{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"eaf3a87cae8d","filters":{"venue":"O Mosaico"}},"results":[{"id":"W2292202881","doi":"10.33871/21750769.2010.2.2.116","title":"Fantasmas da Memória: a narrativa cinematográfica de Juan Carlos Rulfo em Del Olvido al no me Acuerdo.","year":2014,"lang":"es","type":"article","venue":"O Mosaico","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Political science; Art; Humanities","authors":[{"name":"Maíra Guimarães Paschoal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01548455242389526,"gpt":0.2371431275790839,"spread":0.2216585751551886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001072469,0.0005597434,0.0002186098,0.0006857265,0.009528536,0.003742351,0.000669154,0.002674673,0.004711131],"category_scores_gemma":[0.003219461,0.000177942,0.0001621956,0.0005787577,0.006650024,0.002111039,0.001894606,0.004230241,0.0003450895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004603317,"about_ca_system_score_gemma":0.002039341,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03909316,"about_ca_topic_score_gemma":0.09553521,"domain_scores_codex":[0.9992105,0.0004045285,0.000008379828,0.00007766748,0.0001451839,0.0001537313],"domain_scores_gemma":[0.9993165,0.0003717219,0.0000709851,0.00003500207,0.00008630474,0.000119533],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001923362,0.00003219745,0.001147442,0.0001859277,0.000007788351,0.002432968,0.5322191,0.0001838303,0.001238986,0.2433453,0.197232,0.02178202],"study_design_scores_gemma":[0.000007343815,0.00001699998,0.00227582,0.0001912629,0.000004809197,0.0004537036,0.07444625,0.00008427491,0.0003696652,0.00342944,0.9187037,0.00001677411],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1585304,0.02795957,0.002803773,0.1735688,0.008912503,0.00008482851,0.0002993422,0.0001961961,0.6276446],"genre_scores_gemma":[0.8478451,0.004630324,0.0006529492,0.004575945,0.001668673,0.00004947587,0.00005920018,0.0001647115,0.1403536],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03909316,"threshold_uncertainty_score":0.07773125,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391977096","doi":"10.33871/21750769.2018.10.1.2371","title":"DANÇA COMO AÇÃO POLÍTICA: PROCESSOS EDUCACIONAIS INVENTIVOS EM PERSPECTIVAS DE DISSENSO","year":2018,"lang":"pt","type":"article","venue":"O Mosaico","topic":"Physical Education and Gymnastics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Encana (Canada)","funders":"","keywords":"Political science; Philosophy","authors":[{"name":"Elke Siedler","is_ca":true},{"name":"Renata Santos Roel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04144202292605648,"gpt":0.3794452704652964,"spread":0.3380032475392399,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01658916,0.000664015,0.0003967892,0.004334427,0.01135445,0.01952715,0.001513742,0.002490206,0.007221898],"category_scores_gemma":[0.01895379,0.0004983425,0.0006240244,0.003309271,0.05054502,0.01192884,0.008998622,0.004925344,0.00052846],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01133373,"about_ca_system_score_gemma":0.008727913,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0157599,"about_ca_topic_score_gemma":0.01923398,"domain_scores_codex":[0.9858991,0.009475422,0.0004109197,0.001027321,0.002227818,0.0009594253],"domain_scores_gemma":[0.9819244,0.01234705,0.001488028,0.001281884,0.001844323,0.001114339],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002235663,0.00005244526,0.006035619,0.0001793162,0.0000141843,0.000220336,0.4768354,0.0001403109,0.0004132329,0.4951346,0.00177794,0.01917423],"study_design_scores_gemma":[0.00002350756,0.00005741027,0.01121766,0.0008368136,0.00003630544,0.0004664492,0.5273764,0.0006925193,0.001006002,0.1971105,0.2611046,0.00007186989],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2278416,0.008601001,0.03680249,0.0392054,0.0006037492,0.0002602644,0.0001240095,0.0001345603,0.6864269],"genre_scores_gemma":[0.9775885,0.001845366,0.004269707,0.001170647,0.00005314265,0.0001090735,0.00002705696,0.00005490739,0.01488164],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01952715,"threshold_uncertainty_score":0.08773285,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391457786","doi":"10.33871/21750769.2022.15.1.6801","title":"Ada Mcgrath: a construção subversiva de uma protagonista em O Piano, de Jane Campion","year":2022,"lang":"pt","type":"article","venue":"O Mosaico","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Piano; Humanities; Art; Art history","authors":[{"name":"Lívia Salvatti