{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"d63c22ec004a","filters":{"venue":"Musurgia"}},"results":[{"id":"W3205942989","doi":"10.3917/musur.204.0011","title":"« L’Amphibie » de François Couperin ou Abrégé des lieux communs les plus utiles pour l’improvisation et la composition","year":2021,"lang":"fr","type":"article","venue":"Musurgia","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Moncton","funders":"","keywords":"Humanities; Art; Improvisation; Composition (language); Visual arts; Literature","authors":[{"name":"Patrice Nicolas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04759429872626902,"gpt":0.2803448360030624,"spread":0.2327505372767933,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001247708,0.0006538333,0.0002529532,0.000697238,0.01127321,0.004492885,0.0004922262,0.001522946,0.01781545],"category_scores_gemma":[0.002228713,0.0003082561,0.000299193,0.0005876245,0.006775602,0.001885348,0.001896883,0.002885333,0.002477007],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008141896,"about_ca_system_score_gemma":0.004871255,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2017509,"about_ca_topic_score_gemma":0.330485,"domain_scores_codex":[0.998681,0.0004303414,0.00002943852,0.0002540618,0.000269862,0.0003352966],"domain_scores_gemma":[0.9989852,0.0002897255,0.0001313021,0.00007669074,0.0002681323,0.0002488064],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005329957,0.00006167078,0.01671559,0.0003271061,0.00005258232,0.001730366,0.2380498,0.0006536356,0.006979831,0.5286334,0.08062763,0.1256353],"study_design_scores_gemma":[0.00001602939,0.00008392056,0.01283034,0.0002210422,0.00001268832,0.0006161383,0.03120415,0.0002381302,0.001069729,0.003884935,0.9497738,0.00004914811],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.34394,0.01033676,0.009982121,0.0340084,0.002055382,0.00009950328,0.0003116471,0.0002505459,0.5990156],"genre_scores_gemma":[0.6918089,0.001614369,0.001564114,0.002037894,0.0001626528,0.00003846961,0.00007197337,0.0001138212,0.3025878],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2017509,"threshold_uncertainty_score":0.4011532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2019919998","doi":"10.3917/musur.124.0033","title":"Variations-rondeau de Pierre Boulez : chronique d'une esquisse de la Deuxième sonate","year":2013,"lang":"fr","type":"article","venue":"Musurgia","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Brice Tissier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008913954554442174,"gpt":0.233471672986337,"spread":0.2245577184318949,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001239839,0.0005144797,0.000267379,0.001576315,0.005974689,0.003712203,0.0003983372,0.0008917697,0.008636511],"category_scores_gemma":[0.003033835,0.0003791186,0.0002573681,0.001247846,0.008113246,0.002619255,0.002165024,0.002462887,0.001147884],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008473249,"about_ca_system_score_gemma":0.003394653,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06529308,"about_ca_topic_score_gemma":0.1259242,"domain_scores_codex":[0.9983526,0.0007139464,0.00004836805,0.0003279896,0.0003934024,0.0001636178],"domain_scores_gemma":[0.9990471,0.0004788506,0.00009173367,0.00008451482,0.0002207885,0.00007701828],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003881667,0.00002886428,0.00356682,0.0003168842,0.00002306261,0.0009371511,0.2004725,0.0005373091,0.00371848,0.6474897,0.04477841,0.09774277],"study_design_scores_gemma":[0.000006508521,0.00002532611,0.004459627,0.000138153,0.000004622249,0.0002787875,0.005727589,0.00007246796,0.001297711,0.004221321,0.9837463,0.00002156384],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1753187,0.03770176,0.01005456,0.01749848,0.002888929,0.00008396746,0.000430782,0.0003440903,0.7556788],"genre_scores_gemma":[0.7057037,0.006211643,0.003817318,0.0008202133,0.0005131078,0.00008162707,0.0001413719,0.0003928958,0.2823181],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06529308,"threshold_uncertainty_score":0.1298261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1981584817","doi":"10.3917/musur.084.0005","title":"Voix de Turquie : Une étude stylistique de chants traditionnels à voix nue","year":2008,"lang":"fr","type":"article","venue":"Musurgia","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Annie