{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"6e5329203ca2","filters":{"venue":"Mise au point"}},"results":[{"id":"W2621057079","doi":"10.4000/map.2333","title":"Pitreries nationales : Pousse mais pousse égal, une expérience de modernité vernaculaire québécoise","year":2017,"lang":"fr","type":"article","venue":"Mise au point","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernity; Vernacular; Constitution; Humanities; Art; Ethnology; Sociology; Literature; Political science; Law","authors":[{"name":"Sacha Lebel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1331221117952991,"gpt":0.4148003788740234,"spread":0.2816782670787242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002135615,0.0002910092,0.0002973987,0.00006297202,0.00392974,0.0002755294,0.000898631,0.000276175,0.0004774411],"category_scores_gemma":[0.002984395,0.0003205111,0.0001986144,0.0001565384,0.004045937,0.0009265348,0.0001076656,0.0002965952,0.000257825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000692289,"about_ca_system_score_gemma":0.002995594,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05914385,"about_ca_topic_score_gemma":0.0317467,"domain_scores_codex":[0.9973274,0.000517268,0.0004015562,0.0005114952,0.0005071666,0.0007351135],"domain_scores_gemma":[0.9974239,0.0008449574,0.0004500255,0.0005848272,0.0003586827,0.000337648],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002330624,0.0004378503,0.03839249,0.0000958682,0.0001112289,0.00003108069,0.4349887,0.0001119977,0.0001729695,0.502261,0.008612411,0.01476099],"study_design_scores_gemma":[0.0009776992,0.0001370951,0.2732409,0.0004946101,0.0001729943,0.00006407336,0.3205521,0.0008876276,0.0002013133,0.1426547,0.2595293,0.001087614],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.799521,0.002875428,0.0007502363,0.1444297,0.003030467,0.000253213,0.00006072746,0.00008302627,0.04899624],"genre_scores_gemma":[0.9656901,0.001548524,0.002295032,0.001112023,0.003218969,0.00007655268,0.00002989503,0.00003301904,0.02599583],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3596064,"threshold_uncertainty_score":0.9999247,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2344002375","doi":"10.4000/map.2081","title":"De quelques problèmes épistémologiques dans la théorie du cinéma","year":2016,"lang":"fr","type":"article","venue":"Mise au point","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Martin Lefebvre","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009871986825514531,"gpt":0.256796483214671,"spread":0.2469244963891565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001676724,0.0002494659,0.0002644196,0.000006017841,0.000612402,0.0001190623,0.0004367233,0.0005731385,0.001219459],"category_scores_gemma":[0.0003832231,0.0001650807,0.0002792619,0.0001981978,0.001993311,0.0003962558,0.000103806,0.0002238399,0.0002606291],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008655418,"about_ca_system_score_gemma":0.0007235886,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003150693,"about_ca_topic_score_gemma":0.002077106,"domain_scores_codex":[0.9971861,0.00112941,0.0002717882,0.0003747546,0.0003067511,0.0007311699],"domain_scores_gemma":[0.9988444,0.0003615855,0.0001410966,0.0002585026,0.0001315722,0.0002628367],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001681242,0.0001946005,0.007090122,0.00005749418,0.00007627712,0.00007367838,0.1070626,0.000001408439,0.001526574,0.8167375,0.05416489,0.01299797],"study_design_scores_gemma":[0.0003302914,0.0001161648,0.001858444,0.0003137876,0.00006185348,0.0000301152,0.01623634,0.000004548785,0.003493927,0.3792548,0.5979598,0.0003399788],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09206707,0.005170293,0.002137504,0.2341244,0.001361383,0.000405564,0.00006683623,0.0003536459,0.6643133],"genre_scores_gemma":[0.8077068,0.009063037,0.002271784,0.00236018,0.002152561,0.00006924236,0.000003989304,0.00003424947,0.1763381],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7156398,"threshold_uncertainty_score":0.9996936,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385271598","doi":"10.4000/map.6332","title":"Frédérique Berthet et Marion Froger (dir.), Le Partage de l’intime. Histoire, esthétique, politique : cinéma, Montréal, Presses de l’université de Montréal, 2018, 198 p.","year":2023,"lang":"fr","type":"article","venue":"Mise au point","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Raphaël