{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"fe5356a3068d","filters":{"venue":"MLN"}},"results":[{"id":"W2598654574","doi":"10.1353/mln.2017.0012","title":"The Ethical Dimension of the Decameron by Marilyn Migiel","year":2017,"lang":"en","type":"article","venue":"MLN","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Dimension (graph theory); Reading (process); Character (mathematics); Intentionality; Set (abstract data type); Distancing; Order (exchange); Key (lock); Sociology; Epistemology; Philosophy; Linguistics; Computer science; Mathematics; Coronavirus disease 2019 (COVID-19)","retraction":null,"screen_n_in":null,"score":{"opus":0.01858628800479283,"gpt":0.2507113302525908,"spread":0.232125042247798,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001610536,0.00004196753,0.00004920605,0.000003778348,0.001102112,0.0001278959,0.0002261602,0.00003995707,0.0001311546],"category_scores_gemma":[0.0003116921,0.00001959142,0.00003979863,0.00000284699,0.000328829,0.00001605058,0.0000852962,0.0001489699,0.00001438199],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007032714,"about_ca_system_score_gemma":0.00001089873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001209259,"about_ca_topic_score_gemma":0.001348663,"domain_scores_codex":[0.9996312,0.00002494436,0.00008440454,0.00005896614,0.0001165016,0.00008399212],"domain_scores_gemma":[0.9994242,0.00006339755,0.00009003827,0.0003450809,0.00006372073,0.00001360735],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001707511,0.00002598321,0.0005959204,0.00001026186,0.00001834492,9.015771e-7,0.007156292,5.38777e-7,0.000766988,0.7583727,0.2279899,0.005045078],"study_design_scores_gemma":[0.000104757,0.00002028705,0.002453428,0.00001794974,0.00001368298,2.721195e-7,0.0004571282,0.0001472538,0.0006182229,0.00373243,0.9923865,0.00004809065],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6184211,0.001844218,0.00003261123,0.01688681,0.005556366,0.00027517,0.00006352374,0.00003836414,0.3568818],"genre_scores_gemma":[0.9865819,0.00001705586,0.000006354167,0.00029108,0.0003736622,0.000001830873,0.000001859931,0.000004603337,0.01272172],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7643966,"threshold_uncertainty_score":0.8476667,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2075095430","doi":"10.1353/mln.2012.0076","title":"The Persistence of Presence: Emblem and Ritual in Baroque Spain (review)","year":2012,"lang":"en","type":"article","venue":"MLN","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Baroque; Emblem; Art; Literature; Ideology; Humanities; Art history; History; Philosophy; Politics; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02920827556252696,"gpt":0.2283194351447194,"spread":0.1991111595821924,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003650105,0.00006177482,0.0001028507,0.00001545124,0.00009059923,0.00004332198,0.0001072307,0.0000220686,0.0001722239],"category_scores_gemma":[0.00007726929,0.00003918123,0.00002539793,0.00001874895,0.000156296,0.0001886285,0.00003942577,0.0001104652,0.00001019326],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000645337,"about_ca_system_score_gemma":0.000009501379,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007295022,"about_ca_topic_score_gemma":0.0004122064,"domain_scores_codex":[0.9994653,0.00006398825,0.000129697,0.00007386533,0.0001048812,0.0001622893],"domain_scores_gemma":[0.9996348,0.0001128452,0.00003980351,0.0001404663,0.00004043182,0.00003167074],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003239715,0.0001826801,0.05134984,0.001183664,0.0000438592,0.000005483187,0.231308,0.000001224073,0.0003928828,0.6396897,0.05717594,0.01863432],"study_design_scores_gemma":[0.0002058791,0.00004959726,0.0176533,0.0008207182,0.0000203873,0.00000549444,0.006121203,0.00004956999,0.00005427303,0.0007089712,0.9741431,0.0001675324],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5690031,0.3292206,0.000006132425,0.002318912,0.0005832057,0.0004983266,0.00003828493,0.00003274016,0.09829872],"genre_scores_gemma":[0.9918171,0.002064314,0.00002998022,0.0002722492,0.0001708008,0.00001071299,0.000001873437,0.000005681551,0.005627287],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9169672,"threshold_uncertainty_score":0.1885731,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2610124638","doi":"10.1353/mln.2017.0034","title":"Ficino in Spain by Susan Byrne","year":2017,"lang":"en","type":"article","venue":"MLN","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Astrology; Baroque; Mysticism; Context (archaeology); Historiography; Poetry; Literature; Classics; Intellectual history; History; Art; Motley; Art history; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02245339371355071,"gpt":0.2323656934785718,"spread":0.2099122997650211,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000107789,0.00008253744,0.0001033533,0.00002811387,0.0002641273,0.0006570159,0.0002397293,0.00004099113,0.001796332],"category_scores_gemma":[0.00002525619,0.00007219504,0.00002696554,0.00000462843,0.0001002263,0.0002581545,0.00004417266,0.0001443095,0.0001637337],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001461762,"about_ca_system_score_gemma":0.000008434789,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000934055,"about_ca_topic_score_gemma":0.003239074,"domain_scores_codex":[0.9994803,0.00001862589,0.00009852509,0.0001415009,0.00008908782,0.0001719376],"domain_scores_gemma":[0.9995123,0.0000142128,0.00005313796,0.0003629477,0.00002589617,0.00003146553],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003012028,0.0001654458,0.02742826,0.00004535612,0.00002173147,0.00007917303,0.04493752,0.000001218612,0.001492587,0.377704,0.5407416,0.007353078],"study_design_scores_gemma":[0.0002733124,0.00002984865,0.00572679,0.00003271899,0.000003019132,6.23724e-7,0.0003317187,0.00004349392,0.0001543653,0.00153647,0.9917403,0.0001273497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.579287,0.0004228034,0.000005558106,0.002458694,0.0004217207,0.0001093652,0.00006405344,0.00005013484,0.4171807],"genre_scores_gemma":[0.9149309,0.000007052664,0.0000172383,0.0003347808,0.0003361308,0.000004898986,0.00001846984,0.00001260069,0.08433786],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4509988,"threshold_uncertainty_score":0.9991162,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2088915123","doi":"10.1353/mln.2014.0095","title":"Apophthegmata, Collected Works of Erasmus , vols. 37 and 38 by Desiderius Erasmus, and: Apophthegmatum Libri I-IV , Erasmi Opera Omnia IV-4 by Desiderius Erasmus (review)","year":2014,"lang":"en","type":"article","venue":"MLN","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Erasmus+; Classics; Opera; Art; History; Literature; Art history; The Renaissance","retraction":null,"screen_n_in":null,"score":{"opus":0.01319805520356786,"gpt":0.2669362113511271,"spread":0.2537381561475592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001540075,0.0006713262,0.001518574,0.0001272266,0.001176319,0.0003273555,0.0006906686,0.0004177639,0.0004205702],"category_scores_gemma":[0.002198253,0.0006097748,0.000205891,0.001032925,0.001523594,0.0005224191,0.0004282292,0.0005805282,0.00005454264],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001460165,"about_ca_system_score_gemma":0.0002057352,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002384417,"about_ca_topic_score_gemma":0.001658594,"domain_scores_codex":[0.9948301,0.0009961105,0.00105932,0.0009679124,0.0009737063,0.001172809],"domain_scores_gemma":[0.9965451,0.001406821,0.0004619466,0.0006402236,0.0003727917,0.0005730556],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000166365,0.0004095405,0.004057176,0.000778901,0.000293865,0.00002374464,0.005148262,0.00000218792,0.01036817,0.001416005,0.9328167,0.04451907],"study_design_scores_gemma":[0.00476215,0.0009520766,0.02150953,0.003545228,0.0005773079,0.00007389718,0.003422221,0.0008253255,0.00351403,0.005466445,0.9524311,0.002920728],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8050085,0.1526682,0.000539652,0.02613527,0.0008470933,0.002684962,0.0002676852,0.0005543919,0.01129423],"genre_scores_gemma":[0.8908058,0.08803547,0.00259016,0.003922183,0.0004413037,0.0002412008,0.00008448182,0.0001569328,0.01372243],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08579733,"threshold_uncertainty_score":0.9996353,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2055209871","doi":"10.1353/mln.2006.0038","title":"Anthony Kimber Cassell (March 31, 1941 -- October 9, 2005)","year":2006,"lang":"en","type":"article","venue":"MLN","topic":"Violence, Religion, and Philosophy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Bachelor; The arts; Art; State (computer science); Minor (academic); Art history; Library science; Classics; History; Humanities; Visual