{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":8,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":8,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"96324b915864","filters":{"venue":"Music Analysis"}},"results":[{"id":"W2095381037","doi":"10.1111/j.1468-2249.2008.00269.x","title":"P<scp>erformance</scp>, G<scp>rouping and</scp>S<scp>chenkerian</scp>A<scp>lternative</scp>R<scp>eadings in</scp>S<scp>ome</scp>P<scp>assages from</scp>B<scp>eethoven</scp>’<scp>s</scp>‘L<scp>ebewohl</scp>’ S<scp>onata</scp>","year":2008,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Set (abstract data type); Computer science","authors":[{"name":"Alan Dodson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03464717048115701,"gpt":0.2355095061993781,"spread":0.2008623357182211,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004247504,0.0002550932,0.0001275531,0.0005813839,0.002016147,0.002550274,0.000358409,0.0005703241,0.009440417],"category_scores_gemma":[0.001509217,0.00009189359,0.0001477483,0.0005963421,0.004454226,0.0009790059,0.001104179,0.001453874,0.001830253],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001415449,"about_ca_system_score_gemma":0.0006200345,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01532466,"about_ca_topic_score_gemma":0.02260535,"domain_scores_codex":[0.9996118,0.0001262106,0.00001294358,0.0000630826,0.0001366058,0.00004942446],"domain_scores_gemma":[0.9995757,0.0001867209,0.00003578687,0.000057365,0.0000988537,0.00004558244],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002872705,0.00004407328,0.002521864,0.0004274559,0.00003888927,0.001608312,0.07408042,0.0009476563,0.008913526,0.4823013,0.251989,0.1768402],"study_design_scores_gemma":[0.000009502489,0.00004586336,0.00727232,0.0002162307,0.00001143431,0.000611564,0.01785961,0.0004904037,0.004021742,0.01455715,0.9548762,0.00002793925],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05221386,0.002896683,0.006668257,0.00887915,0.001787662,0.00005517321,0.0001926886,0.0001874576,0.927119],"genre_scores_gemma":[0.7991651,0.001769617,0.001862072,0.0006712325,0.000396823,0.00003415286,0.0001493149,0.0003841307,0.1955675],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01532466,"threshold_uncertainty_score":0.03158134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2004580231","doi":"10.1111/j.1468-2249.2006.00235.x","title":"C<scp>o‐operating</scp>C<scp>ontinuities in the</scp>M<scp>usic of</scp>T<scp>homas</scp>A<scp>dès</scp>","year":2006,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Temporalities; Postmodernism; Musical; Order (exchange); Perspective (graphical); Narrative; Variety (cybernetics); Consistency (knowledge bases); Sociology; Aesthetics; Epistemology; Computer science; Art; Literature; Visual arts; Philosophy; Theology; Artificial intelligence","authors":[{"name":"John Roeder","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02161957855468555,"gpt":0.2153692581959377,"spread":0.1937496796412521,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007934485,0.0001848979,0.0001600272,0.001056293,0.003861573,0.002552465,0.0004234641,0.0003912504,0.004322894],"category_scores_gemma":[0.001944092,0.00008852466,0.0001095146,0.001364083,0.007887121,0.001196606,0.001187169,0.001045698,0.0003867886],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002387531,"about_ca_system_score_gemma":0.001774718,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0326867,"about_ca_topic_score_gemma":0.06190084,"domain_scores_codex":[0.9994697,0.0001534896,0.00002143861,0.00006397031,0.0002000906,0.00009131292],"domain_scores_gemma":[0.9992045,0.0003576311,0.00008324519,0.00009191583,0.0001828081,0.0000799009],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004073091,0.00004495575,0.006317073,0.000389323,0.00001921063,0.001535301,0.4938866,0.000346129,0.008847553,0.3572737,0.01516955,0.1157633],"study_design_scores_gemma":[0.00001912206,0.00009290325,0.03538198,0.0006288202,0.00002280682,0.001418934,0.3705272,0.000658096,0.004865306,0.02518072,0.5611508,0.00005328883],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5359352,0.003133644,0.004003157,0.002736688,0.00024772,0.00004072438,0.00009647916,0.00007078905,0.4537356],"genre_scores_gemma":[0.9811311,0.0005627043,0.000468939,0.0001119021,0.00003708423,0.000008407448,0.00003563031,0.00002923073,0.01761498],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0326867,"threshold_uncertainty_score":0.0649929,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1551422245","doi":"10.1111/j.1468-2249.2011.00275.x","title":"I<scp>nside</scp> L<scp>uciano</scp> B<scp>erio</scp>'s