{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"0f4e474df807","filters":{"venue":"Methis Studia humaniora Estonica"}},"results":[{"id":"W2625086739","doi":"10.7592/methis.v15i19.13436","title":"Teatrietenduste sünkroontõlkest eesti keelest vene keelde aastatel 1944–1991 / Simultaneous interpreting of theatre performances from Estonian into Russian from 1944 to 1991","year":2017,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Interpreting and Communication in Healthcare","field":"Health Professions","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Interpreter; Estonian; Context (archaeology); Interpretation (philosophy); Linguistics; Sign language; Slavic languages; Art; History; Philosophy; Computer science","authors":[{"name":"Karin Sibul","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06184018774119893,"gpt":0.4100585932685075,"spread":0.3482184055273086,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001083073,0.0004101302,0.0001772364,0.001273073,0.001408223,0.001971358,0.0004815953,0.0002512491,0.009554132],"category_scores_gemma":[0.00178106,0.0002012707,0.0003258152,0.001444821,0.001226757,0.0005483214,0.002197387,0.0006278295,0.001668449],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004148087,"about_ca_system_score_gemma":0.001953534,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05130576,"about_ca_topic_score_gemma":0.1610661,"domain_scores_codex":[0.9993238,0.000156047,0.00005600237,0.0001344159,0.000174998,0.0001547029],"domain_scores_gemma":[0.9991122,0.0001756596,0.0001841522,0.0001307331,0.0002883798,0.0001089244],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001369858,0.00008366348,0.1957987,0.0009985843,0.0001341792,0.002987424,0.515031,0.002090576,0.03180057,0.01316767,0.01815959,0.2183782],"study_design_scores_gemma":[0.00000720999,0.000122055,0.7726539,0.0002618497,0.00004703665,0.0004291758,0.07036724,0.0002253717,0.004199472,0.0002051041,0.1514418,0.00003977778],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8600792,0.0008738671,0.001319908,0.0003461722,0.0001647838,0.00003609709,0.001890142,0.00007642883,0.1352134],"genre_scores_gemma":[0.9403691,0.0004831636,0.0008123486,0.00004684749,0.00003016808,0.00002525862,0.001778242,0.00008444974,0.05637046],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05130576,"threshold_uncertainty_score":0.1020143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2199873787","doi":"10.7592/methis.v10i13.1308","title":"Literary contacts through the iron curtain","year":2014,"lang":"en","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Historical Geopolitical and Social Dynamics","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Estonian; Homeland; Diaspora; Intelligentsia; Iron Curtain; History; Publishing; National identity; Poetry; Media studies; Sociology; Political science; Literature; Law; Art; Politics; Cold war","authors":[{"name":"Marin Laak","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03320360255863771,"gpt":0.3272855170257754,"spread":0.2940819144671377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001348443,0.0005452769,0.0004185558,0.002342372,0.01740622,0.008728708,0.0006580204,0.001584131,0.0215458],"category_scores_gemma":[0.004472811,0.000249387,0.0001929646,0.001546615,0.006842711,0.004572056,0.008131647,0.002045629,0.005304684],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003453708,"about_ca_system_score_gemma":0.002128899,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004291027,"about_ca_topic_score_gemma":0.01320876,"domain_scores_codex":[0.9982942,0.0006801517,0.00006590056,0.0001822748,0.0003856988,0.0003917491],"domain_scores_gemma":[0.9981186,0.0006099069,0.0002689138,0.0001714335,0.0003486626,0.0004825722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001447818,0.00006562625,0.005315719,0.0001904725,0.00001636617,0.005087131,0.5429651,0.00009575702,0.0006971616,0.1593265,0.2164771,0.06961823],"study_design_scores_gemma":[0.000002460078,0.00001450638,0.001576618,0.000190092,0.000002873785,0.0005230888,0.05657871,0.00002652442,0.00009335838,0.001352841,0.9396338,0.000005204813],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1367522,0.008493856,0.0008843202,0.02021276,0.003576021,0.000027585,0.0001460888,0.0001540506,0.8297532],"genre_scores_gemma":[0.6579307,0.002483338,0.0003635516,0.002378967,0.0009765287,0.00002124424,0.0000802304,0.0001541238,0.3356113],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0215458,"threshold_uncertainty_score":0.07207787,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200347286","doi":"10.7592/methis.v22i27/28.18444","title":"Space as an Active Agent. On Performative Space in Estonian Contemporary Performing Arts / Ruum