{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":17,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":17,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"a634938e0f3f","filters":{"venue":"Modernism/modernity"}},"results":[{"id":"W1991588747","doi":"10.1353/mod.2012.0075","title":"Recirculation and Feminist Black Internationalism in Jessie Fauset's \"The Looking Glass\" and Amy Jacques Garvey's \"Our Women and What They Think\"","year":2012,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Internationalism (politics); Politics; Gender studies; Feminism; Scholarship; Universalism; Radicalization; Sociology; Political science; Media studies; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02940006744704152,"gpt":0.3028701760203705,"spread":0.273470108573329,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002022965,0.0002063281,0.0002658267,0.00006107469,0.0009283582,0.000559237,0.0002011811,0.0001668261,0.00002053229],"category_scores_gemma":[0.0001609849,0.0001795697,0.00004435038,0.00008009579,0.0008047661,0.001500989,0.0001203865,0.0003227683,0.000005406285],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003814017,"about_ca_system_score_gemma":0.00008823758,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003262171,"about_ca_topic_score_gemma":0.003125309,"domain_scores_codex":[0.9979267,0.0005135684,0.000260802,0.0003585427,0.0004538381,0.0004866197],"domain_scores_gemma":[0.9990503,0.0002576524,0.0002016593,0.0002011743,0.00006526068,0.000223937],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.00003240084,0.0001096863,0.1638168,0.00003537437,0.00004629468,0.000002324565,0.8111104,0.00003966336,0.0002324886,0.003898163,0.0003181775,0.0203582],"study_design_scores_gemma":[0.001612765,0.00008217985,0.4531845,0.0002123496,0.00006908774,0.0000195734,0.424639,0.01210871,0.00003985224,0.05077787,0.05611047,0.001143706],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9910742,0.002078736,0.0007356326,0.001668739,0.0002593093,0.0002925684,0.000009649703,0.00006073535,0.003820452],"genre_scores_gemma":[0.9957486,0.002210347,0.000193051,0.0008252599,0.0003161351,0.00002957708,0.000006231005,0.00002197902,0.0006487572],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3864714,"threshold_uncertainty_score":0.732264,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1979386321","doi":"10.1353/mod.2011.0033","title":"\"Harpsichords Metallic Howl—\": The Baroness Elsa von Freytag-Loringhoven's Sound Poetry","year":2011,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sound (geography); Poetry; Art; Literature; Art history; Acoustics; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.1356353527566599,"gpt":0.2242583341041889,"spread":0.088622981347529,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004522097,0.0003510752,0.000319664,0.00009786338,0.001799433,0.0003927147,0.0006101955,0.0001224132,0.003945286],"category_scores_gemma":[0.00004096235,0.0002535434,0.0002868175,0.00004815311,0.0004675556,0.001667618,0.000162326,0.0005193973,0.001061391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001522625,"about_ca_system_score_gemma":0.00004616282,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002129574,"about_ca_topic_score_gemma":0.006597293,"domain_scores_codex":[0.9980891,0.0001650133,0.0004234404,0.0003775132,0.0004867985,0.0004581369],"domain_scores_gemma":[0.9987749,0.00004148032,0.0002329746,0.0006022944,0.0002192267,0.0001290745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002668068,0.0007983079,0.0009617638,0.0002535038,0.0004540607,0.00001868519,0.5106001,0.00008148093,0.000845089,0.4693431,0.01103904,0.005337981],"study_design_scores_gemma":[0.001299598,0.0003001438,0.009432392,0.00007237739,0.0005164054,0.00003349437,0.01204019,0.004238969,0.001732332,0.2587618,0.7098828,0.001689536],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8930232,0.0004022729,0.002710109,0.0003120428,0.001727269,0.0003986182,0.00007866696,0.0002754828,0.1010724],"genre_scores_gemma":[0.9739699,0.00002990457,0.00006317165,0.0004637729,0.0006676136,0.00006397433,0.00005870615,0.00003802733,0.02464497],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6988438,"threshold_uncertainty_score":0.9999917,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2206841666","doi":"10.1353/mod.2015.0070","title":"Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys","year":2015,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Shame; Subjectivity; Depiction; Expression (computer science); Literature; Trilogy; Psychoanalysis; Aesthetics; Psychology; Philosophy; Art; Social psychology; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.05057158277149553,"gpt":0.2402473454243651,"spread":0.1896757626528695,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003835095,0.0002677845,0.0003425321,0.00013091,0.0002481505,0.0004230576,0.0001230473,0.0001183269,0.00007628325],"category_scores_gemma":[0.00004761798,0.0002370977,0.00004309601,0.00002685712,0.0001879253,0.0007539042,0.0001913258,0.0003567503,0.00001300341],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003929571,"about_ca_system_score_gemma":0.00006697338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004758775,"about_ca_topic_score_gemma":0.003550139,"domain_scores_codex":[0.9985601,0.0001553777,0.0002672315,0.0004423786,0.000259985,0.0003149611],"domain_scores_gemma":[0.9992138,0.000118191,0.00006739498,0.0002651143,0.0001068997,0.0002285901],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009827333,0.003292728,0.04320869,0.0007071904,0.0001569834,0.0004193043,0.6696606,0.00006344762,0.002338079,0.250879,0.0116499,0.01664134],"study_design_scores_gemma":[0.01250855,0.001290682,0.01739727,0.0006674396,0.000190086,0.0001226039,0.0143926,0.08530264,0.001919355,0.4238395,0.4390004,0.00336882],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9363691,0.002096376,0.0008563749,0.0006982152,0.0002170715,0.0003120523,0.00005850956,0.0001743977,0.05921787],"genre_scores_gemma":[0.9963467,0.00004939783,0.0001621228,0.0004977123,0.0002303347,0.00002403654,0.00002260122,0.0000301101,0.002637025],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.655268,"threshold_uncertainty_score":0.9668562,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2287529053","doi":"10.1353/mod.2016.0005","title":"Hugh Garner’s Best Stories: A Critical Edition by Hugh Garner (review)","year":2016,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Persona; Style (visual arts); Champion; Modernism (music); Spanish Civil War; Art history; History; Sociology; Literature; Art; Law; Humanities; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.03378448427688237,"gpt":0.3045625039875796,"spread":0.2707780197106973,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008973725,0.000265247,0.0004290369,0.0001860344,0.001999956,0.0002731903,0.0005301274,0.0003234327,0.004833108],"category_scores_gemma":[0.001364966,0.0002696114,0.0002363675,0.0001749652,0.00170589,0.0008766692,0.00008541178,0.0003595944,0.001514568],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001622241,"about_ca_system_score_gemma":0.001069222,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1131524,"about_ca_topic_score_gemma":0.3765469,"domain_scores_codex":[0.9966395,0.0004763769,0.0004236597,0.0006318326,0.0009950623,0.000833605],"domain_scores_gemma":[0.998048,0.0003269136,0.0001346865,0.0005146214,0.0003228829,0.0006529014],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002870273,0.0003759633,0.0001414565,0.0002522644,0.00003761664,0.00003062204,0.006056709,0.000001460939,0.0007652176,0.01919925,0.9505226,0.02258813],"study_design_scores_gemma":[0.0003243299,0.0000531759,0.00008880028,0.00034132,0.00008232128,0.000003864927,0.0004104899,0.00003331274,0.0000342037,0.007294152,0.9908857,0.0004483596],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02391276,0.07395069,0.1225951,0.1752956,0.01120065,0.003204048,0.003510823,0.001703026,0.5846273],"genre_scores_gemma":[0.7416022,0.04331384,0.0005077795,0.007547779,0.003718687,0.0003854827,0.0001100392,0.0001514192,0.2026627],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7176895,"threshold_uncertainty_score":0.9999756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2398379338","doi":"10.1353/mod.2016.0039","title":"Modernism: Keywords ed. by Melba Cuddy-Keane, Adam Hammond, Alexandra Peat","year":2016,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Meaning (existential); Modernism (music); Art