{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":8,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":8,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"ad6e0c7c766a","filters":{"venue":"Multicultural Shakespeare Translation Appropriation and Performance"}},"results":[{"id":"W2999281467","doi":"10.18778/2083-8530.20.03","title":"The Archive and the Digital Age: Field Notes from the Pedagogical Front","year":2019,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Ottawa","funders":"","keywords":"Context (archaeology); Information literacy; Digital humanities; World Wide Web; Digital Archives; Digital literacy; Front (military); Field (mathematics); Order (exchange); Sociology; Computer science; Multimedia; Library science; Engineering; History","authors":[{"name":"Irena R. Makaryk","is_ca":true},{"name":"Ann Hemingway","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04695938000680594,"gpt":0.2255915559264632,"spread":0.1786321759196572,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01678279,0.0002994062,0.0003977415,0.00313768,0.02071472,0.01363987,0.001601226,0.002285129,0.0050652],"category_scores_gemma":[0.01334115,0.0003853975,0.0002124937,0.004182468,0.02701024,0.01175383,0.008115507,0.004896627,0.0004533771],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01478649,"about_ca_system_score_gemma":0.02158701,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03572408,"about_ca_topic_score_gemma":0.06975433,"domain_scores_codex":[0.9926299,0.004715796,0.0002234277,0.0004158652,0.0007896394,0.001225446],"domain_scores_gemma":[0.9814506,0.01337709,0.0005830602,0.0006275731,0.001812981,0.002148678],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005440557,0.0002806926,0.004021011,0.0002394491,0.000001878284,0.0006679904,0.8911685,0.00003865563,0.0002639284,0.06364394,0.005623142,0.03399644],"study_design_scores_gemma":[0.000004441255,0.00004155053,0.001913796,0.0002305823,0.000001838283,0.00008910806,0.9458135,0.00002007339,0.0001668973,0.00152889,0.0501839,0.000005362768],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7898228,0.01451344,0.002059291,0.051214,0.0005729187,0.000426981,0.0001190741,0.00004163899,0.1412299],"genre_scores_gemma":[0.9730468,0.006084883,0.0008851971,0.002228242,0.0001441347,0.000142918,0.00001960998,0.00002436394,0.01742389],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03572408,"threshold_uncertainty_score":0.107284,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407350143","doi":"10.18778/2083-8530.30.03","title":"Hamlet (Un-)Masked: SPAC’s Hamlet under COVID-19 Restrictions","year":2024,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"COVID-19 Pandemic Impacts","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Association for Theatre Research","funders":"","keywords":"HAMLET (protein complex); Coronavirus disease 2019 (COVID-19); 2019-20 coronavirus outbreak; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Medicine; Art; Virology; Literature; Pathology; Infectious disease (medical specialty)","authors":[{"name":"Tomoka Tsukamoto","is_ca":true},{"name":"Ted Motohashi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08765124088517724,"gpt":0.2862165392558431,"spread":0.1985652983706658,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001131505,0.0002462098,0.0001713972,0.0003712472,0.00499261,0.004316005,0.0003220632,0.001530298,0.006473805],"category_scores_gemma":[0.002498465,0.0001088741,0.000143022,0.0005986945,0.007526746,0.002286706,0.002444676,0.002082177,0.0006247867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003950394,"about_ca_system_score_gemma":0.00254776,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.024115,"about_ca_topic_score_gemma":0.04260594,"domain_scores_codex":[0.9993479,0.0002332231,0.00001859538,0.00007796017,0.0001285212,0.0001938559],"domain_scores_gemma":[0.9993123,0.0002465796,0.00005895025,0.0000801975,0.0001523214,0.0001495745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007266779,0.00001602911,0.001915607,0.00002614138,0.000004553455,0.0007585537,0.0487087,0.0003424452,0.0004341231,0.9051352,0.03073904,0.01184697],"study_design_scores_gemma":[0.00001753386,0.00008300789,0.00700645,0.0001639872,0.00001427223,0.0004584671,0.07120835,0.001508398,0.001041429,0.1277467,0.7906888,0.00006260377],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3268836,0.001967994,0.006099626,0.03736011,0.001235456,0.00003163483,0.0001104411,0.00008702934,0.626224],"genre_scores_gemma":[0.9251868,0.0004489192,0.0006972186,0.001757279,0.0001194751,0.0000110599,0.00002230635,0.00003793325,0.07171892],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.024115,"threshold_uncertainty_score":0.04794925,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402613449","doi":"10.18778/2083-8530.29.09","title":"Shakespeare