S<scp>erialism</scp>","year":2009,"lang":"en","type":"article","venue":"Music Analysis","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Art; Computer science; Visual arts; Literature","authors":[{"name":"Christoph Neidhöfer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0635698920998469,"gpt":0.2304857086184485,"spread":0.1669158165186016,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009659721,0.000319682,0.0001950903,0.001613588,0.001604149,0.001966906,0.0003697061,0.0003484798,0.01536313],"category_scores_gemma":[0.00227012,0.0000911282,0.00009995538,0.001309825,0.003298057,0.0009438872,0.001465581,0.0009461517,0.002926554],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002868127,"about_ca_system_score_gemma":0.000872156,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009258517,"about_ca_topic_score_gemma":0.02206694,"domain_scores_codex":[0.9995185,0.0001510512,0.00002104496,0.00009669102,0.0001539411,0.00005873254],"domain_scores_gemma":[0.9990937,0.0002925988,0.0001179353,0.0001518404,0.0002361569,0.0001078015],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005266356,0.0001431358,0.02593848,0.001571307,0.00003897739,0.001650138,0.1105326,0.0007654686,0.01106753,0.2803431,0.1936263,0.3737964],"study_design_scores_gemma":[0.00001364895,0.0000826995,0.06439552,0.001197311,0.00001421344,0.0006514346,0.01589176,0.0003184174,0.003026012,0.00651057,0.9078635,0.00003480871],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1417083,0.008091021,0.002937932,0.005307596,0.0009514928,0.00006547474,0.0004918858,0.0002314546,0.8402147],"genre_scores_gemma":[0.8853093,0.001980334,0.001225559,0.0003358004,0.0002660261,0.0000463567,0.0002044082,0.000163601,0.1104685],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01536313,"threshold_uncertainty_score":0.05139476,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2005877799","doi":"10.1111/j.1468-2249.2010.00286.x","title":"B<scp>rahms and the</scp>P<scp>rinciple of</scp>D<scp>estabilised</scp>B<scp>eginnings</scp>","year":2009,"lang":"en","type":"article","venue":"Music Analysis","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Cognitive dissonance; Melody; Context (archaeology); Destabilisation; Literature; History; Musical; Psychology; Art; Archaeology; Social psychology","authors":[{"name":"Ryan McClelland","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0291329661973052,"gpt":0.2594223696095463,"spread":0.2302894034122411,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001150019,0.0001958429,0.0001157884,0.000618831,0.002578747,0.003651097,0.0005296347,0.0006613718,0.00625588],"category_scores_gemma":[0.002341653,0.0001413721,0.0001272849,0.0004592451,0.007694479,0.001583322,0.001965441,0.00144323,0.0008695227],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002445987,"about_ca_system_score_gemma":0.001104976,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005841461,"about_ca_topic_score_gemma":0.01094937,"domain_scores_codex":[0.9992985,0.000279318,0.00002560272,0.0001063478,0.0001720797,0.0001181394],"domain_scores_gemma":[0.9991492,0.0003289113,0.0001071567,0.0001549042,0.0001827234,0.0000770191],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001557136,0.00002067078,0.001945703,0.00008613957,0.000007950626,0.0004608611,0.0507997,0.0003572165,0.004903965,0.8638012,0.005420694,0.07204007],"study_design_scores_gemma":[0.00003895895,0.000159207,0.02365755,0.000384186,0.00002412777,0.001224682,0.061983,0.002313998,0.01483188,0.2285846,0.6667143,0.00008340981],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2218923,0.001316172,0.01184596,0.003829942,0.0002810485,0.00003811352,0.0000558576,0.000136868,0.7606037],"genre_scores_gemma":[0.9669914,0.0001668128,0.001463841,0.0001287155,0.00003145135,0.000007959939,0.00001583545,0.00006951248,0.0311244],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00625588,"threshold_uncertainty_score":0.02092803,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1906682878","doi":"10.1111/j.1468-2249.2009.00274.x","title":"C<scp>harting</scp><i>M<scp>émoriale</scp></i>: P<scp>aradigmatic</scp> A<scp>nalysis and</scp> H<scp>armonic</scp> S<scp>chemata in</scp> B<scp>oulez</scp>'<scp>s</scp> ... <i><scp>explosante</scp>‐<scp>fixe</scp></i> ...","year":2008,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Flute; Computer science; Art; Art history","authors":[{"name":"Jonathan Goldman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03867870344342192,"gpt":0.2316396071786049,"spread":0.192960903735183,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003438681,0.000407631,0.0001852201,0.0007899363,0.002533199,0.003343805,0.0004899288,0.0005955674,0.1283408],"category_scores_gemma":[0.001538299,0.000163711,0.0002196436,0.0007777869,0.0013714,0.001338943,0.001462495,0.001380037,0.03376486],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00200402,"about_ca_system_score_gemma":0.001218361,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01726494,"about_ca_topic_score_gemma":0.02696393,"domain_scores_codex":[0.9997129,0.00003008393,0.000008565756,0.00006133945,0.0001503672,0.00003667122],"domain_scores_gemma":[0.9995678,0.00008907388,0.00002028432,0.00007392121,0.0001798855,0.00006903034],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001209141,0.00003108917,0.000570391,0.0002080534,0.000007427323,0.0003378784,0.004384368,0.000574413,0.008590785,0.1612975,0.6445274,0.1793496],"study_design_scores_gemma":[0.000003157586,0.000009630005,0.0005933265,0.00003690896,0.000001471505,0.0001034091,0.0004166377,0.0002569227,0.002053349,0.00172865,0.9947875,0.000009197755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005077597,0.0005120159,0.01535115,0.002050949,0.002346847,0.0001026319,0.0006636191,0.00142851,0.9724668],"genre_scores_gemma":[0.104952,0.00105871,0.008943235,0.0007739583,0.0007158,0.0001059093,0.0008235732,0.002972455,0.8796543],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1283408,"threshold_uncertainty_score":0.4293427,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2573249804","doi":"10.1111/musa.12084","title":"Two Approaches to Tonal Space in the Music of Muddy Waters","year":2017,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sonority hierarchy; Chord (peer-to-peer); Blues; Melody; Space (punctuation); Timbre; Speech recognition; Computer science; Repertoire; Categorization; Major and minor; Tonality; Linguistics; Mathematics; Musical; Acoustics; Artificial intelligence; Art; Visual arts; Philosophy; Physics","authors":[{"name":"Ben Curry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2444149302647424,"gpt":0.2626041801288475,"spread":0.01818924986410508,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004357217,0.0002032971,0.0001070109,0.001377187,0.001943787,0.004020629,0.000631628,0.0004355988,0.006373108],"category_scores_gemma":[0.001685441,0.0001239777,0.0001116006,0.0007661742,0.01202411,0.001881673,0.003556757,0.0007518618,0.0003088144],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002644629,"about_ca_system_score_gemma":0.001407105,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01280876,"about_ca_topic_score_gemma":0.03831719,"domain_scores_codex":[0.9994566,0.0001802573,0.00001471061,0.00008585676,0.0001919497,0.00007074416],"domain_scores_gemma":[0.999543,0.0001831841,0.00005088803,0.00005692703,0.00008724513,0.00007892283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000181181,0.00002415281,0.006052112,0.0002211924,0.00001092458,0.0009396281,0.2244155,0.001080491,0.007944548,0.6778931,0.002458361,0.07877883],"study_design_scores_gemma":[0.00004014404,0.0001359737,0.03353137,0.0007186879,0.00002810828,0.001958092,0.3422169,0.005173104,0.005084352,0.291428,0.3195818,0.0001033685],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.4324751,0.001855294,0.05040376,0.003181593,0.0002247981,0.00005418445,0.00007455999,0.0001744268,0.5115562],"genre_scores_gemma":[0.9787795,0.0002688304,0.005022404,0.0001321341,0.00002477798,0.00001775816,0.0000142833,0.00003318529,0.01570723],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01280876,"threshold_uncertainty_score":0.02546841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1894755479","doi":"10.1111/j.1468-2249.2011.00310.x","title":"R<scp>ethinking</scp> C<scp>onceptions of</scp> U<scp>nity</scp>: S<scp>chubert</scp>'<scp>s</scp><i>M<scp>oment musical</scp></i><scp>in</scp> A♭<scp>major</scp>, D. 780 (O<scp>p</scp>. 