history; Criticism; Ephemera; Genius; Literature; History; Sociology; Art; Philosophy; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.03296745880065556,"gpt":0.2307267572872217,"spread":0.1977592984865661,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005836475,0.000810982,0.0007875836,0.0002277471,0.001328447,0.000892586,0.001472565,0.0003189913,0.002213426],"category_scores_gemma":[0.000211832,0.0006248418,0.0003768052,0.00005918613,0.001129377,0.001649239,0.0005630262,0.0005797483,0.001540173],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002986078,"about_ca_system_score_gemma":0.0002329978,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001187889,"about_ca_topic_score_gemma":0.00272143,"domain_scores_codex":[0.9954371,0.0003640069,0.000954275,0.001010399,0.001121041,0.001113189],"domain_scores_gemma":[0.9960313,0.0004632673,0.0004349727,0.002118853,0.0004540665,0.0004975298],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009244375,0.002540238,0.001753958,0.0004090338,0.000734544,0.00005170871,0.0528189,0.0002775959,0.01279701,0.2221063,0.6166943,0.08889191],"study_design_scores_gemma":[0.003511614,0.0004204752,0.0001648245,0.0003283274,0.0002126187,0.00004138413,0.0003554633,0.01389261,0.00489893,0.2638464,0.7098755,0.002451895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1704143,0.005876009,0.07512331,0.006184182,0.001541045,0.001622858,0.001457091,0.001685256,0.736096],"genre_scores_gemma":[0.9468868,0.001647252,0.000337776,0.00102599,0.0006133321,0.0001957036,0.0003129005,0.0001813383,0.04879887],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7764726,"threshold_uncertainty_score":0.9999717,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2089823793","doi":"10.1353/mod.2014.0095","title":"Women and the History of Art by Annie Kevans, and: Annie Kevans: Women and the History of Art, Catalog by Annie Kevans (review)","year":2014,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Contemporary art; Art history; Painting; History of art; Modern art; Art world; Portrait; Art; Visual arts; Performance art; Architecture","retraction":null,"screen_n_in":null,"score":{"opus":0.01690247582998719,"gpt":0.1868867566322465,"spread":0.1699842808022594,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001516673,0.0005441594,0.001334788,0.00006701033,0.0005438215,0.00003659151,0.0004076636,0.0001352942,0.0004489496],"category_scores_gemma":[0.0001982667,0.0003305862,0.0001818539,0.00003188835,0.005050451,0.0002945807,0.0002529499,0.0005005096,0.00003321999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007438964,"about_ca_system_score_gemma":0.0001172055,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003783269,"about_ca_topic_score_gemma":0.0005582293,"domain_scores_codex":[0.9969459,0.000506612,0.0007798125,0.000615282,0.0005386179,0.0006138104],"domain_scores_gemma":[0.9979997,0.0004171451,0.0004801104,0.0006430781,0.0002287293,0.0002312438],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003475681,0.0002013546,0.00005489114,0.0007485275,0.0002128584,0.00000123823,0.2378013,0.000001658366,0.0002154644,0.00347096,0.7551242,0.001820001],"study_design_scores_gemma":[0.002294882,0.0002060294,0.00005617023,0.0001062052,0.0001508326,0.000004565329,0.002232033,0.0004270195,0.00000537353,0.005855247,0.9882456,0.0004160556],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.07494134,0.7099523,0.0005530014,0.006921317,0.00215667,0.002180972,0.0008515313,0.0002317054,0.2022112],"genre_scores_gemma":[0.6923002,0.03162481,0.00002997359,0.004767932,0.0003489186,0.0005278445,0.0001164118,0.00009504817,0.2701888],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6783275,"threshold_uncertainty_score":0.9999146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2039044635","doi":"10.1353/mod.2012.0012","title":"Locating August Strindberg's Prose: Modernism, Transnationalism, and Setting (review)","year":2012,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernism (music); Narrative; Literature; Transnationalism; Exhibition; Drama; History; Art; Art history; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.07284913471595204,"gpt":0.305044726658067,"spread":0.232195591942115,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007178775,0.0003876129,0.0004462004,0.00006818439,0.001563539,0.0002251133,0.0002873046,0.00008682438,0.002295666],"category_scores_gemma":[0.00004355685,0.0003097044,0.00016362,0.00003796735,0.0003649053,0.000959438,0.0003640371,0.0005177286,0.000103181],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001108973,"about_ca_system_score_gemma":0.00003834194,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002464368,"about_ca_topic_score_gemma":0.0005462106,"domain_scores_codex":[0.9974254,0.0001478495,0.0005031172,0.0004541255,0.0006272172,0.0008423415],"domain_scores_gemma":[0.9989078,0.0001208868,0.0001570959,0.0002919556,0.0002483195,0.0002739328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003998502,0.002805327,0.01009133,0.01102998,0.0012135,0.00002450924,0.3804382,0.0005116073,0.002316675,0.3610018,0.09703301,0.1331342],"study_design_scores_gemma":[0.004095928,0.0007546201,0.02355065,0.002124795,0.0007191815,0.0002072828,0.03535869,0.05691481,0.001096735,0.01653339,0.8539882,0.004655689],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6873365,0.07018263,0.006062458,0.01594918,0.001050312,0.002795518,0.0005468111,0.0006463128,0.2154303],"genre_scores_gemma":[0.9858915,0.001199201,0.0002550835,0.0006965258,0.000948875,0.0001659148,0.00009631979,0.0000524861,0.01069406],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7569552,"threshold_uncertainty_score":0.9999355,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2615241794","doi":"10.1353/mod.2017.0029","title":"Elizabeth Bishop's Brazil by Bethany Hicok","year":2017,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Tourism; Government (linguistics); Art; Humanities; Art history; History; Philosophy; Archaeology; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.04782097935968915,"gpt":0.2892410862961822,"spread":0.2414201069364931,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004853425,0.0004282476,0.0005750877,0.00009758204,0.003482,0.00173555,0.001158574,0.0001821923,0.004007878],"category_scores_gemma":[0.0001423178,0.0003915722,0.0003487557,0.00001552504,0.0008279856,0.001014314,0.0003068297,0.0005290375,0.0006479344],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006553087,"about_ca_system_score_gemma":0.00006680564,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00159581,"about_ca_topic_score_gemma":0.002521891,"domain_scores_codex":[0.9974437,0.0001308327,0.0004580258,0.000658762,0.0005845089,0.000724157],"domain_scores_gemma":[0.9975839,0.00007610904,0.0003098417,0.001515183,0.0002291543,0.0002857934],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003092666,0.003644358,0.008432833,0.0004702615,0.001760085,0.0001976957,0.07486209,0.0001618553,0.01115563,0.4512821,0.3698303,0.0778936],"study_design_scores_gemma":[0.001366695,0.0001422647,0.001848722,0.00007228772,0.0003382613,0.000007483392,0.001023021,0.01760475,0.003180399,0.07050858,0.9025679,0.001339608],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4895893,0.001582716,0.01461478,0.007584028,0.001350086,0.000420005,0.0009068993,0.0004962192,0.483456],"genre_scores_gemma":[0.9441513,0.0001085015,0.00008242655,0.001432206,0.0007227159,0.00003533298,0.00009025249,0.00006142457,0.05331583],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5327377,"threshold_uncertainty_score":0.9998536,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2981391972","doi":"10.1353/mod.2019.0051","title":"Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to “La Joven Literatura” by Leslie J. Harkema (review)","year":2019,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Spanish Philosophy and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetics; Modernism (music); Humanities; Philology; Literature; Art history; Art; Philosophy; Fin de