Labussière","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.100286310146447,"gpt":0.2397100864633103,"spread":0.1394237763168633,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001900702,0.0003144428,0.0002862962,0.001658519,0.002092544,0.002372509,0.0005197583,0.0005850348,0.004956494],"category_scores_gemma":[0.006383274,0.0001759372,0.0001881491,0.002697772,0.002209884,0.001429393,0.001480408,0.0009211164,0.0004131877],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000976242,"about_ca_system_score_gemma":0.0008734755,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01030741,"about_ca_topic_score_gemma":0.03025346,"domain_scores_codex":[0.9989297,0.0004235789,0.0000523088,0.0002274428,0.0002475352,0.0001194601],"domain_scores_gemma":[0.9970861,0.001749529,0.0003222478,0.0002470284,0.0004549721,0.0001400744],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004373193,0.00005054654,0.04996838,0.0005640786,0.00005067724,0.002045994,0.7377408,0.0004657687,0.03766482,0.02845339,0.002011537,0.1405467],"study_design_scores_gemma":[0.00004528439,0.0003296906,0.2842683,0.0006668558,0.00004648569,0.00294068,0.5249156,0.001834517,0.006101101,0.006647436,0.1721075,0.00009665894],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.960325,0.00141091,0.01153068,0.0008046654,0.0001366079,0.0001001353,0.0003395911,0.00005133566,0.02530099],"genre_scores_gemma":[0.9868112,0.0004356992,0.003510429,0.00007775794,0.00005448706,0.00006464928,0.0001689492,0.00004042379,0.008836426],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01030741,"threshold_uncertainty_score":0.02049482,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2006016012","doi":"10.3917/musur.121.0069","title":"L'ordre mélodique selon Jacques Chailley. Exposé et critique","year":2012,"lang":"fr","type":"article","venue":"Musurgia","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; EXPOSE; Humanities; Physics","authors":[{"name":"Annie Labussière","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02868329473988772,"gpt":0.3138000887678665,"spread":0.2851167940279787,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001634955,0.0009170063,0.0005645507,0.001880769,0.007158049,0.006601532,0.0008646647,0.005074254,0.0129402],"category_scores_gemma":[0.003637877,0.0002949113,0.0004394705,0.001410873,0.006526351,0.003820391,0.002210257,0.006139256,0.001769271],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004662552,"about_ca_system_score_gemma":0.002285601,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01626469,"about_ca_topic_score_gemma":0.01966422,"domain_scores_codex":[0.9988709,0.0006390291,0.00002046584,0.0001144616,0.0002036496,0.0001514407],"domain_scores_gemma":[0.9988335,0.0007023991,0.00005846001,0.00005241486,0.0002313042,0.000121901],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004654677,0.00002601349,0.0003467672,0.0001542156,0.000009191277,0.0002617663,0.02128933,0.00008035862,0.000495707,0.4590751,0.4946249,0.02359011],"study_design_scores_gemma":[0.00000448081,0.00001013193,0.0004603796,0.0001608497,0.000003051465,0.0001270882,0.004260236,0.00008648448,0.0001053377,0.007645813,0.9871294,0.000006841032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"commentary","genre_scores_codex":[0.01074419,0.1797571,0.002277935,0.4310006,0.03678188,0.00003329825,0.0001138929,0.0001623165,0.3391288],"genre_scores_gemma":[0.276386,0.04897544,0.001231777,0.04631829,0.04173901,0.0001764457,0.00009059184,0.0004774975,0.584605],"genre_candidate":"commentary","genre_consensus":"commentary","teacher_disagreement_score":0.01626469,"threshold_uncertainty_score":0.0432893,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2208091722","doi":"10.3917/musur.151.0027","title":"Les relations entre technologie et créativité dans l’analyse des musiques électroacoustiques : une étude comparative de Riverrun de Barry Truax et Imago de Trevor Wishart","year":2015,"lang":"fr","type":"article","venue":"Musurgia","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"Durham University; Arts and Humanities Research Council; University of Huddersfield","keywords":"Humanities; Art","authors":[{"name":"Michael Clarke","is_ca":false},{"name":"Frédéric Dufeu","is_ca":false},{"name":"Peter Manning","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.10636497165741,"gpt":0.3426488855409247,"spread":0.2362839138835147,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001663169,0.0002883364,0.0003381335,0.001477545,0.002173572,0.003302496,0.0005658973,0.0005647853,0.005056353],"category_scores_gemma":[0.002252377,0.0002892287,0.0002756802,0.001699009,0.00278418,0.001526051,0.001582179,0.00079557,0.0004789839],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002623234,"about_ca_system_score_gemma":0.001669341,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04220846,"about_ca_topic_score_gemma":0.1099144,"domain_scores_codex":[0.9990408,0.0003388702,0.00002820558,0.0002267412,0.0002757198,0.00008959151],"domain_scores_gemma":[0.9988267,0.0006636056,0.0001549427,0.00006620831,0.0002152496,0.00007335177],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003780286,0.0000956334