{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":150,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":150,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"ecde981fa183","filters":{"venue":"Leonardo"}},"results":[{"id":"W2081499179","doi":"10.1162/leon_a_00243","title":"Cornucopia: The Concept of Digital Gastronomy","year":2011,"lang":"en","type":"article","venue":"Leonardo","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":118,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Illinois at Urbana-Champaign; University of California, Santa Barbara; Arizona State University; Universidad de San Buenaventura; Universidade do Minho; Università della Calabria; University of Washington; Concordia University; San Francisco State University; University of Denver; University of California, Santa Cruz; Intel Corporation","keywords":"Gastronomy; Flexibility (engineering); Computer science; Space (punctuation); Multimedia; Geography; Mathematics","authors":[{"name":"Amit Zoran","is_ca":false},{"name":"Marcelo Coelho","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02749455220202236,"gpt":0.189668426523447,"spread":0.1621738743214247,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004995353,0.0005154769,0.0001991358,0.001092808,0.001413882,0.003900067,0.0007131042,0.001119171,0.006434181],"category_scores_gemma":[0.001147755,0.0001787985,0.0003685378,0.0006134546,0.006818553,0.004168104,0.002739097,0.001187481,0.0006503004],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001292185,"about_ca_system_score_gemma":0.0005969594,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001171794,"about_ca_topic_score_gemma":0.001109608,"domain_scores_codex":[0.99962,0.0001402264,0.00001794326,0.00007649322,0.00008953512,0.00005585945],"domain_scores_gemma":[0.9996681,0.000113176,0.00003770328,0.00006073947,0.00005489432,0.00006542898],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003084343,0.00001013518,0.0002201849,0.00008497955,0.000003924164,0.0001285895,0.001832197,0.0002651761,0.0009761053,0.9628758,0.001890261,0.03168186],"study_design_scores_gemma":[0.00004119709,0.0001283176,0.0008812317,0.0003760502,0.00002761316,0.001230029,0.003617886,0.004240981,0.004648532,0.3418683,0.6428979,0.00004201945],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07414169,0.009235184,0.2149374,0.006708635,0.001136897,0.0001992565,0.00008875038,0.0005857889,0.6929662],"genre_scores_gemma":[0.7775725,0.00451815,0.1086451,0.001782564,0.0002563539,0.0003580012,0.00008954071,0.0001655529,0.1066121],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.006434181,"threshold_uncertainty_score":0.02152443,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125570765","doi":"10.1162/002409404772828094","title":"Heart Rate Sonification: A New Approach to Medical Diagnosis","year":2004,"lang":"en","type":"article","venue":"Leonardo","topic":"Phonocardiography and Auscultation Techniques","field":"Medicine","cited_by":56,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Sonification; Auscultation; Heartbeat; Musical; Soundscape; Computer science; Software; Speech recognition; Smartwatch; Human–computer interaction; Art; Acoustics; Wearable computer; Medicine; Sound (geography); Visual arts; Programming language; Radiology; Embedded system; Computer security","authors":[{"name":"Mark Ballora","is_ca":false},{"name":"Bruce W. Pennycook","is_ca":true},{"name":"Plamen Ch. Ivanov","is_ca":false},{"name":"Leon Glass","is_ca":true},{"name":"Ary L. Goldberger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02829526515238502,"gpt":0.3036583645962783,"spread":0.2753630994438933,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001475026,0.001156741,0.001195961,0.003794257,0.0003232531,0.002335701,0.001213075,0.001827109,0.003543545],"category_scores_gemma":[0.003175676,0.0004219401,0.0006440805,0.00110256,0.002414492,0.002667764,0.001322006,0.002234535,0.002407061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005096438,"about_ca_system_score_gemma":0.0005052646,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006310028,"about_ca_topic_score_gemma":0.0006858106,"domain_scores_codex":[0.9987895,0.0003225395,0.00008627758,0.0002649191,0.0004870773,0.00004961346],"domain_scores_gemma":[0.9984583,0.0008365517,0.0001092929,0.0001566781,0.000340342,0.00009899551],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0001936317,0.0001044091,0.003614207,0.0008534911,0.0001323327,0.0005547109,0.0006988159,0.000927637,0.03771082,0.03265382,0.00902404,0.9135321],"study_design_scores_gemma":[0.0003836198,0.002141411,0.01709167,0.001816641,0.0006888981,0.04758169,0.00176455,0.06660159,0.06455555,0.1699049,0.626658,0.0008114472],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01240438,0.1118671,0.8322207,0.008595794,0.003429001,0.0002055199,0.0003154753,0.002269901,0.0286922],"genre_scores_gemma":[0.0999326,0.08233574,0.7794771,0.004341487,0.00982368,0.0002612088,0.0002308001,0.0003184317,0.02327899],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.003794257,"threshold_uncertainty_score":0.01185435,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125235733","doi":"10.1162/leon_a_00278","title":"Representing, Performing and Mitigating Climate Change in Contemporary Art Practice","year":2012,"lang":"en","type":"article","venue":"Leonardo","topic":"Climate Change Communication and Perception","field":"Social Sciences","cited_by":53,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Engineering and Physical Sciences Research Council; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior; Research Councils UK","keywords":"Climate change; The arts; Representation (politics); Phenomenon; Climate science; Affect (linguistics); Quarter (Canadian coin); Visual arts; Aesthetics; Geography; Sociology; Political science; Art; Epistemology; Archaeology; Ecology; Communication; Politics","authors":[{"name":"Gabriella Giannachi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.5523219752721084,"gpt":0.4969385275279458,"spread":0.05538344774416259,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004377758,0.0004975537,0.0002899662,0.001693378,0.007871566,0.007675958,0.0009402636,0.002147203,0.003020181],"category_scores_gemma":[0.004386116,0.0002297083,0.0002642641,0.001423078,0.02048807,0.00314043,0.005507313,0.001753387,0.0002654365],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002184842,"about_ca_system_score_gemma":0.00128551,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005870896,"about_ca_topic_score_gemma":0.01074817,"domain_scores_codex":[0.9950628,0.003525091,0.00008279671,0.0002551432,0.0006877584,0.0003863884],"domain_scores_gemma":[0.9985874,0.0008687264,0.0001907813,0.0001405802,0.00008895503,0.0001236487],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003185228,0.00007876481,0.003916058,0.0001912359,0.00001832699,0.0002135255,0.802231,0.0009043363,0.001765558,0.1372251,0.002570969,0.05085327],"study_design_scores_gemma":[0.00001628097,0.0001397413,0.01835932,0.0006988451,0.00004173144,0.0006269965,0.6679729,0.002261254,0.001368463,0.07313089,0.2352924,0.00009125683],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6160212,0.005852893,0.01494626,0.01185602,0.0002387289,0.00005880559,0.00002083298,0.0001025462,0.3509026],"genre_scores_gemma":[0.993919,0.001009373,0.0013953,0.0001734224,0.00004878112,0.00001221488,0.000004553302,0.00001583606,0.00342153],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007871566,"threshold_uncertainty_score":0.02315205,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2100245944","doi":"10.1162/002409400552379","title":"On Anamorphosis: Setting Some Things Straight","year":2000,"lang":"en","type":"article","venue":"Leonardo","topic":"Literary, Cultural, Historical Analysis","field":"Arts and Humanities","cited_by":52,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Metaphor; Postmodernism; Perception; Aesthetics; Epistemology; Computer science; Sociology; Art; Philosophy; Linguistics","authors":[{"name":"David Topper","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009820194725962912,"gpt":0.1842522903203704,"spread":0.1744320955944074,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004249864,0.0007148805,0.0005088661,0.0017765,0.005235858,0.005973803,0.001357023,0.003870341,0.004547148],"category_scores_gemma":[0.008382078,0.0001970495,0.0002711192,0.00134347,0.0416998,0.01951852,0.00458118,0.006735649,0.001001075],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002609132,"about_ca_system_score_gemma":0.001653208,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005038013,"about_ca_topic_score_gemma":0.006538649,"domain_scores_codex":[0.9976861,0.001603289,0.00005226312,0.0001681372,0.0003337942,0.0001563621],"domain_scores_gemma":[0.9965022,0.002146499,0.0002324197,0.0003576068,0.000594458,0.0001668733],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001170921,0.000006507431,0.000117055,0.0000660477,0.000002289957,0.00009090042,0.01718113,0.00004602771,0.000137727,0.9621972,0.008423853,0.01171962],"study_design_scores_gemma":[0.000006412215,0.0000237732,0.0004480731,0.0004318999,0.000005000543,0.0002332661,0.02529936,0.0002424686,0.0003522423,0.6956085,0.27733,0.00001901368],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05136544,0.06075231,0.03997775,0.4022935,0.005272522,0.00006177042,0.0000621147,0.000208741,0.4400059],"genre_scores_gemma":[0.8741992,0.02637571,0.01386929,0.03103644,0.00412045,0.0001202222,0.00005558279,0.0004153474,0.04980766],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.005973803,"threshold_uncertainty_score":0.02247572,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1966621524","doi":"10.1162/leon.2006.39.4.341","title":"Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling","year":2006,"lang":"en","type":"article","venue":"Leonardo","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":52,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Association of Nurses in Oncology","funders":"","keywords":"Indigenous; Storytelling; Narrative; Digital storytelling; Aesthetics; Native american; Art; Sociology; Visual arts; Media studies; Oral tradition; History; Anthropology; Literature","authors":[{"name":"Candice Hopkins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04835484634851449,"gpt":0.3573344737131458,"spread":0.3089796273646312,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002455048,0.0003430581,0.0001908829,0.00115389,0.007653776,0.009447247,0.0008173119,0.001156605,0.003787033],"category_scores_gemma":[0.003379628,0.0001507844,0.0001819796,0.0008771594,0.02554809,0.005325217,0.005752635,0.001951579,0.0003219177],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002125764,"about_ca_system_score_gemma":0.001065431,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007803467,"about_ca_topic_score_gemma":0.01202104,"domain_scores_codex":[0.9976771,0.001656833,0.00003448412,0.00009753282,0.000344652,0.0001893244],"domain_scores_gemma":[0.9986473,0.0009582985,0.00007104501,0.0001181851,0.00008413726,0.0001210484],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001261866,0.00001257394,0.0003595129,0.0001179537,0.000004867248,0.0003615921,0.7393373,0.00009285126,0.0004959317,0.2399727,0.001876918,0.01735518],"study_design_scores_gemma":[0.000007728046,0.00003867769,0.001401742,0.0003354624,0.00002170363,0.001285734,0.5406762,0.0004330839,0.0007301735,0.04708989,0.4079596,0.00002005325],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1854736,0.007107212,0.01771536,0.01483179,0.0005442355,0.00005715079,0.00003024215,0.0001290437,0.7741113],"genre_scores_gemma":[0.9552307,0.002722494,0.002803112,0.0006415105,0.0001516439,0.00003121323,0.0000117377,0.00006524389,0.03834247],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009447247,"threshold_uncertainty_score":0.0155161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1999529269","doi":"10.1162/leon.2008.41.2.147","title":"Marina Abramović's<i>Seven Easy Pieces:</i>Critical Documentation Strategies for Preserving Art's History","year":2008,"lang":"en","type":"article","venue":"Leonardo","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":51,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Performative utterance; Documentation; Temporality; CITES; Visual arts; Object (grammar); Computer science; Art; History; Aesthetics; Epistemology; Artificial intelligence; Philosophy","authors":[{"name":"Jessica Santone","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04726995444789917,"gpt":0.2614269265727581,"spread":0.2141569721248589,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003628335,0.000476986,0.0002663773,0.001722147,0.007592035,0.008290654,0.001410986,0.001902586,0.003268805],"category_scores_gemma":[0.009963372,0.0001407636,0.0001994566,0.0008089919,0.01443445,0.004831111,0.004330862,0.003312504,0.0005314468],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003546825,"about_ca_system_score_gemma":0.001957961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006456282,"about_ca_topic_score_gemma":0.01548138,"domain_scores_codex":[0.9970556,0.001717104,0.00006758482,0.0002233133,0.0007287719,0.0002076214],"domain_scores_gemma":[0.9962776,0.002134027,0.0003241948,0.0003992326,0.00049991,0.0003649883],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004066811,0.00002717371,0.0005802955,0.0002167077,0.000007335387,0.0002843414,0.1599366,0.0001348359,0.0007153965,0.6864687,0.07999399,0.07159397],"study_design_scores_gemma":[0.000007827823,0.00002737071,0.001273587,0.0008879892,0.00001509373,0.0005148105,0.0505239,0.0002476579,0.001136363,0.07442983,0.8709071,0.0000284396],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07876335,0.05213426,0.01853188,0.1880888,0.003899605,0.00008578276,0.00003431914,0.0002413296,0.6582207],"genre_scores_gemma":[0.8824526,0.01105734,0.009785728,0.009039411,0.001497948,0.00009641123,0.00002577212,0.0002480736,0.08579663],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008290654,"threshold_uncertainty_score":0.02573407,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2528966686","doi":"10.1162/leon_a_01354","title":"The