{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":22,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":22,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"d089123a7f90","filters":{"venue":"Le Simplegadi"}},"results":[{"id":"W3195105420","doi":"","title":"Postcolonial Antarctica and the Memory of the Empire of Ice","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Polar Research and Ecology","field":"Environmental Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Art history; History; Geography","retraction":null,"screen_n_in":null,"score":{"opus":0.005153835489660571,"gpt":0.2239607347356938,"spread":0.2188068992460332,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004711958,0.00004138334,0.00009758714,0.000006980566,0.0001127259,0.000005021168,0.0002495577,0.00002704686,0.000276322],"category_scores_gemma":[0.0002906468,0.00002176017,0.00003633554,0.00007888716,0.0009340197,0.00005150342,0.000283612,0.00008702838,0.00001860662],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001258896,"about_ca_system_score_gemma":0.00001548292,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004356289,"about_ca_topic_score_gemma":0.002489211,"domain_scores_codex":[0.9993436,0.0001698974,0.0000984476,0.00008784163,0.0001339423,0.0001663109],"domain_scores_gemma":[0.9994192,0.0002764572,0.0000476444,0.000214682,0.000004063144,0.00003791865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0009760577,0.0003193349,0.8143561,0.0001019462,0.0001117482,0.000004769438,0.005882503,0.0003050007,0.08237205,0.03336882,0.0184567,0.04374499],"study_design_scores_gemma":[0.001665025,0.0001799341,0.9299008,0.000005030903,0.000015248,0.00001534733,0.0001715396,0.001441577,0.01177117,0.005366098,0.04938725,0.00008094223],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9799476,0.00002155646,0.0000137638,0.005488821,0.00004040467,0.0001351032,0.000004614824,0.00000299351,0.01434518],"genre_scores_gemma":[0.9991999,0.000006615178,0.00003646389,0.0004557214,0.00001881545,0.000003493876,3.560362e-7,0.000003360732,0.0002752747],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1155448,"threshold_uncertainty_score":0.6585434,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3199685459","doi":"","title":"Il paradosso della traduzione in “Die Aufgabe des Übersetzers” (Il compito del traduttore) di Walter Benjamin","year":2007,"lang":"it","type":"article","venue":"Le Simplegadi","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Translation studies; Philosophy; Humanities; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.05673020634988692,"gpt":0.2685708720910906,"spread":0.2118406657412037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001118199,0.001011204,0.001199707,0.0005964612,0.001603215,0.0005628522,0.0006886097,0.0003349441,0.0006380368],"category_scores_gemma":[0.0001086654,0.00105464,0.000427661,0.0003932433,0.001327532,0.0008859299,0.0002533132,0.0008613758,0.0003632353],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006039091,"about_ca_system_score_gemma":0.0002097289,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005242904,"about_ca_topic_score_gemma":0.02911218,"domain_scores_codex":[0.9938701,0.0002888497,0.001844736,0.001150801,0.0007912001,0.002054253],"domain_scores_gemma":[0.9971772,0.0007228861,0.0004652746,0.0008500473,0.0002587679,0.0005257798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001868223,0.00473345,0.1003496,0.001546781,0.001915824,0.001540552,0.3502377,0.001959952,0.001127656,0.407589,0.05068235,0.07644891],"study_design_scores_gemma":[0.007478837,0.0008585292,0.2602686,0.0005443546,0.0004165863,0.00005105812,0.0276221,0.005760403,0.0008843837,0.008621019,0.6846725,0.002821682],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9438892,0.005546369,0.002082286,0.001863966,0.002429673,0.001188831,0.0006577147,0.0002689818,0.04207296],"genre_scores_gemma":[0.9898579,0.0005421752,0.0004002737,0.0008578341,0.002328919,0.0000423191,0.0002884681,0.0001837937,0.005498356],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6339902,"threshold_uncertainty_score":0.9996966,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3187069372","doi":"","title":"The Creative Word in Atwood’s The Robber Bride: Towards New Female Identities","year":2013,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Identity (music); Mythology; Power (physics); Art; Gender studies; Art history; Sociology; Literature; History; Humanities; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.03142779000811567,"gpt":0.2374651712019184,"spread":0.2060373811938027,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001857758,0.0001720831,0.0001718686,0.00005425461,0.0008817964,0.0007781274,0.0002814839,0.00004220188,0.003587795],"category_scores_gemma":[0.00006332883,0.00009973396,0.0001141223,0.00007133529,0.0003201618,0.0005589567,0.00006496966,0.0002157274,0.0003554515],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006753564,"about_ca_system_score_gemma":0.00009559921,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04183855,"about_ca_topic_score_gemma":0.0541677,"domain_scores_codex":[0.998836,0.0001157125,0.000282244,0.0002030386,0.0002053589,0.0003576246],"domain_scores_gemma":[0.9993087,0.000154822,0.00009100864,0.0002985553,0.00009708245,0.00004983136],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007106801,0.00001862488,0.0006542467,0.000005104473,0.00003217105,0.000002248631,0.02285866,0.00001590132,0.000006609037,0.9499093,0.01782399,0.00866603],"study_design_scores_gemma":[0.0002654221,0.00003359322,0.0408411,0.00002062585,0.00001137649,0.000002850292,0.005145893,0.0001183141,0.00005993924,0.03105938,0.9222829,0.0001585748],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6692888,0.0001512671,0.00008568775,0.006132454,0.0008632261,0.0005263658,0.0000125034,0.00007262427,0.3228671],"genre_scores_gemma":[0.3938938,0.00004494735,0.00001055477,0.0003429448,0.0007839333,0.00004730863,0.000006676785,0.0000147578,0.6048551],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9188499,"threshold_uncertainty_score":0.997323,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2771471649","doi":"10.17456/simple-64","title":"Floating / Travelling Gardens of (Post)colonial Time","year":2017,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"African history and culture analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Environmental science","retraction":null,"screen_n_in":null,"score":{"opus":0.01765289032328738,"gpt":0.2855960113150738,"spread":0.2679431209917865,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004072163,0.0000635161,0.0001688361,0.00002631061,0.001834654,0.00006512881,0.0003640193,0.00006901924,0.0007890004],"category_scores_gemma":[0.0003203334,0.00006298656,0.000128136,0.00005279356,0.000318254,0.0001235266,0.00002705716,0.00007925438,0.00009770121],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000038381,"about_ca_system_score_gemma":0.0001456623,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004924932,"about_ca_topic_score_gemma":0.006374971,"domain_scores_codex":[0.9992263,0.00007941782,0.0001502751,0.00013794,0.0002011967,0.0002049194],"domain_scores_gemma":[0.9993328,0.00005271501,0.0002037843,0.0002376865,0.00009908962,0.00007385641],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001654056,0.0004499648,0.01524661,0.000080169,0.0006695852,0.0001127842,0.6638885,0.000291236,0.07101946,0.1543344,0.06388914,0.02985282],"study_design_scores_gemma":[0.0003263113,0.00006235243,0.003317134,0.00002081338,0.0001119151,8.907273e-7,0.007905915,0.0001449013,0.001489423,0.001587467,0.9847561,0.0002767704],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4837448,0.00007094002,0.0001246868,0.001684189,0.0001585695,0.00009896423,0.00001166905,0.00004453467,0.5140617],"genre_scores_gemma":[0.9708197,0.000004917848,0.0002512063,0.00006467589,0.0003434778,0.000001177978,0.000002548324,0.000005852869,0.02850642],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.920867,"threshold_uncertainty_score":0.9994648,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194737409","doi":"","title":"In conversation with David Malouf","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"South African History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Conversation; Art history; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01026362357348502,"gpt":0.2443059368304144,"spread":0.2340423132569294,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002366243,0.00004335355,0.00006432541,0.000025712,0.0001666489,0.0000196024,0.0000903813,0.00004614413,0.0002202487],"category_scores_gemma":[0.00005995518,0.00003810324,0.00001430918,0.0001826852,0.0001146002,0.0001777916,0.000004910684,0.00006874105,0.00007436374],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005396692,"about_ca_system_score_gemma":0.00007848023,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001365766,"about_ca_topic_score_gemma":0.005213331,"domain_scores_codex":[0.9994473,0.0001046757,0.00005932423,0.0001080116,0.0001276304,0.0001530233],"domain_scores_gemma":[0.999778,0.00003580456,0.00002999057,0.00008003789,0.00002122024,0.00005494372],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005309411,0.000054576,0.05124621,0.00001044063,0.000008602683,0.00001193223,0.2885732,0.00004208901,0.0001407989,0.6469356,0.01135376,0.001569644],"study_design_scores_gemma":[0.000326444,0.00002728194,0.003570498,0.000004051332,0.000003092064,4.824381e-7,0.01732255,0.0000164701,0.00002741465,0.0015238,0.9770918,0.00008611004],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6886156,0.0000276398,0.0003509785,0.005649006,0.0002783519,0.000199942,0.000003102921,0.00009006193,0.3047853],"genre_scores_gemma":[0.9950495,6.723619e-7,0.00008582141,0.0007253651,0.0001649071,0.000007330294,0.00000275678,0.000004089679,0.003959572],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9657381,"threshold_uncertainty_score":0.2909161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194066788","doi":"","title":"‘A Kind of Blessing’: David Malouf and the Spirit of the Embodied Word","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Blessing; Opera; Philosophy; Art