{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":279,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":279,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"397607b57f8a","filters":{"venue":"Mémoires du livre"}},"results":[{"id":"W2013677647","doi":"10.7202/1009347ar","title":"#1b1t: Investigating Reading Practices at the Turn of the Twenty-first Century","year":2012,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Social Media and Politics","field":"Social Sciences","cited_by":42,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Reading (process); Club; Ideology; World Wide Web; Social media; Media studies; Phenomenon; Sociology; Computer science; Political science; Politics; Epistemology","authors":[{"name":"Anatoliy Gruzd","is_ca":false},{"name":"DeNel Rehberg Sedo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03951976694026928,"gpt":0.3101330576444458,"spread":0.2706132907041765,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001312284,0.0001139157,0.0001896188,0.002496107,0.003489574,0.003896293,0.0003731827,0.0008433215,0.004354164],"category_scores_gemma":[0.003968938,0.0001662235,0.00009914384,0.002484007,0.003271943,0.003760918,0.00169379,0.001400656,0.0007413678],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002466935,"about_ca_system_score_gemma":0.0009173807,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01265091,"about_ca_topic_score_gemma":0.02965602,"domain_scores_codex":[0.9993756,0.0002136251,0.00002464031,0.00009600859,0.0001690476,0.0001210672],"domain_scores_gemma":[0.9970221,0.001559245,0.0004299417,0.00009558028,0.0004609277,0.0004322693],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007074462,0.00006576314,0.04181071,0.0001152867,0.000007783352,0.0005034317,0.9011022,0.00002306081,0.001149333,0.01762955,0.003988895,0.03353335],"study_design_scores_gemma":[0.000008425194,0.0001257247,0.2274815,0.0003237261,0.00001451763,0.000412973,0.57191,0.000128328,0.001681336,0.00394835,0.1939351,0.00003010062],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9575527,0.001597083,0.0002640768,0.002550453,0.00006808246,0.00001814527,0.0002077066,0.00001164163,0.03773024],"genre_scores_gemma":[0.9850347,0.001318194,0.0002148925,0.0003780576,0.00005651875,0.00003516924,0.0001337889,0.00002172029,0.01280696],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9965104,"threshold_uncertainty_score":0.02515453,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2092865359","doi":"10.7202/044208ar","title":"Quand lire, c’est écouter. Le livre sonore et ses enjeux lecturaux","year":2010,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Geneviève Gendron","is_ca":true},{"name":"Bertrand Gervais","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1276676748427187,"gpt":0.2918902391668679,"spread":0.1642225643241492,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002131471,0.0005573725,0.00030611,0.001012463,0.005521567,0.009632237,0.0007368339,0.001886588,0.03767678],"category_scores_gemma":[0.01068578,0.0002577146,0.0003964996,0.0009245648,0.006336159,0.007906689,0.004401291,0.003776115,0.01199386],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003008677,"about_ca_system_score_gemma":0.002851098,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008029883,"about_ca_topic_score_gemma":0.01603021,"domain_scores_codex":[0.99778,0.0009381667,0.0000606782,0.000298488,0.0006715853,0.0002510622],"domain_scores_gemma":[0.9962752,0.001077754,0.0003318868,0.0004416127,0.001192208,0.0006814956],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002580428,0.00008335673,0.006874475,0.0005804337,0.00004186163,0.001629823,0.2630339,0.0002786611,0.008101422,0.4230805,0.1168239,0.1792136],"study_design_scores_gemma":[0.00001150431,0.00007021236,0.002747551,0.0003225679,0.00001498276,0.0007263071,0.0487428,0.0001719072,0.001203657,0.01596973,0.9299729,0.00004579719],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0649303,0.004951295,0.02606962,0.05251895,0.006838036,0.0001078933,0.0002093385,0.0005766515,0.8437979],"genre_scores_gemma":[0.432098,0.003175441,0.01162984,0.006485085,0.0015948,0.000118014,0.00018642,0.0007859484,0.5439264],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03767678,"threshold_uncertainty_score":0.1260414,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1987568038","doi":"10.7202/1016743ar","title":"Le projet éditorial de Marie de Gournay","year":2013,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Giovanna Devincenzo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009119726753271865,"gpt":0.205103088059212,"spread":0.1959833613059401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002457906,0.0006418775,0.0004576077,0.001762751,0.005539668,0.007567605,0.0008114165,0.003085014,0.03025101],"category_scores_gemma":[0.01261596,0.000346887,0.0004241594,0.001015064,0.002715599,0.00227658,0.002500229,0.005032925,0.01386173],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006221888,"about_ca_system_score_gemma":0.008160913,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01367927,"about_ca_topic_score_gemma":0.03473401,"domain_scores_codex":[0.9960751,0.0007759804,0.0001630605,0.0005118738,0.002043608,0.0004303778],"domain_scores_gemma":[0.9934984,0.001826909,0.00044699,0.0003049876,0.002752312,0.001170366],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002666702,0.00001013749,0.00009881947,0.0001314248,0.000003311595,0.0002148631,0.001855387,0.00002712623,0.0003338645,0.009600839,0.9750757,0.01262195],"study_design_scores_gemma":[0.000001094595,0.000003056822,0.0001391332,0.00007218191,8.402229e-7,0.00004549869,0.0002146466,0.0000070578,0.00004847636,0.0001815273,0.9992837,0.000002760394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"empirical","genre_scores_codex":[0.005833564,0.05779022,0.001124475,0.2034162,0.3913369,0.00008494299,0.0003012065,0.0004363486,0.3396761],"genre_scores_gemma":[0.03490002,0.01326841,0.0006869185,0.02218336,0.08112136,0.00007186602,0.0001443555,0.0005198275,0.8471039],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03025101,"threshold_uncertainty_score":0.1011997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2472638679","doi":"10.7202/1036861ar","title":"Anon is Not Dead: Towards a History of Anonymous Authorship in Early-Twentieth-Century Britain1","year":2016,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Anonymity; Scholarship; History; Art; Literature; Law; Political science","authors":[{"name":"Emily Kopley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03664653689470338,"gpt":0.2456778245587949,"spread":0.2090312876640916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004562175,0.0002483747,0.0002874575,0.003239629,0.01146092,0.008575673,0.0007057748,0.003060346,0.003142319],"category_scores_gemma":[0.007030666,0.0003988768,0.0001099252,0.003522081,0.02782971,0.005000519,0.004073222,0.002974221,0.0006512772],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0108512,"about_ca_system_score_gemma":0.003804189,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02806028,"about_ca_topic_score_gemma":0.05425606,"domain_scores_codex":[0.9945208,0.003552619,0.0001931147,0.0002918797,0.0008748756,0.000566758],"domain_scores_gemma":[0.9924234,0.005221722,0.0006902528,0.000330826,0.0007330931,0.000600628],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006034566,0.00003154416,0.001231916,0.0001595795,0.000004076467,0.0007828231,0.6895861,0.00003953484,0.0003025213,0.2744211,0.01103238,0.02234813],"study_design_scores_gemma":[0.00001161829,0.0000598889,0.005592031,0.0007434414,0.000005394294,0.0007798566,0.08539452,0.0001011309,0.0003921952,0.02892499,0.8779557,0.00003926939],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3577762,0.1242716,0.003933039,0.06768098,0.003771249,0.00005451683,0.00009524222,0.0001024147,0.4423147],"genre_scores_gemma":[0.9310781,0.01467887,0.00065722,0.003589399,0.0008822843,0.00002470577,0.00002788962,0.00006658812,0.04899481],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02806028,"threshold_uncertainty_score":0.07873124,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2808254179","doi":"10.7202/1046988ar","title":"Serious Fun","year":2018,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Digital Games and Media","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sociology; The arts; Perspective (graphical); Ideology; Discipline; Epistemology; Cultural studies; Order (exchange); Social science; Visual arts; Politics; Political science; Art; Anthropology","authors":[{"name":"Beth Driscoll","is_ca":false},{"name":"Claire Squires","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01527142067735245,"gpt":0.2692238030814019,"spread":0.2539523824040494,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006068994,0.000826768,0.0004530224,0.001035497,0.002437636,0.004286687,0.001200426,0.001145141,0.4379911],"category_scores_gemma":[0.002414503,0.0003234023,0.0006668713,0.000647684,0.0006432284,0.003981635,0.00500854,0.001522161,0.1641921],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005510505,"about_ca_system_score_gemma":0.0006740171,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008782294,"about_ca_topic_score_gemma":0.003656803,"domain_scores_codex":[0.9994486,0.0001194233,0.00002215392,0.0001267511,0.0001832536,0.00009983224],"domain_scores_gemma":[0.9991314,0.0001255459,0.00003574144,0.0001511248,0.0001637471,0.00039243],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000186275,0.0001511786,0.001082502,0.0003879321,0.00001841924,0.0003117916,0.002777338,0.0002059341,0.00111953,0.05205562,0.6993373,0.2423663],"study_design_scores_gemma":[0.000007443236,0.00002093448,0.0003265554,0.00003947522,0.00000285184,0.0001238906,0.0003679188,0.00008972834,0.0001353597,0.003623314,0.9952561,0.000006362483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005496135,0.001121922,0.01013824,0.002578246,0.002335433,0.0002396076,0.001798077,0.003416011,0.9728764],"genre_scores_gemma":[0.03079563,0.0007722146,0.006323321,0.001181921,0.0004728671,0.0001820695,0.002094335,0.001267966,0.9569098],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4379911,"threshold_uncertainty_score":0.8016375,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2565343802","doi":"10.7202/1038028ar","title":"L’édition hors édition : vers un modèle dynamique. Pratiques sauvages, parallèles, sécantes et proscrites","year":2016,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Tanguy Habrand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0825544081906983,"gpt":0.2716999569250209,"spread":0.1891455487343226,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.008642041,0.0009540052,0.0006298054,0.004923053,0.005959712,0.02537537,0.002216091,0.003563801,0.02029474],"category_scores_gemma":[0.02015049,0.001063475,0.001024447,0.00566732,0.01801999,0.03049516,0.005727756,0.003823001,0.003828746],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01175807,"about_ca_system_score_gemma":0.01114659,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01501202,"about_ca_topic_score_gemma":0.0103222,"domain_scores_codex":[0.9911476,0.003732596,0.0003861196,0.001535478,0.002577975,0.0006202527],"domain_scores_gemma":[0.9834259,0.008672525,0.001526674,0.002516666,0.002814687,0.001043563],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001878694,0.00001599632,0.0005469897,0.00004967199,0.000005404356,0.00007181735,0.004190813,0.0004708206,0.00009810025,0.9835095,0.004848992,0.006173119],"study_design_scores_gemma":[0.0000359907,0.00003636178,0.001292833,0.0003131837,0.00002044352,0.0001955034,0.005307054,0.002639502,0.000346967,0.612906,0.3768671,0.00003896313],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0251689,0.008828452,0.08984945,0.04404993,0.002265037,0.0002485,0.000786522,0.0005798261,0.8282233],"genre_scores_gemma":[0.6859783,0.007710781,0.04451942,0.004261769,0.002267402,0.0009197599,0.00066419,0.001248455,0.25243],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9746246,"threshold_uncertainty_score":0.08531117,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2966197278","doi":"10.7202/1060972ar","title":"Les éditeurs d’Afrique francophone sur l’échiquier du « glocal » (1980-2019)","year":2019,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"African history and culture studies","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Raphaël