Jaudon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00864028805895509,"gpt":0.1883863036035923,"spread":0.1797460155446372,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005371111,0.0005349695,0.0007185478,0.0001404591,0.005299808,0.0002015607,0.0003869549,0.0003601568,0.003621367],"category_scores_gemma":[0.0001184818,0.0004965647,0.0006960445,0.0001901144,0.0004877736,0.0003233724,0.0004219332,0.0005161601,0.0005792433],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008008717,"about_ca_system_score_gemma":0.0002181912,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6218492,"about_ca_topic_score_gemma":0.4310118,"domain_scores_codex":[0.9967576,0.0004702442,0.0005377113,0.0005832923,0.000336236,0.0013149],"domain_scores_gemma":[0.9983513,0.0002480471,0.0002439098,0.0004301104,0.0001862637,0.0005403852],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008902271,0.0003216898,0.0007518125,0.0001527497,0.0004344792,0.0005263247,0.09309792,0.0005842272,0.0002749525,0.01914061,0.8823991,0.002227143],"study_design_scores_gemma":[0.0006166561,0.0001384788,0.001740462,0.0001436094,0.0003584161,0.00002915037,0.008946257,0.001154179,0.0002204989,0.007155871,0.978879,0.0006174668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.2484077,0.2008806,0.0003055726,0.5244516,0.0006542943,0.0005083607,0.0004768875,0.0004572585,0.02385766],"genre_scores_gemma":[0.09444894,0.2073266,0.0002636027,0.002327394,0.0009648793,0.000115295,0.0002541803,0.0001242984,0.6941748],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6703171,"threshold_uncertainty_score":0.9997486,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W148418408","doi":"10.4000/map.1663","title":"Vincent Bouchard. Pour un cinéma léger et synchrone ! Invention d’un dispositif à l’Office national du film à Montréal","year":2014,"lang":"fr","type":"article","venue":"Mise au point","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Humanities; Art history","authors":[{"name":"Martín Goutte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05651753463747748,"gpt":0.2543402884916804,"spread":0.1978227538542029,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006103448,0.0003936929,0.0003260508,0.00009104701,0.0003629838,0.001153193,0.0004429064,0.0001652175,0.0004610777],"category_scores_gemma":[0.0002884741,0.000327942,0.0002684587,0.0003008939,0.0001321799,0.002447104,0.0004425243,0.0002575276,0.001296818],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006730929,"about_ca_system_score_gemma":0.000296951,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005317641,"about_ca_topic_score_gemma":0.0007164365,"domain_scores_codex":[0.997187,0.0002428475,0.0005205765,0.0006355459,0.0007536605,0.0006603313],"domain_scores_gemma":[0.9981899,0.0001739957,0.0002469546,0.0004232906,0.0004568929,0.0005090295],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001242693,0.002014296,0.0001826174,0.0001508572,0.0002127826,0.0002436013,0.007171188,0.004677545,0.006071991,0.7358086,0.1024002,0.140942],"study_design_scores_gemma":[0.002964397,0.0006444983,0.06375575,0.000681624,0.0001000694,0.0008634098,0.0001567634,0.3360069,0.009689164,0.03718514,0.5466865,0.001265823],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4090602,0.005172572,0.2997397,0.1658784,0.004778767,0.0008156726,0.0001498366,0.000372811,0.1140321],"genre_scores_gemma":[0.9769386,0.0001324671,0.002114384,0.00539711,0.0008851474,0.00001498135,0.00009136205,0.00002830462,0.01439764],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6986234,"threshold_uncertainty_score":0.9999173,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1831702852","doi":"10.4000/map.1450","title":"Germain, Lacasse. Johanne, Massé. Bethsabée, Poirier. Le diable en Ville. Alexandre Silvio et l’émergence de la modernité populaire au Québec","year":2013,"lang":"fr","type":"article","venue":"Mise au point","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Claude Forest","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01031935043587357,"gpt":0.2345158634071408,"spread":0.2241965129712672,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005787634,0.0006748654,0.0006582118,0.00009519175,0.001740099,0.0006928201,0.0004209852,0.0003925471,0.004580096],"category_scores_gemma":[0.0001463982,0.0005741404,0.000389174,0.0001261463,0.0007470059,0.001005145,0.0002691493,0.0007990313,0.0007170825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005918791,"about_ca_system_score_gemma":0.001144273,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4666318,"about_ca_topic_score_gemma":0.1889659,"domain_scores_codex":[0.9965988,0.0005565911,0.0006251817,0.0006367706,0.0003763431,0.001206359],"domain_scores_gemma":[0.9982941,0.0002385713,0.0002124646,0.0005370306,0.0003239589,0.0003939154],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004818773,0.0005918904,0.002998293,0.0004609975,0.0004739726,0.0001358679,0.2791872,0.000118414,0.0003789591,0.2613216,0.4497527,0.004531903],"study_design_scores_gemma":[0.0007931578,0.0001765678,0.005225849,0.0004837129,0.0002030056,0.00005589014,0.03902294,0.0002263598,0.0003889287,0.0113164,0.9412072,0.0009000273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4165059,0.06347392,0.0001667,0.09060109,0.002259357,0.0009992348,0.0004591238,0.000280955,0.4252537],"genre_scores_gemma":[0.8020608,0.0009366297,0.0001841857,0.003794655,0.002264669,0.0001928262,0.00006530789,0.00009098771,0.1904099],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4914545,"threshold_uncertainty_score":0.999671,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2908915070","doi":"10.4000/map.3270","title":"Serge