{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"67b3bcd56e99","filters":{"venue":"New Interfaces for Musical Expression"}},"results":[{"id":"W2395911358","doi":"10.5072/zenodo.206921","title":"A Dimension Space for Evaluating Collaborative Musical Performance Systems","year":2012,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Laptop; Dimension (graph theory); Musical; Computer science; Space (punctuation); Context (archaeology); Human–computer interaction; Musical instrument; Representation (politics); Multimedia","authors":[{"name":"Ian Hattwick","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04421288040119626,"gpt":0.3208834471032121,"spread":0.2766705667020158,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0106081,0.001080227,0.0009773797,0.005994076,0.001274506,0.005597176,0.000998753,0.001023314,0.004933355],"category_scores_gemma":[0.0403224,0.0002582082,0.001073697,0.003802801,0.002272238,0.004678535,0.003497275,0.0009238467,0.0005388788],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001859796,"about_ca_system_score_gemma":0.001115042,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00220964,"about_ca_topic_score_gemma":0.001500118,"domain_scores_codex":[0.9867131,0.007705611,0.001446366,0.0007237102,0.003061432,0.0003499048],"domain_scores_gemma":[0.9690905,0.0208993,0.001871245,0.003042952,0.004393081,0.0007029573],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.003521539,0.001524828,0.05523873,0.001777313,0.0006166252,0.0002460028,0.009398445,0.1766416,0.02190052,0.2322141,0.005886971,0.4910334],"study_design_scores_gemma":[0.0004756759,0.005593732,0.03261458,0.0007023969,0.0003390401,0.0002894623,0.01511134,0.7643504,0.02322913,0.1273294,0.02956236,0.0004025886],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.3499223,0.0007305728,0.6002787,0.0003512168,0.0001859911,0.002393082,0.001751162,0.001247853,0.04313909],"genre_scores_gemma":[0.6738486,0.0001835375,0.321788,0.0000420034,0.00002313851,0.00194395,0.001011226,0.00009961837,0.001059856],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.0106081,"threshold_uncertainty_score":0.05610168,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2338958948","doi":"","title":"What Does `Evaluationź Mean for the NIME Community?","year":2015,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Information Society and Technology Trends","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Computer science; Term (time); Consistency (knowledge bases); Meaning (existential); Set (abstract data type); Order (exchange); Management science; Data science; Epistemology; Artificial intelligence","authors":[{"name":"Jerônimo Barbosa","is_ca":true},{"name":"Joseph Malloch","is_ca":false},{"name":"Marcelo M. Wanderley","is_ca":true},{"name":"Stéphane Huot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.133791294669042,"gpt":0.3984704557949079,"spread":0.2646791611258659,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["metaresearch"],"consensus_categories":["metaresearch"],"category_scores_codex":[0.2090448,0.001516934,0.004365809,0.0114393,0.01133031,0.05340146,0.004666239,0.0102356,0.007499642],"category_scores_gemma":[0.3266372,0.001004562,0.002261877,0.0112903,0.03117474,0.04235553,0.01466833,0.007915256,0.00248362],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01824257,"about_ca_system_score_gemma":0.02178952,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005154579,"about_ca_topic_score_gemma":0.005094247,"domain_scores_codex":[0.7070792,0.2091607,0.01918676,0.008226715,0.0477666,0.00857997],"domain_scores_gemma":[0.6304111,0.2432017,0.02150838,0.02499284,0.06935029,0.01053564],"domain_codex":null,"domain_gemma":"evaluation","domain_candidate":"evaluation","domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003857838,0.0002538716,0.01150061,0.008760384,0.0002775288,0.0003198255,0.03955318,0.0006567309,0.001187708,0.4505056,0.05826708,0.4283317],"study_design_scores_gemma":[0.000129281,0.0003775615,0.0132584,0.02349349,0.0002209601,0.0005869463,0.0492365,0.001379702,0.001995785,0.3016805,0.6072975,0.0003434444],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02951891,0.09656092,0.1100973,0.5948336,0.01438659,0.0009228503,0.0004895769,0.0008794947,0.1523108],"genre_scores_gemma":[0.7151984,0.04424778,0.1302716,0.07582767,0.00766666,0.004022319,0.0007431592,0.002087698,0.01993466],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7909552,"threshold_uncertainty_score":0.9753886,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2109233160","doi":"10.5072/zenodo.205731","title":"Different strokes: a prototype software system for laptop performance and improvisation","year":2006,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Laptop; Computer science; Interface (matter); Improvisation; Software; Human–computer interaction; Graphical user interface; User interface; Multimedia; Operating system","authors":[{"name":"Mark Zadel","is_ca":true},{"name":"Gary