Death and Lives of hitchBOT: The Design and Implementation of a Hitchhiking Robot","year":2016,"lang":"en","type":"article","venue":"Leonardo","topic":"Ethics and Social Impacts of AI","field":"Social Sciences","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University; McMaster University","funders":"McMaster University","keywords":"Smiley; Tribute; Art; Face (sociological concept); Visual arts; Art history; Computer science; Sociology","authors":[{"name":"David Harris Smith","is_ca":true},{"name":"Frauke Zeller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05684686287998279,"gpt":0.3810328797538317,"spread":0.3241860168738488,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001684194,0.0003058737,0.0001460484,0.0002191846,0.001357977,0.001863029,0.001082365,0.001063649,0.003965508],"category_scores_gemma":[0.00534753,0.0002351997,0.0001141929,0.00007218492,0.002429494,0.001182672,0.002521603,0.0008806147,0.0006018494],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001162353,"about_ca_system_score_gemma":0.001310402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003368021,"about_ca_topic_score_gemma":0.006606221,"domain_scores_codex":[0.9983962,0.0008800582,0.00004902353,0.0001598045,0.0003204641,0.0001943641],"domain_scores_gemma":[0.9982433,0.0006733536,0.0001453713,0.0001753456,0.0004020369,0.0003605527],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009528609,0.001922755,0.03198726,0.001294109,0.000121666,0.005548109,0.1806424,0.02135922,0.1017147,0.084607,0.0302428,0.5396071],"study_design_scores_gemma":[0.0002989175,0.00709061,0.03531483,0.0008828973,0.0003383257,0.003416378,0.1224744,0.1419044,0.07303119,0.02209858,0.5927603,0.0003892508],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8266178,0.0002607061,0.09988905,0.002817265,0.000129582,0.0005021346,0.00003148433,0.00182489,0.067927],"genre_scores_gemma":[0.9452512,0.00009135634,0.02899043,0.000552128,0.000008061019,0.0002085551,0.00003867747,0.0002244882,0.02463508],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003965508,"threshold_uncertainty_score":0.01326591,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2140004018","doi":"10.1162/002409401750286994","title":"Leonardo da Vinci's Struggles with Representations of Reality","year":2001,"lang":"en","type":"article","venue":"Leonardo","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"York University","keywords":"Virtual reality; Viewpoints; Art; Augmented reality; Painting; Computer graphics (images); Visual arts; Computer science; Artificial intelligence; Aesthetics; Computer vision","authors":[{"name":"Nicholas Wade","is_ca":false},{"name":"Hiroshi Ono","is_ca":false},{"name":"Linda Lillakas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04522541153696075,"gpt":0.2585491352716054,"spread":0.2133237237346446,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003501002,0.0008277032,0.0006595766,0.001791924,0.003652547,0.006793638,0.0009529814,0.00343138,0.003658018],"category_scores_gemma":[0.006481176,0.0005235074,0.0003618327,0.001305223,0.0227116,0.006981492,0.003456983,0.008326347,0.001104918],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006972044,"about_ca_system_score_gemma":0.002553447,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01345537,"about_ca_topic_score_gemma":0.01325812,"domain_scores_codex":[0.9976291,0.0009863341,0.0001017589,0.0004575436,0.0006678893,0.0001573063],"domain_scores_gemma":[0.9975958,0.001540621,0.0001259132,0.0002473721,0.0003007621,0.0001894878],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005121628,0.000001969797,0.00003395781,0.00001736962,0.000002423692,0.0000204656,0.001314856,0.0002138503,0.00002881764,0.9766592,0.01256614,0.009135843],"study_design_scores_gemma":[0.00001139146,0.00001518335,0.0001711914,0.0001534803,0.000004262296,0.0002209243,0.0005244549,0.0006226702,0.0001703249,0.4875666,0.5105119,0.00002749037],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01078822,0.1233995,0.05687505,0.148864,0.00492716,0.00007337121,0.0001392675,0.0002598974,0.6546735],"genre_scores_gemma":[0.5895715,0.1166241,0.06306547,0.01677045,0.004809421,0.0003571305,0.0001448694,0.0005414307,0.2081156],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01345537,"threshold_uncertainty_score":0.05058599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995509285","doi":"10.1162/leon.2010.43.2.145","title":"Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia; Simon Fraser University","funders":"","keywords":"Observer (physics); Agency (philosophy); Perspective (graphical); Vision science; Gaze; Visual arts; Presentation (obstetrics); Art; Aesthetics; Computer science; Artificial intelligence; Epistemology; Philosophy","authors":[{"name":"Steve DiPaola","is_ca":true},{"name":"Caitlin J. Riebe","is_ca":false},{"name":"James T. Enns","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01722195368490143,"gpt":0.3094419222323673,"spread":0.2922199685474659,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002172049,0.000441091,0.0003145792,0.002307056,0.001208747,0.004514511,0.0007545782,0.001969253,0.001545639],"category_scores_gemma":[0.003492875,0.0001795078,0.000318845,0.0006009418,0.02054207,0.005543426,0.001969214,0.002203829,0.0002651021],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00128191,"about_ca_system_score_gemma":0.0006321257,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001234656,"about_ca_topic_score_gemma":0.002491488,"domain_scores_codex":[0.9992728,0.0003469475,0.00002104934,0.0001382058,0.0001661755,0.00005488491],"domain_scores_gemma":[0.9986556,0.0009650505,0.00009870649,0.0001241822,0.00009261269,0.00006383572],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001689445,0.000008354154,0.000226133,0.00005269595,0.000005527375,0.0001467751,0.0227092,0.0002447127,0.000650855,0.9551074,0.002664168,0.0181673],"study_design_scores_gemma":[0.000007840551,0.00004168847,0.0009301793,0.0002425156,0.00001123419,0.0008052837,0.008594793,0.001641408,0.001184738,0.8455313,0.1409775,0.00003143806],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1532146,0.05908464,0.1268194,0.09125044,0.002268434,0.00006830849,0.00007516958,0.0003304088,0.5668885],"genre_scores_gemma":[0.9222958,0.01217961,0.01964427,0.003098003,0.001330709,0.00004387453,0.00002146164,0.00008820368,0.041298],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004514511,"threshold_uncertainty_score":0.01148707,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237454264","doi":"10.1162/leon.2007.40.3.248","title":"<i>SwarmArt</i>: Interactive Art from Swarm Intelligence","year":2007,"lang":"en","type":"article","venue":"Leonardo","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Swarm behaviour; Multitude; Context (archaeology); Exhibition; Computer science; Swarm intelligence; Human–computer interaction; Swarm robotics; Collective intelligence; Variety (cybernetics); Multimedia; Data science; Artificial intelligence; Visual arts; Biology; Art; Particle swarm optimization; Epistemology","authors":[{"name":"Christian Jacob","is_ca":true},{"name":"Gerald Hushlak","is_ca":true},{"name":"Jeffrey E. Boyd","is_ca":true},{"name":"Paul Nuytten","is_ca":true},{"name":"Maxwell Sayles","is_ca":true},{"name":"Marcin L. Pilat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01364954114588492,"gpt":0.2583442915746306,"spread":0.2446947504287456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002777398,0.0006269296,0.0002664497,0.0008259569,0.0008219755,0.002398666,0.000794674,0.0007190231,0.02574668],"category_scores_gemma":[0.0009859195,0.0002388246,0.000501899,0.0007303092,0.001759259,0.001690309,0.002090109,0.00131298,0.003244071],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003901688,"about_ca_system_score_gemma":0.0002349659,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001025435,"about_ca_topic_score_gemma":0.002375081,"domain_scores_codex":[0.9998216,0.00004620066,0.000009583673,0.00002020283,0.00008937043,0.0000131043],"domain_scores_gemma":[0.9997622,0.0001045243,0.00001223462,0.00005830059,0.00002402025,0.00003859274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0001266134,0.0000378689,0.0006482938,0.001312107,0.00005091081,0.0006387598,0.004502882,0.004701151,0.01686408,0.3017127,0.2788008,0.3906038],"study_design_scores_gemma":[0.00001567365,0.00003878968,0.0007383956,0.0002189699,0.00001787281,0.0007949584,0.0002670193,0.005390458,0.004082641,0.03813334,0.9502729,0.00002898251],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01468926,0.01305266,0.3427908,0.005547521,0.002503342,0.000248724,0.0006806253,0.009900147,0.6105869],"genre_scores_gemma":[0.2720858,0.01943864,0.3271632,0.00301132,0.003406085,0.0006841285,0.002302885,0.007396014,0.3645119],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02574668,"threshold_uncertainty_score":0.08613122,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4318679879","doi":"10.1162/leon_r_02346","title":"The Lab Book: Situated Practices in Media Studies","year":2023,"lang":"en","type":"article","venue":"Leonardo","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Dalhousie University","funders":"","keywords":"Situated; Icon; Citation; Nova scotia; Download; Computer science; Library science; World Wide Web; Art history; Art; History; Archaeology; Artificial intelligence","authors":[{"name":"Anthony Enns","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1332540004438619,"gpt":0.3488270164408717,"spread":0.2155730159970097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002091095,0.00070638,0.0005431359,0.003821235,0.003044986,0.008047092,0.001097249,0.002543326,0.0160792],"category_scores_gemma":[0.006203044,0.0004242431,0.0003375447,0.00495723,0.009860009,0.01478493,0.003215468,0.002920662,0.002184531],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003294673,"about_ca_system_score_gemma":0.0017228,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002253522,"about_ca_topic_score_gemma":0.003932859,"domain_scores_codex":[0.9978456,0.00155673,0.00007149993,0.0001528843,0.0002925459,0.00008074444],"domain_scores_gemma":[0.9890548,0.009779355,0.0002990172,0.0003965501,0.0002616046,0.0002085996],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003063267,0.00004803123,0.0004510572,0.0005463216,0.00001436032,0.0001956125,0.01923689,0.000304717,0.0003279335,0.7733769,0.1390298,0.06643775],"study_design_scores_gemma":[0.0000135735,0.00002658481,0.0007718042,0.001155382,0.000009491788,0.0002641537,0.007683251,0.0002959926,0.0003111521,0.1394732,0.8499744,0.00002111506],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.009640432,0.1770833,0.03367355,0.07475033,0.006520847,0.0001540736,0.0007941767,0.0004959561,0.6968873],"genre_scores_gemma":[0.4577039,0.1781556,0.03894722,0.02565796,0.01307641,0.001129406,0.001210561,0.00125561,0.2828633],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.996955,"threshold_uncertainty_score":0.05379021,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2154264690","doi":"10.1162/002409404772828139","title":"Multifractal Fingerprints in the Visual Arts","year":2004,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Multifractal system; Painting; Similarity (geometry); Fractal; Style (visual arts); Luminance; Artificial intelligence; Computer science; Art; Computer vision; Pattern recognition (psychology); Visual arts; Mathematics; Image (mathematics); Mathematical analysis","authors":[{"name":"Jonas Mureika","is_ca":false},{"name":"Gerald C. Cupchik","is_ca":true},{"name":"C. C. Dyer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04018745122459774,"gpt":0.3212670562954984,"spread":0.2810796050709007,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000346127,0.0001371458,0.0001402268,0.002730894,0.0002512148,0.0007459433,0.0001654476,0.0002943764,0.001866763],"category_scores_gemma":[0.002141364,0.0001275032,0.0001478127,0.001015565,0.0007679837,0.0007898084,0.0004245421,0.0002680846,0.0001476573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003377087,"about_ca_system_score_gemma":0.0001802485,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009221718,"about_ca_topic_score_gemma":0.0009507966,"domain_scores_codex":[0.9998552,0.00003206826,0.000006260678,0.00003201628,0.00005250566,0.00002189246],"domain_scores_gemma":[0.9992825,0.0002677597,0.0001389672,0.0001314532,0.0001246433,0.00005469608],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0004800527,0.0001196713,0.02339181,0.0003031494,0.00008337222,0.0005724384,0.002270431,0.01925986,0.2503773,0.1532508,0.002095389,0.5477956],"study_design_scores_gemma":[0.00005460771,0.0002959814,0.4864847,0.0001424241,0.00007722197,0.003078733,0.001499475,0.2520255,0.04253573,0.2009319,0.01270241,0.0001713181],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9138454,0.001397171,0.07311437,0.0003367119,0.00003192054,0.00001710127,0.0001495481,0.0001784236,0.01092944],"genre_scores_gemma":[0.9837579,0.0002142338,0.01496815,0.00001832713,0.00001901479,0.000006933634,0.00004206675,0.00001747769,0.0009558747],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.002730894,"threshold_uncertainty_score":0.006244898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1971719336","doi":"10.1162/leon.2009.42.3.225","title":"Body Matters: The Palpability of Invisible Computing","year":2009,"lang":"en","type":"article","venue":"Leonardo","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Embodied cognition; Context (archaeology); Set (abstract data type); Everyday life; Value (mathematics); Aesthetics; Point (geometry); Field (mathematics); Computer science; Sociology; Epistemology; Art; Artificial intelligence; History; Philosophy","authors":[{"name":"Thecla