history; Art; Theology","retraction":null,"screen_n_in":null,"score":{"opus":0.01027251740935655,"gpt":0.2049553571584478,"spread":0.1946828397490913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003384817,0.00009849793,0.0002526951,0.00003965088,0.0002188726,0.00009795908,0.0002954289,0.00003127133,0.000314887],"category_scores_gemma":[0.00006728582,0.00004966029,0.0001344081,0.00005660708,0.0009372376,0.00009248621,0.000102247,0.0001170814,0.000002558251],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000425743,"about_ca_system_score_gemma":0.00001613639,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000436134,"about_ca_topic_score_gemma":0.0009263089,"domain_scores_codex":[0.9992219,0.0001235943,0.0002567144,0.0001205079,0.0001471401,0.0001301904],"domain_scores_gemma":[0.9990657,0.0002058215,0.000188346,0.0004510571,0.00006974395,0.00001934025],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000276002,0.00001854528,0.0004406651,0.00003380572,0.0000702534,1.424794e-7,0.01605825,0.000004214016,0.00007968733,0.9777074,0.002297284,0.003262138],"study_design_scores_gemma":[0.0008183219,0.00002354845,0.000916719,0.00005436363,0.0001492827,0.00000179204,0.001368537,0.0001968367,0.0006755822,0.04289014,0.9528002,0.0001046447],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4822383,0.001336214,0.0000820808,0.009813203,0.000618667,0.0003355895,0.00007493442,0.00003640274,0.5054646],"genre_scores_gemma":[0.9928641,0.000003682082,0.00004818085,0.000505007,0.0002864268,0.000003871596,0.000003187576,0.00001118213,0.006274348],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9505029,"threshold_uncertainty_score":0.3453291,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194137069","doi":"","title":"“Snapshots of Caliban”: Suniti Namjoshi’s ‘Contrapuntal Rewriting’ of The Tempest","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tempest; Subversion; Art; Poetry; Literature; Art history; Humanities; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.01107895126503271,"gpt":0.1730200750589191,"spread":0.1619411237938864,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001176218,0.0001204281,0.0002484747,0.00002342679,0.0003189152,0.00003578463,0.0002264395,0.00003032747,0.0002332185],"category_scores_gemma":[0.00005834872,0.00007183505,0.0001435554,0.00004207965,0.0004208995,0.0001592753,0.00007428788,0.00009558597,0.000006278213],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007339767,"about_ca_system_score_gemma":0.00002153945,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001857634,"about_ca_topic_score_gemma":0.003158531,"domain_scores_codex":[0.9991656,0.00007533457,0.0002953588,0.0001192507,0.0001487386,0.000195731],"domain_scores_gemma":[0.9994267,0.00009963408,0.0001455772,0.0001855903,0.0001105066,0.00003201058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002878182,0.00007954814,0.00329059,0.00008864893,0.00006577268,0.000001064207,0.0195076,0.000001421211,0.001372523,0.9671015,0.006822401,0.001640126],"study_design_scores_gemma":[0.0005661209,0.0001698879,0.01440137,0.00009613703,0.00003577102,0.000004898714,0.003935347,0.00002310379,0.003980813,0.005465583,0.9711314,0.000189576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8138576,0.0001664898,7.666794e-7,0.001507541,0.0003177172,0.0001330703,0.0001589272,0.0000248053,0.183833],"genre_scores_gemma":[0.9930862,0.000004232835,0.000007380553,0.0004746632,0.0003790128,0.000007182548,0.00001408666,0.000009194276,0.00601801],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.964309,"threshold_uncertainty_score":0.2929348,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3199421865","doi":"","title":"Introducing a Language Portfolio to Motivate High School Students","year":2005,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Reflective Practices in Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Learner autonomy; Portfolio; Foreign language; Language education; Language assessment; Pedagogy; Metacognition; Language acquisition; Vocational education; Psychology; Mathematics education; Sociology; Comprehension approach; Cognition","retraction":null,"screen_n_in":null,"score":{"opus":0.01512388281915037,"gpt":0.3962039227962576,"spread":0.3810800399771072,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001002686,0.00009945807,0.0001219272,0.0001345629,0.0004242206,0.0002441292,0.0004529697,0.00005830017,0.001060878],"category_scores_gemma":[0.001871518,0.0001064466,0.00003537887,0.0005206915,0.00004991441,0.0008125846,0.00009577575,0.0001908214,0.0008452794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004444692,"about_ca_system_score_gemma":0.0002847647,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01524599,"about_ca_topic_score_gemma":0.00448544,"domain_scores_codex":[0.9983858,0.000233965,0.0001869738,0.0003164767,0.0004870848,0.0003896309],"domain_scores_gemma":[0.9991286,0.0001276241,0.0001024648,0.0002999585,0.00009595849,0.0002453573],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001042669,0.001057794,0.3822658,0.00001963453,0.0001843665,0.00002645248,0.1935443,0.001184517,0.01287665,0.0700364,0.08613973,0.2525601],"study_design_scores_gemma":[0.0003391097,0.00004344722,0.1258662,0.00001420929,0.00001842436,0.000002010679,0.01365776,0.000008479038,0.002780677,0.001018479,0.8559908,0.0002603397],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8868726,0.00005116005,0.0004087561,0.01215149,0.0005662675,0.0003374643,0.000002265157,0.0001095324,0.09950049],"genre_scores_gemma":[0.9783863,0.0000156061,0.006267889,0.001768249,0.002558351,0.00003845899,0.00000450524,0.0000183147,0.0109423],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7698511,"threshold_uncertainty_score":0.9999327,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3201966448","doi":"","title":"The Fiction of Bolwar Mahamad Kunhi","year":2012,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Indian History and Philosophy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sustenance; Face (sociological concept); Quarter (Canadian coin); Aesthetics; Literature; History; Art; Sociology; Political science; Social