Cardinal, Profondeurs de l’écoute et espaces du son. Cinéma, radio, musique, Strasbourg, Presses Universitaires de Strasbourg, collection Formes Cinématographiques, 2018","year":2018,"lang":"fr","type":"article","venue":"Mise au point","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Art history","authors":[{"name":"Martín Barnier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06246674636987405,"gpt":0.2777607154303366,"spread":0.2152939690604626,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006811907,0.0006493532,0.0005656977,0.0003433186,0.0008683064,0.001830822,0.0007425478,0.0003663423,0.000312895],"category_scores_gemma":[0.0001612662,0.000575278,0.0004060575,0.001039105,0.0006997313,0.005204579,0.0003825062,0.0003883154,0.00005591091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007686813,"about_ca_system_score_gemma":0.001620895,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02404553,"about_ca_topic_score_gemma":0.01086653,"domain_scores_codex":[0.9962896,0.0003774469,0.0004931976,0.0008417143,0.0005019348,0.001496151],"domain_scores_gemma":[0.9973598,0.000161956,0.0003550657,0.0006533057,0.000583926,0.0008859244],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002837243,0.0006964901,0.008564636,0.0003464611,0.000561662,0.0007672657,0.02629399,0.0003856852,0.005171928,0.07954904,0.8687362,0.008642898],"study_design_scores_gemma":[0.003398557,0.004661614,0.1136384,0.001799489,0.0006105235,0.004153915,0.005531174,0.01868019,0.06161169,0.05490438,0.7280434,0.002966717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6670777,0.01027487,0.0675601,0.0782487,0.003863662,0.001762639,0.0002163888,0.0009537693,0.1700422],"genre_scores_gemma":[0.9724815,0.002431107,0.00527474,0.001362151,0.0009371152,0.00001938846,0.00003462296,0.00006121604,0.01739817],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3054038,"threshold_uncertainty_score":0.9996698,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W35649875","doi":"10.4000/map.1645","title":"Revisiting Mitry’s Esthétique et Psychologie du Cinéma at Fifty","year":2014,"lang":"fr","type":"article","venue":"Mise au point","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Martin Lefebvre","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03310347671498733,"gpt":0.284777634654985,"spread":0.2516741579399976,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001244576,0.0003840343,0.0004159943,0.00005728006,0.000931485,0.0002500608,0.0002765165,0.0001928837,0.007021676],"category_scores_gemma":[0.0002423132,0.0003281079,0.000313072,0.00004142042,0.0004131861,0.0002824408,0.0002038556,0.0004017921,0.003039385],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001491166,"about_ca_system_score_gemma":0.00004634301,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004321682,"about_ca_topic_score_gemma":0.0007511811,"domain_scores_codex":[0.9976499,0.0005329453,0.0004781215,0.000497775,0.0001976163,0.0006436541],"domain_scores_gemma":[0.998742,0.0002374117,0.0002022877,0.0004833238,0.0001200843,0.0002148806],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008814123,0.0002161499,0.0002923355,0.0002903864,0.0000805345,0.00007175076,0.04893341,0.00002951742,0.0005113054,0.7708293,0.1546773,0.02397983],"study_design_scores_gemma":[0.0006140648,0.0002531146,0.000783904,0.0005228696,0.00007732107,0.00006616968,0.001849082,0.0001451074,0.0005109879,0.0108114,0.9838985,0.0004674412],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3822603,0.005793625,0.0002382008,0.06923334,0.002557815,0.000297012,0.00006784491,0.0002001505,0.5393517],"genre_scores_gemma":[0.7878611,0.0008378316,0.0001992628,0.01161852,0.007378726,0.00002483999,0.00005911829,0.00007267453,0.1919479],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8292212,"threshold_uncertainty_score":0.9999171,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3098984683","doi":"10.4000/map.3981","title":"Le cinéma irlandais à la conquête de l’Europe","year":2020,"lang":"fr","type":"article","venue":"Mise