Schiphorst","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01234527465775996,"gpt":0.2730830213616687,"spread":0.2607377467039087,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002729794,0.0004226132,0.0003787847,0.001237825,0.003218691,0.006439664,0.001027813,0.002544615,0.006731439],"category_scores_gemma":[0.00914602,0.0003554637,0.0005273638,0.0005466564,0.02937694,0.007938175,0.006646538,0.002653615,0.0007416363],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001312684,"about_ca_system_score_gemma":0.0008430756,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001144681,"about_ca_topic_score_gemma":0.000657445,"domain_scores_codex":[0.9975157,0.001365338,0.00006447345,0.0003086196,0.0005393932,0.0002065379],"domain_scores_gemma":[0.9964151,0.002384435,0.0001998649,0.0005531604,0.0002494571,0.0001979015],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006001657,0.00001145526,0.0006419013,0.0001945768,0.00001077952,0.0003483523,0.0412662,0.0003268636,0.002328028,0.9207252,0.002386162,0.03170048],"study_design_scores_gemma":[0.0000413915,0.00008919274,0.001639773,0.0004841107,0.00003236335,0.001443383,0.01300254,0.001477159,0.002635474,0.8114064,0.1676974,0.00005082165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1283767,0.01608294,0.1276321,0.04753676,0.00114241,0.000087353,0.00008930205,0.0005431934,0.6785093],"genre_scores_gemma":[0.9656086,0.00258708,0.0107349,0.002155669,0.0002433313,0.00007344547,0.00002862647,0.0001702604,0.01839803],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006731439,"threshold_uncertainty_score":0.02251893,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3172212630","doi":"10.1162/leon_r_02039","title":"The Birth of the Idea of Photography","year":2021,"lang":"en","type":"article","venue":"Leonardo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Photography; Art history; Computer science; Library science; Art; Visual arts","authors":[{"name":"Stephen Petersen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0177706345752178,"gpt":0.2215263508342463,"spread":0.2037557162590285,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001401427,0.0009039415,0.000507692,0.001718058,0.003889912,0.00972713,0.0006893858,0.002861112,0.06312349],"category_scores_gemma":[0.004512744,0.0005576135,0.0006006987,0.00135238,0.00631563,0.006949549,0.003776018,0.006402966,0.02515665],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006238763,"about_ca_system_score_gemma":0.003656301,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01655392,"about_ca_topic_score_gemma":0.02249281,"domain_scores_codex":[0.9983283,0.0004483114,0.00006258862,0.000332255,0.0006236421,0.0002049519],"domain_scores_gemma":[0.998877,0.0002289035,0.00009380627,0.000146769,0.0004043179,0.0002491864],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003765956,0.0000090005,0.0002594698,0.00018809,0.000006475469,0.0001254257,0.002244302,0.00003573286,0.0001646481,0.1698922,0.7535409,0.07349623],"study_design_scores_gemma":[0.000001305543,0.000003047395,0.0002267251,0.0001793568,0.000001179862,0.00006363863,0.0002691254,0.000007151785,0.00004461289,0.003408654,0.9957916,0.000003594367],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.002020709,0.1812898,0.001587678,0.09743703,0.02634168,0.00003956805,0.0004731092,0.0002664924,0.6905439],"genre_scores_gemma":[0.0365901,0.05336038,0.001553309,0.01405662,0.006487594,0.00005499416,0.0003011021,0.0004281167,0.8871679],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06312349,"threshold_uncertainty_score":0.2111691,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2049225670","doi":"10.1162/002409403321152239","title":"Existential Technology: Wearable Computing Is Not the Real Issue!","year":2003,"lang":"en","type":"article","venue":"Leonardo","topic":"Information Systems Theories and Implementation","field":"Social Sciences","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Existentialism; Humanism; Identity (music); Reciprocity (cultural anthropology); Empowerment; Bureaucracy; Sociology; Computer science; Public relations; Law and economics; Political science; Law; Aesthetics; Philosophy; Social science","authors":[{"name":"Steve Mann","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02536359660373491,"gpt":0.3378077532219943,"spread":0.3124441566182594,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.004012888,0.0006076417,0.0006503859,0.000628141,0.003209508,0.01163242,0.001323191,0.006628909,0.008987314],"category_scores_gemma":[0.01273511,0.0003046723,0.0004223273,0.0009611126,0.01978946,0.02162581,0.006796331,0.007186497,0.002867855],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001580288,"about_ca_system_score_gemma":0.00118509,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001093749,"about_ca_topic_score_gemma":0.000851893,"domain_scores_codex":[0.9958214,0.002062442,0.000190486,0.000483256,0.001173464,0.0002688853],"domain_scores_gemma":[0.9944929,0.003445238,0.0003235918,0.0006955701,0.000686874,0.0003557247],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004578927,0.00003167051,0.000712324,0.0004013601,0.0000291709,0.0002622979,0.01459019,0.0001464907,0.0006235878,0.8305138,0.0578494,0.09479392],"study_design_scores_gemma":[0.0000103776,0.00005989398,0.0005299645,0.001133762,0.00002565248,0.000940888,0.01228116,0.0003180856,0.0006902152,0.2910692,0.6929045,0.00003628339],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"commentary","genre_scores_codex":[0.01369384,0.06399325,0.06750239,0.6201764,0.01310165,0.0000687982,0.0001084214,0.000421641,0.2209335],"genre_scores_gemma":[0.6020577,0.06019307,0.02885115,0.1654906,0.007965181,0.0002951689,0.000158007,0.0004529414,0.1345362],"genre_candidate":"commentary","genre_consensus":"commentary","teacher_disagreement_score":0.9967905,"threshold_uncertainty_score":0.03006554,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2636285186","doi":"10.1162/leon_a_01479","title":"Land-Grant Hybrids: From Art and Technology to SEAD","year":2017,"lang":"en","type":"article","venue":"Leonardo","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"The arts; Futures contract; Land grant; Engineering ethics; Sociology; Political science; Library science; Engineering management; Computer science; Engineering; Business; Public administration","authors":[{"name":"Kari Zacharias","is_ca":true},{"name":"Matthew Wisnioski","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01980728277648695,"gpt":0.2397083582012079,"spread":0.219901075424721,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007326016,0.0002865444,0.0003430932,0.001868732,0.008109966,0.01428951,0.001396275,0.002466415,0.008511693],"category_scores_gemma":[0.01368686,0.0002574999,0.0002512031,0.002697875,0.02672894,0.01215468,0.0241396,0.002429075,0.0005260865],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004666967,"about_ca_system_score_gemma":0.003175146,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002615889,"about_ca_topic_score_gemma":0.005071643,"domain_scores_codex":[0.9924264,0.005175267,0.0001867345,0.000416314,0.001076364,0.0007189667],"domain_scores_gemma":[0.9919521,0.005150191,0.0004906827,0.001351129,0.0003290611,0.000726685],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000552178,0.00005528013,0.004898503,0.0001576973,0.00001304769,0.0004795663,0.2162819,0.0003062133,0.0005808718,0.6934556,0.002539344,0.08117677],"study_design_scores_gemma":[0.00002442957,0.0001595756,0.0053168,0.0004728063,0.00002882798,0.0007657458,0.3751604,0.0009185777,0.001267452,0.2693827,0.346464,0.00003869821],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5690894,0.005578177,0.02185433,0.02474995,0.0002690505,0.00008754171,0.00004556862,0.0001653565,0.3781606],"genre_scores_gemma":[0.9916217,0.0004637212,0.001464704,0.0003921277,0.00002563537,0.00003336775,0.000009644358,0.00002476197,0.005964353],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01428951,"threshold_uncertainty_score":0.03874415,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4239173614","doi":"10.1162/leon_a_01649","title":"Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke","year":2018,"lang":"en","type":"article","venue":"Leonardo","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Indigenous; Vision; Digital media; Media studies; Sociology; Visual arts; Augmented reality; History; Art; Anthropology; Computer science; World Wide Web; Ecology; Artificial intelligence","authors":[{"name":"Brittany Myburgh","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02685479172850387,"gpt":0.2444412614707507,"spread":0.2175864697422468,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002266589,0.0006874818,0.0005285151,0.003138311,0.05156708,0.01585511,0.001818327,0.002153827,0.01428298],"category_scores_gemma":[0.00283502,0.0003471689,0.0003082364,0.004471811,0.02204956,0.004795734,0.004635061,0.004058946,0.0007571897],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07613026,"about_ca_system_score_gemma":0.06649906,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9832749,"about_ca_topic_score_gemma":0.9954396,"domain_scores_codex":[0.9974735,0.0005330723,0.00003764904,0.0002019203,0.0009833509,0.0007704297],"domain_scores_gemma":[0.9974577,0.0008108978,0.0001112815,0.0001009179,0.000853547,0.0006657084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005556476,0.00004718689,0.003173457,0.0002816346,0.00001756852,0.001014476,0.7767424,0.0001604846,0.0006043091,0.0755858,0.09481671,0.04750047],"study_design_scores_gemma":[0.000003467188,0.000008807607,0.003094681,0.0003285632,0.0000201101,0.0002143214,0.4784181,0.0000530159,0.0002547202,0.002189518,0.5153732,0.00004155809],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1758374,0.05688909,0.001644333,0.135296,0.002154551,0.0001042013,0.0004594375,0.0001545369,0.6274605],"genre_scores_gemma":[0.7339709,0.02652011,0.001624726,0.008800135,0.000367801,0.00005719501,0.0001341067,0.0001517142,0.2283733],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07613026,"threshold_uncertainty_score":0.5523663,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243489572","doi":"10.1162/leon_a_00409","title":"Soundspheres: Resonant Chamber","year":2012,"lang":"en","type":"article","venue":"Leonardo","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Envelope (radar); Context (archaeology); Electroacoustic music; Space (punctuation); Computer science; Acoustics; Architectural engineering; Engineering; Physics; Visual arts; Art; Telecommunications; Geography; Archaeology","authors":[{"name":"Geoffrey Thün","is_ca":false},{"name":"Kathy Velikov","is_ca":false},{"name":"Colin Ripley","is_ca":true},{"name":"Lisa Sauvé","is_ca":false},{"name":"Wes McGee","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01995232374164904,"gpt":0.2257799703423719,"spread":0.2058276466007228,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006300645,0.0005675174,0.000321561,0.0005923059,0.001408255,0.002471909,0.001017183,0.0009026526,0.02240395],"category_scores_gemma":[0.0008991127,0.0003491531,0.0002974938,0.0004010442,0.001651055,0.002246615,0.00279124,0.0007269183,0.003502049],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000512484,"about_ca_system_score_gemma":0.0005474782,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001275962,"about_ca_topic_score_gemma":0.001576364,"domain_scores_codex":[0.999332,0.0001734512,0.00002694332,0.000122046,0.0002665047,0.0000790027],"domain_scores_gemma":[0.9997982,0.00005640219,0.00001583945,0.00004952116,0.00004096781,0.00003895659],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002839172,0.0000917691,0.0007623029,0.0005733808,0.0000181439,0.0007665906,0.006149973,0.00290466,0.0368657,0.6058573,0.02461231,0.321114],"study_design_scores_gemma":[0.0000278732,0.0001581483,0.00103544,0.0001622706,0.00002023976,0.001508698,0.0009724525,0.00357687,0.0115591,0.02255008,0.9583651,0.00006383575],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05614395,0.004477143,0.29356,0.00125987,0.0007746282,0.0003347565,0.0003496911,0.00654126,0.6365587],"genre_scores_gemma":[0.5305648,0.004201381,0.2162544,0.000710079,0.0002564578,0.0003888484,0.0004802062,0.001964951,0.2451789],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02240395,"threshold_uncertainty_score":0.07494867,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2143136446","doi":"10.1162/0024094041139463","title":"Resisting Surveillance: Identity and Implantable Microchips","year":2004,"lang":"en","type":"article","venue":"Leonardo","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"University of Warwick","keywords":"Identity (music); Authentication (law); Computer science; Radio-frequency identification; Identification (biology); Computer security; Access control; Interface (matter); Tracking (education); Control (management); Resistance (ecology); Human–computer interaction; Multimedia; Internet privacy; Artificial intelligence; Sociology; Aesthetics","authors":[{"name":"Nancy Nisbet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01927572455907036,"gpt":0.2771693614539227,"spread":0.2578936368948524,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007877297,0.0002086325,0.0001536391,0.0003546216,0.0005423519,0.002327534,0.0004641509,0.000921899,0.001180495],"category_scores_gemma":[0.003204347,0.0001158809,0.0001153264,0.0002247823,0.00248191,0.001763347,0.001110659,0.0006012299,0.0002265231],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004349505,"about_ca_system_score_gemma":0.000208865,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004001233,"about_ca_topic_score_gemma":0.0003736665,"domain_scores_codex":[0.9993618,0.0002472734,0.00001497817,0.00006318645,0.0002430028,0.00006965314],"domain_scores_gemma":[0.9991096,0.0004763457,0.0001345836,0.0001140424,0.0001186491,0.00004676425],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002828266,0.0001083084,0.004013066,0.0002527079,0.00002491208,0.001608135,0.02612323,0.001700752,0.04276154,0.510042,0.008245338,0.4048373],"study_design_scores_gemma":[0.0001237973,0.001497866,0.009115743,0.0006378302,0.0001751886,0.01347844,0.01956701,0.02518459,0.101401,0.2314724,0.5971715,0.000174683],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6725428,0.01963558,0.1000185,0.01343362,0.0009070482,0.00007686372,0.00001647558,0.0005296409,0.1928395],"genre_scores_gemma":[0.9583237,0.003386402,0.01206888,0.0007566261,0.00007821296,0.00002770959,0.000006741005,0.00002549024,0.02532621],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9994577,"threshold_uncertainty_score":0.004166007,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1988504285","doi":"10.1162/leon.2010.43.3.250","title":"The