{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":8,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":8,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"882c6af02b89","filters":{"venue":"Nka Journal of Contemporary African Art"}},"results":[{"id":"W2141898735","doi":"10.1215/10757163-1266756","title":"El Anatsui: When I Last Wrote to You about Africa","year":2011,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"Cuban History and Society","field":"Social Sciences","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Visual arts; Variety (cybernetics); Art; Work (physics); Art history; History; Engineering; Computer science","authors":[{"name":"Terry Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0713929687880987,"gpt":0.2794438373249732,"spread":0.2080508685368745,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001959865,0.0001725751,0.0004092561,0.0001829914,0.0004739891,0.00006017333,0.0006779631,0.0001198967,0.001288348],"category_scores_gemma":[0.0002839198,0.0001608536,0.0003284282,0.0003845678,0.0003572608,0.0007131414,0.00005548035,0.0003811179,0.0002296542],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002091295,"about_ca_system_score_gemma":0.0008028753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001874717,"about_ca_topic_score_gemma":0.0001668218,"domain_scores_codex":[0.9977093,0.000385722,0.0006144799,0.0001998384,0.0006995677,0.0003911461],"domain_scores_gemma":[0.9981732,0.0001118205,0.000494963,0.0002376725,0.0003489153,0.0006334554],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002675347,0.0002509987,0.007901253,0.000009466181,0.0001162582,0.0001796281,0.4161497,0.000001518782,0.0002255237,0.01160611,0.5614762,0.001815822],"study_design_scores_gemma":[0.0003717349,0.0003068216,0.002833148,0.0000523262,0.00001956286,0.000008686045,0.01801812,8.097833e-7,0.00005208842,0.002386983,0.9757476,0.0002021399],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04706363,0.001322845,0.0005570534,0.002566265,0.001011146,0.0002527125,0.00001376875,0.00005424258,0.9471583],"genre_scores_gemma":[0.9771982,0.00004915652,0.001317796,0.0006880254,0.0006084457,0.000004734695,7.008468e-7,0.00001980555,0.0201131],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9301346,"threshold_uncertainty_score":0.9996246,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071080466","doi":"10.1215/10757163-2142269","title":"<i>Sacred Places</i> and <i>Arlit: Deuxième Paris</i>: Reterritorialization in African Documentary Films","year":2013,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"African history and culture studies","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Stornoway Diamond (Canada)","funders":"","keywords":"Filmmaking; Movie theater; Poetics; Colonialism; Politics; Independence (probability theory); Deterritorialization; Art; Sociology; Anthropology; Aesthetics; Media studies; Gender studies; History; Art history; Political science; Literature; Archaeology; Poetry; Law","authors":[{"name":"Sheila Petty","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01446361576044481,"gpt":0.2481863925418309,"spread":0.2337227767813861,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001080043,0.0001974919,0.0004836078,0.000177752,0.0003839156,0.0001227889,0.0002958199,0.0001085028,0.0002871327],"category_scores_gemma":[0.0002090681,0.000155564,0.000109175,0.0004207679,0.000492826,0.001414331,0.00005403981,0.0003121448,0.00002056777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001532672,"about_ca_system_score_gemma":0.0003263794,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001488386,"about_ca_topic_score_gemma":0.0005056243,"domain_scores_codex":[0.9975868,0.0005580737,0.0007312394,0.000218525,0.0005794575,0.0003259207],"domain_scores_gemma":[0.9984973,0.0002076373,0.0006304104,0.0001368053,0.0002494176,0.0002784154],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003255259,0.0001902812,0.03306419,0.00002327046,0.0001292481,0.00008810079,0.09942021,0.000007791386,0.0008644357,0.003282227,0.8618164,0.0007882883],"study_design_scores_gemma":[0.0009696731,0.0002679852,0.001904678,0.00008890139,0.00002654465,0.00001076732,0.05855799,0.000004510036,0.0000515252,0.00260584,0.9352575,0.0002540975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1458323,0.01167927,0.0001868227,0.02389101,0.003893025,0.001405915,0.00003761309,0.0001148801,0.8129591],"genre_scores_gemma":[0.9957951,0.0004640828,0.0003062205,0.0004040086,0.0006792324,0.0000193164,0.000004150404,0.00001513438,0.002312792],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8499627,"threshold_uncertainty_score":0.6343716,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2213866393","doi":"10.1215/10757163-3339794","title":"Local