arts; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.02030797270156285,"gpt":0.2227990444645982,"spread":0.2024910717630354,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000110929,0.0001670706,0.0001682806,0.00008070475,0.000327077,0.0001451435,0.0001570353,0.00006048217,0.002817761],"category_scores_gemma":[0.000004142245,0.0001391818,0.0001026737,0.00003445411,0.0001758483,0.0001277626,0.00002935011,0.0001387583,0.00164415],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002591996,"about_ca_system_score_gemma":0.00003394543,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002665623,"about_ca_topic_score_gemma":0.002290363,"domain_scores_codex":[0.9989509,0.00002983099,0.0002209517,0.0002369509,0.000198071,0.0003632953],"domain_scores_gemma":[0.9995089,0.00003745814,0.0000526989,0.000253853,0.0000774428,0.00006966521],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001560957,0.0001133184,0.002426659,0.00002872612,0.0000177676,0.00002997283,0.001510667,0.000006816028,0.0001061828,0.4121323,0.5833165,0.0002954633],"study_design_scores_gemma":[0.0002139131,0.00003466376,0.001334756,0.0000261321,0.00001841714,0.000005760951,0.0000584109,0.00002488481,0.0001420444,0.04143151,0.9564952,0.0002143199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1583765,0.001233265,0.000008102541,0.0008110407,0.0008639352,0.0001404968,0.00006124271,0.0001146291,0.8383908],"genre_scores_gemma":[0.9372035,0.00008971248,0.00003142959,0.0006026418,0.003431716,0.00001249429,0.00004748241,0.0000248154,0.05855617],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7798346,"threshold_uncertainty_score":0.9991332,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4233387155","doi":"10.1353/mln.2008.0023","title":"Philosophy at the Edge of Chaos: Gilles Deleuze and the Philosophy of Difference (review)","year":2007,"lang":"en","type":"article","venue":"MLN","topic":"Critical Theory and Philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy; Edge of chaos; Epistemology; Enhanced Data Rates for GSM Evolution; CHAOS (operating system); Art history; Computer science; Artificial intelligence; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03951557239347654,"gpt":0.3212949030037383,"spread":0.2817793306102618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002240407,0.0001135602,0.0002987021,0.00002631526,0.0003900523,0.000005543633,0.0003899716,0.00006571679,0.0001855581],"category_scores_gemma":[0.0005521906,0.00006046082,0.0001368628,0.0002515388,0.003173673,0.00004487179,0.0001256926,0.0001377205,0.00001252415],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001580072,"about_ca_system_score_gemma":0.00001865444,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001031943,"about_ca_topic_score_gemma":0.00007407086,"domain_scores_codex":[0.9985814,0.0003544008,0.0003300867,0.0001626859,0.0003516555,0.0002197335],"domain_scores_gemma":[0.9978523,0.001526889,0.0001282408,0.0003029084,0.0001100262,0.00007968983],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009735712,0.00003833462,0.0003219609,0.0001587987,0.00001748326,9.525736e-7,0.001479376,1.043815e-7,0.0001035604,0.9943643,0.0001575836,0.003260197],"study_design_scores_gemma":[0.0004748093,0.00005723115,0.001075895,0.0003689904,0.00006671095,0.000001956481,0.0002577981,0.000001974153,0.0006055733,0.9588999,0.0380616,0.0001276237],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1315065,0.07772377,0.00009464452,0.0692423,0.0003765668,0.001030104,0.00005665313,0.0000409159,0.7199285],"genre_scores_gemma":[0.9913607,0.006341568,0.00001582833,0.001616919,0.0003951476,0.000009280007,0.000001596457,0.00000690542,0.0002520531],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8598542,"threshold_uncertainty_score":0.9995391,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2608354854","doi":"10.1353/mln.2017.0042","title":"The Epic of Juan Latino. Dilemmas of Race and Religion in Renaissance Spain by Elizabeth R. Wright","year":2017,"lang":"en","type":"article","venue":"MLN","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wright; Portrait; EPIC; Race (biology); Art history; White (mutation); Art; Poetry; History; Classics; Sociology; Literature; Gender