{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"58c3804a4641","filters":{"venue":"Panoptikum"}},"results":[{"id":"W4205739655","doi":"10.26881/pan.2021.26.04","title":"Loop Structures in Film (and Literature): Experiments with Time Between the Poles of Classical and Complex Narration","year":2021,"lang":"en","type":"article","venue":"Panoptikum","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Judgement; Mainstream; Storytelling; History; Narrative structure; Linguistics; Media studies; Sociology; Literature; Political science; Law; Art; Philosophy","authors":[{"name":"Matthias Brütsch","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02655374760256632,"gpt":0.2453252336461398,"spread":0.2187714860435735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006771983,0.00008458993,0.0001673561,0.00003860969,0.0001379557,0.0001096485,0.00004217446,0.00002253654,0.0004900342],"category_scores_gemma":[0.00001020299,0.00004911578,0.00002039813,0.00004915813,0.0002833384,0.00009754764,0.00002764493,0.00007758938,0.000001425562],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004429659,"about_ca_system_score_gemma":0.00001076821,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001035061,"about_ca_topic_score_gemma":0.00009370424,"domain_scores_codex":[0.9994722,0.0001131133,0.0001231969,0.0001244788,0.00008517643,0.00008182121],"domain_scores_gemma":[0.9997193,0.00007125472,0.00004852975,0.00008744714,0.00005077466,0.00002264228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002104242,0.0001455969,0.01731193,0.0001124277,0.000460324,0.00003658442,0.2853388,0.00002890919,0.04500583,0.6469968,0.001178266,0.003174107],"study_design_scores_gemma":[0.00981619,0.00216785,0.2595061,0.001557128,0.001064082,0.00009479751,0.3112147,0.004721258,0.1389892,0.1909481,0.07700066,0.00292],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9943559,0.0006291929,0.000008516701,0.000571886,0.00001567363,0.00005224201,0.00002838292,0.000006613594,0.004331594],"genre_scores_gemma":[0.9967398,0.00001136359,0.00007283816,0.00006776839,0.000101783,0.000003258471,0.00005016244,0.000005179661,0.002947859],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4560487,"threshold_uncertainty_score":0.5365531,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2953468997","doi":"10.26881/pan.2018.20.11","title":"The exceptionalism of Romanian socialist television and its implications","year":2018,"lang":"en","type":"article","venue":"Panoptikum","topic":"Polish Historical and Cultural Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Agence Universitaire de la Francophonie","keywords":"Communism; Romanian; Ideology; Entertainment; Iron Curtain; Exceptionalism; Political science; Politics; Cold war; Media studies; Public broadcasting; Field (mathematics); Economic history; Political economy; Sociology; History; Law; Philosophy","authors":[{"name":"Alexandru Matei","is_ca":false},{"name":"Annemarie Sorescu Marinković","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03973091633092859,"gpt":0.330003878839671,"spread":0.2902729625087425,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001632343,0.00004027198,0.00006276954,0.000007067965,0.001838169,0.00002606605,0.000120041,0.00003227498,0.00004713981],"category_scores_gemma":[0.0001669964,0.0000253428,0.00002677527,0.0001357981,0.0005032067,0.00006493825,0.0000408564,0.00003035029,0.00003215556],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004220533,"about_ca_system_score_gemma":0.00002397461,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005460745,"about_ca_topic_score_gemma":0.001582836,"domain_scores_codex":[0.9995016,0.0000459099,0.00009437919,0.00008298008,0.0001384891,0.0001366807],"domain_scores_gemma":[0.9996086,0.00008005525,0.00005271381,0.00005160322,0.0001596685,0.00004738725],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004523325,0.00002277873,0.00113121,0.00000344689,0.00001613401,6.701176e-8,0.01296024,1.92894e-8,0.002271802,0.9409402,0.02108231,0.02156728],"study_design_scores_gemma":[0.00004753239,0.00002351824,0.07893462,0.000004409236,0.000008561929,2.046874e-7,0.001462621,0.000001195851,0.00006439515,0.01543409,0.9039625,0.00005633038],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5459494,0.005938533,0.00002745574,0.06630585,0.0007960986,0.0003710752,0.00003889898,0.0001029391,0.3804698],"genre_scores_gemma":[0.9932092,0.0008675476,0.00002721415,0.0001123846,0.0005276746,0.00001049885,9.346916e-7,0.000002153929,0.005242343],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9255061,"threshold_uncertainty_score":0.9994613,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4207039568","doi":"10.26881/pan.2021.25.03","title":"Gravity Matters: Circus as a Device. An Approach on Staging the Relationship between Human Beings and Gravity","year":2021,"lang":"en","type":"article","venue":"Panoptikum","topic":"Urban and sociocultural dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Identity (music); Aesthetics; Plural; Subject (documents); Performativity; Sociology; Epistemology; Art; Philosophy; Computer science","authors":[{"name":"Paloma