Buttons: Sustainable Fashion and Social Entrepreneurship in Haiti","year":2015,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"Global trade and economics","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Clothing; Consumption (sociology); Business; Globe; Commerce; Geography","authors":[{"name":"Tasha L. Lewis","is_ca":false},{"name":"Anne Pringle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08189275435609655,"gpt":0.2232114808198547,"spread":0.1413187264637581,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001140214,0.0001364759,0.0005096529,0.000315574,0.00004756239,0.00008788244,0.0001972413,0.0000928169,0.00003808716],"category_scores_gemma":[0.00009671337,0.0001546691,0.0001023667,0.000162016,0.00011182,0.0007528825,0.00005439455,0.0002449951,0.000082196],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002017218,"about_ca_system_score_gemma":0.0001458353,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005508713,"about_ca_topic_score_gemma":0.0000147938,"domain_scores_codex":[0.9985585,0.0000419806,0.0008583281,0.0001956432,0.00005068885,0.0002948116],"domain_scores_gemma":[0.9990097,0.00004642516,0.0005816799,0.0001084044,0.00006791871,0.0001858854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004616461,0.0003280074,0.5692266,0.00005213259,0.0001075705,0.0005028382,0.005437295,0.0001879965,0.000006757407,0.3693077,0.05364998,0.0007314407],"study_design_scores_gemma":[0.005594927,0.0007888557,0.04823705,0.00004234759,0.00001275611,0.0002068273,0.02734953,0.0004525546,0.00004734204,0.1093125,0.8073609,0.0005944065],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8248211,0.003679259,0.0009174084,0.006078032,0.0003396646,0.0001614563,0.00002298281,0.00001394841,0.1639662],"genre_scores_gemma":[0.9978681,0.0000608444,0.00008194934,0.0003752163,0.0001268962,0.000002369817,0.000003703245,0.00001396983,0.001466956],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7537109,"threshold_uncertainty_score":0.6307225,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4250476357","doi":"10.1215/10757163-9435737","title":"Egyptian Heart, French Tongue","year":2021,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"Language, Linguistics, Cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"French; Diaspora; Art; Reflexive pronoun; Literature; History; Art history; Humanities; Sociology; Gender studies","authors":[{"name":"Edwar al-Kharrat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03251022851725083,"gpt":0.235496280980596,"spread":0.2029860524633451,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003322236,0.0001822905,0.0005063133,0.0001375355,0.0001945249,0.0002572499,0.0002438504,0.00004049216,0.007071455],"category_scores_gemma":[0.0003501212,0.0001331316,0.0003902126,0.0001033842,0.0001826647,0.0003340969,0.00005223894,0.0003145909,0.0002075665],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000444128,"about_ca_system_score_gemma":0.0002684738,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001341872,"about_ca_topic_score_gemma":0.0004550358,"domain_scores_codex":[0.9983237,0.0001474937,0.0007134095,0.0001710595,0.0004237439,0.0002205388],"domain_scores_gemma":[0.998047,0.0001093339,0.000434517,0.0002372289,0.0009658303,0.0002061112],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006873374,0.0004191018,0.002918566,0.00005841121,0.000910421,0.002914711,0.05421824,0.00002036166,0.001542476,0.06478598,0.8712414,0.0009016051],"study_design_scores_gemma":[0.0004136446,0.0001450476,0.000318442,0.00007624798,0.00008949755,0.0001329969,0.0108997,0.0000171409,0.0005183994,0.002250117,0.9849291,0.0002096768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05636964,0.004975085,0.0001416524,0.008982687,0.002057186,0.0001001598,0.00007459931,0.0000577209,0.9272413],"genre_scores_gemma":[0.9406704,0.00001474019,0.0003437875,0.001159366,0.002599132,0.000001181533,0.00001949895,0.00001774372,0.05517415],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8843008,"threshold_uncertainty_score":0.9938362,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1487144751","doi":"","title":"El