{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":8,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":8,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"902d05eb5b26","filters":{"venue":"Martial Arts Studies"}},"results":[{"id":"W2883055145","doi":"10.18573/mas.57","title":"Putting the Harm Back into Harmony: Aikido, Violence and ‘Truth in the Martial Arts’","year":2018,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Martial arts; Aesthetics; Context (archaeology); Sociology; Epistemology; Art; Visual arts; Philosophy; History","authors":[{"name":"William Little","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1038598767277915,"gpt":0.4204219938923792,"spread":0.3165621171645876,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002844067,0.0002079735,0.0002402639,0.00007913545,0.001966169,0.0001916229,0.0004233505,0.00009085737,0.0002147397],"category_scores_gemma":[0.0007752298,0.0001319177,0.00006176408,0.0003488431,0.002141083,0.0002565031,0.00019892,0.0002368188,0.0001561624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007793757,"about_ca_system_score_gemma":0.00006243435,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002582098,"about_ca_topic_score_gemma":0.01018631,"domain_scores_codex":[0.9977215,0.0005033978,0.0003851816,0.0004400004,0.0003738037,0.0005760947],"domain_scores_gemma":[0.9987608,0.0005150865,0.0001463589,0.0003302146,0.0001661024,0.00008145825],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001451395,0.0002734078,0.02050254,0.00005491467,0.00008652166,0.00001193477,0.462891,0.000001133312,0.0004750011,0.02737555,0.1487142,0.3394687],"study_design_scores_gemma":[0.000509935,0.0004205318,0.04022364,0.0002874841,0.00006501466,0.00001002986,0.07840525,0.00006344869,0.000809631,0.1428207,0.7358993,0.0004850843],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8078876,0.002687813,0.000383965,0.1313934,0.00508384,0.001440577,0.000004222524,0.0002342387,0.05088437],"genre_scores_gemma":[0.9910036,0.001200132,0.0006010201,0.003741433,0.002976749,0.000140556,0.000001458218,0.00001335915,0.0003216689],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.587185,"threshold_uncertainty_score":0.9993331,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2964519619","doi":"10.18573/mas.83","title":"Timing in Bruce Lee’s Writings as Inspiration for Listening Musically to Hand Combat and Martial Arts Performance","year":2019,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Martial arts; Musical; Vocabulary; Visual arts; Psychology; Aesthetics; Art; Linguistics; Philosophy","authors":[{"name":"Colin P. McGuire","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0793398204085423,"gpt":0.3942673647216198,"spread":0.3149275443130775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001108529,0.0001729833,0.0002987829,0.0001519725,0.0008349966,0.0001584089,0.0001235208,0.0000993266,0.00006261939],"category_scores_gemma":[0.0004769975,0.0001755589,0.00004686326,0.0001977126,0.0002693747,0.0003928311,0.0001087682,0.0001233885,0.00005319392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001115523,"about_ca_system_score_gemma":0.00006363957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000817882,"about_ca_topic_score_gemma":0.005068565,"domain_scores_codex":[0.9983814,0.00008468347,0.0003814324,0.0004275749,0.0002419593,0.0004828847],"domain_scores_gemma":[0.9992283,0.0002085497,0.0001163035,0.0001475595,0.0001837,0.0001155702],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001034632,0.0004464848,0.1243669,0.000465958,0.0001033234,0.000009358522,0.5191394,0.0001117722,0.01596252,0.01856066,0.02231587,0.2974831],"study_design_scores_gemma":[0.002744956,0.002775066,0.1190439,0.0008589464,0.00009853784,0.0000108478,0.04388471,0.001246035,0.007330602,0.006737771,0.8137325,0.00153607],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9789755,0.0001677812,0.0003155808,0.007929279,0.001048709,0.001052799,0.000001697773,0.00009453023,0.01041407],"genre_scores_gemma":[0.9944249,0.00008641335,0.001141905,0.0016716,0.0007777119,0.0002092485,0.000004458785,0.00001656959,0.001667229],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7914166,"threshold_uncertainty_score":0.7159083,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2579529654","doi":"10.18573/j.2017.10094","title":"Taolu: credibility and decipherability in the practice of Chinese martial movement","year":2017,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"Arts and Humanities Research Council","keywords":"Martial arts; Credibility; Movement (music); Narrative; Embodied cognition; Aesthetics; Sociology; Epistemology; Visual arts; Literature; Art; Philosophy","authors":[{"name":"Daniel Mroz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07554197967708665,"gpt":0.4699659927308208,"spread":0.3944240130537341,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004921527,0.0001319969,0.0002594056,0.00003686189,0.001243744,0.0001027469,0.0003505573,0.00006841146,0.00006802374],"category_scores_gemma":[0.006353072,0.00009202159,0.00005503208,0.00008779984,0.001480333,0.0004419496,0.0001778894,0.0001456481,0.000004155399],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007178663,"about_ca_system_score_gemma":0.00005614379,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.007626607,"about_ca_topic_score_gemma":0.02353098,"domain_scores_codex":[0.9980805,0.000567861,0.000382632,0.000323093,0.0003519756,0.0002939639],"domain_scores_gemma":[0.9982423,0.0006267169,0.0002845962,0.0005786637,0.0002117806,0.00005591237],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0004568578,0.001158415,0.6967652,0.00007985695,0.00008628384,0.000008238204,0.2364793,0.000002593552,0.0002268221,0.01331718,0.009428901,0.04199034],"study_design_scores_gemma":[0.0004288599,0.0002033737,0.823504,0.00002532545,0.00003450227,0.000001216087,0.02977948,0.00001717222,0.00009663713,0.06738093,0.07833921,0.0001893119],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9212008,0.0004180252,0.00005804071,0.03805851,0.0009333722,0.0006185503,0.00000366858,0.0000343301,0.03867466],"genre_scores_gemma":[0.997645,0.000423786,0.000387461,0.000784811,0.0005098376,0.00009528865,7.281928e-7,0.000004877975,0.0001481984],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2066998,"threshold_uncertainty_score":0.9989817,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4318991090","doi":"10.18573/mas.141","title":"Mixed Martial Arts As a Way of Life: Going Beyond The Black Belt And Engaging in Life-Long Learning","year":2023,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Motivation and Self-Concept in Sports","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Kwantlen Polytechnic University; University of British Columbia","funders":"","keywords":"Martial arts; Deci-; Psychology; Meaning (existential); Social psychology; Personal development; Qualitative research; Applied psychology; Pedagogy; Visual arts; Sociology; Art; Psychotherapist; Social science; Political science","authors":[{"name":"Shayna A. Rusticus","is_ca":true},{"name":"Amanda Rose Dumoulin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05988254848988365,"gpt":0.3193618782430604,"spread":0.2594793297531767,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001193022,0.0002246988,0.0004457873,0.0001966157,0.0004367641,0.00003895049,0.0001244214,0.00008391905,0.0004135419],"category_scores_gemma":[0.0007918624,0.0001780578,0.00007911235,0.0004380122,0.0003981051,0.0001119883,0.0002138728,0.0003912779,0.0002005543],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002288341,"about_ca_system_score_gemma":0.00003356416,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001310959,"about_ca_topic_score_gemma":0.0006904298,"domain_scores_codex":[0.9979416,0.0003095943,0.0005899444,0.000412657,0.0002743661,0.0004718077],"domain_scores_gemma":[0.9986413,0.0007214951,0.0002166365,0.0002414478,0.00007971974,0.00009942015],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0003691083,0.0001727788,0.6759871,0.0001434181,0.0005737676,0.0001927902,0.2393268,0.0006786167,0.0003265519,0.007466465,0.0524755,0.02228713],"study_design_scores_gemma":[0.002868242,0.0003410468,0.8068156,0.000200376,0.0001108509,0.00001583257,0.1327817,0.0004287589,0.000330141,0.001756388,0.05371388,0.000637232],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9802483,0.0009952296,0.00002751057,0.00380452,0.001064266,0.0003247391,0.00000224234,0.0001260446,0.01340717],"genre_scores_gemma":[0.994128,0.0001710552,0.00002826691,0.0006697887,0.0003691518,0.00005600801,0.000009067896,0.0000288223,0.004539879],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1308286,"threshold_uncertainty_score":0.7260985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3105547218","doi":"10.18573/mas.111","title":"Tàolù – The Mastery of Space","year":2020,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Space (punctuation); Psychology; Computer science; Operating system","authors":[{"name":"Daniel Mroz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2291114388478964,"gpt":0.427837246239073,"spread":0.1987258073911766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005239543,0.00008958789,0.0001763517,0.0000234039,0.0004610888,0.00002316533,0.0001945098,0.00004237566,0.0002323173],"category_scores_gemma":[0.0004672424,0.00006371936,0.00006528459,0.0001960166,0.0006610441,0.0000952904,0.0000894296,0.00008702087,0.00006404324],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002358364,"about_ca_system_score_gemma":0.00004265647,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003956908,"about_ca_topic_score_gemma":0.0007569024,"domain_scores_codex":[0.9989893,0.0001693832,0.0002069829,0.0001787201,0.0002208987,0.0002347214],"domain_scores_gemma":[0.9994178,0.0001509725,0.0001040389,0.0001419099,0.0001140309,0.00007123554],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001178351,0.0001248066,0.009387153,0.00006569044,0.0001333286,0.000004163712,0.418428,0.000005659747,0.001185605,0.05920526,0.4825254,0.02881702],"study_design_scores_gemma":[0.0001118046,0.0001370904,0.002183719,0.00001785337,0.00003151914,4.554963e-7,0.05060523,0.000008844458,0.00135405,0.005675329,0.9397448,0.0001292565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2493073,0.002335347,0.0009163278,0.5147782,0.00305396,0.000858348,0.000006650661,0.000362745,0.2283811],"genre_scores_gemma":[0.9945906,0.0003815452,0.0002121419,0.002301971,0.001140357,0.00003281875,6.690657e-7,0.000007024608,0.001332907],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7452832,"threshold_uncertainty_score":0.3546369,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3105323459","doi":"10.18573/mas.114","title":"Martial Arts Leadership: Cultural and Regional Differences in Motivations, Leadership &amp; Communication","year":2020,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Transformational leadership; Martial arts; Club; Psychology; Shared leadership; Curriculum; Pedagogy; Construct (python library); Leadership style; Public relations; Sociology; Social psychology; Political science; Visual arts; Computer science; Art","authors":[{"name":"Sonja Bickford","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.6707831136192024,"gpt":0.4383185569851443,"spread":0.2324645566340581,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006771998,0.0002034987,0.0003156588,0.00009864744,0.0008799156,0.0001182713,0.0002504078,0.0001305179,0.000151324],"category_scores_gemma":[0.0008392143,0.0001881319,0.00006052509,0.0003256066,0.001222163,0.0004552154,0.0001042537,0.0002727303,0.0000481956],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009257675,"about_ca_system_score_gemma":0.00005686612,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009357572,"about_ca_topic_score_gemma":0.00880091,"domain_scores_codex":[0.9979286,0.0004562024,0.0004041554,0.0004060643,0.0003312345,0.0004737224],"domain_scores_gemma":[0.9990211,0.0003159774,0.0001514227,0.0001966629,0.0001523281,0.000162566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002973143,0.0003397132,0.1668207,0.0001597375,0.0001225171,0.000004715283,0.5262895,0.000004965419,0.0006087709,0.03275585,0.2514146,0.02118164],"study_design_scores_gemma":[0.0009925721,0.0002353229,0.195941,0.0002739216,0.00007152904,0.000004944678,0.3680958,0.00006299591,0.0002225699,0.01034288,0.4228642,0.0008922469],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6069803,0.004869082,0.0002354365,0.3787873,0.0005568556,0.0007016608,0.000004866973,0.0003268863,0.007537591],"genre_scores_gemma":[0.9918728,0.001523948,0.00060937,0.00419222,0.0007086099,0.0001068524,0.00002023019,0.00001185245,0.0009540913],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3848925,"threshold_uncertainty_score":0.7671797,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2966209328","doi":"10.18573/mas.88","title":"From