kui aktiivne agent. Performatiivsest ruumist Eesti nüüdisaegsetes etenduskunstides","year":2021,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Performative utterance; Performing arts; Space (punctuation); Art; Aesthetics; Visual arts; Philosophy; Linguistics","authors":[{"name":"Madli Pesti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07628668550306551,"gpt":0.3105257601435335,"spread":0.234239074640468,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001866986,0.0004877838,0.000224888,0.001439286,0.006478251,0.007381286,0.0006665737,0.0009393283,0.008370925],"category_scores_gemma":[0.001437326,0.0002345476,0.0003423455,0.001060598,0.01292833,0.003664522,0.006706572,0.001247134,0.001086079],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005600006,"about_ca_system_score_gemma":0.002082119,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02682626,"about_ca_topic_score_gemma":0.04470604,"domain_scores_codex":[0.9976712,0.00129491,0.000101397,0.0001803409,0.0003533268,0.0003987557],"domain_scores_gemma":[0.9988998,0.0004386785,0.0002225863,0.00007794335,0.000204297,0.0001566292],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001140171,0.00004676461,0.0100011,0.0003081841,0.00001365426,0.001062236,0.7970057,0.0004015467,0.001795569,0.1564525,0.003336878,0.02946197],"study_design_scores_gemma":[0.000009153749,0.0001150116,0.032807,0.0005739658,0.00003274809,0.0005814835,0.6513233,0.0006539232,0.001327809,0.00561608,0.3069147,0.00004480848],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6096762,0.003514361,0.004431977,0.002375186,0.0001658827,0.0000430505,0.0001055808,0.00005598386,0.3796318],"genre_scores_gemma":[0.9760611,0.0004647192,0.0003786816,0.00008736679,0.00001491311,0.00001978409,0.00003261195,0.00001612419,0.02292475],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02682626,"threshold_uncertainty_score":0.05334026,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4282964095","doi":"10.7592/methis.v23i29.19028","title":"Meisterlikud õpipoisid. Jaan Kaplinski ja tema hingesugulane Tomas Tranströmer / Masterful Servants: Jaan Kaplinski and his soulmate Tomas Tranströmer","year":2022,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Environmental Engineering and Cultural Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Nothing; Conversation; Philosophy; Linguistics; Epistemology","authors":[{"name":"Thomas Salumets","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0194422923439354,"gpt":0.22255113148534,"spread":0.2031088391414046,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007938675,0.0005476348,0.0002723848,0.0007470143,0.005219232,0.008587475,0.0006048469,0.001887609,0.2059419],"category_scores_gemma":[0.001913335,0.0003621286,0.0003488915,0.0008846228,0.001682557,0.004415323,0.005148696,0.003176075,0.08442163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00342725,"about_ca_system_score_gemma":0.002766774,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01132481,"about_ca_topic_score_gemma":0.03456174,"domain_scores_codex":[0.9991093,0.0001250807,0.00004070328,0.0001647023,0.000299724,0.000260334],"domain_scores_gemma":[0.9989767,0.0001274292,0.00007891987,0.00008434268,0.000314337,0.0004182323],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001590497,0.0001113273,0.004128436,0.0003154373,0.00001418688,0.0006483668,0.008533686,0.0001363945,0.001917323,0.113728,0.7014671,0.1688408],"study_design_scores_gemma":[0.000001899435,0.00001143572,0.001530285,0.00007024627,0.000002231292,0.0001597182,0.001999072,0.00004489737,0.0002292577,0.001122515,0.9948218,0.000006631609],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01657674,0.00563737,0.001733995,0.02531393,0.00612367,0.00006578827,0.000998038,0.0003577324,0.9431927],"genre_scores_gemma":[0.04113944,0.002207807,0.0008468146,0.002881819,0.0003218871,0.0000320276,0.0004005005,0.0001882589,0.9519814],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2059419,"threshold_uncertainty_score":0.6889442,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200275662","doi":"10.7592/methis.v22i27/28.18450","title":"Performativity of Gender by Early Modern Dancers on and off Stage. The Case of Elmerice Parts and Gerd Neggo / Soo performatiivsus esimeste moderntantsijate loomingus ja elus. Elmerice Partsi ja Gerd Neggo juhtumiuuring","year":2021,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","authors":[{"name":"Anne-Liis