siecle; Poetry; Sociology; Feminism","retraction":null,"screen_n_in":null,"score":{"opus":0.01488670953359934,"gpt":0.2094516363403045,"spread":0.1945649268067051,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006558452,0.0005282365,0.0008798734,0.00007559336,0.0003556047,0.0005335358,0.0006942023,0.0002447075,0.0006671692],"category_scores_gemma":[0.00009949281,0.000390179,0.0002957754,0.00005240864,0.0004811449,0.0003636367,0.000281476,0.0007415675,0.0000929962],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005762922,"about_ca_system_score_gemma":0.00008654581,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006901763,"about_ca_topic_score_gemma":0.0001194781,"domain_scores_codex":[0.9971522,0.000486327,0.0006366169,0.0006604003,0.0005331449,0.0005313052],"domain_scores_gemma":[0.9978948,0.0004005563,0.0002894685,0.0009366916,0.000242924,0.0002355207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002100653,0.001125653,0.0006896988,0.002318974,0.001065113,0.00002985837,0.5103844,0.0003770188,0.004013423,0.4320039,0.04017271,0.005718585],"study_design_scores_gemma":[0.00926274,0.0005470042,0.001018448,0.00417603,0.001264821,0.00004134959,0.00555597,0.02366753,0.001162762,0.2108248,0.7397272,0.002751382],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7613668,0.07641356,0.006452499,0.0141012,0.001253952,0.003509517,0.008894834,0.000350451,0.1276571],"genre_scores_gemma":[0.9837469,0.001789592,0.0003329677,0.007615346,0.0003908713,0.00005427954,0.0003007089,0.00008292175,0.005686395],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6995545,"threshold_uncertainty_score":0.999855,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1513313232","doi":"10.1353/mod.2013.0094","title":"Getting Mary Married by Allan Dwan (review)","year":2013,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Hollywood; Studio; Art history; Performance art; Movie theater; Art; History; Character (mathematics); Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.02912851051820734,"gpt":0.2162751575567682,"spread":0.1871466470385609,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004723741,0.0003342236,0.0007783585,0.00009925245,0.0002606984,0.00006817854,0.0003643983,0.0001368341,0.002327482],"category_scores_gemma":[0.0002235049,0.0003569777,0.0002057293,0.0000999481,0.00009272901,0.0002863866,0.0002072223,0.0003334915,0.00313316],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001034637,"about_ca_system_score_gemma":0.00002359359,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009087561,"about_ca_topic_score_gemma":0.00007969278,"domain_scores_codex":[0.997839,0.00003649811,0.0007665391,0.0006416687,0.0000976663,0.0006185952],"domain_scores_gemma":[0.9986947,0.00008538994,0.0003443182,0.00057427,0.00006765861,0.0002337276],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002426539,0.0004863825,0.04945365,0.001434423,0.0003839027,0.00001498808,0.002156635,0.00003493645,0.001434081,0.006953266,0.9038746,0.03374885],"study_design_scores_gemma":[0.002717157,0.000202392,0.07635946,0.000480008,0.00009412726,0.00003004066,0.000394583,0.02307391,0.0006047523,0.1183262,0.7750008,0.002716543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4106851,0.207057,0.03128571,0.02788026,0.001612221,0.002896881,0.0007921979,0.0006244271,0.3171662],"genre_scores_gemma":[0.9632222,0.01477177,0.001224609,0.006636338,0.0002542438,0.0003753866,0.0001381859,0.00008649669,0.01329078],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5525371,"threshold_uncertainty_score":0.9998882,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2984851590","doi":"10.1353/mod.2019.0047","title":"At the Rembrandt Exhibit (with Proust, Woolf, and Bacon)","year":2019,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Painting; Art; Queen (butterfly); Art history; Portrait; Exhibition; Coronation; Oil painting; History; Ancient history","retraction":null,"screen_n_in":null,"score":{"opus":0.0129172862468224,"gpt":0.1681874838138901,"spread":0.1552701975670677,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001561617,0.0002587034,0.0003005436,0.00002522272,0.00123991,0.0001536148,0.0001697575,0.00005719435,0.001968226],"category_scores_gemma":[0.0000115075,0.0001359271,0.00007792594,0.00002151929,0.0004159007,0.0002120974,0.0001646352,0.000263397,0.0006823312],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007489,"about_ca_system_score_gemma":0.00002406378,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001779983,"about_ca_topic_score_gemma":0.006310893,"domain_scores_codex":[0.9987138,0.00006191189,0.0001876191,0.0003875649,0.0003097446,0.000339382],"domain_scores_gemma":[0.9993055,0.00007136082,0.00008100969,0.0003449063,0.0001101709,0.00008709395],