{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"2c3bb3b271e3","filters":{"venue":"Lusophone University Repository"}},"results":[{"id":"W1498302280","doi":"","title":"Who am I? An identity crisis Identity in the new museologies and the role of the museum professional","year":2010,"lang":"en","type":"article","venue":"Lusophone University Repository","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Museology; Declaration; Identity (music); Context (archaeology); Inclusion (mineral); History; Sociology; Political science; Art; Aesthetics; Anthropology; Archaeology; Law","authors":[{"name":"Eduardo Giménez-Cassina","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006926114859628138,"gpt":0.1978044454353745,"spread":0.1908783305757464,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01487899,0.000436762,0.0007016697,0.002378114,0.03295095,0.02678769,0.00250575,0.004989012,0.004143724],"category_scores_gemma":[0.009311812,0.0004839162,0.0004624847,0.001757376,0.1086092,0.0193595,0.01563051,0.008689316,0.0007192821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01845566,"about_ca_system_score_gemma":0.01615133,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05200167,"about_ca_topic_score_gemma":0.06780967,"domain_scores_codex":[0.9857224,0.009530134,0.0002517973,0.0009997776,0.001678808,0.001817022],"domain_scores_gemma":[0.9934423,0.002561051,0.0005851437,0.000493579,0.0006205962,0.002297323],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001273415,0.00001751905,0.0005990605,0.00003623988,0.000002945468,0.0001950485,0.5544885,0.000018906,0.00005623283,0.4249631,0.01245046,0.007159294],"study_design_scores_gemma":[0.00001223427,0.00001946897,0.001084337,0.0003502239,0.000005054507,0.0003904109,0.4585523,0.0001053169,0.00008886326,0.06069974,0.4786597,0.00003246689],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1192661,0.02527198,0.005217389,0.2264024,0.003794324,0.00009275097,0.00004292155,0.00007668667,0.6198354],"genre_scores_gemma":[0.9136834,0.004452943,0.001808961,0.01149707,0.001173637,0.0001081227,0.00002180317,0.00008046771,0.06717368],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05200167,"threshold_uncertainty_score":0.1339058,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2587440219","doi":"","title":"Hacking stereoscopic vision: the nineteenthcentury culture of critical inquiry in stereoscope use","year":2016,"lang":"en","type":"article","venue":"Lusophone University Repository","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Stereoscopy; Stereopsis; Perception; Realism; Scholarship; Illusion; Binocular disparity; Art; Aesthetics; Computer vision; Visual arts; Artificial intelligence; Psychology; Computer science; Philosophy; Cognitive psychology; Epistemology","authors":[{"name":"Rod Bantjes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02846502644735754,"gpt":0.2271480204771861,"spread":0.1986829940298286,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.02544021,0.0006995898,0.0005765524,0.003408065,0.016116,0.01490734,0.002068004,0.004959301,0.002448601],"category_scores_gemma":[0.02712335,0.0006399323,0.0004260271,0.001920023,0.1170377,0.01723344,0.01096407,0.009452943,0.0003236549],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01658485,"about_ca_system_score_gemma":0.004931843,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01087832,"about_ca_topic_score_gemma":0.008627607,"domain_scores_codex":[0.9809029,0.01429083,0.000466752,0.001721021,0.001574193,0.001044315],"domain_scores_gemma":[0.9646049,0.0288491,0.001437167,0.00197569,0.002247839,0.0008854041],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001979394,0.00001025361,0.0002153076,0.00004746005,0.000003824063,0.0002326213,0.4859339,0.00006805103,0.0002618908,0.5067272,0.002311539,0.004168013],"study_design_scores_gemma":[0.00003212409,0.000051831,0.000744471,0.0006308752,0.00001294354,0.0006231858,0.3231445,0.0008145447,0.001442059,0.3774592,0.2949515,0.00009269935],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4264405,0.0250544,0.06153589,0.1931008,0.001746817,0.0001637112,0.00009827084,0.0003097682,0.2915499],"genre_scores_gemma":[0.9837161,0.002012104,0.003316891,0.004134287,0.0002110641,0.00006287141,0.00001444106,0.0001220799,0.006410072],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.983884,"threshold_uncertainty_score":0.1345422,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7113459081","doi":"","title":"Alice