science; Law; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.02975320431216644,"gpt":0.2066401449682388,"spread":0.1768869406560723,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001500621,0.00006001809,0.00006862866,0.00002561236,0.0005846733,0.0000272319,0.00009037789,0.00002285471,0.0005863215],"category_scores_gemma":[0.00000899084,0.00004296437,0.00005958301,0.00001631553,0.0001549055,0.0001992451,0.00001223494,0.00007521186,0.0001315006],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001535266,"about_ca_system_score_gemma":0.00001592928,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001983782,"about_ca_topic_score_gemma":0.0001716945,"domain_scores_codex":[0.9995408,0.00003363297,0.0001236562,0.00005189009,0.0000745244,0.0001755034],"domain_scores_gemma":[0.9996638,0.00005531904,0.00005917516,0.0001549702,0.00003103062,0.00003571112],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001162207,0.00003046202,0.0001937936,0.00001022926,0.00001354513,1.854073e-7,0.03426611,6.17833e-7,0.00004207958,0.9354036,0.02924937,0.0007783466],"study_design_scores_gemma":[0.00008047863,0.00002417363,0.0002599248,0.000003153403,0.000007507179,0.000001299391,0.0005956316,0.000002714438,0.0002395255,0.004129626,0.9945968,0.00005920526],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1383601,0.0008336171,0.000009957773,0.000705098,0.002150996,0.0001147212,0.00004149952,0.00004726219,0.8577368],"genre_scores_gemma":[0.9889399,0.000006493861,0.000006024614,0.0001594877,0.001575198,0.000006112507,0.000007788819,0.000009151799,0.009289806],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9653474,"threshold_uncertainty_score":0.6419809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204216697","doi":"","title":"The Suspension of Experience and Modern Literature","year":2005,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.04086065141439571,"gpt":0.2679391971606034,"spread":0.2270785457462077,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009249902,0.00007165021,0.00008771786,0.00001963935,0.0004284247,0.0001678813,0.000107402,0.00003525763,0.00004018825],"category_scores_gemma":[0.00002105953,0.00004734859,0.0000376966,0.00001437259,0.0003635086,0.0002175429,0.00004076574,0.0001161026,0.000006165053],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004833732,"about_ca_system_score_gemma":0.00001377207,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001583035,"about_ca_topic_score_gemma":0.0008058331,"domain_scores_codex":[0.9994941,0.00002420874,0.0001330839,0.000111196,0.0001067261,0.0001307032],"domain_scores_gemma":[0.9996215,0.00005340401,0.00004468652,0.0001724192,0.0000740964,0.00003387674],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001536796,0.00001502764,0.00001388184,0.00001265838,0.000007388121,0.000001586519,0.1389658,0.000002412869,0.0004870236,0.8548398,0.001610441,0.004028648],"study_design_scores_gemma":[0.0002326325,0.0000336476,0.00007424851,0.00003192526,0.000006650483,0.000006272257,0.002488927,0.0005718306,0.0009133613,0.1154117,0.8801149,0.0001139527],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8226428,0.005152002,0.00002536714,0.01435398,0.0006968493,0.0001710285,0.00004321551,0.00006409562,0.1568506],"genre_scores_gemma":[0.9948262,0.0001112198,0.00002397578,0.0005092577,0.0007424679,0.000003765633,0.00000536562,0.000007805064,0.003769947],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8785045,"threshold_uncertainty_score":0.329514,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3042326664","doi":"","title":"Practices of Proximity: Intersubjective Relations in the Australian Literary Contact Zone","year":2007,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Brewster; Indigenous; Subject (documents); Art history; Silence; Sociology; Miami; White (mutation); Art; History; Media studies; Aesthetics; Library science","retraction":null,"screen_n_in":null,"score":{"opus":0.05676689319921878,"gpt":0.3652588875155595,"spread":0.3084919943163407,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002171752,0.00007156363,0.0001177016,0.00005559744,0.0003408557,0.00003526356,0.0002483519,0.0001099157,0.0001170052],"category_scores_gemma":[0.0003818083,0.00006079138,0.00007920531,0.0004393961,0.0002500661,0.0007172168,0.00001393101,0.0003058414,0.00001209412],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001354457,"about_ca_system_score_gemma":0.0001890321,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01056382,"about_ca_topic_score_gemma":0.0139223,"domain_scores_codex":[0.9987873,0.0003454786,0.0002417204,0.0001410403,0.0002286616,0.0002557447],"domain_scores_gemma":[0.9988657,0.0005813571,0.0002958323,0.0001513047,0.000052249,0.0000535425],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007696958,0.0002659934,0.158911,0.00001919885,0.00004110347,0.00004377091,0.5212999,0.000003037202,0.0002987576,0.3060465,0.01146271,0.001531121],"study_design_scores_gemma":[0.0004463324,0.000104815,0.2272764,0.00003510467,0.00002435927,0.000004374466,0.1537002,0.000002663812,0.0002079083,0.003594672,0.6144311,0.0001720614],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9100392,0.00005025021,0.000314739,0.005340855,0.0002128189,0.0004796125,0.00001252542,0.00003579618,0.08351417],"genre_scores_gemma":[0.9929744,0.000005784728,0.0002443789,0.0002357667,0.0001230397,0.000007690121,0.000005441757,0.000004954206,0.006398571],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6029685,"threshold_uncertainty_score":0.9960249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3189207990","doi":"","title":"A