Maripuu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04531456063063161,"gpt":0.310616182355771,"spread":0.2653016217251394,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001715912,0.0002301444,0.0002183705,0.00101382,0.005102335,0.003186949,0.0005087618,0.0009778677,0.007246568],"category_scores_gemma":[0.001480715,0.0002530738,0.0002085299,0.0008147485,0.007884711,0.001309334,0.002449552,0.0009046303,0.0004654207],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002112782,"about_ca_system_score_gemma":0.0007174122,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03099237,"about_ca_topic_score_gemma":0.1059867,"domain_scores_codex":[0.9992864,0.0003139232,0.00002231181,0.00009016148,0.00008498133,0.0002024107],"domain_scores_gemma":[0.9991941,0.0003912726,0.0001507702,0.00006070772,0.00009503854,0.0001081104],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001270185,0.00002385388,0.02969994,0.00005234806,0.000008977957,0.002062781,0.9407389,0.00004046383,0.001595259,0.01211909,0.0006254768,0.01290589],"study_design_scores_gemma":[0.000005224139,0.00007700992,0.1206889,0.0001170835,0.00001045227,0.001274671,0.8532324,0.00005751748,0.0004936422,0.0006528643,0.02336716,0.00002300354],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9693255,0.0006053589,0.0001080497,0.0002722863,0.0000129699,0.000002978647,0.0000190373,0.000002693346,0.0296512],"genre_scores_gemma":[0.9909887,0.0001532242,0.00005939671,0.00004547013,0.000005587768,0.000002381726,0.00001022104,0.000004453479,0.008730619],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03099237,"threshold_uncertainty_score":0.06162393,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2908605431","doi":"10.7592/methis.v17i21/22.14586","title":"Opera across Borders: New Technologies and Mediatization / Piire ületav ooper: uued tehnoloogiad ja mediatiseerimine","year":2018,"lang":"en","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Opera; Liveness; Art; Humanities; Art history; Visual arts; Computer science","authors":[{"name":"Lauma Mellēna-Bartkeviča","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0287274197235747,"gpt":0.313235050766185,"spread":0.2845076310426103,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002071378,0.0003973347,0.0002608113,0.00122022,0.002276615,0.01217995,0.0007392929,0.001320248,0.01382562],"category_scores_gemma":[0.002577235,0.0002151173,0.0002692588,0.0008510372,0.00700925,0.008533278,0.006710268,0.002230798,0.001732619],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002399151,"about_ca_system_score_gemma":0.0009674841,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001900455,"about_ca_topic_score_gemma":0.001350675,"domain_scores_codex":[0.9983907,0.0007070152,0.00005798522,0.0002211446,0.0004665301,0.0001567135],"domain_scores_gemma":[0.9987957,0.0007239375,0.0001134987,0.0001283103,0.0001088239,0.0001297084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002549948,0.000149573,0.003422577,0.0009732458,0.00002602316,0.001877735,0.08446965,0.0006047995,0.005381947,0.4915114,0.03522117,0.3761069],"study_design_scores_gemma":[0.00001323589,0.0001193456,0.004570143,0.001026094,0.00001813065,0.001077409,0.04047626,0.0005971526,0.003563966,0.021111,0.9273855,0.00004186959],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.112088,0.05717779,0.01212732,0.02996183,0.002752125,0.00006725833,0.0001099214,0.0002727443,0.7854431],"genre_scores_gemma":[0.7754497,0.04152691,0.004353133,0.003496378,0.002127056,0.0001232156,0.0001297831,0.0003119388,0.1724819],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01382562,"threshold_uncertainty_score":0.0462513,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200393752","doi":"10.7592/methis.v22i27/28.18437","title":"Performativity, Performance and Perception / Performatiivsus, etendus ja taju","year":2021,"lang":"en","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"European Regional Development Fund; Tartu Ülikool; University of Toronto; Northwestern University; Harvard University; Eesti Teadusagentuur","keywords":"Performativity; Perception; Psychology; Sociology; Gender studies","authors":[{"name":"Raili Marling","is_ca":false},{"name":"Anneli Saro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03952172729190832,"gpt":0.2517479608273649,"spread":0.2122262335354566,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009913694,0.0002065534,0.0001466488,0.0005058738,0.001617042,0.003628256,0.000194283,0.0003146908,0.006793898],"category_scores_gemma":[0.003024751,0.0001263204,0.0001458047,0.0005191529,0.002088408,0.001659395,0.001210689,0.0007238083,0.0003672822],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004437676,"about_ca_system_score_gemma":0.0006264974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002278708,"about_ca_topic_score_gemma":0.003244679,"domain_scores_codex":[0.9996575,0.0001516023,0.00001793104,0.00004475436,0.0000795275,0.0000487992],"domain_scores_gemma":[0.9984204,0.0009046978,0.0002538826,0.00