{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"5c42a6089c52","filters":{"venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network"}},"results":[{"id":"W2191714268","doi":"10.31165/nk.2015.86.404","title":"The Aesthetics of Zipai: From Wechat Selfies to Self-Representation in Contemporary Chinese Art and Photography","year":2015,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto","keywords":"Selfie; Aesthetics; Photography; Representation (politics); Sociology; Vernacular; Contemporary art; Visual arts; Art; Self representation; Literature; Art history; Humanities; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.06627007124445351,"gpt":0.2907837515341175,"spread":0.224513680289664,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001507996,0.0002753109,0.0004879774,0.0001386153,0.0003950484,0.0002179875,0.0005534596,0.00008496617,0.000005017561],"category_scores_gemma":[0.00006580731,0.0001472474,0.0002785599,0.0005498381,0.0002476343,0.00019721,0.0001702539,0.0004883462,0.000004028264],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000321486,"about_ca_system_score_gemma":0.00009177842,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001049024,"about_ca_topic_score_gemma":0.001340127,"domain_scores_codex":[0.9976511,0.0006507455,0.0007920575,0.0001863391,0.0003835413,0.0003362344],"domain_scores_gemma":[0.9978719,0.0005260761,0.0006719129,0.0003003569,0.0004588462,0.0001708552],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002993704,0.0008525175,0.1560387,0.00006823055,0.00134697,0.00003932148,0.2610786,0.005423489,0.0002224902,0.006009697,0.5547634,0.01116283],"study_design_scores_gemma":[0.003983835,0.001483473,0.01137735,0.002169452,0.0003918287,0.00007135288,0.009053312,0.006876308,0.00042335,0.06766192,0.8956612,0.0008465633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9529108,0.02958662,0.0001401147,0.001912363,0.008023384,0.0008358713,0.00001485804,0.00005181567,0.00652411],"genre_scores_gemma":[0.9957815,0.0007646522,0.0002649083,0.0002223395,0.002716412,0.000009360963,0.000003719129,0.00002911446,0.0002079967],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3408978,"threshold_uncertainty_score":0.6004573,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1592288492","doi":"10.31165/nk.2013.63.307","title":"Feminist and Queer Practices in the Online and Offline Activism of Occupy Wall Street","year":2013,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Digital Economy and Work Transformation","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Transphobia; Queer; Gender studies; Heteronormativity; Sociology; Social movement; Feminism; Agency (philosophy); Social media; Online and offline; Digital media; Media studies; Political science; Transgender; Politics; Social science","retraction":null,"screen_n_in":null,"score":{"opus":0.04078196790159481,"gpt":0.3077626205204613,"spread":0.2669806526188664,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002960791,0.0001590221,0.0003230578,0.0000654461,0.0003432597,0.0002143449,0.0004854923,0.0001032285,0.000008367168],"category_scores_gemma":[0.0002351287,0.00009482755,0.00009664686,0.0004753123,0.0003266677,0.0005922692,0.00006724644,0.000469292,0.000001655641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004371993,"about_ca_system_score_gemma":0.0001603416,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002719792,"about_ca_topic_score_gemma":0.002515988,"domain_scores_codex":[0.9979023,0.0007196772,0.0006401958,0.0001263199,0.0002734588,0.0003380173],"domain_scores_gemma":[0.9971696,0.001209401,0.001198932,0.0001579853,0.0001588416,0.0001053012],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006313586,0.001136536,0.2169719,0.0001833682,0.0005701585,0.00001646921,0.09419147,0.005199064,0.00002670132,0.02073462,0.04523855,0.6150998],"study_design_scores_gemma":[0.003640471,0.001082006,0.1536467,0.003670296,0.000601684,0.0001679472,0.01669281,0.01729703,0.00006108005,0.06316257,0.7390015,0.0009759368],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9484419,0.008555191,0.0001842928,0.01748066,0.001734517,0.0008828139,0.000004599723,0.00001682045,0.02269918],"genre_scores_gemma":[0.9960544,0.00182168,0.0003306133,0.0003746577,0.001275783,0.000003932859,0.000001279196,0.00001096286,0.0001267411],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6937629,"threshold_uncertainty_score":0.3866955,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2802830617","doi":"10.31165/nk.2018.111.527","title":"Introduction","year":2018,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Film studies; Conversation; Media studies; Sociology; Panel discussion; Movie theater; Respondent; Political