Scavone","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01350542173691997,"gpt":0.2343123379309738,"spread":0.2208069161940538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006260712,0.0007118308,0.0007332346,0.0005418904,0.0004129312,0.001142999,0.002529019,0.0007461278,0.02801602],"category_scores_gemma":[0.001827331,0.0004826054,0.000487158,0.0003579524,0.0003906348,0.001645791,0.001235701,0.0009360184,0.007712185],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000302528,"about_ca_system_score_gemma":0.0005379271,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009393597,"about_ca_topic_score_gemma":0.0008370872,"domain_scores_codex":[0.9994674,0.00007117804,0.00004400645,0.0001365354,0.0002154505,0.00006546377],"domain_scores_gemma":[0.9992717,0.0002483691,0.00003350487,0.0001759668,0.0001112295,0.0001592745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.001924202,0.0006610539,0.002180278,0.0005580253,0.0001572113,0.001267959,0.002204308,0.002542973,0.1761918,0.00646889,0.04398144,0.7618619],"study_design_scores_gemma":[0.00274532,0.004728515,0.01439988,0.0002808713,0.0006596013,0.006554611,0.0009031817,0.1461844,0.2807203,0.01059691,0.5317044,0.0005220583],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.05473812,0.000328527,0.710174,0.0002012625,0.0001885036,0.001088132,0.0007740026,0.2127617,0.01974568],"genre_scores_gemma":[0.3519207,0.0005099682,0.5713136,0.0006449572,0.0001963593,0.002185915,0.004346685,0.01280964,0.05607221],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.02801602,"threshold_uncertainty_score":0.09372294,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W30608750","doi":"10.5281/zenodo.1179526","title":"An Agent-Based System For Robotic Musical Performance","year":2008,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science; Polyphony; Improvisation; Software agent; Software; Human–computer interaction; Musical; Gesture; Robot; Multi-agent system; Intelligent agent; Artificial intelligence; Programming language","authors":[{"name":"Arne Eigenfeldt","is_ca":true},{"name":"Ajay Kapur","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03747246620778636,"gpt":0.2701104697706679,"spread":0.2326380035628816,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006190821,0.0005928337,0.0005487422,0.0003848818,0.001088682,0.001724827,0.001925866,0.001364251,0.01047863],"category_scores_gemma":[0.001172566,0.0003558455,0.0004419311,0.000257648,0.0005791109,0.001443943,0.001740734,0.001344524,0.003823014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006070432,"about_ca_system_score_gemma":0.001106992,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002550793,"about_ca_topic_score_gemma":0.003039992,"domain_scores_codex":[0.9995548,0.00009558597,0.00003767762,0.00007565684,0.0001971222,0.0000392321],"domain_scores_gemma":[0.9997131,0.00007692254,0.00002100488,0.0000485952,0.00007634789,0.00006398638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0006914225,0.0005726026,0.001707149,0.001000909,0.000272672,0.001373167,0.001282007,0.08723056,0.06870901,0.2689569,0.08172339,0.4864803],"study_design_scores_gemma":[0.0002410396,0.000271508,0.0004527578,0.0001311813,0.000128429,0.0004609334,0.0001171478,0.4679816,0.01637409,0.04142162,0.4723212,0.00009847143],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.005393474,0.0006618332,0.9536559,0.0005997889,0.0003770609,0.0004263111,0.0001632729,0.01259219,0.02613023],"genre_scores_gemma":[0.1727407,0.001045363,0.774533,0.0006095816,0.0001886835,0.001295839,0.0006951603,0.0007034355,0.04818827],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.01047863,"threshold_uncertainty_score":0.03505456,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W63467881","doi":"10.5072/zenodo.206485","title":"The Sponge A Flexible Interface","year":2010,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Gesture; Sponge; Context (archaeology); Computer science; Interface (matter); Human–computer interaction; Performing arts; Pleasure; Electroacoustic music; Energy (signal processing); Acoustics; Art; Visual arts; Physics; Artificial intelligence; Geology; Psychology","authors":[{"name":"Martin Marier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01667179644642052,"gpt":0.2854850970557063,"spread":0.2688133006092858,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001021348,0.001109377,0.0006395506,0.0008147842,0.0007978639,0.002271786,0.001624982,0.001974786,0.04722246],"category_scores_gemma":[0.004129689,0.0006040147,0.0009131596,0.0006891011,0.001273652,0.003864109,0.004055561,0.00124843,0.01047168],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002833237,"about_ca_system_score_gemma":0.0005927145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000512162,"about_ca_topic_score_gemma":0.0004631714,"domain_scores_codex":[0.9990051,0.0001890613,0.00009393164,0.0001403911,0.0004679106,0.0001036198],"domain_scores_gemma":[0.9986099,0.0004485