Crystal Interface in Contemporary Art: Metaphors of the Organic and Inorganic","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Metaphor; Context (archaeology); Transparency (behavior); Crystal (programming language); Aesthetics; Art; Sociology; Philosophy; History; Computer science; Political science; Linguistics; Archaeology; Law","authors":[{"name":"Mark Cheetham","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02017979548854483,"gpt":0.2562150858304424,"spread":0.2360352903418976,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001156466,0.0004319157,0.000300054,0.001937336,0.002728224,0.005998945,0.001015759,0.001787862,0.00211896],"category_scores_gemma":[0.00200293,0.0001382661,0.0003174352,0.001488241,0.03700458,0.006237451,0.003172972,0.002320688,0.0003401625],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002480148,"about_ca_system_score_gemma":0.001164281,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00233956,"about_ca_topic_score_gemma":0.004084432,"domain_scores_codex":[0.9990821,0.0005256767,0.00001734118,0.00007342709,0.0002335394,0.0000678234],"domain_scores_gemma":[0.9993011,0.0005007657,0.00005293185,0.00005255339,0.00005224906,0.00004035893],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007623451,0.000005778955,0.00007783605,0.00004551773,0.000001887314,0.00008424628,0.02606121,0.00006241016,0.0002065691,0.9627875,0.001860853,0.008798613],"study_design_scores_gemma":[0.000009308089,0.00002388698,0.0007074235,0.0002503361,0.000007021485,0.0007467386,0.03526267,0.0007234957,0.0003148421,0.7911409,0.1707968,0.00001657619],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07996902,0.04081264,0.06049772,0.03907249,0.001227762,0.00004461409,0.00003107456,0.000156459,0.7781883],"genre_scores_gemma":[0.9490137,0.01017781,0.01302038,0.003113595,0.0003249223,0.00008756749,0.00001841597,0.00008012625,0.02416351],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005998945,"threshold_uncertainty_score":0.01799482,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130735995","doi":"10.1162/leon.2008.41.1.6","title":"Art Embodies A-Life: The VIDA Competition","year":2008,"lang":"en","type":"article","venue":"Leonardo","topic":"Space Science and Extraterrestrial Life","field":"Physics and Astronomy","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Studio; Competition (biology); Popularity; Visual arts; Art; Selection (genetic algorithm); Art history; Performance art; Aesthetics; Computer science; Artificial intelligence; Political science; Law","authors":[{"name":"Nell Tenhaaf","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02278505886962839,"gpt":0.2412580304556285,"spread":0.2184729715860002,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002493955,0.0005324534,0.0005002951,0.001780791,0.005929765,0.01154203,0.001144875,0.002046227,0.04807629],"category_scores_gemma":[0.002098037,0.000253998,0.0005790968,0.00140833,0.001556117,0.002251836,0.006953262,0.002270778,0.01149447],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002013729,"about_ca_system_score_gemma":0.001496819,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007333386,"about_ca_topic_score_gemma":0.02242463,"domain_scores_codex":[0.9987197,0.0001659754,0.00003300609,0.0001498689,0.00060483,0.0003267245],"domain_scores_gemma":[0.9987501,0.0001320683,0.00004255813,0.0001449394,0.0001558982,0.0007745062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000198934,0.0001288253,0.0009163024,0.0001344967,0.00001423118,0.0001902206,0.001156079,0.000393621,0.001027468,0.1342839,0.7400271,0.1215287],"study_design_scores_gemma":[0.000006223373,0.00001109495,0.001484646,0.00003645261,0.000001631745,0.0000769911,0.0002584531,0.0001230537,0.0001481819,0.002549435,0.9952955,0.000008459048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01994945,0.008910038,0.001576514,0.01233816,0.007146425,0.00008315513,0.0008121672,0.0004321281,0.9487519],"genre_scores_gemma":[0.1521674,0.003643068,0.002850596,0.002577121,0.002491795,0.0001081291,0.0019182,0.000894451,0.8333493],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04807629,"threshold_uncertainty_score":0.1608313,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1971610501","doi":"10.1162/002409403321554189","title":"BRIDGES I: Interdisciplinary Collaboration as Practice","year":2003,"lang":"en","type":"article","venue":"Leonardo","topic":"Interdisciplinary Research and Collaboration","field":"Decision Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Banff Centre","funders":"","keywords":"Summit; Work (physics); Value (mathematics); Engineering ethics; Event (particle physics); Convergence (economics); Community of practice; Sociology; Process (computing); Knowledge management; Political science; Public relations; Engineering; Computer science; Pedagogy; Geography","authors":[{"name":"Celia Pearce","is_ca":false},{"name":"Sara Diamond","is_ca":true},{"name":"Mark Beam","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05588545104065061,"gpt":0.4626161153323592,"spread":0.4067306642917086,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.01716993,0.0007728906,0.0006680877,0.002908228,0.009141837,0.0235702,0.00245768,0.008771564,0.01504694],"category_scores_gemma":[0.01678747,0.0005454859,0.0007412021,0.003530861,0.03026967,0.01591566,0.02512105,0.004747689,0.001846074],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007142163,"about_ca_system_score_gemma":0.01371969,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003087299,"about_ca_topic_score_gemma":0.002601325,"domain_scores_codex":[0.9787039,0.01557511,0.0005931591,0.001371389,0.002454461,0.001301891],"domain_scores_gemma":[0.9869851,0.007471464,0.0008739054,0.001394937,0.0008111284,0.002463339],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002673121,0.00003738475,0.0002821862,0.0002545591,0.000009615016,0.0001779527,0.0422502,0.0002490165,0.0001972639,0.9001993,0.02271471,0.03360115],"study_design_scores_gemma":[0.00004372703,0.000101116,0.0005780642,0.0009034661,0.00001301837,0.0002523411,0.03589945,0.0005792374,0.00028771,0.4014527,0.559858,0.00003127976],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.027605,0.01880433,0.06459994,0.1654468,0.002906389,0.0004617273,0.0001438095,0.0004880697,0.7195441],"genre_scores_gemma":[0.7909513,0.01559831,0.05554948,0.01312124,0.001446312,0.002386331,0.0002615378,0.0003467817,0.1203389],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9908581,"threshold_uncertainty_score":0.0908044,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"commentary","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W1998759400","doi":"10.1162/leon_a_01058","title":"Facilitating Creative Equality in Art-Science: A Methodological Experiment","year":2015,"lang":"en","type":"article","venue":"Leonardo","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institute on Governance","funders":"Creative Scotland","keywords":"Creativity; The arts; Facilitation; Space (punctuation); Meaning (existential); Discipline; Sociology; Boundary (topology); Epistemology; Computer science; Psychology; Visual arts; Social science; Art; Social psychology; Mathematics","authors":[{"name":"Matthias Wienroth","is_ca":true},{"name":"Pippa Goldschmidt","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4536749508194531,"gpt":0.5428723881595185,"spread":0.08919743734006541,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.04023391,0.001068382,0.001125085,0.001002362,0.005817185,0.004369932,0.00333016,0.004626372,0.01330287],"category_scores_gemma":[0.05848551,0.001030722,0.001009324,0.001163119,0.009108738,0.004809864,0.006417142,0.004221216,0.001212333],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002049357,"about_ca_system_score_gemma":0.003224125,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007408409,"about_ca_topic_score_gemma":0.0007481431,"domain_scores_codex":[0.9774711,0.01651337,0.001172812,0.002043999,0.001650812,0.001147932],"domain_scores_gemma":[0.8978644,0.08924611,0.002432725,0.006071038,0.002520062,0.001865563],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"design_other","study_design_scores_codex":[0.02422146,0.1899623,0.009552612,0.007397059,0.0003471597,0.002553772,0.4297551,0.004497425,0.03195672,0.1524329,0.004310905,0.1430126],"study_design_scores_gemma":[0.1019316,0.1599579,0.02130959,0.004404124,0.001158598,0.001954219,0.2224684,0.0165566,0.07203917,0.2551724,0.1419875,0.001059869],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9235559,0.0003929868,0.02709612,0.001238851,0.0003500793,0.02543964,0.0002372137,0.0001204385,0.02156877],"genre_scores_gemma":[0.891992,0.0002794767,0.05826483,0.0008355262,0.0001011227,0.04327638,0.0000919412,0.0000609584,0.005097608],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04023391,"threshold_uncertainty_score":0.2127798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2103030280","doi":"10.1162/leon.2010.43.1.34","title":"A Novel Use of 3D Motion Capture: Creating Conceptual Links between Technology and Representation of Human Gesture in the Visual Arts","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Human Motion and Animation","field":"Engineering","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Lethbridge","funders":"Alberta Foundation for the Arts; Western Canada Research Grid","keywords":"Gesture; Representation (politics); Movement (music); Motion (physics); Computer science; Motion capture; Human–computer interaction; Trajectory; Space (punctuation); Function (biology); Artificial intelligence; Cognitive science; Computer vision; Communication; Aesthetics; Art; Sociology; Psychology","authors":[{"name":"Gongbing Shan","is_ca":true},{"name":"Peter Visentin","is_ca":true},{"name":"Tanya Harnett","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03476173627573895,"gpt":0.2846359900582058,"spread":0.2498742537824669,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005694849,0.0003678062,0.0001826362,0.001143108,0.001042077,0.003487939,0.0005767882,0.0008108094,0.003557857],"category_scores_gemma":[0.001864711,0.0002371084,0.0003051063,0.0005957922,0.006032261,0.002557786,0.003478074,0.000735705,0.0002751369],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006336805,"about_ca_system_score_gemma":0.0005332456,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001914732,"about_ca_topic_score_gemma":0.003411624,"domain_scores_codex":[0.999593,0.0002044107,0.00001271208,0.00007245436,0.0000827566,0.00003479018],"domain_scores_gemma":[0.9993704,0.0004114627,0.00003371342,0.0001134716,0.00003822479,0.00003274052],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008701552,0.00003218742,0.001757783,0.0003738897,0.00002279467,0.0007408652,0.04851104,0.002496626,0.03351833,0.7504256,0.00260429,0.1594296],"study_design_scores_gemma":[0.00007994469,0.0003651225,0.01252001,0.001413819,0.0001469606,0.005999618,0.02751521,0.03845962,0.04187354,0.3252757,0.5460903,0.0002601879],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1185491,0.003083564,0.693628,0.003250088,0.0002068319,0.0002140842,0.0001804897,0.0005871028,0.1803008],"genre_scores_gemma":[0.7731574,0.002014333,0.2082874,0.0005016157,0.00006417668,0.0002421991,0.00007743615,0.0001487214,0.01550686],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.003557857,"threshold_uncertainty_score":0.01190221,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2906472380","doi":"10.1162/leon_a_01721","title":"Samuel Beckett in Virtual Reality: Exploring Narrative Using Free Viewpoint Video","year":2018,"lang":"en","type":"article","venue":"Leonardo","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"CARE Canada; Trinity College","funders":"Science Foundation Ireland","keywords":"Narrative; Virtual reality; Computer science; Human–computer interaction; Multimedia; Video game; Visual arts; Art; Literature","authors":[{"name":"Néill O’Dwyer","is_ca":true},{"name":"Nicholas Johnson","is_ca":false},{"name":"Enda Bates","is_ca":false},{"name":"Rafael Pagés","is_ca":false},{"name":"Jan Ondřej","is_ca":false},{"name":"Konstantinos Amplianitis","is_ca":false},{"name":"David Monaghan","is_ca":true},{"name":"Aljoša Smolić","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1406076284133772,"gpt":0.3017785366157028,"spread":0.1611709082023256,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007489752,0.0003525058,0.0001817748,0.0005847031,0.00238019,0.004305616,0.0004644069,0.0008270473,0.003442356],"category_scores_gemma":[0.001207535,0.0001786511,0.0002015192,0.000275605,0.004862687,0.002349499,0.001908978,0.0009877956,0.0003404114],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007078414,"about_ca_system_score_gemma":0.0003727741,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002081011,"about_ca_topic_score_gemma":0.003554804,"domain_scores_codex":[0.9991047,0.0006859996,0.000006636998,0.00005477785,0.00007237464,0.0000754578],"domain_scores_gemma":[0.9995716,0.0003119768,0.00002566681,0.00001627432,0.00002368986,0.00005076482],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0002673742,0.0000916786,0.001435062,0.0002751404,0.00002285286,0.002996742,0.516112,0.0009630958,0.01480036,0.3858515,0.01010861,0.06707562],"study_design_scores_gemma":[0.00006368563,0.0004402159,0.003681742,0.0006608007,0.00004434646,0.00464115,0.3738175,0.003916495,0.01725729,0.05093186,0.544445,0.00009988094],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6093262,0.004262924,0.04350416,0.005805952,0.000417525,0.00009514023,0.00006305698,0.0001762148,0.3363488],"genre_scores_gemma":[0.970751,0.0009656225,0.005240332,0.00038149,0.00003976885,0.00002671253,0.00001459747,0.00005325793,0.02252718],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004305616,"threshold_uncertainty_score":0.0115158,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2135909255","doi":"10.1162/leon.2007.40.1.71","title":"The