studies","retraction":null,"screen_n_in":null,"score":{"opus":0.01450945281796076,"gpt":0.222313810944708,"spread":0.2078043581267472,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001457663,0.00005981327,0.0001324448,0.00001008375,0.0003500391,0.00003066217,0.0001386882,0.0000216956,0.0001076737],"category_scores_gemma":[0.0000502004,0.00003662879,0.00002257623,0.000008926912,0.0006049941,0.00007848577,0.00002598841,0.00007091182,0.000002367405],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007474545,"about_ca_system_score_gemma":0.000007939179,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005276363,"about_ca_topic_score_gemma":0.0009739482,"domain_scores_codex":[0.9995674,0.00004043987,0.0001470657,0.00008871522,0.00007400634,0.00008231024],"domain_scores_gemma":[0.9994463,0.00004799823,0.0002195164,0.0002384926,0.00003154465,0.00001620028],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001280317,0.0001240111,0.0173695,0.0001664817,0.00004116772,0.000005740372,0.0716567,0.00000399699,0.00498355,0.4687916,0.4207515,0.01597769],"study_design_scores_gemma":[0.0001969677,0.00005426654,0.003452823,0.00006493059,0.000006559178,2.859589e-7,0.0005061906,0.00001570604,0.0007279337,0.001649515,0.9932559,0.00006895939],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.758439,0.005374076,0.000005875996,0.001566179,0.0002719604,0.0001878356,0.00005183017,0.00001795733,0.2340853],"genre_scores_gemma":[0.9855627,0.0002690791,0.00001957469,0.00004409397,0.00006118227,0.000003638705,0.000002753089,0.000005214057,0.01403175],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5725043,"threshold_uncertainty_score":0.2692253,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4245381319","doi":"10.1353/mln.2005.0098","title":"Contributors","year":2005,"lang":"en","type":"article","venue":"MLN","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Arcadia; German literature; German; Art history; Movie theater; Vision; Art; German studies; Baroque; Comparative literature; Romance; Literary criticism; History; Humanities; Literature; Philosophy; Theology","retraction":null,"screen_n_in":null,"score":{"opus":0.01021376311746515,"gpt":0.1910968802139285,"spread":0.1808831170964633,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00002434913,0.00005226268,0.00006324422,0.0000118628,0.000160302,0.00007693887,0.00004059179,0.00001182571,0.002075372],"category_scores_gemma":[0.000004775659,0.0000354414,0.00003234146,0.000007552519,0.00004567555,0.0000854063,0.00001006131,0.00004436386,0.0007000148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005953025,"about_ca_system_score_gemma":0.000002332626,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005397333,"about_ca_topic_score_gemma":0.0002408103,"domain_scores_codex":[0.9997205,0.000005307485,0.00006153043,0.00006081602,0.0000504257,0.0001014233],"domain_scores_gemma":[0.9998584,0.000005922765,0.00001368054,0.00005722572,0.0000470629,0.0000177585],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002429353,0.00001589018,0.00004611601,0.000002710018,0.0000181046,0.000001366932,0.03267543,2.704554e-7,0.00002583483,0.5686035,0.3955933,0.003015049],"study_design_scores_gemma":[0.00009591067,0.00001090291,0.0001536691,0.000003447058,0.000006468965,6.268754e-7,0.0007887899,0.0000011812,0.00007147037,0.0004931607,0.9983187,0.00005568026],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02432766,0.001756014,0.000002873926,0.003768525,0.0004352641,0.00005368747,0.00001871267,0.00009428974,0.969543],"genre_scores_gemma":[0.9049163,0.000004465187,0.00001452392,0.001471584,0.001981559,0.000004903431,0.000007699537,0.00000350018,0.09159546],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8805887,"threshold_uncertainty_score":0.9988369,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388239139","doi":"10.1353/mln.2023.a910971","title":"Feeding Fascism: The Politics of Women’s Food Work by Diana Garvin (review)","year":2023,"lang":"en","type":"article","venue":"MLN","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Housewife; Politics; Movie theater; Poverty; Art; Film director; Art history; Narrative; History; Sociology; Gender studies; Political science; Literature; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02159041928436803,"gpt":0.275433062478945,"spread":0.2538426431945769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001468305,0.00008690352,0.000174111,0.00002258754,0.0005007717,0.00003250303,0.0004132139,0.00007386368,0.0001618231],"category_scores_gemma":[0.0003387406,0.0000662971,0.0001130702,0.0008821107,0.0002737035,0.00007135837,0.00007169286,0.000115238,0.0001629448],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001476028,"about_ca_system_score_gemma":0.0001008673,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003800067,"about_ca_topic_score_gemma":0.00009588296,"domain_scores_codex":[0.9985666,0.0001325731,0.0001886468,0.0001387389,0.0004012468,0.0005722554],"domain_scores_gemma":[0.9993055,0.0002127619,0.0000776142,0.0002090068,0.000060839,0.000134305],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[9.565108e-7,0.00001569277,0.002337594,0.00009168201,0.00002962539,8.8988e-7,0.05204134