Thierry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01296460116794354,"gpt":0.2337406990575719,"spread":0.2207760978896284,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003914163,0.0009595714,0.0005250167,0.004432262,0.003626732,0.006809318,0.0006678938,0.002076331,0.0731311],"category_scores_gemma":[0.01290344,0.0002899944,0.0005900023,0.002757249,0.001968837,0.002701103,0.0012248,0.001919555,0.02255187],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008924254,"about_ca_system_score_gemma":0.01407586,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1123773,"about_ca_topic_score_gemma":0.1622517,"domain_scores_codex":[0.9970099,0.0003961644,0.0001964035,0.0003075821,0.00155061,0.0005394354],"domain_scores_gemma":[0.9846374,0.003065452,0.001268537,0.0006245585,0.008640503,0.001763538],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007344849,0.00001195308,0.0005466045,0.0003409158,0.000007181438,0.0001621867,0.001222967,0.00004808713,0.000647791,0.003920424,0.9596992,0.03331921],"study_design_scores_gemma":[0.000002277792,0.000005082026,0.001151148,0.00008627971,0.000001784401,0.00003679147,0.0001701423,0.00000702051,0.00008268866,0.00009198232,0.9983589,0.000005850481],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01627439,0.08835273,0.001778424,0.1392867,0.2640704,0.0002701636,0.01225155,0.001393052,0.4763227],"genre_scores_gemma":[0.04771966,0.01632785,0.001058911,0.01790265,0.02527605,0.0001198725,0.002553582,0.0008421872,0.8881992],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1123773,"threshold_uncertainty_score":0.2446479,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064335296","doi":"10.7202/1001764ar","title":"La bande dessinée en son miroir. Images et usages de l’album dans la bande dessinée française","year":2011,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Sylvain Lesage","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02260798687765747,"gpt":0.2406159219379133,"spread":0.2180079350602558,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005826015,0.0002615013,0.0001016518,0.0007938316,0.006255518,0.003235208,0.0002058077,0.0006336687,0.007120997],"category_scores_gemma":[0.0009381062,0.0001266251,0.00009660979,0.0007538599,0.006937748,0.001070018,0.001033052,0.000950514,0.0004899269],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004519247,"about_ca_system_score_gemma":0.001459021,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1711299,"about_ca_topic_score_gemma":0.3060707,"domain_scores_codex":[0.9996175,0.000182296,0.000006782051,0.00003709142,0.00006450254,0.00009183376],"domain_scores_gemma":[0.9996243,0.0001380154,0.00006164404,0.00002426308,0.00006575468,0.00008610234],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00014357,0.0000225776,0.006519234,0.000103316,0.000007903412,0.001038209,0.8179097,0.0001111105,0.003738747,0.1326165,0.008856603,0.02893253],"study_design_scores_gemma":[0.000008273178,0.00003820717,0.02928244,0.0001949401,0.00001105167,0.0006248927,0.3744264,0.0001251318,0.0008513797,0.002012097,0.5924035,0.00002165807],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.719507,0.003782466,0.00101252,0.006036927,0.0002287094,0.00001557636,0.0001294025,0.00003659123,0.2692509],"genre_scores_gemma":[0.9583813,0.0003427038,0.0001594679,0.00009778736,0.00001978637,0.000002701384,0.00001544847,0.00001662657,0.0409642],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1711299,"threshold_uncertainty_score":0.3402677,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047043540","doi":"10.7202/1070270ar","title":"Cultural Capital as Performance","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Casual; Institution; The arts; Cultural capital; Cultural institution; Capital (architecture); Politics; Sociology; Cultural heritage; History; Media studies; Visual arts; Art; Social science; Law; Political science; Archaeology","authors":[{"name":"Alexandra Dane","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02038650624140183,"gpt":0.2622288909852847,"spread":0.2418423847438828,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003073508,0.0006699561,0.0003149189,0.001918284,0.007097565,0.01428453,0.001042448,0.001180474,0.01168694],"category_scores_gemma":[0.00646647,0.0001181098,0.0001599243,0.002563169,0.02870898,0.006147807,0.01173966,0.001988917,0.0007558607],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006725221,"about_ca_system_score_gemma":0.00452725,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008075853,"about_ca_topic_score_gemma":0.007781689,"domain_scores_codex":[0.9957972,0.001817786,0.00008163502,0.0003494754,0.000606075,0.001347845],"domain_scores_gemma":[0.9950607,0.001541292,0.0008261565,0.0003987814,0.000379134,0.001793832],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006289879,0.0001699154,0.009717821,0.0001197389,0.00001820857,0.0004021415,0.07561136,0.0006188429,0.0002515007,0.8631991,0.006581395,0.04324706],"study_design_scores_gemma":[0.00005147839,0.000226118,0.04598017,0.00067209,0.00003357576,0.0004815296,0.1822779,0.001343157,0.000606483,0.434608,0.3336128,0.0001067893],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2314651,0.002711358,0.001832397,0.01208598,0.0002187049,0.0000530348,0.00008217483,0.00004194543,0.7515093],"genre_scores_gemma":[0.9911969,0.000587608,0.0001805473,0.0002232071,0.00007720249,0.0000141775,0.00001707742,0.000012362,0.007690937],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01428453,"threshold_uncertainty_score":0.0487951,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2964928860","doi":"10.7202/1060971ar","title":"The Discourse and Value of Being an Independent Publisher","year":2019,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Organizational Strategy and Culture","field":"Business, Management and Accounting","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Publishing; Appeal; Meaning (existential); Value (mathematics); Construct (python library); Sociology; Currency; Function (biology); Space (punctuation); Media studies; Order (exchange); Content analysis; Advertising; Public relations; Social science; Law; Political science; Epistemology; Linguistics; Business; Computer science","authors":[{"name":"Rachel Noorda","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006282814192455327,"gpt":0.2056966015384229,"spread":0.1994137873459676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.01394934,0.0003933974,0.0004820146,0.00404142,0.01303648,0.02513854,0.001292468,0.0028054,0.002560958],"category_scores_gemma":[0.02909053,0.0003879668,0.000251114,0.004169336,0.06007859,0.01759149,0.008001053,0.005447869,0.0003655663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007966867,"about_ca_system_score_gemma":0.005429062,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003409448,"about_ca_topic_score_gemma":0.00258477,"domain_scores_codex":[0.986954,0.00912174,0.0003765979,0.0008516026,0.002091325,0.0006047154],"domain_scores_gemma":[0.9495268,0.04114387,0.002386752,0.002180408,0.002449834,0.00231236],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002732012,0.00002360849,0.002236142,0.0000629193,0.00001289478,0.0003388863,0.5726056,0.00009052813,0.000290904,0.4110133,0.002806886,0.01049097],"study_design_scores_gemma":[0.00001944941,0.00006124065,0.004005926,0.0006135344,0.00003848846,0.0005670425,0.542167,0.0005852561,0.001537364,0.1880779,0.2622693,0.00005750174],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4661267,0.006666266,0.004333834,0.04115757,0.0006453773,0.0000254457,0.00005679434,0.00004904933,0.4809389],"genre_scores_gemma":[0.9932901,0.0008057447,0.00028284,0.000734529,0.000168043,0.000007613824,0.00001246777,0.00002319603,0.004675505],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9748614,"threshold_uncertainty_score":0.07377201,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2566440515","doi":"10.7202/1038036ar","title":"Le livre numérique au Québec : le cas des emprunts aux bibliothèques publiques autonomes","year":2016,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Stéphane Labbé","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01979439415566921,"gpt":0.2424296103604481,"spread":0.2226352162047788,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002022616,0.0002250618,0.0004717615,0.004550883,0.008253085,0.005890959,0.0008966975,0.0005230154,0.01543952],"category_scores_gemma":[0.01067721,0.000208904,0.0002403102,0.01250264,0.005148022,0.003008645,0.002327328,0.001173968,0.000689041],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04970689,"about_ca_system_score_gemma":0.03646487,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9688209,"about_ca_topic_score_gemma":0.9867678,"domain_scores_codex":[0.9979048,0.0003999748,0.00008889406,0.0002541817,0.0008894685,0.0004627522],"domain_scores_gemma":[0.989925,0.002281933,0.001238414,0.0005063537,0.005227795,0.0008205286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0002877105,0.00009167217,0.2743887,0.001316556,0.00018824,0.001372683,0.3375771,0.001193673,0.001480795,0.1315983,0.03575527,0.2147492],"study_design_scores_gemma":[0.00001473974,0.00004007006,0.6508015,0.001061302,0.0000689642,0.0001526103,0.1477447,0.0004574279,0.0003653547,0.003443725,0.1957781,0.00007156645],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7522172,0.00560435,0.001375144,0.009538074,0.0001136934,0.00004489586,0.00194565,0.00009254176,0.2290684],"genre_scores_gemma":[0.9718541,0.001729234,0.0004115585,0.0004105005,0.00002955268,0.00002790629,0.0003582946,0.00003771387,0.02514111],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04970689,"threshold_uncertainty_score":0.3606504,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2002116749","doi":"10.7202/044212ar","title":"La vulgarisation scientifique à l’heure de libre accessibilité des savoirs. Quelle place pour les médiateurs?","year":2010,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Dominique Cartellier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02486222121692296,"gpt":0.2629699175685794,"spread":0.2381076963516564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication","open_science"],"consensus_categories":[],"category_scores_codex":[0.007905081,0.0005691404,0.0007802615,0.003858977,0.008786548,0.02078521,0.001318114,0.003715658,0.02419814],"category_scores_gemma":[0.02622453,0.0007315783,0.0008571596,0.004400234,0.02420406,0.02463948,0.01161184,0.003106013,0.003808559],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004567451,"about_ca_system_score_gemma":0.004653769,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005710565,"about_ca_topic_score_gemma":0.0073657,"domain_scores_codex":[0.9881703,0.006294027,0.0005389921,0.0018736,0.0024014,0.0007216591],"domain_scores_gemma":[0.9796832,0.01083624,0.002004212,0.003503186,0.002955055,0.001018084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001080309,0.00003409485,0.00527317,0.0004140583,0.00003597461,0.0008090729,0.1877566,0.0001331079,0.004335325,0.7597502,0.001962108,0.03938828],"study_design_scores_gemma":[0.00003916909,0.0001763899,0.01037141,0.000922385,0.00007345171,0.001885189,0.1451426,0.0006058695,0.00553817,0.3063647,0.5287624,0.0001181931],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.2625844,0.01051459,0.06194466,0.02546795,0.000491867,0.0001201076,0.0002303361,0.0004297859,0.6382164],"genre_scores_gemma":[0.9262084,0.002291215,0.008231886,0.0008710747,0.0001829902,0.0001154921,0.0001070234,0.0002189828,0.06177304],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.9986819,"threshold_uncertainty_score":0.08095086,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2617995165","doi":"10.7202/1039697ar","title":"The Serial and the Book in Nineteenth-Century Britain: Intersections, Extensions, Transformations","year":2017,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Publishing and Scholarly Communication","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Newspaper; Popularity; Reading (process); Narrative; Variety (cybernetics); History; Remuneration; Period (music); Media studies; Literature; Literacy; Political science; Law; Sociology; Art; Computer science; Aesthetics","authors":[{"name":"Laurel