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001607477,0.0007769081,0.01323134,0.0006676549,0.0008811968,0.00005062673,0.6843047,0.0002674043,0.00422684,0.1831395,0.09835859,0.01248782],"study_design_scores_gemma":[0.0007742019,0.0001859608,0.0009573967,0.00002763532,0.00006764632,0.00001224401,0.002162299,0.0005918711,0.0001246767,0.002928265,0.9917794,0.0003883442],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6195387,0.0009500012,0.0001180309,0.002113936,0.0002823778,0.000557562,0.00002842132,0.0001372975,0.3762737],"genre_scores_gemma":[0.833895,0.00003152903,0.00002948195,0.0006607457,0.0002573643,0.0000454792,0.000009157839,0.00002533388,0.1650459],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8934209,"threshold_uncertainty_score":0.9989441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064258688","doi":"10.1353/mod.0.0166","title":"Editing Modernity: Women and Little-Magazine Cultures in Canada, 1916–1956 (review)","year":2010,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernity; Anecdote; Poetry; Modernism (music); Globe; Print culture; Literary magazine; Art history; History; Art; Media studies; Literature; Sociology; Literary criticism; Political science; Law; Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.009874902766656486,"gpt":0.2380391677535022,"spread":0.2281642649868457,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001142068,0.0002636104,0.0004999185,0.0002526954,0.001285495,0.0002781355,0.0004815783,0.0002135466,0.001067939],"category_scores_gemma":[0.0005940491,0.0003267633,0.0000775005,0.0002217236,0.0005787681,0.0004694536,0.00012459,0.001043974,0.00006140782],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002385303,"about_ca_system_score_gemma":0.004369071,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9918877,"about_ca_topic_score_gemma":0.9999299,"domain_scores_codex":[0.9970482,0.0002624544,0.0004413736,0.0005531378,0.0007683543,0.0009264828],"domain_scores_gemma":[0.9984598,0.0001243793,0.0001817575,0.0004010608,0.000151824,0.0006811957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001757929,0.000899693,0.05586318,0.003206455,0.0002838542,0.0007481934,0.2403334,0.0006511096,0.004408449,0.01883221,0.4349065,0.2396912],"study_design_scores_gemma":[0.000583343,0.00001956401,0.01836758,0.0001700398,0.00003214559,0.00001222892,0.002141972,0.00236742,0.00001311541,0.007473486,0.9681153,0.0007038627],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.921486,0.0078644,0.0002585477,0.006150711,0.001332735,0.0007779535,0.0002403171,0.0001372595,0.06175208],"genre_scores_gemma":[0.9832538,0.003807857,0.0001820405,0.002340844,0.0006248118,0.0001068289,0.00002398443,0.00003925451,0.009620612],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5332088,"threshold_uncertainty_score":0.9999185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392255964","doi":"10.1353/mod.2023.a920260","title":"Decolonization and the Cold War: What Can They Teach Modernist Studies?","year":2023,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Decolonization; Cold war; History; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.08195944686867852,"gpt":0.3430532420659507,"spread":0.2610937951972722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002586632,0.0002508156,0.0003892689,0.000058006,0.003912635,0.0002908565,0.0004420111,0.0002505264,0.00004443695],"category_scores_gemma":[0.0004696097,0.0001991821,0.0001510861,0.0002302445,0.001492308,0.0006370637,0.0001842792,0.0004322896,0.0000771617],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003642039,"about_ca_system_score_gemma":0.0002515754,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001911073,"about_ca_topic_score_gemma":0.01136067,"domain_scores_codex":[0.9970083,0.0009329139,0.0003123826,0.0004854142,0.0006469818,0.0006140613],"domain_scores_gemma":[0.9984813,0.0005420871,0.0001736377,0.0003984797,0.0002027705,0.0002016834],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001111876,0.0001126987,0.006575325,0.00007541938,0.0002462383,0.00001928449,0.9105064,0.002195014,0.0001033618,0.06141676,0.01609199,0.002546357],"study_design_scores_gemma":[0.007628975,0.0001749517,0.01042896,0.0002321152,0.0005870294,0.00001397309,0.5301347,0.06852448,0.0002155388,0.1904853,0.1891188,0.002455157],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9697771,0.001488448,0.003177787,0.01790539,0.001270477,0.001490306,0.00005431985,0.0008488946,0.003987247],"genre_scores_gemma":[0.9797558,0.00599642,0.0001029025,0.001010705,0.0002301018,0.0001278094,0.00002053765,0.00003332616,0.01272237],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3803717,"threshold_uncertainty_score":0.9973841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392255987","doi":"10.1353/mod.2023.a920263","title":"Mosaic