Art and Science of Visualizing Simulated Blood-Flow Dynamics","year":2007,"lang":"en","type":"article","venue":"Leonardo","topic":"Cerebrovascular and Carotid Artery Diseases","field":"Medicine","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Robarts Clinical Trials; Canada Research Chairs; University of Toronto","funders":"","keywords":"Dynamics (music); Context (archaeology); Flow (mathematics); Computer science; Human–computer interaction; Blood flow; Data science; Cognitive science; Mechanics; Sociology; Physics; Psychology; Medicine; Biology","authors":[{"name":"D.A. Steinman","is_ca":true},{"name":"David A. Steinman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006043011487887632,"gpt":0.268824145055579,"spread":0.2627811335676914,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00160982,0.000556819,0.0007663515,0.001425197,0.000761525,0.003940742,0.0009662501,0.001313725,0.006896029],"category_scores_gemma":[0.007846495,0.0003652199,0.0006420139,0.0009355342,0.003962524,0.00304882,0.0024179,0.001886296,0.0008192968],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005556404,"about_ca_system_score_gemma":0.0008238287,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00152081,"about_ca_topic_score_gemma":0.001214326,"domain_scores_codex":[0.999241,0.0003713554,0.00004291051,0.00007969119,0.0002275304,0.00003757531],"domain_scores_gemma":[0.9974335,0.001916327,0.00007498854,0.0003431063,0.0001519312,0.00008016757],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0001772216,0.00006601002,0.00302905,0.001519727,0.0001525922,0.000477239,0.002457744,0.1032757,0.01795539,0.5911207,0.01536775,0.2644008],"study_design_scores_gemma":[0.00005560734,0.00009678329,0.001860649,0.0006318247,0.00007620321,0.001445775,0.0007988187,0.2084849,0.01212978,0.5444316,0.2298519,0.0001361529],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.01682111,0.01366697,0.9192109,0.007071363,0.0008522094,0.00008924482,0.0003243514,0.001515497,0.04044839],"genre_scores_gemma":[0.463048,0.02958959,0.4902101,0.001118988,0.0006602826,0.0002503614,0.0004036034,0.0006344258,0.01408465],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.006896029,"threshold_uncertainty_score":0.0230695,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1993904339","doi":"10.1162/leon.2007.40.2.180","title":"Documentation and Conservation of the Media-Arts Heritage (DOCAM)","year":2007,"lang":"en","type":"article","venue":"Leonardo","topic":"Conservation Techniques and Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Daniel Langlois Foundation for Art Science and Technology","funders":"","keywords":"Icon; Documentation; Citation; Download; World Wide Web; The arts; Computer science; Search engine optimization; Cultural heritage; Library science; Visual arts; Art; Search engine; History; Archaeology","authors":[{"name":"Jean Gagnon","is_ca":true},{"name":"Alain Depocas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03721003687877216,"gpt":0.2566819274037205,"spread":0.2194718905249484,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007664319,0.0007143097,0.0006757462,0.005408957,0.001892056,0.006913238,0.0009113259,0.001291469,0.686636],"category_scores_gemma":[0.004080612,0.0003996247,0.0004378112,0.004754651,0.0005766797,0.002827957,0.003015874,0.001428638,0.4940348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002604359,"about_ca_system_score_gemma":0.00280656,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01371937,"about_ca_topic_score_gemma":0.03887506,"domain_scores_codex":[0.9991009,0.00005831817,0.00005150803,0.00006644277,0.0006218339,0.0001010355],"domain_scores_gemma":[0.9976776,0.0001962563,0.0001219148,0.0002092799,0.001380943,0.0004139729],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007810008,0.000006492395,0.0001130033,0.00009651687,0.000001269852,0.00003846924,0.00006337455,0.000009809182,0.00009256857,0.0008212352,0.9528923,0.04585717],"study_design_scores_gemma":[0.000001939446,0.000003761586,0.0005598709,0.000144713,0.000001165244,0.00004883839,0.00006528373,0.00001151401,0.00009536766,0.000106642,0.9989578,0.0000032404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0008616709,0.004979021,0.0007223822,0.004309983,0.007000293,0.000191037,0.01152423,0.002624369,0.9677871],"genre_scores_gemma":[0.002080872,0.003383137,0.0006483609,0.0005491417,0.0006811867,0.00005551759,0.004285674,0.0008156757,0.9875003],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.686636,"threshold_uncertainty_score":0.4469757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2013740390","doi":"10.1162/leon_a_00374","title":"Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings","year":2012,"lang":"en","type":"article","venue":"Leonardo","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Baroque; Painting; Theme (computing); Art; Latin Americans; Order (exchange); Visual arts; Art history; Aesthetics; Computer science; Philosophy; Linguistics; World Wide Web","authors":[{"name":"Juan Luis Suárez","is_ca":true},{"name":"Fernando Sancho","is_ca":true},{"name":"Javier de la Rosa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01707892475324353,"gpt":0.2273089221709824,"spread":0.2102299974177389,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005940931,0.0001347135,0.0002013335,0.004330461,0.0009997211,0.002282257,0.0003949277,0.000388262,0.005329282],"category_scores_gemma":[0.002611594,0.0001169554,0.0002384896,0.007396468,0.0005873591,0.001682307,0.001206273,0.0003893586,0.0005706091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007238535,"about_ca_system_score_gemma":0.000358884,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02576423,"about_ca_topic_score_gemma":0.03912831,"domain_scores_codex":[0.9997521,0.00005853621,0.00001147258,0.00006471994,0.00005123745,0.00006191803],"domain_scores_gemma":[0.9981344,0.0007765412,0.0005414038,0.0001229717,0.0002049684,0.0002196227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002077012,0.0001006938,0.88647,0.0002149399,0.0001856269,0.0003693012,0.02531671,0.001574476,0.001566755,0.009493208,0.009249154,0.06525148],"study_design_scores_gemma":[0.00001058797,0.00002309453,0.9338581,0.0001019549,0.00004447535,0.000177448,0.02759594,0.002595754,0.000295975,0.001797635,0.03348051,0.00001859381],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.988737,0.0007671199,0.0002693172,0.000378291,0.000009716757,0.000009288371,0.002318103,0.00001502132,0.007496251],"genre_scores_gemma":[0.993394,0.0005192579,0.0004528773,0.00003269311,0.00003066082,0.0000172182,0.003342652,0.00001360605,0.002197106],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02576423,"threshold_uncertainty_score":0.05122852,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1979059129","doi":"10.1162/leon.2010.43.3.243","title":"Re-Animating Greg Lynn's Embryological House: A Case Study in Digital Design Preservation","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"3D Surveying and Cultural Heritage","field":"Earth and Planetary Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Manitoba Beekeepers' Association","funders":"","keywords":"Architecture; Context (archaeology); Documentation; Artifact (error); Visual arts; Computer science; Subject (documents); Art history; Art; Library science; History; Archaeology; Artificial intelligence","authors":[{"name":"Lawrence Bird","is_ca":true},{"name":"Guillaume Labelle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06111119271125683,"gpt":0.2629061293781783,"spread":0.2017949366669214,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00427057,0.0003888901,0.0002819101,0.001097638,0.01053685,0.002739558,0.001496671,0.00310326,0.003579639],"category_scores_gemma":[0.006106935,0.0003366425,0.0003322817,0.0009245948,0.01052101,0.002160533,0.003541209,0.00158651,0.000404076],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004435289,"about_ca_system_score_gemma":0.002921142,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01767698,"about_ca_topic_score_gemma":0.08650804,"domain_scores_codex":[0.996606,0.002486659,0.00005248989,0.0002135197,0.0004317699,0.0002096184],"domain_scores_gemma":[0.9974688,0.001499835,0.0001374338,0.0002914479,0.0001644059,0.0004380244],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001092186,0.0003764061,0.009086558,0.0002210795,0.00001368744,0.02506836,0.7644786,0.00204475,0.005218334,0.06698657,0.01232259,0.1140739],"study_design_scores_gemma":[0.00002541268,0.0003811195,0.004590859,0.0003453872,0.00002194442,0.01325692,0.3983473,0.001624438,0.00619255,0.008883679,0.5662655,0.00006486663],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8892593,0.00101448,0.01753233,0.007951838,0.0001662133,0.0002708645,0.00005253337,0.0001045731,0.08364794],"genre_scores_gemma":[0.9214869,0.0008641798,0.02417493,0.0009513297,0.00001812851,0.0001096595,0.00003716459,0.0001406719,0.05221701],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01767698,"threshold_uncertainty_score":0.0351482,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2094504896","doi":"10.1162/leon_a_00169","title":"The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object","year":2011,"lang":"en","type":"article","venue":"Leonardo","topic":"Multidisciplinary Warburg-centric Studies","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Personhood; Atlas (anatomy); Meaning (existential); Set (abstract data type); Art; Art history; Philosophy; Epistemology; Computer science; Programming language","authors":[{"name":"Sara Angel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04576076578230132,"gpt":0.2910773723489147,"spread":0.2453166065666134,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001403248,0.000441582,0.0002452956,0.001646583,0.007303562,0.006852242,0.0006387435,0.002001377,0.008680609],"category_scores_gemma":[0.002419729,0.0002431543,0.0001808042,0.001251786,0.02062513,0.007580749,0.004426192,0.002924127,0.0008175608],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005456055,"about_ca_system_score_gemma":0.0015016,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01259218,"about_ca_topic_score_gemma":0.01723867,"domain_scores_codex":[0.9990415,0.0004640516,0.00002571154,0.0001861037,0.0001360344,0.0001465699],"domain_scores_gemma":[0.9995112,0.0002856537,0.00004034725,0.00006828305,0.00006169536,0.00003271704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001063479,0.000002936861,0.000123799,0.00001193681,8.785797e-7,0.00006211204,0.03126065,0.00004390476,0.0001765411,0.9614573,0.002065155,0.004784073],"study_design_scores_gemma":[0.00001527292,0.00002559235,0.002291805,0.000205511,0.000009735547,0.0002619722,0.05320847,0.0004190006,0.0008504798,0.3253676,0.6173216,0.00002294068],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06357665,0.001584168,0.01250072,0.01062615,0.000397551,0.00004986106,0.00009732594,0.00009177625,0.9110758],"genre_scores_gemma":[0.9385682,0.0005165293,0.001993915,0.000583094,0.00009864421,0.00007150048,0.00005213019,0.0001152351,0.05800068],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01259218,"threshold_uncertainty_score":0.03958666,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2020990509","doi":"10.1162/leon.2006.39.2.166a","title":"Innovation and Its Discontents: How Our Broken Patent System Is Endangering Innovation and Progress, and What to Do About It","year":2006,"lang":"en","type":"article","venue":"Leonardo","topic":"Intellectual Property and Patents","field":"Business, Management and Accounting","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Ottawa","funders":"","keywords":"Icon; Citation; Download; World Wide Web; Search engine optimization; Computer science; Library science; Information retrieval; Search engine","authors":[{"name":"Zainub Verjee","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1217410063361534,"gpt":0.2340311788504728,"spread":0.1122901725143194,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.005816567,0.0004140847,0.0006759882,0.003274297,0.006007552,0.02297105,0.001298591,0.006912249,0.03714003],"category_scores_gemma":[0.02681076,0.0003910114,0.0004796816,0.003730703,0.01168631,0.01528206,0.005275473,0.006251115,0.008513427],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008983561,"about_ca_system_score_gemma":0.007156711,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01934826,"about_ca_topic_score_gemma":0.0388594,"domain_scores_codex":[0.9941146,0.001609919,0.0003717116,0.0005843891,0.00257415,0.0007453121],"domain_scores_gemma":[0.9889469,0.004521303,0.001232786,0.001253354,0.002701269,0.001344461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003394082,0.00003397786,0.00348888,0.0003026284,0.00002933895,0.000323631,0.00487993,0.0003065428,0.0003036883,0.3266942,0.4226091,0.2409941],"study_design_scores_gemma":[0.00001140973,0.00002849573,0.006935264,0.0009627775,0.00003266926,0.0002656034,0.005098321,0.0003393056,0.0003625286,0.1427172,0.8431838,0.0000626565],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.009547942,0.06811802,0.003387571,0.4883956,0.003181422,0.00004693499,0.0003308078,0.0003748111,0.4266169],"genre_scores_gemma":[0.4092691,0.117703,0.006945627,0.06827736,0.004509239,0.000133421,0.0009773895,0.0005500984,0.3916347],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9939924,"threshold_uncertainty_score":0.1242458,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1998871257","doi":"10.1162/leon_a_00525","title":"<i>Context Machines:</i> A Series of Situated and Self-Organizing Artworks","year":2013,"lang":"en","type":"article","venue":"Leonardo","topic":"Cellular Automata and Applications","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Kwantlen Polytechnic University; Surrey Memorial Hospital","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Situated; Generative grammar; Creativity; Context (archaeology); Computer science; Process (computing); Associative property; Visual arts; Association (psychology); Cognitive science; Art; Artificial