{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"ad5ceded7008","filters":{"venue":"Orbis Litterarum"}},"results":[{"id":"W2101967064","doi":"10.1111/oli.12022","title":"Beckett and Beyond","year":2013,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Linguistics; Yesterday; Argument (complex analysis); Literature; Colonialism; History; Philosophy; Art","authors":[{"name":"Rainier Grutman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02864886734702594,"gpt":0.2087503419081875,"spread":0.1801014745611616,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001109189,0.000531102,0.0003198476,0.00114742,0.01122453,0.00851724,0.0004239361,0.002809305,0.01721844],"category_scores_gemma":[0.002660929,0.00021413,0.000194265,0.0009942316,0.01079072,0.007048381,0.003180758,0.004730176,0.003616261],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003541855,"about_ca_system_score_gemma":0.003705068,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009219391,"about_ca_topic_score_gemma":0.01149488,"domain_scores_codex":[0.9986888,0.0005914583,0.00002707905,0.0002782946,0.0001854998,0.0002289935],"domain_scores_gemma":[0.9991735,0.0003986535,0.00005029326,0.0000838108,0.0001256844,0.0001681018],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001274043,0.000009175283,0.0001463858,0.00002681133,0.000001235223,0.00006425181,0.006085801,0.00001468222,0.00003549391,0.842363,0.1345433,0.01669709],"study_design_scores_gemma":[0.000002197406,0.000005765911,0.00009139569,0.0001316397,0.000001307602,0.00009019041,0.002667369,0.00002013148,0.00004892633,0.0416644,0.9552709,0.000005824055],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005837226,0.04269325,0.001598543,0.09729607,0.007972073,0.00001592096,0.00006399136,0.00008956564,0.8444333],"genre_scores_gemma":[0.3307454,0.03326834,0.002341706,0.05807933,0.00462079,0.0001289446,0.00009752443,0.000289664,0.5704283],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01721844,"threshold_uncertainty_score":0.05760145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1971924716","doi":"10.1034/j.1600-0730.2001.d01-31.x","title":"Interpreting Art, Interpreting Literature","year":2001,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Epistemology; Context (archaeology); Action (physics); Ontology; Work of art; Sociology; Philosophy; History; Aesthetics","authors":[{"name":"Peter Swirski","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01434662763146503,"gpt":0.2391673832300027,"spread":0.2248207555985377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01107109,0.001071402,0.0006991196,0.008115119,0.01042155,0.02575674,0.001872219,0.004471832,0.005364764],"category_scores_gemma":[0.01744781,0.0004454296,0.00060685,0.006673791,0.0656113,0.02586314,0.007102637,0.003798032,0.0009435262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008573326,"about_ca_system_score_gemma":0.005373139,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006790845,"about_ca_topic_score_gemma":0.006145936,"domain_scores_codex":[0.9900857,0.006827164,0.0003081019,0.000877145,0.001318015,0.0005839024],"domain_scores_gemma":[0.9919531,0.005553973,0.0006350972,0.000869311,0.0007572683,0.000231248],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005568608,0.00000408307,0.0001527437,0.00009556695,0.000003426339,0.00008016521,0.03521799,0.0001098357,0.00005557109,0.9562203,0.002544547,0.005510195],"study_design_scores_gemma":[0.00001148614,0.00001186075,0.0003899524,0.0008013251,0.00001540657,0.000198572,0.06286746,0.0002838725,0.0002415565,0.71016,0.2250039,0.00001466574],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0355983,0.04695085,0.03890335,0.06165649,0.002773822,0.00006534498,0.0001422035,0.0001639071,0.8137459],"genre_scores_gemma":[0.9267185,0.02235688,0.01303403,0.004910022,0.003051943,0.0001840362,0.000174123,0.0002856764,0.02928478],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02575674,"threshold_uncertainty_score":0.06220412,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1496395911","doi":"10.1111/j.1600-0730.2011.01022.x","title":"Sentinelles de l’oubli et reflets furtifs. Permanence, rupture et régimes d’historicité dans<i>Dora Bruder</i>","year":2011,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Nicolas