and Covid Drama in This England (Winterbottom, 2022)","year":2024,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto; University of Oxford; University of Cambridge","keywords":"Coronavirus disease 2019 (COVID-19); Drama; 2019-20 coronavirus outbreak; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); History; Literature; Art; Medicine; Virology; Internal medicine; Outbreak","authors":[{"name":"Agnieszka Rasmus","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03448779729102545,"gpt":0.2450242492815063,"spread":0.2105364519904809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001367952,0.000450967,0.0002287718,0.0008693223,0.0129932,0.006938139,0.0004716604,0.001407293,0.00611067],"category_scores_gemma":[0.002193187,0.0001656454,0.0001085148,0.0009800345,0.0150371,0.002588656,0.004239531,0.00251181,0.0007141223],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006317758,"about_ca_system_score_gemma":0.002032718,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03895815,"about_ca_topic_score_gemma":0.09847517,"domain_scores_codex":[0.9986847,0.0007869928,0.00002447256,0.00008179697,0.0002153089,0.000206608],"domain_scores_gemma":[0.9993021,0.0003302992,0.00006578962,0.00005150052,0.00008499961,0.0001652708],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008204932,0.00002188757,0.0008090891,0.0001070724,0.000005333399,0.0008175001,0.7220183,0.00006266748,0.0006527063,0.1979611,0.06278644,0.01467593],"study_design_scores_gemma":[0.000006414105,0.0000211969,0.002681963,0.0002204483,0.000003861925,0.0003491895,0.1593626,0.00003409757,0.0003974455,0.004846347,0.8320622,0.00001423132],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1700572,0.02537137,0.001188589,0.04412416,0.002854801,0.00002767632,0.00008330613,0.00007288006,0.7562201],"genre_scores_gemma":[0.8197145,0.003256672,0.0002194778,0.002404467,0.0005261627,0.00001998206,0.00002677633,0.00007930516,0.1737526],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03895815,"threshold_uncertainty_score":0.07746279,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3199493952","doi":"10.18778/2083-8530.23.05","title":"From Social Justice to Metaphor: The Whitening of Othello in the Russian Imagination","year":2021,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Balkans: History, Politics, Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"York University","keywords":"Blackface; Metaphor; Russian literature; Literature; Aesthetics; Ideology; Egalitarianism; Slavic languages; White (mutation); Sociology; History; Art; Politics; Philosophy; Law; Political science; Art history","authors":[{"name":"Natalia Khomenko","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04391003343297552,"gpt":0.313674913590374,"spread":0.2697648801573985,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00166331,0.0007412586,0.0003838273,0.0006554042,0.008676585,0.005370316,0.0003785022,0.001289486,0.001678396],"category_scores_gemma":[0.001774735,0.0002415334,0.0003712672,0.0003593168,0.02177677,0.003935639,0.004065642,0.002708811,0.0003978103],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002513684,"about_ca_system_score_gemma":0.001026679,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004833734,"about_ca_topic_score_gemma":0.005945005,"domain_scores_codex":[0.9984956,0.001024805,0.00002415615,0.0001142622,0.0001267448,0.0002144246],"domain_scores_gemma":[0.9996604,0.0001715662,0.00003698048,0.00003848847,0.00003488992,0.00005771911],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001142571,0.00002676097,0.001450466,0.00007939366,0.00001241535,0.0005761897,0.618512,0.0002181385,0.002691949,0.3649998,0.002563926,0.008754772],"study_design_scores_gemma":[0.00003968148,0.000229277,0.005171026,0.0005006651,0.00005398653,0.001791507,0.5908703,0.001632028,0.00299731,0.07827878,0.3183644,0.00007094257],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.574563,0.004169205,0.01713515,0.01106259,0.001222438,0.00002754491,0.00003785158,0.0001060676,0.3916762],"genre_scores_gemma":[0.9925959,0.0003283452,0.0005409614,0.0002580861,0.00004421999,0.000006768155,0.000006034085,0.00004053847,0.00617911],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008676585,"threshold_uncertainty_score":0.01823807,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234529158","doi":"10.2478/mstap-2013-0010","title":"Theatre