au point","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Isabelle Le Corff","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01985156208747992,"gpt":0.260546884243071,"spread":0.2406953221555911,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003954,0.0001461976,0.0002467915,0.00001472584,0.0005186196,0.0001018147,0.0002223774,0.0001083989,0.0004683702],"category_scores_gemma":[0.0003769933,0.0001645543,0.0001142069,0.0003275043,0.0006590167,0.0001428364,0.0001326522,0.0002078781,0.000873754],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006273093,"about_ca_system_score_gemma":0.0006125256,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00977619,"about_ca_topic_score_gemma":0.0009550584,"domain_scores_codex":[0.9984518,0.0002750214,0.0002049733,0.0002765235,0.0002228392,0.0005688451],"domain_scores_gemma":[0.9992959,0.000109782,0.00006836576,0.00009679336,0.00009311721,0.0003359782],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003498832,0.0001190443,0.004198773,0.00009819257,0.00008027356,0.0004961597,0.05704645,0.000009700126,0.0002294414,0.01179817,0.9026356,0.02325316],"study_design_scores_gemma":[0.0005299349,0.00009514011,0.006953432,0.00006612771,0.00004149068,0.00001437866,0.005794902,0.00005435116,0.000291812,0.0002139208,0.9857291,0.0002154126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07490004,0.006682214,0.000130717,0.2292853,0.0005935704,0.0001396911,0.0000372635,0.00008348042,0.6881477],"genre_scores_gemma":[0.9674688,0.002894809,0.0002004061,0.007210284,0.001613568,0.00000821904,0.000004065356,0.00002242824,0.02057744],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8925688,"threshold_uncertainty_score":0.9999042,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2342725211","doi":"10.4000/map.2047","title":"Film Studies and the Philosophy of Science: Bordwellian Paradigms and Marxist Quarrels","year":2016,"lang":"en","type":"article","venue":"Mise au point","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Julien Lapointe","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03964185199012284,"gpt":0.248331395394636,"spread":0.2086895434045131,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006935776,0.00009440364,0.000337195,0.00009305773,0.0001922177,0.00001478194,0.0001029219,0.0000197057,0.00001890881],"category_scores_gemma":[0.0003525999,0.00005274588,0.00004028303,0.000122478,0.002470067,0.00009940184,0.0001119353,0.00003476767,0.00002073107],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000033745,"about_ca_system_score_gemma":0.00001655395,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009777059,"about_ca_topic_score_gemma":0.00003024478,"domain_scores_codex":[0.999245,0.000007646669,0.0002878839,0.0002402114,0.0000356351,0.0001836227],"domain_scores_gemma":[0.9993938,0.0001763081,0.0001462575,0.0001965148,0.00003092359,0.00005625496],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001132109,0.00004240729,0.05261087,0.0001684345,0.0001531908,0.000003473964,0.0168839,7.125238e-7,0.0001631348,0.9193589,0.002738092,0.007763688],"study_design_scores_gemma":[0.007073007,0.0002827094,0.121777,0.0003270562,0.00004868146,0.0000162023,0.005294266,0.00009128557,0.00137025,0.7944335,0.0687783,0.0005077721],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8886974,0.05118467,0.0001036932,0.03434343,0.0005291529,0.0003027455,0.00005541813,0.00001461306,0.02476883],"genre_scores_gemma":[0.9907919,0.008192091,0.00007331141,0.0001552872,0.00007437714,0.00001815647,1.729985e-7,0.000005544828,0.0006891128],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1249254,"threshold_uncertainty_score":0.9101067,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2905376096","doi":"10.4000/map.3278","title":"« C’est Félix Leclerc qui vous parle »Jeux fictionnels et rencontres audiovisuelles dans Félix Leclerc, troubadour de Claude Jutra","year":2018,"lang":"fr","type":"article","venue":"Mise au point","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Thomas Carrier-Lafleur","is_ca":false},{"name":"Guillaume