006851095,0.0001948108,0.0001577029],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009220598,0.0008499936,0.13808,0.0007816391,0.0002309654,0.001420132,0.2638692,0.0009868786,0.03237428,0.3258682,0.01389516,0.2207215],"study_design_scores_gemma":[0.00002243841,0.0002691671,0.6931467,0.0002737593,0.0001587306,0.0009616722,0.1878534,0.001321677,0.004454452,0.06026893,0.05118098,0.00008804143],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.8460538,0.003700056,0.002271048,0.005251708,0.0002570933,0.00001058696,0.0001052959,0.00002491179,0.1423255],"genre_scores_gemma":[0.9916503,0.0006420484,0.0002029857,0.0001092353,0.00005348653,0.000007717814,0.00001700331,0.00001420104,0.007303015],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.006793898,"threshold_uncertainty_score":0.02272779,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2625211274","doi":"10.7592/methis.v15i19.13434","title":"Festivalide funktsioon kodu- ja eksiileesti kultuurisuhtluse kujunemisloos / Role of cultural festivals in the development of cultural relations between the Estonian homeland and diaspora","year":2017,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Estonian; Diaspora; Homeland; Ethnic group; Politics; Sociology; Political science; History; Ethnology; Media studies; Gender studies; Anthropology; Law; Philosophy; Linguistics","authors":[{"name":"Triinu Ojamaa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07885050043412432,"gpt":0.3635467599513137,"spread":0.2846962595171894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006914311,0.0002243004,0.0001390284,0.0005690611,0.002482317,0.004773883,0.000372047,0.000267882,0.01738571],"category_scores_gemma":[0.0005658851,0.0001309042,0.0001885659,0.0006187747,0.002151264,0.0009282708,0.002631095,0.0005380846,0.001440624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002129639,"about_ca_system_score_gemma":0.001714699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0171231,"about_ca_topic_score_gemma":0.05791244,"domain_scores_codex":[0.9996632,0.0001034918,0.00001344793,0.00002726107,0.00003602395,0.0001565174],"domain_scores_gemma":[0.9995359,0.00009391327,0.00007502258,0.00003489027,0.00007119556,0.0001889254],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0008151431,0.000404843,0.2681252,0.001114781,0.00006882169,0.006510838,0.2829317,0.00113747,0.005821768,0.16138,0.02407387,0.2476155],"study_design_scores_gemma":[0.00001524498,0.0001544603,0.4542053,0.0005104116,0.00003558789,0.0007517827,0.2184305,0.0004270798,0.001605506,0.004577966,0.3192506,0.00003559723],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7670655,0.001979739,0.0006768969,0.001328046,0.0000708181,0.00002118839,0.0002504037,0.00003939028,0.2285681],"genre_scores_gemma":[0.9589089,0.0006207299,0.0002185335,0.00004698794,0.00001301388,0.00001090633,0.00007466379,0.00001234289,0.04009382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01738571,"threshold_uncertainty_score":0.05816102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200582952","doi":"10.7592/methis.v22i27/28.18445","title":"The Condition of Instability: Performative Turn and Contemporary Lithuanian Theatre / Ebastabiilsuse seisund: performatiivne pööre ja Leedu nüüdisteater","year":2021,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Lithuanian; Performative utterance; Humanities; Performativity; Theology; Sociology; Art; Philosophy; Aesthetics; Gender studies; Linguistics","authors":[{"name":"Jurgita Staniškytė","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03676731665255793,"gpt":0.2689370787232074,"spread":0.2321697620706495,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001971952,0.0003546729,0.0002815749,0.001212554,0.007886535,0.007091193,0.0006788242,0.0007795725,0.005258288],"category_scores_gemma":[0.001637878,0.0001782198,0.0002268404,0.00151995,0.01447471,0.001810339,0.006219456,0.001396729,0.000307817],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004338284,"about_ca_system_score_gemma":0.001713359,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009496077,"about_ca_topic_score_gemma":0.0135177,"domain_scores_codex":[0.9982487,0.0008744954,0.0000598532,0.000118993,0.000212427,0.0004855302],"domain_scores_gemma":[0.9993693,0.0002305921,0.0001380009,0.00007050927,0.00006943493,0.000122166],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000166518,0.00003410582,0.01151232,0.0001203677,0.00001368779,0.001705951,0.8883374,0.0002874328,0.001657519,0.07740935,0.001053126,0.01770226],"study_design_scores_gemma":[0.000009903099,0.0001280064,0.029668,0.0002183183,0.00001846543,0.001019838,0.9033821,0.0005146198,0.001606828,0.004504293,0.05888917,0.00004055982],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9431364,0.0004095195,0.001031355,0.0007667062,0.00004868638,0.00001555196,0.00002465405,0.0000162565,0.05455076],"genre_scores_gemma":[0.9970633,0.00005394255,0.00009688357,0.00002136742,0.000005426904,0.000005627921,0.000008337604,0.000006146234,0.00273888],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009496077,"threshold_uncertainty_score":0.03147656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2911102260","doi":"10.7592/methis.v17i21/22.14587","title":"The