{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"1bf42ab14f87","filters":{"venue":"Music Theory Spectrum"}},"results":[{"id":"W2900374961","doi":"10.1093/mts/mty021","title":"Chord Context and Harmonic Function in Tonal Music","year":2018,"lang":"en","type":"article","venue":"Music Theory Spectrum","topic":"Music and Audio Processing","field":"Computer Science","cited_by":44,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Computer science; Universality (dynamical systems); Uniqueness; Generalizability theory; Choir; Function (biology); Linguistics; Generality; Speech recognition; Schema (genetic algorithms); Hierarchy; Natural language processing; Artificial intelligence; Mathematics; Sociology; Machine learning; Psychology; Philosophy","authors":[{"name":"Christopher W. White","is_ca":false},{"name":"Ian Quinn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01806085241878738,"gpt":0.2189704226355627,"spread":0.2009095702167753,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007754955,0.0002460775,0.0002575134,0.0009915465,0.0009276165,0.002201996,0.000384014,0.0004435999,0.003314293],"category_scores_gemma":[0.005671263,0.0002651694,0.0002645058,0.001071609,0.001827443,0.002389509,0.0009065523,0.0009883059,0.0003567131],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007840471,"about_ca_system_score_gemma":0.0005100544,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006284912,"about_ca_topic_score_gemma":0.0125422,"domain_scores_codex":[0.9996206,0.0001550814,0.00001922158,0.0001093829,0.00005758453,0.00003818925],"domain_scores_gemma":[0.9979327,0.001536671,0.000178869,0.0001718997,0.00009756776,0.00008229398],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0016522,0.0002720935,0.1935373,0.000797254,0.0001975794,0.00168016,0.027031,0.01866099,0.06090498,0.3816687,0.002240253,0.3113575],"study_design_scores_gemma":[0.0001074204,0.0003525086,0.5184624,0.0002696485,0.0001746353,0.001381448,0.01176353,0.1239157,0.01094595,0.3139346,0.01846565,0.0002265297],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9324475,0.00183715,0.04224378,0.0007890153,0.00004353013,0.00002799997,0.0002856063,0.0001286742,0.02219673],"genre_scores_gemma":[0.9965572,0.0001748652,0.00251175,0.00002935628,0.00001601885,0.000006417425,0.0000899089,0.00002333001,0.0005911394],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006284912,"threshold_uncertainty_score":0.01249671,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401856214","doi":"10.1093/mts/mtae002","title":"Performing Te: Gesture and Timbre in Fujikura Dai’s <i>neo</i> for Solo Shamisen","year":2024,"lang":"en","type":"article","venue":"Music Theory Spectrum","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Timbre; Gesture; Art; Linguistics; Mathematics; Psychology; Visual arts; Philosophy; Musical","authors":[{"name":"Toru Momii","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01498506332499723,"gpt":0.259811075412375,"spread":0.2448260120873778,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007000357,0.0005013167,0.0002042602,0.0007207611,0.002845562,0.002123429,0.0003516134,0.0004484445,0.003428799],"category_scores_gemma":[0.00102569,0.0001396116,0.0002243244,0.0004728159,0.004200255,0.001066761,0.002132614,0.0008118512,0.0003034035],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001140586,"about_ca_system_score_gemma":0.0006463545,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006890369,"about_ca_topic_score_gemma":0.03343046,"domain_scores_codex":[0.999716,0.00008118847,0.0000109664,0.00004703778,0.00008046658,0.00006440243],"domain_scores_gemma":[0.9997215,0.00008576158,0.00003914375,0.00003475373,0.000052437,0.00006652623],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004623823,0.00006774755,0.02988491,0.0004132749,0.00004411315,0.001889145,0.7779891,0.000487481,0.09447537,0.02650827,0.002194911,0.06558326],"study_design_scores_gemma":[0.00001813556,0.0002477098,0.1489162,0.0002242131,0.00005816692,0.0009848266,0.7636593,0.001106547,0.01007415,0.0048708,0.06972611,0.0001139067],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.952045,0.0002116807,0.002245092,0.0003063786,0.00005859484,0.00001746569,0.00002925363,0.00002613745,0.04506037],"genre_scores_gemma":[0.9939714,0.00007859743,0.0009138319,0.00003063462,0.000008436355,0.000007652412,0.00001516658,0.00001558483,0.004958702],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006890369,"threshold_uncertainty_score":0.01370049,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2320893357","doi":"10.1525/mts.2013.35.1.141","title":"Review:<i>Prosdocimo de’ Beldomandi’s</i>Plana musica<i>and</i>Musica speculativa.