Brake","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01797988230038355,"gpt":0.2255724227351591,"spread":0.2075925404347756,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001127452,0.0003409144,0.0002850822,0.002978783,0.004979439,0.01314435,0.0005793971,0.00102278,0.01095736],"category_scores_gemma":[0.003419649,0.0004227454,0.0001564076,0.00671622,0.01701823,0.004284927,0.00341531,0.001778562,0.001619604],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01145505,"about_ca_system_score_gemma":0.003333834,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05148804,"about_ca_topic_score_gemma":0.06697954,"domain_scores_codex":[0.9984369,0.0005799828,0.00006573059,0.0001752633,0.0004652268,0.0002768832],"domain_scores_gemma":[0.9984431,0.0005836039,0.0001925908,0.0001795599,0.0003898842,0.0002113059],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001387826,0.00007835354,0.0038308,0.0002735013,0.00001104136,0.001106389,0.1837458,0.0001314981,0.00043761,0.7129371,0.03253023,0.06477889],"study_design_scores_gemma":[0.00002596655,0.000049854,0.01414775,0.0003300791,0.00001080496,0.0005684088,0.05675645,0.0001592432,0.0002697882,0.02766529,0.8999947,0.00002165688],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1404739,0.01325582,0.00109775,0.007823233,0.0009773191,0.00002062753,0.000121995,0.00007853381,0.8361508],"genre_scores_gemma":[0.8141633,0.008646822,0.000772061,0.001222052,0.0007633304,0.00002781977,0.0001882514,0.0001819766,0.1740344],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9868556,"threshold_uncertainty_score":0.1023767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047176389","doi":"10.7202/1070264ar","title":"State-funded Support of International Trade in Rights and Licenses","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"German; Honor; Diplomacy; Scope (computer science); Political science; Diversity (politics); State (computer science); Function (biology); Human rights; Public administration; Sociology; Law; Politics; Linguistics","authors":[{"name":"Luise Hertwig","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03934398954953743,"gpt":0.2533843593687288,"spread":0.2140403698191913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009877975,0.000176528,0.0002588313,0.001459087,0.005156269,0.00798543,0.0008694436,0.001269466,0.01227611],"category_scores_gemma":[0.01531108,0.0002074008,0.0001724053,0.002487558,0.005323109,0.003382561,0.005291878,0.001980528,0.000788065],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005956725,"about_ca_system_score_gemma":0.008080063,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007797481,"about_ca_topic_score_gemma":0.01249615,"domain_scores_codex":[0.9925407,0.004036819,0.0002044452,0.0005446575,0.001147213,0.001526169],"domain_scores_gemma":[0.984735,0.008784044,0.001724644,0.00159944,0.001660801,0.001496046],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001377993,0.0001909561,0.0116166,0.0002350227,0.00001810333,0.0004733781,0.09122124,0.0003503481,0.001412038,0.7500554,0.01085477,0.1334344],"study_design_scores_gemma":[0.0001197374,0.0004170096,0.06933375,0.0008085495,0.00006050964,0.0005491863,0.07507297,0.001729237,0.002046071,0.06252432,0.787268,0.00007057299],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4263038,0.001768223,0.002846307,0.01382394,0.0001943913,0.00007539457,0.00009751991,0.0001070448,0.5547835],"genre_scores_gemma":[0.9717039,0.0002544025,0.0002976332,0.0003103375,0.00007865961,0.00003621322,0.00002889233,0.00001825892,0.0272717],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01227611,"threshold_uncertainty_score":0.05224037,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2070091623","doi":"10.7202/045314ar","title":"Cultural Capital and Community in Contemporary City-wide Reading Programs","year":2011,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Social Media and Politics","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Reading (process); Cultural capital; Capital (architecture); Literacy; Order (exchange); Ephemeral key; Sociology; Cultural literacy; Capital city; Media studies; Public relations; Social science; Political science; Visual arts; Pedagogy; Law; Art; Business; Computer science; Geography; Economic geography","authors":[{"name":"DeNel Rehberg Sedo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1031597024460894,"gpt":0.3137195723603022,"spread":0.2105598699142128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003523365,0.0002729149,0.0003474922,0.002681317,0.02043398,0.01649747,0.001572929,0.001616775,0.008280651],"category_scores_gemma":[0.007356453,0.0003855097,0.0001747823,0.002738721,0.024958,0.00583835,0.01586435,0.002279623,0.0003670797],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00748017,"about_ca_system_score_gemma":0.003925545,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0161369,"about_ca_topic_score_gemma":0.03641541,"domain_scores_codex":[0.9943428,0.003602569,0.0000794947,0.000451508,0.000504796,0.001018792],"domain_scores_gemma":[0.9935527,0.002736421,0.0008116052,0.0003755597,0.0004337712,0.002090076],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005969624,0.000177068,0.01572819,0.00006092214,0.00001665102,0.000882003,0.8752491,0.0001389653,0.0003130233,0.08102515,0.002731678,0.02361749],"study_design_scores_gemma":[0.0000180408,0.00006446393,0.02163118,0.0001095018,0.00001254837,0.0001875867,0.9075316,0.0003224476,0.0001995533,0.01207116,0.05782422,0.0000276976],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8928915,0.0004276235,0.0008907008,0.003427493,0.00004668537,0.0000387032,0.00002048834,0.00003723026,0.1022195],"genre_scores_gemma":[0.9958372,0.00006823159,0.00009827419,0.00008240456,0.00001361657,0.00001079135,0.000007199606,0.000012123,0.003870125],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02043398,"threshold_uncertainty_score":0.05427271,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3006168024","doi":"10.7202/1066938ar","title":"Publier sur la Révolution américaine en France (1778-1788)","year":2020,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Carine Lounissi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0162502038220593,"gpt":0.2006148692828454,"spread":0.1843646654607861,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001681861,0.0003412166,0.0001763783,0.00415345,0.003499344,0.003807906,0.0003781891,0.0008314042,0.02286718],"category_scores_gemma":[0.003905527,0.0001555359,0.0001498844,0.005401505,0.002109725,0.002147875,0.001271332,0.0008064677,0.002333059],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007516769,"about_ca_system_score_gemma":0.005250987,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1327323,"about_ca_topic_score_gemma":0.1703141,"domain_scores_codex":[0.9989396,0.0002534146,0.00004775092,0.0001290142,0.0004141809,0.0002160567],"domain_scores_gemma":[0.9968347,0.001567329,0.0005424616,0.0001757593,0.0006805771,0.0001992286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002091488,0.00006138367,0.01747788,0.0009238289,0.00005025811,0.001878039,0.1627928,0.0003083532,0.002586445,0.3124958,0.1819742,0.3192419],"study_design_scores_gemma":[0.000004037556,0.00001213869,0.01280108,0.0001289302,0.00000512011,0.0001196537,0.004665179,0.00001485243,0.0002039199,0.0004196961,0.9816187,0.000006708906],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2713678,0.07698112,0.001168756,0.028152,0.002108887,0.00004152187,0.003718463,0.0002356393,0.6162258],"genre_scores_gemma":[0.642108,0.02768366,0.001119878,0.001592535,0.001324161,0.00006332239,0.001080624,0.000145245,0.3248825],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1327323,"threshold_uncertainty_score":0.2639195,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2516697884","doi":"10.7202/1036851ar","title":"Thinking Through the History of the Book","year":2016,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Australian History and Society","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Scholarship; Discipline; Epistemology; Narrative; Sociology; Space (punctuation); Determinism; Focus (optics); Intellectual history; Social science; Aesthetics; Literature; Political science; Philosophy; Art; Law","authors":[{"name":"Leslie Howsam","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03054854470167457,"gpt":0.2564590964364619,"spread":0.2259105517347874,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001631986,0.0003926445,0.0003330853,0.001985709,0.006161658,0.009939416,0.0007588088,0.001633493,0.01396944],"category_scores_gemma":[0.003978801,0.0003515798,0.0002037566,0.001865574,0.01574606,0.01069431,0.002631013,0.003936307,0.001966498],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006971315,"about_ca_system_score_gemma":0.004154999,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008075609,"about_ca_topic_score_gemma":0.0166454,"domain_scores_codex":[0.9986923,0.0007333318,0.00002982976,0.0001260366,0.0002859944,0.0001325249],"domain_scores_gemma":[0.9984794,0.0009232895,0.00009735076,0.0001294003,0.0002114662,0.0001590133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000008904446,0.00000955777,0.0002231636,0.0001171733,0.000004405889,0.000174353,0.04138983,0.0001074937,0.0001071836,0.8754714,0.05787281,0.02451376],"study_design_scores_gemma":[0.000001755234,0.00001059473,0.0003050521,0.0003011394,0.000002778122,0.0001407955,0.007693917,0.00007864998,0.00009689985,0.1037071,0.8876544,0.000006897697],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01186754,0.05338347,0.009051236,0.04875454,0.004773307,0.00005851227,0.00009896766,0.0001768885,0.8718355],"genre_scores_gemma":[0.3543754,0.03685687,0.004787819,0.01082626,0.003344812,0.0001317441,0.0001565476,0.000318906,0.5892017],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01396944,"threshold_uncertainty_score":0.05058068,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047418251","doi":"10.7202/1070271ar","title":"Experiments with Book Festival People (Real and Imaginary)","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Literacy, Media, and Education","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Autoethnography; Situated; Sociology; Slogan; Scholarship; Personhood; The Imaginary; Media studies; Visual arts; Variety (cybernetics); Inclusion (mineral); The arts; Aesthetics; Art; Social science; Psychology; Psychoanalysis; Epistemology; Political science","authors":[{"name":"Beth Driscoll","is_ca":false},{"name":"Claire Squires","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01896112038972474,"gpt":0.2274699701454663,"spread":0.2085088497557416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008046102,0.0009458871,0.0007359743,0.001051294,0.005179207,0.003588931,0.00254358,0.003190602,0.01741398],"category_scores_gemma":[0.01630566,0.0007422999,0.0006722932,0.0008661795,0.004215756,0.002943645,0.004808479,0.003008742,0.002631838],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001361421,"about_ca_system_score_gemma":0.0008514394,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002919254,"about_ca_topic_score_gemma":0.004653568,"domain_scores_codex":[0.9945568,0.00309588,0.0002898306,0.0009563741,0.0005422842,0.0005587671],"domain_scores_gemma":[0.9783368,0.01581935,0.0008945011,0.00191399,0.001317926,0.001717457],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00619659,0.0473445,0.01894891,0.001984109,0.000131088,0.00289011,0.824131,0.00188861,0.02365385,0.01346507,0.009479051,0.04988704],"study_design_scores_gemma":[0.006747223,0.042682,0.06096269,0.0007486558,0.0003191262,0.001869496,0.7149293,0.004399039,0.02485769,0.01939346,0.1225673,0.0005239865],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9869412,0.00007329889,0.001233118,0.0003035762,0.00007468316,0.001179885,0.0002622147,0.00003117039,0.009900831],"genre_scores_gemma":[0.9717116,0.0001516398,0.005788771,0.0006316432,0.00009462399,0.004779115,0.0004496783,0.00006032233,0.0163327],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01741398,"threshold_uncertainty_score":0.05825555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2792980159","doi":"10.7202/1043125ar","title":"Creating Reading Habits Through Translation in Turkey (1840–1940)","year":2018,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Reading (process); Marginalia; Audience measurement; Period (music); Variety (cybernetics); Publishing; Consumption (sociology); Readability; Selection (genetic algorithm); Literature; History; Psychology; Linguistics; Sociology; Computer science; Political science; Social science; Aesthetics; Art; Law","authors":[{"name":"Selin ERKUL