,3.795947e-7,0.00002597414,0.01048199,0.9322513,0.002722568],"study_design_scores_gemma":[0.0001130681,0.0000413495,0.003471616,0.0001831305,0.00002239156,1.87439e-7,0.03254197,0.000001995792,0.00007984875,0.00177272,0.9616086,0.0001631573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9010515,0.01969668,0.00001717221,0.03168309,0.001525331,0.0007120297,0.0001666844,0.0002737953,0.04487376],"genre_scores_gemma":[0.9753475,0.005532761,0.00002355656,0.002662967,0.0003473534,0.00004542631,0.000013037,0.00001670036,0.0160107],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07429604,"threshold_uncertainty_score":0.3851582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2036297812","doi":"10.1353/mln.2010.0009","title":"Blanchissez-moi tous ces Nègres (review)","year":2010,"lang":"fr","type":"article","venue":"MLN","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Art history; Icon; History","retraction":null,"screen_n_in":null,"score":{"opus":0.01504087940397658,"gpt":0.2833731200007754,"spread":0.2683322405967988,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003577251,0.0001703546,0.0002883397,0.00001673391,0.0008119622,0.0000182842,0.0003130159,0.0001336743,0.005057909],"category_scores_gemma":[0.0002556832,0.0001456324,0.0001383821,0.000282789,0.001172171,0.0001456582,0.00005309497,0.0003358589,0.001431245],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004749508,"about_ca_system_score_gemma":0.0000862826,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005217546,"about_ca_topic_score_gemma":0.00767848,"domain_scores_codex":[0.9987519,0.0001354411,0.0002007595,0.0002564597,0.0002765185,0.0003789038],"domain_scores_gemma":[0.9993698,0.00006983269,0.0001166007,0.0002045973,0.0001004832,0.0001387115],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003506211,0.00009668685,0.0007773308,0.0002366983,0.0000492641,0.0000221448,0.01934483,2.429271e-7,0.0002050475,0.08474395,0.8458843,0.04863597],"study_design_scores_gemma":[0.00005836707,0.00003835332,0.0009915917,0.0001761815,0.00007901825,0.000003671999,0.002416612,4.638093e-7,0.00001814121,0.001479298,0.9945364,0.0002018849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01263635,0.3673232,0.000002882943,0.01868051,0.006475089,0.0001830932,0.00001704604,0.00007013208,0.5946116],"genre_scores_gemma":[0.5096194,0.09223941,0.0004709133,0.004796009,0.005543646,0.00005609934,0.000006034437,0.00002800507,0.3872406],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.496983,"threshold_uncertainty_score":0.9993463,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389951170","doi":"10.1353/mln.2023.a915384","title":"Fashioning Spanish Cinema: Costume, Identity, and Stardom by Jorge Pérez (review)","year":2023,"lang":"en","type":"article","venue":"MLN","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Identity (music); Art history; Humanities; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.04440635392844435,"gpt":0.2724855861979372,"spread":0.2280792322694929,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001613791,0.0001229321,0.0001846951,0.00003325245,0.0003290806,0.0002160733,0.0001205412,0.0000253938,0.00447615],"category_scores_gemma":[0.00004166997,0.00009563486,0.00005499689,0.00006714679,0.00009035477,0.0003227968,0.00009394975,0.0001015746,0.001232899],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001014907,"about_ca_system_score_gemma":0.000006467419,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007559141,"about_ca_topic_score_gemma":0.000954819,"domain_scores_codex":[0.9992064,0.00003049819,0.0001811868,0.0001839026,0.0001913706,0.000206635],"domain_scores_gemma":[0.9996749,0.00002806434,0.00005029956,0.0001174857,0.00006004548,0.00006925737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001286714,0.00001546057,0.0001482227,0.0001975698,0.00001875961,0.00001124096,0.003876724,1.33833e-7,0.0002841555,0.04588111,0.9473799,0.00218547],"study_design_scores_gemma":[0.0002144089,0.00003018304,0.001458388,0.0002651835,0.00002660847,0.000003027274,0.005374978,0.00001176119,0.00003281971,0.0004384733,0.9919645,0.000179668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8289571,0.01437946,0.000003866093,0.006103967,0.001223751,0.000493166,0.0001876275,0.0006913637,0.1479596],"genre_scores_gemma":[0.8074792,0.02177349,0.00001305734,0.003781132,0.0004677726,0.00004035359,0.000236989,0.00003578626,0.1661722],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04544264,"threshold_uncertainty_score":0.9995447,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}