Lavoie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03600509554700052,"gpt":0.2647930954334921,"spread":0.2287879998864916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000667966,0.0006408813,0.0006789061,0.0001570318,0.002271589,0.001400757,0.0005567607,0.0003674759,0.01080517],"category_scores_gemma":[0.0001489071,0.0006223509,0.0005664231,0.0001338047,0.001463519,0.001171107,0.0002136195,0.0006503754,0.002958567],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005774901,"about_ca_system_score_gemma":0.000318386,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.07259678,"about_ca_topic_score_gemma":0.3567627,"domain_scores_codex":[0.9962975,0.000391302,0.0008435812,0.0007640429,0.0004426653,0.001260944],"domain_scores_gemma":[0.9980713,0.0001576216,0.0002999419,0.000669321,0.0003612554,0.0004405288],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003592442,0.001553471,0.0008623414,0.0005378018,0.0005731347,0.0002976307,0.4372882,0.0001161427,0.01081505,0.225379,0.3152552,0.006962746],"study_design_scores_gemma":[0.0019047,0.0008651249,0.004897504,0.0009198435,0.0004284,0.0001237428,0.07256061,0.0003821196,0.003672972,0.0124364,0.9006863,0.001122293],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8453948,0.007246596,0.0004900345,0.01950547,0.004030865,0.0006180381,0.0004879041,0.0003526853,0.1218736],"genre_scores_gemma":[0.8120941,0.001807483,0.0002536688,0.001272804,0.006612327,0.00004874128,0.00007593455,0.00008753176,0.1777474],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.585431,"threshold_uncertainty_score":0.9996359,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385276328","doi":"10.4000/map.6442","title":"Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement","year":2023,"lang":"fr","type":"article","venue":"Mise au point","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Benjamin Campion","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2440282217663195,"gpt":0.3245957282330822,"spread":0.08056750646676272,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006928162,0.000386365,0.0004317822,0.00007371926,0.0003653627,0.001609731,0.0005514903,0.0001695156,0.00008072048],"category_scores_gemma":[0.0005638154,0.0003015356,0.0002246677,0.0004489741,0.0003059968,0.002250828,0.0005969773,0.0001829667,0.0005332466],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001557969,"about_ca_system_score_gemma":0.0004099989,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0136474,"about_ca_topic_score_gemma":0.001380498,"domain_scores_codex":[0.9976523,0.0002676636,0.0004998349,0.0005806819,0.0003602663,0.0006392879],"domain_scores_gemma":[0.9983655,0.000367658,0.0001476451,0.0005360945,0.0002136559,0.0003694571],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005104126,0.0004998153,0.0004574869,0.0006655849,0.0001340963,0.001228117,0.08949959,0.0001876511,0.004300252,0.552286,0.3166682,0.03402217],"study_design_scores_gemma":[0.001084,0.0003543156,0.009760952,0.001126894,0.00003480723,0.0002229237,0.008046197,0.005433627,0.007766458,0.02121404,0.9440445,0.0009112494],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.3645389,0.01153675,0.01361823,0.4015393,0.002481722,0.00112206,0.0001529978,0.0008616482,0.2041483],"genre_scores_gemma":[0.8696195,0.0006274949,0.00034072,0.001038897,0.0003208209,0.00003071549,0.00003053805,0.00002685795,0.1279644],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6273763,"threshold_uncertainty_score":0.9999437,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2896876657","doi":"10.4000/map.2767","title":"Imaginaire du scenario de court métrage","year":2018,"lang":"fr","type":"article","venue":"Mise au point","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Sophie Beauparlant","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01760378301679558,"gpt":0.2584564626005892,"spread":0.2408526795837936,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004103748,0.0002660606,0.0002965333,0.00009703726,0.0009057662,0.0004737371,0.0002371937,0.00008722638,0.01470528],"category_scores_gemma":[0.0001562503,0.0002507646,0.0002682132,0.00004912337,0.001168843,0.0001307283,0.000091946,0.0001932132,0.002124888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002612372,"about_ca_system_score_gemma":0.0003842092,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02048269,"about_ca_topic_score_gemma":0.01210462,"domain_scores_codex":[0.9983999,0.00006642571,0.0003285624,0.0003286632,0.0002229541,0.0006534847],"domain_scores_gemma":[0.998762,0.00005650826,0.0001199124,0.0004070157,0.000384557,0.0002700412],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004978966,0.000503436,0.001278298,0.0001246564,0.0003449253,0.0003962733,0.03777408,0.00001849803,0.00003868506,0.6786767,0.2736206,0.007173992],"study_design_scores_gemma":[0.000411877,0.0001749203,0.0003329592,0.000166775,0.0005803368,0.00002430792,0.002826638,0.005902901,0.0002056486,0.01182743,0.9771816,0.0003645694],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03637198,0.005132427,0.0008180485,0.04798187,0.003293244,0.0001415896,0.0001426801,0.00007479805,0.9060434],"genre_scores_gemma":[0.8484913,0.000463239,0.0002762211,0.001625399,0.02101149,0.000006414091,0.00002348824,0.00004295583,0.1280595],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8121194,"threshold_uncertainty_score":0.9999945,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4319779061","doi":"10.4000/map.6204","title":"Un