{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"338514cfd6a5","filters":{"venue":"Luxury"}},"results":[{"id":"W4389619397","doi":"10.1080/20511817.2023.2280321","title":"Confronting climate crisis through corporate narratives: the fairy tale in LVMH’s 2020 and 2021 social and environmental responsibility reports","year":2023,"lang":"en","type":"article","venue":"Luxury","topic":"Media Influence and Health","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University; University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Narrative; Context (archaeology); Stakeholder; Corporate social responsibility; Corporation; Public relations; Situated; Crisis communication; Narrative inquiry; Corporate governance; Political science; Sociology; Business; History; Literature; Law; Finance","authors":[{"name":"Annamma Joy","is_ca":true},{"name":"Joanne Roberts","is_ca":false},{"name":"Bianca Grohmann","is_ca":true},{"name":"Camilo Peña","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06202675046312961,"gpt":0.2863169457263727,"spread":0.2242901952632431,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007963568,0.0001147148,0.0001956523,0.00003156862,0.0006481772,0.00009021518,0.00004626371,0.00004837883,0.0005576827],"category_scores_gemma":[0.0000354222,0.00008702498,0.00002816747,0.00004402557,0.0003934007,0.0002518936,0.0001006447,0.0001880266,0.0000267528],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002529483,"about_ca_system_score_gemma":0.00003690755,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002564955,"about_ca_topic_score_gemma":0.00139798,"domain_scores_codex":[0.9988226,0.0001431592,0.0003279236,0.0002922614,0.0001398817,0.0002741884],"domain_scores_gemma":[0.9995282,0.00009549136,0.0001876769,0.0001382214,0.00001072057,0.00003968742],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001490529,0.0000650136,0.110716,0.0001749882,0.00003211633,0.0004113035,0.8357732,0.000002366205,0.0006225895,0.02158629,0.02922978,0.001237357],"study_design_scores_gemma":[0.0006567116,0.0001408609,0.2040553,0.00007369579,0.00002691773,0.00003331444,0.6610424,0.0001674839,0.0000784274,0.03361458,0.09970396,0.0004063323],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9927049,0.0005391046,4.185981e-7,0.00396504,0.0002789077,0.0002467281,0.00006373029,0.00002642109,0.002174783],"genre_scores_gemma":[0.9975436,0.0005486163,0.00001719061,0.0006943963,0.0003349622,0.00003201518,0.0000421875,0.00001111258,0.0007759469],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1747308,"threshold_uncertainty_score":0.6106234,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4327973060","doi":"10.1080/20511817.2022.2183542","title":"The Idea of Luxury: Revisited","year":2022,"lang":"en","type":"article","venue":"Luxury","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Subject (documents); Section (typography); Period (music); Quarter (Canadian coin); Epistemology; History; Sociology; Philosophy; Aesthetics; Computer science; Library science","authors":[{"name":"Christopher J. Berry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0142809665749693,"gpt":0.1947804603311006,"spread":0.1804994937561313,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003739483,0.00005993175,0.0001172,0.00004801693,0.001327496,0.00002397363,0.0002044194,0.000007780574,0.01037674],"category_scores_gemma":[0.00002548091,0.00004370761,0.0001204598,0.00005109314,0.0001634635,0.00005671868,0.000110287,0.0001093897,0.00003923258],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002957396,"about_ca_system_score_gemma":0.00002091635,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007565401,"about_ca_topic_score_gemma":0.0001688605,"domain_scores_codex":[0.9993256,0.0001085025,0.0001755947,0.00009677308,0.0001803053,0.0001131916],"domain_scores_gemma":[0.9995031,0.00009580849,0.00009853274,0.0002397007,0.00004181609,0.00002101728],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006787656,0.00004382231,0.0001755814,0.00001862776,0.00009863686,0.000005663574,0.01390144,0.00001184689,0.00007817487,0.5404404,0.436999,0.008158911],"study_design_scores_gemma":[0.00006627633,0.00004253618,0.00004591557,0.00000236757,0.00004210851,8.13642e-7,0.003430436,0.00006568196,0.00001116716,0.001838465,0.994395,0.00005919708],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04414831,0.003268126,0.0000156067,0.001326078,0.0009878224,0.0001552069,0.00007177347,0.00008431081,0.9499428],"genre_scores_gemma":[0.8212611,0.00004319549,0.000008472949,0.000359921,0.0001997701,0.00002264434,0.00001703918,0.000009377823,0.1780785],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7771128,"threshold_uncertainty_score":0.9999726,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4368366228","doi":"10.1080/20511817.2022.2205044","title":"The Acculturation Process of New Products through Known Products. Interpreting Ethical Certification of Diamonds through the Lens of Organic Food Produced in Italy","year":2022,"lang":"en","type":"article","venue":"Luxury","topic":"Ethics in Business and Education","field":"Decision Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Horizon 2020 Framework Programme; European Commission","keywords":"Certification; Acculturation; Business; Organic certification; Framing (construction); Purchasing; Marketing; Public relations; Sociology; Political science; Immigration; Geography; Law; Organic farming; Agriculture","authors":[{"name":"Linda