YAĞCI","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0574775321791914,"gpt":0.2812257023658028,"spread":0.2237481701866114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001664068,0.0002908638,0.0002396964,0.001425863,0.002838799,0.002240506,0.0003475957,0.0004659953,0.001787961],"category_scores_gemma":[0.002169845,0.0002104201,0.0001848824,0.001965131,0.002673005,0.001274819,0.0009052093,0.0007621494,0.0006237936],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003738735,"about_ca_system_score_gemma":0.00180636,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01490381,"about_ca_topic_score_gemma":0.02297499,"domain_scores_codex":[0.9992219,0.0003211298,0.00006001866,0.0001365003,0.0001382902,0.0001221608],"domain_scores_gemma":[0.9989907,0.0004117216,0.0002247793,0.00007263993,0.0002212488,0.00007897813],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002452462,0.00009601883,0.05340396,0.0003397261,0.00001714098,0.004062666,0.7664976,0.0003313711,0.002512028,0.01132456,0.00451102,0.1566587],"study_design_scores_gemma":[0.00001963271,0.0005140334,0.4257511,0.0005383337,0.00005152393,0.003970116,0.3812042,0.0004581884,0.004437953,0.001900451,0.1810562,0.00009832421],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9774421,0.00130692,0.0002118344,0.0004623203,0.00004524318,0.00001419382,0.0000542738,0.00002032787,0.02044276],"genre_scores_gemma":[0.9952928,0.0005284144,0.0002507119,0.00006226648,0.00001247431,0.00000524256,0.00003446804,0.00001148757,0.00380223],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01490381,"threshold_uncertainty_score":0.02963412,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047279694","doi":"10.7202/1070263ar","title":"“Die Buchwelt zu Gast in Frankfurt”1","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Libraries and Information Services","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Honour; Presentation (obstetrics); Theme (computing); German; History; Classics; Sociology; Literature; Art history; Art; Political science; Law; Computer science; Archaeology","authors":[{"name":"Corinna Norrick-Rühl","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02725686808556061,"gpt":0.1971598585243396,"spread":0.169902990438779,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006689331,0.0004062972,0.0001701647,0.001097214,0.002788926,0.004652378,0.0002654889,0.0007308905,0.02562858],"category_scores_gemma":[0.001912852,0.0001688075,0.0001052332,0.002210364,0.001805414,0.002705417,0.001922894,0.001277109,0.005288619],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002226679,"about_ca_system_score_gemma":0.001491292,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01249592,"about_ca_topic_score_gemma":0.02316773,"domain_scores_codex":[0.9990239,0.0002977918,0.00003070852,0.0001334575,0.0002673108,0.0002467481],"domain_scores_gemma":[0.9996732,0.0001180969,0.00004681237,0.00003348141,0.00004998134,0.0000784377],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002774757,0.00003985298,0.006194633,0.0006222609,0.00002437658,0.001510021,0.05103065,0.000431591,0.001679075,0.2754445,0.3974217,0.2653238],"study_design_scores_gemma":[0.000003130054,0.0000158134,0.008954322,0.0002481317,0.00000345172,0.0003547263,0.008137304,0.00007258101,0.0006787253,0.003358947,0.9781618,0.00001110238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.329111,0.04868106,0.002889249,0.02646938,0.005727937,0.00007893747,0.005797709,0.0003822658,0.5808624],"genre_scores_gemma":[0.7883104,0.008191847,0.001261212,0.001088181,0.0004055102,0.0000356714,0.00242934,0.0003434101,0.1979344],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02562858,"threshold_uncertainty_score":0.0857361,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2791695864","doi":"10.7202/1043124ar","title":"Reviewers as Readers with Power","year":2018,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Criticism; Point (geometry); Power (physics); Linguistics; Psychology; Literature; History; Art; Philosophy; Mathematics","authors":[{"name":"Arzu Eker Roditakis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03516330952599884,"gpt":0.2596799950406019,"spread":0.2245166855146031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02232932,0.0009812252,0.001126407,0.004489693,0.0109003,0.02984604,0.001892165,0.004720911,0.0425428],"category_scores_gemma":[0.1308585,0.0008768143,0.0005269827,0.004257705,0.0143197,0.01959957,0.01100536,0.005048369,0.01552811],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005624931,"about_ca_system_score_gemma":0.0109105,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001753465,"about_ca_topic_score_gemma":0.002829612,"domain_scores_codex":[0.9512988,0.02745729,0.002209876,0.004769343,0.01219872,0.002065961],"domain_scores_gemma":[0.9125504,0.03760815,0.007827361,0.01061348,0.02417292,0.00722765],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001405588,0.00002356421,0.001734877,0.0008075726,0.00003435909,0.001696328,0.2843678,0.00007066889,0.001248197,0.3271094,0.2814761,0.1012906],"study_design_scores_gemma":[0.00001238583,0.00001594432,0.0002896486,0.0003959814,0.00001124133,0.000528041,0.0270386,0.00003836703,0.0002229601,0.009181269,0.9622411,0.00002436618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.03188122,0.03136843,0.01305352,0.1191055,0.0456706,0.0004760613,0.0002562133,0.001196337,0.7569921],"genre_scores_gemma":[0.4756213,0.01208485,0.006283406,0.02433923,0.0191938,0.000739005,0.0002027498,0.001829538,0.459706],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.0425428,"threshold_uncertainty_score":0.1423199,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2790140670","doi":"10.7202/1043122ar","title":"Translation Revision as Rereading","year":2018,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Synonym (taxonomy); Reading (process); Computer science; Target text; Linguistics; Field (mathematics); Publishing; Machine translation; Process (computing); Natural language processing; Literature; Philosophy; Programming language; Art","authors":[{"name":"Giovanna Scocchera","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05671989125368947,"gpt":0.2849365654004552,"spread":0.2282166741467657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01385358,0.001210518,0.0007445861,0.003735965,0.004082659,0.0128566,0.00186733,0.003336125,0.006333502],"category_scores_gemma":[0.04736214,0.0004295922,0.0007159433,0.003808418,0.03292495,0.01506688,0.007950087,0.004418238,0.002817716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00376001,"about_ca_system_score_gemma":0.004866533,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001591273,"about_ca_topic_score_gemma":0.001597058,"domain_scores_codex":[0.9608334,0.02640079,0.002557975,0.003071002,0.005913761,0.001223024],"domain_scores_gemma":[0.9459833,0.02755524,0.006254374,0.01205933,0.006823044,0.001324738],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001310697,0.00004012503,0.001513553,0.001245648,0.00003343698,0.001006289,0.1944252,0.0003208143,0.002471214,0.6692703,0.01527597,0.1142662],"study_design_scores_gemma":[0.00003679162,0.0001470478,0.002505927,0.002263576,0.00005480111,0.004358726,0.05298148,0.0009367045,0.004294941,0.2369327,0.6953511,0.0001364155],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07899596,0.0352005,0.1508909,0.03256417,0.007475465,0.0005711429,0.0003078568,0.001549055,0.6924451],"genre_scores_gemma":[0.8691152,0.008085244,0.03986821,0.005234142,0.002302814,0.0002789746,0.0002264334,0.001122214,0.07376679],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01385358,"threshold_uncertainty_score":0.07326561,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2041402347","doi":"10.7202/1007571ar","title":"De Québécoises deboutte! à Jesuisfeministe.com : croisements politiques et éditoriaux dans la presse des féministes radicales au Québec","year":2012,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Marie-Andrée Bergeron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1300030049020441,"gpt":0.3270793411690985,"spread":0.1970763362670545,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00194123,0.0004074197,0.0003222807,0.002154021,0.01362098,0.01083334,0.0007701971,0.002454054,0.04184903],"category_scores_gemma":[0.005371832,0.000334576,0.0002013065,0.003090487,0.005459663,0.002547247,0.001252009,0.003060252,0.00253103],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05777944,"about_ca_system_score_gemma":0.07575719,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9405084,"about_ca_topic_score_gemma":0.9814972,"domain_scores_codex":[0.9981021,0.0003112705,0.0000467859,0.0002210702,0.0009217919,0.0003969923],"domain_scores_gemma":[0.9934509,0.00155088,0.0003836301,0.0001768443,0.003053821,0.001383947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001137919,0.00005045251,0.007435408,0.0005762514,0.00002967438,0.0006256767,0.04356701,0.000272445,0.002080539,0.109019,0.7447559,0.09147403],"study_design_scores_gemma":[0.000005837921,0.000007220843,0.007755661,0.0001728127,0.000007093102,0.00003991264,0.0078209,0.0000830182,0.0002487039,0.0005796276,0.9832582,0.0000209703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.081799,0.1225597,0.002150141,0.2705068,0.02971845,0.0001298192,0.001956024,0.0004450566,0.490735],"genre_scores_gemma":[0.3499412,0.01844388,0.0007813268,0.01894822,0.002525974,0.00006066412,0.0002846774,0.0002999054,0.6087142],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05949157,"threshold_uncertainty_score":0.4192211,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2791713992","doi":"10.7202/1043126ar","title":"The Destabilization of Symbolic Boundaries in the Consumption of Translated Fiction","year":2018,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Reading (process); Consumption (sociology); Ethnography; Club; Cosmopolitanism; Sociology; Capital (architecture); Cultural capital; Participant observation; Media studies; Aesthetics; Political science; Art; Social science; Visual arts; Anthropology; Law; Politics","authors":[{"name":"Duygu Tekgül-Akın","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04136227158352234,"gpt":0.2666700163895013,"spread":0.225307744805979,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01015908,0.0004109611,0.0005753463,0.002674984,0.008025095,0.01537596,0.001115262,0.002073469,0.005961018],"category_scores_gemma":[0.02830898,0.0005415621,0.0003215288,0.002889747,0.04389519,0.008811417,0.01062551,0.004220391,0.0007830219],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004577046,"about_ca_system_score_gemma":0.002074159,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002605147,"about_ca_topic_score_gemma":0.002592871,"domain_scores_codex":[0.9864985,0.008343218,0.0004725087,0.001068888,0.002905718,0.0007111348],"domain_scores_gemma":[0.9781357,0.01472054,0.002355931,0.002643563,0.001628575,0.0005156659],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008007685,0.00002132356,0.001604762,0.0001373883,0.000007336903,0.0005121012,0.9047888,0.00004303207,0.002114932,0.07487654,0.0009541683,0.01485946],"study_design_scores_gemma":[0.00004626206,0.0001621253,0.0174471,0.001160268,0.00003946925,0.002246996,0.7189932,0.0006329484,0.004968285,0.0821468,0.1720712,0.00008526968],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7988546,0.001728801,0.007674859,0.01188247,0.0002287228,0.00004715629,0.00006975139,0.00009170825,0.1794218],"genre_scores_gemma":[0.9934285,0.0002346137,0.0008691937,0.0003808763,0.00009728275,0.00002028546,0.00002662514,0.00009657587,0.00484614],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01537596,"threshold_uncertainty_score":0.05372697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158123638","doi":"10.7202/1016744ar","title":"Processus de médiation littéraire : les enjeux éditoriaux. Tractations et concurrences éditoriales autour de Francis Ponge","year":2013,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Marie Doga","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0970767384589739,"gpt":0.3046453657895254,"spread":0.2075686273305515,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01856236,0.00110131,0.001077077,0.006747699,0.01252535,0.02388402,0.00221002,0.006343606,0.00630475],"category_scores_gemma":[0.08143917,0.0007017069,0.0007633145,0.005642141,0.01512357,0.01715016,0.007996005,0.009788128,0.00187355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01100967,"about_ca_system_score_gemma":0.01542955,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01234369,"about_ca_topic_score_gemma":0.01450848,"domain_scores_codex":[0.9715547,0.01540699,0.001629813,0.002429274,0.007516482,0.001462803],"domain_scores_gemma":[0.9245012,0.05670601,0.003301318,0.002319684,0.01123909,0.001932677],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001184732,0.00004928417,0.001361083,0.002024668,0.00005957769,0.001724981,0.1827657,0.0002840299,0.0007470451,0.3359917,0.3806211,0.09425242],"study_design_scores_gemma":[0.000005562502,0.00001187539,0.000572858,0.00113401,0.00001850751,0.0002343708,0.02061271,0.0001205252,0.0004115805,0.009141359,0.967703,0.00003366685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02095045,0.2363557,0.01224233,0.4643815,0.09280907,0.0001680295,0.0002074767,0.0003188825,0.1725665],"genre_scores_gemma":[0.4788759,0.1424037,0.008589956,0.08221596,0.06492895,0.0008588317,0.0002462625,0.00111524,0.2207652],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02388402,"threshold_uncertainty_score":0.09816831,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2073822671","doi":"10.7202/045316ar","title":"Connected