097,0.00009121792,0.0003203023,0.0002882772,0.0002416909],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.001411048,0.0002268524,0.001899848,0.001494518,0.0001095362,0.003001598,0.001987966,0.003615322,0.1610012,0.1104882,0.1223696,0.5923943],"study_design_scores_gemma":[0.0003051076,0.001196756,0.002598789,0.0004132297,0.0001807065,0.00803845,0.0006865812,0.0386442,0.03820574,0.03003868,0.8793657,0.0003259278],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.03098659,0.002881139,0.757127,0.002637205,0.002396095,0.0007690524,0.001074394,0.02481426,0.1773143],"genre_scores_gemma":[0.4481097,0.003643505,0.3373828,0.003992145,0.000798147,0.00122327,0.001811356,0.002757169,0.2002819],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04722246,"threshold_uncertainty_score":0.1579749,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2406653524","doi":"10.5072/zenodo.207439","title":"Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments","year":2014,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":8,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Manufacturing engineering; Computer science; Engineering drawing; Engineering","authors":[{"name":"Ian Hattwick","is_ca":true},{"name":"Joseph Malloch","is_ca":false},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03484621131635625,"gpt":0.2783190506359858,"spread":0.2434728393196296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007548727,0.0006704156,0.0003998959,0.0005042196,0.0005267009,0.002496989,0.001362967,0.00107131,0.009101459],"category_scores_gemma":[0.002582972,0.000630281,0.0006439522,0.0004495121,0.001715927,0.002211815,0.001225368,0.0009507227,0.002248027],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003481891,"about_ca_system_score_gemma":0.0005408546,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002799608,"about_ca_topic_score_gemma":0.000474443,"domain_scores_codex":[0.9992901,0.0001880711,0.00004566535,0.00009918046,0.0003270414,0.00004997743],"domain_scores_gemma":[0.9992791,0.0002594818,0.00005829392,0.0001818244,0.0001739184,0.00004748315],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.000165797,0.000103535,0.0008832667,0.0008928853,0.00003845278,0.0002938092,0.001486609,0.04883952,0.1576316,0.4064097,0.004695809,0.378559],"study_design_scores_gemma":[0.0001007189,0.0008439163,0.00186524,0.0004250302,0.0001169558,0.002016535,0.001351684,0.3137815,0.1743794,0.2378607,0.2670889,0.0001694205],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01247744,0.0006146171,0.971384,0.0002957409,0.0001683052,0.00006771515,0.00002791751,0.0005247865,0.01443952],"genre_scores_gemma":[0.2534591,0.001210343,0.726835,0.0002211646,0.00006009765,0.0001678024,0.00006098306,0.0004956054,0.01748995],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009101459,"threshold_uncertainty_score":0.03044736,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2123255529","doi":"10.5072/zenodo.205523","title":"Gyrotyre: a dynamic hand-held computer-music controller based on a spinning wheel","year":2005,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Gyroscope; Angular velocity; Spinning; Inertia; Controller (irrigation); Computer science; Acoustics; Physics; Engineering; Mechanical engineering; Aerospace engineering; Classical mechanics","authors":[{"name":"Elliot Sinyor","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01730722523470726,"gpt":0.2636973153591843,"spread":0.246390090124477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002219562,0.0005386814,0.0006416916,0.0004939886,0.0003074997,0.0005556393,0.001067382,0.0005553389,0.009542214],"category_scores_gemma":[0.0004590923,0.0003029636,0.0002256576,0.0001977158,0.0002962807,0.0004612096,0.0003827076,0.000359955,0.002407626],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002180253,"about_ca_system_score_gemma":0.0002927888,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001880276,"about_ca_topic_score_gemma":0.002496285,"domain_scores_codex":[0.9997734,0.00001726383,0.00001136742,0.00005483522,0.0001122838,0.00003085726],"domain_scores_gemma":[0.9998335,0.00003962596,0.00001951758,0.00002915313,0.00004406688,0.0000341141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.001771703,0.0002214413,0.002689802,0.0008766997,0.0001385353,0.0006886094,0.0003722454,0.0085871,0.4305465,0.009954927,0.0222485,0.521904],"study_design_scores_gemma":[0.0008294865,0.001966713,0.01081735,0.0002321314,0.000344129,0.003625053,0.0001043984,0.2170418,0.2785195,0.001897219,0.4843226,0.0002996456],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.08381369,0.004711038,0.8244438,0.0002246103,0.0008916739,0.0007552354,0.0007934365,0.04941779,0.03494881],"genre_scores_gemma":[0.6350707,0.001636147,0.3101144,0.0004514942,0.0002336329,0.0004228233,0.00096307,0.00117613,0.0499316],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.009542214,"threshold_uncertainty_score":0.03192192,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2982522676","doi":"10.5072/zenodo.219779","title":"GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars","year":2018,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Guitar; Computer