{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"b2c335c7fb14","filters":{"venue":"Musicology Australia"}},"results":[{"id":"W2094498303","doi":"10.1080/08145857.2013.844473","title":"Sustaining Traditions: Ethnomusicological Collections, Access and Sustainability in Australia","year":2013,"lang":"en","type":"article","venue":"Musicology Australia","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Repatriation; Sustainability; Politics; Cultural heritage; Cultural sustainability; History; Diaspora; Geography; Media studies; Political science; Sociology; Archaeology; Gender studies; Law; Ecology","authors":[{"name":"Sally Treloyn","is_ca":false},{"name":"Andrea Emberly","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2595966606494555,"gpt":0.335025205816528,"spread":0.07542854516707248,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00591739,0.0003085804,0.0004166083,0.004764841,0.02295992,0.007761333,0.001631123,0.001245503,0.002473281],"category_scores_gemma":[0.008515159,0.0005519605,0.000176544,0.008301159,0.01623416,0.005368653,0.01334931,0.001788211,0.0001786808],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007095071,"about_ca_system_score_gemma":0.009308174,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1049928,"about_ca_topic_score_gemma":0.3002018,"domain_scores_codex":[0.9949532,0.002970653,0.0002293425,0.0003920356,0.001024202,0.0004305514],"domain_scores_gemma":[0.9946842,0.002434757,0.0008321055,0.0005958104,0.0006655203,0.0007876004],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001054505,0.00003791546,0.005480866,0.0001855281,0.000005304636,0.001215106,0.969289,0.00003407843,0.0007026009,0.004533025,0.0004820488,0.01802401],"study_design_scores_gemma":[0.000003150738,0.0000431451,0.02907242,0.0003649367,0.000007857516,0.0009337494,0.9156651,0.00007206134,0.0002782265,0.002231447,0.05130764,0.0000202398],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.954661,0.004260872,0.00182519,0.002985749,0.00006207548,0.0004233051,0.00007164181,0.0000160123,0.03569429],"genre_scores_gemma":[0.9835999,0.004179741,0.003061515,0.0004216914,0.00004732614,0.0002293412,0.00004853659,0.00002229452,0.00838965],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1049928,"threshold_uncertainty_score":0.2087634,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403733985","doi":"10.1080/08145857.2024.2412403","title":"Teaching and Evaluating Music Performance at University: Beyond the Conservatory Model","year":2024,"lang":"en","type":"article","venue":"Musicology Australia","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Visual arts; Mathematics education; Art; Computer science; Psychology","authors":[{"name":"Carol Johnson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1891181909557213,"gpt":0.3006862889998074,"spread":0.1115680980440861,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01798683,0.0002291119,0.0004434828,0.001349593,0.002789058,0.008787208,0.000878998,0.0009641792,0.004910962],"category_scores_gemma":[0.04237064,0.0001607149,0.0002551117,0.0009521659,0.004691525,0.00575691,0.004410608,0.002161275,0.000951362],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005261401,"about_ca_system_score_gemma":0.008327611,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01160334,"about_ca_topic_score_gemma":0.03505805,"domain_scores_codex":[0.9903092,0.00673943,0.0002817388,0.0003185457,0.001852168,0.0004988558],"domain_scores_gemma":[0.9747441,0.01083311,0.003088869,0.001305178,0.004010804,0.006017831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003568823,0.001636724,0.2611902,0.0004795041,0.0001431486,0.0001479744,0.08670843,0.001612381,0.001264101,0.02033238,0.02557991,0.6005483],"study_design_scores_gemma":[0.00009098588,0.002010367,0.5649502,0.002652035,0.0001563405,0.000309964,0.3005487,0.006529953,0.002536272,0.04515408,0.07484144,0.0002196744],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8530474,0.004426178,0.005291612,0.03928067,0.0005450047,0.0002140886,0.0001143149,0.000157354,0.09692347],"genre_scores_gemma":[0.9931759,0.0009383737,0.002561706,0.0007161375,0.00006284662,0.00005448864,0.0000259791,0.00001869406,0.002445861],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01798683,"threshold_uncertainty_score":0.0951246,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1974897106","doi":"10.1080/08145857.2014.911067","title":"Twentieth Century Music and the Question of Modernity","year":2014,"lang":"en","type":"article","venue":"Musicology Australia","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernity; Art; Literature; Art history; Aesthetics; Visual arts; Philosophy; Epistemology","authors":[{"name":"Christina