Readers: Reading Networks and Community in early twentieth-century New Zealand","year":2011,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Australian History and Society","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Reading (process); Variety (cybernetics); Class (philosophy); Media studies; Sociology; History; Political science; Computer science; Law","authors":[{"name":"Susann Liebich","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04930309989764075,"gpt":0.2648621821533788,"spread":0.2155590822557381,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001725679,0.0002887754,0.0004145824,0.003174656,0.01032334,0.006356438,0.0008891323,0.0009732613,0.007049245],"category_scores_gemma":[0.004645619,0.0004249693,0.0001746028,0.002611097,0.00991322,0.007721548,0.004419244,0.00167767,0.0003557576],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01449876,"about_ca_system_score_gemma":0.007431016,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.586278,"about_ca_topic_score_gemma":0.7426661,"domain_scores_codex":[0.9990554,0.0002575515,0.00004264396,0.0001893546,0.0002145149,0.0002405562],"domain_scores_gemma":[0.9977443,0.0006879,0.0004577794,0.00009713938,0.0003809124,0.0006319488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002170963,0.00001590781,0.007752717,0.00005606882,0.000005333493,0.000730635,0.9705451,0.00003026048,0.0003101647,0.00879566,0.0008369486,0.01089937],"study_design_scores_gemma":[0.00001321511,0.00006560815,0.07748023,0.0002470676,0.00002227038,0.0005075879,0.8241202,0.0001846733,0.0001799582,0.005705628,0.09142955,0.00004401834],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9349654,0.002714725,0.000643063,0.005039985,0.0001086699,0.00005367907,0.000100429,0.00002110529,0.05635286],"genre_scores_gemma":[0.9873075,0.001223024,0.0002642383,0.0001492598,0.00002324762,0.00002447143,0.00002356431,0.00001558332,0.01096904],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.586278,"threshold_uncertainty_score":0.8323169,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2342292244","doi":"10.7202/1035764ar","title":"Universels, mais authentiquement canadiens. Représentations iconographiques de l’écrivain québécois dans la collection « Écrivains canadiens d’aujourd’hui » (1963-1975)","year":2015,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Marie-Pier Luneau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08226739751682735,"gpt":0.2871096571462816,"spread":0.2048422596294543,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007658208,0.0005807821,0.0002770702,0.002470861,0.0114249,0.009164945,0.000807429,0.0009914034,0.01797456],"category_scores_gemma":[0.002028838,0.0002348849,0.0002005409,0.004740912,0.01338206,0.003166486,0.002072892,0.002279694,0.001336646],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03984939,"about_ca_system_score_gemma":0.0270225,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9260049,"about_ca_topic_score_gemma":0.9682841,"domain_scores_codex":[0.9990745,0.0002350922,0.00002068442,0.0001351261,0.0003182679,0.0002163319],"domain_scores_gemma":[0.9991062,0.0002271112,0.00007604386,0.00009666506,0.00028838,0.0002055763],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006430061,0.00001753896,0.004494323,0.0001712916,0.0000152108,0.0005010878,0.3752181,0.0003863648,0.001115826,0.5021894,0.05730214,0.05852436],"study_design_scores_gemma":[0.000003823084,0.00000719114,0.00676606,0.0001613554,0.000009496994,0.00009765405,0.07178433,0.0001351718,0.0002245759,0.005962031,0.9148275,0.00002087981],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1325364,0.01373347,0.004081913,0.01772474,0.001344065,0.00006388828,0.001244984,0.0001550417,0.8291155],"genre_scores_gemma":[0.6951263,0.003892869,0.00111407,0.001136094,0.0001426268,0.000038578,0.0003567026,0.0001277072,0.2980651],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07399511,"threshold_uncertainty_score":0.289129,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2090038125","doi":"10.7202/1016745ar","title":"Ce que la FNAC a fait du livre. Innovations, controverses et rationalisation dans le commerce culturel français","year":2013,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Rationalisation; Political science; Art; Mathematics","authors":[{"name":"Vincent Chabault","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0567872148459193,"gpt":0.2618976199362921,"spread":0.2051104050903728,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01057319,0.0005830145,0.0003710459,0.002177498,0.009819466,0.01612645,0.001422163,0.004463417,0.01178446],"category_scores_gemma":[0.0168991,0.000319269,0.0005417737,0.002502956,0.02943543,0.009526687,0.004551318,0.004304138,0.001648561],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02508684,"about_ca_system_score_gemma":0.02068162,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1352221,"about_ca_topic_score_gemma":0.1132778,"domain_scores_codex":[0.9866465,0.006726493,0.0004108171,0.001375713,0.003414764,0.00142562],"domain_scores_gemma":[0.9856914,0.00602897,0.001347145,0.001562273,0.004148036,0.001222224],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008254296,0.00006829446,0.008545067,0.0003382517,0.00002501381,0.0006104133,0.09925746,0.0003667976,0.0008259017,0.8127543,0.009444452,0.06768153],"study_design_scores_gemma":[0.00002996194,0.0001387566,0.01538706,0.001329508,0.0000386837,0.0004413417,0.1367935,0.0007959852,0.00137938,0.1389731,0.7045912,0.0001014889],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2157651,0.01418264,0.01239206,0.137771,0.001157182,0.0001574387,0.0001249215,0.0001337357,0.6183159],"genre_scores_gemma":[0.9396633,0.002241063,0.002207421,0.005007511,0.0001269158,0.00005807083,0.00003193551,0.00005196365,0.05061185],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1352221,"threshold_uncertainty_score":0.26887,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4316089633","doi":"10.7202/1094130ar","title":"Storyteller, Stenographer, and Self‑Published Superstar","year":2022,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Genius; FAUST; Literature; Theme (computing); Art history; Philosophy; Art; Computer science","authors":[{"name":"Malin Nauwerck","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02234556275221468,"gpt":0.1935526143445762,"spread":0.1712070515923615,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003603805,0.0005689806,0.0003522226,0.002149352,0.009499136,0.01637985,0.001192224,0.00212604,0.01224802],"category_scores_gemma":[0.01253842,0.0002976799,0.000181923,0.001517497,0.02802987,0.008588035,0.006255504,0.003101933,0.003600777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004698907,"about_ca_system_score_gemma":0.00505643,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006925698,"about_ca_topic_score_gemma":0.01388124,"domain_scores_codex":[0.9946602,0.002701578,0.0002162376,0.0006814731,0.00145219,0.0002883502],"domain_scores_gemma":[0.9931844,0.00367151,0.0006978726,0.001058086,0.0007325569,0.0006557304],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002849339,0.00001384587,0.0006042055,0.00008324064,0.000004622974,0.0003343005,0.1575001,0.00006894267,0.0001987132,0.8003939,0.02438809,0.01638149],"study_design_scores_gemma":[0.000009109566,0.00001614813,0.0004482315,0.0002925585,0.000006781467,0.000483715,0.05243669,0.0001208335,0.0004247538,0.05087227,0.8948692,0.00001957755],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04890714,0.007290517,0.009402478,0.02419159,0.00199652,0.00005385056,0.0001728289,0.0002963881,0.9076887],"genre_scores_gemma":[0.7268879,0.003155356,0.00467231,0.002246279,0.0005234536,0.00007442887,0.0001654593,0.0005637531,0.261711],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01637985,"threshold_uncertainty_score":0.04097366,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2060471431","doi":"10.7202/1007576ar","title":"Les ambivalences d’une entreprise de presse gaie : le périodique Gai Pied, de l’engagement au consumérisme","year":2012,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy; Art","authors":[{"name":"Luc Pinhas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03286662116466963,"gpt":0.2385787001353455,"spread":0.2057120789706758,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003568128,0.0005100595,0.0004591449,0.002057416,0.009420578,0.01806809,0.001211298,0.007015751,0.006078233],"category_scores_gemma":[0.008351102,0.00040914,0.0004579253,0.002271012,0.02111994,0.006201095,0.002712032,0.0074138,0.0008514873],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01384863,"about_ca_system_score_gemma":0.009759454,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04110337,"about_ca_topic_score_gemma":0.07139298,"domain_scores_codex":[0.9944524,0.002345433,0.0001234033,0.0008241701,0.001391251,0.0008633193],"domain_scores_gemma":[0.9924287,0.005204546,0.0005352643,0.0003316229,0.0009445975,0.0005553702],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001359758,0.00002959914,0.001689507,0.0004161939,0.00003027651,0.0009660919,0.08566152,0.0001924148,0.0007802481,0.7746258,0.1081479,0.0273245],"study_design_scores_gemma":[0.00001851376,0.00003734384,0.004853954,0.0004385577,0.000017653,0.0002630076,0.02563792,0.0001274649,0.0004131306,0.02649808,0.9416558,0.00003841251],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08310209,0.07594783,0.003538408,0.3996027,0.02020906,0.00007895198,0.0001460033,0.0001345375,0.4172406],"genre_scores_gemma":[0.7831008,0.01803643,0.001149395,0.0382825,0.008818449,0.00009585291,0.00005029339,0.0001835074,0.1502828],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04110337,"threshold_uncertainty_score":0.1004793,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2619574493","doi":"10.7202/1039698ar","title":"La plume et l’aile. L’épopée aéronautique française, entre presse et édition (1908-1945)","year":2017,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Mélodie Simard-Houde","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01990202853677499,"gpt":0.2403220958874743,"spread":0.2204200673506993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001427569,0.000611114,0.0002645585,0.002308325,0.005163433,0.009271241,0.0004833828,0.001530743,0.02458511],"category_scores_gemma":[0.003282418,0.0002415896,0.0002481972,0.003314933,0.006045201,0.004693507,0.001484979,0.002071042,0.004043103],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008392405,"about_ca_system_score_gemma":0.009515244,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1360873,"about_ca_topic_score_gemma":0.1758992,"domain_scores_codex":[0.9981738,0.0004319825,0.00007631252,0.0002814817,0.000811383,0.0002249704],"domain_scores_gemma":[0.9982654,0.0005710658,0.0001794033,0.0001313835,0.0006945404,0.0001582293],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001414159,0.00003983934,0.003616219,0.000742185,0.00002342367,0.0006400576,0.06284929,0.0002325332,0.003236205,0.4820686,0.2308477,0.2155626],"study_design_scores_gemma":[0.000001850093,0.000005984431,0.001122828,0.00009998987,0.000001685631,0.00004991778,0.001438003,0.000009721864,0.0001138909,0.001115531,0.9960358,0.000004941595],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03700029,0.1798881,0.003447334,0.06553382,0.01099681,0.00007117698,0.001384457,0.0003012514,0.7013768],"genre_scores_gemma":[0.2851804,0.04757819,0.002135456,0.006335655,0.002956337,0.00008774528,0.000674618,0.0004093307,0.6546422],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1360873,"threshold_uncertainty_score":0.2705905,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2078139889","doi":"10.7202/044213ar","title":"Les prix littéraires pour la jeunesse, entre médiation et