Director as Translator: The Case of Latvian Director Oļģerts Kroders / Lavastaja kui tõlkija: läti lavastaja Oļģerts Kroders","year":2018,"lang":"en","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Art; Humanities; Art history; Philosophy; Linguistics","authors":[{"name":"Vēsma Lēvalde","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0328818842940988,"gpt":0.3405654800693305,"spread":0.3076835957752316,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025169,0.0007473692,0.000401566,0.0009848394,0.02474927,0.0106707,0.001432939,0.004861552,0.01166463],"category_scores_gemma":[0.006249161,0.0004938269,0.0003686727,0.001385541,0.01303847,0.003893347,0.004851887,0.005432477,0.002425506],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008025428,"about_ca_system_score_gemma":0.004914872,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01392098,"about_ca_topic_score_gemma":0.03195871,"domain_scores_codex":[0.9949476,0.003349874,0.0001163447,0.0004289996,0.0004964918,0.0006607586],"domain_scores_gemma":[0.9972383,0.001664002,0.0002751803,0.00013184,0.0003088002,0.0003818046],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000762564,0.00003608771,0.001290427,0.0001347893,0.00000512407,0.01442306,0.9242079,0.00009048594,0.0008855508,0.0430583,0.008349135,0.007442873],"study_design_scores_gemma":[0.00001602895,0.00004696466,0.001459911,0.0003359748,0.000009825465,0.00340549,0.7250261,0.0002154301,0.0007061802,0.001686329,0.2670589,0.00003279659],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5929366,0.005651738,0.003190701,0.02079689,0.001330577,0.0001037352,0.00008865348,0.0001222764,0.3757789],"genre_scores_gemma":[0.9374865,0.000966345,0.0006632616,0.00149381,0.0002108198,0.00004232769,0.00004043631,0.000189449,0.05890702],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02474927,"threshold_uncertainty_score":0.05822879,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200403340","doi":"10.7592/methis.v22i27/28.18448","title":"Exploring Physiology-Based Interactions in Performing Art Using Artistic Interventions / Kunstiliste sekkumiste kasutamine füsioloogiapõhiste interaktsioonide uurimiseks etenduskunstis","year":2021,"lang":"en","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Action Observation and Synchronization","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Tartu Ülikool; Eesti Teadusagentuur","keywords":"Performing arts; Improvisation; Visual arts; Art; Dance; The arts; Humanities; Psychology; Aesthetics","authors":[{"name":"Taavet Jansen","is_ca":false},{"name":"Aleksander Väljamäe","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4906515486845224,"gpt":0.4257989725330352,"spread":0.06485257615148726,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001257604,0.000527253,0.0002898208,0.0005301898,0.0009956567,0.002834733,0.0006685418,0.0009050257,0.01646597],"category_scores_gemma":[0.00194531,0.0001800084,0.0004853447,0.0002710584,0.001873244,0.0009492497,0.002292752,0.0009199226,0.00165416],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000519976,"about_ca_system_score_gemma":0.0006184699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005730106,"about_ca_topic_score_gemma":0.001246694,"domain_scores_codex":[0.9993681,0.0002318611,0.00003133454,0.0001234137,0.0001660247,0.00007919815],"domain_scores_gemma":[0.9992338,0.0004623887,0.00006497141,0.00007456429,0.00007573244,0.0000885277],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.001884313,0.002800902,0.02132912,0.003022722,0.0001991124,0.001909823,0.09039811,0.004442031,0.355841,0.01777856,0.005321419,0.4950728],"study_design_scores_gemma":[0.000437697,0.01164924,0.3588652,0.001647418,0.0005562749,0.004743094,0.08759782,0.01842281,0.2668278,0.02733803,0.2213875,0.0005270787],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8826911,0.001095369,0.04320196,0.0011838,0.000238465,0.0004033689,0.0001997751,0.0004385081,0.07054771],"genre_scores_gemma":[0.9561086,0.0007204888,0.0216188,0.000340629,0.00006294475,0.0002876915,0.0001234114,0.00008508168,0.02065231],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01646597,"threshold_uncertainty_score":0.05508411,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}