{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":12,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":12,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e7082d8ecacd","filters":{"venue":"Performance Philosophy"}},"results":[{"id":"W4382985898","doi":"10.21476/pp.2023.81430","title":"Listening is Action: A Soundwalk with Hildegard Westerkamp","year":2023,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"European Commission","keywords":"Soundscape; Active listening; Conversation; Action (physics); Situated; Visual arts; Sociology; Downtown; Media studies; Sound (geography); History; Art; Communication; Archaeology; Acoustics; Computer science","authors":[{"name":"Luis Velasco-Pufleau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07601395668295446,"gpt":0.2357708515055688,"spread":0.1597568948226143,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009662945,0.0001659354,0.0001490433,0.00009425511,0.0008724495,0.0001188931,0.0001433749,0.00004057708,0.005242414],"category_scores_gemma":[0.00000221272,0.0001238362,0.00006206068,0.0001065234,0.0001810187,0.0005125169,0.00002887449,0.0001960301,0.001567142],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004421204,"about_ca_system_score_gemma":0.00003272903,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001132806,"about_ca_topic_score_gemma":0.00009295969,"domain_scores_codex":[0.9990638,0.00001173939,0.0001444914,0.0002278367,0.0003074871,0.0002446277],"domain_scores_gemma":[0.999525,0.00001030774,0.00006849587,0.0002256433,0.0001073654,0.00006326605],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000402237,0.0001459166,0.002733529,0.000926861,0.0002276464,0.00005856832,0.4210494,0.0001215105,0.0001192647,0.1434273,0.4210568,0.009730866],"study_design_scores_gemma":[0.0002944629,0.0001519535,0.0002667858,0.00009674043,0.00002262638,0.00001257625,0.001140092,0.0001804878,0.00004768601,0.001077635,0.9964705,0.0002384308],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5019186,0.00007598058,0.000003669231,0.001677462,0.0008099094,0.0001411959,0.00002866577,0.0004222039,0.4949223],"genre_scores_gemma":[0.9541923,0.00002140818,0.00001461371,0.001582419,0.002493359,0.00004611247,0.00003111679,0.00002559499,0.04159304],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5754137,"threshold_uncertainty_score":0.9992102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3208680707","doi":"10.21476/pp.2021.62372","title":"Introduction: Plant Performance","year":2021,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Animal and Plant Science Education","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Performative utterance; Situated; Reflexivity; Agency (philosophy); Sociology; Field (mathematics); Politics; Epistemology; Performance studies; Aesthetics; Environmental ethics; Social science; Political science; Art; Law; Computer science; Anthropology; Philosophy","authors":[{"name":"Prudence Gibson","is_ca":false},{"name":"Catriona Sandilands","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03861597495376914,"gpt":0.2730859362744616,"spread":0.2344699613206925,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001806546,0.0001319145,0.0001307054,0.00007126915,0.0002433317,0.00002880736,0.0001733376,0.00006614929,0.006188087],"category_scores_gemma":[0.00001209099,0.0001199747,0.00004101386,0.0003887115,0.00007990039,0.0003417019,0.0000344182,0.0002044186,0.004673378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002987361,"about_ca_system_score_gemma":0.00006674227,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004725362,"about_ca_topic_score_gemma":0.000001062586,"domain_scores_codex":[0.998873,0.0000317672,0.0001998524,0.0003839722,0.000203812,0.0003076303],"domain_scores_gemma":[0.9994001,0.00002245435,0.00006774121,0.000341714,0.00008204785,0.00008598476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0007300304,0.001236132,0.4976346,0.0003584025,0.0001620927,0.00009830944,0.009615155,0.0002351472,0.004884038,0.1479418,0.2493077,0.0877965],"study_design_scores_gemma":[0.0005585196,0.000411492,0.5139818,0.00005854851,0.00003183156,0.001185679,0.0004403395,0.001084983,0.007484054,0.001318879,0.4728361,0.0006078068],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8782488,0.0002735101,0.0000169772,0.007332647,0.003483056,0.00006453162,0.00001399496,0.00007458094,0.110492],"genre_scores_gemma":[0.9877492,0.0001569728,0.0001890185,0.0005489113,0.005237209,0.00002993647,0.0001129889,0.00001029322,0.005965459],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2235284,"threshold_uncertainty_score":0.9961016,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224239401","doi":"10.21476/pp.2022.71381","title":"Another