médiatisation","year":2010,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Diverse Academia and Research Topics","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science; Philosophy","authors":[{"name":"Corinne Abensour","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0284538763293869,"gpt":0.3299737295449008,"spread":0.3015198532155139,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003770289,0.0006332159,0.000489933,0.002020505,0.00944061,0.01182781,0.001047017,0.00288387,0.01542472],"category_scores_gemma":[0.008500868,0.0003718208,0.0004840502,0.00167492,0.01663605,0.007195858,0.005243874,0.004920115,0.002265653],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004563823,"about_ca_system_score_gemma":0.007515264,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005890558,"about_ca_topic_score_gemma":0.009492467,"domain_scores_codex":[0.9951962,0.002817528,0.0001503075,0.0004562059,0.0008974386,0.0004823603],"domain_scores_gemma":[0.9930819,0.004120735,0.0007656776,0.0005665139,0.0008045374,0.000660693],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006241523,0.00009254614,0.004906055,0.0005391031,0.00003309346,0.0008232233,0.1260955,0.0001790683,0.00118021,0.7557216,0.01338361,0.09698353],"study_design_scores_gemma":[0.0000168666,0.0001369879,0.01034076,0.002193519,0.00004318096,0.001596977,0.102439,0.0002549515,0.001503605,0.1712762,0.7101335,0.00006440839],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1306829,0.1326894,0.01562436,0.07328063,0.003435313,0.0001074975,0.0001188949,0.000137539,0.6439235],"genre_scores_gemma":[0.8087739,0.04596796,0.004554951,0.005106771,0.001453535,0.0001397274,0.00009201292,0.0001505408,0.1337606],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01542472,"threshold_uncertainty_score":0.05160087,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2808713162","doi":"10.7202/1046984ar","title":"Writing about Writers","year":2018,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Discourse Analysis in Language Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Reputation; Academic writing; Section (typography); Field (mathematics); Professional writing; Creative writing; Sociology; Literature; Social science; Computer science; Pedagogy; Art","authors":[{"name":"Stevie Marsden","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02114947818231513,"gpt":0.2583946835195199,"spread":0.2372452053372048,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004677281,0.0005658005,0.0004521852,0.002564171,0.006550445,0.01115943,0.0007388646,0.001448636,0.01809542],"category_scores_gemma":[0.02643743,0.0002233391,0.0003596965,0.002142723,0.008322887,0.007912844,0.004449981,0.002610071,0.003904367],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002163473,"about_ca_system_score_gemma":0.002792132,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006556113,"about_ca_topic_score_gemma":0.001075195,"domain_scores_codex":[0.988303,0.007217368,0.0005362111,0.0009098271,0.002582936,0.0004507118],"domain_scores_gemma":[0.9735044,0.01898139,0.002534384,0.001544297,0.002409204,0.001026195],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009988796,0.00005537812,0.003529463,0.001919893,0.00003337631,0.0008914242,0.3673335,0.0001161586,0.001681994,0.334683,0.06136755,0.2282883],"study_design_scores_gemma":[0.000007417314,0.00003992378,0.001946541,0.001135322,0.00001333982,0.001171069,0.07864154,0.00006205906,0.0007938788,0.02287,0.8932979,0.00002102078],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1069315,0.05270735,0.01388955,0.04674604,0.009007498,0.0001464667,0.000436876,0.0005107906,0.7696239],"genre_scores_gemma":[0.821213,0.0245431,0.007940892,0.007830099,0.005083667,0.0001201563,0.000374608,0.0004574032,0.132437],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01809542,"threshold_uncertainty_score":0.06053513,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2964581235","doi":"10.7202/1060966ar","title":"Les discours de l’éditeur","year":2019,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Queen's University; Université de Sherbrooke","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Anthony Glinoer","is_ca":true},{"name":"Julien Lefort-Favreau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02265720814445729,"gpt":0.2612184915410941,"spread":0.2385612833966368,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005967806,0.001206706,0.001112581,0.002384895,0.005605915,0.01004671,0.001160667,0.00616427,0.03625831],"category_scores_gemma":[0.04064566,0.0005534638,0.0007885573,0.00111482,0.003017149,0.004175391,0.003532803,0.009380964,0.01779496],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003184395,"about_ca_system_score_gemma":0.003999731,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007597255,"about_ca_topic_score_gemma":0.008166883,"domain_scores_codex":[0.9905392,0.003089984,0.0007468568,0.001088178,0.003816614,0.000719132],"domain_scores_gemma":[0.9692608,0.013517,0.001950956,0.001830282,0.0109001,0.002540927],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001392323,0.00004236296,0.0005107083,0.000386535,0.00003390291,0.0006857037,0.002447778,0.0001558798,0.001101493,0.02057071,0.9441777,0.02974802],"study_design_scores_gemma":[0.000007912381,0.00001318333,0.0004394929,0.00008966085,0.000004306541,0.0001826045,0.000294183,0.00005521638,0.0002279544,0.0005164861,0.9981572,0.00001180118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"empirical","genre_scores_codex":[0.01039852,0.03989761,0.003129596,0.3188655,0.5108781,0.00007389741,0.0006434665,0.001163428,0.1149498],"genre_scores_gemma":[0.09446334,0.01196782,0.001873517,0.05103939,0.2209372,0.000256718,0.000428004,0.00147167,0.6175623],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03625831,"threshold_uncertainty_score":0.1212961,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384161215","doi":"10.7202/1100565ar","title":"How the Marketing and Selling of Books by Authors of Colour Produces Racial Inequalities in Publishing","year":2023,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Arts and Humanities Research Council","keywords":"Publishing; Inequality; Promotion (chess); Product (mathematics); Order (exchange); Sociology; Diversity (politics); Politics; Racism; Distribution (mathematics); Ethnic group; Advertising; Public relations; Political science; Marketing; Media studies; Gender studies; Economics; Business; Law; Anthropology","authors":[{"name":"Anamik Saha","is_ca":false},{"name":"Sandra van Lente","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03661448487830416,"gpt":0.2220197105637947,"spread":0.1854052256854906,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.007953085,0.0001956111,0.0003722126,0.00300276,0.007473005,0.01701679,0.0008145223,0.00115028,0.003879977],"category_scores_gemma":[0.0417192,0.000298163,0.0002404747,0.003332949,0.01198509,0.007820349,0.004762655,0.001867171,0.0004746104],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003995514,"about_ca_system_score_gemma":0.002127182,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006649857,"about_ca_topic_score_gemma":0.01381438,"domain_scores_codex":[0.9899002,0.006339367,0.0004055865,0.0007276161,0.001718716,0.0009085284],"domain_scores_gemma":[0.9329334,0.05068409,0.01003836,0.001706118,0.002789073,0.001849023],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008074022,0.00005125221,0.06157284,0.0001064691,0.00002127048,0.0008146212,0.9112383,0.00004593613,0.0006502674,0.0105962,0.0005163007,0.01430581],"study_design_scores_gemma":[0.00001222893,0.00008131107,0.1084622,0.0002112656,0.00003431958,0.0008405232,0.8650865,0.0001651253,0.0009535632,0.005410156,0.01869975,0.00004297675],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9796574,0.0005973628,0.0002966442,0.001411682,0.00002529194,0.00000940787,0.00001425482,0.000003763495,0.01798415],"genre_scores_gemma":[0.99822,0.0002511574,0.0000989818,0.0001530639,0.00002162593,0.000004850053,0.000005771385,0.000006906147,0.001237626],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9829832,"threshold_uncertainty_score":0.04206049,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1969100952","doi":"10.7202/045320ar","title":"Les débuts de l’édition de poche en France : entre l’industrie et le social (1953 – 1970)","year":2011,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"B. Légendre","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03301422291563319,"gpt":0.2256979074383722,"spread":0.192683684522739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001235445,0.0006590409,0.0002493609,0.002595721,0.005090696,0.00486884,0.0004493911,0.001411661,0.01347334],"category_scores_gemma":[0.002360673,0.0003946097,0.0003307671,0.002779239,0.005218566,0.00252373,0.001917909,0.001721763,0.001294062],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02131059,"about_ca_system_score_gemma":0.008729129,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1795893,"about_ca_topic_score_gemma":0.2323609,"domain_scores_codex":[0.9987619,0.000229588,0.00004754932,0.0001823887,0.0004773071,0.0003012645],"domain_scores_gemma":[0.9992334,0.0003192923,0.0001035873,0.00006035766,0.0001720201,0.0001113161],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002897976,0.00007093843,0.005692354,0.0005594859,0.00002256672,0.0009272033,0.1169401,0.0007220567,0.003110392,0.5699787,0.1203863,0.1813002],"study_design_scores_gemma":[0.000005031274,0.00002135739,0.01344617,0.0001550718,0.000002239793,0.00006251776,0.002441296,0.00004202847,0.0004312129,0.001435315,0.9819417,0.00001604505],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2037785,0.05627856,0.001313848,0.01854183,0.002599415,0.0000784454,0.00110169,0.000136655,0.716171],"genre_scores_gemma":[0.5254504,0.01288625,0.0008350268,0.001591945,0.0007754104,0.00008111229,0.0002548553,0.000145039,0.4579799],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1795893,"threshold_uncertainty_score":0.357088,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2035669353","doi":"10.7202/038638ar","title":"Revues.org : l’invention de l’édition électronique scientifique, entre libre accès et modèle économique pérenne","year":2009,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Delphine Cavallo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1421681556434296,"gpt":0.2820238435867862,"spread":0.1398556879433567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication","open_science"],"consensus_categories":[],"category_scores_codex":[0.007599879,0.00103065,0.0007741916,0.009909159,0.003595544,0.01829848,0.001983496,0.005551667,0.0487152],"category_scores_gemma":[0.02074617,0.001005527,0.001251543,0.0107942,0.009625181,0.02856518,0.007086151,0.004763971,0.01207095],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007309446,"about_ca_system_score_gemma":0.008425146,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01179332,"about_ca_topic_score_gemma":0.01062779,"domain_scores_codex":[0.9915223,0.003751817,0.0005973485,0.0009321714,0.00278414,0.0004121728],"domain_scores_gemma":[0.9859138,0.007439849,0.0009967854,0.002790522,0.002235271,0.0006237301],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001807643,0.00001601254,0.0004363178,0.0002132909,0.00001008148,0.00008339148,0.001629615,0.0002082465,0.000127169,0.9249799,0.03349159,0.03878635],"study_design_scores_gemma":[0.000009764271,0.00001328592,0.0004535599,0.0003769576,0.00001023474,0.0002058096,0.0006372852,0.000417069,0.0003133319,0.1073212,0.8902168,0.00002476719],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007322925,0.02810647,0.0891384,0.05910117,0.004162452,0.0002655477,0.002004011,0.001931333,0.8079677],"genre_scores_gemma":[0.2334437,0.04598614,0.07825823,0.01287302,0.004759582,0.001017826,0.002229629,0.002520969,0.6189108],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9980165,"threshold_uncertainty_score":0.1629686,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2966860809","doi":"10.7202/1060970ar","title":"L’éditeur de littérature consacrée face au chercheur en sciences sociales","year":2019,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Lilas