Xanthos","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02998502870960339,"gpt":0.2476333726082785,"spread":0.2176483438986751,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167344,0.0004296188,0.0003081007,0.0008261537,0.008425167,0.004083219,0.0006463517,0.001924793,0.008762697],"category_scores_gemma":[0.002280616,0.0002703309,0.0002098577,0.0007319305,0.01507863,0.004447628,0.003097243,0.003641503,0.00105253],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00580158,"about_ca_system_score_gemma":0.002500432,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02205131,"about_ca_topic_score_gemma":0.05599504,"domain_scores_codex":[0.9989336,0.0004806569,0.00002835212,0.0001719698,0.0001809414,0.0002044731],"domain_scores_gemma":[0.9993712,0.0002868005,0.00008977736,0.00008428222,0.0001042298,0.00006365245],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004951772,0.000009764213,0.0008956878,0.00008644482,0.000003208144,0.0004073463,0.1406715,0.00007147947,0.0007157249,0.8368651,0.007719276,0.0125051],"study_design_scores_gemma":[0.00001078817,0.00004030923,0.002289596,0.0003084702,0.00001016519,0.000541123,0.06413245,0.00020547,0.0008680372,0.03828041,0.893287,0.00002625535],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1137935,0.009464236,0.01003197,0.02351937,0.001380954,0.00009050046,0.000148835,0.0001242088,0.8414465],"genre_scores_gemma":[0.8160409,0.001770701,0.001927936,0.001563094,0.0002369049,0.00007312375,0.00005957314,0.0001183507,0.1782095],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02205131,"threshold_uncertainty_score":0.04384589,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1588575942","doi":"10.1111/j.1600-0730.2006.00860.x","title":"Writ in Water?","year":2006,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"German Colonialism and Identity Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Writ; German; Literature; German literature; Philosophy; Phenomenon; Art; History; Art history; Linguistics; Epistemology; Law","authors":[{"name":"Reinhold Grimm","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009221005683677874,"gpt":0.18066440264262,"spread":0.1714433969589421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001124158,0.0004139474,0.0002876606,0.0004704693,0.006768924,0.005315227,0.0005642997,0.001574679,0.02997874],"category_scores_gemma":[0.002969224,0.0001566995,0.0001874756,0.0008030813,0.01133509,0.006921344,0.003359424,0.002800165,0.007916701],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002773431,"about_ca_system_score_gemma":0.002099426,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01117742,"about_ca_topic_score_gemma":0.02300046,"domain_scores_codex":[0.9988375,0.000515603,0.00003937751,0.0001893379,0.0001900675,0.0002281441],"domain_scores_gemma":[0.9995278,0.0001252209,0.00005824563,0.00007780054,0.0001086824,0.0001022942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005455138,0.00002367484,0.0008489294,0.0001773374,0.00001268938,0.0008199999,0.1223931,0.00004235367,0.0005082402,0.5387165,0.2775084,0.05889418],"study_design_scores_gemma":[0.000003406848,0.00001034099,0.0004120469,0.0001153728,0.000002862434,0.0001450757,0.03948742,0.00002258253,0.0001686948,0.01109801,0.9485278,0.000006384479],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0299963,0.01568764,0.002609647,0.1551507,0.008498761,0.00004708584,0.0003201882,0.0001873464,0.7875024],"genre_scores_gemma":[0.4840792,0.008519409,0.001127371,0.02032552,0.001033423,0.00003809619,0.0002228296,0.0003267141,0.4843275],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02997874,"threshold_uncertainty_score":0.1002889,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2799313780","doi":"10.1111/oli.12182","title":"The elephant in the room","year":2018,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Content (measure theory); Poetry; Literature; World literature; Buddhism; Translation studies; Epistemology; Literary theory; History; Philosophy; Sociology; Literary criticism; Art","authors":[{"name":"Jacob Edmond","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03864516140445198,"gpt":0.268858350827674,"spread":0.230213189423222,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002775377,0.0007297784,0.0005623571,0.001128061,0.01386901,0.009656317,0.00126249,0.003216571,0.04883447],"category_scores_gemma":[0.006767904,0.0003687504,0.0005833588,0.0008612736,0.02581781,0.01920139,0.009459008,0.008265009,0.01294742],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00145782,"about_ca_system_score_gemma":0.003032408,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003040191,"about_ca_topic_score_gemma":0.005141199,"domain_scores_codex":[0.9982308,0.0009291936,0.00004482349,0.0003170598,0.0002216045,0.000256543],"domain_scores_gemma":[0.9980404,0.0005435376,0.00009267161,0.0005530232,0.000229732,0.0005406557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009681231,0.00005241203,0.0008352444,0.0001156435,0.00001431327,0.0007252934,0.05113858,0.0001154651,0.000644592,0.7832359,0.1315932,0.03143258],"study_design_scores_gemma":[0.00001330023,0.00003417898,0.0002836504,0.0002739874,0.000008267788,0.0003398891,0.03495244,0.0001615684,0.0002906997,0.1085194,0.8550995,0.00002309725],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02333554,0.008946883,0.01995512,0.2337409,0.01594397,0.00006245251,0.0001897273,0.0006818231,0.6971436],"genre_scores_gemma":[0.521052,0.005879358,0.009339893,0.02995333,0.004032049,0.0001158877,0.0001510915,0.001574668,0.4279018],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04883447,"threshold_uncertainty_score":0.1633676,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3203323627","doi":"10.1111/oli.12329","title":"Growing