science; Visual arts; Art; Advertising; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.03072173840385456,"gpt":0.2366275340890481,"spread":0.2059057956851935,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00101339,0.0002247233,0.0003167654,0.0000591343,0.000979682,0.0002466203,0.0006130732,0.00006271928,0.0008993825],"category_scores_gemma":[0.00006197423,0.0001270615,0.0003105864,0.0002257578,0.0004699173,0.0002276527,0.0001243544,0.0004586121,0.0002775627],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007403122,"about_ca_system_score_gemma":0.00006001163,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003472421,"about_ca_topic_score_gemma":0.0002332607,"domain_scores_codex":[0.9981447,0.0003613246,0.0006016952,0.0001705661,0.0002953263,0.0004264049],"domain_scores_gemma":[0.9981215,0.0001062658,0.0006097201,0.0002967432,0.0007665421,0.00009923179],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009446941,0.00006002542,0.00005070935,0.000007923174,0.0001220393,0.000002566201,0.01402605,0.0004615735,0.00004107309,0.02133795,0.9338307,0.0299649],"study_design_scores_gemma":[0.0003077702,0.0002685459,0.0001348118,0.0002177289,0.0001002971,0.00009561755,0.0005851595,0.0008361792,0.00009884976,0.005834249,0.991343,0.0001777408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"empirical","genre_scores_codex":[0.1905321,0.01371825,0.001555825,0.05417104,0.3714267,0.001394625,0.000008817899,0.0004743063,0.3667184],"genre_scores_gemma":[0.8229988,0.0001431108,0.0002236458,0.0004613693,0.1581323,0.000001844024,0.000001179048,0.00003206883,0.01800572],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6324667,"threshold_uncertainty_score":0.9847608,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3213972848","doi":"10.31165/nk.2021.142.643","title":"Animal Oppression and Solidarity: Examining Representations of Animals and Their Allies in Twenty-First Century Media","year":2021,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Solidarity; Oppression; Resistance (ecology); Sociology; Gender studies; Media studies; Human animal; Political science; Law; Politics; Biology; Livestock; Ecology","retraction":null,"screen_n_in":null,"score":{"opus":0.04609679656068946,"gpt":0.3149595784673007,"spread":0.2688627819066112,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002104565,0.0002306737,0.0005361466,0.0002017137,0.0009441069,0.0001996033,0.0004385161,0.0001439855,0.00002756936],"category_scores_gemma":[0.0006761165,0.0001763905,0.0001743745,0.0009909101,0.0005894717,0.0003161196,0.0004544345,0.0006503894,7.95959e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006779076,"about_ca_system_score_gemma":0.0001761158,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000122246,"about_ca_topic_score_gemma":0.01253748,"domain_scores_codex":[0.9968514,0.001148623,0.0008392858,0.0002824613,0.0003679648,0.0005103078],"domain_scores_gemma":[0.9961671,0.002091181,0.0008090634,0.0002505265,0.0005064688,0.000175668],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.001314941,0.001020839,0.6572694,0.0002220293,0.0012007,0.0001839721,0.2538813,0.008816313,0.005652241,0.01266838,0.02705836,0.03071162],"study_design_scores_gemma":[0.003728975,0.0008902333,0.7067372,0.009941264,0.0007713933,0.0005012901,0.1171075,0.005251009,0.001507043,0.03857535,0.1136233,0.001365552],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9389501,0.05187661,0.00003349803,0.00274697,0.003047667,0.0002594445,0.000005123517,0.00002201895,0.003058597],"genre_scores_gemma":[0.984572,0.01279667,0.000828578,0.00003921172,0.001673026,0.000004176741,0.000001344215,0.00002463965,0.00006035232],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1367738,"threshold_uncertainty_score":0.7261403,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W5554234","doi":"10.31165/nk.2013.63.304","title":"Hybridization of Engagement Practices: Use of Communications Technology During the Quebec Red Square Movement","year":2013,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Social Media and Politics","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Sociology; Social movement; Appropriation; Politics; Collective action; Civil society; Social media; Media studies; Social engagement; Public relations; Political science; Social