Reviews","year":2013,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tempest; Dream; Art; Studio; Humanities; Art history; Drama; Cartography; Visual arts; Geography; Psychology","authors":[{"name":"Olga Bogdańska","is_ca":false},{"name":"Verónica D’Auria","is_ca":false},{"name":"Coen Heijes","is_ca":false},{"name":"Xenia Georgopoulou","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04743708548089102,"gpt":0.2327196548045875,"spread":0.1852825693236965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001273866,0.001121336,0.000689215,0.003802579,0.002467015,0.007058212,0.001677204,0.001694741,0.4798308],"category_scores_gemma":[0.007067726,0.0004743128,0.0006397616,0.004222457,0.001075307,0.003700099,0.002950228,0.002233493,0.3365365],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00400888,"about_ca_system_score_gemma":0.003468472,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007865636,"about_ca_topic_score_gemma":0.01269535,"domain_scores_codex":[0.9979892,0.0003961661,0.0001457991,0.0002162923,0.001017658,0.0002348673],"domain_scores_gemma":[0.9960598,0.0005904456,0.0002093949,0.0004195412,0.002171822,0.0005488963],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001382382,0.0000105588,0.00002352247,0.0003231732,0.000001923212,0.00004932754,0.0001314009,0.00002868214,0.00009106851,0.003641367,0.927331,0.06835401],"study_design_scores_gemma":[8.174628e-7,0.000002198398,0.00004695982,0.0001768853,6.553468e-7,0.0000509658,0.00007981929,0.000003412598,0.00001726374,0.0001182353,0.9995012,0.000001580007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.0003989572,0.08801249,0.0009796676,0.009151515,0.03701902,0.0001122688,0.001197499,0.0004480116,0.8626806],"genre_scores_gemma":[0.004488037,0.05473502,0.0006638156,0.003688166,0.007166547,0.00009940977,0.001740361,0.0005860379,0.9268327],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.4798308,"threshold_uncertainty_score":0.7419581,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7163322060","doi":"10.18778/2083-8530.31.02","title":"Foreword: Shakespeare in Ukraine","year":2025,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Ukrainian; Rest (music); Erasure; Broadcasting (networking); Element (criminal law); Censorship","authors":[{"name":"Irena R. Makaryk","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03312768909986147,"gpt":0.24316155584438,"spread":0.2100338667445185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005569134,0.0003160911,0.0003609514,0.0008149981,0.004591407,0.003175878,0.0003565576,0.001078987,0.02304713],"category_scores_gemma":[0.001710646,0.00009304384,0.0001120443,0.001033684,0.00181951,0.001669866,0.001328266,0.001494984,0.008696939],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003117014,"about_ca_system_score_gemma":0.002038693,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02326401,"about_ca_topic_score_gemma":0.02079612,"domain_scores_codex":[0.999532,0.0001401074,0.00004198319,0.00007949863,0.0001481156,0.00005842473],"domain_scores_gemma":[0.9994745,0.0001488539,0.00006188561,0.00003890775,0.000191381,0.00008461614],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001348945,0.00002707633,0.001992199,0.001076306,0.00002025739,0.00116892,0.03624881,0.0002845641,0.001299625,0.08691031,0.7406639,0.1301732],"study_design_scores_gemma":[0.000001191305,0.000009279345,0.00161386,0.0002087715,0.000003011307,0.000287061,0.003859888,0.00002949946,0.0002260451,0.000833774,0.9929236,0.000003944941],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"editorial","genre_scores_codex":[0.03303323,0.1666471,0.001421356,0.05588166,0.05186245,0.0000552774,0.0005484676,0.0003974045,0.690153],"genre_scores_gemma":[0.38205,0.02306856,0.0004005659,0.004844734,0.00640908,0.00002671058,0.000235033,0.0002874356,0.5826778],"genre_candidate":"editorial","genre_consensus":null,"teacher_disagreement_score":0.02326401,"threshold_uncertainty_score":0.07710028,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389479447","doi":"10.18778/2083-8530.27.07","title":"“Shakespeare