{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":128,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":128,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"a662cfd5202b","filters":{"venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec"}},"results":[{"id":"W4409674913","doi":"10.7202/1117050ar","title":"Au-delà de « l’envie cinématographique » : le complexe transmédiatique d’<i>Assassin’s Creed</i>","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Creed; Philosophy; Theology","authors":[{"name":"Dominic Arsenault","is_ca":false},{"name":"Vincent Mauger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02645021195683655,"gpt":0.2381210961476302,"spread":0.2116708841907937,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001521752,0.001547728,0.001796722,0.0005901448,0.007161968,0.0004299035,0.0007164868,0.0009189485,0.001311995],"category_scores_gemma":[0.0004795772,0.001625589,0.001099191,0.0003656452,0.004550218,0.001942831,0.0003152217,0.001616843,0.0001330302],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003002315,"about_ca_system_score_gemma":0.005127789,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3218916,"about_ca_topic_score_gemma":0.8089527,"domain_scores_codex":[0.9928731,0.001601587,0.001807323,0.001099552,0.0005718315,0.00204657],"domain_scores_gemma":[0.9947466,0.001563886,0.0009750209,0.0009739576,0.001078893,0.0006616559],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003026934,0.001255251,0.02900597,0.001539757,0.000696384,0.00005172012,0.4858012,0.00004649608,0.000374463,0.4352547,0.03628905,0.009382278],"study_design_scores_gemma":[0.0009417088,0.0005311327,0.01419834,0.0007940857,0.0004688039,0.0001836734,0.08196557,0.0001002682,0.0009101878,0.0004984676,0.8977891,0.001618624],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5801762,0.1138102,0.005113327,0.02958338,0.004075898,0.001390208,0.001094667,0.0009947201,0.2637615],"genre_scores_gemma":[0.8100571,0.009089923,0.0008415715,0.001179816,0.005105872,0.0003800127,0.000166447,0.000321991,0.1728573],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8615001,"threshold_uncertainty_score":0.9997271,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674779","doi":"10.7202/1117051ar","title":"Les séries web de fiction. Interpeller","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; World Wide Web; Computer science","authors":[{"name":"Jean Châteauvert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07413775365878747,"gpt":0.2741385376466602,"spread":0.2000007839878727,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008077721,0.001186124,0.001064651,0.0002861121,0.002005069,0.001538121,0.001240756,0.0008407398,0.0006154087],"category_scores_gemma":[0.001211892,0.001052831,0.0005966168,0.0006013496,0.001711133,0.007320472,0.00091727,0.001117552,0.0001825694],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002832454,"about_ca_system_score_gemma":0.003911009,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1531026,"about_ca_topic_score_gemma":0.4297559,"domain_scores_codex":[0.9946219,0.0007956072,0.001307772,0.001007075,0.0005569275,0.00171071],"domain_scores_gemma":[0.9953314,0.001019742,0.0007636709,0.001129472,0.0009153751,0.0008403611],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001607515,0.001023723,0.01693447,0.001057864,0.0002896803,0.0001976362,0.4837759,0.0001619856,0.001160199,0.2798131,0.1150939,0.1003308],"study_design_scores_gemma":[0.0004747874,0.0005142232,0.00692335,0.001045281,0.0001279952,0.0009133908,0.008782849,0.001703256,0.0016204,0.0003951617,0.9761232,0.001376082],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6382961,0.09790467,0.01331198,0.02894761,0.006135705,0.0007478514,0.000182808,0.0009598397,0.2135135],"genre_scores_gemma":[0.6860946,0.003206261,0.003503602,0.0009139379,0.001812107,0.00006236014,0.00006258659,0.0001164078,0.3042281],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8610293,"threshold_uncertainty_score":0.9994984,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2885303241","doi":"10.7202/1108065ar","title":"L’esthétique rock queer, de C.R.A.Z.Y. à Xavier Dolan","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Queer; Humanities; Psychology; Psychoanalysis","authors":[{"name":"Gabriel Laverdière","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01426865343829252,"gpt":0.2227251751499293,"spread":0.2084565217116368,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001180534,0.001389956,0.001381498,0.0005974171,0.003316482,0.0009530658,0.001046319,0.001203993,0.002378766],"category_scores_gemma":[0.0008049553,0.001413789,0.0007593847,0.0005179377,0.001537491,0.001308238,0.000398479,0.001979209,0.000687163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002026289,"about_ca_system_score_gemma":0.005460425,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1592796,"about_ca_topic_score_gemma":0.7601782,"domain_scores_codex":[0.9936301,0.001201489,0.001575497,0.001270135,0.0005800799,0.001742761],"domain_scores_gemma":[0.9952635,0.001390199,0.0007232742,0.001190393,0.0008999289,0.0005327224],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001503644,0.0003157585,0.005247319,0.002378402,0.0002984047,0.0006939381,0.4092823,0.0001774661,0.0001710447,0.3152882,0.2459558,0.02004103],"study_design_scores_gemma":[0.00061382,0.0005934473,0.001983176,0.0019047,0.0002508915,0.0002255238,0.01556464,0.0005343472,0.0002673189,0.001163529,0.9753371,0.001561465],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5932766,0.160725,0.0005037681,0.0630767,0.008786477,0.001363749,0.001651058,0.002044288,0.1685724],"genre_scores_gemma":[0.2061535,0.01618207,0.0004345099,0.001491001,0.005919537,0.0002407191,0.0007314134,0.0003274624,0.7685198],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7293814,"threshold_uncertainty_score":0.9998851,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3084288823","doi":"10.7202/1069291ar","title":"Cinéma d’animation québécois et agentivité féminine","year":2019,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie-Josée Saint-Pierre","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05457362546047834,"gpt":0.3256052320190937,"spread":0.2710316065586154,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.004033227,0.0008516672,0.001063698,0.0002928174,0.002087475,0.0002152959,0.0008443176,0.0009842735,0.001466068],"category_scores_gemma":[0.002836798,0.0009573101,0.000477883,0.0007214914,0.003166821,0.001596313,0.000192038,0.00105356,0.0003408667],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002191028,"about_ca_system_score_gemma":0.01031662,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2841184,"about_ca_topic_score_gemma":0.8205966,"domain_scores_codex":[0.992419,0.003363319,0.001351584,0.001177204,0.0006904224,0.0009984653],"domain_scores_gemma":[0.9920073,0.004638341,0.001199414,0.0007596194,0.001082285,0.0003130333],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003924917,0.0004041518,0.03466032,0.0006487077,0.0001729706,0.000009017004,0.549476,0.00006763895,0.0002478894,0.3903172,0.006583922,0.01737289],"study_design_scores_gemma":[0.0005177278,0.0003967816,0.02126429,0.0007000513,0.0001480293,0.00002806163,0.1988179,0.0001681527,0.00007827966,0.0006208418,0.7763534,0.000906467],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7714017,0.01600899,0.0005481216,0.107152,0.006460847,0.000938556,0.0001289367,0.0003523019,0.09700853],"genre_scores_gemma":[0.6899154,0.009118829,0.00266799,0.00138556,0.003275461,0.0001648295,0.0003951358,0.0001413334,0.2929355],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7697695,"threshold_uncertainty_score":0.999546,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945607","doi":"10.7202/1115178ar","title":"L’éducation au cinéma par l’entour des films : paratexte et machinerie","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal; McGill University","funders":"","keywords":"Art","authors":[{"name":"Martin Bonnard","is_ca":true},{"name":"Rémy Besson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0941440546964789,"gpt":0.3663466780886724,"spread":0.2722026233921935,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.005422753,0.0008994784,0.0009555877,0.0003661675,0.005166859,0.0002674026,0.0009294566,0.0009219437,0.0008049445],"category_scores_gemma":[0.005142312,0.0009905347,0.0004544953,0.001387012,0.006363053,0.001405754,0.000215314,0.00105135,0.0003517091],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003056305,"about_ca_system_score_gemma":0.01648236,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2057839,"about_ca_topic_score_gemma":0.7284594,"domain_scores_codex":[0.9913141,0.004128854,0.001362687,0.0011925,0.0006328936,0.001368941],"domain_scores_gemma":[0.9919376,0.004834999,0.0009831815,0.0007241037,0.001073696,0.0004464304],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003805376,0.0003644317,0.0388428,0.0006529469,0.0001842498,0.00001832173,0.7170268,0.0002856927,0.000193315,0.1884074,0.03563768,0.0183483],"study_design_scores_gemma":[0.0004289677,0.0003322773,0.05143631,0.0007104806,0.0001663654,0.00003090757,0.2570628,0.0003156811,0.00009618634,0.003273884,0.6850945,0.001051676],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.815917,0.008882401,0.0004465995,0.1173773,0.007099419,0.0007176325,0.0001978299,0.0006428714,0.04871893],"genre_scores_gemma":[0.7298325,0.01464231,0.002347043,0.0008710774,0.004060668,0.0003803275,0.0008601198,0.000165447,0.2468406],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6494568,"threshold_uncertainty_score":0.9992545,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391154163","doi":"10.7202/1107848ar","title":"Voir dire : quand Solange te parle","year":2018,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Political science; Philosophy","authors":[{"name":"Jean Châteauvert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02617066253618709,"gpt":0.2479081833209241,"spread":0.221737520784737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007344277,0.001139654,0.001369754,0.0003474197,0.004749695,0.0008453227,0.0008309206,0.0006081922,0.004967418],"category_scores_gemma":[0.001078446,0.00109615,0.0007257571,0.0002098355,0.004917332,0.0007161493,0.000394589,0.000833766,0.000385776],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001250492,"about_ca_system_score_gemma":0.003510913,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4005038,"about_ca_topic_score_gemma":0.9580106,"domain_scores_codex":[0.9950454,0.0005803706,0.001449259,0.001188822,0.0005725311,0.001163646],"domain_scores_gemma":[0.9949653,0.0007649703,0.0009179484,0.001156418,0.001777586,0.000417827],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002062678,0.0006574207,0.00737868,0.001074118,0.0006574146,0.0002222597,0.3678674,0.00001474218,0.00004519556,0.5231438,0.07194142,0.02679137],"study_design_scores_gemma":[0.000556146,0.0007481482,0.0005918661,0.0009201523,0.0007929694,0.00003708536,0.03747539,0.0006467053,0.0002102282,0.0009057213,0.9558016,0.001313983],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.491532,0.103615,0.0004543572,0.03509968,0.00632982,0.0007627278,0.001315621,0.0005629865,0.3603278],"genre_scores_gemma":[0.5323824,0.004479089,0.0003011447,0.0007215063,0.01259813,0.00007312748,0.0002405285,0.0001825904,0.4490215],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8838602,"threshold_uncertainty_score":0.9991488,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674846","doi":"10.7202/1117054ar","title":"Le cinéma comme agent de l’exotisme chez Marcel Dugas","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Rafaël