coming-of-age métis à la française ?Lecture intersectionnelle de récits diasporiques en mouvement dans 35 Rhums (Claire Denis, 2008) et Khamsa (Karim Dridi, 2008)","year":2022,"lang":"fr","type":"article","venue":"Mise au point","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Léonard Cortana","is_ca":false},{"name":"Leïla Tazir","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01297729152724695,"gpt":0.2680219167115994,"spread":0.2550446251843524,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001588834,0.0004069413,0.0005877431,0.00007151788,0.002267787,0.00007329149,0.0005299626,0.0002532443,0.002408919],"category_scores_gemma":[0.0004667883,0.0003922089,0.0003819449,0.0004663016,0.0008491524,0.0001280575,0.0005535498,0.0007775743,0.00002634151],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001553026,"about_ca_system_score_gemma":0.0004190798,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.09253386,"about_ca_topic_score_gemma":0.02898576,"domain_scores_codex":[0.9960132,0.001348935,0.0005914886,0.0005173092,0.0006956997,0.0008333893],"domain_scores_gemma":[0.9985169,0.0004779184,0.0003131993,0.0002666891,0.0001598201,0.0002654548],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009170925,0.0006081909,0.007564035,0.0001038084,0.0004597783,0.000328299,0.9196804,0.0006370732,0.0003361779,0.02198901,0.04021666,0.007984851],"study_design_scores_gemma":[0.001631761,0.0006946982,0.01216864,0.0003541037,0.0004340635,0.00004619894,0.3532569,0.0002934196,0.002131394,0.01060252,0.6172847,0.001101513],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9191027,0.024105,0.003567962,0.01932021,0.004534788,0.0009170802,0.0003220252,0.0001973298,0.02793289],"genre_scores_gemma":[0.979413,0.00228961,0.0007447912,0.0008064187,0.0008149881,0.0001201359,0.00004282621,0.00004069234,0.01572754],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5770681,"threshold_uncertainty_score":0.999853,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2900787554","doi":"10.4000/map.2991","title":"Silent Bilingualism in Olivier Masset-Depasse’s film Illégal","year":2018,"lang":"fr","type":"article","venue":"Mise au point","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Neuroscience of multilingualism; Immigration; Silence; Power (physics); Sociology; Perspective (graphical); State (computer science); Race (biology); Gender studies; Political science; Linguistics; Aesthetics; Law; Art; Philosophy","authors":[{"name":"Anna Dimitrova","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03247175617350991,"gpt":0.3225235851338036,"spread":0.2900518289602937,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001070869,0.0002935847,0.0004223115,0.00005345926,0.0008043308,0.00008382329,0.0003186721,0.0002875858,0.002038266],"category_scores_gemma":[0.001327521,0.0002520315,0.0001966789,0.0004207779,0.001665158,0.00013789,0.0001955001,0.0003023256,0.001335481],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009282343,"about_ca_system_score_gemma":0.0003625854,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04343014,"about_ca_topic_score_gemma":0.02928242,"domain_scores_codex":[0.9971976,0.0003611985,0.0005010629,0.0004731429,0.0005042332,0.0009627141],"domain_scores_gemma":[0.9988169,0.0002419838,0.0001483919,0.0002368312,0.0002978838,0.0002580006],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005865815,0.0006267352,0.02087099,0.0001340293,0.0002196239,0.0002799121,0.7910107,0.00001077936,0.0001262661,0.09588685,0.06153989,0.02923561],"study_design_scores_gemma":[0.0007913487,0.0002219549,0.009755002,0.0003347181,0.0000909611,0.000005542735,0.04968236,0.0001811388,0.0002537065,0.01973003,0.9182709,0.0006822788],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6670234,0.007475168,0.00003289662,0.02298514,0.008815872,0.0004472336,0.00004844452,0.00007998599,0.2930918],"genre_scores_gemma":[0.9242071,0.001076963,0.0003467778,0.001043686,0.006174646,0.0000221774,0.000006079214,0.00002173799,0.06710085],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8567311,"threshold_uncertainty_score":0.9999932,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2727363330","doi":"10.4000/map.2123","title":"Une discussion à propos des Gender Studies","year":2016,"lang":"fr","type":"article","venue":"Mise au