Image of Existence","year":2022,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Subject (documents); Salon; Coronavirus disease 2019 (COVID-19); Ontology; Poetry; Politics; Power (physics); Image (mathematics); Sociology; 2019-20 coronavirus outbreak; Epistemology; Art; Art history; Philosophy; Literature; Computer science; Political science; Law; Artificial intelligence; Library science; Medicine","authors":[{"name":"Denise Ferreira da Silva","is_ca":true},{"name":"Valentina Desideri","is_ca":true},{"name":"Georg Döcker","is_ca":false},{"name":"Eve Katsouraki","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04943687367540345,"gpt":0.2209288828097193,"spread":0.1714920091343158,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001462485,0.0001234822,0.0001787773,0.00009190935,0.0009188941,0.00002072854,0.0002335582,0.000008147023,0.008305453],"category_scores_gemma":[0.00000314352,0.0001057692,0.00007352758,0.00005190101,0.0003785373,0.0003194793,0.0001781841,0.0001455072,0.00009465004],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002254859,"about_ca_system_score_gemma":0.00001869796,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003062769,"about_ca_topic_score_gemma":0.000008043815,"domain_scores_codex":[0.9991296,0.00001744772,0.0002277081,0.0001522578,0.0002715075,0.0002015111],"domain_scores_gemma":[0.9995609,0.00001550592,0.0001195019,0.0002131458,0.00007041616,0.00002055005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003606974,0.0005433448,0.01081581,0.0006224202,0.0001744618,0.000008591339,0.17248,0.0002242358,0.0005777403,0.7766724,0.02440638,0.01311386],"study_design_scores_gemma":[0.000447032,0.000617781,0.000958707,0.00002786681,0.00002233639,0.000005948832,0.003132856,0.0008274234,0.0005471482,0.007247203,0.9858217,0.0003439903],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4129539,0.0002754128,0.000002813233,0.0007982891,0.0005116924,0.0001164335,0.000065434,0.00005099582,0.585225],"genre_scores_gemma":[0.9949657,0.00008050251,0.00007681162,0.0004617647,0.00056145,0.00006548945,0.000008170966,0.00001817355,0.003761906],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9614154,"threshold_uncertainty_score":0.9926011,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2888946315","doi":"10.21476/pp.2018.41198","title":"What is Refugee?","year":2018,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Hannah Arendt's Political Philosophy","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Refugee; Globe; Scholarship; Relation (database); Refugee crisis; Capitalism; Sociology; Epistemology; Politics; Political science; Law; Psychology; Philosophy; Computer science","authors":[{"name":"Will Daddario","is_ca":false},{"name":"Janhavi Dhamankar","is_ca":false},{"name":"Milton Loayza","is_ca":false},{"name":"Jon McKenzie","is_ca":false},{"name":"Yana Meerzon","is_ca":true},{"name":"Tero Nauha","is_ca":false},{"name":"Theron Schmidt","is_ca":false},{"name":"Aneta Stojnić","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04821159939876674,"gpt":0.3410922869155409,"spread":0.2928806875167742,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000511353,0.0002171328,0.0002285687,0.0001547219,0.001097213,0.0002411912,0.0006280143,0.0001658494,0.00176833],"category_scores_gemma":[0.0000930203,0.0002137756,0.0001131764,0.0005396434,0.001506181,0.002173526,0.0001226461,0.0002460785,0.007740741],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001479235,"about_ca_system_score_gemma":0.0001500426,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008434444,"about_ca_topic_score_gemma":0.0000302268,"domain_scores_codex":[0.9975826,0.0001000068,0.0003060316,0.0004365812,0.0007354683,0.000839272],"domain_scores_gemma":[0.9986272,0.00006388341,0.00008626394,0.0005197502,0.0002764869,0.0004263824],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008693386,0.0001882652,0.003553886,0.00007192929,0.00005511335,0.000007405235,0.02531359,9.175968e-7,0.0001015284,0.9387478,0.01014946,0.02172324],"study_design_scores_gemma":[0.000318633,0.0002729121,0.0007679538,0.0001326163,0.00001943944,0.000002286448,0.0003307263,0.0001148171,0.001972603,0.3950738,0.6005377,0.0004565147],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2635117,0.0003194624,0.0000180803,0.05631024,0.002800811,0.0002994952,0.00001149544,0.0003319921,0.6763967],"genre_scores_gemma":[0.9801354,0.0005167696,0.000201412,0.009190487,0.008192493,0.00002669552,0.000004728393,0.00003197991,0.001700051],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7166237,"threshold_uncertainty_score":0.9991442,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407956654","doi":"10.21476/pp.2024.92547","title":"The