{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"5e451756ed82","filters":{"venue":"Música Hodie"}},"results":[{"id":"W4391982021","doi":"10.5216/mh.v23.77167","title":"Inteligencia artificial Vs creatividad musical, ¿sustituto o complemento?","year":2023,"lang":"es","type":"article","venue":"Música Hodie","topic":"Music Therapy and Health","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"WSP (Canada)","funders":"","keywords":"Humanities; Art; Philosophy; Persona","authors":[{"name":"Paloma Bravo-Fuentes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1397219338062964,"gpt":0.4294012128676406,"spread":0.2896792790613442,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003077003,0.0008215538,0.0006344664,0.002292649,0.001482892,0.01431307,0.001456349,0.002101637,0.01021789],"category_scores_gemma":[0.007005398,0.0003341113,0.0006475892,0.001584957,0.01617788,0.008532443,0.003884233,0.002826012,0.001548019],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002855926,"about_ca_system_score_gemma":0.001973915,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004209831,"about_ca_topic_score_gemma":0.00292899,"domain_scores_codex":[0.9973223,0.001082791,0.0001160495,0.0004946441,0.0007239219,0.0002604134],"domain_scores_gemma":[0.9961472,0.002053869,0.000421579,0.0004982921,0.0005512908,0.0003279336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001050548,0.00004218144,0.002715494,0.0006251144,0.00004706119,0.0002498923,0.01957512,0.0006213449,0.00188935,0.8706199,0.003637315,0.09987223],"study_design_scores_gemma":[0.00003847442,0.0001907808,0.01336398,0.001948521,0.0001090663,0.001177787,0.02565465,0.004098639,0.00223838,0.5985664,0.352488,0.0001252889],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08238059,0.03953157,0.07568354,0.02487442,0.001950395,0.00008921164,0.0001614664,0.0004358514,0.7748929],"genre_scores_gemma":[0.9294051,0.01218402,0.01518329,0.002572091,0.0008345876,0.0001051067,0.0001153568,0.0001710996,0.03942937],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01431307,"threshold_uncertainty_score":0.03418231,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3192058579","doi":"10.5216/mh.v21.66061","title":"Participação Política na Arte Musical","year":2021,"lang":"pt","type":"article","venue":"Música Hodie","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre de Santé et de Services Sociaux Cavendish","funders":"","keywords":"Musical; Humanities; Philosophy; Art; Literature","authors":[{"name":"Alessandra Maria Martins Gaidargi","is_ca":false},{"name":"Paolo Nosella","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09581192405777618,"gpt":0.3561592562305251,"spread":0.2603473321727489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033192,0.0003640536,0.0002535235,0.00167959,0.008917256,0.007937757,0.0005710957,0.001087746,0.01232033],"category_scores_gemma":[0.004046644,0.000209134,0.000245325,0.002002676,0.01037816,0.002240346,0.00359619,0.001388484,0.001078564],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007915884,"about_ca_system_score_gemma":0.00658824,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02243118,"about_ca_topic_score_gemma":0.04677818,"domain_scores_codex":[0.9965296,0.001604501,0.00008871384,0.0003595869,0.0007708971,0.0006466631],"domain_scores_gemma":[0.9982975,0.0005254538,0.0001936293,0.0002501082,0.0003287005,0.0004046175],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004697224,0.00003132671,0.004232368,0.00008780039,0.000008471334,0.0003196382,0.05063253,0.0002420869,0.001608264,0.8927054,0.006291796,0.04379335],"study_design_scores_gemma":[0.00002043761,0.00007458265,0.01497475,0.0002982224,0.00002199614,0.0002834119,0.0524261,0.0006701801,0.0009636711,0.05906355,0.8711734,0.00002969116],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1160684,0.001565079,0.004143606,0.006685989,0.0002232394,0.00005452487,0.00004284639,0.00007247404,0.8711438],"genre_scores_gemma":[0.9071133,0.0007213118,0.001183663,0.000320792,0.00007466591,0.0000309136,0.00002006142,0.00003972047,0.09049566],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02243118,"threshold_uncertainty_score":0.05743402,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4311787004","doi":"10.5216/mh.v22.73655","title":"Emotional expression in vocal skill from the perspective of multiculturalism","year":2022,"lang":"en","type":"article","venue":"Música Hodie","topic":"Central Asia Education and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Singing; Popularity; Perception; Psychology; Context (archaeology); Performing arts; Emotional expression; Musical; Multiculturalism; Cognitive psychology; Social psychology; Visual arts; Art; History; Pedagogy; Acoustics","authors":[{"name":"Di