{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c893366d7874","filters":{"venue":"Mutual Images Journal"}},"results":[{"id":"W4206172110","doi":"10.32926/2021.10.jun.iparh","title":"Ipar Haizearen Erronka: A boat trip from the Basque Country to Newfoundland","year":2021,"lang":"en","type":"article","venue":"Mutual Images Journal","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Animation; Context (archaeology); Movie theater; History; Plot (graphics); Action (physics); Visual arts; Computer science; Art; Literature; Art history; Archaeology","authors":[{"name":"Maitane Junguitu Dronda","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03599877080508698,"gpt":0.3300727367206961,"spread":0.2940739659156091,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009626388,0.0001367334,0.0002101496,0.00003669559,0.001353069,0.0008850181,0.000398701,0.00008258867,0.00200036],"category_scores_gemma":[0.001329021,0.00009996088,0.0001095906,0.0003101398,0.0002039538,0.0003981589,0.0000857777,0.0004690916,0.0001914643],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002213481,"about_ca_system_score_gemma":0.0008413458,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002971515,"about_ca_topic_score_gemma":0.008155297,"domain_scores_codex":[0.9977406,0.0005419335,0.0002761689,0.0002286637,0.0007206869,0.0004919505],"domain_scores_gemma":[0.9986486,0.0004405816,0.0001014799,0.0001952039,0.0002253862,0.0003887764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001592407,0.0002279275,0.04898764,0.00001205458,0.0003080376,0.001289148,0.2120875,0.00006099059,0.01884542,0.001245487,0.6714631,0.04531344],"study_design_scores_gemma":[0.001147376,0.00005690835,0.03814838,0.0001369867,0.00009090746,0.000123875,0.07201523,0.00003750883,0.000893791,0.00307174,0.8839049,0.0003723774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8214223,0.006715555,0.01275977,0.05893089,0.00739017,0.0004302985,0.0001409,0.0001256123,0.09208446],"genre_scores_gemma":[0.9427533,0.00181505,0.005778582,0.01191478,0.0145684,0.000009931155,0.00002821848,0.00005376403,0.02307795],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2124418,"threshold_uncertainty_score":0.999947,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392891712","doi":"10.32926/2023.11.8","title":"Horror and the Cube Films: An unlikely medium for the negotiation of Nationalist-Cultural ideologies","year":2023,"lang":"en","type":"article","venue":"Mutual Images Journal","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nationalism; Ideology; Movie theater; Sociology; Film industry; National identity; Aesthetics; Politics; Media studies; Gender studies; Law; Political science; Literature; Art","authors":[{"name":"David Christopher","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03767321247035624,"gpt":0.3587302645166715,"spread":0.3210570520463153,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002243238,0.0000658182,0.0001303692,0.00006496027,0.0008771732,0.0002527964,0.0002624599,0.00005622326,0.00006483635],"category_scores_gemma":[0.002576358,0.00003047514,0.0001066274,0.0003154464,0.0007331989,0.0004737312,0.00002800822,0.0001696707,0.000002820352],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001786238,"about_ca_system_score_gemma":0.0001287055,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002196143,"about_ca_topic_score_gemma":0.0003930118,"domain_scores_codex":[0.9988543,0.0002763286,0.0002053087,0.00008772173,0.0004011369,0.0001752447],"domain_scores_gemma":[0.9979139,0.001360883,0.000166143,0.00007823561,0.0004229911,0.00005783541],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004511936,0.00008042727,0.005323046,0.0000472784,0.0006953572,0.00001426104,0.5066804,0.0003330239,0.0058115,0.1045491,0.3524536,0.02356083],"study_design_scores_gemma":[0.005095346,0.0003290345,0.07298057,0.00008729581,0.00109477,0.00008033076,0.5790445,0.007331826,0.002348556,0.06758057,0.2635109,0.0005164209],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5252568,0.006910142,0.005708013,0.4501757,0.004857331,0.001432908,0.0001686919,0.0001983399,0.005292057],"genre_scores_gemma":[0.9939664,0.001215582,0.0005811247,0.0006014226,0.0009838375,0.00002234644,0.00002253034,0.000005424242,0.002601359],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4687095,"threshold_uncertainty_score":0.6746596,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020756249","doi":"10.32926/2019.7.r.lor.osamu","title":"Osamu Tezuka, el Dios del Manga","year":2019,"lang":"en","type":"article","venue":"Mutual Images Journal","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Universitat Jaume I; European Social Fund; Ministerio de Ciencia, Innovación y Universidades","keywords":"Anime; Art; Exhibition; Humanities; Quarter (Canadian coin); Art history; Geography; Computer science; Archaeology","authors":[{"name":"Antonio Loriguillo-López","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01429783537209029,"gpt":0.2882487322373437,"spread":0.2739508968652534,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000646035,0.0001129717,0.0001533438,0.00005650214,0.0008340899,0.0001850514,0.0003611685,0.000112164,0.00427239],"category_scores_gemma":[0.0001141774,0.00009248294,0.000133316,0.0001504386,0.0001752275,0.0005787342,0.00003197951,0.0004751102,0.002133435],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001418175,"about_ca_system_score_gemma":0.0001457804,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009084588,"about_ca_topic_score_gemma":0.00008790989,"domain_scores_codex":[0.9986293,0.0001960483,0.0001795093,0.0001576258,0.0004684014,0.0003691432],"domain_scores_gemma":[0.999368,0.0000429295,0.0001072475,0.0001315314,0.0001306879,0.0002195997],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001390367,0.0003693076,0.03148121,0.00004382662,0.0001590385,0.000409785,0.1474435,0.00004787871,0.03971829,0.0200482,0.729444,0.03069597],"study_design_scores_gemma":[0.0005029804,0.00007568455,0.0055949,0.00003656006,0.00002692765,0.0001439708,0.01849624,0.000007323301,0.0003061174,0.001793387,0.9727526,0.0002633106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6575831,0.00134728,0.00009543961,0.002718141,0.002390987,0.0001824282,0.00000859188,0.00008139006,0.3355926],"genre_scores_gemma":[0.9061303,0.0001083136,0.0002470815,0.0006318391,0.00152591,0.000002400869,0.000002098105,0.00001356669,0.09133853],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2485471,"threshold_uncertainty_score":0.9986435,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}