Deceptive Initiation: An Ecological Paradigm in Howard O’Hagan’s","year":2017,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ecology; Environmental ethics; Philosophy; Biology","retraction":null,"screen_n_in":null,"score":{"opus":0.05846775201382033,"gpt":0.2943315660726292,"spread":0.2358638140588089,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002200931,0.0001709081,0.0002755549,0.00008034684,0.001102353,0.0005225688,0.0003487069,0.00009005402,0.0006669494],"category_scores_gemma":[0.0001399879,0.0001385973,0.00007078454,0.00001725678,0.0006156694,0.0006801246,0.00009689428,0.0002357628,0.00009341554],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003025837,"about_ca_system_score_gemma":0.00004148713,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000433272,"about_ca_topic_score_gemma":0.01882371,"domain_scores_codex":[0.9989372,0.00009441828,0.0002154802,0.0003182691,0.00009674256,0.0003379221],"domain_scores_gemma":[0.9992778,0.00007461331,0.0001175389,0.00040568,0.00005662911,0.00006771103],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004131614,0.0001912754,0.005719158,0.00001081021,0.00002838138,0.0001125867,0.05137916,0.000001593164,0.000004912938,0.9330314,0.008280357,0.001199],"study_design_scores_gemma":[0.0009062861,0.0003243297,0.2143499,0.00001660002,0.00001551558,0.00001137441,0.006697689,0.00002963994,0.00001679091,0.0422253,0.7350981,0.0003085233],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6119466,0.0003122157,0.00001061754,0.006537564,0.001070412,0.000260235,0.00007590512,0.0001078746,0.3796785],"genre_scores_gemma":[0.9956341,0.0000212849,0.00007170343,0.001271392,0.001146325,0.0000528112,0.00003660837,0.00001429902,0.00175146],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8908061,"threshold_uncertainty_score":0.9990802,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194162644","doi":"","title":"Alice Munro’s Ecosophy: from “Walker Brothers Cowboy” (1968) to “Dear Life” (2012)","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; Encyclopedia; Alice (programming language); Sociology; Media studies; Art; Law; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.01193768243373671,"gpt":0.2064327583318423,"spread":0.1944950758981056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001613537,0.0003101877,0.000344909,0.00008028383,0.000436804,0.0004373592,0.000497986,0.0001265181,0.006782395],"category_scores_gemma":[0.0001263842,0.0002883701,0.0001335486,0.00008139236,0.0001609478,0.0003843849,0.0001400708,0.0002670334,0.0006053118],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007112432,"about_ca_system_score_gemma":0.00006231607,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00518852,"about_ca_topic_score_gemma":0.003727054,"domain_scores_codex":[0.9982741,0.00009925289,0.0003203601,0.0004763422,0.0003019832,0.0005279497],"domain_scores_gemma":[0.9985769,0.0001593415,0.00008529601,0.0007268268,0.000128719,0.0003229163],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004246152,0.00003732441,0.000184014,0.000009752868,0.00006708323,0.000004561373,0.01094912,0.00001447713,0.00006926076,0.6562248,0.3311339,0.001263206],"study_design_scores_gemma":[0.0003362864,0.00009475961,0.000231244,0.00002310579,0.00002815685,0.000001359264,0.0009355275,0.00005312157,0.00009569392,0.007618355,0.9901972,0.0003852082],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02873901,0.0005111881,0.0002138917,0.002073087,0.004031897,0.0004236083,0.0007001076,0.0003495451,0.9629577],"genre_scores_gemma":[0.9495759,0.000004760201,0.000679354,0.01611434,0.005990529,0.0000450732,0.0001646633,0.00008936971,0.02733599],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9356217,"threshold_uncertainty_score":0.9999568,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6906393584","doi":"10.17456/simple-230","title":"Staging Slavery through Historiographic Metatheatre: Lorena Gale’s Angélique and Suzan-Lori Parks’s Venus","year":2024,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Venus; Inscribed figure; Narrative; Colonialism; Settlement (finance)","retraction":null,"screen_n_in":null,"score":{"opus":0.01783581757565123,"gpt":0.2182989620848185,"spread":0.2004631445091673,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002560386,0.0003251888,0.0004085985,0.0003629603,0.0005025479,0.0006574481,0.0002109211,0.00009030742,0.0006049575],"category_scores_gemma":[0.00002324174,0.0002945201,0.0003076816,0.0002238904,0.0003695848,0.0008184166,0.00005637396,0.0003786949,0.00005190233],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001525529,"about_ca_system_score_gemma":0.0001221814,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004503988,"about_ca_topic_score_gemma":0.004371345,"domain_scores_codex":[0.9982972,0.00009588429,0.0003436824,0.000555863,0.0002629855,0.0004443701],"domain_scores_gemma":[0.9991339,0.0001345453,0.0001014618,0.0004405372,0.00007758789,0.0001119938],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003864969,0.00009077464,0.0005757653,0.0004483062,0.0009280973,0.0003329049,0.1344413,0.000008189122,0.0003235984,0.6459014,0.2116928,0.005218323],"study_design_scores_gemma":[0.0001892995,0.00005019863,0.00005281152,0.00007138476,0.0002818687,0.00001252127,0.001081979,0.0001287792,0.00007761779,0.009605707,0.9880887,0.0003591503],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2455052,0.4047623,0.0008997536,0.008588736,0.01548187,0.001146964,0.0009825012,0.002394943,0.3202377],"genre_scores_gemma":[0.9795417,0.0005450813,0.000133193,0.000727464,0.001895176,0.00004614628,0.0001041614,0.00008801407,0.01691911],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7763959,"threshold_uncertainty_score":0.9999507,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4206207765","doi":"10.17456/simple-175","title":"The 