Chamberland","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02874981313176339,"gpt":0.2420542021626735,"spread":0.2133043890309101,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00164146,0.001349197,0.001404095,0.0002722154,0.004802248,0.0005258794,0.0009647701,0.0008250707,0.002694428],"category_scores_gemma":[0.00048312,0.001366386,0.0007877842,0.0001821567,0.003474628,0.001762001,0.0005512293,0.001484711,0.0003877615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001835955,"about_ca_system_score_gemma":0.003742143,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1238902,"about_ca_topic_score_gemma":0.6340557,"domain_scores_codex":[0.993458,0.001646546,0.001482657,0.0009162297,0.0005314158,0.001965159],"domain_scores_gemma":[0.9959293,0.0008728121,0.0008523316,0.00100461,0.00059912,0.0007418172],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001451267,0.0009619819,0.003632421,0.001014979,0.0002487984,0.0000910215,0.4006923,0.00001647418,0.0003255409,0.5440113,0.04148072,0.007379326],"study_design_scores_gemma":[0.0008140276,0.0005740224,0.002435467,0.0009473485,0.0003397163,0.0002656459,0.05777619,0.00006729336,0.0008062929,0.0008709623,0.9335908,0.001512278],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.622582,0.08743475,0.0005336194,0.05458117,0.00471569,0.001014119,0.0005281991,0.0006986292,0.2279118],"genre_scores_gemma":[0.6178761,0.003640127,0.0003781345,0.001889868,0.004991493,0.0001333032,0.0002325206,0.0002401963,0.3706183],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.89211,"threshold_uncertainty_score":0.9999259,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388642905","doi":"10.7202/1106688ar","title":"La rencontre comme mode de production des connaissances : un colloque de cinéma au Festival international Présence autochtone. Entretien avec André Dudemaine","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Isabelle St-Amand","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07621250054679608,"gpt":0.358825812079214,"spread":0.2826133115324179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004594304,0.0006402255,0.0007233538,0.0002887616,0.003203419,0.0001916796,0.0008775195,0.0007724305,0.0002180765],"category_scores_gemma":[0.008531816,0.0007138588,0.0002764575,0.0008349961,0.008618964,0.001004598,0.0001878197,0.0008950881,0.00002989595],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.004159588,"about_ca_system_score_gemma":0.01167655,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.09461477,"about_ca_topic_score_gemma":0.4682496,"domain_scores_codex":[0.992736,0.003651394,0.001004049,0.0009631361,0.0005466879,0.001098671],"domain_scores_gemma":[0.9929777,0.004390937,0.0007876006,0.0004311373,0.00105787,0.0003547431],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008461218,0.0003223828,0.08934598,0.000431873,0.0002169095,0.00004684623,0.7877951,0.0008238447,0.0002858632,0.09346444,0.009755868,0.01742629],"study_design_scores_gemma":[0.0008096563,0.000334442,0.0768047,0.001907414,0.0002061826,0.0002472533,0.374537,0.002308128,0.0004820644,0.009096142,0.5320648,0.001202217],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8369559,0.004563798,0.001378045,0.1381209,0.004858403,0.0006781718,0.0001565912,0.0005031968,0.01278498],"genre_scores_gemma":[0.8808567,0.008105376,0.003398734,0.000330637,0.004706993,0.0003155285,0.0003004273,0.00009012852,0.1018955],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5223089,"threshold_uncertainty_score":0.9998198,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388642909","doi":"10.7202/1106687ar","title":"Encountering the “Other”: The Search for Indigenous Identity in Québécois Cinema","year":2023,"lang":"en","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Queen's University","funders":"","keywords":"Indigenous; Movie theater; Identity (music); Sociology; Situated; Gender studies; Media studies; Anthropology; Ethnology; Aesthetics; Visual arts; Art; Ecology","authors":[{"name":"Karine Bertrand","is_ca":true},{"name":"Scott MacKenzie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03332268729977,"gpt":0.2602587843304974,"spread":0.2269360970307274,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001217267,0.0003894237,0.0004566357,0.0001830695,0.003401157,0.0006857748,0.000908368,0.0001505555,0.0003206953],"category_scores_gemma":[0.0002963116,0.0002563648,0.00028278,0.0002488763,0.001033066,0.0009212442,0.0002741879,0.0005424665,0.00006396895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006400579,"about_ca_system_score_gemma":0.001055608,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6683918,"about_ca_topic_score_gemma":0.9974408,"domain_scores_codex":[0.9976155,0.0003219113,0.0006588463,0.0004546487,0.0003499405,0.0005992263],"domain_scores_gemma":[0.9979205,0.0008909527,0.0002337129,0.0005335145,0.0003574833,0.00006379691],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007337629,0.00007583653,0.003508143,0.0004423725,0.00006299614,0.00002509535,0.8887992,0.00007025181,0.0002366673,0.1005825,0.002269716,0.0038539],"study_design_scores_gemma":[0.0003121722,0.0001599104,0.005454296,0.0002331188,0.00004284365,0.00001536835,0.2138165,0.0001639067,0.0001394237,0.0005110607,0.7787582,0.0003931472],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9790931,0.002274695,0.00005926664,0.01013334,0.0008346103,0.001028959,0.0001544924,0.0003145402,0.006107008],"genre_scores_gemma":[0.9025151,0.000867108,0.00002910702,0.0005462298,0.001234623,0.0003835764,0.00007265864,0.00008610094,0.09426557],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7764885,"threshold_uncertainty_score":0.9999889,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674847","doi":"10.7202/1117087ar","title":"Coming of Age in Quebec: Reviving the Nation’s “Cinéma orphelin”","year":2011,"lang":"en","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Political science; Art","authors":[{"name":"Morgan Charles","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03730151075323281,"gpt":0.2076569218577727,"spread":0.1703554111045399,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000457464,0.0004466304,0.0007066421,0.0001359491,0.001362099,0.00009156086,0.000552851,0.0001480214,0.001173523],"category_scores_gemma":[0.0006028065,0.000309101,0.0002494341,0.0001455071,0.001380506,0.0005201307,0.000189313,0.0004643205,0.00002664254],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008738634,"about_ca_system_score_gemma":0.0005051885,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5716501,"about_ca_topic_score_gemma":0.9905582,"domain_scores_codex":[0.997559,0.000325257,0.0009804283,0.0004375536,0.0002980325,0.0003997161],"domain_scores_gemma":[0.9979685,0.0005316345,0.0005434437,0.000397398,0.0004873534,0.00007165148],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007363977,0.0002120374,0.004447259,0.0004310568,0.00008390586,0.00004077273,0.7970362,0.000007046495,0.0001494157,0.1738748,0.009138699,0.01450522],"study_design_scores_gemma":[0.0003252896,0.0002038793,0.00461993,0.0005622393,0.00006927722,0.00000779414,0.05043389,0.00002889285,0.0002184024,0.0004405016,0.9425724,0.0005175296],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8209682,0.03107644,0.00009105617,0.007559764,0.00143712,0.0008089553,0.00005932577,0.0003023219,0.1376969],"genre_scores_gemma":[0.8086039,0.001169901,0.0002587095,0.000250264,0.0005456418,0.0001173969,0.00002906096,0.00004963195,0.1889755],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9334337,"threshold_uncertainty_score":0.999938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674790","doi":"10.7202/1116817ar","title":"Au-delà de l’immersion, la présence réelle. Le musée de cire à l’ère du cinéma","year":2013,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Olivier Asselin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01387230700585614,"gpt":0.2131662418210642,"spread":0.1992939348152081,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009611915,0.001212984,0.001246904,0.0002693442,0.005577179,0.001225896,0.001136497,0.0009803892,0.004146377],"category_scores_gemma":[0.000702838,0.00123646,0.0007256896,0.0002098306,0.003845356,0.002583924,0.0005451757,0.001476546,0.000492205],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002748424,"about_ca_system_score_gemma":0.006131789,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7016098,"about_ca_topic_score_gemma":0.869273,"domain_scores_codex":[0.9940513,0.001266927,0.001421219,0.001150073,0.0005269408,0.001583538],"domain_scores_gemma":[0.9954759,0.001072365,0.0008235119,0.0009096384,0.001133064,0.0005854664],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001000327,0.0006409268,0.007154055,0.001961173,0.0002357991,0.0003136393,0.5669883,0.00006910316,0.0009655951,0.3166567,0.09585757,0.009057048],"study_design_scores_gemma":[0.0006911718,0.0003779244,0.004307616,0.001282135,0.000226293,0.0003607773,0.158295,0.000473195,0.0003902923,0.0008762929,0.8313959,0.001323408],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8128001,0.02355638,0.0003036029,0.06616245,0.002063538,0.0009541495,0.0002335378,0.0004573686,0.09346883],"genre_scores_gemma":[0.5855705,0.00938138,0.0005799952,0.0009057613,0.00266448,0.0002073196,0.0001456519,0.0001855544,0.4003594],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7355383,"threshold_uncertainty_score":0.9998109,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674800","doi":"10.7202/1116825ar","title":"Du bon usage de la légèreté : Vincent Bouchard, Pour un cinéma léger et synchrone ! Invention d’un dispositif à l’Office national du film à Montréal, préface de Michel Marie, Villeneuve d’Ascq, Presses Universitaires du Septentrion, 2012, 284 p.","year":2013,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Thomas Carrier-Lafleur","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01697959620931903,"gpt":0.2206654125634085,"spread":0.2036858163540894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001115512,0.001209745,0.00100256,0.0002973888,0.002033677,0.002059548,0.001267854,0.0008877292,0.0007384591],"category_scores_gemma":[0.001905056,0.001146976,0.0005680691,0.0005645314,0.001264418,0.007420235,0.001125257,0.0009886563,0.0001216973],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004868819,"about_ca_system_score_gemma":0.005453169,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2022381,"about_ca_topic_score_gemma":0.198031,"domain_scores_codex":[0.9934028,0.001865397,0.001218825,0.001340467,0.0009028756,0.001269685],"domain_scores_gemma":[0.9930433,0.002335783,0.001080774,0.0007874886,0.002016005,0.0007366268],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006735075,0.003777192,0.01473258,0.001724545,0.001088594,0.001427254,0.1724198,0.009591047,0.007398281,0.18074,0.5450829,0.06134432],"study_design_scores_gemma":[0.00169737,0.0006741665,0.03858626,0.001322003,0.0002935389,0.001136479,0.004491105,0.02704979,0.002700312,0.001579352,0.9187366,0.001733024],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7678648,0.06316675,0.0330191,0.1174184,0.001210956,0.00151132,0.0003593097,0.0006446308,0.01480483],"genre_scores_gemma":[0.8966293,0.01899977,0.004333662,0.002370322,0.0009347666,0.0001404242,0.0004463057,0.0001645462,0.07598095],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3736537,"threshold_uncertainty_score":0.9992656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674806","doi":"10.7202/1116821ar","title":"Cinémas britanniques, films américains et versions françaises : doublage et identités canadiennes-françaises au vingtième siècle","year":2013,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Louis