science; Acoustics; Physics","authors":[{"name":"Eduardo Meneses","is_ca":false},{"name":"Sérgio Freire","is_ca":false},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03870192537963688,"gpt":0.3121147686175596,"spread":0.2734128432379227,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001322194,0.001404174,0.0008636465,0.000949455,0.0007254802,0.002493743,0.002076991,0.002593666,0.01302395],"category_scores_gemma":[0.002802099,0.0006080834,0.001112046,0.0007441594,0.001385601,0.004214827,0.003864188,0.00186591,0.002537054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004456592,"about_ca_system_score_gemma":0.0006868041,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001130047,"about_ca_topic_score_gemma":0.001303742,"domain_scores_codex":[0.9982936,0.0003440284,0.00005203892,0.0002906173,0.0008241201,0.0001956762],"domain_scores_gemma":[0.9986941,0.0003818136,0.00003561476,0.0003842046,0.0003352697,0.000169078],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.001653363,0.000980229,0.000814415,0.0006537765,0.00009532693,0.0004313647,0.004523409,0.002251434,0.3033666,0.03113594,0.009375053,0.6447192],"study_design_scores_gemma":[0.0007622822,0.007809076,0.0125565,0.0004329425,0.0005037316,0.003557303,0.003530369,0.05776058,0.4707633,0.01342101,0.4283796,0.000523387],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2415601,0.003833607,0.6483188,0.001291273,0.001471646,0.001158867,0.0004421569,0.01005086,0.09187277],"genre_scores_gemma":[0.361264,0.001977594,0.5252412,0.0007051912,0.0003389445,0.0009401436,0.001003801,0.002549325,0.1059798],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01302395,"threshold_uncertainty_score":0.04356945,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2401567719","doi":"10.5072/zenodo.208891","title":"Bowing a vibration-enhanced force feedback device","year":2012,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Tactile and Sensory Interactions","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Haptic technology; Actuator; Vibration; Computer science; Bowing; Audio feedback; Acoustics; Representation (politics); Imaging phantom; Feedback control; SIGNAL (programming language); Simulation; Physics; Engineering; Artificial intelligence; Control engineering; Optics","authors":[{"name":"M. Giordano","is_ca":true},{"name":"Stephen Sinclair","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06217307962101624,"gpt":0.3259108289277375,"spread":0.2637377493067213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000459312,0.000364093,0.0003546344,0.0003209558,0.0002172159,0.0004690313,0.0007710019,0.0007588653,0.005973344],"category_scores_gemma":[0.000930672,0.0002420078,0.0002997049,0.0001400101,0.0003403672,0.0006024982,0.000670747,0.0004501879,0.0008646285],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001628763,"about_ca_system_score_gemma":0.0002287681,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002267608,"about_ca_topic_score_gemma":0.0003073663,"domain_scores_codex":[0.9997149,0.0000232141,0.00001475308,0.00005622683,0.000159817,0.00003098682],"domain_scores_gemma":[0.9996804,0.0001101624,0.00003960738,0.00003313465,0.00007151072,0.00006530504],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0002152473,0.00003550953,0.0002107853,0.000126222,0.000008347796,0.0001992125,0.00006782533,0.0002832094,0.9540892,0.001162632,0.0006098564,0.0429919],"study_design_scores_gemma":[0.0002499672,0.004835997,0.008294264,0.000108652,0.0001303348,0.005056304,0.0001063971,0.0271877,0.8848776,0.001095215,0.06787752,0.0001800223],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.3732414,0.00125526,0.6008114,0.0006832534,0.0008751625,0.0003826107,0.000340691,0.003010664,0.0193995],"genre_scores_gemma":[0.6505861,0.0006400545,0.3103625,0.00069341,0.000212186,0.0001510931,0.0003430663,0.0001438576,0.03686767],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005973344,"threshold_uncertainty_score":0.01998281,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2982603630","doi":"10.5072/zenodo.498444","title":"Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge.","year":2019,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Musical; Computer science; Art; Visual arts","authors":[{"name":"Ajin Jiji Tom","is_ca":false},{"name":"Harish Jayanth Venkatesan","is_ca":false},{"name":"Ivan Carlos