{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"254b016349f7","filters":{"venue":"New Sound"}},"results":[{"id":"W3023431265","doi":"10.5937/newso1545139n","title":"Vivier reenacted: Singing beyond masculine","year":2015,"lang":"en","type":"article","venue":"New Sound","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Singing; Opera; Rest (music); Musical; Symbol (formal); Destiny (ISS module); Queer; Art; Dance; Creativity; Aesthetics; Visual arts; History; Literature; Communication; Sociology; Linguistics; Law; Philosophy; Engineering; Acoustics; Gender studies; Political science","authors":[{"name":"Jelena Novak","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0430293290356166,"gpt":0.3056016927588066,"spread":0.26257236372319,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003491311,0.000090977,0.0001490628,0.00004158918,0.0003228471,0.000212884,0.0001801536,0.000121802,0.0004494993],"category_scores_gemma":[0.0001865571,0.00006984344,0.00009325512,0.0004329841,0.0001166924,0.0002840015,0.00003055903,0.0001269727,0.0002038877],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007522254,"about_ca_system_score_gemma":0.0001472029,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00160322,"about_ca_topic_score_gemma":0.005828734,"domain_scores_codex":[0.9989898,0.00009561981,0.0001296814,0.0001900474,0.000316867,0.0002780186],"domain_scores_gemma":[0.9993637,0.00003672418,0.00005424076,0.0001312241,0.000130244,0.000283846],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000598908,0.0001633745,0.0115327,0.00001310633,0.0003069743,0.00004394506,0.1344182,0.00008225334,0.0008159647,0.1271997,0.6853412,0.04002278],"study_design_scores_gemma":[0.0002576875,0.00002102508,0.0002998713,0.000005163336,0.00005690584,0.00000151574,0.00496015,0.00001671057,0.00001339246,0.03846327,0.9557711,0.0001332039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3726931,0.003722962,0.0003852677,0.0185892,0.001807687,0.0002347845,0.000007255944,0.0002462099,0.6023135],"genre_scores_gemma":[0.8876134,0.00002383673,0.001045533,0.006680618,0.003412025,0.000003361064,0.00002687306,0.00001058042,0.1011838],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5149202,"threshold_uncertainty_score":0.4921702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401510004","doi":"10.5937/newso23062013n","title":"S is for singing, scene, Serbia: Tendencies in the world of 21st century (post)opera","year":2023,"lang":"en","type":"article","venue":"New Sound","topic":"Balkans: History, Politics, Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Centro de Estudos de Sociologia e Estética Musical; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Singing; Opera; Art; Visual arts; History; Acoustics; Physics","authors":[{"name":"Jelena Novak","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0544691218067104,"gpt":0.3396895630271504,"spread":0.28522044122044,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009081591,0.0001064409,0.0001674659,0.0001000926,0.0004351209,0.00007178979,0.0004408157,0.00009746589,0.0001114114],"category_scores_gemma":[0.0003282296,0.0000930259,0.0001459352,0.0005917993,0.0004617916,0.0001446991,0.00003771347,0.0001613442,0.00005311843],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003011206,"about_ca_system_score_gemma":0.0004619423,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.009300214,"about_ca_topic_score_gemma":0.03923513,"domain_scores_codex":[0.9985505,0.0001020542,0.0002186867,0.0002058639,0.000430272,0.0004925976],"domain_scores_gemma":[0.9990488,0.000446003,0.00008141815,0.0002326299,0.0001089324,0.00008224919],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001171094,0.00009257023,0.0137862,0.00009706981,0.00004114282,0.000003249564,0.5406464,0.00002091371,0.000321007,0.1254878,0.3179688,0.001523138],"study_design_scores_gemma":[0.0003670967,0.00003182678,0.01407705,0.00004209786,0.00002530873,4.071988e-7,0.1220296,0.00003185209,0.00006064805,0.009356831,0.8538072,0.0001700992],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7708819,0.002756801,0.00004363158,0.02802998,0.003083501,0.001517627,0.0001695696,0.0003298282,0.1931871],"genre_scores_gemma":[0.9754562,0.0002217405,0.000455764,0.003275566,0.000659923,0.00002263016,0.000009371565,0.000023386,0.0198754],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5358384,"threshold_uncertainty_score":0.9972969,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3174270403","doi":"10.5937/newso2055201m","title":"Like