Zanuni","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0312356134626669,"gpt":0.2873005256447718,"spread":0.2560649121821049,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001770972,0.0004631741,0.0002353738,0.001297585,0.02295713,0.008886512,0.0008028918,0.002221702,0.008295089],"category_scores_gemma":[0.003053922,0.000353504,0.0001505189,0.001834238,0.02049686,0.006024667,0.004084701,0.003961723,0.0007686451],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009491651,"about_ca_system_score_gemma":0.007483343,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1165678,"about_ca_topic_score_gemma":0.2178178,"domain_scores_codex":[0.9982491,0.0009762434,0.00002302469,0.0002242447,0.0002257779,0.0003018245],"domain_scores_gemma":[0.998763,0.000502785,0.0001404743,0.00008287824,0.0002214223,0.0002894228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001961275,0.00001417455,0.001143245,0.00005144731,0.000001961536,0.0004780066,0.6282943,0.00001961299,0.0002868704,0.3254887,0.03107575,0.01312628],"study_design_scores_gemma":[0.00000250456,0.00001458431,0.001555548,0.0001467338,0.000003845446,0.0003180993,0.209221,0.00003350425,0.0001283302,0.01101237,0.7775514,0.00001196536],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1312751,0.0166344,0.002388919,0.08012497,0.001215893,0.00006038172,0.0000731609,0.0000501434,0.768177],"genre_scores_gemma":[0.7495318,0.007330114,0.001145908,0.004399891,0.0002439092,0.00007088408,0.00002661174,0.00007138411,0.2371794],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1165678,"threshold_uncertainty_score":0.2317785,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2661964148","doi":"10.33871/21750769.2009.1.2.1486","title":"INTRODUÇÃO À INTERPRETAÇÃO PIANÍSTICA DE THE ENTERTAINER ATRAVÉS DE CONSIDERAÇÕES HISTÓRICAS E ESTILÍSTICAS","year":2009,"lang":"pt","type":"article","venue":"O Mosaico","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Nortel (Canada)","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Alexy Viegas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02242510147424649,"gpt":0.2650592582499207,"spread":0.2426341567756742,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009452903,0.0005719049,0.0002706192,0.001395512,0.005018149,0.006824967,0.0006123089,0.001542663,0.01264036],"category_scores_gemma":[0.002350335,0.0001482515,0.0001805701,0.001761073,0.01077764,0.003523417,0.002573489,0.00299746,0.0009369436],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002742075,"about_ca_system_score_gemma":0.001211256,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006205916,"about_ca_topic_score_gemma":0.01436674,"domain_scores_codex":[0.9993386,0.0002908303,0.00002379171,0.0001122558,0.0001507548,0.00008380394],"domain_scores_gemma":[0.9989397,0.0007013088,0.000112169,0.00005620836,0.0001129206,0.00007774957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007200185,0.00002045185,0.001696788,0.0003410522,0.000008306435,0.0007181091,0.1937183,0.0001866156,0.0008590216,0.7400905,0.03013434,0.03215446],"study_design_scores_gemma":[0.000005573029,0.00004304567,0.003335508,0.0008012872,0.00001080585,0.000858815,0.07342721,0.0002306244,0.0004696005,0.04061249,0.8801843,0.00002067711],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08190387,0.03843331,0.01233265,0.02933735,0.00361289,0.00006047691,0.0002863658,0.0001413951,0.8338917],"genre_scores_gemma":[0.8496231,0.01428876,0.003365325,0.00266009,0.002070477,0.00006003021,0.0001481432,0.0001510758,0.1276329],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01264036,"threshold_uncertainty_score":0.04228622,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392574186","doi":"10.33871/21750769.2013.5.2.282","title":"ELABORAÇÂO DO ROTEIRO CINEMATOGRÁFICO: Métodos e manuais","year":2014,"lang":"pt","type":"article","venue":"O Mosaico","topic":"Multimedia Communication and Technology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","authors":[{"name":"Sônia de Oliveira","is_ca":false},{"name":"Sabina Reggiani Anzuategui","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02926914164192054,"gpt":0.3277369568753637,"spread":0.2984678152334432,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005393519,0.000692033,0.000492606,0.003664074,0.001604961,0.005755316,0.001214068,0.001057211,0.01205237],"category_scores_gemma":[0.016419,0.0005051772,0.0005662267,0.002798636,0.00248019,0.004719693,0.002783092,0.0009245398,0.001907459],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00113417,"about_ca_system_score_gemma":0.002145536,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002705675,"about_ca_topic_score_gemma":0.005207895,"domain_scores_codex":[0.9975434,0.001289536,0.0001099645,0.0003529,0.0005832398,0.0001208633],"domain_scores_gemma":[0.9923889,0.004461528,0.0005244625,0.001049143,0.001181794,0.0003941252],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004612142,0.0002473568,0.0183918,0.003415647,0.00007193525,0.0009213048,0.119272,0.002442614,0.03764665,0.08994866,0.007002397,0.7201784],"study_design_scores_gemma":[0.000179617,0.001340732,0.05195317,0.004489928,0.0005350638,0.004858106,0.1769022,0.0185457,0.04248314,0.04623955,0.6521652,0.0003075111],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.3650201,0.008960889,0.4015336,0.003405974,0.0003985583,0.002991586,0.0008636077,0.001536463,0.2152892],"genre_scores_gemma":[0.5628222,0.006095531,0.3956486,0.000318661,0.0001471446,0.000964488,0.0003527424,0.0004483716,0.03320225],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.01205237,"threshold_uncertainty_score":0.04031914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}