Franco","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01352958309440935,"gpt":0.244738154422891,"spread":0.2312085713284816,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001587206,0.0004207637,0.0003223117,0.0007271618,0.00117293,0.005144814,0.00112339,0.001287377,0.01110867],"category_scores_gemma":[0.005574731,0.0001984944,0.0003219613,0.0005429529,0.007542778,0.007979532,0.005002828,0.001959315,0.003195624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005509356,"about_ca_system_score_gemma":0.0009112991,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006174372,"about_ca_topic_score_gemma":0.001022584,"domain_scores_codex":[0.9991897,0.0002488348,0.00004485346,0.00009948764,0.0003364651,0.00008065456],"domain_scores_gemma":[0.9988802,0.0003550173,0.00005575565,0.0003227125,0.0002477092,0.000138695],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0002745641,0.00005288783,0.001080439,0.0005166567,0.00003044842,0.000801178,0.01932636,0.0008145662,0.03680013,0.6638634,0.01706166,0.2593777],"study_design_scores_gemma":[0.00004853872,0.0002984707,0.001384324,0.0006457333,0.00006900533,0.002670273,0.01256406,0.004106545,0.02196919,0.192728,0.7634118,0.0001041414],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.161464,0.01934247,0.3085724,0.01438757,0.005456576,0.0001738656,0.0002289123,0.002005965,0.4883683],"genre_scores_gemma":[0.779072,0.007741607,0.08127555,0.002258834,0.0005285829,0.0001202597,0.0001231123,0.0006638978,0.1282162],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01110867,"threshold_uncertainty_score":0.03716218,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2791821198","doi":"10.5072/zenodo.204957","title":"A virtual machine for live coding language design.","year":2017,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Computer science; Coding (social sciences)","authors":[{"name":"Graham Wakefield","is_ca":true},{"name":"Charles Roberts","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04279976340339416,"gpt":0.3123106976492158,"spread":0.2695109342458216,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001172305,0.0007493465,0.0003669673,0.0004874146,0.0006732108,0.002392337,0.00263753,0.001299249,0.03044509],"category_scores_gemma":[0.004913676,0.0005099655,0.0005698156,0.0002335544,0.00140441,0.002662514,0.002741727,0.001165168,0.004873304],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004282734,"about_ca_system_score_gemma":0.0005973636,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006620848,"about_ca_topic_score_gemma":0.0008626641,"domain_scores_codex":[0.9990575,0.0003067702,0.00006164777,0.0001104186,0.000379477,0.00008414976],"domain_scores_gemma":[0.9984622,0.0006447591,0.00005099057,0.0004430511,0.0002660136,0.0001330589],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0006820902,0.0002436343,0.0007778116,0.0007124417,0.00007951076,0.0007461147,0.002359004,0.02087582,0.1184639,0.2762986,0.03744982,0.5413112],"study_design_scores_gemma":[0.0002748267,0.0006402169,0.0005645704,0.0002621189,0.00008270703,0.001354891,0.0005825093,0.3192794,0.1127352,0.1411375,0.4229632,0.0001229583],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.00331384,0.0001256889,0.9827335,0.00008191396,0.0001151749,0.0001149476,0.00009470541,0.006014761,0.00740556],"genre_scores_gemma":[0.1538013,0.0002544548,0.8135875,0.0001751828,0.00006047048,0.0007308982,0.0005262901,0.002484774,0.02837919],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.03044509,"threshold_uncertainty_score":0.101849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2117666470","doi":"10.5072/zenodo.206807","title":"Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies","year":2011,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Soundscape; Photovoltaic system; Loudspeaker; The arts; Process (computing); Computer science; Sound (geography); Architectural engineering; Musical; Systems engineering; Engineering; Electrical engineering; Acoustics; Visual arts; Physics","authors":[{"name":"Scott Smallwood","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1062175419714107,"gpt":0.2546873959215327,"spread":0.148469853950122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004416967,0.000397684,0.0002107164,0.001013402,0.001020579,0.003313052,0.0005513668,0.000814841,0.01168047],"category_scores_gemma":[0.000789843,0.0001733268,0.0003567531,0.0007980498,0.00126686,0.002031815,0.002007701,0.0007433968,0.00249331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002369242,"about_ca_system_score_gemma":0.0002161136,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001559801,"about_ca_topic_score_gemma":0.0005152141,"domain_scores_codex":[0.9996506,0.00005443284,0.00001324265,0.00004029749,0.0002119556,0.00002942677],"domain_scores_gemma":[0.9997913,0.0001347002,0.00001478164,0.0000184381,0.00001978759,0.0000210053],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001140538,0.0001721519,0.001207749,0.001762732,0.00003611484,0.0008953823,0.007112173,0.001582749,0.05291102,0.1331598,0.02020991,0.7808362],"study_design_scores_gemma":[0.00003535384,0.0002813475,0.00269567,0.0004578286,0.00004681998,0.003521457,0.003817996,0.002196015,0.03751696,0.03192491,0.917436,0.00006966729],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07002871,0.04537471,0.2200093,0.004224889,0.002981415,0.0002398633,0.0002578693,0.001803414,0.6550798],"genre_scores_gemma":[0.4848946,0.08629055,0.1752524,0.002228826,0.002033881,0.0003156656,0.0002951169,0.0007509327,0.2479381],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01168047,"threshold_uncertainty_score":0.03907514,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2560137806","doi":"","title":"Snare