Gier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05353952755174324,"gpt":0.2677980175940808,"spread":0.2142584900423376,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001293489,0.0003018685,0.0002421005,0.001632931,0.005538817,0.00595502,0.0006163151,0.0023089,0.009533547],"category_scores_gemma":[0.00231443,0.0001780041,0.0001566749,0.001750849,0.03031092,0.007979814,0.002571237,0.002884043,0.0007530407],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005406152,"about_ca_system_score_gemma":0.001067127,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008940346,"about_ca_topic_score_gemma":0.01395885,"domain_scores_codex":[0.9989154,0.0005462111,0.00002915321,0.0001346954,0.0001547014,0.0002198594],"domain_scores_gemma":[0.9989497,0.000580387,0.0001423779,0.0001025311,0.0000926625,0.0001323348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002631253,0.00001056728,0.0003592575,0.00003176089,0.00000276156,0.00007995187,0.02411166,0.00002818753,0.00007981352,0.9539958,0.01086229,0.0104116],"study_design_scores_gemma":[0.00002509896,0.00003062788,0.004465727,0.0003107457,0.000003455792,0.0001887141,0.02130194,0.00006728005,0.0001186573,0.2882072,0.6852615,0.00001904634],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0620497,0.1907868,0.0007721807,0.1226789,0.001747906,0.00001160548,0.00009777027,0.00002943541,0.6218257],"genre_scores_gemma":[0.9079859,0.02545946,0.0003326584,0.007259167,0.003363428,0.00002687361,0.00003843275,0.0000416592,0.05549232],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009533547,"threshold_uncertainty_score":0.03922457,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416098018","doi":"10.1080/08145857.2025.2572120","title":"Colloquy: Studies of Music in the British Empire: Past, Present, Future","year":2025,"lang":"en","type":"article","venue":"Musicology Australia","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Scholarship; Key (lock); Quarter (Canadian coin); SPARK (programming language); Musicology; Music history; Empire","authors":[{"name":"Paul Watt","is_ca":false},{"name":"Laura Case","is_ca":false},{"name":"Suddhaseel Sen","is_ca":false},{"name":"Anna Piatigorsky","is_ca":false},{"name":"Sean Williams","is_ca":false},{"name":"Erin Johnson-Williams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1133220594970459,"gpt":0.3301070374672154,"spread":0.2167849779701696,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001661739,0.00059361,0.0004203967,0.001797107,0.005262639,0.005943382,0.001078272,0.002036333,0.01159966],"category_scores_gemma":[0.005776855,0.0001937585,0.0002223839,0.002584963,0.005432827,0.004408987,0.004808167,0.002831024,0.001855872],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004467612,"about_ca_system_score_gemma":0.003588772,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02835433,"about_ca_topic_score_gemma":0.06737931,"domain_scores_codex":[0.9990024,0.0004469909,0.00006481465,0.0001117528,0.0002579442,0.0001161424],"domain_scores_gemma":[0.9961089,0.001754297,0.0002357066,0.0003310536,0.0007797779,0.0007902479],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009804709,0.0001001347,0.004674415,0.0005003986,0.00001561365,0.0009233992,0.2566133,0.0001921328,0.001197563,0.2120702,0.3942026,0.1294122],"study_design_scores_gemma":[0.000006726284,0.00002891815,0.00464837,0.0004021215,0.000004875453,0.0003230367,0.04833899,0.0001037353,0.0002121076,0.01261178,0.9332989,0.00002041764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.1361468,0.1969824,0.01220191,0.1775991,0.04413826,0.0001606852,0.0003846433,0.0001913876,0.4321948],"genre_scores_gemma":[0.5528742,0.06012331,0.004675202,0.02435599,0.006786704,0.0003150373,0.0002774838,0.0004237673,0.3501682],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.02835433,"threshold_uncertainty_score":0.0563786,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413063016","doi":"10.1080/08145857.2025.2525630","title":"The Musical Language of Italian Opera, 1813–1859","year":2025,"lang":"en","type":"article","venue":"Musicology Australia","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Opera; Musical; Art; Literature; Linguistics; Visual arts; Philosophy","authors":[{"name":"Aidan McGartland","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03765219549963312,"gpt":0.2957543784154903,"spread":0.2581021829158572,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009068478,0.0006390769,0.0002747812,0.001630496,0.004017326,0.002869159,0.000526991,0.0007072442,0.005868454],"category_scores_gemma":[0.001859796,0.0002743519,0.0001790592,0.001739093,0.005762197,0.001149656,0.001305912,0.001770811,0.0018615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007292252,"about_ca_system_score_gemma":0.001543893,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05978801,"about_ca_topic_score_gemma":0.1562749,"domain_scores_codex":[0.9993566,0.0001554007,0.00003075967,0.0001157316,0.00015347,0.0001881118],"domain_scores_gemma":[0.9996793,0.00009870248,0.0000676569,0.00003434765,0.00007056613,0.00004936411],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004115615,0.00008146794,0.00841137,0.0005582507,0.000033832,0.001319422,0.2445598,0.0004558257,0.002154046,0.4840498,0.1256576,0.1323069],"study_design_scores_gemma":[0.00002172179,0.0000828164,0.05037186,0.0003386992,0.00001442299,0.0004757535,0.00695712,0.0001436027,0.0003551528,0.005362615,0.9358385,0.00003780782],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09993585,0.02114569,0.0005949785,0.005270375,0.0007704559,0.00004008511,0.0003785775,0.00008118842,0.8717827],"genre_scores_gemma":[0.8280258,0.008636829,0.0006323181,0.001211297,0.001589483,0.00005371217,0.000296334,0.0001161162,0.1594382],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05978801,"threshold_uncertainty_score":0.11888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}