Bass","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1655910197485946,"gpt":0.3244028316481191,"spread":0.1588118118995245,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0233757,0.0008783039,0.0008653731,0.00455694,0.01327249,0.0150038,0.001439578,0.00400872,0.01706668],"category_scores_gemma":[0.09550466,0.0004800606,0.0006878099,0.003062294,0.006787569,0.00748067,0.00700508,0.004928587,0.005209264],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005655729,"about_ca_system_score_gemma":0.01519517,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01118547,"about_ca_topic_score_gemma":0.02652391,"domain_scores_codex":[0.9684267,0.01050737,0.00173703,0.002461302,0.01497451,0.001893065],"domain_scores_gemma":[0.8595988,0.05826776,0.01015547,0.01029908,0.04756096,0.01411801],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002693708,0.0001558938,0.01280526,0.002236454,0.0001487188,0.00496227,0.16751,0.0005258236,0.01331703,0.1004664,0.4393246,0.2582782],"study_design_scores_gemma":[0.000004836636,0.00003958787,0.003684157,0.0003157866,0.00001582931,0.0006678893,0.009322788,0.00008872664,0.0007665997,0.00239863,0.9826636,0.00003152869],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2194512,0.04622387,0.0206951,0.3010624,0.1362678,0.0004175727,0.0006097565,0.001651934,0.2736204],"genre_scores_gemma":[0.5372617,0.01531006,0.009487107,0.03326075,0.03865158,0.0003693922,0.0003616283,0.001782485,0.3635152],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0233757,"threshold_uncertainty_score":0.123624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2023991945","doi":"10.7202/1009350ar","title":"Une esthétique renouvelée de la « scène de lecture » : l’iconographie publicitaire de la lecture sur les tablettes numériques","year":2012,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Julia Bonaccorsi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04311790877837658,"gpt":0.2661550230305293,"spread":0.2230371142521527,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001097955,0.0005608441,0.0002635497,0.0007933321,0.003055223,0.008886844,0.0006217996,0.001096916,0.01710399],"category_scores_gemma":[0.003598957,0.0002239884,0.0003289742,0.0008181701,0.007213099,0.005718151,0.003270899,0.003361834,0.002181393],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002431981,"about_ca_system_score_gemma":0.00147371,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005070009,"about_ca_topic_score_gemma":0.007170728,"domain_scores_codex":[0.9987376,0.0006622852,0.00002712509,0.0001708605,0.0002726708,0.0001294482],"domain_scores_gemma":[0.9982921,0.001070077,0.000105805,0.0001959092,0.0002056258,0.0001304205],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001745096,0.00003598421,0.001123791,0.0005036138,0.000010021,0.0007645294,0.273007,0.0004350358,0.009851661,0.624846,0.01433336,0.07491455],"study_design_scores_gemma":[0.00002297134,0.0001069765,0.004422117,0.0005192233,0.00002113605,0.001071319,0.0935109,0.001091973,0.004803426,0.02267029,0.8716981,0.00006159673],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1431803,0.003354736,0.06355511,0.01176027,0.001465242,0.0001467938,0.0002626464,0.0005881239,0.7756869],"genre_scores_gemma":[0.8652208,0.001622412,0.01205304,0.001207994,0.0004288384,0.0001362216,0.0001446241,0.0004425025,0.1187435],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01710399,"threshold_uncertainty_score":0.05721855,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3006669896","doi":"10.7202/1066945ar","title":"#loveyourshelfie","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Romance; Treasure; Entertainment; Cognitive reframing; Literature; History; Sociology; Art; Psychology; Visual arts; Social psychology","authors":[{"name":"Lisa Fletcher","is_ca":false},{"name":"Jodi McAlister","is_ca":false},{"name":"Kurt Temple","is_ca":false},{"name":"Kathleen Williams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0393050552500635,"gpt":0.2792839089103046,"spread":0.2399788536602411,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003378153,0.0002783808,0.0002677377,0.0006215868,0.003486766,0.002615337,0.0004347136,0.000878717,0.5430751],"category_scores_gemma":[0.001693397,0.0001764839,0.0001998354,0.0006861757,0.0007165532,0.002874347,0.002285136,0.0009835557,0.2086671],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008394515,"about_ca_system_score_gemma":0.0004578585,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006635509,"about_ca_topic_score_gemma":0.02467636,"domain_scores_codex":[0.9997049,0.00006151306,0.000007945838,0.00004369811,0.0001101085,0.00007177183],"domain_scores_gemma":[0.9992825,0.0001231407,0.00004963687,0.00008537612,0.0002000614,0.000259246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005356923,0.00003122735,0.002226302,0.0001841102,0.00000447072,0.0004862994,0.009100526,0.000017566,0.0006431996,0.01138306,0.8576879,0.1181818],"study_design_scores_gemma":[9.999648e-7,0.000006413512,0.0009983026,0.00002314167,6.977019e-7,0.0001438891,0.001225759,0.000008051914,0.00007402214,0.0002029825,0.9973126,0.000003100449],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01300246,0.001137883,0.0005804267,0.006123469,0.001288785,0.00004776457,0.001228715,0.0006531342,0.9759374],"genre_scores_gemma":[0.01813475,0.0003505455,0.0002744887,0.0009954344,0.0001156851,0.00001740981,0.0002862966,0.0002098672,0.9796154],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5430751,"threshold_uncertainty_score":0.6517479,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044689918","doi":"10.7202/045315ar","title":"‘Smiley, you’re on candid camera’: Emoticons & Pre-Digital Networks","year":2011,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Digital Communication and Language","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Smiley; Punctuation; Materiality (auditing); Literature; Art; Linguistics; History; Aesthetics; Philosophy","authors":[{"name":"Sydney Shep","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02589715033417833,"gpt":0.2346706897478983,"spread":0.20877353941372,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001293707,0.0004042458,0.0001276177,0.00116449,0.00326242,0.00512696,0.000381104,0.001119802,0.008743107],"category_scores_gemma":[0.005752458,0.00014967,0.0001397161,0.001118607,0.005323684,0.005416412,0.001874828,0.001295803,0.002271243],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007928288,"about_ca_system_score_gemma":0.0003121596,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001056349,"about_ca_topic_score_gemma":0.00218676,"domain_scores_codex":[0.9987566,0.0008368524,0.00003822406,0.00009002753,0.0002024534,0.00007589165],"domain_scores_gemma":[0.9978777,0.001236177,0.0002398354,0.0001974795,0.0002720125,0.0001768014],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002419405,0.0000530267,0.007275086,0.0005308891,0.00002317831,0.002590202,0.5189635,0.0001476793,0.008544702,0.1330664,0.1248135,0.2037499],"study_design_scores_gemma":[0.000007763135,0.00004385053,0.008221257,0.0003113933,0.00001051568,0.002830474,0.1311527,0.0003254385,0.002117998,0.009647761,0.8452815,0.00004941592],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.242866,0.009464591,0.02254614,0.02976801,0.004862494,0.00006269394,0.0002803869,0.0006213571,0.6895283],"genre_scores_gemma":[0.9135274,0.002911472,0.004178456,0.00399931,0.001100803,0.00005248157,0.0001089292,0.0003543143,0.07376676],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008743107,"threshold_uncertainty_score":0.0292486,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2020228802","doi":"10.7202/1001765ar","title":"Le livre et la scène de lecture dans le roman français contemporain pour la jeunesse","year":2011,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Gilles Béhotéguy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06731524121128166,"gpt":0.2584571176015151,"spread":0.1911418763902335,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001492517,0.0005497487,0.0002683498,0.0009760043,0.01286126,0.005565257,0.0005851232,0.00162832,0.01666637],"category_scores_gemma":[0.00216953,0.0002212849,0.0002873851,0.0009582694,0.00749022,0.002030453,0.002201648,0.003568142,0.002291318],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01243326,"about_ca_system_score_gemma":0.005519988,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1125654,"about_ca_topic_score_gemma":0.2506571,"domain_scores_codex":[0.998426,0.0006721094,0.00003042774,0.0001667106,0.0002830242,0.0004217314],"domain_scores_gemma":[0.9990069,0.0003043176,0.0001009589,0.00006073954,0.0002015745,0.0003253857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002285689,0.00008480777,0.003914762,0.0002945203,0.00001380502,0.002420727,0.5464507,0.0003424657,0.00237126,0.3294967,0.0522746,0.06210717],"study_design_scores_gemma":[0.00001322767,0.00007368423,0.007886314,0.0002258286,0.000006560312,0.0005275317,0.07266047,0.0001129393,0.0005399187,0.001463771,0.9164593,0.00003049454],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3514636,0.01296437,0.002119032,0.02255299,0.002388191,0.00004366901,0.0001858156,0.0001641055,0.6081182],"genre_scores_gemma":[0.7818707,0.001984487,0.0003630286,0.0008999048,0.0002975765,0.00001872289,0.00006633619,0.00009379226,0.2144054],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1125654,"threshold_uncertainty_score":0.2238205,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2149967481","doi":"10.7202/1032713ar","title":"Textual Erasures of Religion: The Power of Books to Redefine Yoga and Mindfulness Meditation as Secular Wellness Practices in North American Public Schools","year":2015,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Meditation; Mindfulness; Buddhism; Curriculum; Sociology; Power (physics); Christianity; Hinduism; History of religions; Religious studies; Social science; Psychology; Pedagogy; Philosophy; Psychotherapist; Theology","authors":[{"name":"Candy Gunther Brown","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03621790012800957,"gpt":0.2710618387830733,"spread":0.2348439386550637,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003327285,0.0002576296,0.000221661,0.003325954,0.01055258,0.009071324,0.00090852,0.001398685,0.003796908],"category_scores_gemma":[0.009486564,0.0002911518,0.0001174725,0.003370599,0.03126129,0.007467514,0.003529925,0.003839782,0.0002764219],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01249797,"about_ca_system_score_gemma":0.007855822,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1114821,"about_ca_topic_score_gemma":0.2495377,"domain_scores_codex":[0.9977769,0.001263183,0.00006948659,0.0001563742,0.0005301561,0.0002039551],"domain_scores_gemma":[0.9837558,0.01227649,0.001293598,0.0006237345,0.001457553,0.0005926975],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002402475,0.000032362,0.001678974,0.0001726504,0.000003656414,0.0001870273,0.7712912,0.00005378813,0.0003497154,0.1892223,0.009769481,0.0272148],"study_design_scores_gemma":[0.00001222512,0.00003831648,0.008893947,0.0009418773,0.00001937392,0.0001774807,0.5148029,0.0001996692,0.0007776538,0.01841772,0.4556894,0.00002948602],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3657203,0.02484824,0.003116767,0.0890049,0.001787792,0.0000662716,0.0001739187,0.0001212173,0.5151606],"genre_scores_gemma":[0.9593393,0.00688457,0.001001573,0.00375736,0.0005995006,0.00003644791,0.00005047375,0.00009253957,0.02823814],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1114821,"threshold_uncertainty_score":0.2216664,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384161216","doi":"10.7202/1100559ar","title":"Exploring Transnational Dimensions of Activism in Contemporary Book Culture","year":2023,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Sociology; Anthropology; Art","authors":[{"name":"Rachel Noorda","is_ca":false},{"name":"Corinna Norrick-Rühl","is_ca":false},{"name":"Elizabeth le Roux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1126489716863458,"gpt":0.2515412183137902,"spread":0.1388922466274444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001961867,0.000230483,0.0002514384,0.001583973,0.002529739,0.007976354,0.000506556,0.0006516498,0.003727337],"category_scores_gemma":[0.003887795,0.0002565068,0.0002620869,0.003260031,0.007604545,0.007906136,0.004569904,0.002231203,0.0001790022],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003589156,"about_ca_system_score_gemma":0.001577505,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007348519,"about_ca_topic_score_gemma":0.02069062,"domain_scores_codex":[0.9984273,0.0009404905,0.00005967865,0.0001656797,0.000191656,0.0002153883],"domain_scores_gemma":[0.9971123,0.002016764,0.0003281622,0.0001417903,0.0002419843,0.0001589401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003816738,0.00005647102,0.01255038,0.0002368081,0.00002001158,0.0002317868,0.7957134,0.0001215715,0.0008889895,0.1479394,0.001092755,0.04111023],"study_design_scores_gemma":[0.000006726508,0.00003280179,0.04507691,0.0005363306,0.00001712523,0.0001956915,0.8967277,0.0002472773,0.0005457188,0.02298968,0.03360708,0.0000170032],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7125116,0.01153796,0.005886334,0.004803578,0.0001159502,0.0000457067,0.0001006077,0.00001595881,0.2649823],"genre_scores_gemma":[0.9902226,0.002917072,0.001085653,0.0002161607,0.00003153618,0.00009284526,0.00005476721,0.00002288081,0.005356554],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007976354,"threshold_uncertainty_score":0.02604127,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2338358545","doi":"10.7202/1035760ar","title":"Le