Drum Motion Capture Dataset","year":2015,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science; Drum; Context (archaeology); Artificial intelligence; Motion capture; Motion (physics); Process (computing); Principal (computer security); Computer vision; Baseline (sea); Principal component analysis; Engineering; Geography","authors":[{"name":"Robert Van Rooyen","is_ca":true},{"name":"Andrew Schloss","is_ca":true},{"name":"George Tzanetakis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04624808360743828,"gpt":0.2925152744008898,"spread":0.2462671907934516,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008993333,0.001451854,0.001039709,0.002904325,0.0009805968,0.0009622194,0.002560839,0.001722803,0.01459984],"category_scores_gemma":[0.00188678,0.0002355458,0.0009620929,0.002726242,0.0004154156,0.0005982581,0.001606412,0.0008241436,0.01659818],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006938375,"about_ca_system_score_gemma":0.001478811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01279491,"about_ca_topic_score_gemma":0.04443166,"domain_scores_codex":[0.9988087,0.000128716,0.0001160095,0.000290058,0.0004936284,0.0001629112],"domain_scores_gemma":[0.9990492,0.0001148785,0.00005877611,0.0003029804,0.000390571,0.00008351444],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001259555,0.001078471,0.0142791,0.002663256,0.0003821316,0.0007950233,0.0002915436,0.005516791,0.02097685,0.002871156,0.7011576,0.2487285],"study_design_scores_gemma":[0.0003370177,0.001012057,0.1258542,0.000365552,0.0002165341,0.001968374,0.000878215,0.01701248,0.01647087,0.001791896,0.8338856,0.0002071245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"dataset","genre_gemma":"dataset","genre_scores_codex":[0.05307579,0.00153121,0.01517887,0.0003376037,0.0004455135,0.001697226,0.905991,0.005198915,0.01654387],"genre_scores_gemma":[0.01926188,0.0002494231,0.00852642,0.00007976298,0.00005214806,0.0007490327,0.96649,0.00009918317,0.004492217],"genre_candidate":"dataset","genre_consensus":"dataset","teacher_disagreement_score":0.01459984,"threshold_uncertainty_score":0.0488413,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2577609715","doi":"10.5072/zenodo.207799","title":"Womba: A Musical Instrument for an Unborn Child","year":2015,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; University of Calgary","funders":"","keywords":"Musical; Leverage (statistics); Musical instrument; Context (archaeology); Computer science; Unborn child; Psychology; Human–computer interaction; Cognitive science; Artificial intelligence; Pregnancy; Art; Visual arts; Acoustics; History","authors":[{"name":"Aura Pon","is_ca":true},{"name":"Johnty Wang","is_ca":true},{"name":"Laurie Radford","is_ca":true},{"name":"Sheelagh Carpendale","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1309585718146384,"gpt":0.3450187248517493,"spread":0.214060153037111,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001001893,0.0005712972,0.0004943209,0.0004896743,0.001715098,0.00194522,0.001264405,0.001769367,0.01205201],"category_scores_gemma":[0.003256276,0.000272653,0.0005329844,0.0001818882,0.001807897,0.001961693,0.003641441,0.002025423,0.003058436],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003152211,"about_ca_system_score_gemma":0.0006462405,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005075746,"about_ca_topic_score_gemma":0.001303267,"domain_scores_codex":[0.9994961,0.0001165302,0.00002392868,0.00008472546,0.0001829447,0.00009577287],"domain_scores_gemma":[0.9994345,0.0002316135,0.00004388665,0.00005681277,0.00005575032,0.0001773816],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.001145243,0.0008893088,0.01399085,0.001831131,0.00009394563,0.02370978,0.05426913,0.001022086,0.2396325,0.07601041,0.03767105,0.5497347],"study_design_scores_gemma":[0.00009734442,0.003277149,0.01355965,0.00106842,0.0001517777,0.0908543,0.02037423,0.003557095,0.0568794,0.0125078,0.7973007,0.0003720898],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5997447,0.008331037,0.239637,0.01573164,0.003655501,0.001239537,0.0009842356,0.003899846,0.1267766],"genre_scores_gemma":[0.5936337,0.004887721,0.2799669,0.002850348,0.0003008123,0.0008350975,0.0004186275,0.0007498977,0.1163568],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01205201,"threshold_uncertainty_score":0.04031795,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2790647916","doi":"","title":"Voice coil actuators for percussion robotics.","year":2017,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Percussion; Actuator; Robotics; Artificial intelligence; Computer science; Electromagnetic