is a Finnish national poet:” Developing Finnish Shakespeare Scholarship from the Enlightenment to the Twentieth Century","year":2023,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Literature; Enlightenment; Scholarship; Newspaper; Rhetorical question; History; Literary criticism; Oppression; Sociology; Art; Media studies; Philosophy; Politics; Political science; Law","authors":[{"name":"Laina Southgate","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07946420897167684,"gpt":0.3073796285211556,"spread":0.2279154195494788,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003998117,0.0007352434,0.0005234842,0.00281888,0.02044671,0.01365897,0.001124801,0.00320453,0.002576442],"category_scores_gemma":[0.003492859,0.0002954525,0.0002548091,0.002606202,0.01907996,0.007852136,0.003226458,0.002844796,0.0005356133],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01137053,"about_ca_system_score_gemma":0.01567935,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02996323,"about_ca_topic_score_gemma":0.0546191,"domain_scores_codex":[0.9982613,0.0005677103,0.00007890737,0.0002535052,0.0004261679,0.0004124379],"domain_scores_gemma":[0.9983708,0.001006531,0.0001052463,0.00006164982,0.0002336774,0.0002221559],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006603068,0.00004256602,0.003172169,0.000540098,0.00002607718,0.001305135,0.5180738,0.0002209561,0.0004871447,0.4134689,0.01571079,0.04688647],"study_design_scores_gemma":[0.00001184984,0.00006748054,0.01002644,0.002577119,0.00004514368,0.0008134372,0.2993866,0.0003232385,0.0009723395,0.02944884,0.6562808,0.00004675114],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.240395,0.1532157,0.003540672,0.03095573,0.004355593,0.0000429933,0.000126132,0.00008048891,0.5672877],"genre_scores_gemma":[0.9520186,0.02073274,0.0008068344,0.001021813,0.0007731006,0.00004139599,0.00006610305,0.00003522028,0.02450418],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02996323,"threshold_uncertainty_score":0.08249944,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389479336","doi":"10.18778/2083-8530.27.10","title":"“Not For An Age, But For All Time:” Autobiography and a Re-origin of Shakespeare Studies in Canada","year":2023,"lang":"en","type":"article","venue":"Multicultural Shakespeare Translation Appropriation and Performance","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Burman University","funders":"","keywords":"Curriculum; Sociology; Multiculturalism; Humanism; Scholarship; Commonwealth; Rhetoric; Pedagogy; Constitution; Literature; Law; Political science; Philosophy; Art; Linguistics","authors":[{"name":"Eduardo Solá Chagas Lima","is_ca":true},{"name":"Julie Thompson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1594155249772548,"gpt":0.3108125795176231,"spread":0.1513970545403683,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001743225,0.0004101991,0.0003822361,0.001771191,0.03689483,0.01126642,0.001622238,0.001786439,0.005919644],"category_scores_gemma":[0.003645103,0.0002564087,0.0002253233,0.002929851,0.02581607,0.002801777,0.002998597,0.005170487,0.0004447469],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.1415014,"about_ca_system_score_gemma":0.1875566,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9936128,"about_ca_topic_score_gemma":0.9972511,"domain_scores_codex":[0.9977265,0.0004038253,0.00003551069,0.0002478848,0.0007432026,0.0008429575],"domain_scores_gemma":[0.9971634,0.0005411399,0.0001396946,0.0001289802,0.001078619,0.0009481754],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005597234,0.00003517683,0.004657159,0.0001080409,0.00002060716,0.0009636891,0.5203815,0.000280416,0.000588642,0.3143997,0.1212291,0.03728004],"study_design_scores_gemma":[0.000006372119,0.00001044305,0.008237705,0.0002158578,0.00001647184,0.0002331712,0.1574398,0.0002612582,0.0003819031,0.006125541,0.8270192,0.00005230608],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2935945,0.02918566,0.00306851,0.1546152,0.003709752,0.00008145503,0.0005291665,0.0002029814,0.5150128],"genre_scores_gemma":[0.9160048,0.006279091,0.0007205381,0.005633232,0.0001609155,0.00001534709,0.00008263519,0.0001225053,0.07098098],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9631052,"threshold_uncertainty_score":0.9957367,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}