science; Epistemology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.08381305103232739,"gpt":0.3353084852857344,"spread":0.251495434253407,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001967771,0.0001603111,0.0003782277,0.0001157467,0.001055414,0.00008790175,0.001432211,0.0001405642,0.00002338819],"category_scores_gemma":[0.00159887,0.0001065,0.0002146052,0.001257628,0.0007038955,0.0002808786,0.0003870522,0.0006381543,0.000003800366],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002622814,"about_ca_system_score_gemma":0.0004181618,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002240092,"about_ca_topic_score_gemma":0.003490545,"domain_scores_codex":[0.9956324,0.002346251,0.0009468112,0.0001155293,0.0005189053,0.0004400792],"domain_scores_gemma":[0.9926729,0.002161922,0.003183861,0.0007118614,0.001180975,0.00008849342],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003374786,0.001674719,0.5799163,0.0003686444,0.002271215,0.000008526359,0.1298453,0.03545668,0.002817971,0.06982967,0.09863548,0.07883804],"study_design_scores_gemma":[0.002379043,0.0005356847,0.05343868,0.004915742,0.001424139,0.00002412568,0.03801033,0.007443462,0.003839414,0.05324598,0.8338688,0.0008745839],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9337645,0.009372348,0.001036649,0.04220003,0.008722353,0.002456524,0.00000654843,0.0000727942,0.002368324],"genre_scores_gemma":[0.9932564,0.002804933,0.001522601,0.0001164781,0.001836422,0.0000217223,0.000001278731,0.00002270141,0.0004173928],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7352333,"threshold_uncertainty_score":0.8117496,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3211310169","doi":"10.31165/nk.2021.142.651","title":"Animal Representation on UK Children’s Television","year":2021,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Animal and Plant Science Education","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mainstream; Representation (politics); Undo; Media use; Everyday life; Sociology; Psychology; Media studies; Social psychology; Politics; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.04408027664903613,"gpt":0.3289633929651349,"spread":0.2848831163160988,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001508731,0.0002438637,0.0003650338,0.00008990006,0.0004841283,0.0001080136,0.0006233794,0.00014785,0.0003143821],"category_scores_gemma":[0.0001496091,0.0001652474,0.0003286374,0.001155008,0.00008902424,0.0001100448,0.0001263345,0.0007390953,0.0001803525],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001068299,"about_ca_system_score_gemma":0.0001923314,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000109277,"about_ca_topic_score_gemma":0.00001744663,"domain_scores_codex":[0.9968756,0.00105289,0.0007070609,0.0003582366,0.0004646599,0.0005415619],"domain_scores_gemma":[0.9975538,0.0006417671,0.0007976841,0.0004728758,0.0003804065,0.0001534427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"observational","study_design_scores_codex":[0.001448386,0.0006389016,0.191625,0.000008930008,0.0003756346,0.000112069,0.003509785,0.01158522,0.0006250957,0.004299659,0.6717986,0.1139726],"study_design_scores_gemma":[0.001707909,0.001342655,0.9289272,0.001361394,0.0003580467,0.003287978,0.0004836812,0.001979043,0.001128898,0.007820887,0.05093984,0.0006624762],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9265396,0.01115979,0.001508773,0.005059139,0.03460914,0.0004275222,0.000005545591,0.00005048026,0.02063998],"genre_scores_gemma":[0.9850907,0.0002567252,0.0005472377,0.0004288319,0.01140416,0.000003803978,0.000008442416,0.00002791685,0.00223216],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7373021,"threshold_uncertainty_score":0.6738594,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1500425460","doi":"10.31165/nk.2014.64.322","title":"The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters","year":2014,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"McGill University","keywords":"Irish; Movie theater; Narrative; Comedy; History; Character (mathematics); Media studies; Ethnic group; Servant; Literature; Genealogy; Art; Sociology; Art history; Anthropology; Linguistics; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.02199202567650511,"gpt":0.2350214314535671,"spread":0.213029405777062,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003155619,0.0002538453,0.0007382087,0.0001266808,0.0005393062,0.0001365273,0.0005146246,0.00005764586,0.000002519125],"category_scores_gemma":[0.0003491149,0.0001673586,0.0002027418,0.0007024498,0.0003137127,0.0001265993,0.0002178538,0.0006248641,0.00001095847],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009707132,"about_ca_system_score_gemma":0.00002747076,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002250764,"about_ca_topic_score_gemma":0.0003155702,"domain_scores_codex":[0.9977903,0.0002575177,0.001033352,0.0002616304,0.00008311168,0.0005740309],"domain_scores_gemma":[0.9972609,0.0008195944,0.001397145,0.0003171269,0.00009142549,0.0001137939],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005208969,0.0002092382,0.