point","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Psychology; Philosophy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.06064621847148569,"gpt":0.3232000507450132,"spread":0.2625538322735275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008036847,0.0002358199,0.0002728804,0.00002492352,0.0009846531,0.00004508894,0.0002539216,0.0001814812,0.0008720726],"category_scores_gemma":[0.0002187398,0.0001160241,0.0002469532,0.0003690121,0.002561709,0.0004625598,0.0001471882,0.0001076329,0.001783416],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006374881,"about_ca_system_score_gemma":0.0002792436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001697837,"about_ca_topic_score_gemma":0.001515176,"domain_scores_codex":[0.9978406,0.000331667,0.0002893065,0.0003750764,0.0004200893,0.0007432884],"domain_scores_gemma":[0.9990622,0.0001250089,0.0001105101,0.0002815108,0.0001628587,0.000257909],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003568871,0.0002684877,0.004624024,0.0003018501,0.0002736053,0.00004554429,0.5406635,0.000001126765,0.001708549,0.02337398,0.160466,0.2682376],"study_design_scores_gemma":[0.001315634,0.0002556025,0.01017923,0.001171387,0.0002310295,0.00001151808,0.180591,0.000006611498,0.002652489,0.1006452,0.7020926,0.0008476501],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5221744,0.03337608,0.001129842,0.3664573,0.01060466,0.001152233,0.0001593979,0.0002562899,0.06468981],"genre_scores_gemma":[0.6808072,0.003981966,0.0007806175,0.000602751,0.001267068,0.00002427205,0.000002425179,0.00003009082,0.3125037],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5416266,"threshold_uncertainty_score":0.9989938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2344291143","doi":"10.4000/map.2242","title":"Présentation de « Théorie de la communication versus structuralisme » de C. Metz","year":2016,"lang":"fr","type":"article","venue":"Mise au point","topic":"University-Industry-Government Innovation Models","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Presentation (obstetrics); Structuralism (philosophy of science); Philosophy; Psychoanalysis; Epistemology; Psychology; Medicine","authors":[{"name":"Martin Lefebvre","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02229303923150109,"gpt":0.2588999572198545,"spread":0.2366069179883535,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009173209,0.000210842,0.0001563994,0.0001513881,0.0003169797,0.0002533687,0.0003906854,0.0003349962,0.001348758],"category_scores_gemma":[0.0003288343,0.000205768,0.00008021937,0.0003594775,0.0001914515,0.0018933,0.0002492803,0.00031861,0.0001495661],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001969082,"about_ca_system_score_gemma":0.0002168188,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002163031,"about_ca_topic_score_gemma":0.0001402768,"domain_scores_codex":[0.9985479,0.0001686469,0.0002740012,0.0002385082,0.0003001391,0.000470882],"domain_scores_gemma":[0.9986864,0.0002764139,0.0003543738,0.0004247781,0.0002138508,0.00004415797],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008180163,0.0003493048,0.09714128,0.0004271592,0.0004466823,0.00007772359,0.003051304,0.001156146,0.0246976,0.7212791,0.1032887,0.04726702],"study_design_scores_gemma":[0.0179854,0.00009335138,0.1256973,0.001864162,0.001278027,0.00004687827,0.009314558,0.01907136,0.01672049,0.1615143,0.6444386,0.00197553],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8816617,0.0001992682,0.01965808,0.05862121,0.0009300595,0.0003060366,0.000026624,0.0001262013,0.03847081],"genre_scores_gemma":[0.9853877,0.00009461649,0.003850903,0.001283207,0.000947586,0.00000793412,0.00004381582,0.000035072,0.008349187],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5597648,"threshold_uncertainty_score":0.9995642,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416253508","doi":"10.4000/154x8","title":"Vincent Bouchard, Cinema Van, propagande et résistance en Afrique coloniale (1930-1960), Ottawa, Presses de l’Université d’Ottawa, 2023, 365 pages.","year":2025,"lang":"fr","type":"article","venue":"Mise au point","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Hollywood; Exoticism","authors":[{"name":"Martín Barnier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009063917423909093,"gpt":0.2446644131598872,"spread":0.2356004957359781,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001154796,0.0004482359,0.0006056802,0.00009755058,0.00152819,0.0000896878,0.0006681852,0.000337663,0.002120167],"category_scores_gemma":[0.0004279067,0.0004547409,0.0002812787,0.000723167,0.001016923,0.0003844525,0.0002163936,0.0005179467,0.0002587736],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003280883,"about_ca_system_score_gemma":0.001423854,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004862981,"about_ca_topic_score_gemma":0.06330801,"domain_scores_codex":[0.996442,0.0009376237,0.0004807164,0.0007165191,0.0004628699,0.0009603