in the old days: Concerning the piece …and I need a room to receive five thousand people with raised glasses… or …what a glorious day, the birds are singing 'halleluiah'…by Ana Sokolović","year":2020,"lang":"en","type":"article","venue":"New Sound","topic":"Balkans: History, Politics, Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Ministarstvo Prosvete, Nauke i Tehnološkog Razvoja","keywords":"Singing; Existentialism; Meaning (existential); Capital (architecture); Virtue; Visual arts; Art; History; Literature; Art history; Sociology; Law; Philosophy; Acoustics; Political science; Epistemology; Physics","authors":[{"name":"Ivana Miladinović Prica","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03550335133383849,"gpt":0.2830203688404809,"spread":0.2475170175066424,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001163931,0.0002951262,0.000365974,0.00003341067,0.001631188,0.0009274844,0.0009328199,0.0001600396,0.00005636537],"category_scores_gemma":[0.001108866,0.0001628649,0.00009385532,0.0008199904,0.0006217942,0.0004187619,0.0001397209,0.000603866,0.0000204987],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004368837,"about_ca_system_score_gemma":0.0006914422,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01734219,"about_ca_topic_score_gemma":0.06764726,"domain_scores_codex":[0.9970036,0.0007202548,0.000288429,0.0005241519,0.0007390181,0.0007246032],"domain_scores_gemma":[0.9967848,0.002171658,0.0002306412,0.0004184159,0.0001048976,0.0002895675],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001176111,0.00003264299,0.006316056,0.00001889207,0.00006663215,0.00001693764,0.932024,0.0001763474,0.0000600024,0.001145474,0.05940529,0.0006200943],"study_design_scores_gemma":[0.001218771,0.0002318221,0.00407228,0.0001238589,0.00009152524,0.000008116088,0.6872404,0.0003603597,0.000008467092,0.0005777135,0.3056933,0.0003734728],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8845699,0.003956395,0.0007275416,0.1031401,0.0006239305,0.001773244,0.00003215056,0.0002023765,0.004974277],"genre_scores_gemma":[0.977749,0.0004520139,0.0001731651,0.01934209,0.0007755715,0.00005873925,0.000003873774,0.00004853775,0.00139699],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.246288,"threshold_uncertainty_score":0.9996685,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387987907","doi":"10.5937/newso2260135i","title":"On musical memory in Đorđe Marković's Monuments: Overture for Peace","year":2022,"lang":"en","type":"article","venue":"New Sound","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"General Motors (Canada)","funders":"","keywords":"Symphony; Forgetting; Musical; Dominance (genetics); Ninth; Art; Aesthetics; Literature; History; Visual arts; Psychology; Sociology; Cognitive psychology","authors":[{"name":"Ljubica Ilić","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0907475761281521,"gpt":0.2457361909129796,"spread":0.1549886147848275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000116855,0.0001151398,0.000161838,0.00004590864,0.0004463904,0.0001366893,0.0001576429,0.00002297198,0.01316467],"category_scores_gemma":[0.00008514363,0.00009663121,0.00007928776,0.00003116734,0.00006384101,0.00006499444,0.0001930625,0.0001790407,0.00006446074],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00020019,"about_ca_system_score_gemma":0.00001855052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002663769,"about_ca_topic_score_gemma":0.0006245406,"domain_scores_codex":[0.9991591,0.00004134296,0.0001208743,0.0002311209,0.0002205612,0.0002269757],"domain_scores_gemma":[0.9995258,0.0002614601,0.00003865104,0.0001140746,0.00001652953,0.00004348369],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002052354,0.000260969,0.0000960423,0.000009667192,0.00003391942,0.00001769482,0.01208499,0.00009679593,0.000004240997,0.3429609,0.6412707,0.002958856],"study_design_scores_gemma":[0.0009480724,0.0003530203,0.0003341237,0.000003915435,0.00001216446,4.903737e-7,0.004772717,0.00002573757,7.353891e-7,0.0353302,0.9580889,0.0001298617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6485037,0.000318508,0.00001906155,0.004855168,0.002278134,0.0008001617,0.0001546204,0.0001099176,0.3429608],"genre_scores_gemma":[0.8856275,0.000003790333,0.00004987243,0.008979066,0.0007822661,0.0001648623,0.00002228242,0.00001858974,0.1043518],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3168183,"threshold_uncertainty_score":0.9877374,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3173637802","doi":"10.5937/newso1851083f","title":"Panic