6178702,0.00007934273,0.0007175053,0.00001851615,0.02579884,0.005202535,0.00002384706,0.01252028,0.1438577,0.1931811],"study_design_scores_gemma":[0.001746144,0.0004806785,0.1954718,0.001034441,0.00005247847,0.00009603022,0.001520239,0.007581437,0.00001261206,0.03825527,0.7532053,0.0005435485],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8724863,0.07519141,0.0009237924,0.02134342,0.01757003,0.0005514339,0.00000341598,0.00003173148,0.01189847],"genre_scores_gemma":[0.9882869,0.006287083,0.0003466434,0.0002744436,0.004260911,0.000008730671,4.571043e-7,0.00003508935,0.0004997417],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6093476,"threshold_uncertainty_score":0.6824685,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3006804342","doi":"10.31165/nk.2018.111.529","title":"Dress as a Reflection of Social Identity and Differentiation in the Soviet Cinema in the 1950s-1980s","year":2018,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Soviet and Russian History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto","keywords":"Movie theater; Ideology; Intelligentsia; Sociology; Aesthetics; Morality; Entertainment; Individualism; Communism; Identity (music); Period (music); Political science; Law; Literature; Art; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.04701955061402485,"gpt":0.3510848750300097,"spread":0.3040653244159848,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006374048,0.0001612051,0.0003277657,0.0001264329,0.001144896,0.0001231021,0.000910176,0.0001551369,0.0000193484],"category_scores_gemma":[0.0001842361,0.0000885241,0.0001888415,0.001404229,0.0005360669,0.0002423523,0.00008830435,0.000633813,0.00000431858],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001433453,"about_ca_system_score_gemma":0.0001852942,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002770562,"about_ca_topic_score_gemma":0.01210228,"domain_scores_codex":[0.995062,0.003097865,0.0006362353,0.0001566569,0.0006440421,0.0004032165],"domain_scores_gemma":[0.9982379,0.0005450948,0.0007812335,0.0001985378,0.0001957618,0.00004146457],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.001071696,0.0007989813,0.07335458,0.00009768136,0.0002352013,0.00003068248,0.65443,0.0004542444,0.0001340355,0.0538671,0.162123,0.05340276],"study_design_scores_gemma":[0.003572287,0.0009354845,0.6608496,0.001898504,0.0005942906,0.0001305054,0.02577601,0.002073978,0.00004201524,0.1604406,0.14296,0.0007267099],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8993918,0.00948297,0.0005729842,0.0129291,0.01531628,0.001216708,0.000001457595,0.00002724888,0.06106147],"genre_scores_gemma":[0.9908268,0.0005542557,0.0000400532,0.0002584822,0.008137292,0.000005896308,5.896795e-7,0.00001324801,0.0001633126],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6286541,"threshold_uncertainty_score":0.8805734,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W413131572","doi":"10.31165/nk.2015.81.360","title":"A Japanese Approach to Haptic/Multimodal Art Practice and Perception","year":2015,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Canadian Institute for Advanced Research; University of Michigan; Harvard University","keywords":"Underpinning; Context (archaeology); Perception; Natural (archaeology); Sociology; Haptic technology; Aesthetics; Spirituality; Contemporary art; Visual arts; Epistemology; Psychology; Computer science; Art; Engineering; History; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.05545699023832501,"gpt":0.2798261093499843,"spread":0.2243691191116592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002773828,0.0003054933,0.0004398751,0.00008682285,0.0005907118,0.0003739216,0.0004749859,0.00008762212,0.00002176236],"category_scores_gemma":[0.0002547171,0.000189071,0.0002007764,0.0001969087,0.0002182269,0.0004423327,0.0002379495,0.0005972265,0.000128599],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001046665,"about_ca_system_score_gemma":0.0000850521,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001201277,"about_ca_topic_score_gemma":0.00004694788,"domain_scores_codex":[0.997463,0.0007810884,0.0005952634,0.0002432868,0.0004352743,0.0004820196],"domain_scores_gemma":[0.9977906,0.0002934154,0.0004907065,0.0002777943,0.0007927294,0.0003546906],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001254747,0.0005602537,0.00009326303,0.00003954417,0.0003606505,0.0000171154,0.2830118,0.01331619,0.00005664058,0.01433922,0.6724716,0.01447903],"study_design_scores_gemma":[0.0009099113,0.0005677794,0.00006236127,0.0003769592,0.0003252671,0.0004516574,0.01215235,0.008417851,0.000002926206,0.003222254,0.9731584,0.0003522702],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1179771,0.01925728,0.00609923,0.01560798,0.04057533,0.002727104,0.00001209081,0.000303772,0.7974401],"genre_scores_gemma":[0.9677284,0.0000894949,0.002668839,0.001475222,0.01907447,0.000008864945,0.000003049359,0.00005508391,0.008896539],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8497514,"threshold_uncertainty_score":0.771009,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2580322694","doi":"10.31165/nk.2016.96.486","title":"Algorithmic