,0.07487193,0.0003389855,0.00005714529,0.002008048,0.7435461,0.0004247228,0.01975566,0.02951835,0.001560092,0.1274453],"study_design_scores_gemma":[0.00001336663,0.0001846561,0.4202129,0.0004164002,0.00005612875,0.001270186,0.4547171,0.0006394251,0.004127944,0.003589509,0.1146899,0.00008250635],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9597263,0.001256617,0.002400367,0.0005189153,0.00001399096,0.00003466691,0.0000723394,0.000009935989,0.03596693],"genre_scores_gemma":[0.9666746,0.0009144913,0.001826755,0.0001192511,0.000008418913,0.00007575686,0.00009775638,0.00004912819,0.03023383],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04220846,"threshold_uncertainty_score":0.08392555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2617858073","doi":"10.3917/musur.161.0105","title":"Vers une stylistique du jazz littéraire dans L’Écume des jours de Boris Vian","year":2017,"lang":"fr","type":"article","venue":"Musurgia","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Jazz; Art; Humanities; Improvisation; Art history; Visual arts","authors":[{"name":"Cécile Pajona","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02558932773231146,"gpt":0.2749363761753008,"spread":0.2493470484429893,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001139437,0.0005419615,0.0003441082,0.001291133,0.004765379,0.005021202,0.0003420759,0.0008803529,0.00877759],"category_scores_gemma":[0.002040525,0.0002623629,0.0002077783,0.001011291,0.006113077,0.00308584,0.00211869,0.001714855,0.001142245],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002505405,"about_ca_system_score_gemma":0.0009242196,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004619102,"about_ca_topic_score_gemma":0.01555397,"domain_scores_codex":[0.9988934,0.0006856254,0.00003687476,0.0001347847,0.0001512826,0.00009798755],"domain_scores_gemma":[0.9991874,0.0004892053,0.00009230991,0.00007357103,0.00009532637,0.000062227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000178207,0.00001796101,0.003086631,0.0003460826,0.00001047329,0.0008494653,0.2730029,0.0002031199,0.005802327,0.6815603,0.007260805,0.02768174],"study_design_scores_gemma":[0.00001238146,0.0000639478,0.009278158,0.0004119302,0.00001656229,0.001118835,0.0916339,0.0004616077,0.00205208,0.01764692,0.8772614,0.0000422907],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3635022,0.008867614,0.03170232,0.006769484,0.000986732,0.00009910682,0.000303584,0.0003227459,0.5874463],"genre_scores_gemma":[0.9265648,0.001081665,0.004328972,0.0002463077,0.000168803,0.00004048942,0.00009235845,0.0001922244,0.06728441],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00877759,"threshold_uncertainty_score":0.02936393,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2032471510","doi":"10.3917/musur.132.0079","title":"Les Trois mélodies pour le violoncelle avec accompagnement d'orgue expressif dédiées au Marquis de Corberon par Alexandre-Pierre-François Boëly","year":2014,"lang":"fr","type":"article","venue":"Musurgia","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Florence Gétreau","is_ca":true},{"name":"Sarre Nicolas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02217113813900672,"gpt":0.2223634802105182,"spread":0.2001923420715115,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009232065,0.0008326156,0.0002173006,0.0008019173,0.003168333,0.002789334,0.0005236349,0.0007455976,0.01871462],"category_scores_gemma":[0.001922042,0.0001954303,0.0002791614,0.0005257895,0.003126682,0.001476628,0.00179022,0.001762919,0.002636553],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003143045,"about_ca_system_score_gemma":0.001635298,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03248972,"about_ca_topic_score_gemma":0.1048261,"domain_scores_codex":[0.9995055,0.000134024,0.00001142173,0.0001037678,0.0001582125,0.00008698897],"domain_scores_gemma":[0.9995019,0.0001459833,0.00002776146,0.00006477574,0.0001550956,0.000104443],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008564342,0.00007928464,0.00953009,0.0007879608,0.00005152797,0.002863576,0.2064334,0.001167193,0.05293146,0.3632517,0.06885546,0.2931919],"study_design_scores_gemma":[0.00002335625,0.0001071949,0.01120997,0.0003355945,0.00001552494,0.000828677,0.02380087,0.0006529021,0.005647305,0.004656353,0.9526576,0.00006467591],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2511507,0.005459868,0.03078871,0.007153281,0.003436508,0.0001431768,0.000379132,0.0005879867,0.7009006],"genre_scores_gemma":[0.5646322,0.001438863,0.008400118,0.0006363929,0.0002509053,0.00006356143,0.0001930588,0.0004470407,0.4239379],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03248972,"threshold_uncertainty_score":0.06460118,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}