,0.00002709847,0.0005794163,0.06380428,0.0003144064,0.001314834,0.08147299,0.831655,0.0000475877],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2385433,0.02024063,0.004673609,0.06535859,0.00115621,0.00006322579,0.0001875283,0.00007381868,0.6697032],"genre_scores_gemma":[0.8718954,0.004346866,0.0009274429,0.002903845,0.0002392736,0.00004261034,0.00004458917,0.00004452679,0.1195554],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.13097,"threshold_uncertainty_score":0.2604152,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2800771663","doi":"10.5206/mfds-ecfw.v3i1.1694","title":"La veillée en prison dans Amélie (1762) de Mme Riccoboni ou le pouvoir de la causerie amicale","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Royal Military College of Canada","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Isabelle Tremblay","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007919617849519946,"gpt":0.2499101700529029,"spread":0.2419905522033829,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038431,0.0003768649,0.0001539897,0.0002544073,0.004825266,0.001692498,0.0003411319,0.001181433,0.006904329],"category_scores_gemma":[0.0007456011,0.000160567,0.0001344704,0.0003024516,0.003553848,0.000806447,0.001482307,0.002228103,0.0007872041],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004755218,"about_ca_system_score_gemma":0.002096212,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1064096,"about_ca_topic_score_gemma":0.3112508,"domain_scores_codex":[0.9996262,0.000141695,0.000009236951,0.0000498614,0.00004529691,0.0001276903],"domain_scores_gemma":[0.9998854,0.00004121298,0.00002283413,0.00001006158,0.00001894801,0.00002143499],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002146192,0.00002884834,0.005377284,0.0003261693,0.00001449226,0.00263616,0.4661234,0.0001728071,0.00425066,0.4203096,0.04835752,0.05218843],"study_design_scores_gemma":[0.000007581271,0.00003677663,0.01172698,0.0001765263,0.000007044748,0.0005216678,0.04816212,0.00005574271,0.001067054,0.001688187,0.9365253,0.00002496689],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3629905,0.01576696,0.001659479,0.02519372,0.001186604,0.0001333346,0.0002866662,0.00008734967,0.5926954],"genre_scores_gemma":[0.784798,0.001784812,0.000451739,0.002223437,0.00009639204,0.00006638993,0.00004283809,0.00004380932,0.2104927],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1064096,"threshold_uncertainty_score":0.2115804,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3201987562","doi":"10.5206/mfdsecfw.v6i2.14236","title":"Les ailes de Calomnie. L’actualisation de l’allégorie de la Fama antique dans la scène 8 de l’acte II du Barbier de Séville de Beaumarchais","year":2021,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Maxime Triquenaux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01562984908732237,"gpt":0.2485441255848625,"spread":0.2329142764975401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004672189,0.0003046871,0.0001333724,0.0004998563,0.005845728,0.003374612,0.000451613,0.00111332,0.00519019],"category_scores_gemma":[0.001054048,0.0001544656,0.0001191456,0.000788157,0.009706579,0.0009259277,0.001140376,0.002348133,0.0005548582],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01270223,"about_ca_system_score_gemma":0.005585937,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3847679,"about_ca_topic_score_gemma":0.6396803,"domain_scores_codex":[0.9995363,0.0001804716,0.000006027278,0.00007330854,0.00009487374,0.0001090012],"domain_scores_gemma":[0.999803,0.00007978211,0.0000254997,0.00001414629,0.00004537575,0.00003211249],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008042301,0.00001261964,0.001397536,0.0001055887,0.000005109612,0.0003785001,0.1603963,0.0001655843,0.001022347,0.796537,0.02230426,0.01759474],"study_design_scores_gemma":[0.00001425082,0.00002490289,0.008826912,0.0002745601,0.000006330394,0.0001474111,0.03611757,0.0001151039,0.0004743263,0.01230161,0.9416807,0.00001625018],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09493391,0.0109922,0.001268205,0.01685027,0.0006249291,0.00002296758,0.0001337689,0.0000308549,0.8751428],"genre_scores_gemma":[0.766891,0.001775105,0.0004633128,0.00124919,0.00009197417,0.00002282427,0.00005615489,0.00003946245,0.2294111],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3847679,"threshold_uncertainty_score":0.7650567,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3100187078","doi":"10.5206/mfds-ecfw.v5i1.11149","title":"Modalités du paysage écrit entre Adam Smith et Rousseau","year":2020,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Sublime; Art