love: “Quit playin’ games with my <3”","year":2016,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Computability, Logic, AI Algorithms","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Subject (documents); Mythology; Object (grammar); Sign (mathematics); Meditation; Theme (computing); Ideal (ethics); Computer science; Epistemology; Function (biology); Aesthetics; Sociology; Cognitive science; Psychology; Artificial intelligence; Philosophy; Art; Literature; Mathematics; World Wide Web","retraction":null,"screen_n_in":null,"score":{"opus":0.01464837453060616,"gpt":0.2277176945632711,"spread":0.2130693200326649,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.003506894,0.0007223701,0.001018139,0.0002218148,0.0004512731,0.0004003166,0.004947922,0.0002259032,0.00002995533],"category_scores_gemma":[0.0001522779,0.000365941,0.0005971959,0.002055027,0.0004308276,0.000741739,0.001560349,0.0009091554,0.0001423107],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004848695,"about_ca_system_score_gemma":0.0005827867,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003825391,"about_ca_topic_score_gemma":0.00002904983,"domain_scores_codex":[0.9938865,0.001244463,0.00137994,0.0008058329,0.001192145,0.001491089],"domain_scores_gemma":[0.9935037,0.001803512,0.001556606,0.001740273,0.0009592506,0.0004366523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003738162,0.0005076715,0.007473493,0.00004851477,0.0007049626,0.0002450965,0.001660785,0.03261445,0.000233313,0.003470263,0.09367383,0.8589938],"study_design_scores_gemma":[0.01222234,0.0052051,0.02283836,0.009127229,0.0008510606,0.009075178,0.00008670078,0.3006003,0.001841089,0.1482626,0.4856342,0.004255906],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.007818237,0.009092693,0.9542401,0.009322149,0.01573591,0.0007881715,0.000003450562,0.0002211723,0.002778153],"genre_scores_gemma":[0.8688685,0.0007406714,0.1107745,0.0006269349,0.01610208,0.00001363637,6.769384e-7,0.0001509939,0.002722024],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.8610502,"threshold_uncertainty_score":0.9998792,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1593622042","doi":"10.31165/nk.2012.52.267","title":"‘Strange Visitor From Another Planet’: Genre, Corporate Identity and the Arrival of American Telefantasy on British Television","year":2012,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Adventure; Entertainment; Appeal; Media studies; Broadcasting (networking); Visitor pattern; Advertising; Art; Sociology; History; Art history; Law; Political science; Visual arts; Business; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.04195072982340151,"gpt":0.2370777048961954,"spread":0.1951269750727939,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002060895,0.0002476316,0.0009511908,0.00007863293,0.0003011985,0.00009582402,0.0005171869,0.00007857246,0.00002912167],"category_scores_gemma":[0.0001163988,0.0001737952,0.0002566688,0.000436564,0.000511586,0.0001957924,0.0001804615,0.0004786536,0.00002499305],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006012421,"about_ca_system_score_gemma":0.00002236831,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002999878,"about_ca_topic_score_gemma":0.0002472213,"domain_scores_codex":[0.9978812,0.000244554,0.001013226,0.0002155476,0.0001498166,0.0004956514],"domain_scores_gemma":[0.9964479,0.000657329,0.002364351,0.0003278019,0.00008243276,0.0001201587],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.002414666,0.0005750514,0.7439495,0.00008735542,0.001887625,0.00003025327,0.004661148,0.002171276,0.00004635559,0.01095303,0.135465,0.09775878],"study_design_scores_gemma":[0.006595043,0.0006841032,0.7494397,0.001496738,0.0004936181,0.0002437358,0.0002984387,0.002886173,0.0001081995,0.03727538,0.1996105,0.0008683713],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8603419,0.1198513,0.001440271,0.001214763,0.01328822,0.0005824708,0.000117172,0.00002299608,0.003140893],"genre_scores_gemma":[0.9846278,0.007162881,0.0003957506,0.0002543496,0.007335276,0.00000388764,0.000004337117,0.00004002223,0.0001756532],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1242859,"threshold_uncertainty_score":0.7087163,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}