'Cockroach' Waste and Wasted Life in World Literatures in English","year":2021,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Franz Kafka Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Curse; Nexus (standard); Reading (process); Deleuze and Guattari; Sociology; Aesthetics; Environmental ethics; Epistemology; Literature; Philosophy; Political science; Art; Law; Anthropology; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.01559925428109919,"gpt":0.2034359265427584,"spread":0.1878366722616592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001765681,0.0001500121,0.0002219581,0.0001227453,0.0003048167,0.0005615973,0.0001198707,0.00002852624,0.0001170392],"category_scores_gemma":[0.000197594,0.000110397,0.0000410266,0.0001664837,0.0001774231,0.0003048105,0.0001235135,0.0002679554,0.000004786805],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001824461,"about_ca_system_score_gemma":0.00004804505,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004244938,"about_ca_topic_score_gemma":0.06143058,"domain_scores_codex":[0.9988993,0.0001218068,0.0002988802,0.00024445,0.0001155239,0.000320086],"domain_scores_gemma":[0.9992837,0.0003220084,0.00004158459,0.0002199566,0.00008151199,0.00005122864],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000717771,0.0001203798,0.02633495,0.00009294294,0.00007079062,0.0001368181,0.2241077,0.00003025027,0.00002066393,0.7023837,0.04306151,0.003568515],"study_design_scores_gemma":[0.0006808012,0.00001756766,0.00703464,0.00006818403,0.000004612857,0.000001612799,0.01806376,0.00018073,0.00003687276,0.00287022,0.9708763,0.000164703],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8156257,0.02033553,4.364108e-7,0.005177221,0.0009272964,0.0002175578,0.00004273638,0.00007245626,0.1576011],"genre_scores_gemma":[0.9732556,0.0001028093,0.00001990104,0.00102167,0.0006693016,0.00002982012,0.00001823199,0.00001714634,0.02486548],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9278148,"threshold_uncertainty_score":0.9556959,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3195570122","doi":"","title":"The poetic of place: Judith Wrigth’s at Cooloola. An Australian View","year":2006,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wright; Poetics; Poetry; Art history; Narrative; Mythology; Biography; Politics; Sociology; History; Philosophy; Theology; Art; Literature; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.0167523597557588,"gpt":0.3105101614541492,"spread":0.2937578016983904,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0008875603,0.00009940338,0.0001541127,0.00003552319,0.006944241,0.00006170386,0.0003212368,0.0001075366,0.000196084],"category_scores_gemma":[0.000005934168,0.00006773353,0.00005351793,0.0002403172,0.0004335517,0.0001619063,0.000001971492,0.0001030688,0.00008527064],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001820887,"about_ca_system_score_gemma":0.005730215,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4384083,"about_ca_topic_score_gemma":0.9534099,"domain_scores_codex":[0.9983597,0.0003261782,0.0002880167,0.0001830994,0.0003025757,0.0005404413],"domain_scores_gemma":[0.9991418,0.0001682633,0.0001534674,0.0002791836,0.0001235636,0.0001337548],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002145631,0.000178146,0.002717967,0.000040637,0.00001289153,0.000002671182,0.08832361,0.00001859733,0.00001487055,0.8952261,0.01291573,0.0005273647],"study_design_scores_gemma":[0.0001301445,0.00004953859,0.006594772,0.000008608517,0.00001007791,0.000002125439,0.002701052,0.000002850191,0.0001750835,0.003162641,0.9870607,0.0001023669],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8261686,0.0003527084,0.000005222649,0.002741467,0.0006613508,0.000466388,0.00001638253,0.00005371783,0.1695342],"genre_scores_gemma":[0.894438,0.000841759,0.00006237947,0.00005646439,0.0007403368,0.00000388814,0.00002673609,0.00001277937,0.1038177],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.974145,"threshold_uncertainty_score":0.9999064,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6944178507","doi":"10.17456/simple-226","title":"Becoming a Sound Poet. Paul Dutton’s Poetry in Performance","year":2024,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Sound (geography); Plural; Realm; Identity (music); Performing