directeur de collection comme « auteur ». Jean-Jules Jusserand et « Les Grands Écrivains Français » (1887-1913)","year":2015,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McGill-Queen's University Press","funders":"","keywords":"Humanities; Art","authors":[{"name":"Dragoș Jipa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03922473367701323,"gpt":0.2364330964916581,"spread":0.1972083628146449,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00166903,0.0005172981,0.0001379719,0.001499036,0.009682293,0.003986517,0.0004081943,0.001050716,0.008947692],"category_scores_gemma":[0.002909374,0.0002319304,0.0002155329,0.001470539,0.006571253,0.002290531,0.002640561,0.001715674,0.0008422791],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008357493,"about_ca_system_score_gemma":0.01041278,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2331205,"about_ca_topic_score_gemma":0.3954327,"domain_scores_codex":[0.998364,0.0006635874,0.00004809666,0.000226517,0.0003160216,0.0003817558],"domain_scores_gemma":[0.9983095,0.00061413,0.0002085733,0.00009975213,0.0005065121,0.0002615352],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002217491,0.0000533857,0.02027036,0.0003567867,0.00002451482,0.001741218,0.3715052,0.0001856361,0.001711022,0.3874922,0.06814931,0.1482887],"study_design_scores_gemma":[0.000005909044,0.00002365828,0.01341147,0.000245166,0.000005540483,0.0003344659,0.02855722,0.00002249554,0.0005161154,0.002116683,0.9547409,0.00002031884],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2770914,0.03843212,0.003496963,0.03447971,0.004068504,0.0001330223,0.0006004713,0.00007256842,0.6416253],"genre_scores_gemma":[0.6972677,0.006398707,0.001240908,0.002141691,0.0004520863,0.00007355509,0.0001366946,0.00009315863,0.2921954],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2331205,"threshold_uncertainty_score":0.4635273,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2913336567","doi":"10.7202/1055410ar","title":"Mainmise, 1970","year":2019,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Icon; Representation (politics); Nationalism; Ethnic group; Identity (music); Media studies; Atmosphere (unit); Transposition (logic); History; Sociology; Art; Art history; Visual arts; Aesthetics; Linguistics; Anthropology; Political science; Computer science; Law; Geography; Philosophy; Politics","authors":[{"name":"Felicity Tayler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01460409620546838,"gpt":0.1953371060418795,"spread":0.1807330098364111,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002710737,0.0003452501,0.0001345412,0.0007968237,0.006635283,0.003249472,0.0004004732,0.0006993628,0.03664944],"category_scores_gemma":[0.001085537,0.0001354539,0.0001241515,0.0009923379,0.002641566,0.001179529,0.0009150456,0.001333639,0.002433583],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02456737,"about_ca_system_score_gemma":0.01289936,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.8582743,"about_ca_topic_score_gemma":0.9456099,"domain_scores_codex":[0.9996787,0.0000353602,0.000006165561,0.00005626459,0.000101154,0.0001222353],"domain_scores_gemma":[0.9996586,0.0000554912,0.00002630778,0.0000169246,0.0001740785,0.00006856394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002989915,0.00007191598,0.01405266,0.0004179295,0.00003022746,0.002782185,0.1107587,0.000243464,0.003860595,0.3934322,0.2635155,0.2105357],"study_design_scores_gemma":[0.000002586305,0.000009333773,0.006361697,0.00006905583,0.000002009987,0.0001238981,0.004890118,0.00002207233,0.0002756765,0.0006035632,0.9876335,0.00000640725],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1257924,0.01897352,0.0009252774,0.01390923,0.001195036,0.00007500256,0.001786509,0.0001547559,0.8371882],"genre_scores_gemma":[0.3031443,0.003318631,0.0004063307,0.001637694,0.00008143096,0.00003756336,0.0003427237,0.00006472848,0.6909665],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8582743,"threshold_uncertainty_score":0.2851206,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047375439","doi":"10.7202/1070267ar","title":"Jaipur Literature Festival, the Gendered Literary Field, and the MeToo Movement in India","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Representation (politics); Narrative; Scholarship; Power (physics); Character (mathematics); History; Field (mathematics); Movement (music); Literature; Sociology; Gender studies; Aesthetics; Art; Political science; Law","authors":[{"name":"Arpita Das","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01496000988083285,"gpt":0.1992696486890323,"spread":0.1843096388081994,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001931066,0.0005133132,0.0004049462,0.002098684,0.02200552,0.01179719,0.001243022,0.001304207,0.003657239],"category_scores_gemma":[0.003326792,0.0003511498,0.0003013257,0.002618565,0.01572134,0.002549849,0.009736605,0.003825479,0.0004074045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00513928,"about_ca_system_score_gemma":0.003696639,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01578625,"about_ca_topic_score_gemma":0.04294404,"domain_scores_codex":[0.9981591,0.0009291809,0.0000383627,0.0001280602,0.0001959031,0.0005494468],"domain_scores_gemma":[0.9976016,0.001149719,0.0002506674,0.0001740682,0.0001259687,0.0006979863],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007705276,0.00005019028,0.003617562,0.0001341651,0.000008586619,0.001912371,0.9473714,0.0000386551,0.0008619006,0.03363135,0.003665242,0.00863162],"study_design_scores_gemma":[0.000005657387,0.00005672988,0.01475172,0.0001975058,0.000009566577,0.0006921797,0.8896617,0.00003223508,0.0003792464,0.001069765,0.09311922,0.00002449331],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8867184,0.001900067,0.0003634993,0.005152816,0.0005505588,0.00004649912,0.00007799735,0.00004770693,0.1051425],"genre_scores_gemma":[0.9881281,0.0006047812,0.0001196586,0.0004151989,0.0001795696,0.0000421789,0.00003103956,0.00003075163,0.0104488],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02200552,"threshold_uncertainty_score":0.03728825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2619413694","doi":"10.7202/1039702ar","title":"De la « Chronique du lundi » (1891-1900) au Journal de Françoise (1902-1909) : hybridité des formes et des écritures dans l’oeuvre de Françoise","year":2017,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Liliana Quintero Rizzuto","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0178722615527721,"gpt":0.2498348347209514,"spread":0.2319625731681793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002806616,0.0004413757,0.000281493,0.008258844,0.005992261,0.007488572,0.0004316883,0.0009843264,0.007201192],"category_scores_gemma":[0.005719645,0.0002282058,0.0001859137,0.007334011,0.007872263,0.003513202,0.002212186,0.001125793,0.0008541397],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.014065,"about_ca_system_score_gemma":0.01006067,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08170304,"about_ca_topic_score_gemma":0.1567195,"domain_scores_codex":[0.9984384,0.0004795004,0.0001081166,0.0002295507,0.0003454605,0.0003990559],"domain_scores_gemma":[0.9947369,0.002428391,0.001023343,0.0001511966,0.0009490852,0.0007111114],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004675965,0.00006504828,0.0464269,0.001349207,0.00004106446,0.002030581,0.5917205,0.0002188377,0.002686559,0.1958994,0.04279686,0.1162976],"study_design_scores_gemma":[0.00001245651,0.00006498297,0.07649484,0.0009525752,0.00001341195,0.0005087856,0.1010846,0.00003288579,0.000655778,0.002164459,0.8179793,0.00003607515],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6269032,0.07520888,0.0009879284,0.02670401,0.002021933,0.00008429243,0.0019851,0.00006455447,0.2660401],"genre_scores_gemma":[0.9252495,0.01591281,0.0005766673,0.0008906131,0.0007364188,0.00007100414,0.0004120318,0.00005657824,0.05609433],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08170304,"threshold_uncertainty_score":0.162455,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2010179975","doi":"10.7202/1024778ar","title":"Métaphores fonctionnelles du livre en contexte vidéoludique","year":2014,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","authors":[{"name":"Vincent Mauger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05619943002348522,"gpt":0.2603478024101212,"spread":0.204148372386636,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006843862,0.0006397545,0.0001960381,0.001143376,0.002889458,0.00475431,0.0006164405,0.001426571,0.009290054],"category_scores_gemma":[0.002165951,0.0001555768,0.0002534452,0.0008543562,0.00868737,0.005216111,0.001718724,0.001590031,0.0009832742],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002610536,"about_ca_system_score_gemma":0.001333588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00982736,"about_ca_topic_score_gemma":0.009444303,"domain_scores_codex":[0.9989247,0.0006829845,0.00002094986,0.00009835314,0.0001660727,0.0001068772],"domain_scores_gemma":[0.9993072,0.0003764991,0.00006613626,0.00005957082,0.0001197118,0.00007094884],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009732887,0.00001863768,0.001324471,0.0003006237,0.000008092317,0.0008399248,0.1034769,0.0002854136,0.003074723,0.8582875,0.006273881,0.02601263],"study_design_scores_gemma":[0.00003732495,0.00009153046,0.005100205,0.0007021342,0.00002555173,0.002371588,0.1793987,0.002182721,0.002353413,0.1095171,0.6981424,0.00007737774],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2189436,0.007023367,0.07457971,0.01322996,0.001110637,0.0000825196,0.0002651963,0.0003257466,0.6844392],"genre_scores_gemma":[0.9388878,0.001733534,0.01009677,0.0007211128,0.0001442919,0.00006802112,0.0001035712,0.0001454809,0.04809937],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00982736,"threshold_uncertainty_score":0.03107828,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2031312347","doi":"10.7202/1024776ar","title":"Nature de la lecture et matérialité des livres dans les jeux vidéo","year":2014,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Thomas Morisset","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06994426592456278,"gpt":0.2923867128397208,"spread":0.222442446915158,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001353926,0.0003182628,0.000176636,0.001137341,0.003827346,0.007106286,0.0007268154,0.001093019,0.01485936],"category_scores_gemma":[0.004672628,0.000163625,0.0002321647,0.0008204831,0.005794415,0.004134587,0.002516963,0.002007088,0.001256183],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003089009,"about_ca_system_score_gemma":0.001686328,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006392474,"about_ca_topic_score_gemma":0.009749809,"domain_scores_codex":[0.9986646,0.0005989136,0.00002726814,0.000166978,0.0003640901,0.0001781908],"domain_scores_gemma":[0.9978335,0.001145788,0.0002053738,0.0001652795,0.000347968,0.0003019706],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001869843,0.00008961283,0.005937722,0.0006148086,0.00001842043,0.001524148,0.2894752,0.0004508666,0.009407637,0.562003,0.009385018,0.1209066],"study_design_scores_gemma":[0.0000344241,0.0002879446,0.0216965,0.001174291,0.00004756591,0.001903094,0.2322048,0.0009924936,0.00630654,0.03900934,0.6962468,0.00009611814],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3813366,0.006220452,0.01636452,0.01064003,0.001123924,0.00006711415,0.0001222055,0.0001561928,0.5839689],"genre_scores_gemma":[0.8890851,0.001909822,0.002789231,0.0006076743,0.0002828706,0.00004154625,0.00006080357,0.00009144286,0.1051314],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01485936,"threshold_uncertainty_score":0.0497095,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}