in Paris","year":2010,"lang":"en","type":"article","venue":"Lusophone University Repository","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fell; Merge (version control); Painting; Oil painting; Yard; Porch","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.005744120224583676,"gpt":0.1528561055409134,"spread":0.1471119853163297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003714862,0.001569259,0.0007705567,0.0011996,0.00442925,0.00612596,0.0009273655,0.00247916,0.7723535],"category_scores_gemma":[0.001669598,0.0004575579,0.0004394488,0.001038621,0.001067106,0.002655202,0.004557678,0.002973104,0.5557349],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002832554,"about_ca_system_score_gemma":0.002264846,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009139894,"about_ca_topic_score_gemma":0.02378916,"domain_scores_codex":[0.9992291,0.0001232797,0.00002561286,0.0002198137,0.0002197642,0.0001824676],"domain_scores_gemma":[0.9993283,0.00007212388,0.00003738018,0.00004496204,0.0001608368,0.0003564803],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000546442,0.00002263081,0.0002330887,0.0001251879,0.000004628727,0.0007247162,0.0003271989,0.00008078285,0.0002091518,0.01228338,0.9332412,0.05269338],"study_design_scores_gemma":[0.000001835589,0.000005344994,0.0001212467,0.0000471572,6.379486e-7,0.0001358554,0.0001320128,0.000007214851,0.00002992641,0.0002478911,0.9992678,0.000003066151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001026856,0.00806067,0.0003868148,0.009438288,0.008072987,0.00005739753,0.001546007,0.0007353319,0.9706758],"genre_scores_gemma":[0.002558046,0.002000478,0.0001611788,0.001223168,0.0005120258,0.00001992303,0.0002965271,0.0002061906,0.9930226],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7723535,"threshold_uncertainty_score":0.32471,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7021109186","doi":"","title":"Neoconservatism in the United States and the institutionalized exclusion of Poor Women","year":2007,"lang":"en","type":"article","venue":"Lusophone University Repository","topic":"Historical Studies in Science","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Oxford; York University; University of Minnesota; University of Pennsylvania; U.S. Department of Justice","keywords":"Poverty; Social exclusion; Morality; Freedom of choice; Economic freedom; Public assistance","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01254735351351416,"gpt":0.1885132787534393,"spread":0.1759659252399252,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001922497,0.0001266998,0.0002819919,0.001266987,0.01040893,0.005594271,0.0005514509,0.001797758,0.004313117],"category_scores_gemma":[0.00346843,0.0001371458,0.000153232,0.001904255,0.01137767,0.002441405,0.008112003,0.002461089,0.000144854],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004209901,"about_ca_system_score_gemma":0.00622854,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05850448,"about_ca_topic_score_gemma":0.1478619,"domain_scores_codex":[0.9982213,0.0007612164,0.00004048805,0.00008301645,0.0001268236,0.0007671271],"domain_scores_gemma":[0.9977942,0.0006735492,0.0003428864,0.0001336407,0.0002063984,0.0008493487],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001336597,0.0001420577,0.08405077,0.00007881317,0.00002667603,0.0009861653,0.3929389,0.0001795026,0.000448515,0.469712,0.01501295,0.03629004],"study_design_scores_gemma":[0.00002267447,0.00005676491,0.1440663,0.0003916768,0.00002542658,0.0002632311,0.6713312,0.0002188619,0.0003445999,0.05091095,0.1323253,0.00004292906],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8776422,0.002635172,0.0001334024,0.04676034,0.000142775,0.000007699323,0.00006587399,0.00000609778,0.07260631],"genre_scores_gemma":[0.9957728,0.0004317933,0.00001796745,0.001546876,0.00002331423,0.000006992261,0.000008463719,0.00000271028,0.002189154],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05850448,"threshold_uncertainty_score":0.1163279,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7164713463","doi":"","title":"Media