into epistemic knowledge through performance: Rosanna Raymond’s “Soli I Tai—Soli I Uta” at Berlin’s Ethnological Museum","year":2021,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Performative utterance; Aotearoa; Sociology; Intervention (counseling); Aesthetics; Art; Psychology; Gender studies","authors":[{"name":"Torsten Jost","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04000929640337673,"gpt":0.3385745797371203,"spread":0.2985652833337435,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005050151,0.0008541551,0.0005881899,0.00232404,0.03272689,0.009266648,0.002247664,0.002546501,0.009532592],"category_scores_gemma":[0.004796116,0.0006884972,0.0004327014,0.001057148,0.028992,0.004974904,0.01317,0.007054797,0.0008605017],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009537249,"about_ca_system_score_gemma":0.003785999,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02797369,"about_ca_topic_score_gemma":0.1048461,"domain_scores_codex":[0.9937828,0.004471327,0.00005468951,0.0004002607,0.0004532152,0.0008376326],"domain_scores_gemma":[0.9967352,0.001749747,0.0002147763,0.0002508981,0.0001906167,0.0008587899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003412912,0.00004855257,0.0007306195,0.00005321022,0.000006066488,0.0007362838,0.9624118,0.00005623513,0.0006626181,0.02072465,0.009130719,0.005405123],"study_design_scores_gemma":[0.000005019024,0.00003791741,0.00121589,0.0001566351,0.000006310763,0.0005072374,0.7334902,0.00008998469,0.0008046641,0.001993285,0.2616636,0.00002924095],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7633895,0.002924932,0.00278738,0.02928995,0.00066582,0.0001316982,0.0001302352,0.0002011839,0.2004794],"genre_scores_gemma":[0.9648112,0.0006559498,0.001101582,0.001081856,0.00008598606,0.00005705445,0.00002959497,0.0001303814,0.03204631],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03272689,"threshold_uncertainty_score":0.06919789,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4408764023","doi":"10.1111/oli.12480","title":"A genealogy of fish women and other imagined identities: “The mechanics of fluids” in Larissa Lai's <i>Salt Fish Girl</i>","year":2025,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fish <Actinopterygii>; Girl; Salt lake; Literature; Philosophy; Art; Fishery; Psychology; Geology; Geomorphology; Biology; Developmental psychology","authors":[{"name":"Qianyi Ma","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01210989456656345,"gpt":0.2232095529738309,"spread":0.2110996584072674,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001125297,0.0004246927,0.0002442551,0.001192579,0.02367278,0.005942424,0.001068018,0.001362209,0.005605032],"category_scores_gemma":[0.001787176,0.0002653044,0.0001527321,0.0007182244,0.03124926,0.003469492,0.003849605,0.00248619,0.0003108422],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01516868,"about_ca_system_score_gemma":0.006711898,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.255465,"about_ca_topic_score_gemma":0.3988003,"domain_scores_codex":[0.9990851,0.000458931,0.00001073344,0.00009596146,0.0001420965,0.0002072307],"domain_scores_gemma":[0.9991426,0.0002705976,0.0001170193,0.00006136945,0.0001094967,0.0002989803],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001967067,0.000009773461,0.00209083,0.00001270468,0.000002578572,0.0008258487,0.9261553,0.00004380237,0.0003110336,0.0665085,0.001763836,0.002256095],"study_design_scores_gemma":[0.000006282457,0.00002235272,0.003616849,0.00007602125,0.000008733656,0.0005703095,0.8718416,0.0003162523,0.0004506677,0.006201896,0.1168555,0.0000335412],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7999011,0.0007017389,0.001837288,0.01044406,0.0001270215,0.00003222315,0.0000870601,0.00005364359,0.1868158],"genre_scores_gemma":[0.9904164,0.00009625174,0.0001576468,0.00018388,0.00001013814,0.000007042717,0.00001246275,0.00001696,0.009099212],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.255465,"threshold_uncertainty_score":0.507956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2054893927","doi":"10.1111/j.0105-7510.2004.00815.x","title":"La vision économique dans les ballades et les rondeaux de Charles d'Orléans","year":2004,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Steven