arts","retraction":null,"screen_n_in":null,"score":{"opus":0.03728451776363079,"gpt":0.2598231053951705,"spread":0.2225385876315397,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000245882,0.0001687006,0.0002280675,0.0002153316,0.0002554881,0.000490039,0.0001665401,0.00004707623,0.002146053],"category_scores_gemma":[0.00002261984,0.0001401715,0.0001340744,0.0001174393,0.0001076928,0.0005312135,0.00004828274,0.0002628996,0.0003701454],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005365835,"about_ca_system_score_gemma":0.00005902145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007656175,"about_ca_topic_score_gemma":0.003531988,"domain_scores_codex":[0.9988708,0.00003284986,0.0002927122,0.0002730258,0.0001566086,0.0003740031],"domain_scores_gemma":[0.9995686,0.0001195846,0.00002390813,0.0001996907,0.00002631067,0.00006186461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001274842,0.0001046217,0.001591195,0.0002501624,0.0000976583,0.0001833581,0.02591123,0.00004374808,0.0000837611,0.946665,0.01544031,0.009616174],"study_design_scores_gemma":[0.0003020434,0.00005899978,0.001148586,0.0001518106,0.00005114942,0.0000219028,0.008369144,0.008544781,0.0001422249,0.01658518,0.9642373,0.000386847],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8725697,0.001471771,0.00004822059,0.001946115,0.0007635895,0.00007601159,0.00003375854,0.0001433709,0.1229474],"genre_scores_gemma":[0.9838171,0.00003520581,0.00001520624,0.000457443,0.0007437719,0.00001740126,0.0000241734,0.00002551849,0.01486416],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.948797,"threshold_uncertainty_score":0.9987661,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3192156779","doi":"","title":"The Re-empowerment of Native Canadians through Literature: A Comparison between Lee Maracle’s Goodbye, Snauq and Tomson Highway’s Hearts and Flowers","year":2017,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Empowerment; Performance art; Art history; Art; History; Humanities; Media studies; Sociology; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02467984192227575,"gpt":0.2830996958462356,"spread":0.2584198539239599,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002078006,0.0002416976,0.0003691839,0.00003838654,0.002034056,0.001145032,0.0003298138,0.0001049892,0.00004399998],"category_scores_gemma":[0.00009823699,0.0001792719,0.00006357029,0.00003510863,0.001004078,0.0005454474,0.0001744831,0.0003072712,0.000001145242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007156826,"about_ca_system_score_gemma":0.00007368079,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01289538,"about_ca_topic_score_gemma":0.05018492,"domain_scores_codex":[0.9986589,0.00006931667,0.0003216351,0.0003267332,0.0002415342,0.0003818639],"domain_scores_gemma":[0.9987121,0.0001923027,0.0002321709,0.0005914452,0.0001466439,0.0001253457],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007947315,0.00003497739,0.01621569,0.00007775659,0.0002153484,0.00002399517,0.1201956,7.663709e-7,0.00001122106,0.7649167,0.09414948,0.004079042],"study_design_scores_gemma":[0.0003816455,0.0001545957,0.01387683,0.00009912857,0.00003926051,0.000004566967,0.004242261,0.00001530956,0.00009564419,0.00471038,0.9761593,0.0002211222],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5293475,0.0119851,0.00001625611,0.01446215,0.003463342,0.001192083,0.002512118,0.0001167817,0.4369047],"genre_scores_gemma":[0.9950535,0.00008272388,0.00008405327,0.0002993502,0.0006086159,0.00001638113,0.00005768209,0.00002295566,0.00377478],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8820098,"threshold_uncertainty_score":0.9998919,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194996499","doi":"","title":"Econarrative as Politics or Culture – an Issue of Conflict?","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ecocriticism; Humanities; Art; Art history; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01890680788041258,"gpt":0.2478960919079069,"spread":0.2289892840274944,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005381037,0.0001303631,0.0001838109,0.0000280798,0.0002078506,0.00009258732,0.0001341104,0.00005712076,0.005030526],"category_scores_gemma":[0.00002185482,0.00009595661,0.00004799305,0.00001499193,0.0002471094,0.0003086055,0.00002639445,0.0001120504,0.0001474021],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001101399,"about_ca_system_score_gemma":0.00001740161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004370243,"about_ca_topic_score_gemma":0.0005056171,"domain_scores_codex":[0.9993101,0.00004598093,0.0001776837,0.0001610312,0.00009605236,0.0002091989],"domain_scores_gemma":[0.9995743,0.00003519994,0.00005064108,0.0002084722,0.00003361319,0.00009777381],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001432867,0.00007517092,0.00005629638,0.00003329224,0.00001631243,0.000003842962,0.06785571,0.000001979461,0.0001963269,0.9119109,0.01951351,0.0003223433],"study_design_scores_gemma":[0.0002845509,0.0003638633,0.00008742118,0.00001351075,0.00001203024,0.000006987445,0.01337367,0.0000399493,0.001300744,0.007332558,0.97704,0.0001447216],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2113459,0.0001703966,0.00001454105,0.001244477,0.0004372715,0.0001792497,0.0003915756,0.00006692606,0.7861497],"genre_scores_gemma":[0.9039756,0.00000860493,0.00008428669,0.00317164,0.0008861494,0.00000601733,0.000135746,0.00001793781,0.09171404],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9575265,"threshold_uncertainty_score":0.995879,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3193704327","doi":"","title":"Shifting Statuses and Lasting Codes in Janice Kulyk Keefer’s The Green Library","year":2014,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Central European Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; Unconscious