Fictions: Writing Identity in the Spanish Civil War by Emily Robbins Sharpe (review)","year":2023,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Spanish History and Politics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mosaic; Identity (music); Spanish Civil War; Art; History; Visual arts; Aesthetics; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.05710482966956063,"gpt":0.2853591002149018,"spread":0.2282542705453412,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001199442,0.0003400483,0.0004141337,0.0001332298,0.00126888,0.0002226628,0.0007566423,0.0001195124,0.001938932],"category_scores_gemma":[0.0001640389,0.0002994961,0.0002231999,0.00017258,0.0002836521,0.0007699025,0.0001471367,0.0007086698,0.001067347],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001650887,"about_ca_system_score_gemma":0.00008955807,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001473229,"about_ca_topic_score_gemma":0.01317622,"domain_scores_codex":[0.9972512,0.0003519305,0.0006131839,0.0004808736,0.0006001269,0.0007027104],"domain_scores_gemma":[0.9986671,0.0002727182,0.0001705825,0.0006500425,0.0001240588,0.0001155483],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001761237,0.0005123842,0.0007693732,0.0009313418,0.00007872449,0.00007081985,0.06928835,0.0002831463,0.0001469133,0.08926132,0.8373808,0.001259265],"study_design_scores_gemma":[0.0005184992,0.00006838572,0.0009396442,0.0004396535,0.0001232245,0.00001626764,0.008129057,0.007608602,0.00002910376,0.02315153,0.9582999,0.000676112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5391744,0.05086286,0.003335965,0.01051926,0.004323999,0.003430288,0.004592564,0.002600367,0.3811603],"genre_scores_gemma":[0.9737806,0.006232802,0.00002830781,0.006749543,0.0007721767,0.0002646989,0.0005951778,0.00007860773,0.01149804],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4346062,"threshold_uncertainty_score":0.9999457,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385061241","doi":"10.1353/mod.2023.a902612","title":"Diplomacy and the Modern Novel: France, Britain, and the Mission of Literature ed. by Isabelle Daunais and Allan Hepburn (review)","year":2023,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"European Cultural and National Identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Diplomacy; Memoir; Art history; Solidarity; History; Classics; Media studies; Sociology; Law; Political science; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.01670912464437908,"gpt":0.2902954398919967,"spread":0.2735863152476177,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00191111,0.0001866451,0.0003561451,0.00003372076,0.001092256,0.0001706953,0.0003069915,0.00009347384,0.00001828794],"category_scores_gemma":[0.0005315233,0.0001022783,0.00009081208,0.0002284368,0.001254451,0.0002850863,0.0002853925,0.0003017919,0.000006847183],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001352097,"about_ca_system_score_gemma":0.0000310517,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009334425,"about_ca_topic_score_gemma":0.0001511552,"domain_scores_codex":[0.9979893,0.0005581353,0.00029166,0.0003461152,0.0005526463,0.0002621456],"domain_scores_gemma":[0.9987653,0.0005282717,0.0001626175,0.0002118951,0.0002042796,0.0001276453],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.001977997,0.0008034753,0.01359369,0.004264112,0.0008333768,0.00003652962,0.2277543,0.0002481279,0.01266608,0.253054,0.418529,0.06623941],"study_design_scores_gemma":[0.02218091,0.0001392541,0.04582839,0.003077058,0.0006528829,0.0000584403,0.002752528,0.1198419,0.0003375582,0.5115163,0.2917497,0.001865082],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6578642,0.2872973,0.001177514,0.0353486,0.0001599098,0.001894293,0.0002954799,0.0002048532,0.01575789],"genre_scores_gemma":[0.8583868,0.1315922,0.0000508554,0.001097602,0.0001017241,0.00001600271,0.0000315467,0.00001721795,0.008706064],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2584624,"threshold_uncertainty_score":0.840086,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2035644679","doi":"10.1353/mod.2007.0074","title":"Written