Urquhart","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02647681536095786,"gpt":0.2836623774003348,"spread":0.257185562039377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001107256,0.000339723,0.0001972721,0.0007279599,0.005630474,0.007287336,0.0005284154,0.001399033,0.01195626],"category_scores_gemma":[0.00166452,0.0002021532,0.0002249732,0.0008344997,0.0104044,0.002139777,0.001901642,0.00326542,0.001245624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007941563,"about_ca_system_score_gemma":0.007236726,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1232027,"about_ca_topic_score_gemma":0.230004,"domain_scores_codex":[0.999199,0.0002666477,0.00002021539,0.0001492524,0.0002218755,0.0001429539],"domain_scores_gemma":[0.9994741,0.0002058853,0.00006416599,0.00004003491,0.000128241,0.00008752371],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002213796,0.000005356482,0.0005698141,0.00003336041,0.000002077868,0.00009137593,0.02099538,0.0001308801,0.000330252,0.966374,0.004860081,0.006585285],"study_design_scores_gemma":[0.0000141093,0.00002312345,0.005365428,0.0002142608,0.00000844682,0.0001885436,0.02403625,0.0003659163,0.0007487451,0.0449497,0.9240538,0.00003157546],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09024858,0.00231156,0.007245594,0.01389372,0.0003925129,0.00003157729,0.0001219468,0.00006948254,0.885685],"genre_scores_gemma":[0.7262053,0.001981822,0.002946864,0.001238966,0.0001388369,0.00005448141,0.00007574129,0.00008479274,0.2672732],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1232027,"threshold_uncertainty_score":0.2449711,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2900365438","doi":"10.1111/oli.12212","title":"Fight, love, and flee","year":2018,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Homelessness and Social Issues","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"White (mutation); Cognitive dissonance; Legend; Power (physics); Subjectivity; Interpretation (philosophy); Psychoanalysis; Hegemony; History; Art; Sociology; Literature; Psychology; Philosophy; Epistemology; Social psychology; Politics; Law; Political science","authors":[{"name":"Noha F. Abdelmotagally","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04036400027398514,"gpt":0.4034539829993296,"spread":0.3630899827253445,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001050535,0.0003672064,0.000231238,0.000675136,0.01713195,0.006584567,0.0004415605,0.001660501,0.01211916],"category_scores_gemma":[0.002228905,0.0001925127,0.000165068,0.0005082282,0.02362998,0.003265696,0.003755995,0.003866978,0.001707954],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004980686,"about_ca_system_score_gemma":0.004990958,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06483263,"about_ca_topic_score_gemma":0.1731721,"domain_scores_codex":[0.9989423,0.0003846374,0.00001520449,0.00008372559,0.0002653065,0.0003087858],"domain_scores_gemma":[0.9989839,0.0001561963,0.00008372781,0.00006981263,0.0001511316,0.000555267],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006244225,0.00006414201,0.003870648,0.00008517152,0.00001664715,0.0007019223,0.1495626,0.00006485269,0.0005571621,0.5045072,0.2888546,0.05165254],"study_design_scores_gemma":[0.000007749303,0.00002000035,0.002185101,0.0001290068,0.000003254715,0.0002968203,0.07587875,0.00003211353,0.0001468217,0.01770972,0.9035803,0.00001041475],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03872041,0.01272765,0.001773439,0.1139746,0.003302406,0.00002740811,0.00008692969,0.00008802714,0.8292992],"genre_scores_gemma":[0.6098249,0.005415965,0.0007363503,0.01752139,0.0007461771,0.00002415164,0.00004976291,0.00007820156,0.365603],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06483263,"threshold_uncertainty_score":0.1289105,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2101268612","doi":"10.1111/j.1600-0730.2010.00998.x","title":"“Lost in the meantime”. Tristram Shandy and Deleuzian Stuttering","year":2010,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Narrative; Teleology; HERO; Literature; Interim; Stuttering; Focus (optics); Aesthetics; Philosophy; Epistemology; History; Art; Linguistics","authors":[{"name":"Maria