Pelletier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01762360334655613,"gpt":0.2119054862226093,"spread":0.1942818828760532,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0006785502,0.001641432,0.001815171,0.0003529862,0.009241801,0.0008977616,0.001174496,0.0007392158,0.005874828],"category_scores_gemma":[0.001278668,0.001511647,0.0009400471,0.0003988344,0.005123756,0.00273657,0.0006641637,0.001533195,0.0003958503],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003392716,"about_ca_system_score_gemma":0.003618029,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9337436,"about_ca_topic_score_gemma":0.9915262,"domain_scores_codex":[0.9931788,0.0009686815,0.001794449,0.001511211,0.0007802068,0.001766662],"domain_scores_gemma":[0.9940925,0.001584355,0.000946324,0.0009795041,0.001636436,0.0007609061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001010052,0.0008687958,0.004410981,0.001394448,0.0005163418,0.0002278287,0.4161633,0.00007066136,0.0002792548,0.2415536,0.3257327,0.008681029],"study_design_scores_gemma":[0.0007721467,0.0008412472,0.00911889,0.001327322,0.0003501889,0.00007283279,0.04799435,0.00009824506,0.0001141104,0.0003191406,0.93717,0.001821485],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5958305,0.1079434,0.000137188,0.07043774,0.004833883,0.001646617,0.001195513,0.0009241934,0.217051],"genre_scores_gemma":[0.5634033,0.01077648,0.0004625464,0.001560049,0.001376035,0.000423009,0.0003251903,0.000216458,0.4214569],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6114373,"threshold_uncertainty_score":0.9996333,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391154449","doi":"10.7202/1107853ar","title":"Le doublage cinématographique au Québec : quand la culture de la société d’accueil s’exprime dans des oeuvres étrangères","year":2018,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Hubert Sabino-Brunette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04530375102130258,"gpt":0.2743281176452139,"spread":0.2290243666239113,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001203773,0.001502177,0.001379734,0.0003419166,0.004424945,0.002547006,0.001937456,0.001396329,0.0001169444],"category_scores_gemma":[0.001366027,0.001313292,0.0008666747,0.0009397832,0.009371501,0.004894724,0.000833568,0.001347672,0.00005336996],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002879066,"about_ca_system_score_gemma":0.02135924,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.793028,"about_ca_topic_score_gemma":0.9798747,"domain_scores_codex":[0.9927664,0.001937064,0.001422574,0.001571556,0.0006446134,0.001657817],"domain_scores_gemma":[0.9936137,0.002030604,0.0008797366,0.00136038,0.001264973,0.000850588],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002158152,0.000845057,0.009613212,0.0008805173,0.0003173772,0.00046422,0.6043944,0.00004745617,0.004531726,0.3347228,0.02446917,0.0194982],"study_design_scores_gemma":[0.00128591,0.00119164,0.01231611,0.001602474,0.0001838753,0.001316102,0.02521086,0.0004074668,0.0107428,0.004292039,0.9394971,0.001953687],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6813443,0.02549463,0.009394688,0.01176617,0.001135207,0.0006614188,0.0001558545,0.0007971106,0.2692506],"genre_scores_gemma":[0.8415458,0.002911835,0.0046206,0.0009446124,0.002016669,0.0001012871,0.00006587885,0.0001881935,0.1476051],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9150279,"threshold_uncertainty_score":0.9999,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674794","doi":"10.7202/1116950ar","title":"Québec-France, tours, détours, aller-retours dans les deux sens","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Michel Marié","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01241024773816977,"gpt":0.2266823923932224,"spread":0.2142721446550527,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001730605,0.00127561,0.001557141,0.0008061768,0.008085145,0.0006702782,0.001520527,0.001521406,0.00265801],"category_scores_gemma":[0.001404865,0.001651675,0.0009064516,0.0009695399,0.008872759,0.002246079,0.0003546973,0.001718558,0.0004088512],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.01475145,"about_ca_system_score_gemma":0.02416409,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.990708,"about_ca_topic_score_gemma":0.999791,"domain_scores_codex":[0.9916704,0.001898585,0.001594133,0.001316949,0.001099112,0.002420847],"domain_scores_gemma":[0.9941009,0.001234845,0.001225033,0.001266458,0.0008287079,0.00134408],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009605419,0.0006547259,0.05214229,0.0007653824,0.0003259996,0.0001685071,0.6237224,0.00007864855,0.0001780392,0.0409967,0.2248171,0.05605416],"study_design_scores_gemma":[0.0005382705,0.0002418383,0.01107804,0.0007385936,0.000412512,0.0001237029,0.05044294,0.00003740612,0.00006453654,0.00006363322,0.9345574,0.001701128],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6371676,0.1816192,0.0005002883,0.07974864,0.007986691,0.001026176,0.0006756245,0.0006634757,0.09061224],"genre_scores_gemma":[0.2026975,0.01838881,0.001169539,0.001156325,0.00705626,0.0001519498,0.0001836414,0.0003198586,0.7688761],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7097403,"threshold_uncertainty_score":0.9999996,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674797","doi":"10.7202/1116822ar","title":"Le plaisir visuel de Valérie","year":2013,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Julie Beaulieu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009830545884046655,"gpt":0.2017525624448933,"spread":0.1919220165608467,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006077649,0.001212723,0.001219828,0.000329219,0.003615464,0.001277464,0.0009353437,0.0009581923,0.004509402],"category_scores_gemma":[0.0005561509,0.001243101,0.0006361947,0.0002049956,0.00296339,0.002083615,0.0003149593,0.00154705,0.0004712858],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001396397,"about_ca_system_score_gemma":0.007176612,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4593203,"about_ca_topic_score_gemma":0.7730795,"domain_scores_codex":[0.9947568,0.0008858962,0.001427659,0.001064514,0.0004624509,0.00140264],"domain_scores_gemma":[0.9954908,0.001163615,0.0007293745,0.001037862,0.001083106,0.0004952704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006629819,0.0004762333,0.00213817,0.00142509,0.0002261711,0.0001212503,0.2761414,0.00002713335,0.0001841099,0.5513995,0.1502736,0.01752106],"study_design_scores_gemma":[0.0006559813,0.0005902193,0.001327701,0.001238519,0.0001789401,0.000154523,0.02020434,0.0002435011,0.0003774413,0.001964229,0.9716776,0.001386997],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3883443,0.1344881,0.0004771691,0.05729236,0.004601247,0.001180351,0.0005875052,0.0006914118,0.4123375],"genre_scores_gemma":[0.4195106,0.003503863,0.0009475118,0.001780961,0.004255017,0.0002526456,0.0002963139,0.0002302196,0.5692229],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.821404,"threshold_uncertainty_score":0.9997593,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674817","doi":"10.7202/1116955ar","title":"Godard/Groulx : quel partage de cinéma ? Le Chat dans le sac comme film-charnière","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Alain Bergala","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02511418092116635,"gpt":0.2168301096478272,"spread":0.1917159287266609,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0008932423,0.001465108,0.00168376,0.000176064,0.007487032,0.0003892731,0.0009444083,0.0006561826,0.001437713],"category_scores_gemma":[0.0005755987,0.001371057,0.0008421256,0.0002246411,0.004026383,0.001568303,0.0005200436,0.001428967,0.0001898061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00332945,"about_ca_system_score_gemma":0.002455905,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4731739,"about_ca_topic_score_gemma":0.8486389,"domain_scores_codex":[0.9937961,0.00111313,0.001501399,0.00102363,0.0005815331,0.001984241],"domain_scores_gemma":[0.9959871,0.0008498892,0.0008928431,0.0008863243,0.0007026946,0.0006812143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001130962,0.0009390641,0.006833343,0.001249622,0.0003496557,0.00007289326,0.4481568,0.00002804605,0.0002301723,0.4211427,0.1098878,0.01099683],"study_design_scores_gemma":[0.0007433004,0.0004541317,0.003726849,0.0007302666,0.0002853066,0.0001079719,0.08204036,0.00008519054,0.000376711,0.0004646041,0.9094095,0.001575826],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.3065343,0.4073902,0.0006388125,0.08159845,0.0056229,0.001121728,0.0009633902,0.0008658709,0.1952643],"genre_scores_gemma":[0.4827958,0.0092514,0.0003257302,0.0007533857,0.00365945,0.0002557098,0.0002331334,0.0001786621,0.5025467],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7995217,"threshold_uncertainty_score":0.9998099,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945550","doi":"10.7202/1115184ar","title":"La pédagogie holistique par le cinéma en classe","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Philosophy, Sociology, Political Theory","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Julie Talbot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03411792444367968,"gpt":0.3068497471056479,"spread":0.2727318226619682,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.004811351,0.001324738,0.001763718,0.000447728,0.003490633,0.0002582642,0.001868202,0.002603898,0.0003778688],"category_scores_gemma":[0.009404,0.001473914,0.000862036,0.001238645,0.01325784,0.001195981,0.0008715717,0.002580022,0.0006956484],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.003989325,"about_ca_system_score_gemma":0.01312907,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1716272,"about_ca_topic_score_gemma":0.477193,"domain_scores_codex":[0.9840844,0.009556516,0.00167435,0.001644127,0.0007988049,0.002241749],"domain_scores_gemma":[0.9853436,0.01098774,0.0008009881,0.001269669,0.0007610301,0.0008369858],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001153966,0.0003952623,0.00314583,0.0008036342,0.0002373711,0.000448255,0.264246,0.00006169677,0.0003230901,0.7005475,0.0150104,0.01466562],"study_design_scores_gemma":[0.0007163562,0.0004060803,0.00801772,0.0007168611,0.0002062881,0.00007994664,0.06748404,0.0001469913,0.0003138046,0.0394979,0.8808647,0.001549262],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6700803,0.01349979,0.0002628746,0.1711047,0.003377977,0.0008796465,0.000423463,0.001522596,0.1388486],"genre_scores_gemma":[0.794639,0.01083469,0.0005979403,0.001459815,0.004157345,0.0002947075,0.0001883293,0.0002914443,0.1875367],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8658544,"threshold_uncertainty_score":0.9999504,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945571","doi":"10.7202/1115174ar","title":"Le parcours du combattant : l’éducation cinématographique des jeunes à l’Association des cinémas parallèles du Québec","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07173959023741339,"gpt":0.3281158168624325,"spread":0.2563762266250191,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.007020763,0.001014826,0.001191252,0.0005828272,0.008326883,0.0003522964,0.001025648,0.001164572,0.0002759137],"category_scores_gemma":[0.009479701,0.001156103,0.0006418389,0.001844329,0.008541383,0.001751198,0.0002161054,0.0009830329,0.0001340589],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.005878784,"about_ca_system_score_gemma":0.02319437,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.641221,"about_ca_topic_score_gemma":0.9561205,"domain_scores_codex":[0.989849,0.004819029,0.001674424,0.001237455,0.0008173075,0.001602779],"domain_scores_gemma":[0.9868339,0.008183599,0.001591578,0.0006657118,0.002240755,0.0004844105],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000033694,0.0004743071,0.3454042,0.0006369486,0.0002765242,0.00001101367,0.4123185,0.0001475118,0.00007669898,0.2037046,0.03110602,0.005810067],"study_design_scores_gemma":[0.0005419098,0.0002477561,0.09069963,0.0009275893,0.0002134508,0.00003419866,0.3094404,0.0001745861,0.00008511952,0.004882806,0.5917034,0.001049181],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7821717,0.01387567,0.0004687209,0.1850766,0.003308076,0.0008252166,0.0001144992,0.0008484091,0.01331112],"genre_scores_gemma":[0.8899654,0.03780168,0.001572543,0.0006683027,0.005202777,0.0005710014,0.0004915553,0.0002068538,0.06351985],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5605973,"threshold_uncertainty_score":0.9990889,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945592","doi":"10.7202/1115175ar","title":"1944-1963 