coil; Voice coil; Speech recognition; Medical robotics; Acoustics; Robot; Engineering; Electrical engineering; Physics","authors":[{"name":"Robert Van Rooyen","is_ca":true},{"name":"Andrew Schloss","is_ca":true},{"name":"George Tzanetakis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03781102469617072,"gpt":0.3096432906313158,"spread":0.2718322659351451,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003692489,0.0004822982,0.0003272949,0.0004593464,0.0004126752,0.0008260565,0.0008715936,0.00111809,0.008047818],"category_scores_gemma":[0.001010225,0.0002349418,0.0002196529,0.0002602078,0.0005485626,0.001359044,0.0009561309,0.0005397548,0.003108136],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003284543,"about_ca_system_score_gemma":0.0002644349,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002163173,"about_ca_topic_score_gemma":0.0005276107,"domain_scores_codex":[0.9995555,0.00006682985,0.00002235748,0.00006344351,0.0002503579,0.00004142285],"domain_scores_gemma":[0.9997024,0.0000881631,0.00003907154,0.00003216194,0.0001025666,0.00003555571],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0006062032,0.00008095896,0.0006836834,0.001274102,0.00005349617,0.0005184633,0.0002738702,0.002372897,0.5429091,0.03030889,0.0185703,0.4023478],"study_design_scores_gemma":[0.0001376416,0.001575447,0.003888262,0.0004306256,0.0001541613,0.00328732,0.0005101401,0.0472561,0.4687685,0.02056431,0.4532944,0.0001330452],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.05089415,0.05016113,0.8086987,0.003134219,0.003725266,0.000252771,0.0002932384,0.003301165,0.0795394],"genre_scores_gemma":[0.7171525,0.01691733,0.1676982,0.001656755,0.0011807,0.0002274641,0.0003922491,0.0002282203,0.09454656],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008047818,"threshold_uncertainty_score":0.02692264,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2982551606","doi":"10.5072/zenodo.220117","title":"The Digital Orchestra Toolbox for Max","year":2018,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Dalhousie University","funders":"","keywords":"Toolbox; Computer science; Computer graphics (images); Programming language","authors":[{"name":"Joseph Malloch","is_ca":true},{"name":"Marlon Mario Schumacher","is_ca":false},{"name":"Stephen Sinclair","is_ca":false},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02748689584632647,"gpt":0.2827172952093146,"spread":0.2552303993629881,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001131905,0.001741374,0.0006752515,0.001660261,0.000601696,0.002910887,0.00163603,0.0008653207,0.2608817],"category_scores_gemma":[0.002903092,0.0008574165,0.0008113675,0.001156353,0.0007010617,0.004243696,0.004034851,0.001792805,0.1264392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004610278,"about_ca_system_score_gemma":0.0007889832,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000586613,"about_ca_topic_score_gemma":0.001047867,"domain_scores_codex":[0.9993285,0.00008731105,0.00005569488,0.0001560074,0.0002632174,0.0001091425],"domain_scores_gemma":[0.999168,0.0002609951,0.00003417453,0.0002215087,0.0001512679,0.0001640073],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006699401,0.000101237,0.0005704112,0.0006896498,0.00003744368,0.0002889567,0.0008392349,0.001005787,0.02537269,0.07395119,0.3321534,0.5643201],"study_design_scores_gemma":[0.00009137548,0.00005602124,0.0008543315,0.000180442,0.00002473045,0.0006035563,0.0001222885,0.003973177,0.01499519,0.02781359,0.9512203,0.0000650739],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"software","genre_scores_codex":[0.004893616,0.002107957,0.5255991,0.0008408906,0.0005908316,0.0002637848,0.01024996,0.17364,0.2818138],"genre_scores_gemma":[0.05523277,0.002590284,0.2386791,0.0009610502,0.000511815,0.001241511,0.02141553,0.07525422,0.6041137],"genre_candidate":"software","genre_consensus":null,"teacher_disagreement_score":0.2608817,"threshold_uncertainty_score":0.8727361,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2982593754","doi":"","title":"Towards a Mappable Database of Emergent Gestural Meaning.","year":2016,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Computer science; Meaning (existential); Natural language processing; Database; Artificial intelligence; Psychology","authors":[{"name":"Doug Van Nort","is_ca":true},{"name":"Ian Jarvis","is_ca":true},{"name":"Michael