Anatsui: When I Last Wrote to You about Africa (review)","year":2011,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Visual arts; Variety (cybernetics); Work (physics); Art; Art history; History; Engineering; Computer science","authors":[{"name":"Terry Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09729188539885324,"gpt":0.2950709109609411,"spread":0.1977790255620879,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001438762,0.0001881756,0.0004714344,0.0001397847,0.0002692397,0.00005618733,0.0006327997,0.00008845007,0.00291978],"category_scores_gemma":[0.0003273287,0.0001451942,0.0002064764,0.0004610245,0.0001751133,0.00052878,0.00007836954,0.0003311326,0.0002312647],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001456984,"about_ca_system_score_gemma":0.0007401857,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002647697,"about_ca_topic_score_gemma":0.0001596104,"domain_scores_codex":[0.9977055,0.0002332262,0.0007728422,0.0001848971,0.0007127273,0.000390842],"domain_scores_gemma":[0.9981351,0.00006120861,0.0005526038,0.0001826484,0.0004722475,0.0005961393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000631679,0.0000723622,0.001910769,0.00001514921,0.00006319915,0.00008489245,0.01982124,1.973501e-7,0.0000260825,0.0008159459,0.9696985,0.007428448],"study_design_scores_gemma":[0.0002395465,0.0002217616,0.002696712,0.0004885229,0.00002252881,0.00001385406,0.006058747,2.049647e-7,0.00006059891,0.0004915668,0.9894992,0.0002068333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004808618,0.01993048,0.0001334965,0.02707938,0.0008225438,0.0005598546,0.00001404474,0.00004564268,0.9466059],"genre_scores_gemma":[0.8775394,0.002975578,0.001668288,0.002978719,0.0007490688,0.00001593206,0.00000285298,0.00002678311,0.1140434],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8727308,"threshold_uncertainty_score":0.9979917,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2163378110","doi":"10.1215/10757163-2010-27-82","title":"Uncovering the Frozen Image","year":2010,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University; International Development Research Centre","funders":"","keywords":"Face (sociological concept); Subject (documents); Aesthetics; Media studies; Visual arts; Sociology; Political science; Art; Computer science; Social science; World Wide Web","authors":[{"name":"Elleni Centime Zeleke","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01806704079694611,"gpt":0.2666410690596165,"spread":0.2485740282626704,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001418698,0.0001028767,0.0002246935,0.00005199458,0.0007528929,0.00006867036,0.0004884793,0.00005042615,0.0003357623],"category_scores_gemma":[0.0004625102,0.00006438308,0.0001681671,0.0002125025,0.0007552226,0.0005174894,0.00003944377,0.0005216461,0.00006122101],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004309753,"about_ca_system_score_gemma":0.0004097824,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005110481,"about_ca_topic_score_gemma":0.0003185216,"domain_scores_codex":[0.9987339,0.0002020548,0.0003294411,0.00009205124,0.0004505125,0.0001919942],"domain_scores_gemma":[0.9988498,0.0001978444,0.0004136009,0.0001498783,0.0002489555,0.0001399234],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002147739,0.0001595816,0.007284595,0.000009574685,0.0002486471,0.00020184,0.1603462,0.000003849548,0.01008486,0.03992881,0.7788258,0.00269147],"study_design_scores_gemma":[0.0001819454,0.00006056187,0.0007756479,0.00001086832,0.00001524555,0.00001204781,0.02573548,2.821158e-7,0.00007301806,0.002215863,0.9708308,0.00008822706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05877154,0.0006968356,0.000103331,0.00871588,0.001391574,0.0001108475,0.000004109254,0.00002477549,0.9301811],"genre_scores_gemma":[0.9918398,0.00003189566,0.0002802636,0.0003483722,0.001063913,0.000002320518,2.50093e-7,0.000008234822,0.006424927],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9330683,"threshold_uncertainty_score":0.579072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4378804167","doi":"10.1215/10757163-10434952","title":"Ellen