in the Flesh: A History of Desire (review)","year":2007,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Flesh; Human sexuality; Pleasure; Presumption; Art history; Sociology; Literature; Art; History; Classics; Psychology; Law; Gender studies","retraction":null,"screen_n_in":null,"score":{"opus":0.1616383700892328,"gpt":0.2911035359620734,"spread":0.1294651658728407,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001759165,0.0002106234,0.0004208493,0.00006804203,0.0003454989,0.00001022948,0.0003297233,0.00007899474,0.0003365162],"category_scores_gemma":[0.00008179877,0.0001548228,0.0001824705,0.00005117502,0.0004409055,0.0001049665,0.00004650459,0.0003721692,0.00003254163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007218883,"about_ca_system_score_gemma":0.0001301852,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001799403,"about_ca_topic_score_gemma":0.009112524,"domain_scores_codex":[0.9980299,0.0001851266,0.0005197788,0.000359522,0.0004900848,0.0004155975],"domain_scores_gemma":[0.9989605,0.0001417887,0.0001867857,0.0004565838,0.0001770185,0.00007733153],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001124949,0.001264017,0.0006366235,0.002866114,0.0001033454,0.00002765908,0.700977,0.00001368488,0.00004952646,0.07478292,0.1908928,0.02827388],"study_design_scores_gemma":[0.000268568,0.0000844869,0.001132975,0.00009778437,0.00004593415,0.000005073489,0.01330549,0.00007645326,0.000006885219,0.003444498,0.9812765,0.000255329],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04720327,0.2539586,0.002625441,0.005856297,0.002715072,0.001578196,0.00004498789,0.0001942612,0.6858239],"genre_scores_gemma":[0.9606863,0.01124488,0.0001010253,0.004522205,0.0008796905,0.00006417085,0.00001533854,0.00003324488,0.02245312],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9134831,"threshold_uncertainty_score":0.6313492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2045051204","doi":"10.1353/mod.2003.0087","title":"The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain (review)","year":2003,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Politics; Political science; History; Media studies; Sociology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02683747453588696,"gpt":0.3166692669226925,"spread":0.2898317923868055,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001195128,0.0001857545,0.0003066373,0.000023564,0.002303699,0.000244917,0.0002555746,0.0001378768,0.00004745776],"category_scores_gemma":[0.0008333947,0.0001475709,0.00009227842,0.0001145233,0.001328834,0.0002129744,0.0001111199,0.0004252804,0.0000108694],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001237708,"about_ca_system_score_gemma":0.0001396587,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00205127,"about_ca_topic_score_gemma":0.005036649,"domain_scores_codex":[0.9975986,0.0007164117,0.0003274955,0.0003119403,0.000334318,0.0007112087],"domain_scores_gemma":[0.9992234,0.0002066314,0.0000664955,0.0001860458,0.0001303115,0.0001870835],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001242425,0.001142754,0.1091251,0.0009812232,0.0002905132,0.0004392396,0.1360228,0.0001605908,0.00005242083,0.0412139,0.5069422,0.203505],"study_design_scores_gemma":[0.001477453,0.0001490934,0.02451026,0.0009869323,0.00009483968,0.0001029709,0.0312307,0.007605157,0.00001657211,0.014366,0.9181814,0.001278667],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6034573,0.2433625,0.009509721,0.02444264,0.001173991,0.001580742,0.00003456307,0.0002565775,0.116182],"genre_scores_gemma":[0.9518233,0.04501437,0.0001424118,0.001608473,0.0001541893,0.00004341946,0.000003630895,0.00001243626,0.001197793],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4112392,"threshold_uncertainty_score":0.9989952,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}