Palumbo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03246953234642012,"gpt":0.2804237388177854,"spread":0.2479542064713653,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001629531,0.0006655047,0.001495034,0.003260321,0.0009623409,0.006924705,0.003084581,0.001322174,0.01186768],"category_scores_gemma":[0.01187267,0.0008281363,0.001309467,0.003123112,0.001403283,0.01231946,0.006327636,0.001799501,0.006214571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000738355,"about_ca_system_score_gemma":0.001146209,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002583604,"about_ca_topic_score_gemma":0.003427735,"domain_scores_codex":[0.9980716,0.000289287,0.000343858,0.0006129691,0.0005604071,0.0001218846],"domain_scores_gemma":[0.9956748,0.001053681,0.0001853065,0.001995054,0.0008791563,0.0002120258],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0005805516,0.0002143601,0.002870716,0.001019552,0.0001713595,0.0007648583,0.003157307,0.007866275,0.02350591,0.3490831,0.03003744,0.5807286],"study_design_scores_gemma":[0.00007219984,0.0001634769,0.001639457,0.0004341574,0.0001633557,0.0006694463,0.001985083,0.08689555,0.02192568,0.6707194,0.2152368,0.00009541147],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.01417084,0.001321626,0.9597649,0.0006089705,0.0002147766,0.0001877382,0.007431263,0.008289572,0.008010342],"genre_scores_gemma":[0.2063932,0.002288494,0.7577864,0.0005248639,0.0001640017,0.0006444101,0.01889708,0.00138847,0.01191321],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.01186768,"threshold_uncertainty_score":0.03970134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2790488273","doi":"10.5072/zenodo.205009","title":"A Responsive User Body Suit (RUBS)","year":2017,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","authors":[{"name":"Kiran Bhumber","is_ca":false},{"name":"Bob Pritchard","is_ca":true},{"name":"Kitty Rodé","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03693784834671823,"gpt":0.339268518456373,"spread":0.3023306701096548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007049462,0.0008599127,0.0006423652,0.0006049253,0.0005375074,0.0009774934,0.001366174,0.001573588,0.02511687],"category_scores_gemma":[0.001268785,0.0005247521,0.001011526,0.0003614396,0.0004313115,0.001058395,0.00246819,0.0007653966,0.009782495],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000140707,"about_ca_system_score_gemma":0.0002596851,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002198427,"about_ca_topic_score_gemma":0.0002545434,"domain_scores_codex":[0.9992207,0.000114127,0.00004722271,0.000128633,0.0004162819,0.00007300282],"domain_scores_gemma":[0.9996468,0.0000808244,0.00003220465,0.00009836305,0.0000574156,0.00008440553],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0006814491,0.0002701556,0.001182741,0.000794829,0.00007390738,0.0009654423,0.0006702633,0.0008295066,0.580532,0.007272611,0.01844537,0.3882817],"study_design_scores_gemma":[0.000399269,0.004925639,0.01850307,0.0004390205,0.0004560374,0.01521437,0.0006516511,0.03060856,0.3487659,0.00525435,0.5743417,0.0004403876],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.137453,0.002268818,0.7661366,0.001076554,0.001555053,0.000913188,0.001203468,0.02148046,0.06791294],"genre_scores_gemma":[0.4956803,0.001713437,0.3248325,0.002408502,0.0004394565,0.000955902,0.001511056,0.003310365,0.1691484],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02511687,"threshold_uncertainty_score":0.08402425,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2407843561","doi":"10.5072/zenodo.208905","title":"Approaches to Interaction in a Digital Music Ensemble.","year":2012,"lang":"en","type":"article","venue":"New Interfaces for Musical Expression","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Artificial intelligence","authors":[{"name":"Ian Hattwick","is_ca":true},{"name":"Kojiro Umezaki","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1211596762592205,"gpt":0.2829499044965707,"spread":0.1617902282373502,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007594216,0.0004999418,0.0003455283,0.0007982312,0.001766734,0.005045275,0.001476757,0.001545664,0.01025159],"category_scores_gemma":[0.001151226,0.0003064005,0.0004997365,0.0004501227,0.005902677,0.005493173,0.003963537,0.002012627,0.001565716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001266288,"about_ca_system_score_gemma":0.0007610861,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001465286,"about_ca_topic_score_gemma":0.002652064,"domain_scores_codex":[0.9991037,0.0003585353,0.00003683413,0.0001648927,0.0002435132,0.00009239377],"domain_scores_gemma":[0.9996284,0.0001446988,0.00002108784,0.00008655014,0.00005430025,0.00006485676],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002527598,0.00002614718,0.0001611117,0.00008879013,0.00001141809,0.00009324714,0.003227581,0.0009745599,0.001751611,0.965882,0.002629345,0.02512892],"study_design_scores_gemma":[0.00002992126,0.00006669148,0.000674525,0.0001651898,0.00003084484,0.0005630388,0.004988361,0.02175944,0.00191247,0.8128031,0.1569729,0.00003353622],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.02757268,0.01709345,0.5945231,0.00653019,0.000805589,0.00012212,0.0000684199,0.0004806292,0.3528039],"genre_scores_gemma":[0.6621894,0.009944052,0.211492,0.0008351688,0.0005038081,0.0004408766,0.00009801552,0.0001679751,0.1143287],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01025159,"threshold_uncertainty_score":0.03429496,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}