<i>New Critical Texts, Translations, Annotations, and Indices</i><i>Prosdocimo de’ Beldomandi’s</i>Plana musica<i>and</i>Musica speculativa.<i>New Critical Texts, Translations, Annotations, and Indices</i>. By Jan Herlinger . Studies in the History of Music Theory and Literature, volume 4 , Thomas J. Mathiesen , General Editor. Urbana and Chicago : University of Illinois Press , 2008 , viii + 321 pages.","year":2013,"lang":"en","type":"article","venue":"Music Theory Spectrum","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Counterpoint; Art; Polyphony; Harmony (Music); Humanities; Musicology; The Renaissance; Art history; Literature; Musical; Sociology","authors":[{"name":"Peter Schubert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02124644170371661,"gpt":0.237787020946462,"spread":0.2165405792427453,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001450403,0.002055909,0.003008203,0.005796473,0.0007776935,0.004130211,0.002393878,0.002904434,0.01750348],"category_scores_gemma":[0.009627476,0.0006801212,0.001351761,0.006836645,0.001190029,0.004958206,0.001878851,0.003861811,0.009057365],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002661325,"about_ca_system_score_gemma":0.005582781,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003845714,"about_ca_topic_score_gemma":0.006966882,"domain_scores_codex":[0.9983321,0.0003415094,0.0002330583,0.0002956352,0.000685598,0.0001121567],"domain_scores_gemma":[0.9935079,0.002126049,0.0009011274,0.0001584553,0.002919707,0.0003867596],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004358052,0.00001576467,0.0001426529,0.03107215,0.0001628195,0.0001496937,0.0001486161,0.00006021985,0.0002396716,0.0007089687,0.85184,0.1154158],"study_design_scores_gemma":[0.00002829505,0.00003603897,0.0008575718,0.01874571,0.0001870787,0.0005195283,0.0002055126,0.00002902716,0.0001241022,0.0007262794,0.978511,0.0000297695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00006541485,0.9829819,0.00008351205,0.008115956,0.006815639,0.00003299702,0.00009746291,0.00001623103,0.001790854],"genre_scores_gemma":[0.001079153,0.9732695,0.0002141943,0.01323998,0.006834884,0.0001158922,0.000300815,0.00001949771,0.004926162],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01750348,"threshold_uncertainty_score":0.05855495,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4380346041","doi":"10.1093/mts/mtad013","title":"Focal Impulse Theory. By John Paul Ito","year":2023,"lang":"en","type":"article","venue":"Music Theory Spectrum","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Impulse (physics); Art; Art history; Media studies; Computer science; Telecommunications; Sociology; Physics; Quantum mechanics","authors":[{"name":"Ben Duinker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02646188564831362,"gpt":0.262839193621592,"spread":0.2363773079732784,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001053277,0.00118485,0.0008690308,0.001944352,0.001169125,0.003132068,0.0006504417,0.002023222,0.06112459],"category_scores_gemma":[0.004042483,0.0006564063,0.0006109049,0.002150288,0.003211916,0.005549804,0.001780535,0.004790223,0.04027615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001614695,"about_ca_system_score_gemma":0.001397316,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003263099,"about_ca_topic_score_gemma":0.003115903,"domain_scores_codex":[0.9991618,0.0001371929,0.00006804768,0.0002609348,0.0003319054,0.00004010294],"domain_scores_gemma":[0.9988407,0.0005844461,0.00008803009,0.000102855,0.0002763925,0.0001076177],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001262425,0.00001284324,0.00009040269,0.0002368882,0.000009896061,0.00004897609,0.0002012824,0.0001905215,0.0002027511,0.1119725,0.7951623,0.09185892],"study_design_scores_gemma":[0.000005267842,0.000008782352,0.0001747092,0.0002111273,0.000004743257,0.0001450553,0.00006291558,0.0002231762,0.00009726998,0.05997626,0.9390806,0.00001009165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0008388843,0.3619497,0.02217758,0.109696,0.03051877,0.00005145729,0.0009250029,0.001037334,0.4728052],"genre_scores_gemma":[0.03810911,0.258764,0.01467489,0.01778554,0.0381216,0.0001541048,0.0004904214,0.001050915,0.6308494],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06112459,"threshold_uncertainty_score":0.2044821,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}