94) No. 2","year":2011,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Tonality; Musical; Irony; Gesture; Epistemology; Aesthetics; Philosophy; Psychology; Linguistics; Literature; Art","authors":[{"name":"René Rusch","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03915949364979649,"gpt":0.2344759575476565,"spread":0.1953164638978601,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001055104,0.0003871916,0.0002377182,0.0008827901,0.005664217,0.005323485,0.0007269682,0.001718685,0.007896757],"category_scores_gemma":[0.00227468,0.0002030228,0.0002743356,0.000480259,0.01094592,0.002097804,0.002356122,0.002848295,0.00161065],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004537327,"about_ca_system_score_gemma":0.002365438,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02846076,"about_ca_topic_score_gemma":0.04961145,"domain_scores_codex":[0.9986064,0.0004102105,0.00005892366,0.0002680147,0.000474795,0.0001817656],"domain_scores_gemma":[0.999262,0.0003069144,0.00006517631,0.00009963253,0.000197506,0.0000687611],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003970005,0.00001147422,0.0004077714,0.0000617094,0.000005173486,0.0002538082,0.01748463,0.0001898408,0.001031637,0.9275331,0.0315371,0.02144407],"study_design_scores_gemma":[0.000008989025,0.00005159278,0.002455401,0.0002610398,0.00001565918,0.000387073,0.01331737,0.0005351854,0.003162262,0.07631905,0.9034323,0.00005415025],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02209499,0.001646458,0.004438197,0.006599932,0.00111979,0.00004852912,0.00006683071,0.0001081321,0.9638771],"genre_scores_gemma":[0.7393453,0.001212125,0.002027731,0.001710524,0.0005572629,0.00007431037,0.00005880755,0.0001834562,0.2548305],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02846076,"threshold_uncertainty_score":0.05659014,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4376958695","doi":"10.1111/musa.12210","title":"Hearing Durational Process in A Huli Song","year":2023,"lang":"en","type":"article","venue":"Music Analysis","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Duration (music); Rhythm; Projection (relational algebra); Event (particle physics); Key (lock); Notation; Process (computing); Quality (philosophy); Psychology; Chorus; Realisation; Communication; Linguistics; Aesthetics; Computer science; Epistemology; Literature; Art; Philosophy; Algorithm","authors":[{"name":"John Roeder","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1961703928371657,"gpt":0.2717276193322475,"spread":0.07555722649508179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004527511,0.000162875,0.0001480639,0.0003593289,0.0008898452,0.00197788,0.0002344863,0.0005273364,0.006068614],"category_scores_gemma":[0.00443579,0.0001958279,0.0001331419,0.0002211765,0.001104088,0.002126907,0.001311379,0.0005812714,0.0005861505],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004130859,"about_ca_system_score_gemma":0.0002514671,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002381425,"about_ca_topic_score_gemma":0.003496789,"domain_scores_codex":[0.9997916,0.00004915768,0.000007249914,0.00006240969,0.00006120082,0.00002845375],"domain_scores_gemma":[0.9994885,0.0003117492,0.00003024969,0.00003423966,0.0000708431,0.00006440295],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.001998048,0.000115198,0.03480389,0.0005504694,0.00008640301,0.003522718,0.2397399,0.002127753,0.1729023,0.264446,0.0140668,0.2656406],"study_design_scores_gemma":[0.0002731624,0.002024316,0.3205714,0.001047769,0.0001581176,0.006209696,0.1091623,0.03206519,0.02820317,0.2312097,0.2684812,0.0005939879],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8638504,0.001311131,0.02125428,0.0008604454,0.0002786315,0.00005448188,0.0001983176,0.0002418003,0.1119505],"genre_scores_gemma":[0.9843217,0.0003120697,0.007078168,0.0002081326,0.00008200404,0.00001731047,0.0000840417,0.00006455172,0.007832017],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006068614,"threshold_uncertainty_score":0.02030152,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}