Archaeology as Practice : The case of Bill Morrison&apos;s Dawson City: Frozen Time","year":2018,"lang":"en","type":"article","venue":"Lusophone University Repository","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Topos theory; Historical record; Reflection (computer programming)","authors":[{"name":"Dulce da Rocha Gonçalves","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02182701157743193,"gpt":0.2231452065173752,"spread":0.2013181949399432,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002946269,0.0004460959,0.0003147019,0.001765606,0.03791385,0.01221435,0.002136622,0.004697627,0.007429494],"category_scores_gemma":[0.007170856,0.0006862974,0.0002400144,0.003260554,0.03074199,0.007669074,0.005823677,0.0053415,0.0005003394],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01617369,"about_ca_system_score_gemma":0.007622234,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2030187,"about_ca_topic_score_gemma":0.4033602,"domain_scores_codex":[0.9966086,0.002148391,0.00005437287,0.0002697266,0.0003280067,0.0005908656],"domain_scores_gemma":[0.9952623,0.002811271,0.0003519148,0.0003281984,0.0003155657,0.0009307262],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003017672,0.00003134999,0.0015432,0.00005846514,0.000006700253,0.004899729,0.8212232,0.00006956627,0.0002130143,0.1347367,0.02707223,0.01011561],"study_design_scores_gemma":[0.000006779268,0.00001220295,0.001362973,0.0002326075,0.000008536176,0.0009253017,0.6047382,0.0001192637,0.0001846431,0.0049835,0.3874032,0.00002285805],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.481124,0.008315462,0.002884945,0.1476343,0.001042219,0.00008128243,0.0001448987,0.00007059152,0.3587022],"genre_scores_gemma":[0.9405167,0.002841185,0.001089644,0.00611941,0.0002175353,0.00004774631,0.00003226401,0.0001147237,0.04902083],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7969813,"threshold_uncertainty_score":0.4036741,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7020840922","doi":"","title":"Mastocitoma canino : três casos clínicos","year":2023,"lang":"pt","type":"dissertation","venue":"Lusophone University Repository","topic":"Veterinary Oncology Research","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cytology; Scintigraphy; Histopathology; Differential diagnosis","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02433743309172181,"gpt":0.2898099009584039,"spread":0.2654724678666821,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002099087,0.001188785,0.000840621,0.005073033,0.002544681,0.003197154,0.001235116,0.00305464,0.00394584],"category_scores_gemma":[0.006841286,0.0005496717,0.0009041818,0.005748344,0.002022754,0.002382782,0.001994052,0.001480813,0.001185735],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002130552,"about_ca_system_score_gemma":0.001617199,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004141979,"about_ca_topic_score_gemma":0.009070222,"domain_scores_codex":[0.9977117,0.0004151272,0.0003848346,0.0004507046,0.0006814454,0.0003562252],"domain_scores_gemma":[0.9966282,0.001030822,0.0008820836,0.0004058573,0.0004844957,0.0005685994],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"case_report","study_design_gemma":"case_report","study_design_scores_codex":[0.0006153277,0.0003675498,0.1146766,0.002615063,0.0002101695,0.6673943,0.01172822,0.000561598,0.009498574,0.00485006,0.0133419,0.1741408],"study_design_scores_gemma":[0.00003383694,0.0002778313,0.03899369,0.001219319,0.0001759941,0.8525189,0.005400186,0.0003391622,0.002925078,0.002125512,0.09588534,0.0001052196],"study_design_candidate":"case_report","study_design_consensus":"case_report","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6468158,0.2322979,0.01070338,0.02021321,0.003727924,0.0007670515,0.001135286,0.0004371095,0.08390228],"genre_scores_gemma":[0.9011453,0.07391945,0.005082178,0.002401107,0.002266791,0.0001568925,0.00070095,0.00008523624,0.01424219],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005073033,"threshold_uncertainty_score":0.01545835,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}