intelligence; Psychology; History; Archaeology; Mathematics","authors":[{"name":"Benjamin David Robert Bogart","is_ca":false},{"name":"Philippe Pasquier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004879217012595659,"gpt":0.1816139358599693,"spread":0.1767347188473736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000204076,0.0004189931,0.0002430071,0.0005984275,0.001404656,0.003861945,0.0007890366,0.001474738,0.005138085],"category_scores_gemma":[0.0008900592,0.000250508,0.0004944152,0.0006996445,0.003539401,0.003376235,0.001393453,0.001090262,0.001039091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001008454,"about_ca_system_score_gemma":0.0003112769,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001901716,"about_ca_topic_score_gemma":0.002028084,"domain_scores_codex":[0.9998012,0.00004879514,0.000008251789,0.00006237269,0.00004513398,0.00003428132],"domain_scores_gemma":[0.9998073,0.00007267109,0.00002301711,0.00003906528,0.00002844753,0.00002948223],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002294509,0.00001209359,0.0003475939,0.00009039432,0.00001173476,0.0001900145,0.001454834,0.004664713,0.002698821,0.943132,0.01081889,0.03655601],"study_design_scores_gemma":[0.0000115348,0.00005302129,0.000717377,0.0001496676,0.00003136967,0.0006422442,0.001035544,0.04314261,0.006717035,0.4213963,0.5260572,0.00004610059],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"other","genre_scores_codex":[0.05536862,0.01705927,0.5286856,0.01399927,0.002732334,0.0001669114,0.0002240446,0.001553534,0.3802104],"genre_scores_gemma":[0.7736588,0.007515847,0.1129145,0.002156152,0.0008716598,0.0002912462,0.0001439204,0.0002882537,0.1021596],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.005138085,"threshold_uncertainty_score":0.01718867,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4251463052","doi":"10.1162/leon_a_01925","title":"<i>Body RemiXer</i>: Extending Bodies to Stimulate Social Connection in an Immersive Installation","year":2020,"lang":"en","type":"article","venue":"Leonardo","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia; Simon Fraser University","funders":"","keywords":"Headset; Connection (principal bundle); Virtual reality; Human–computer interaction; Computer science; Psychology; Engineering; Telecommunications; Mechanical engineering","authors":[{"name":"John Desnoyers-Stewart","is_ca":true},{"name":"Ekaterina R. Stepanova","is_ca":true},{"name":"Bernhard E. Riecke","is_ca":true},{"name":"Patrick Parra Pennefather","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0494845471613847,"gpt":0.3126449137433749,"spread":0.2631603665819903,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004582187,0.0004608536,0.0001617806,0.0003190615,0.0008289136,0.001156059,0.0006004045,0.0005094937,0.0108377],"category_scores_gemma":[0.0008850414,0.0001887026,0.0003169505,0.0001952634,0.001258313,0.001053802,0.003187058,0.0007345221,0.0008705482],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001466249,"about_ca_system_score_gemma":0.0001611166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004855463,"about_ca_topic_score_gemma":0.001591903,"domain_scores_codex":[0.9997817,0.00007710042,0.000006551636,0.00003692466,0.00005871222,0.00003895324],"domain_scores_gemma":[0.9996831,0.0001213139,0.00001954027,0.00007203702,0.00002526698,0.00007869353],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007462598,0.0006815963,0.006293328,0.001860044,0.00009951258,0.003908541,0.08821002,0.003251742,0.3592544,0.04641768,0.06079955,0.4284774],"study_design_scores_gemma":[0.0001857968,0.002462188,0.04816971,0.0007508769,0.0002232442,0.008299922,0.02524282,0.01240901,0.1750551,0.008839501,0.7180101,0.0003517736],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6565094,0.0008176965,0.1386174,0.002228342,0.0005673617,0.0003984922,0.0004309868,0.005425753,0.1950046],"genre_scores_gemma":[0.8426431,0.0005055913,0.09772345,0.0005142069,0.0001404198,0.0002745379,0.0003353805,0.000824813,0.05703855],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0108377,"threshold_uncertainty_score":0.03625572,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2223264347","doi":"10.1162/leon_a_01229","title":"Beyond Data: Abstract Motionscapes as Affective Visualization","year":2016,"lang":"en","type":"article","venue":"Leonardo","topic":"Data Visualization and Analytics","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Affordance; Evocation; Computer science; Human–computer interaction; Set (abstract data type); Affect (linguistics); Visualization; Motion (physics); Modality (human–computer interaction); Space (punctuation); Cognitive science; Psychology; Artificial intelligence; Art; Communication","authors":[{"name":"Chao Feng","is_ca":true},{"name":"Lyn Bartram","is_ca":true},{"name":"Diane Gromala","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02774659736769867,"gpt":0.3249954986971215,"spread":0.2972489013294228,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00209881,0.0007830223,0.0005553674,0.00225651,0.001020151,0.008197105,0.001022587,0.001027709,0.02516991],"category_scores_gemma":[0.01558941,0.0003176938,0.0005376422,0.00396805,0.001810289,0.007346345,0.004805539,0.001390459,0.0035173],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006547397,"about_ca_system_score_gemma":0.000713178,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001874446,"about_ca_topic_score_gemma":0.00154817,"domain_scores_codex":[0.9984621,0.0007237354,0.0001344844,0.0002771855,0.0003236041,0.00007890654],"domain_scores_gemma":[0.9921529,0.004020562,0.0004289091,0.002002714,0.001079677,0.0003152318],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005426643,0.00007649386,0.005131541,0.002982012,0.000102933,0.0008487412,0.01236639,0.004527139,0.011129,0.4770668,0.1352516,0.3499748],"study_design_scores_gemma":[0.00004712549,0.00006859282,0.003349716,0.00111186,0.00005667887,0.0004603394,0.003715331,0.01352882,0.00677418,0.245197,0.725598,0.00009238998],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.04664857,0.007039505,0.7304224,0.02306633,0.002528042,0.0007352474,0.03086589,0.01733745,0.1413565],"genre_scores_gemma":[0.5519322,0.004863654,0.3925925,0.003739224,0.0008994779,0.0009073768,0.01198632,0.00302645,0.03005281],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02516991,"threshold_uncertainty_score":0.08420175,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391161838","doi":"10.1162/leon_a_02502","title":"Resisting Normality with Cultural Accessibility and Slow Technology","year":2024,"lang":"en","type":"article","venue":"Leonardo","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Eli Lilly (Canada); University of Guelph","funders":"","keywords":"Normality; Sociology; Psychology; Computer science; Social psychology","authors":[{"name":"Megan Johnson","is_ca":true},{"name":"Eliza Chandler","is_ca":true},{"name":"Carla Rice","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01522409484580597,"gpt":0.2944857454142242,"spread":0.2792616505684182,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005268731,0.0004308096,0.0003731451,0.001431035,0.007233849,0.01092859,0.0009619521,0.002234767,0.004379554],"category_scores_gemma":[0.008849128,0.0002313046,0.0003050097,0.00067208,0.04367103,0.007317577,0.01974909,0.003285774,0.0004954871],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002479343,"about_ca_system_score_gemma":0.001852224,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002667791,"about_ca_topic_score_gemma":0.00257348,"domain_scores_codex":[0.9941179,0.003764017,0.0001174573,0.0003459146,0.0009664146,0.0006883422],"domain_scores_gemma":[0.9949524,0.002783028,0.0005782752,0.0008765677,0.0003617069,0.0004479265],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00005376247,0.00008018129,0.003797882,0.0001437374,0.0000129816,0.001127849,0.4939732,0.0002534929,0.001956856,0.4579415,0.00251511,0.03814347],"study_design_scores_gemma":[0.0000271803,0.0002202644,0.003860041,0.0007350218,0.00002715025,0.002464203,0.5099764,0.0007765046,0.002950163,0.205415,0.2734905,0.00005736783],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5945935,0.001794095,0.02111785,0.01955621,0.0002776288,0.00007663383,0.00001704172,0.0001499761,0.3624171],"genre_scores_gemma":[0.9928443,0.0002919178,0.0008819601,0.0005458082,0.00002534087,0.00002241842,0.000003715665,0.00002566639,0.005358877],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01092859,"threshold_uncertainty_score":0.0278641,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4252472321","doi":"10.1162/leon_a_01283","title":"Perceptual Cells: James Turrell’s Vision Machines Between Two Paracinemas","year":2016,"lang":"en","type":"article","venue":"Leonardo","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Perception; Movie theater; Architecture; Projection (relational algebra); Perceptual system; Cognitive science; Computer science; Visual arts; Psychology; Aesthetics; Cognitive psychology; Computer vision; Artificial intelligence; Art; Neuroscience","authors":[{"name":"Alla Gadassik","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02803382978395737,"gpt":0.2542686450916027,"spread":0.2262348153076454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004962824,0.0001859632,0.000124994,0.000372403,0.001696355,0.004277888,0.0003470142,0.001029277,0.003808707],"category_scores_gemma":[0.002536409,0.0001679457,0.000144701,0.0002216348,0.006729883,0.004417283,0.001504815,0.001586331,0.0003943237],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001263607,"about_ca_system_score_gemma":0.0003830255,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002214856,"about_ca_topic_score_gemma":0.002016801,"domain_scores_codex":[0.9996746,0.0001440639,0.000005874616,0.00006658873,0.00006390634,0.00004512796],"domain_scores_gemma":[0.9992945,0.0004183401,0.00004701978,0.00008127196,0.0000767019,0.00008211118],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009094612,0.00002055033,0.000570518,0.0000449176,0.000003726921,0.000320165,0.0506813,0.0002051345,0.002619273,0.913115,0.01286784,0.01946058],"study_design_scores_gemma":[0.00005000583,0.0001277391,0.003461696,0.0001595072,0.00001710966,0.001134533,0.03229483,0.002192888,0.004336944,0.3652728,0.5908756,0.00007643478],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3988339,0.006412656,0.03142126,0.04358549,0.0009093363,0.00005071609,0.00007708644,0.0002909983,0.5184186],"genre_scores_gemma":[0.9749312,0.0006997447,0.002782884,0.001237037,0.0001247179,0.0000144646,0.000008796699,0.00004479871,0.02015637],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004277888,"threshold_uncertainty_score":0.01274139,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1967374994","doi":"10.1162/leon.2007.40.5.489","title":"Governing Artistic Innovation: An Interface among Art, Science and Industry","year":2007,"lang":"en","type":"article","venue":"Leonardo","topic":"Information Systems Theories and Implementation","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Articulation (sociology); Interface (matter); Production (economics); Sociology; Visual arts; Art; Engineering; Political science; Economics; Law","authors":[{"name":"Jean-Paul Fourmentraux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0265709436039123,"gpt":0.3737471659207324,"spread":0.3471762223168201,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03840041,0.000567989,0.0007100706,0.005323007,0.01381081,0.03060357,0.002976582,0.004865387,0.007093903],"category_scores_gemma":[0.03778937,0.0007579951,0.0006383753,0.00554315,0.07894201,0.01497138,0.01548441,0.005083195,0.0004688395],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01821089,"about_ca_system_score_gemma":0.02273508,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01870286,"about_ca_topic_score_gemma":0.01581328,"domain_scores_codex":[0.9585319,0.02827161,0.001141693,0.001618949,0.007294365,0.003141383],"domain_scores_gemma":[0.9428701,0.04464021,0.003325529,0.002779893,0.003274333,0.003109917],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001738807,0.00007568507,0.002873359,0.00009228136,0.00002121702,0.0001785595,0.09882946,0.0004642471,0.0004441412,0.8693755,0.001291089,0.02633717],"study_design_scores_gemma":[0.00006919896,0.00009743997,0.006401151,0.000684155,0.00003992032,0.0002601256,0.1976608,0.003230639,0.00112035,0.6600783,0.1302758,0.00008212416],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1752202,0.002856947,0.092034,0.04430548,0.0002901925,0.0004655306,0.00003086664,0.0002241386,0.6845727],"genre_scores_gemma":[0.9848322,0.0003725078,0.007138823,0.0007772166,0.00004182092,0.0001432591,0.000008829437,0.00005022447,0.006635123],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03840041,"threshold_uncertainty_score":0.2030832,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2152698454","doi":"10.1162/leon_a_00113","title":"Technology, Nature, Software and Networks: Materializing the Post-Romantic Landscape","year":2011,"lang":"en","type":"article","venue":"Leonardo","topic":"Earth Systems and Cosmic Evolution","field":"Earth and Planetary Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Theme (computing); Romance; Relation (database); Natural (archaeology); Computer science; Range (aeronautics); Software; Selection (genetic algorithm); Data science; History; Art; World Wide Web; Literature; Engineering; Artificial intelligence; Archaeology; Database","authors":[{"name":"Chris