{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"338514cfd6a5","filters":{"venue":"Luxury"}},"results":[{"id":"W4389619397","doi":"10.1080/20511817.2023.2280321","title":"Confronting climate crisis through corporate narratives: the fairy tale in LVMH’s 2020 and 2021 social and environmental responsibility reports","year":2023,"lang":"en","type":"article","venue":"Luxury","topic":"Media Influence and Health","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University; University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Narrative; Context (archaeology); Stakeholder; Corporate social responsibility; Corporation; Public relations; Situated; Crisis communication; Narrative inquiry; Corporate governance; Political science; Sociology; Business; History; Literature; Law; Finance","authors":[{"name":"Annamma Joy","is_ca":true},{"name":"Joanne Roberts","is_ca":false},{"name":"Bianca Grohmann","is_ca":true},{"name":"Camilo Peña","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06202675046312961,"gpt":0.2863169457263727,"spread":0.2242901952632431,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005919843,0.0004802805,0.000221586,0.001834496,0.009274974,0.01107271,0.0008310292,0.00216164,0.003375844],"category_scores_gemma":[0.01373884,0.0002696686,0.0002162115,0.001092059,0.01583079,0.006942414,0.006922564,0.002872611,0.0002714572],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004883004,"about_ca_system_score_gemma":0.002383543,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006836395,"about_ca_topic_score_gemma":0.01296883,"domain_scores_codex":[0.9960848,0.002853509,0.00007125052,0.0001605591,0.0004667711,0.0003631011],"domain_scores_gemma":[0.9884468,0.008785459,0.001102833,0.0003267498,0.0005188533,0.0008193476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002686493,0.0000208069,0.002590456,0.00005592579,0.000005697541,0.0009529255,0.946938,0.00008272346,0.0005695409,0.04021004,0.002988896,0.005558024],"study_design_scores_gemma":[0.000003437122,0.00002196969,0.002680609,0.0002006887,0.000005688217,0.0002742896,0.9036888,0.0002051263,0.000474474,0.00459633,0.08782859,0.0000200076],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8342721,0.001650797,0.003336525,0.02539922,0.000651969,0.00005641565,0.00009263904,0.00005701287,0.1344833],"genre_scores_gemma":[0.9924966,0.0003687396,0.0004182158,0.0006324935,0.0001191256,0.00001564689,0.00002136943,0.00002943668,0.005898463],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01107271,"threshold_uncertainty_score":0.03542888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4327973060","doi":"10.1080/20511817.2022.2183542","title":"The Idea of Luxury: Revisited","year":2022,"lang":"en","type":"article","venue":"Luxury","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Subject (documents); Section (typography); Period (music); Quarter (Canadian coin); Epistemology; History; Sociology; Philosophy; Aesthetics; Computer science; Library science","authors":[{"name":"Christopher J. Berry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0142809665749693,"gpt":0.1947804603311006,"spread":0.1804994937561313,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002054814,0.0004571468,0.0005070207,0.003035476,0.004125175,0.01186874,0.001497279,0.003325434,0.007586118],"category_scores_gemma":[0.003377615,0.0002545862,0.0004687685,0.00393295,0.03245203,0.01451415,0.00443325,0.00496534,0.0006938656],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009239035,"about_ca_system_score_gemma":0.002061095,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007073568,"about_ca_topic_score_gemma":0.006273965,"domain_scores_codex":[0.9980965,0.001027156,0.00004291674,0.0002388029,0.0003565734,0.0002380209],"domain_scores_gemma":[0.9986832,0.0008197376,0.0001186741,0.0001102224,0.0001546097,0.0001135139],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000004041632,0.000001910126,0.00004039384,0.00001219627,6.830232e-7,0.00002405465,0.001712951,0.00002331248,0.00001111743,0.9958254,0.001004835,0.001339022],"study_design_scores_gemma":[0.00000766122,0.00001446172,0.0005015868,0.0002210688,0.000004582093,0.000203278,0.007975961,0.0004331794,0.00008981521,0.8574685,0.1330689,0.00001107074],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04911858,0.0431149,0.01375201,0.07157417,0.001608687,0.00001814628,0.00008872849,0.00007250571,0.8206523],"genre_scores_gemma":[0.9485776,0.01044989,0.001842642,0.003832176,0.001010138,0.00002547716,0.00004802272,0.0001044481,0.03410958],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01186874,"threshold_uncertainty_score":0.06703418,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4368366228","doi":"10.1080/20511817.2022.2205044","title":"The Acculturation Process of New Products through Known Products. Interpreting Ethical Certification of Diamonds through the Lens of Organic Food Produced in Italy","year":2022,"lang":"en","type":"article","venue":"Luxury","topic":"Ethics in Business and Education","field":"Decision Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Horizon 2020 Framework Programme; European Commission","keywords":"Certification; Acculturation; Business; Organic certification; Framing (construction); Purchasing; Marketing; Public relations; Sociology; Political science; Immigration; Geography; Law; Organic farming; Agriculture","authors":[{"name":"Linda