en France : le messianisme étonnant d’enseignants cinéphiles","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Political science","authors":[{"name":"Francis Desbarats","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01584616536077102,"gpt":0.2120484043108944,"spread":0.1962022389501233,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0008582805,0.001386821,0.002022204,0.0003328307,0.01608416,0.0004723072,0.001058452,0.0008097837,0.00108579],"category_scores_gemma":[0.0007474828,0.001229809,0.001190137,0.0006294985,0.003146747,0.0009805935,0.0006058108,0.001262334,0.0004600469],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005405199,"about_ca_system_score_gemma":0.002073654,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2801419,"about_ca_topic_score_gemma":0.7685235,"domain_scores_codex":[0.9933559,0.001030609,0.001778353,0.0014648,0.0007993917,0.001570912],"domain_scores_gemma":[0.9955541,0.001265991,0.0009286349,0.0008766029,0.0009360438,0.0004385523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008046648,0.0004216009,0.001552551,0.001378609,0.000683187,0.0004053073,0.7103097,0.0001167222,0.0001409753,0.1813407,0.07404785,0.02952239],"study_design_scores_gemma":[0.0005780692,0.0003817106,0.001547594,0.0009747191,0.0004022549,0.00003049223,0.08075685,0.0003468189,0.00006944705,0.0009103363,0.9125211,0.00148061],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6071921,0.0715206,0.000135276,0.3019305,0.00335775,0.000693281,0.0005917047,0.0009214779,0.0136573],"genre_scores_gemma":[0.2759173,0.04285296,0.0001830288,0.0005758895,0.003139502,0.0002180802,0.0002467921,0.0002094342,0.676657],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8384733,"threshold_uncertainty_score":0.9998882,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945616","doi":"10.7202/1115180ar","title":"Using Films in the University Classroom","year":2023,"lang":"en","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Film in Education and Therapy","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Materials science; Mathematics education; Psychology","authors":[{"name":"David Pariser","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05659925821482457,"gpt":0.3367290983715802,"spread":0.2801298401567556,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001312042,0.0003516901,0.000452796,0.0003374711,0.002754353,0.00002913133,0.0006794546,0.0004089361,0.0005985187],"category_scores_gemma":[0.0006198004,0.0002998055,0.0001562612,0.0009101395,0.0004382014,0.0003396698,0.000172839,0.00111604,0.0001691398],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001443691,"about_ca_system_score_gemma":0.004782127,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.07057575,"about_ca_topic_score_gemma":0.5762822,"domain_scores_codex":[0.9959535,0.001980347,0.0006552567,0.0004819893,0.0002849752,0.0006439417],"domain_scores_gemma":[0.9965403,0.00201391,0.0003931393,0.0006508518,0.0002952886,0.0001065062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002077854,0.0002235513,0.1511149,0.0005765634,0.00005590526,0.0001048538,0.7457952,0.0002077499,0.000495906,0.04548841,0.05144475,0.004284423],"study_design_scores_gemma":[0.0005797066,0.00008245795,0.04010082,0.0003585753,0.00002529889,0.00001035688,0.2048838,0.0008208129,0.00002251078,0.0001925401,0.7525747,0.0003483764],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9487619,0.000625974,0.0002405927,0.01721827,0.001231389,0.0007969699,0.00005330313,0.0004090416,0.03066257],"genre_scores_gemma":[0.8940387,0.001307102,0.001115931,0.001708818,0.0005149705,0.00007170371,0.0001563635,0.00009349101,0.1009929],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.70113,"threshold_uncertainty_score":0.9999454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945625","doi":"10.7202/1115176ar","title":"L’éducation cinématographique au Québec, un récit de 25 ans de pratique : de l’ONF au milieu carcéral","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Political science; Art","authors":[{"name":"Daniel Racine","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05691568783624782,"gpt":0.3394134117237635,"spread":0.2824977238875157,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.007016744,0.0009780048,0.001031845,0.000568052,0.005489782,0.0001983515,0.001168331,0.00153555,0.0002623764],"category_scores_gemma":[0.006484163,0.001155353,0.0006029081,0.001619735,0.005343236,0.0009832643,0.0001878977,0.001581024,0.00006734241],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.01504233,"about_ca_system_score_gemma":0.09459094,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8660431,"about_ca_topic_score_gemma":0.9839832,"domain_scores_codex":[0.9892946,0.005354338,0.001452147,0.001223379,0.0005821179,0.002093376],"domain_scores_gemma":[0.9904821,0.005966061,0.001001886,0.0008079972,0.001032112,0.0007098804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003109888,0.000317698,0.1972861,0.0006273111,0.000191474,0.00002394588,0.6308233,0.0001702299,0.0002486987,0.1554514,0.008171569,0.006657162],"study_design_scores_gemma":[0.000504658,0.0003241207,0.1008047,0.0008035779,0.0002739827,0.0001039946,0.4120752,0.0004505533,0.0003491122,0.004075115,0.4789647,0.001270311],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8032309,0.006814707,0.001542643,0.1680479,0.002701337,0.000799174,0.0001313258,0.0006541342,0.01607782],"genre_scores_gemma":[0.8926479,0.0122956,0.004769958,0.001653338,0.006865593,0.0007331166,0.0004107216,0.000217002,0.08040675],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4707932,"threshold_uncertainty_score":0.9997607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945535","doi":"10.7202/1115179ar","title":"Le cinéma, cent ans de jeunesse : constitution d’une pensée didactique du cinéma entre 1994 et 2021 dans le contexte de la scolarisation du cinéma en France","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Political Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Élise Tamisier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008944019842203079,"gpt":0.2433636985606886,"spread":0.2344196787184855,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.003005716,0.001079525,0.001459304,0.0002560258,0.006038735,0.0003093453,0.0008895344,0.001282766,0.0002745976],"category_scores_gemma":[0.004124269,0.001176838,0.0006097945,0.001345112,0.006894962,0.00139432,0.00042063,0.001512534,0.0001520699],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.004438166,"about_ca_system_score_gemma":0.01255193,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5525854,"about_ca_topic_score_gemma":0.8029476,"domain_scores_codex":[0.9896581,0.005029178,0.001469748,0.001294487,0.0008052277,0.001743239],"domain_scores_gemma":[0.9922847,0.004896516,0.0007878616,0.0006508209,0.0006736197,0.0007064995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001373265,0.0006376003,0.03713094,0.000593031,0.0001892015,0.0003300491,0.4338867,0.0003481565,0.0009299642,0.5096067,0.01029495,0.005915446],"study_design_scores_gemma":[0.001052953,0.0002755262,0.02733884,0.0008464974,0.0002027891,0.00009123945,0.08859845,0.0005222382,0.0006109037,0.001532346,0.8777577,0.001170474],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6897241,0.01293112,0.006673717,0.1944512,0.002396022,0.001212246,0.0004040695,0.0006713988,0.09153608],"genre_scores_gemma":[0.8815268,0.01956311,0.0004630589,0.0009782059,0.001888756,0.0002981967,0.0002008385,0.000126634,0.09495445],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8674628,"threshold_uncertainty_score":0.9993836,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4405386855","doi":"10.7202/1115173ar","title":"Les ciné-clubs : lieux d’incubation de l’éducation cinématographique en France (1945-1968)","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Sociology","authors":[{"name":"Roxane Haméry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02841783886162859,"gpt":0.2460768431311869,"spread":0.2176590042695583,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009370832,0.001192037,0.001229811,0.0004624688,0.005719505,0.0004067381,0.0008042642,0.0008295389,0.001237343],"category_scores_gemma":[0.001129434,0.001144471,0.0006667331,0.0006796957,0.002219783,0.001015258,0.0003091608,0.001240276,0.0002595103],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00382349,"about_ca_system_score_gemma":0.001852553,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2538059,"about_ca_topic_score_gemma":0.7638707,"domain_scores_codex":[0.9944344,0.001021449,0.001489962,0.001187325,0.0006200731,0.001246816],"domain_scores_gemma":[0.9955869,0.001344991,0.0008764422,0.0007180828,0.001139505,0.0003341173],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009685153,0.0004693168,0.009588255,0.002209932,0.0003466294,0.00008484193,0.5220659,0.0001491388,0.0002203093,0.2535968,0.1582369,0.0529351],"study_design_scores_gemma":[0.000474077,0.0005226969,0.0110169,0.001021113,0.0002530447,0.00004574771,0.03403386,0.000290618,0.0001598617,0.001678616,0.9492105,0.00129297],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.696976,0.1488224,0.0004840952,0.07425913,0.006813474,0.001240544,0.0004631927,0.001616892,0.06932426],"genre_scores_gemma":[0.3714767,0.03126892,0.000305089,0.000452166,0.003997151,0.0004894439,0.0004163433,0.0001845493,0.5914096],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7909735,"threshold_uncertainty_score":0.9998293,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391136038","doi":"10.7202/1107868ar","title":"Les enjeux d’une lecture philosophique de l’oeuvre de Pierre Perrault : Olivier Ducharme et Pierre-Alexandre Fradet, Une vie sans bon sens. Regard philosophique sur Pierre Perrault, Montréal, éd. Nota Bene, coll. Philosophie continentale, 2016, 210 p.","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"Université Laval","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Charles Bolduc","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03088035169109054,"gpt":0.2630587429887414,"spread":0.2321783912976509,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.002509441,0.003303858,0.00449978,0.001157695,0.004597107,0.0003576562,0.001690247,0.003013373,0.001045955],"category_scores_gemma":[0.005973866,0.002981413,0.001803911,0.002788421,0.004363194,0.001068852,0.0009880445,0.004822666,0.0002653027],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.007736152,"about_ca_system_score_gemma":0.008556531,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1611471,"about_ca_topic_score_gemma":0.4831874,"domain_scores_codex":[0.9852482,0.002342261,0.003390687,0.003533301,0.001916087,0.003569461],"domain_scores_gemma":[0.9886296,0.002861634,0.001835496,0.002542729,0.002425823,0.001704768],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002147079,0.003231969,0.02256274,0.006982545,0.002469106,0.00562619,0.2482462,0.001089511,0.007280812,0.01219598,0.654174,0.03399382],"study_design_scores_gemma":[0.004294109,0.001710655,0.02106646,0.006582199,0.001592806,0.001131656,0.01119301,0.001391083,0.0007587689,0.002660519,0.9441232,0.003495515],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2608774,0.2658873,0.0004359422,0.4285157,0.006756371,0.003277484,0.002083263,0.00162832,0.03053814],"genre_scores_gemma":[0.5763883,0.1496916,0.001049815,0.004931198,0.009035954,0.0008459977,0.001367675,0.0008091433,0.2558803],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4235846,"threshold_uncertainty_score":0.9998672,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379514333","doi":"10.7202/1090090ar","title":"Enquête