Ioniţă","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01456447540622329,"gpt":0.2141318242263574,"spread":0.1995673488201341,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001904372,0.0006296653,0.0002833434,0.00090186,0.006305162,0.005238362,0.0008952437,0.001808953,0.002945279],"category_scores_gemma":[0.004167257,0.0002085662,0.0002795106,0.0005768993,0.03626822,0.005014318,0.004057223,0.004373159,0.0005279736],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003782242,"about_ca_system_score_gemma":0.00217139,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004722353,"about_ca_topic_score_gemma":0.006942671,"domain_scores_codex":[0.9983,0.001114987,0.00003454542,0.0001754669,0.0002329805,0.0001419811],"domain_scores_gemma":[0.9988747,0.0005781271,0.000126679,0.0001718604,0.0001444469,0.0001041834],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002322151,0.000005874348,0.0001731787,0.00003731643,0.000003863761,0.0003465057,0.07210755,0.00009320363,0.0001786927,0.9148743,0.00814162,0.004014682],"study_design_scores_gemma":[0.00002591901,0.00005392195,0.0006336352,0.0003019414,0.00001786479,0.001308023,0.0843047,0.0004704267,0.001126724,0.4884413,0.4232775,0.00003812489],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1563606,0.02310001,0.01547196,0.1613966,0.00267387,0.00005369493,0.0001120615,0.0002232932,0.6406078],"genre_scores_gemma":[0.9571397,0.001954046,0.001294478,0.005581059,0.0002702326,0.00004639224,0.000016384,0.00008604892,0.03361172],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.006305162,"threshold_uncertainty_score":0.02744222,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4249455729","doi":"10.1111/j.1600-0730.2008.00935.x","title":"Gebannte Virtuosität","year":2008,"lang":"de","type":"article","venue":"Orbis Litterarum","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Angela C. Borchert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02009621124304438,"gpt":0.2045869643565689,"spread":0.1844907531135245,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002822629,0.0006230224,0.000597946,0.001194692,0.004068762,0.01071124,0.0008267101,0.00142368,0.05417981],"category_scores_gemma":[0.006196013,0.0003140422,0.0005374564,0.001251159,0.00526255,0.007282469,0.006705067,0.004513828,0.01054237],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00392537,"about_ca_system_score_gemma":0.003719052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004491816,"about_ca_topic_score_gemma":0.005920306,"domain_scores_codex":[0.9955186,0.001942532,0.0001508424,0.0006878779,0.001200396,0.0004997443],"domain_scores_gemma":[0.9979673,0.000748217,0.0001864836,0.0003630198,0.0004040387,0.0003308984],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001194977,0.0001338392,0.005532725,0.0003464474,0.00004504111,0.0003962342,0.0293718,0.0002126102,0.0006195318,0.8617347,0.02408607,0.07740148],"study_design_scores_gemma":[0.00002713641,0.00008695079,0.006804069,0.0005217686,0.00002745406,0.0004208912,0.01329838,0.0002669468,0.0007477823,0.1213568,0.8564113,0.00003047408],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05960663,0.005071351,0.005172679,0.01474026,0.001111185,0.00009858345,0.0005067443,0.000114099,0.9135785],"genre_scores_gemma":[0.6813519,0.004362972,0.004308147,0.005189867,0.0003056969,0.0003213351,0.0006279825,0.0002581464,0.3032739],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05417981,"threshold_uncertainty_score":0.1812495,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2086397643","doi":"10.1034/j.1600-0730.2002.t01-1-570502.x","title":"Domesticating Nietzsche: Toward a Genealogy of Elisabeth Förster‐Nietzsche's ‘Novellen‐Eierchen’","year":2002,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Novella; Ideology; Fantasy; Philosophy; Realm; Psychoanalysis; Literature; History; Art; Psychology; Law; Politics; Political science","authors":[{"name":"Karin Bauer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.063817685777316,"gpt":0.2534626055062372,"spread":0.1896449197289212,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001343522,0.0003739949,0.0002245621,0.0006996681,0.00395117,0.005184135,0.0006921485,0.00111253,0.003446245],"category_scores_gemma":[0.002643986,0.000214112,0.0001304698,0.000320207,0.01211397,0.002832241,0.002836274,0.001798103,0.0007191381],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002729658,"about_ca_system_score_gemma":0.001214614,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002836403,"about_ca_topic_score_gemma":0.006098398,"domain_scores_codex":[0.9990338,0.0005573762,0.00002161316,0.0001472085,0.0001232073,0.0001167993],"domain_scores_gemma":[0.9993775,0.0002946511,0.00009907844,0.00007134739,0.00009549139,0.00006185175],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006987231,0.00003236356,0.0004997025,0.0001339012,0.00001062739,0.0008617119,0.1508628,0.0002399907,0.001072164,0.8142233,0.01895005,0.01304354],"study_design_scores_gemma":[0.000007628852,0.00003190701,0.000566033,0.0002107667,0.000006671579,0.0006991862,0.03390375,0.0001768489,0.001250573,0.02707078,0.936056,0.00001977887],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2196533,0.02236549,0.01053473,0.04175504,0.003744022,0.0001083336,0.0002276923,0.000213142,0.7013982],"genre_scores_gemma":[0.9077991,0.003031099,0.001453992,0.001613845,0.0004494798,0.00004722746,0.00006075928,0.0001425194,0.08540218],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.005184135,"threshold_uncertainty_score":0.01980513,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1906115338","doi":"10.1111/j.1600-0730.2008.00903.x","title":"Displaced