Armano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2106699612475936,"gpt":0.4097715823178237,"spread":0.1991016210702301,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006236969,0.0004326251,0.0001828205,0.001726024,0.00529776,0.006391291,0.0008815276,0.001137998,0.001872374],"category_scores_gemma":[0.008937067,0.0002992678,0.0003015354,0.0008986917,0.02704801,0.002932511,0.00364332,0.002406236,0.0001567209],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01304184,"about_ca_system_score_gemma":0.00564924,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1190345,"about_ca_topic_score_gemma":0.2152858,"domain_scores_codex":[0.9948493,0.00314407,0.00008450392,0.0004103377,0.00102574,0.0004859752],"domain_scores_gemma":[0.9945118,0.00303607,0.0008608353,0.0004673369,0.0007542928,0.0003696238],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003499179,0.0000148047,0.007409776,0.00005063457,0.000006898452,0.000908163,0.9473942,0.00005719309,0.001227797,0.03441659,0.0004607836,0.008018253],"study_design_scores_gemma":[0.0000137246,0.00005737267,0.03082409,0.0003184941,0.00003660037,0.001451192,0.8407372,0.0005056146,0.001540946,0.01471049,0.1097408,0.00006344092],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8496898,0.001200324,0.006003501,0.00529105,0.0000953444,0.00006787949,0.00004407569,0.000021256,0.1375868],"genre_scores_gemma":[0.9952762,0.0002346098,0.00107912,0.0002702826,0.00001711338,0.000007094594,0.00001226211,0.000009860452,0.003093461],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1190345,"threshold_uncertainty_score":0.2366834,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2770673701","doi":"10.1080/20511817.2017.1351857","title":"The Making of the Cabinet Part II: Activity Table","year":2017,"lang":"en","type":"article","venue":"Luxury","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cabinet (room); Narrative; Table (database); Visual arts; Project commissioning; Quarter (Canadian coin); Bronze; Art; History; Publishing; Computer science; Literature; Archaeology; Database","authors":[{"name":"Nadine Langford","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04212807374886249,"gpt":0.2403867320483722,"spread":0.1982586582995097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001968469,0.0003663759,0.000207569,0.0007506029,0.006187675,0.008303436,0.00112577,0.001271688,0.0307648],"category_scores_gemma":[0.003019013,0.0004508624,0.0003171518,0.0007358225,0.004554116,0.002840917,0.003946244,0.00234458,0.005551162],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003364357,"about_ca_system_score_gemma":0.004642917,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009935519,"about_ca_topic_score_gemma":0.02014746,"domain_scores_codex":[0.9983931,0.0007395165,0.00004875789,0.0002040723,0.0003168453,0.0002976421],"domain_scores_gemma":[0.9987268,0.0002703857,0.00004856388,0.0001500177,0.0002117872,0.0005923778],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002876952,0.0002210601,0.004359382,0.0005095263,0.00001054324,0.001714353,0.1748106,0.001716795,0.01067399,0.494171,0.1138424,0.1976827],"study_design_scores_gemma":[0.00001003631,0.00007319162,0.003225024,0.0002772055,0.000004887341,0.0002634414,0.05367531,0.0003686089,0.001182974,0.006811154,0.9340823,0.00002585717],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1160662,0.001002416,0.06842106,0.008456361,0.001732558,0.001533421,0.0007574749,0.001037273,0.8009932],"genre_scores_gemma":[0.7060475,0.0006402042,0.07238491,0.0006151317,0.0001937442,0.0008483463,0.0005264634,0.0005181374,0.2182255],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0307648,"threshold_uncertainty_score":0.1029184,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2804586961","doi":"10.1080/20511817.2018.1430885","title":"Givenchy & Abundance of References","year":2018,"lang":"en","type":"article","venue":"Luxury","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Indulgence; Object (grammar); Semiotics; Context (archaeology); Agency (philosophy); Sociology; Aesthetics; Art history; Art; Epistemology; Philosophy; History; Linguistics; Theology","authors":[{"name":"Malcolm Sanger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08327739095539542,"gpt":0.2664019970129454,"spread":0.1831246060575499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008031792,0.0006573059,0.0004401367,0.003822918,0.007192633,0.005939918,0.0008172675,0.002904964,0.06508818],"category_scores_gemma":[0.005604177,0.0003167786,0.0002383246,0.005541857,0.005230707,0.0069978,0.004396454,0.003211368,0.01676335],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004713436,"about_ca_system_score_gemma":0.002288198,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01231684,"about_ca_topic_score_gemma":0.02030445,"domain_scores_codex":[0.9986711,0.0004592208,0.00005428644,0.0002255798,0.0004688631,0.0001211049],"domain_scores_gemma":[0.9986828,0.0007180684,0.00009017993,0.0001494655,0.0002461563,0.0001133645],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003227257,0.00001737671,0.0002330792,0.0002966622,0.000004582867,0.0002898479,0.009929705,0.00006506699,0.0001690603,0.4119601,0.4920282,0.08497402],"study_design_scores_gemma":[9.344797e-7,0.000002438937,0.0001534105,0.0002119634,8.212363e-7,0.0000935565,0.001068656,0.00001583386,0.00004377985,0.009793984,0.9886119,0.000002785077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001909734,0.06213773,0.001556673,0.01807581,0.007754586,0.00003515336,0.000311911,0.00008351985,0.9081348],"genre_scores_gemma":[0.07368323,0.03534162,0.00190177,0.006480631,0.003952581,0.000146692,0.0002879956,0.0004259162,0.8777795],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06508818,"threshold_uncertainty_score":0.2177417,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}