067],"domain_scores_gemma":[0.9984399,0.0002919653,0.0002921082,0.0004212807,0.0002666967,0.0002880604],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001521813,0.000590675,0.002826765,0.0004814113,0.0003638855,0.0002775731,0.1507192,0.0001121239,0.002181135,0.08958817,0.7498912,0.002815612],"study_design_scores_gemma":[0.0007179129,0.0001295474,0.005291468,0.000448224,0.0002604863,0.000005029667,0.02263438,0.00001617509,0.001295006,0.00364645,0.9650835,0.0004718478],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02575558,0.065338,0.001845833,0.1502711,0.003037677,0.001457407,0.0002439084,0.0002438795,0.7518066],"genre_scores_gemma":[0.7561048,0.008964241,0.0003624664,0.001861143,0.0006235437,0.00009559168,0.00001664611,0.00003198526,0.2319396],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7303492,"threshold_uncertainty_score":0.9997904,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391549697","doi":"10.4000/map.7113","title":"Corps sensibles, corps contraints, corps émancipés : les adolescents face au cinéma","year":2023,"lang":"fr","type":"article","venue":"Mise au point","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Alice Gallois","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1779521085484765,"gpt":0.4005388309878239,"spread":0.2225867224393474,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.004230227,0.0004544381,0.00056937,0.0001886663,0.001970429,0.00009886036,0.0005286568,0.0005644785,0.0005459409],"category_scores_gemma":[0.001377166,0.0005156078,0.0002912778,0.001049727,0.00297241,0.0002778032,0.0001226463,0.0006175647,0.001949355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009415664,"about_ca_system_score_gemma":0.001784792,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0119329,"about_ca_topic_score_gemma":0.00596476,"domain_scores_codex":[0.9949773,0.001369515,0.0007512535,0.000788095,0.0006656577,0.00144821],"domain_scores_gemma":[0.9969613,0.001171637,0.000439709,0.0004571704,0.0004084827,0.0005617127],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.00006110261,0.001009248,0.2322205,0.0006993441,0.0004348487,0.0001584532,0.3521304,0.0003286097,0.001782701,0.2585845,0.1021783,0.0504119],"study_design_scores_gemma":[0.001999874,0.0001998145,0.4677542,0.001373505,0.0002149773,0.00004793495,0.3072553,0.0004488417,0.0001693023,0.01008563,0.2092681,0.001182574],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8975203,0.001732756,0.0004924022,0.06227131,0.0131398,0.0009015535,0.0002249208,0.0004211933,0.02329577],"genre_scores_gemma":[0.9549062,0.00112041,0.0002714835,0.001118505,0.005648316,0.00005041593,0.0002431055,0.00006435026,0.03657724],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2484989,"threshold_uncertainty_score":0.999741,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2076209600","doi":"10.4000/map.910","title":"Regarder les Simpson ou Regarder \"avec\" les Simpson","year":2011,"lang":"fr","type":"article","venue":"Mise au point","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Philippe Lavat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07869669626024745,"gpt":0.2691028643954493,"spread":0.1904061681352019,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000517678,0.0005799293,0.0006463343,0.0002204836,0.001151522,0.0004178624,0.000450846,0.0002986901,0.04457588],"category_scores_gemma":[0.0002758226,0.000516549,0.0006191711,0.00008033856,0.0007616627,0.0001820343,0.0001967791,0.0004468447,0.00109561],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001842093,"about_ca_system_score_gemma":0.0001798274,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03967386,"about_ca_topic_score_gemma":0.01862743,"domain_scores_codex":[0.9969784,0.0001619994,0.0007565427,0.0007374632,0.0004477317,0.0009178345],"domain_scores_gemma":[0.9978289,0.00009885961,0.0003311454,0.0009011379,0.0004880732,0.0003518916],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001734237,0.001214334,0.001576392,0.0004107146,0.001045778,0.0004409867,0.08944267,0.00008213901,0.00002082391,0.7530059,0.114108,0.03847893],"study_design_scores_gemma":[0.0007187761,0.0002330535,0.0006547696,0.0002950847,0.001095354,0.00001126309,0.01336659,0.001052044,0.00050873,0.01445888,0.9668073,0.0007981299],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03342953,0.01641057,0.0004557762,0.007216639,0.002503608,0.000318309,0.0002518888,0.000142738,0.939271],"genre_scores_gemma":[0.6964141,0.001190407,0.0003971423,0.000555228,0.005732753,0.00002130381,0.0000669814,0.0001068734,0.2955152],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8526994,"threshold_uncertainty_score":0.9997286,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}