sur les films retrouvés de l’entourage d’Ernest Cormier. Relations intermédiatiques entre cinéma, photographie et beaux-arts","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Studio; Art; Humanities; The arts; Visual arts","authors":[{"name":"Sébastien Hudon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02096208670682321,"gpt":0.2139863066470351,"spread":0.1930242199402119,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0005658509,0.001625177,0.001801204,0.0002788603,0.004569178,0.0006720025,0.001023407,0.0008558503,0.004669643],"category_scores_gemma":[0.001730185,0.001526738,0.001083087,0.0004661363,0.003283129,0.001549273,0.0005392335,0.00203211,0.0001380247],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00203156,"about_ca_system_score_gemma":0.001958257,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2160246,"about_ca_topic_score_gemma":0.8165221,"domain_scores_codex":[0.9933805,0.001031514,0.001989418,0.001494798,0.0007308591,0.001372863],"domain_scores_gemma":[0.9946367,0.001343399,0.001281972,0.0007191764,0.001314457,0.0007043147],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003291114,0.0007679776,0.01480609,0.001937469,0.0007058334,0.0003719157,0.5478523,0.0001070857,0.00041832,0.1564325,0.2622905,0.0139808],"study_design_scores_gemma":[0.0008119099,0.001144889,0.003771319,0.001360996,0.0004867278,0.00006540019,0.04048221,0.0003869061,0.0002767351,0.0002491704,0.9492813,0.001682409],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5190011,0.258065,0.000560761,0.1260373,0.003151059,0.001775394,0.001740164,0.001398835,0.08827031],"genre_scores_gemma":[0.6215063,0.03257318,0.0007708362,0.002898899,0.00260012,0.0003749004,0.0006673972,0.0002837616,0.3383245],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6869908,"threshold_uncertainty_score":0.9996496,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945723","doi":"10.7202/1115168ar","title":"L’éducation à l’image de deux côtés de l’Atlantique : d’un regard, l’autre","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Perrine Boutin","is_ca":false},{"name":"Caroline Martin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06563301688534882,"gpt":0.3512350612415907,"spread":0.2856020443562419,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.006001357,0.0007305919,0.0008012695,0.0003455997,0.003738283,0.0002353746,0.0009455928,0.001150138,0.0005097747],"category_scores_gemma":[0.006674624,0.00085677,0.0004251073,0.001120641,0.004013509,0.0009781789,0.0001771067,0.001145817,0.0001793663],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.004211984,"about_ca_system_score_gemma":0.017405,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1423383,"about_ca_topic_score_gemma":0.5089226,"domain_scores_codex":[0.9920732,0.003884913,0.001104445,0.001009132,0.0004932858,0.001435005],"domain_scores_gemma":[0.9919493,0.005151521,0.0008047649,0.0006760028,0.0009839057,0.0004345171],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003189643,0.0003295952,0.04002529,0.0006932448,0.0001690719,0.00004482025,0.7099573,0.00008177952,0.0003934631,0.1944426,0.04110942,0.01272153],"study_design_scores_gemma":[0.0003632799,0.0001724515,0.02231641,0.0006408819,0.0001705285,0.00008014998,0.2952778,0.000361823,0.0002920347,0.004063624,0.6753803,0.0008806517],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7573979,0.006160364,0.0009365523,0.1984923,0.00339124,0.0005689758,0.0001065848,0.0006954456,0.0322506],"genre_scores_gemma":[0.7556754,0.02299114,0.007343369,0.001053023,0.006473911,0.0003852136,0.0005485372,0.0001881838,0.2053412],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6342709,"threshold_uncertainty_score":0.9996107,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379534065","doi":"10.7202/1090098ar","title":"Art du temps et sérendipité. Compte-rendu de lecture de Robert Daudelin, Jacques Leduc. Trois pommes à côté du cinéma (Montréal : Les Herbes rouges, 2020)","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Cégep de Saint-Laurent","funders":"","keywords":"Art; Humanities","authors":[{"name":"Pierre-Alexandre Fradet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03626087357198059,"gpt":0.2429165952056595,"spread":0.2066557216336789,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0009623812,0.002170443,0.002245744,0.0002706655,0.002394732,0.002792141,0.002355688,0.001262075,0.0005764056],"category_scores_gemma":[0.002405774,0.001938787,0.001046734,0.0009980962,0.001662892,0.004804519,0.001380196,0.002044026,0.0001301755],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002436524,"about_ca_system_score_gemma":0.006232291,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2946139,"about_ca_topic_score_gemma":0.7763079,"domain_scores_codex":[0.9907044,0.001815328,0.002173875,0.00224062,0.0009453349,0.002120467],"domain_scores_gemma":[0.9930353,0.001617513,0.001262064,0.001374994,0.001238215,0.001471882],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000600452,0.001214764,0.01201116,0.001625582,0.0006805764,0.002283055,0.3735309,0.004303431,0.002417931,0.09347701,0.4414128,0.06644229],"study_design_scores_gemma":[0.001256477,0.001594097,0.003965497,0.001348391,0.0002976998,0.002035838,0.006269242,0.009357679,0.002078968,0.0007573297,0.9686962,0.002342625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.3617344,0.1773562,0.03657857,0.3785027,0.002411322,0.001467853,0.0006314291,0.00183147,0.03948602],"genre_scores_gemma":[0.8397651,0.03154499,0.01375706,0.01484448,0.005309402,0.0001873622,0.0008002135,0.0004505283,0.09334081],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5272833,"threshold_uncertainty_score":0.9994015,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379514315","doi":"10.7202/1090095ar","title":"When the Eyes of the World Were on La Côte-Nord: The Adventures of a Paramount Newsreel Cameraman in Québec","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Adventure; Crew; Aviation; Crash; History; Art history; Engineering; Archaeology","authors":[{"name":"Ray Fernstrom","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01608130063360594,"gpt":0.2181420001042309,"spread":0.202060699470625,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0005834451,0.0007276051,0.001245389,0.00008999685,0.004484433,0.0001510443,0.001327589,0.0002650167,0.0005697792],"category_scores_gemma":[0.0008189352,0.0003824205,0.0009759815,0.0003554256,0.004750145,0.0002382384,0.0004584244,0.001283663,0.00001109301],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002578572,"about_ca_system_score_gemma":0.001423595,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7216378,"about_ca_topic_score_gemma":0.9923735,"domain_scores_codex":[0.9952931,0.001520895,0.001429008,0.0006051637,0.0006061471,0.0005457198],"domain_scores_gemma":[0.9951496,0.002393152,0.001141579,0.0007320832,0.0004564431,0.0001271973],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002236958,0.000323062,0.006440515,0.0006666663,0.0004142034,0.00001598036,0.776082,0.0003981353,0.00002841496,0.1594514,0.04704288,0.008912978],"study_design_scores_gemma":[0.0003374369,0.0003531711,0.002652374,0.0006414317,0.0003698602,0.000003330059,0.0799896,0.0001305286,0.00006178722,0.0004139169,0.914608,0.0004385555],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.531449,0.03982568,0.000007006456,0.4191248,0.0004908121,0.0005653232,0.0001540794,0.00004558534,0.008337717],"genre_scores_gemma":[0.8198422,0.005794759,0.00003600345,0.001836509,0.001037328,0.0001131332,0.00001711036,0.00007063826,0.1712524],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8675651,"threshold_uncertainty_score":0.9998628,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379538166","doi":"10.7202/1090096ar","title":"En un nouveau film archaïque. Les signes de la pratique de Simon Beaulieu dans Miron : un homme revenu d'en dehors du monde","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Chun-Yi Kuo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03085657918806044,"gpt":0.242158601966881,"spread":0.2113020227788206,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001377836,0.001588582,0.001505297,0.0002262504,0.002427741,0.001044887,0.00219528,0.001420427,0.0001409827],"category_scores_gemma":[0.003296716,0.001486658,0.0006883902,0.0008125423,0.001760072,0.003304242,0.001564118,0.001933787,0.00003946725],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003142098,"about_ca_system_score_gemma":0.007325354,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1531354,"about_ca_topic_score_gemma":0.3068677,"domain_scores_codex":[0.9905491,0.003757444,0.001614064,0.001741669,0.0006956646,0.001642035],"domain_scores_gemma":[0.9924143,0.003627006,0.001004885,0.001132964,0.0006437335,0.001177094],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003081183,0.0009619654,0.01176586,0.001524319,0.0003445306,0.002213127,0.8000542,0.003098488,0.006788602,0.1094887,0.01352613,0.04992593],"study_design_scores_gemma":[0.001463995,0.002882018,0.01594164,0.00178553,0.0003800229,0.001487197,0.02358091,0.0144223,0.0179259,0.005177666,0.9117726,0.003180213],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8160698,0.02045336,0.04737904,0.1015732,0.0006246554,0.001113238,0.0002675155,0.0008639487,0.0116552],"genre_scores_gemma":[0.9408386,0.007963087,0.01539609,0.003139231,0.001645022,0.0001730759,0.0001686818,0.0002699973,0.03040618],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8982465,"threshold_uncertainty_score":0.9999921,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409675977","doi":"10.7202/1116816ar","title":"Le réalisme cinématique, de l’immobile au mouvement : l’expérience québécoise","year":2013,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Germain Lacasse","is_ca":false},{"name":"Louis Pelletier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01108589605657873,"gpt":0.2026730645453871,"spread":0.1915871684888084,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001011217,0.001205513,0.001997001,0.0004782837,0.002045989,0.0003269381,0.001081301,0.000818585,0.001384493],"category_scores_gemma":[0.001576625,0.001474857,0.0006604063,0.000578855,0.001900833,0.001508358,0.000614185,0.001060991,0.0004655772],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.004730183,"about_ca_system_score_gemma":0.008001392,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7501756,"about_ca_topic_score_gemma":0.9205846,"domain_scores_codex":[0.9935597,0.0003765433,0.002481386,0.001577269,0.0002409103,0.00176419],"domain_scores_gemma":[0.9948855,0.0009975979,0.001622319,0.00132009,0.0006258702,0.0005486011],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000118819,0.001248105,0.09395811,0.002512318,0.0005017116,0.000155333,0.4562155,0.0003215551,0.0003542057,0.3265249,0.09011544,0.027974],"study_design_scores_gemma":[0.001094638,0.000627318,0.02897596,0.0009041538,0.0001073269,0.0001206252,0.0307093,0.0009212589,0.0005307465,0.001825906,0.9325279,0.001654865],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7870573,0.05685422,0.001759051,0.07065228,0.003868352,0.001604344,0.00037948,0.0003133775,0.07751156],"genre_scores_gemma":[0.6979502,0.02128334,0.003063997,0.001676023,0.002115316,0.001336386,0.0001386186,0.0002595905,0.2721765],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8424125,"threshold_uncertainty_score":0.9995283,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945611","doi":"10.7202/1115177ar","title":"L’exploration informatisée du cinéma en classe","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Geology","authors":[{"name":"Michaël