Wang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01920288945954801,"gpt":0.3136468256318759,"spread":0.2944439361723279,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001336107,0.0002166424,0.0001631288,0.000498022,0.000879243,0.002638814,0.0002158512,0.0004155114,0.001487408],"category_scores_gemma":[0.002162169,0.0001094835,0.0002094609,0.0002320525,0.003062981,0.0007146043,0.001563868,0.0006207881,0.00007342129],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004967097,"about_ca_system_score_gemma":0.000389039,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001035726,"about_ca_topic_score_gemma":0.001059048,"domain_scores_codex":[0.9989976,0.0006379347,0.0000257976,0.00008160184,0.0001460858,0.0001108694],"domain_scores_gemma":[0.9986512,0.0008291367,0.0001806832,0.00007875593,0.0001275119,0.0001327578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0004933733,0.0002419622,0.1167128,0.0005586148,0.0001054051,0.002828694,0.7025928,0.0005720027,0.07287545,0.01806368,0.0003605765,0.08459453],"study_design_scores_gemma":[0.00003466078,0.0006716492,0.5085796,0.0002373792,0.0001461269,0.002103297,0.4570597,0.001581487,0.008997343,0.009032173,0.01149372,0.00006298423],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9784525,0.0005148439,0.0009415452,0.000303888,0.00001769658,0.000008754481,0.000005274216,0.000002748021,0.01975271],"genre_scores_gemma":[0.9993048,0.0001113689,0.0001609231,0.00003816892,0.000009804889,0.00000383726,0.000001394639,0.00000188486,0.0003679151],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.002638814,"threshold_uncertainty_score":0.007066131,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391982753","doi":"10.5216/mh.v23.77134","title":"Fear and Hope: Contemplating the Parousia in J. S. Bach’s Sacred Cantatas","year":2023,"lang":"en","type":"article","venue":"Música Hodie","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Burman University","funders":"","keywords":"Musical; Judgement; German; Literature; Doctrine; Philosophy; Rhetorical question; Art; Theology; Epistemology; Linguistics","authors":[{"name":"Eduardo Solá Chagas Lima","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05133014435434459,"gpt":0.2514613033650779,"spread":0.2001311590107333,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002570187,0.0003471429,0.0002641938,0.0007953941,0.008895147,0.005367907,0.0005288231,0.001575193,0.001704129],"category_scores_gemma":[0.003146553,0.0001982156,0.0002184253,0.0003949574,0.03848463,0.003065784,0.004193525,0.003730737,0.0001894609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006073732,"about_ca_system_score_gemma":0.002379918,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01121012,"about_ca_topic_score_gemma":0.02296043,"domain_scores_codex":[0.9983706,0.0008194772,0.00002853911,0.0001100165,0.0003235158,0.0003479475],"domain_scores_gemma":[0.9990251,0.0005487531,0.0001061391,0.00005681761,0.00008385223,0.0001793815],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004938736,0.00001159516,0.0004562839,0.0000349829,0.000004317861,0.0003170514,0.1752653,0.00007193066,0.0007027019,0.8141662,0.003634548,0.00528572],"study_design_scores_gemma":[0.00005599998,0.000170757,0.003832011,0.000298518,0.00002318213,0.0007946558,0.3729806,0.0005749769,0.001621573,0.2507594,0.3688055,0.00008283446],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4692438,0.009585195,0.004107139,0.05517625,0.001221397,0.00005382076,0.00002452597,0.00007341785,0.4605144],"genre_scores_gemma":[0.9902515,0.0004152892,0.0001510031,0.0007001015,0.0001245743,0.000007403746,0.000002123415,0.000007418461,0.008340637],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01121012,"threshold_uncertainty_score":0.04406822,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2992554586","doi":"10.5216/mh.v19.54919","title":"Cross-sensory experiences and the enlightenment: music synesthesia in context","year":2019,"lang":"en","type":"article","venue":"Música Hodie","topic":"Multisensory perception and integration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Burman University","funders":"","keywords":"Synesthesia; Enlightenment; Context (archaeology); Taste; Natural (archaeology); Aesthetics; Epistemology; Psychology; Philosophy; History; Perception","authors":[{"name":"Eduardo Solá Chagas Lima","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04084378140431111,"gpt":0.3290483252256839,"spread":0.2882045438213728,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002111029,0.0003365379,0.0002939729,0.001072761,0.004780276,0.007217045,0.0005573877,0.001561548,0.005465624],"category_scores_gemma":[0.003361145,0.0002248623,0.0002211246,0.0006908269,0.01974974,0.006649778,0.006888695,0.003875306,0.0003944641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002232445,"about_ca_system_score_gemma":0.0009202237,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001936749,"about_ca_topic_score_gemma":0.00266525,"domain_scores_codex":[0.9983767,0.0009199392,0.00003269028,0.0001996495,0.0002231869,0.0002478111],"domain_scores_gemma":[0.9986388,0.000698668,0.0002474904,0.000111774,0.0001186304,0.0001846022],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009460985,0.00004895433,0.001858129,0.0001204846,0.00001605153,0.0008395504,0.7219021,0.00008721613,0.001240437,0.2592015,0.001760038,0.01283097],"study_design_scores_gemma":[0.00003591601,0.0002314986,0.01244184,0.0007126417,0.00003647758,0.002589805,0.5362374,0.0002895142,0.001513837,0.1253897,0.3204267,0.00009462683],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6475744,0.01363152,0.01049675,0.01370008,0.0007952916,0.00002922088,0.0000683023,0.00006803549,0.3136364],"genre_scores_gemma":[0.9945331,0.0009796559,0.0003082402,0.0004173547,0.00007380999,0.0000064399,0.00001028865,0.00001958687,0.003651508],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007217045,"threshold_uncertainty_score":0.01828432,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}