history","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01899801863272553,"gpt":0.2337364861310159,"spread":0.2147384674982903,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002481631,0.00047292,0.0002611403,0.0008634573,0.005728388,0.004312685,0.0004587485,0.002019912,0.004595263],"category_scores_gemma":[0.003378526,0.0002441038,0.0002364478,0.0009855382,0.01585749,0.002769524,0.001953273,0.003036365,0.000589982],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006365564,"about_ca_system_score_gemma":0.001971969,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02021142,"about_ca_topic_score_gemma":0.02940911,"domain_scores_codex":[0.9971029,0.001758094,0.00007679542,0.0003482634,0.0004029372,0.0003109885],"domain_scores_gemma":[0.9987152,0.0007329112,0.0001441824,0.00009087248,0.0002223107,0.00009459937],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001984025,0.000003464558,0.0003068623,0.00002119025,0.000002439237,0.0001418581,0.037861,0.00004925236,0.0001678255,0.9555318,0.002384562,0.003510046],"study_design_scores_gemma":[0.00001476584,0.0000477097,0.004166268,0.000321931,0.00001227236,0.0008103478,0.03304276,0.0002861403,0.0009660137,0.1237539,0.8365358,0.00004228027],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1465457,0.011744,0.009988654,0.02084586,0.0007815538,0.00003642656,0.0001101141,0.0000884404,0.8098593],"genre_scores_gemma":[0.9346481,0.001294511,0.001236234,0.001034996,0.0001524326,0.00002979263,0.00001943404,0.0000462799,0.06153822],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02021142,"threshold_uncertainty_score":0.04618561,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2856984334","doi":"10.5206/mfds-ecfw.v3i1.4368","title":"Mickey et Voltaire : commentaire de lecture de Garry Apgar, Mickey Mouse Emblem of the American Spirit","year":2018,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Emblem; Humanities; Literature","authors":[{"name":"Servanne Woodward","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00962449087330803,"gpt":0.2354770121648218,"spread":0.2258525212915138,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002926917,0.001066544,0.0007128994,0.0009484089,0.0146939,0.006860729,0.001778712,0.008447628,0.006185241],"category_scores_gemma":[0.007184395,0.0005463363,0.000624988,0.001070072,0.01046208,0.008718024,0.003978852,0.02069984,0.002296827],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006640402,"about_ca_system_score_gemma":0.005570369,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06391543,"about_ca_topic_score_gemma":0.1090527,"domain_scores_codex":[0.9974299,0.001251221,0.00009459491,0.0004073578,0.000447272,0.0003695172],"domain_scores_gemma":[0.9975407,0.001503424,0.000164725,0.00005610706,0.0003924152,0.000342638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001895603,0.00001579894,0.0001568072,0.0001082704,0.00000622723,0.0005006398,0.03381635,0.00002236199,0.0001365186,0.01868793,0.9409132,0.005616863],"study_design_scores_gemma":[0.000003306222,0.000008089071,0.0003460552,0.0001913256,0.000003377469,0.0002349817,0.01289736,0.00001632522,0.0000701854,0.001355006,0.9848599,0.00001408437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.002365898,0.06256635,0.0001717799,0.8648322,0.05194194,0.00001419035,0.00004864458,0.00002472705,0.01803421],"genre_scores_gemma":[0.07777505,0.06681649,0.000372199,0.6524339,0.06295607,0.000118113,0.00005593083,0.0002170857,0.1392552],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06391543,"threshold_uncertainty_score":0.1270868,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3115473851","doi":"10.5206/mfds-ecfw.v5i1.13475","title":"Introduction—on and off Topic","year":2020,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanism; The Renaissance; Independence (probability theory); Politics; History; Classics; Art history; Economic history; Political science; Law","authors":[{"name":"P Hélène","is_ca":false},{"name":"Pierre-François Peirano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0124634450835755,"gpt":0.2347336008076604,"spread":0.2222701557240849,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001386681,0.0007349713,0.0007000854,0.00186329,0.002089462,0.007851025,0.001663075,0.00354783,0.2693693],"category_scores_gemma":[0.006056032,0.0002727214,0.0005750988,0.001697399,0.001736881,0.005857975,0.003674458,0.004240252,0.1705308],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00208152,"about_ca_system_score_gemma":0.002368693,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00212646,"about_ca_topic_score_gemma":0.002731153,"domain_scores_codex":[0.998956,0.0001706816,0.00005529062,0.0002486774,0.0004116506,0.0001576679],"domain_scores_gemma":[0.996992,0.0004888989,0.0001453004,0.0002406533,0.001174574,0.0009584927],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001422153,0.0000115431,0.00005827421,0.0001260229,0.000001859053,0.00002856465,0.00005664896,0.00001106829,0.0001234075,0.004974035,0.9671669,0.0274275],"study_design_scores_gemma":[0.000001487196,0.000004075903,0.0001517838,0.000149298,8.556872e-7,0.00002373386,0.00007674729,0.000008932108,0.00002410064,0.001133739,0.9984232,0.000002084769],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.0007920768,0.0414619,0.001176601,0.1520595,0.5869718,0.0000933899,0.001722654,0.0004991649,0.2152229],"genre_scores_gemma":[0.008103698,0.02704409,0.0007175559,0.07773457,0.2982911,0.00009625626,0.001965852,0.0005793741,0.5854676],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.2693693,"threshold_uncertainty_score":0.9011301,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4321445372","doi":"10.5206/mfds-ecfw.v7i1.16068","title":"Ferdinand Georg Waldmüller, un destin encore inaccompli","year":2023,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","authors":[{"name":"Corinne