Bourgatte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06739108190564994,"gpt":0.3343900165416963,"spread":0.2669989346360463,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004654133,0.0007811991,0.0008873204,0.0004330483,0.003944932,0.0002748971,0.0009034121,0.001095983,0.0003932492],"category_scores_gemma":[0.005886457,0.0008782014,0.0003979862,0.001355553,0.003892334,0.002910668,0.0002396082,0.001036181,0.0004651084],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002377477,"about_ca_system_score_gemma":0.007853839,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.08407373,"about_ca_topic_score_gemma":0.5269571,"domain_scores_codex":[0.9928999,0.002946222,0.001525873,0.0008380591,0.0007050519,0.001084876],"domain_scores_gemma":[0.9910168,0.005846669,0.001012503,0.0006241073,0.001149798,0.0003501013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002819358,0.0001747408,0.01088167,0.0005231402,0.0001311259,0.00001654407,0.6861696,0.0002397642,0.00004052218,0.2323485,0.03529005,0.03415608],"study_design_scores_gemma":[0.0003352884,0.0002109869,0.01062827,0.0004022157,0.0000949774,0.00002135125,0.3209065,0.0005427526,0.00002922884,0.001225624,0.6649229,0.0006799012],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6940378,0.007205987,0.00129016,0.2431001,0.008706561,0.0009641769,0.000173287,0.001013424,0.04350854],"genre_scores_gemma":[0.6995704,0.03799567,0.002542706,0.001351377,0.01045654,0.0005167676,0.001199362,0.000191895,0.2461752],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6296328,"threshold_uncertainty_score":0.9993669,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945577","doi":"10.7202/1115182ar","title":"Le cinéma québécois dans l’environnement collégial : réception, médiations et citoyenneté culturelle","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Institut National de la Recherche Scientifique; Cégep Garneau","funders":"","keywords":"Political science","authors":[{"name":"Marianne Gravel","is_ca":true},{"name":"Christian Poirier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04584272040275054,"gpt":0.3161450169281372,"spread":0.2703022965253867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.003292996,0.0008013989,0.0008636233,0.0003231017,0.006119064,0.0002092794,0.0008807528,0.0009475102,0.0004828829],"category_scores_gemma":[0.002796784,0.0009273527,0.000492078,0.001287371,0.004762237,0.0009830379,0.0002401542,0.0009540326,0.0002283973],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002706202,"about_ca_system_score_gemma":0.01654915,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3867531,"about_ca_topic_score_gemma":0.9480669,"domain_scores_codex":[0.9926337,0.003042432,0.001366763,0.001155708,0.0006984861,0.001102922],"domain_scores_gemma":[0.9937471,0.003438137,0.0009052911,0.0006773034,0.0008472957,0.0003848471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001541727,0.0003576138,0.00919318,0.0002038046,0.0001445586,0.000008973651,0.5391479,0.0004226601,0.0001535297,0.424915,0.02236163,0.003075737],"study_design_scores_gemma":[0.0004197116,0.000183736,0.01793679,0.0002308812,0.0001156497,0.00001179676,0.3796414,0.0001388982,0.00003081162,0.000875631,0.5997573,0.0006574838],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6130824,0.007177685,0.001207252,0.2929988,0.00625906,0.001117308,0.0003794822,0.0007599687,0.07701804],"genre_scores_gemma":[0.7081159,0.01967715,0.001825188,0.001238243,0.005526067,0.0005656981,0.001195272,0.0001669018,0.2616895],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5773956,"threshold_uncertainty_score":0.9993177,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379536071","doi":"10.7202/1090092ar","title":"Aller aux vues, qu’ossa donne ? La comédie cinématographique québécoise comme culture fondatrice","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Sacha Lebel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09959705628502213,"gpt":0.3448116827656309,"spread":0.2452146264806088,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.002701354,0.001174347,0.001427524,0.0002461862,0.004357858,0.000306497,0.00149369,0.001586101,0.000535293],"category_scores_gemma":[0.004617745,0.0012536,0.0007224816,0.001331048,0.007368749,0.001240808,0.0003131294,0.002045811,0.00009169572],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001345038,"about_ca_system_score_gemma":0.01055304,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2038963,"about_ca_topic_score_gemma":0.6057259,"domain_scores_codex":[0.9902783,0.004720943,0.001609097,0.001430642,0.0007295937,0.001231431],"domain_scores_gemma":[0.9906295,0.005037921,0.001207725,0.0007402789,0.001586303,0.0007982857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006947471,0.000416124,0.01136613,0.000776763,0.0002838463,0.00003971526,0.5392216,0.00003309041,0.00006163889,0.360481,0.0791404,0.008110185],"study_design_scores_gemma":[0.0006137816,0.0003877314,0.001838623,0.0004980757,0.0002386901,0.00004960613,0.1926644,0.0001057804,0.00002514242,0.0008862128,0.8015975,0.00109447],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.3180342,0.0887157,0.001560006,0.4516973,0.004693126,0.001612975,0.0005159331,0.001096031,0.1320747],"genre_scores_gemma":[0.7943573,0.07222837,0.006109278,0.01120603,0.01183128,0.0003891003,0.0008349129,0.000324774,0.1027189],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7224571,"threshold_uncertainty_score":0.99971,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945593","doi":"10.7202/1115172ar","title":"Images fixes et animées dans l’éducation au Québec : une progression lente et craintive ?","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","authors":[{"name":"Germain Laçasse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0757918589745218,"gpt":0.3833886952450834,"spread":0.3075968362705616,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.005223083,0.0008956947,0.0009377968,0.0003790279,0.00442639,0.0002676654,0.0008794584,0.0008291936,0.0001838136],"category_scores_gemma":[0.005594458,0.0009366645,0.0004477516,0.001337925,0.006546429,0.001641297,0.000268066,0.001142809,0.0001247757],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.00516992,"about_ca_system_score_gemma":0.03033654,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7325776,"about_ca_topic_score_gemma":0.9688895,"domain_scores_codex":[0.990815,0.004758242,0.001281086,0.001264216,0.0007296418,0.001151782],"domain_scores_gemma":[0.9903333,0.006247352,0.001168797,0.0006534176,0.001259386,0.0003378169],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004490645,0.000439253,0.03963648,0.0005467904,0.0001639232,0.00001405235,0.7913417,0.00007431483,0.0003371054,0.1272875,0.0177368,0.02237716],"study_design_scores_gemma":[0.00032138,0.0003231766,0.04768535,0.001067212,0.0001325732,0.00001936642,0.452011,0.0000746575,0.0002024997,0.001067278,0.4963087,0.0007868138],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6842476,0.007761956,0.0004542043,0.2764235,0.004348483,0.0008477106,0.0002148045,0.0006550784,0.02504669],"genre_scores_gemma":[0.8287333,0.01091234,0.001946905,0.0009032596,0.003139535,0.0004724241,0.0008053384,0.0001518227,0.1529351],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4785719,"threshold_uncertainty_score":0.9993084,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388642911","doi":"10.7202/1106684ar","title":"Rencontres interculturelles : introduction","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Mercédès Baillargeon","is_ca":false},{"name":"Karine Bertrand","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04604729387552016,"gpt":0.3138756282965505,"spread":0.2678283344210303,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001452001,0.001073361,0.001120602,0.000403301,0.00320921,0.0004338849,0.0009819668,0.001098839,0.001021912],"category_scores_gemma":[0.003376633,0.001055463,0.0005968607,0.001005057,0.005032068,0.001605036,0.0003657681,0.001088166,0.0004986474],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.007455053,"about_ca_system_score_gemma":0.006676621,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4338081,"about_ca_topic_score_gemma":0.9346329,"domain_scores_codex":[0.992531,0.002099575,0.001615993,0.001438247,0.0008507876,0.001464407],"domain_scores_gemma":[0.9949832,0.001128961,0.0009476249,0.000926502,0.001547273,0.0004664678],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007433505,0.0002121901,0.005772182,0.0005734717,0.0002253029,0.00005643525,0.6051841,0.000291618,0.0005050281,0.08803245,0.2814111,0.01766183],"study_design_scores_gemma":[0.0004129471,0.0001926951,0.0053332,0.0004215053,0.0001899517,0.00004735593,0.1551843,0.0004164474,0.0004990802,0.0002238551,0.8360744,0.001004264],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6991991,0.01585174,0.0001882299,0.2586853,0.00784699,0.001013719,0.0002505273,0.00120366,0.0157608],"genre_scores_gemma":[0.3263531,0.01345583,0.0006367643,0.001719584,0.008958543,0.0001649618,0.0006185086,0.0001816748,0.647911],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6321502,"threshold_uncertainty_score":0.9998913,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406259145","doi":"10.7202/1115422ar","title":"Créer par-delà l’écran : Face à l’image. Exercices, explorations et expériences vidéoscéniques de Robert Faguy et Ludovic Fouquet, Québec, L’instant même, 2016","year":2018,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Instant; Physics","authors":[{"name":"Florence Le Blanc","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05568483573802384,"gpt":0.2806564944794508,"spread":0.224971658741427,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication"],"category_scores_codex":[0.001468127,0.001771363,0.001612615,0.0004188892,0.003106741,0.003486778,0.002260819,0.0008913686,0.000434851],"category_scores_gemma":[0.001754767,0.001521307,0.0006706966,0.001051138,0.004161106,0.01403197,0.001183868,0.001310534,0.0002157942],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002356339,"about_ca_system_score_gemma":0.01547797,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.542441,"about_ca_topic_score_gemma":0.9606429,"domain_scores_codex":[0.9911705,0.001719921,0.002107,0.002120424,0.0009701072,0.001912009],"domain_scores_gemma":[0.9921281,0.001458219,0.001378168,0.001865675,0.002186134,0.0009837088],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002644739,0.001171607,0.002132329,0.0007703312,0.000254524,0.0004636342,0.7191201,0.0001999657,0.004088772,0.1346323,0.1048363,0.03206574],"study_design_scores_gemma":[0.0008262249,0.001846955,0.003857962,0.002467422,0.0001867052,0.0005708427,0.02029313,0.003231432,0.00672882,0.002109305,0.9554082,0.002473014],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4652509,0.07605877,0.108576,0.153628,0.003880014,0.002555793,0.0005964543,0.002269083,0.187185],"genre_scores_gemma":[0.7557718,0.01708277,0.01910154,0.005801167,0.001319328,0.000403702,0.0002172044,0.0002761726,0.2000264],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8505719,"threshold_uncertainty_score":0.9997582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379514346","doi":"10.7202/1090093ar","title":"Intertextualité et porno Made in Québec : de la traduction à l’émergence d’un genre","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Concordia University; Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Éric Falardeau","is_ca":true},{"name":"Dominique