mind; Colonialism; History; Sociology; Art; Psychoanalysis; Psychology; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.01542212464569736,"gpt":0.2523998241241099,"spread":0.2369776994784126,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005737068,0.00009794059,0.000134043,0.00003792541,0.0006234281,0.000200519,0.0002335174,0.00002720672,0.00003154754],"category_scores_gemma":[0.0004333105,0.000075772,0.0000253672,0.0002496065,0.0002427469,0.0006280895,0.0001917367,0.0001535165,0.00001350893],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001421916,"about_ca_system_score_gemma":0.00005250157,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005025927,"about_ca_topic_score_gemma":0.005825717,"domain_scores_codex":[0.9986161,0.0004509742,0.0001818992,0.0002001754,0.0001570611,0.00039377],"domain_scores_gemma":[0.998814,0.0009158697,0.00006282717,0.0001219022,0.00001345026,0.0000719727],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002442502,0.00003723177,0.6521124,0.00004497738,0.00002897309,0.00001678826,0.09553987,0.0000179652,0.00005332182,0.191636,0.007006786,0.05348128],"study_design_scores_gemma":[0.0002054775,0.00001981242,0.1985007,0.000034197,0.000005048565,7.729292e-7,0.005203892,0.0001663315,0.00001599238,0.002131348,0.7935845,0.0001319252],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8359434,0.0007358071,0.0000226564,0.009536255,0.0001268903,0.000177113,0.00001158003,0.0001333624,0.1533129],"genre_scores_gemma":[0.9961042,0.00009740166,0.0002029754,0.001242284,0.0003593771,0.000003367845,0.000003015687,0.00001676336,0.001970584],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7865777,"threshold_uncertainty_score":0.7597731,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3196651937","doi":"","title":"Internalizing the landscape: Jane Urquhart's “A Map of Glass”","year":2010,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romance; Art history; History; Identity (music); Thematic map; Genealogy; Art; Cartography; Literature; Geography; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.00909727510144364,"gpt":0.1993941801157925,"spread":0.1902969050143489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009244179,0.00009119869,0.0001065122,0.00002530724,0.0001799188,0.0001215404,0.0002033734,0.00003279449,0.003990548],"category_scores_gemma":[0.000008896001,0.00005942058,0.00006827965,0.00001172927,0.0002050487,0.0001675602,0.00005823202,0.000237871,0.0001405229],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003002583,"about_ca_system_score_gemma":0.000007124962,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002493979,"about_ca_topic_score_gemma":0.001396821,"domain_scores_codex":[0.999456,0.00001639888,0.0001540787,0.000109215,0.00009979414,0.0001644923],"domain_scores_gemma":[0.9996198,0.00005491184,0.00004604317,0.0002285036,0.00001426068,0.00003642133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001299045,0.0000616882,0.002347074,0.00004159889,0.00002797213,0.000008375716,0.01139573,0.000001147703,0.003815624,0.9255348,0.05505329,0.001699746],"study_design_scores_gemma":[0.0001796252,0.0000334481,0.0007794923,0.0000124301,0.00001120892,0.000007278056,0.001530427,0.00003797752,0.001067997,0.003488757,0.9927654,0.00008598972],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7396584,0.000321506,0.00001094511,0.004641115,0.001662772,0.0001364672,0.0001433948,0.00004730055,0.2533781],"genre_scores_gemma":[0.9840654,0.000003655189,0.00004448681,0.0006675106,0.0007330792,0.000006279074,0.00002951332,0.00001370031,0.01443642],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9377121,"threshold_uncertainty_score":0.9969199,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3183969891","doi":"","title":"‘Cree-English’: the Creative Word in the Poetry of Louise Halfe","year":2013,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Metis; Poetry; Meaning (existential); Symbol (formal); Sociology; History; Media studies; Art; Literature; Psychology; Linguistics; Philosophy; Ecology","retraction":null,"screen_n_in":null,"score":{"opus":0.01161282988556244,"gpt":0.2361361379713369,"spread":0.2245233080857744,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005425307,0.00005331585,0.00009950638,0.0001177608,0.0006208766,0.0002206911,0.0004615104,0.00005675355,0.001118995],"category_scores_gemma":[0.0004172755,0.00004115114,0.00006228447,0.0004416873,0.0007695456,0.0002446576,0.00002442549,0.0001734921,0.0000865121],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001530267,"about_ca_system_score_gemma":0.0004321297,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.885689,"about_ca_topic_score_gemma":0.9148257,"domain_scores_codex":[0.9990157,0.0002679309,0.0001404691,0.0001055473,0.0002409096,0.000229476],"domain_scores_gemma":[0.9993247,0.0002464729,0.00006414713,0.0002211185,0.00008504196,0.00005851072],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008582248,0.00008661592,0.003934384,0.00001221406,0.00002035457,0.000008775783,0.2770326,0.00001043611,0.00002045394,0.2629292,0.4400519,0.01588451],"study_design_scores_gemma":[0.0001182846,0.00001030228,0.03127676,0.000007087743,0.000005404837,3.798355e-7,0.04819499,0.000003691462,0.000002792555,0.004238073,0.9160787,0.00006348061],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3144934,0.0005382856,0.000007080436,0.01188054,0.0003267864,0.000478482,0.00001768817,0.0000235853,0.6722342],"genre_scores_gemma":[0.9883784,0.00005277133,0.00001195126,0.0008049503,0.0002564038,0.0000296019,0.00000201171,0.000005386381,0.01045853],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.673885,"threshold_uncertainty_score":0.9997941,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}