Welsby","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008649506120481794,"gpt":0.179586274982201,"spread":0.1709367688617192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002061991,0.0004478556,0.0002440359,0.001994559,0.007377277,0.008511311,0.0007100209,0.00165429,0.004813189],"category_scores_gemma":[0.003759632,0.0002319315,0.0001364532,0.001662928,0.03663276,0.01027291,0.00416521,0.002819225,0.0004520441],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003942664,"about_ca_system_score_gemma":0.0009407197,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003189506,"about_ca_topic_score_gemma":0.006144483,"domain_scores_codex":[0.9981052,0.001343905,0.00002612126,0.0001434382,0.0002276789,0.0001535979],"domain_scores_gemma":[0.9978213,0.001588415,0.0001389582,0.0002147044,0.000100961,0.0001355932],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001176638,0.00001129446,0.0003775101,0.00004117974,0.000002402592,0.0002319562,0.1096561,0.00008324091,0.0001737502,0.8720305,0.003351345,0.01402896],"study_design_scores_gemma":[0.00001108982,0.00003635247,0.001523003,0.0002894888,0.000005979581,0.0005415487,0.0697694,0.0002151939,0.0004068186,0.1430401,0.7841471,0.00001385647],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1385935,0.01237444,0.005183332,0.02739834,0.0004723788,0.0000161466,0.00003281105,0.00007359226,0.8158556],"genre_scores_gemma":[0.9625692,0.005068572,0.001041749,0.001113082,0.0002841795,0.00002920986,0.00001873414,0.00008303341,0.02979221],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008511311,"threshold_uncertainty_score":0.02860618,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2099319927","doi":"10.1162/leon.2010.43.3.274","title":"Blending Art and Science: <i>Collapse (suddenly falling down)</i>","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Computer Graphics and Visualization Techniques","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Kellogg's (Canada)","funders":"","keywords":"Falling (accident); Theme (computing); Natural (archaeology); Perspective (graphical); Visual arts; Dance; Sociology; Aesthetics; Computer science; Art; History; Psychology; World Wide Web","authors":[{"name":"Michael Neff","is_ca":false},{"name":"D. Y. Sumner","is_ca":false},{"name":"G. W. Bawden","is_ca":false},{"name":"Ellen Bromberg","is_ca":false},{"name":"James P. Crutchfield","is_ca":false},{"name":"Della Davidson","is_ca":false},{"name":"Shelly Gilbride","is_ca":false},{"name":"L. H. Kellogg","is_ca":true},{"name":"Oliver Kreylos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01083898321806146,"gpt":0.2750834293232485,"spread":0.264244446105187,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002535206,0.000519365,0.0004223973,0.001402425,0.004092331,0.005332292,0.0009120518,0.001451259,0.005758733],"category_scores_gemma":[0.003807795,0.0003200123,0.0005940303,0.0009188732,0.007651013,0.003398679,0.009471852,0.00235237,0.0008933243],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001131041,"about_ca_system_score_gemma":0.0009534859,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00291889,"about_ca_topic_score_gemma":0.004888529,"domain_scores_codex":[0.9983801,0.0007551106,0.00004682669,0.0001412658,0.0004757388,0.0002010148],"domain_scores_gemma":[0.9990381,0.0004205862,0.00005887178,0.0001555102,0.0001387024,0.000188229],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003107519,0.0001198227,0.004549947,0.001028133,0.0001047344,0.002544149,0.2651836,0.00395959,0.03608201,0.2009806,0.09183089,0.3933058],"study_design_scores_gemma":[0.00004895025,0.0003236749,0.008290946,0.0006838697,0.00005901172,0.002568915,0.07720277,0.003954427,0.009805954,0.06384902,0.833062,0.0001503922],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3252107,0.0107666,0.1880295,0.03897968,0.003195425,0.0004518385,0.0002047098,0.002682201,0.4304793],"genre_scores_gemma":[0.8929766,0.003417353,0.05074492,0.003276354,0.000572296,0.0002171062,0.0001632726,0.000774903,0.04785713],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005758733,"threshold_uncertainty_score":0.01926488,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1978663648","doi":"10.1162/002409403321921424","title":"Intelligent Bathroom Fixtures and Systems: EXISTech Corporation's Safebath Project","year":2003,"lang":"en","type":"article","venue":"Leonardo","topic":"Facilities and Workplace Management","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"Ontario Arts Council; Canada Council for the Arts; Toronto Arts Council","keywords":"Law enforcement; Corporation; Computer security; Computer science; Enforcement; Control (management); Business; Artificial intelligence; Law","authors":[{"name":"Steve Mann","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04140884181913431,"gpt":0.3007758656011343,"spread":0.259367023782,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001525515,0.000534144,0.0002574447,0.0007744273,0.0005530906,0.001224968,0.0009013295,0.0009802777,0.02725588],"category_scores_gemma":[0.001247581,0.0002768597,0.0001793782,0.0004707309,0.0003674238,0.001327653,0.0008414902,0.0006780515,0.005914746],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007272897,"about_ca_system_score_gemma":0.00146652,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005661516,"about_ca_topic_score_gemma":0.004642518,"domain_scores_codex":[0.9994015,0.0001266293,0.00001519948,0.00009126784,0.0002860776,0.00007931318],"domain_scores_gemma":[0.9988366,0.0001459533,0.0000433604,0.000102783,0.0005265494,0.0003448564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003144984,0.0006385856,0.001751859,0.0001230362,0.00001876664,0.0001488772,0.0004535803,0.002617567,0.0141743,0.01673068,0.1619428,0.8010855],"study_design_scores_gemma":[0.00020419,0.001555877,0.01155427,0.0001704066,0.00005305772,0.0005962598,0.0007869242,0.05194428,0.02652824,0.008713452,0.8978344,0.00005872012],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"other","genre_scores_codex":[0.1415458,0.01795031,0.4647384,0.01712255,0.001649236,0.001003329,0.002069753,0.03233606,0.3215846],"genre_scores_gemma":[0.3393187,0.008201007,0.2330464,0.001235188,0.0003883678,0.0003570821,0.006011855,0.001414061,0.4100275],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02725588,"threshold_uncertainty_score":0.09117997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2161802767","doi":"10.1162/leon_a_00034","title":"<i>Auditory Tactics:</i> A Sound Installation in Public Space Using Beamforming Technology","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Multisensory perception and integration","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Simon Fraser University; Université de Sherbrooke","funders":"","keywords":"Sound (geography); Beamforming; Active listening; Space (punctuation); Computer science; Shadow (psychology); Acoustics; Novelty; Projection (relational algebra); Public space; Human–computer interaction; Engineering; Sociology; Psychology; Telecommunications; Communication; Architectural engineering; Physics","authors":[{"name":"Philippe-Aubert Gauthier","is_ca":true},{"name":"Philippe Pasquier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05616347055523208,"gpt":0.3468447044987961,"spread":0.290681233943564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005014242,0.0004315398,0.0001263115,0.0002597881,0.0008646304,0.001351413,0.0004436188,0.0006544022,0.008771373],"category_scores_gemma":[0.0009541166,0.0001431106,0.0001992352,0.0002959557,0.001973106,0.0009408357,0.001608914,0.0007242996,0.001124451],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003090547,"about_ca_system_score_gemma":0.0002814082,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002354317,"about_ca_topic_score_gemma":0.004336492,"domain_scores_codex":[0.9997231,0.00007047184,0.00001179566,0.00004943449,0.00009980996,0.0000454366],"domain_scores_gemma":[0.9997931,0.00007705022,0.00002137812,0.00004983373,0.00003082992,0.00002786795],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004242017,0.0003204392,0.006523116,0.001215399,0.00005118653,0.001369392,0.05509281,0.001070392,0.3455375,0.09436916,0.05123925,0.4427871],"study_design_scores_gemma":[0.0001597059,0.001895931,0.06294061,0.000586767,0.0001865274,0.008291066,0.03190855,0.004726092,0.2239248,0.02178673,0.6433115,0.0002817083],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3699239,0.001381935,0.1433779,0.004080073,0.0004953819,0.0003830132,0.0002675383,0.002652298,0.4774379],"genre_scores_gemma":[0.8845106,0.0007069045,0.05725563,0.001087202,0.0001125793,0.000226593,0.0001423332,0.0002765241,0.05568149],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008771373,"threshold_uncertainty_score":0.02934313,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4238741004","doi":"10.1162/leon_a_01922","title":"REALational Perspectives: Strategies for Expanding beyond the Here and Now in Mobile Augmented Reality (AR) Art","year":2020,"lang":"en","type":"article","venue":"Leonardo","topic":"Augmented Reality Applications","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Augmented reality; Narrative; Perception; Domain (mathematical analysis); Human–computer interaction; Computer science; Order (exchange); Mixed reality; Aesthetics; Virtual reality; Epistemology; Art; Mathematics; Philosophy; Business","authors":[{"name":"Liron Efrat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02860417917180369,"gpt":0.3059822883767016,"spread":0.2773781092048979,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005468987,0.0009658663,0.0003958519,0.002216838,0.007045111,0.01322491,0.001355023,0.0023933,0.01102428],"category_scores_gemma":[0.004592067,0.0004093167,0.000719366,0.001298092,0.03138895,0.01583418,0.009863375,0.003816489,0.0009156028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003278947,"about_ca_system_score_gemma":0.001634911,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002044777,"about_ca_topic_score_gemma":0.0051177,"domain_scores_codex":[0.9950695,0.003606385,0.00008575449,0.0004581537,0.0004544778,0.0003257843],"domain_scores_gemma":[0.9974383,0.001470888,0.0001929576,0.0004407544,0.0001912235,0.0002658557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002445213,0.00002119618,0.0002810463,0.00007617416,0.000006781738,0.0002616728,0.1401689,0.0001373973,0.0005987564,0.8399994,0.001300103,0.01712402],"study_design_scores_gemma":[0.00002596519,0.00008221932,0.001061679,0.0005971546,0.00004313594,0.0009366635,0.2824031,0.0008394604,0.001111929,0.2485664,0.4642917,0.00004054535],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07380402,0.00725896,0.08694787,0.01887591,0.0006888863,0.00007721641,0.00004124309,0.0002319117,0.8120739],"genre_scores_gemma":[0.9573427,0.002530755,0.01554493,0.0007264373,0.000229942,0.00008922035,0.00003652333,0.0001629622,0.02333649],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01322491,"threshold_uncertainty_score":0.03687984,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4361255235","doi":"10.1162/leon_a_02371","title":"<i>Piece of Mind</i>: Presenting the Lived Experience and Scientific Research of Parkinson’s Disease through an Artistic Lens","year":2023,"lang":"en","type":"article","venue":"Leonardo","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Rehabilitation; Petrel Robertson Consulting (Canada); McGill University","funders":"","keywords":"Dance; Citizen journalism; Lived experience; Visual arts; Aesthetics; Poetry; Psychology; Sociology; Art; Computer science; Literature; Psychotherapist; World Wide Web","authors":[{"name":"Naila Kuhlmann","is_ca":true},{"name":"Jérémie Robert","is_ca":true},{"name":"Aliki Thomas","is_ca":true},{"name":"Stefanie Blain‐Moraes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.794897166695621,"gpt":0.6610273105677237,"spread":0.1338698561278974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005187532,0.0007015781,0.0003628375,0.001165785,0.006041924,0.007014027,0.001198033,0.002145807,0.008638605],"category_scores_gemma":[0.009083784,0.00023747,0.0005987855,0.0008198489,0.01151759,0.002287434,0.009392492,0.003034028,0.001039124],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001733566,"about_ca_system_score_gemma":0.0009856293,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001677664,"about_ca_topic_score_gemma":0.003081084,"domain_scores_codex":[0.9961264,0.003064948,0.00005445053,0.0001898405,0.0002907094,0.0002736601],"domain_scores_gemma":[0.9947206,0.003676335,0.0002560025,0.0005075419,0.0002913959,0.0005481632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001160672,0.00007904195,0.0007637071,0.0008043996,0.00002533423,0.001253932,0.8650261,0.0002977753,0.007968887,0.06323687,0.02971968,0.03070819],"study_design_scores_gemma":[0.00003735852,0.0002178921,0.00321146,0.001374227,0.00004679204,0.002499083,0.4130837,0.000996164,0.005129023,0.01829605,0.5550242,0.00008388617],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4704312,0.005340307,0.09130971,0.05934158,0.005211568,0.001409711,0.0008436932,0.001084298,0.3650279],"genre_scores_gemma":[0.9323287,0.001175782,0.02392255,0.003145955,0.0007507516,0.0006542623,0.0001497398,0.0003988621,0.0374734],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008638605,"threshold_uncertainty_score":0.02889895,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079243851","doi":"10.1162/leon_a_00817","title":"Art as a Catalyst","year":2014,"lang":"en","type":"article","venue":"Leonardo","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Citizen journalism; Discipline; Intersection (aeronautics); Function (biology); Balance (ability); Visual arts; Focal point; Art; Sociology; Political science; Engineering ethics; Engineering; Psychology; Social science; Physics; Law; Optics","authors":[{"name":"Nina Czeglédy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0215288762047705,"gpt":0.345541750445257,"spread":0.3240128742404865,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003642581,0.0005056571,0.0004679367,0.00173199,0.007191122,0.01543398,0.001200137,0.003387572,0.01111081],"category_scores_gemma":[0.005357022,0.0002958468,0.00071283,0.0008372116,0.02456572,0.01134367,0.00996222,0.003562479,0.001891119],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002465014,"about_ca_system_score_gemma":0.00239026,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009820599,"about_ca_topic_score_gemma":0.001237201,"domain_scores_codex":[0.9961736,0.001617755,0.0001083869,0.0005795425,0.001043057,0.0004776855],"domain_scores_gemma":[0.9970589,0.00150324,0.0001642916,0.0005893923,0.0002689975,0.0004152553],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002455611,0.00003436083,0.0005956452,0.0001342986,0.00001130343,0.0003170446,0.03330972,0.0002526461,0.001203119,0.9356773,0.003293774,0.02514637],"study_design_scores_gemma":[0.00002233833,0.0000801768,0.001256683,0.0005519314,0.00003286683,0.0009397458,0.03179926,0.0006708205,0.00240906,0.3757615,0.5864301,0.00004547272],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06452302,0.007751964,0.01638915,0.01405011,0.001131653,0.00008900037,0.00003749814,0.0001615973,0.8958661],"genre_scores_gemma":[0.9336046,0.002520695,0.005121461,0.001446256,0.000252255,0.0000610421,0.00002940015,0.0001354121,0.05682886],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01543398,"threshold_uncertainty_score":0.0371694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385567671","doi":"10.1162/leon_a_02372","title":"<i>Piece