Gallagher and Edgar Cleijne","year":2023,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Citation; Art; Search engine optimization; Art history; Download; The arts; Visual arts; Library science; World Wide Web; Computer science; Search engine","authors":[{"name":"Manthia Diawara","is_ca":false},{"name":"Terri Geis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03394767603434575,"gpt":0.2209754497632205,"spread":0.1870277737288747,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003789868,0.0001228707,0.0002570438,0.000222582,0.0001193978,0.0001676978,0.0001433179,0.00003769433,0.001012515],"category_scores_gemma":[0.00002941035,0.00009154772,0.000101277,0.00008186949,0.0001616767,0.0004381316,0.00003163193,0.0002313742,0.000214446],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009022727,"about_ca_system_score_gemma":0.00007889463,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005715396,"about_ca_topic_score_gemma":0.00001057292,"domain_scores_codex":[0.9990782,0.0000647835,0.0003756233,0.00009943875,0.0002183739,0.0001636495],"domain_scores_gemma":[0.9992781,0.0001076347,0.0002200929,0.0001195491,0.0001418814,0.0001327418],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006959874,0.00003411904,0.001339794,0.00002379192,0.0000829716,0.0001872219,0.01714781,6.057799e-7,0.000114764,0.02343374,0.9558247,0.001740922],"study_design_scores_gemma":[0.0003990241,0.0002514432,0.0009518265,0.00008541798,0.00001347715,0.00003149377,0.002230522,0.000007803783,0.00003738609,0.001773711,0.994104,0.0001138983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1013554,0.008395844,0.000004792904,0.004157345,0.001237853,0.00008864678,0.00002714474,0.00005620395,0.8846768],"genre_scores_gemma":[0.9173201,0.0001538112,0.00002491947,0.0005413184,0.001313932,0.00000115677,0.000006477051,0.00001550604,0.08062283],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8159647,"threshold_uncertainty_score":0.9999007,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389120691","doi":"10.1215/10757163-10904188","title":"Denyse Thomasos","year":2023,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Icon; Citation; Download; Maya; World Wide Web; Search engine optimization; Computer science; Library science; Art; Search engine; History; Archaeology","authors":[{"name":"Maya Harakawa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09172935178693067,"gpt":0.2706411096665616,"spread":0.178911757879631,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004749947,0.0001482285,0.000318187,0.0002664787,0.0002172957,0.0001206097,0.0002622709,0.00003543645,0.0007518288],"category_scores_gemma":[0.00007172128,0.0001183607,0.0002150455,0.000009388716,0.0002683314,0.0005094487,0.00004671698,0.0002289544,0.0006723145],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002887639,"about_ca_system_score_gemma":0.0002290809,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002738376,"about_ca_topic_score_gemma":0.0001565157,"domain_scores_codex":[0.9986404,0.00008747436,0.0005365774,0.000112673,0.0003423859,0.0002805461],"domain_scores_gemma":[0.9989182,0.0001363043,0.0003479306,0.0001781933,0.0002151679,0.0002041601],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008874235,0.00009735523,0.0007193066,0.00002548325,0.0001507125,0.0004296677,0.09566122,0.000006469689,0.0001327523,0.06233357,0.8391709,0.001183766],"study_design_scores_gemma":[0.0004759314,0.0002236463,0.0002848131,0.00004560268,0.00002063292,0.0000364461,0.007100043,0.00004015502,0.00009976601,0.007040569,0.9844872,0.0001452266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02558125,0.0006690628,0.0001001538,0.004063129,0.001367282,0.0001203008,0.00005173075,0.0001109424,0.9679362],"genre_scores_gemma":[0.8619955,0.00004433853,0.00003118564,0.0008307431,0.001488271,0.000002384273,0.000007809857,0.000024167,0.1355757],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8364142,"threshold_uncertainty_score":0.8641467,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}