Majority: Robertson Davies and the Euro‐Canadian Diaspora","year":2008,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Trilogy; Depiction; Diaspora; Narrative; Identity (music); Consciousness; History; National identity; Relation (database); Sociology; Aesthetics; Gender studies; Literature; Political science; Law; Art history; Art; Philosophy; Epistemology","authors":[{"name":"Nina Varsava","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01064528739320322,"gpt":0.2077548834440188,"spread":0.1971095960508155,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007199078,0.0002810489,0.0002192292,0.0006216769,0.0218922,0.006700644,0.0007492736,0.001516493,0.007103811],"category_scores_gemma":[0.00182221,0.0001467651,0.00009996576,0.0009675865,0.008076354,0.001549665,0.002080513,0.001978181,0.0007478659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03005416,"about_ca_system_score_gemma":0.03254999,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9199526,"about_ca_topic_score_gemma":0.9443203,"domain_scores_codex":[0.9990095,0.0001453797,0.00001051579,0.0001238538,0.0002985254,0.000412178],"domain_scores_gemma":[0.9992854,0.0001173358,0.00003193438,0.00002258978,0.0003145394,0.0002282608],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001044872,0.00002707782,0.00371464,0.0001391234,0.0000125832,0.001052532,0.1467144,0.0001699489,0.0009126899,0.4427437,0.3612078,0.04320107],"study_design_scores_gemma":[0.000003379373,0.000005311594,0.001183767,0.0000662838,0.000004276591,0.0001427144,0.04957771,0.0000328239,0.0001465263,0.002432965,0.9463872,0.00001688278],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1152726,0.03268307,0.0007094819,0.1668301,0.006626128,0.00004057465,0.0002287697,0.00008448576,0.6775247],"genre_scores_gemma":[0.7356204,0.01049175,0.000385736,0.02429556,0.0004987265,0.00001979487,0.00005978999,0.0001062916,0.228522],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08004743,"threshold_uncertainty_score":0.2180592,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2298759068","doi":"10.1111/oli.12082","title":"Deviance and the Subversive Grotesque in Barbara Gowdy's <i>We So Seldom Look on Love</i>","year":2016,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Psychoanalytic theory; Normative; Sociology; Relation (database); Psychoanalysis; Carnivalesque; Aesthetics; Epistemology; Psychology; Philosophy; Computer science","authors":[{"name":"Hilde Staels","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007347158577855329,"gpt":0.2402375568531988,"spread":0.2328903982753434,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167455,0.0005424775,0.0005061713,0.002388795,0.02735043,0.009902668,0.001133303,0.002250104,0.004120511],"category_scores_gemma":[0.00406077,0.0003798335,0.0001457618,0.002365747,0.03849627,0.004167601,0.006658654,0.00465958,0.0004121263],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01340354,"about_ca_system_score_gemma":0.005378305,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3486235,"about_ca_topic_score_gemma":0.6003598,"domain_scores_codex":[0.9977266,0.001063772,0.00003886654,0.0001895357,0.0006023514,0.0003789281],"domain_scores_gemma":[0.998073,0.0008958799,0.0003502554,0.0001181488,0.0002418756,0.0003207908],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001707211,0.00000896692,0.001193794,0.00007489695,0.000005575551,0.0009501479,0.9248444,0.00001671073,0.0003019133,0.05769426,0.009178768,0.005713444],"study_design_scores_gemma":[0.000002946937,0.00001151449,0.004606978,0.0002345331,0.000009821364,0.0006828131,0.7296703,0.00002066277,0.0002544721,0.003098526,0.2613828,0.00002459648],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6523849,0.01387953,0.0008126028,0.04774204,0.0006561713,0.00004036069,0.0001961664,0.00006928987,0.284219],"genre_scores_gemma":[0.9677665,0.003920142,0.0002764039,0.002412667,0.0001654514,0.00002554328,0.00005503375,0.0001071075,0.02527113],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3486235,"threshold_uncertainty_score":0.6931885,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1994123524","doi":"10.1034/j.1600-0730.2002.570302.x","title":"Le lecteur en procès: Analyse rhétorique du modèle judiciaire dans <i>Les confessions</i> de Rousseau","year":2002,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Pascal