Leyton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08156059737092863,"gpt":0.3424765230920772,"spread":0.2609159257211486,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000738558,0.0001271353,0.0001600436,0.0000287589,0.00188669,0.0003115521,0.0002153417,0.000120786,0.00001342633],"category_scores_gemma":[0.00020387,0.0001009165,0.00006230224,0.0002600343,0.0003197592,0.0002984904,0.00005873468,0.0003518299,0.00001766329],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000108848,"about_ca_system_score_gemma":0.00006891145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001766432,"about_ca_topic_score_gemma":0.0008588308,"domain_scores_codex":[0.9983405,0.0005221378,0.0001595245,0.0003158188,0.0003542535,0.0003077856],"domain_scores_gemma":[0.999128,0.0003300982,0.00007911024,0.000236486,0.0000742962,0.000151992],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.000001871858,0.00005036904,0.7342714,0.00001683468,0.00002056268,0.000004428213,0.03463026,0.000002539591,0.0001249322,0.2301234,0.0001332703,0.0006201553],"study_design_scores_gemma":[0.0001754676,0.00002969859,0.9203471,0.00002221254,0.00005474763,0.000001365599,0.02630864,0.00001828523,0.00001527195,0.05007276,0.002723514,0.0002309726],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.980572,0.00004904473,0.00006047443,0.005078428,0.00007102003,0.0001791142,0.00001307233,0.00007939644,0.0138974],"genre_scores_gemma":[0.9965237,0.00001047224,0.0002525503,0.0008941368,0.0001977981,0.00001113486,0.00008283366,0.00001231116,0.002015028],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1860757,"threshold_uncertainty_score":0.9994127,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4206727433","doi":"10.26881/pan.2021.26.01","title":"Tachyons, tactility, drawing and withdrawing: cinema at the speed of darkness","year":2021,"lang":"en","type":"article","venue":"Panoptikum","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Movie theater; Hollywood; Narrative; Meaning (existential); Mainstream; Aesthetics; Phenomenon; Darkness; Literature; Art; History; Visual arts; Art history; Epistemology; Philosophy; Physics; Astronomy","authors":[{"name":"William Brown","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0293585562346827,"gpt":0.2306778458910559,"spread":0.2013192896563732,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002897725,0.0001173852,0.0003749268,0.00005180094,0.000158965,0.00002888749,0.00009630241,0.00004743042,0.0002616319],"category_scores_gemma":[0.0003106846,0.000100915,0.0000750636,0.0001907222,0.0001319034,0.00007540642,0.0002504832,0.00009479989,0.00004678159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003151438,"about_ca_system_score_gemma":0.0000209078,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007851622,"about_ca_topic_score_gemma":0.0001417735,"domain_scores_codex":[0.9990787,0.00001518108,0.0003616338,0.0002968937,0.00004155182,0.0002060192],"domain_scores_gemma":[0.9992533,0.0001440301,0.0001715706,0.0003332525,0.00004574056,0.00005214869],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00005110878,0.000161555,0.9414284,0.0002925343,0.0002931277,0.00003713664,0.004914708,0.00002146802,0.007440291,0.03757644,0.00559916,0.002184029],"study_design_scores_gemma":[0.002353725,0.0001177293,0.7057883,0.000115829,0.00009889337,0.0001060596,0.004679215,0.0004628027,0.02989327,0.01133697,0.2443285,0.0007186779],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9408523,0.01187658,0.00006263446,0.003118658,0.0004393866,0.0001111994,0.00004703117,0.00001594816,0.04347626],"genre_scores_gemma":[0.9923398,0.0006745354,0.0001676001,0.0001735157,0.00009385047,0.000006214623,0.000009384572,0.00001365727,0.006521429],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2387293,"threshold_uncertainty_score":0.4115195,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366964478","doi":"10.26881/pan.2022.27.06","title":"Warunki prawne, finansowe i organizacyjne w koprodukcji kanadyjsko-polskiej. Przypadek filmu \"Przysięga Ireny\"","year":2022,"lang":"en","type":"article","venue":"Panoptikum","topic":"Intellectual Property Rights and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Filmmaking; Context (archaeology); Prestige; Geopolitics; Event (particle physics); Production (economics); History; Political science; Art history; Art; Media studies; Sociology; Law; Archaeology; Movie theater; Philosophy; Physics","authors":[{"name":"Tomasz Kożuchowski","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02258673212600028,"gpt":0.2647816060637276,"spread":0.2421948739377273,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001110902,0.0002943116,0.0003698982,0.0001756657,0.003109271,0.0001515201,0.0009244126,0.0001327368,0.02257299],"category_scores_gemma":[0.0008707116,0.0002425115,0.0001436688,0.001121228,0.0004634509,0.0002748857,0.0003385541,0.0006420367,0.0009507838],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004054024,"about_ca_system_score_gemma":0.001046495,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004055402,"about_ca_topic_score_gemma":0.001315061,"domain_scores_codex":[0.9962209,0.0004802857,0.0004193604,0.0006696928,0.001149439,0.001060329],"domain_scores_gemma":[0.9985413,0.0002146077,0.0001608995,0.0005148462,0.0002287222,0.0003396239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002522575,0.001025611,0.0007472606,0.00008736917,0.0001624069,0.0002440814,0.1585921,0.0001324972,0.006489577,0.09670731,0.7084343,0.02712521],"study_design_scores_gemma":[0.0003549932,0.0002921551,0.0001488044,0.00001134468,0.00004069247,0.00001209743,0.007302348,0.00009578276,0.001725679,0.001749843,0.9878225,0.0004437918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1619485,0.002087847,0.0003146711,0.03245391,0.007540506,0.002527251,0.000171862,0.001148745,0.7918067],"genre_scores_gemma":[0.8125287,0.0002350018,0.0004745607,0.001569062,0.0008599825,0.0001504011,0.00005420025,0.00006699426,0.1840611],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6505802,"threshold_uncertainty_score":0.9998271,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}