Armano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2106699612475936,"gpt":0.4097715823178237,"spread":0.1991016210702301,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.00527805,0.0001433263,0.0002899387,0.00008082786,0.0003762156,0.0000747563,0.001177766,0.0001184886,0.0000518421],"category_scores_gemma":[0.02903557,0.00008071084,0.00005739793,0.003163762,0.0003548354,0.0005571051,0.0002661461,0.00076798,0.000003136802],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006870724,"about_ca_system_score_gemma":0.001076261,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001160985,"about_ca_topic_score_gemma":0.000155284,"domain_scores_codex":[0.9958607,0.0005846139,0.001255305,0.0005725225,0.001515831,0.0002110284],"domain_scores_gemma":[0.9941103,0.001620821,0.001196508,0.001134166,0.00192238,0.00001586375],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0005431892,0.0009645438,0.01073347,0.0006636801,0.00008751389,3.83114e-7,0.5621557,0.003050451,0.3192453,0.06747794,0.01392608,0.02115167],"study_design_scores_gemma":[0.0004637981,0.0004862066,0.02980916,0.0002317862,0.00005869521,0.0000107662,0.0689498,0.0003491816,0.6934626,0.1949985,0.01082764,0.00035187],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.893142,0.0008221843,0.0002406405,0.1031684,0.001044913,0.0008069528,0.000008219197,0.00001626256,0.0007504045],"genre_scores_gemma":[0.9988306,0.00007531635,0.0003239898,0.000145263,0.0001543703,0.0000845017,0.00001427932,0.00001525075,0.0003563957],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4932059,"threshold_uncertainty_score":0.9791433,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2770673701","doi":"10.1080/20511817.2017.1351857","title":"The Making of the Cabinet Part II: Activity Table","year":2017,"lang":"en","type":"article","venue":"Luxury","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cabinet (room); Narrative; Table (database); Visual arts; Project commissioning; Quarter (Canadian coin); Bronze; Art; History; Publishing; Computer science; Literature; Archaeology; Database","authors":[{"name":"Nadine Langford","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04212807374886249,"gpt":0.2403867320483722,"spread":0.1982586582995097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00007909439,0.00005637831,0.00008415807,0.000002839456,0.005100135,0.00008136567,0.000270222,0.00001330403,0.0001960081],"category_scores_gemma":[0.00005838057,0.00002458901,0.00005635576,0.00000644495,0.0003862353,0.0000831486,0.0001724594,0.00007862845,0.0000163339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000127744,"about_ca_system_score_gemma":0.000009978251,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001244966,"about_ca_topic_score_gemma":0.004082408,"domain_scores_codex":[0.9996309,0.00001477181,0.00006805443,0.00006708741,0.0001030719,0.000116153],"domain_scores_gemma":[0.9995109,0.00001707077,0.0001009824,0.0003207816,0.00004340991,0.000006833207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001920244,0.00005380094,0.000961797,0.00001714561,0.00005646571,7.246504e-7,0.03509215,7.38876e-7,0.0001419271,0.2980406,0.6579688,0.007646641],"study_design_scores_gemma":[0.00004649484,0.00001354432,0.001317065,0.00001303708,0.00001133259,1.538866e-7,0.0005993273,0.000003465299,0.00008759288,0.0008130894,0.9970541,0.00004078884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05615393,0.0004618757,6.699644e-7,0.005840884,0.002335528,0.00009049462,0.00001323007,0.00001907655,0.9350843],"genre_scores_gemma":[0.8536279,0.00001146692,0.000001344369,0.00009535573,0.0005091067,0.000007349509,1.571863e-7,0.000003426034,0.1457438],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.797474,"threshold_uncertainty_score":0.9961951,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2804586961","doi":"10.1080/20511817.2018.1430885","title":"Givenchy & Abundance of References","year":2018,"lang":"en","type":"article","venue":"Luxury","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Indulgence; Object (grammar); Semiotics; Context (archaeology); Agency (philosophy); Sociology; Aesthetics; Art history; Art; Epistemology; Philosophy; History; Linguistics; Theology","authors":[{"name":"Malcolm Sanger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08327739095539542,"gpt":0.2664019970129454,"spread":0.1831246060575499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003893009,0.00005433887,0.00008155975,0.00001836695,0.0001153641,0.00003365224,0.0001062122,0.00001761512,0.0144748],"category_scores_gemma":[0.00001224345,0.00003741687,0.00003438967,0.00001754555,0.0003524699,0.00009169855,0.00001722374,0.0000377403,0.000911539],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003659136,"about_ca_system_score_gemma":0.000008099539,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006938376,"about_ca_topic_score_gemma":0.002111819,"domain_scores_codex":[0.9996219,0.0000129936,0.0001045842,0.00008430803,0.00008851505,0.00008772987],"domain_scores_gemma":[0.9997191,0.00001280343,0.00004650298,0.0001059822,0.00009349911,0.00002208378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001423594,0.00004995403,0.000166899,0.00003528962,0.00001981648,6.091589e-7,0.1002055,1.320248e-7,0.001573807,0.772002,0.1164047,0.009527128],"study_design_scores_gemma":[0.0000647183,0.00005838847,0.0007900185,0.0000285596,0.000004092097,6.166131e-7,0.003825971,0.000002328495,0.0005758558,0.002918934,0.9916608,0.00006973281],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5446376,0.00005767648,0.000002578323,0.0001927032,0.0003935266,0.00002665133,0.00001073216,0.00003442199,0.4546441],"genre_scores_gemma":[0.9102233,0.00001686331,0.00007458916,0.0002200029,0.0004287137,0.000002184833,0.000005252779,0.000003381553,0.08902571],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8752561,"threshold_uncertainty_score":0.9998664,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}