Brissette","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02227915913590214,"gpt":0.2360658697176126,"spread":0.2137867105817104,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002418639,0.0006045777,0.0003260998,0.001411049,0.003953499,0.008937997,0.0007598241,0.001591527,0.004708723],"category_scores_gemma":[0.004912165,0.0003113648,0.0004241824,0.001217216,0.01337184,0.007335264,0.002172144,0.002977043,0.000877485],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006505027,"about_ca_system_score_gemma":0.00300347,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01289355,"about_ca_topic_score_gemma":0.01118098,"domain_scores_codex":[0.9976298,0.001692299,0.00004939246,0.0001575323,0.000361819,0.0001092501],"domain_scores_gemma":[0.9967973,0.002400561,0.0002094498,0.0001891298,0.0003038994,0.00009967666],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003790963,0.00001587668,0.0007506227,0.000104076,0.000005868812,0.0001782445,0.1400638,0.0004518819,0.0008113593,0.8465099,0.00304386,0.00802666],"study_design_scores_gemma":[0.00003756767,0.0001081403,0.004708745,0.001112094,0.0000449546,0.0006119953,0.176515,0.01382397,0.003306441,0.322538,0.4771253,0.00006775995],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1603463,0.006361038,0.1096901,0.02083231,0.0007348352,0.000140461,0.0002237077,0.0002840458,0.7013872],"genre_scores_gemma":[0.9635648,0.001200762,0.007270462,0.0005131897,0.0001798405,0.0000799692,0.00008020858,0.0001722211,0.02693849],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01289355,"threshold_uncertainty_score":0.04719752,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2766460392","doi":"10.1111/oli.12150","title":"Unredemptive Recognition","year":2017,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Douglas College","funders":"","keywords":"Psychology","authors":[{"name":"Alastair Morrison","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06294031584127537,"gpt":0.2536471449918073,"spread":0.1907068291505319,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004023466,0.0008274312,0.0005108154,0.00134023,0.00693894,0.01182104,0.002275887,0.004092856,0.01902131],"category_scores_gemma":[0.01568187,0.0002817957,0.0005496023,0.001080052,0.02350044,0.01069513,0.009262887,0.007190536,0.005783612],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005718075,"about_ca_system_score_gemma":0.003337031,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002865531,"about_ca_topic_score_gemma":0.003305524,"domain_scores_codex":[0.9896339,0.003770956,0.0003588058,0.001651852,0.003528002,0.001056519],"domain_scores_gemma":[0.993313,0.002519561,0.0006510984,0.001671675,0.001370969,0.0004735528],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001902259,0.00001341862,0.000196879,0.00007035518,0.000003720926,0.0003078441,0.04297369,0.00003700252,0.0003022909,0.9082516,0.02875307,0.01907116],"study_design_scores_gemma":[0.00000514309,0.00001295353,0.0001863415,0.000186308,0.000005019291,0.0005384643,0.01206328,0.00008081095,0.0005074923,0.05705694,0.9293429,0.00001421615],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01024721,0.003115979,0.006833415,0.02071528,0.004001807,0.00003417002,0.00004188471,0.0001056465,0.9549046],"genre_scores_gemma":[0.5917686,0.002358868,0.002128851,0.01262963,0.00300063,0.0001050416,0.0001395932,0.0004595235,0.3874094],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01902131,"threshold_uncertainty_score":0.06363261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399827454","doi":"10.1111/oli.12460","title":"Potential sites of transgression in Michael Crummey's <i>The Innocents</i>: Questioning theoretical and ethical boundaries","year":2024,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Marine transgression; Psychoanalysis; Philosophy; Sociology; Psychology; Geology; Paleontology","authors":[{"name":"Ewelina Feldman-Kołodziejuk","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008402403410794672,"gpt":0.2406371779909201,"spread":0.2322347745801254,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004787868,0.0004948062,0.0006322956,0.001593447,0.02850991,0.01510101,0.001898721,0.006510845,0.002828703],"category_scores_gemma":[0.008688019,0.0003836802,0.0001927837,0.001289554,0.0671749,0.004033784,0.005903615,0.009313642,0.000225694],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02052293,"about_ca_system_score_gemma":0.009879217,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.197,"about_ca_topic_score_gemma":0.3204426,"domain_scores_codex":[0.9960176,0.002190833,0.00006517158,0.0003296588,0.000652379,0.0007444081],"domain_scores_gemma":[0.9936027,0.004398812,0.0004707313,0.0003229151,0.0006960043,0.0005088423],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002459028,0.0000106678,0.0004635561,0.0000335228,0.000003526715,0.0007508943,0.4606968,0.00005172047,0.0001954649,0.5266343,0.008010617,0.003124379],"study_design_scores_gemma":[0.00001813321,0.00003485954,0.001525535,0.000638991,0.00001732975,0.0009333743,0.5376124,0.0002409774,0.001052318,0.07365237,0.384209,0.0000647929],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3551013,0.01006287,0.002609557,0.1421985,0.00105149,0.00006804247,0.00004458357,0.00007383412,0.4887898],"genre_scores_gemma":[0.9808708,0.0007709797,0.0003266144,0.002619755,0.0001281318,0.00001686173,0.000004362724,0.00002880156,0.01523356],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.197,"threshold_uncertainty_score":0.3917066,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1527941730","doi":"10.1111/j.1600-0730.2011.01025.x","title":"Jenseits