at the proms (perhaps the explanation lies in his background)","year":2018,"lang":"en","type":"article","venue":"New Sound","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Interpretation (philosophy); Focus (optics); Panic; Frame (networking); Literature; Aesthetics; History; Epistemology; Linguistics; Philosophy; Psychology; Art; Anxiety","authors":[{"name":"Geraldine Finn","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1824218120238319,"gpt":0.2587057333285295,"spread":0.07628392130469758,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001589301,0.00009142733,0.00009055904,0.00001766203,0.0007536777,0.0003523757,0.0001918199,0.000025524,0.00945448],"category_scores_gemma":[0.00003960755,0.00004186971,0.00003736054,0.00003685936,0.0006141885,0.0001134263,0.0001517609,0.00008266634,0.001364882],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009055459,"about_ca_system_score_gemma":0.00001286641,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009617883,"about_ca_topic_score_gemma":0.03619688,"domain_scores_codex":[0.9993646,0.0000455505,0.0001161795,0.0001359846,0.00016229,0.0001753977],"domain_scores_gemma":[0.9995753,0.0001652193,0.00004701047,0.0001501811,0.00004402775,0.0000182741],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003130631,0.00004460363,0.001202605,0.00000440514,0.00003958708,0.000002247728,0.08280637,9.96195e-7,0.0000168842,0.6616747,0.249813,0.0043633],"study_design_scores_gemma":[0.0001807605,0.00009108747,0.00348714,0.000005004402,0.00001218867,7.525121e-7,0.01271673,0.00000573631,0.000006334414,0.01884639,0.9645761,0.00007172945],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7185848,0.0003913703,0.000003198364,0.005774201,0.0006729527,0.0002362536,0.000006071965,0.00004024848,0.2742909],"genre_scores_gemma":[0.9167038,0.00001911649,0.000004716546,0.00177815,0.001204292,0.00002531923,0.000003652977,0.000006473351,0.0802545],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7147632,"threshold_uncertainty_score":0.9994127,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3174455752","doi":"10.5937/newso1750025w","title":"Music ethics politics","year":2017,"lang":"en","type":"article","venue":"New Sound","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Quest University Canada","funders":"","keywords":"Politics; Scholarship; Philosophy of music; Aesthetics; Feminist ethics; Musical; Sociology; Music history; Media studies; Literature; Political science; Law; Art; Gender studies","authors":[{"name":"Jeff R. Warren","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2598950490373482,"gpt":0.3430273112507253,"spread":0.0831322622133771,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001993515,0.0001160183,0.0001354708,0.00003223089,0.002114716,0.0009494909,0.0003844648,0.0001307306,0.001287478],"category_scores_gemma":[0.0002470808,0.0001081744,0.00009060346,0.000003834797,0.0006701135,0.0002573164,0.00008922369,0.0005080586,0.0006866309],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002162702,"about_ca_system_score_gemma":0.0001300951,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003189337,"about_ca_topic_score_gemma":0.005078519,"domain_scores_codex":[0.9991798,0.00002774001,0.0001430172,0.0001652072,0.0002345884,0.0002496857],"domain_scores_gemma":[0.9989818,0.00008750573,0.0001030464,0.0005914965,0.0001132774,0.0001228725],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000002678484,0.00001497921,0.00003134553,0.00002166809,0.00001945289,0.000005386612,0.05509077,3.040013e-7,0.000004446543,0.9269469,0.01772082,0.0001412123],"study_design_scores_gemma":[0.0001584061,0.00001699828,0.00008269725,0.00001230176,0.0000169969,0.00000142248,0.0005004135,0.000004304063,0.000006554181,0.5208257,0.4782805,0.00009366121],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02863778,0.0001520245,0.00002992953,0.01521577,0.004359466,0.00007260703,0.00003613853,0.00008716729,0.9514091],"genre_scores_gemma":[0.9204171,0.00001603266,0.0000478015,0.003959129,0.009677811,0.000001698119,0.000009182373,0.00002138511,0.06584992],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8917792,"threshold_uncertainty_score":0.9996255,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}