Pelletier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02042243784857223,"gpt":0.2485192539297554,"spread":0.2280968160811832,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009758049,0.0009123377,0.00114309,0.0002796631,0.001290186,0.000472314,0.0006900073,0.0005408795,0.002540121],"category_scores_gemma":[0.001716139,0.0009311028,0.0005925401,0.0002996561,0.001952752,0.0006219978,0.00024951,0.001278708,0.00006517863],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0015478,"about_ca_system_score_gemma":0.005565038,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6951572,"about_ca_topic_score_gemma":0.93997,"domain_scores_codex":[0.9948092,0.001474164,0.001483038,0.001021632,0.0004052867,0.0008066518],"domain_scores_gemma":[0.9969049,0.0009598089,0.0007049931,0.0005651283,0.0004782368,0.000386959],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002136244,0.000547241,0.006401569,0.001054416,0.0003204308,0.0004729387,0.6094341,0.0003025274,0.000260737,0.3502268,0.006588167,0.0241774],"study_design_scores_gemma":[0.0005774859,0.0004045678,0.001862932,0.0006973142,0.0004560503,0.00009095848,0.08088548,0.00268155,0.000264066,0.0007245393,0.9102641,0.001090994],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7658587,0.05917262,0.0008307479,0.09055597,0.001247118,0.0004933506,0.0004024945,0.0003047117,0.08113431],"genre_scores_gemma":[0.8868184,0.01171062,0.0006977498,0.001986957,0.003342231,0.00009360821,0.0001792136,0.0001781785,0.09499305],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9036759,"threshold_uncertainty_score":0.999314,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379534061","doi":"10.7202/1090089ar","title":"La compagnie Cinéma canadien limitée et l’émergence du cinéma catholique canadien-français (1920-1930)","year":2020,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Germain Laçasse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01740651221307066,"gpt":0.2102264476120162,"spread":0.1928199353989456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0008847674,0.001783729,0.00250012,0.0002578147,0.01074729,0.0005214611,0.001422606,0.0009654112,0.001654229],"category_scores_gemma":[0.001546145,0.001685832,0.001201602,0.0006891217,0.004105657,0.001003537,0.000627341,0.002112081,0.0001452404],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01040164,"about_ca_system_score_gemma":0.003409705,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9330496,"about_ca_topic_score_gemma":0.9973317,"domain_scores_codex":[0.9917635,0.001722918,0.002111204,0.001814162,0.0008146375,0.001773534],"domain_scores_gemma":[0.993709,0.001372978,0.001098707,0.0008854526,0.001610258,0.001323549],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001628632,0.0003334672,0.005168813,0.00124334,0.0006763657,0.0009199504,0.8001738,0.0002213976,0.00004932273,0.1098909,0.07159218,0.009567562],"study_design_scores_gemma":[0.0006797161,0.0008956238,0.002065183,0.0005523397,0.0007422643,0.0001212058,0.06448979,0.0004670829,0.00004129607,0.000126437,0.927904,0.001915027],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5805349,0.0425358,0.0001252226,0.345254,0.001855063,0.0007048813,0.001066861,0.0004161453,0.02750713],"genre_scores_gemma":[0.7861004,0.03567901,0.0003204193,0.003896553,0.003419872,0.0002437008,0.000386174,0.0002808747,0.169673],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8563119,"threshold_uncertainty_score":0.9994908,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2892561223","doi":"10.7202/1107866ar","title":"Le Cyclorama de Sainte-Anne-de-Beaupré, un trésor international en danger","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"Université Laval","keywords":"Art; Humanities","authors":[{"name":"Jean-Pierre Sirois-Trahan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01238679546486905,"gpt":0.2476948324698063,"spread":0.2353080370049372,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001802169,0.0007695149,0.000950878,0.0003290218,0.003040005,0.0002186588,0.001263169,0.0007779271,0.001002224],"category_scores_gemma":[0.003077127,0.0008295745,0.0005658814,0.0009860107,0.002423317,0.000992576,0.0005035301,0.001029843,0.0003118164],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.005311483,"about_ca_system_score_gemma":0.007342904,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2574681,"about_ca_topic_score_gemma":0.5741645,"domain_scores_codex":[0.9940529,0.001865179,0.001091887,0.0009906143,0.0006836635,0.001315706],"domain_scores_gemma":[0.9957371,0.002087421,0.0005353326,0.0005269728,0.0005892491,0.0005239479],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000143673,0.0003926228,0.007908637,0.0003538842,0.0003123771,0.0003244785,0.6846187,0.00008442535,0.0001980134,0.1622842,0.0769347,0.06644429],"study_design_scores_gemma":[0.0004730554,0.0002342855,0.003049721,0.0004148134,0.0001072622,0.00004113391,0.05217032,0.0003584422,0.0001129913,0.001294334,0.9409035,0.0008401074],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6427824,0.02578321,0.0008242287,0.1806241,0.005476933,0.0006214841,0.0003498508,0.001038434,0.1424993],"genre_scores_gemma":[0.3784952,0.009221048,0.001543131,0.001225415,0.003239232,0.0002013797,0.0001682475,0.0001444636,0.6057619],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8639688,"threshold_uncertainty_score":0.999911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391136099","doi":"10.7202/1107869ar","title":"Yves Lever, Claude Jutra. Biographie, Montréal, Boréal, 2016","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Lever; Art; Engineering; Mechanical engineering","authors":[{"name":"Germain Laçasse","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01371125227987409,"gpt":0.2238650923236741,"spread":0.2101538400438001,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.001462459,0.001017882,0.001319509,0.002012228,0.007495353,0.0009016629,0.00136877,0.001317709,0.001462463],"category_scores_gemma":[0.001066922,0.00130945,0.0009977513,0.002958598,0.008635173,0.001703843,0.0003646569,0.001286185,0.001120538],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.006078227,"about_ca_system_score_gemma":0.02042644,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9776324,"about_ca_topic_score_gemma":0.9992151,"domain_scores_codex":[0.9929891,0.001364583,0.001494812,0.001438068,0.0009415926,0.001771796],"domain_scores_gemma":[0.9952209,0.00119949,0.0009045377,0.001109415,0.0007211771,0.0008444521],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009816574,0.000292344,0.002297802,0.0008413229,0.000261806,0.0003929982,0.1913962,0.00005550988,0.0001381129,0.05050005,0.6924126,0.06131311],"study_design_scores_gemma":[0.0005387146,0.0003000398,0.004164937,0.0009456692,0.0002619651,0.00003844629,0.02960453,0.0000745616,0.00003421738,0.0005899002,0.9620555,0.001391514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4148744,0.3859633,0.000147847,0.1167876,0.01060157,0.001334813,0.001338311,0.001744718,0.06720731],"genre_scores_gemma":[0.04431361,0.2156783,0.0003837031,0.0008639681,0.002568828,0.000186813,0.0002602454,0.0002480174,0.7354965],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6682892,"threshold_uncertainty_score":0.9999788,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391136082","doi":"10.7202/1107990ar","title":"Gilles Carle et l’impossible nature de Bernadette","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Vincent Grondin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01340917715868017,"gpt":0.2303198831349041,"spread":0.2169107059762239,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009324725,0.001155621,0.001514333,0.0003056666,0.01220108,0.0004563507,0.0008819478,0.001149269,0.0009750094],"category_scores_gemma":[0.0008948371,0.001035408,0.001084815,0.0005669678,0.002341385,0.0008606417,0.0005362795,0.002133135,0.0002203812],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009509816,"about_ca_system_score_gemma":0.001859491,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3451329,"about_ca_topic_score_gemma":0.9210324,"domain_scores_codex":[0.9945171,0.0009161642,0.00128415,0.0011491,0.0006806434,0.001452822],"domain_scores_gemma":[0.9960183,0.00119737,0.0007115826,0.0007149403,0.0009315331,0.0004262902],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009278899,0.0002681272,0.003925504,0.00114141,0.0006900911,0.0003320246,0.5928767,0.0002089632,0.0001052878,0.2107876,0.1791611,0.01041029],"study_design_scores_gemma":[0.000422019,0.0003296121,0.001469093,0.0006082533,0.0004728794,0.00003804606,0.0511424,0.0002706973,0.00006031166,0.001005337,0.9429508,0.001230576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6022716,0.06221569,0.00003856549,0.311874,0.00223437,0.0004192891,0.000527312,0.0006846927,0.01973443],"genre_scores_gemma":[0.2461807,0.0551932,0.0002752939,0.001737887,0.00311848,0.0001823625,0.0003441469,0.0002059252,0.692762],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7637897,"threshold_uncertainty_score":0.9999382,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4414856671","doi":"10.7202/1120341ar","title":"Les archives comme outils de reconnaissance culturelle dans le cinéma autochtone au Québec","year":2025,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Queen's University","funders":"","keywords":"Context (archaeology); Relation (database); Cultural environment; Video recording","authors":[{"name":"Karine Bertrand","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0817753104759079,"gpt":0.2863411295739204,"spread":0.2045658190980125,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0007184382,0.00158436,0.001713952,0.0003824831,0.004358585,0.001533006,0.002377769,0.0008871728,0.0001011021],"category_scores_gemma":[0.001587704,0.001446001,0.0008422392,0.0008993626,0.00390705,0.003347994,0.001271497,0.001565229,0.00004885374],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.004133941,"about_ca_system_score_gemma":0.02030632,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.850663,"about_ca_topic_score_gemma":0.9770955,"domain_scores_codex":[0.9926603,0.001299096,0.001865703,0.001825022,0.0005199208,0.0018299],"domain_scores_gemma":[0.9939038,0.001873792,0.0009976148,0.001777708,0.0007235848,0.0007235189],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002306724,0.0009604448,0.009546787,0.001476503,0.0003854359,0.0003531046,0.4178904,0.0004818973,0.002892511,0.427947,0.02642849,0.1114068],"study_design_scores_gemma":[0.001212132,0.0006771298,0.02412669,0.003198083,0.0001987326,0.0004775855,0.01463643,0.003698058,0.006723178,0.003008303,0.9401461,0.00189762],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3466562,0.06536195,0.05269423,0.1401569,0.002972278,0.001390004,0.000262592,0.001139795,0.3893661],"genre_scores_gemma":[0.5079116,0.001756373,0.003699555,0.001509329,0.0006101702,0.0001259022,0.00008743125,0.0001099799,0.4841897],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9137176,"threshold_uncertainty_score":0.9996904,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3083805021","doi":"10.7202/1069294ar","title":"Écrire l’histoire des pratiques féministes en vidéo légère","year":2019,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Julia Minne","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01363498778107577,"gpt":0.2235577821254617,"spread":0.209922794344386,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.001350738,0.002393571,0.002929837,0.0009002446,0.006540617,0.0008439269,0.001753973,0.001393504,0.008103521],"category_scores_gemma":[0.001387375,0.002463973,0.001522956,0.0005383589,0.008682596,0.002975008,0.0005745331,0.002167478,0.0008654611],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.007568008,"about_ca_system_score_gemma":0.006098681,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1505449,"about_ca_topic_score_gemma":0.8263101,"domain_scores_codex":[0.989135,0.0027575,0.002750744,0.002371788,0.001119723,0.001865302],"domain_scores_gemma":[0.9908411,0.002159188,0.001994895,0.00210044,0.002261543,0.0006428516],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005420308,0.001032322,0.01212205,0.00575688,0.001087565,0.0003659829,0.6870662,0.0002033538,0.001057547,0.2081577,0.03719612,0.04541229],"study_design_scores_gemma":[0.0009962037,0.001836148,0.001175808,0.002545148,0.0008117023,0.0001197602,0.1086542,0.0005703451,0.0007555095,0.0004314515,0.8795624,0.002541231],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6440995,0.1144648,0.0001330299,0.02276027,0.005177373,0.00177634,0.0008456188,0.000944972,0.2097981],"genre_scores_gemma":[0.3366244,0.004464365,0.001103847,0.0006871978,0.00270533,0.0002358752,0.0003819635,0.000429728,0.6533673],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8423663,"threshold_uncertainty_score":0.9999125,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674769","doi":"10.7202/1117055ar","title":"Cinéma, éthique