Streicher","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01842780371696571,"gpt":0.2028312035815102,"spread":0.1844033998645445,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001283189,0.0008420997,0.0004107186,0.0006888115,0.004812903,0.003927925,0.001138457,0.004707369,0.01694494],"category_scores_gemma":[0.006739204,0.0002800553,0.0002961979,0.0008684129,0.003887873,0.005746916,0.001778663,0.006963041,0.006435422],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003068483,"about_ca_system_score_gemma":0.00207848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03801891,"about_ca_topic_score_gemma":0.06662828,"domain_scores_codex":[0.9982166,0.0005527844,0.00005489685,0.0004145692,0.0005342459,0.0002268874],"domain_scores_gemma":[0.998322,0.00104251,0.0001549792,0.00007299025,0.0003336981,0.00007390947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004031307,0.00001091996,0.0002969038,0.0001835249,0.00001063545,0.0002539568,0.006231503,0.00008285473,0.0003177598,0.1494911,0.8291688,0.01391179],"study_design_scores_gemma":[0.000002687196,0.000004156425,0.000441501,0.0001375376,0.00000244056,0.00007271204,0.001257647,0.00002094766,0.000187274,0.006093627,0.9917693,0.00001030995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.00616883,0.1126678,0.0025671,0.6218646,0.02881181,0.00003553961,0.0006378898,0.0001688147,0.2270777],"genre_scores_gemma":[0.1557505,0.04532607,0.001637198,0.3023005,0.01499625,0.0001640431,0.0004011603,0.0005512923,0.478873],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03801891,"threshold_uncertainty_score":0.07559526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2980497475","doi":"10.5206/mfds-ecfw.v4i1.8395","title":"L’énigme, une clef d’interprétation de l’architecture ?","year":2019,"lang":"fr","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Timothée Léchot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006031188294249659,"gpt":0.2219625049104239,"spread":0.2159313166161742,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003809817,0.001215655,0.0006349403,0.001902828,0.008099589,0.0163679,0.001332497,0.003189808,0.008262391],"category_scores_gemma":[0.004931502,0.0005081691,0.0005676724,0.001563998,0.04469809,0.01715981,0.004886516,0.006692546,0.002177318],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009024253,"about_ca_system_score_gemma":0.005043002,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01369616,"about_ca_topic_score_gemma":0.01293268,"domain_scores_codex":[0.99541,0.002635095,0.0001285085,0.0007310066,0.0006819695,0.00041343],"domain_scores_gemma":[0.9981285,0.0007046852,0.0001686451,0.0004856796,0.0003555332,0.0001570477],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001465391,0.000004759275,0.0003344215,0.00005909334,0.000006133012,0.0001001497,0.03298818,0.0001787114,0.0001806488,0.9506949,0.006842861,0.008595375],"study_design_scores_gemma":[0.000007693091,0.00002052115,0.000719251,0.0003226913,0.00001022981,0.0003122269,0.02572853,0.0004644542,0.0002684842,0.3105085,0.6616103,0.00002724908],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05611278,0.0320936,0.07362856,0.1228167,0.005692031,0.00007429183,0.0003003082,0.0004556309,0.7088261],"genre_scores_gemma":[0.8104121,0.01347575,0.01372629,0.007748744,0.00218528,0.0001523585,0.0002362333,0.0008265713,0.1512366],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0163679,"threshold_uncertainty_score":0.06547582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391597679","doi":"10.5206/mfds-ecfw.v9i1.17534","title":"Stenger, Gerhardt. Le Triomphe des lumières. Perrin, 2024","year":2024,"lang":"en","type":"article","venue":"Le Monde français du dix-huitième siècle","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Philosophy","authors":[{"name":"Servanne Woodward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01582092323054888,"gpt":0.247680060775192,"spread":0.2318591375446431,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004693734,0.001047759,0.0005312514,0.001588342,0.002508766,0.006098097,0.0007066308,0.003074485,0.1506843],"category_scores_gemma":[0.001164848,0.000545181,0.0002085895,0.002953882,0.001687755,0.004661665,0.002187318,0.002611082,0.1017105],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003184389,"about_ca_system_score_gemma":0.001680591,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009838873,"about_ca_topic_score_gemma":0.0120032,"domain_scores_codex":[0.999418,0.0001104241,0.00002653733,0.0001155114,0.000224521,0.0001048756],"domain_scores_gemma":[0.9998338,0.00004036219,0.00002120451,0.00001326055,0.00004588832,0.00004543881],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001933228,0.00001306579,0.00008612459,0.0001379954,0.000001507175,0.00006502581,0.0004441331,0.00003879852,0.0000504733,0.0258765,0.9033807,0.06988634],"study_design_scores_gemma":[0.000001016802,0.000002223373,0.0001496581,0.00008308765,3.549365e-7,0.00004274902,0.0001007939,0.000004064076,0.0000141466,0.0005552322,0.9990451,0.000001592593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.0009781611,0.3038465,0.0002359925,0.05316491,0.01665262,0.00002236991,0.0006478702,0.0001996385,0.624252],"genre_scores_gemma":[0.00908818,0.06634583,0.0001367122,0.004714395,0.002912151,0.00003372896,0.0002242373,0.0001630831,0.9163817],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.1506843,"threshold_uncertainty_score":0.5040891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}