der Grenze zwischen Mensch und Tier. „Tier‐Werden“ und „Anders‐Werden“ in Günter Eichs Hörspiel „Sabeth“","year":2011,"lang":"de","type":"article","venue":"Orbis Litterarum","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Belinda Kleinhans","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03119282285913218,"gpt":0.2583442150567517,"spread":0.2271513921976195,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001811281,0.0004373532,0.0003697296,0.001241975,0.004657494,0.005891737,0.0006031834,0.002125104,0.008995013],"category_scores_gemma":[0.002321654,0.0002391294,0.0003869518,0.001228801,0.01286226,0.004074096,0.004426982,0.002764902,0.001052388],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004458434,"about_ca_system_score_gemma":0.004211724,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01687875,"about_ca_topic_score_gemma":0.04700519,"domain_scores_codex":[0.9985536,0.0006509197,0.00004407562,0.0002360525,0.0003448396,0.0001705814],"domain_scores_gemma":[0.9988972,0.0006905818,0.00009595714,0.00009717171,0.000136902,0.00008211618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001066227,0.00003180547,0.002450712,0.0005697383,0.00002995933,0.0006114102,0.07343785,0.0002339917,0.002461266,0.8071136,0.0337789,0.07917396],"study_design_scores_gemma":[0.000006437918,0.00003491269,0.00468037,0.0007848758,0.00002355566,0.0003214199,0.01598664,0.0001340688,0.001260934,0.05885897,0.9178817,0.00002622889],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1078775,0.1177695,0.01853856,0.08745307,0.007546249,0.0001731173,0.0003287104,0.0001626473,0.6601507],"genre_scores_gemma":[0.6853412,0.0346109,0.00746553,0.01775225,0.001071642,0.0001759153,0.0002127304,0.0002472731,0.2531226],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01687875,"threshold_uncertainty_score":0.03356099,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413406524","doi":"10.1111/oli.70009","title":"Supplementing, restructuring, resisting: Maps of Underground space in poetry, embodied performativity, and the “misrepresentationalism” of Harry Beck's Tube diagram","year":2025,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Performativity; Embodied cognition; Poetry; Restructuring; Diagram; Space (punctuation); Tube (container); Literature; Art; Aesthetics; Art history; Philosophy; Epistemology; Law; Computer science; Linguistics; Engineering; Political science; Mechanical engineering","authors":[{"name":"Craig Melhoff","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02141448388687119,"gpt":0.2492001346760063,"spread":0.2277856507891351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001652168,0.0003191135,0.0001309999,0.0009194631,0.003259832,0.005872714,0.0003442988,0.000769272,0.002231205],"category_scores_gemma":[0.004429574,0.0001590893,0.0001160674,0.0007055481,0.02924677,0.004659887,0.002507344,0.001510325,0.0002727573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001616007,"about_ca_system_score_gemma":0.0009194845,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004993854,"about_ca_topic_score_gemma":0.004680309,"domain_scores_codex":[0.9985618,0.001126402,0.00002394304,0.00007149027,0.0001356321,0.00008082288],"domain_scores_gemma":[0.9983302,0.001134281,0.0001248835,0.0001863654,0.00013593,0.00008848763],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002710044,0.0000052911,0.0003843543,0.00002785701,0.00000199066,0.0001620213,0.1850784,0.0002985415,0.0003866163,0.8026742,0.004001899,0.006951655],"study_design_scores_gemma":[0.00001917408,0.00005276478,0.001109259,0.000228119,0.00001205122,0.0006879551,0.3128344,0.002580426,0.002390943,0.2761705,0.4038624,0.00005198618],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4822712,0.00302171,0.05410267,0.03599932,0.001068021,0.00003456448,0.00009190706,0.0002949969,0.4231156],"genre_scores_gemma":[0.9919442,0.0002663417,0.001374482,0.0002149449,0.00003398996,0.000008141363,0.000007379657,0.0000368192,0.006113775],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.005872714,"threshold_uncertainty_score":0.01172495,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}