of Mind</i>: Mobilizing Scientific and Experiential Knowledge of Dementia through the Arts","year":2023,"lang":"en","type":"article","venue":"Leonardo","topic":"Empathy and Medical Education","field":"Medicine","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Rehabilitation; Weyerhauser (Canada); McGill University","funders":"","keywords":"The arts; Experiential knowledge; Empathy; Experiential learning; Dementia; Psychology; Dissemination; Performing arts; Sociology of scientific knowledge; Engineering ethics; Sociology; Knowledge management; Computer science; Disease; Epistemology; Pedagogy; Political science; Social psychology; Social science; Medicine; Visual arts; Engineering","authors":[{"name":"Naila Kuhlmann","is_ca":true},{"name":"Jennifer Lécuyer","is_ca":true},{"name":"Aliki Thomas","is_ca":true},{"name":"Stefanie Blain‐Moraes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03961110292513274,"gpt":0.3413104524752686,"spread":0.3016993495501359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004524723,0.0004078195,0.0002302969,0.0008511527,0.003238593,0.004788754,0.0009773886,0.001794766,0.008318264],"category_scores_gemma":[0.009288895,0.0001716015,0.000479934,0.0003825141,0.008236662,0.003055244,0.01024935,0.002248466,0.00125599],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009413205,"about_ca_system_score_gemma":0.001576661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007374714,"about_ca_topic_score_gemma":0.00123184,"domain_scores_codex":[0.9973608,0.001885257,0.00005916169,0.000156904,0.0003073499,0.0002305242],"domain_scores_gemma":[0.9958346,0.002501662,0.0003261157,0.0005384798,0.0002703321,0.0005288819],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002043626,0.0005993025,0.00631475,0.001891938,0.00007790981,0.001748059,0.5356146,0.0003408895,0.01453005,0.07302441,0.0416954,0.3239585],"study_design_scores_gemma":[0.00008547413,0.000732039,0.01416623,0.004033021,0.000140973,0.004644306,0.3137008,0.0009896925,0.01032411,0.05627061,0.5948058,0.000106888],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4512899,0.004202023,0.04285146,0.05461947,0.002508945,0.0005911536,0.0001433407,0.0006714093,0.4431224],"genre_scores_gemma":[0.9430915,0.001788544,0.02141681,0.004679689,0.0002956717,0.0002330245,0.0000536208,0.0001257737,0.02831537],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008318264,"threshold_uncertainty_score":0.02782738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2031349757","doi":"10.1162/002409406775452140","title":"Infinity and Accident: Strategies of Enfoldment in Islamic Art and Computer Art","year":2006,"lang":"en","type":"article","venue":"Leonardo","topic":"Architecture and Cultural Influences","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"University of California, Los Angeles; American University of Beirut","keywords":"Parallels; Islam; Islamic art; Modernism (music); Accident (philosophy); Infinity; Art; Abstract art; Contemporary art; Art history; Philosophy; Epistemology; Mathematics; Painting; Engineering; Theology; Performance art","authors":[{"name":"Laura U. Marks","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01132055051803611,"gpt":0.2108424250096387,"spread":0.1995218744916026,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003240425,0.0003670508,0.0002874164,0.001655456,0.008543539,0.007917791,0.001046581,0.002180631,0.00618399],"category_scores_gemma":[0.00533554,0.0002723319,0.0004380704,0.0007942216,0.04315814,0.007147045,0.00688618,0.003021909,0.0006904855],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003251096,"about_ca_system_score_gemma":0.001490125,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00354107,"about_ca_topic_score_gemma":0.004013681,"domain_scores_codex":[0.9979691,0.001086518,0.00005940782,0.0002306888,0.0003754583,0.0002788344],"domain_scores_gemma":[0.9983012,0.0007942783,0.0002008474,0.0003606737,0.0002045164,0.0001383625],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002423996,0.000009489373,0.0003054463,0.000009761807,0.000001962142,0.00009726445,0.02946236,0.0001097115,0.0001096276,0.9637272,0.0004250367,0.005717806],"study_design_scores_gemma":[0.00002150051,0.0000582097,0.0008073998,0.00009224885,0.00001435826,0.0004274637,0.03570042,0.001792425,0.0006665663,0.8932748,0.06712012,0.00002441201],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2126465,0.001998952,0.04729636,0.007746501,0.0002480482,0.00006037073,0.00002245655,0.0001814783,0.7297994],"genre_scores_gemma":[0.979328,0.0002831691,0.004075335,0.0002528039,0.00003893692,0.00001812751,0.000008668361,0.00004466592,0.01595026],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008543539,"threshold_uncertainty_score":0.02358842,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2036110168","doi":"10.1162/leon_a_00815","title":"Balance-Unbalance: Art and Environmental Crisis","year":2014,"lang":"en","type":"article","venue":"Leonardo","topic":"Climate Change Communication and Perception","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Balance (ability); Environmental crisis; Political science; Public relations; Environmental ethics; Business; Psychology; Sociology; Philosophy; Neuroscience","authors":[{"name":"Ricardo Dal Farra","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1372667546932819,"gpt":0.3672567344828535,"spread":0.2299899797895716,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002772695,0.0005955112,0.0004251125,0.001867593,0.008255689,0.01070091,0.0008463007,0.004355925,0.008527563],"category_scores_gemma":[0.00440414,0.0002116142,0.0003632007,0.001383334,0.03528467,0.01166339,0.009183601,0.003760954,0.0005341974],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002366029,"about_ca_system_score_gemma":0.001592614,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002017234,"about_ca_topic_score_gemma":0.00278583,"domain_scores_codex":[0.9978881,0.001199271,0.00005367454,0.0001951403,0.0003558267,0.0003079967],"domain_scores_gemma":[0.9985837,0.0009062431,0.0001215157,0.0001668015,0.0001065749,0.0001152062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003434669,0.00001828535,0.0005451194,0.00009489261,0.000007521008,0.0001636882,0.04409051,0.0002938656,0.0004037061,0.9236732,0.006653504,0.02402125],"study_design_scores_gemma":[0.00001890593,0.0000323577,0.001284439,0.0002684373,0.0000101798,0.0004221111,0.05070319,0.0006652019,0.0005052355,0.7311503,0.2149151,0.00002457956],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06395369,0.01045598,0.02023005,0.07132257,0.001255358,0.00006081332,0.00004863368,0.0001632155,0.8325097],"genre_scores_gemma":[0.9708863,0.002077718,0.002228369,0.003343598,0.0004024101,0.0000471259,0.00001900398,0.00008914204,0.02090632],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01070091,"threshold_uncertainty_score":0.02852756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3011692847","doi":"10.1162/leon_a_01910","title":"Volumetric Reconstructions of Found Footage: <i>Stressing the Nonidentity of 3D Replicas</i>","year":2020,"lang":"en","type":"article","venue":"Leonardo","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Photogrammetry; Object (grammar); Realism; Computer science; Process (computing); Visual arts; Artificial intelligence; Art","authors":[{"name":"Gabriel Menotti","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04525626987877819,"gpt":0.2452005648367038,"spread":0.1999442949579257,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009650256,0.0002654716,0.0002061756,0.001212892,0.0006279474,0.004244944,0.000811146,0.0005939872,0.003560512],"category_scores_gemma":[0.005636307,0.0003944402,0.0002712927,0.001012645,0.003925213,0.001853047,0.002712734,0.0007646093,0.0004423471],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004418479,"about_ca_system_score_gemma":0.0003890868,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002143119,"about_ca_topic_score_gemma":0.003553865,"domain_scores_codex":[0.9995269,0.0001349268,0.00001593638,0.00009730709,0.0001872019,0.0000377795],"domain_scores_gemma":[0.9985259,0.0005542537,0.0001239063,0.0006225064,0.000143642,0.00002976543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002997405,0.00003426926,0.009767375,0.0005993418,0.0001093417,0.002197091,0.02051444,0.08272155,0.03559862,0.451232,0.003737173,0.3931891],"study_design_scores_gemma":[0.00004018805,0.0002617466,0.03122698,0.001518907,0.0001546651,0.009394106,0.02163652,0.2993086,0.06670138,0.3857723,0.1837307,0.0002538847],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2892596,0.001253756,0.6565735,0.001320094,0.0002031983,0.00005667183,0.0003691326,0.0007744929,0.05018958],"genre_scores_gemma":[0.9321336,0.0005368975,0.06348731,0.00006323548,0.00003820888,0.000009131541,0.0001571907,0.0001762754,0.003398229],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004244944,"threshold_uncertainty_score":0.01191109,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2796917510","doi":"10.1162/leon_a_01635","title":"Raw Harmonies: Transmediation through Raw Data","year":2018,"lang":"en","type":"article","venue":"Leonardo","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario Stroke Network; University of British Columbia","funders":"","keywords":"Computer science; Harmony (Music); Raw data; Agency (philosophy); Artificial intelligence; Transformation (genetics); Computer graphics (images); Visual arts; Art; Sociology","authors":[{"name":"Ernesto Peña","is_ca":true},{"name":"Kedrick James","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06165124826082674,"gpt":0.2956449813438711,"spread":0.2339937330830444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005489652,0.0007135961,0.0003554329,0.002327512,0.001545657,0.008900116,0.001379254,0.0008495763,0.01248388],"category_scores_gemma":[0.02748928,0.0005373427,0.0006128676,0.003389629,0.005545663,0.01321669,0.006510003,0.001858819,0.001978731],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006725294,"about_ca_system_score_gemma":0.0008251038,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000698301,"about_ca_topic_score_gemma":0.0009613319,"domain_scores_codex":[0.9951835,0.002568392,0.0002600456,0.0008402083,0.0009469604,0.0002008386],"domain_scores_gemma":[0.9856405,0.007620871,0.0007353497,0.005040394,0.000800807,0.0001620611],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004490194,0.0001149978,0.008101726,0.001076863,0.00008950745,0.001798153,0.281313,0.001467625,0.01877728,0.300671,0.008143001,0.3779979],"study_design_scores_gemma":[0.00005805339,0.0004121732,0.01029888,0.001164921,0.0001211692,0.003372173,0.152801,0.007237367,0.03577099,0.2808096,0.5077472,0.0002064791],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1973702,0.001134953,0.674566,0.003474935,0.0004006886,0.0007181035,0.001596859,0.002978859,0.1177595],"genre_scores_gemma":[0.7355707,0.0007644731,0.2414465,0.0005634227,0.00009720575,0.0003937598,0.001441593,0.002058817,0.01766353],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01248388,"threshold_uncertainty_score":0.04176277,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4231099845","doi":"10.1162/leon_a_01088","title":"The Dual Skins of a Media Façade: Explicit and Implicit Interactions","year":2015,"lang":"en","type":"article","venue":"Leonardo","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Performative utterance; Downtown; Visual arts; Dual (grammatical number); Mode (computer interface); Block (permutation group theory); Dual mode; Art; Computer science; History; Aesthetics; Archaeology; Engineering; Human–computer interaction; Literature","authors":[{"name":"Claude Fortin","is_ca":true},{"name":"Kate Hennessy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05863608911066377,"gpt":0.279625863775021,"spread":0.2209897746643573,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001310347,0.0004402559,0.0001894728,0.0006742243,0.003835102,0.005020823,0.0006050809,0.0008796016,0.004592727],"category_scores_gemma":[0.003769795,0.0003098235,0.0001809723,0.0003535778,0.01205822,0.004042675,0.005816812,0.001700551,0.0003570191],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001338303,"about_ca_system_score_gemma":0.0005834767,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006357429,"about_ca_topic_score_gemma":0.01460947,"domain_scores_codex":[0.998444,0.001000419,0.00002481647,0.000159847,0.000218118,0.0001527181],"domain_scores_gemma":[0.9989254,0.0006601686,0.0000814716,0.0001566123,0.00007951293,0.00009682248],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000128841,0.00003475283,0.003699729,0.0001489135,0.00001921215,0.0005781627,0.7775647,0.0003205345,0.01178296,0.1505481,0.001686141,0.05348812],"study_design_scores_gemma":[0.00003434043,0.000172005,0.0170571,0.0005227372,0.0000657046,0.001279359,0.6710399,0.002667583,0.006003834,0.03615107,0.2649173,0.00008904358],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6748623,0.001145167,0.02574525,0.003027467,0.0001517201,0.00004449283,0.00004251539,0.0001242342,0.2948568],"genre_scores_gemma":[0.9902655,0.0001347746,0.002160604,0.0001293692,0.00001204259,0.00001084862,0.0000111974,0.00003933789,0.007236298],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006357429,"threshold_uncertainty_score":0.01536417,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}