the Dragon to the Beast: The Martial Monk and Virtual Ninja as Actual Martial Artists","year":2019,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Martial arts; Manifesto; Argument (complex analysis); Visual arts; Event (particle physics); The arts; Art; Aesthetics; Literature; Sociology; Law; Political science","authors":[{"name":"Chris Goto-Jones","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02107942875290562,"gpt":0.2896553599176834,"spread":0.2685759311647778,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008974129,0.0002666133,0.0002957901,0.00001995006,0.003166612,0.0002445875,0.00056871,0.000106672,0.0006528741],"category_scores_gemma":[0.0005224461,0.0001279094,0.0001252789,0.0002240368,0.00103463,0.0002255289,0.000429406,0.0003264481,0.001298916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008283375,"about_ca_system_score_gemma":0.00008786371,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002550363,"about_ca_topic_score_gemma":0.01922604,"domain_scores_codex":[0.9974841,0.0005287133,0.0002812353,0.0004512101,0.0007101779,0.0005445061],"domain_scores_gemma":[0.998561,0.0006378026,0.0001079756,0.0004388524,0.0001168942,0.0001374962],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005453035,0.00009217548,0.002485138,0.000006438127,0.0003183534,0.00002360691,0.7058757,0.00008065884,0.001294487,0.01504928,0.2577232,0.01650572],"study_design_scores_gemma":[0.0003044359,0.0001949258,0.006745618,0.00002474868,0.00008870922,0.000004397266,0.1120208,0.00001358085,0.0001403829,0.001420985,0.8787956,0.0002457619],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9214689,0.001264474,0.000008106176,0.06476974,0.002867881,0.0008177656,0.00003231416,0.00007756164,0.008693228],"genre_scores_gemma":[0.9783705,0.0000677959,0.000008297456,0.004131809,0.003739035,0.00008764901,0.000004266749,0.00001740238,0.0135732],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6210725,"threshold_uncertainty_score":0.9994787,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400915627","doi":"10.18573/mas.162","title":"The revival of Wudang Daoist martial arts","year":2024,"lang":"en","type":"article","venue":"Martial Arts Studies","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Martial arts; China; Ideology; Commercialization; Style (visual arts); The arts; Aesthetics; Art; Visual arts; History; Political science; Law; Politics","authors":[{"name":"Jean DeBernardi","is_ca":true},{"name":"Xue Wu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1185858251844239,"gpt":0.4668852796154045,"spread":0.3482994544309806,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001939636,0.0001787203,0.0002775438,0.00008657361,0.00133442,0.0001612504,0.0002823129,0.00008829074,0.0001583222],"category_scores_gemma":[0.0006422486,0.0001290412,0.0001584239,0.0003356771,0.001267004,0.0002122676,0.0001307594,0.0001823439,0.0001283499],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001111553,"about_ca_system_score_gemma":0.0001292652,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000717206,"about_ca_topic_score_gemma":0.003656443,"domain_scores_codex":[0.9980122,0.0002508364,0.0004745548,0.0003596547,0.00043271,0.0004699849],"domain_scores_gemma":[0.9988034,0.000495828,0.0001106054,0.0003052722,0.0001875887,0.00009726084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001170505,0.0001431256,0.001211282,0.0001622433,0.000262687,0.00002185062,0.04865811,0.000002273226,0.0008143451,0.2846929,0.5263966,0.1375176],"study_design_scores_gemma":[0.00007395701,0.00009867265,0.0009062791,0.0001153547,0.00005769545,0.00000252391,0.00901933,0.00001582321,0.0007098251,0.0194331,0.9693911,0.0001763435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2029466,0.04402957,0.001330804,0.1786103,0.03759734,0.002439588,0.00003568285,0.001798704,0.5312114],"genre_scores_gemma":[0.9870173,0.002188329,0.0001930575,0.0003321593,0.002869425,0.0001188336,0.00000324263,0.00002109445,0.007256542],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7840707,"threshold_uncertainty_score":0.9999657,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}