et politique. La société québécoise au prisme de <i>Réjeanne Padovani</i>","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Political Theory and Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Université Laval","keywords":"Political science; Philosophy","authors":[{"name":"Christian Poirier","is_ca":false},{"name":"Mélissa Thériault","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01609244815601827,"gpt":0.2762359441403549,"spread":0.2601434959843366,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.006243426,0.001383129,0.001565233,0.0002525199,0.003086275,0.0003166466,0.001494211,0.002066586,0.0008718481],"category_scores_gemma":[0.006344802,0.001482298,0.0008423168,0.0006867241,0.007295376,0.003208328,0.0005420533,0.00257952,0.00021821],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.007318672,"about_ca_system_score_gemma":0.0180091,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4827827,"about_ca_topic_score_gemma":0.6943284,"domain_scores_codex":[0.9852995,0.007660793,0.00175352,0.001174117,0.0008272871,0.003284752],"domain_scores_gemma":[0.9888407,0.006630116,0.001002898,0.001134453,0.0007887178,0.001603135],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001359087,0.0006280748,0.008395252,0.0006622197,0.0001361418,0.00007179947,0.2942762,0.00002073662,0.0003115596,0.6819817,0.003738479,0.009641941],"study_design_scores_gemma":[0.0005984663,0.0003886479,0.005010495,0.001109405,0.000262561,0.0001942431,0.03857775,0.0000561487,0.0009887982,0.02083154,0.9303073,0.001674629],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4548084,0.01889274,0.001405388,0.08176936,0.002490852,0.0008913227,0.0003311473,0.0006561839,0.4387546],"genre_scores_gemma":[0.8396128,0.008988105,0.00171282,0.01049264,0.004062675,0.0002218025,0.00007291112,0.0002485307,0.1345877],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9265689,"threshold_uncertainty_score":0.9998919,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391136052","doi":"10.7202/1107872ar","title":"Isabelle Lacroix et Karine Prémont (dir.), D’Asimov À Star Wars, représentations politiques dans la science-fiction, Québec, Presses de l’Université du Québec, 2016","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy; Art; Humanities; Theology","authors":[{"name":"Alice Ray","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03666501450342545,"gpt":0.2693318385073417,"spread":0.2326668240039163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.001178248,0.001110542,0.001025946,0.0006139596,0.003666576,0.00192047,0.001961976,0.00050799,0.0003518797],"category_scores_gemma":[0.002457053,0.001026561,0.0004837228,0.001736543,0.00433739,0.007255601,0.001640083,0.0008790421,0.000123889],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.005094633,"about_ca_system_score_gemma":0.030756,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9478188,"about_ca_topic_score_gemma":0.9855634,"domain_scores_codex":[0.9935378,0.000941573,0.001316079,0.001703778,0.0009012036,0.001599611],"domain_scores_gemma":[0.9932061,0.001697146,0.0008445366,0.001435453,0.001975251,0.0008414611],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001220748,0.0006967611,0.00952841,0.0005902306,0.0002105451,0.0007590355,0.4944915,0.0009187144,0.00361651,0.09897926,0.3815757,0.008511195],"study_design_scores_gemma":[0.0006863375,0.0005684998,0.03083223,0.0009340199,0.0001597084,0.0006814133,0.02427663,0.003317503,0.003376867,0.0008988624,0.9329396,0.001328346],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6656885,0.0411317,0.00464962,0.1850005,0.002060697,0.001270214,0.0004961474,0.002365178,0.09733747],"genre_scores_gemma":[0.5305591,0.0297351,0.002337413,0.001306703,0.0009911514,0.0001326583,0.0002753651,0.0002117569,0.4344508],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5513639,"threshold_uncertainty_score":0.9992185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406945759","doi":"10.7202/1115169ar","title":"Inventer l’enseignement du cinéma à l’université","year":2023,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Political Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Michel Marié","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02070829427304572,"gpt":0.2379037212448732,"spread":0.2171954269718275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.001065508,0.0009618403,0.001238835,0.0003031454,0.005237532,0.0001558509,0.001006889,0.00078674,0.001827002],"category_scores_gemma":[0.001350282,0.000981879,0.0006967029,0.001315724,0.003890312,0.0006746938,0.0007446695,0.0009330451,0.001178838],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006184537,"about_ca_system_score_gemma":0.003081204,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2288746,"about_ca_topic_score_gemma":0.7624998,"domain_scores_codex":[0.9937187,0.001323752,0.001191691,0.001142554,0.0009214099,0.001701862],"domain_scores_gemma":[0.9957801,0.001609571,0.0005341824,0.000640236,0.000741631,0.000694298],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001151612,0.0004141913,0.01000096,0.0007351959,0.0002832338,0.0004124092,0.433168,0.00002965153,0.00005384383,0.2316336,0.291916,0.03123768],"study_design_scores_gemma":[0.0005622013,0.0005108079,0.005645504,0.0005206998,0.0002311131,0.0000221348,0.03265411,0.0001004782,0.00007152017,0.0009440912,0.9576987,0.001038614],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4496198,0.03067601,0.0002318718,0.206165,0.005877713,0.0009351841,0.0003182626,0.001088965,0.3050872],"genre_scores_gemma":[0.2772096,0.02103304,0.0002639389,0.001497987,0.002832816,0.0001163486,0.0001182968,0.0001406622,0.6967873],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6657827,"threshold_uncertainty_score":0.9995989,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4409674801","doi":"10.7202/1117086ar","title":"L’écho d’un certain échec ? La figure du cinéaste amateur dans l’oeuvre de Robert Morin","year":2011,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Morin; Humanities; Physics; Philosophy; Medicine","authors":[{"name":"Israël Côté-Fortin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01658395001521973,"gpt":0.2056106036458474,"spread":0.1890266536306276,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.000963527,0.00148293,0.001579518,0.000377111,0.003806044,0.0004532943,0.001227978,0.000959789,0.006275084],"category_scores_gemma":[0.0006055124,0.001433712,0.0009243028,0.0003204831,0.002847223,0.001467382,0.00037082,0.001592258,0.0001985117],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002164876,"about_ca_system_score_gemma":0.002277083,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3944798,"about_ca_topic_score_gemma":0.6416362,"domain_scores_codex":[0.9930484,0.00190175,0.001770209,0.001353053,0.000527392,0.001399191],"domain_scores_gemma":[0.9955263,0.001144353,0.0009266715,0.001126839,0.0006652073,0.0006106465],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003442854,0.001113378,0.0107636,0.001433596,0.0004537616,0.0009554183,0.7096266,0.00005254303,0.0001759154,0.2368922,0.02297857,0.01521021],"study_design_scores_gemma":[0.0006824262,0.0007209185,0.002520679,0.001052943,0.0005467422,0.0002873111,0.03235703,0.0004351383,0.0005218292,0.001125237,0.958146,0.001603728],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6390383,0.03897844,0.0006673868,0.009045322,0.00246084,0.0006164659,0.0004704169,0.000638245,0.3080845],"genre_scores_gemma":[0.4453221,0.004059363,0.001053298,0.0006454707,0.002744389,0.0001725888,0.0002257153,0.0002572639,0.5455198],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9351674,"threshold_uncertainty_score":0.9998665,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391154169","doi":"10.7202/1107854ar","title":"Robert Lepage : cinéaste moderne ?","year":2018,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Art; Theology","authors":[{"name":"Jean-Marc Limoges","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05812513906863979,"gpt":0.3363162493980981,"spread":0.2781911103294583,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.003208744,0.000849058,0.000974722,0.0002375085,0.004653635,0.0002058346,0.001034945,0.001037485,0.001221696],"category_scores_gemma":[0.003142713,0.0009463687,0.0004343461,0.0006663237,0.01107764,0.001203286,0.0002282626,0.0009733901,0.0002237327],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002297137,"about_ca_system_score_gemma":0.009173568,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1896132,"about_ca_topic_score_gemma":0.7623683,"domain_scores_codex":[0.9930484,0.00267977,0.00126326,0.001191468,0.0006073075,0.001209846],"domain_scores_gemma":[0.9931111,0.003220693,0.0008921553,0.0007898452,0.0015682,0.0004179718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004912609,0.0003881818,0.01259045,0.0003812513,0.0001869772,0.00001387911,0.6375955,0.00003335684,0.0001273733,0.2907917,0.01501163,0.04283062],"study_design_scores_gemma":[0.0004036656,0.0004517834,0.004347876,0.0006123519,0.0001599473,0.00003894795,0.1331204,0.0003505036,0.0001133405,0.001546438,0.8578979,0.0009568445],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6964775,0.02855586,0.002687139,0.1202143,0.009839348,0.0007871066,0.0001292435,0.0004977404,0.1408118],"genre_scores_gemma":[0.6420093,0.006790122,0.004269731,0.001125353,0.01192271,0.0001341804,0.0001391447,0.000140062,0.3334694],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8428863,"threshold_uncertainty_score":0.9996913,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391154167","doi":"10.7202/1107857ar","title":"In memoriam — Sylvain Duguay (1975–2017)","year":2023,"lang":"ru","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Health, Medicine and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Psychology","authors":[{"name":"Bruno Cornellier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03386315149801236,"gpt":0.3247903625368348,"spread":0.2909272110388225,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.00841193,0.001622033,0.002863839,0.0009336546,0.004997615,0.0001117636,0.001433981,0.003926365,0.001420669],"category_scores_gemma":[0.008870965,0.001611847,0.0007194874,0.0022546,0.00164755,0.001097537,0.0008563421,0.007410281,0.001295299],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.005672402,"about_ca_system_score_gemma":0.03050973,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2455877,"about_ca_topic_score_gemma":0.8379169,"domain_scores_codex":[0.9828021,0.006889402,0.0039686,0.002099433,0.001191981,0.003048502],"domain_scores_gemma":[0.9852661,0.008793229,0.001691929,0.002071489,0.001159437,0.00101785],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003078574,0.0004556116,0.03859587,0.007536913,0.0001719688,0.0009109753,0.667596,0.00005000317,0.0001784687,0.009843736,0.2633678,0.01098474],"study_design_scores_gemma":[0.002194375,0.0005859627,0.01700823,0.004150686,0.0001531952,0.00004677111,0.1530478,0.0006577837,0.0000402177,0.0002482955,0.8205239,0.001342796],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8538774,0.01173934,0.0001595164,0.0875774,0.01341437,0.00334898,0.0004828289,0.001246515,0.02815366],"genre_scores_gemma":[0.4661668,0.04526978,0.001089684,0.01303724,0.01327481,0.001195352,0.0009975198,0.0007657555,0.458203],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5923292,"threshold_uncertainty_score":0.9996527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}