Afterlives of &lt;i&gt;Terra Nullius&lt;/i&gt;: Unmarked Graves, Indigenous ‘Discoveries’, and Colonial After-Thoughts","year":2025,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Historical and Cultural Archaeology Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Colonialism; Ethnology; Art; History; Anthropology; Geography; Sociology; Biology; Archaeology; Ecology","authors":[{"name":"Kevin Bruyneel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0100724747051129,"gpt":0.2461745025253539,"spread":0.236102027820241,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0003262829,0.0001955569,0.000306009,0.00006699007,0.001985196,0.0000332983,0.0003558009,0.000111303,0.00003394776],"category_scores_gemma":[0.00007524472,0.0001294469,0.00009002072,0.0004007922,0.002730825,0.0002353189,0.0002185785,0.0001592948,0.00001901329],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001009153,"about_ca_system_score_gemma":0.0001191141,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000925179,"about_ca_topic_score_gemma":0.002563133,"domain_scores_codex":[0.9985058,0.0001498056,0.0003166466,0.0002812961,0.0003067038,0.0004397761],"domain_scores_gemma":[0.9993098,0.0001722503,0.0001228987,0.0001928422,0.0001156854,0.00008647921],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.003729453,0.0005522888,0.0942843,0.000665797,0.0008509894,0.0000395274,0.5346126,0.00001256436,0.002070358,0.2943576,0.006172363,0.06265219],"study_design_scores_gemma":[0.0006740715,0.0004499324,0.1339456,0.0001451856,0.0001004566,0.000002579003,0.0007859485,0.00002549617,0.0002095715,0.06494375,0.7982839,0.0004335509],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9449643,0.008915427,0.000009902249,0.005169068,0.0006439556,0.000372873,0.00001769364,0.00004668018,0.0398601],"genre_scores_gemma":[0.9895247,0.005016896,0.00007911279,0.0002151225,0.0004126027,0.0001161791,0.000002944668,0.000007040704,0.004625455],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7921115,"threshold_uncertainty_score":0.9999832,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2483505965","doi":"10.21476/pp.2016.2134","title":"Wittgenstein's Slapstick","year":2016,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Wittgensteinian philosophy and applications","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"CLARITY; Improvisation; Philosophy of language; Philosophy; Ordinary language philosophy; Epistemology; Philosophical methodology; Philosophical theory; Western philosophy; Art; Visual arts; Metaphysics","authors":[{"name":"Beth Savickey","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03748970928791371,"gpt":0.2003181135630409,"spread":0.1628284042751272,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000877334,0.0002055657,0.0001748645,0.0001046363,0.0004554516,0.000067827,0.0002930897,0.00004179215,0.002338231],"category_scores_gemma":[0.0000121847,0.0001311186,0.00009230049,0.00005923047,0.0004621811,0.0005566592,0.00005429337,0.00008925983,0.004732133],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003181502,"about_ca_system_score_gemma":0.00002557247,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004401103,"about_ca_topic_score_gemma":0.000004161946,"domain_scores_codex":[0.9988711,0.00001576891,0.0002700285,0.0003029816,0.0002178807,0.0003222555],"domain_scores_gemma":[0.9991822,0.00005251353,0.0000935191,0.0004468929,0.0001095836,0.0001152935],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002604088,0.0000634781,0.0002979735,0.00002996917,0.0000251598,0.000001792264,0.001472766,9.49466e-7,0.0007169388,0.979888,0.002523453,0.01495354],"study_design_scores_gemma":[0.0008620789,0.0002421571,0.0004840978,0.0001636517,0.00003628524,0.00001143887,0.00006312571,0.00004734918,0.002813331,0.2023195,0.7923875,0.0005695094],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2376775,0.00009992028,0.00006328724,0.01479661,0.0006002057,0.0002559119,0.00007656378,0.0003108408,0.7461191],"genre_scores_gemma":[0.9897746,0.00005652236,0.00008784574,0.0007523434,0.003200259,0.00008472041,0.000007086311,0.0000331337,0.006003455],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7898641,"threshold_uncertainty_score":0.9985738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2778309103","doi":"10.21476/pp.2017.33178","title":"Untimely Meditation: Nietzsche et cetera","year":2017,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Universität Wien; Austrian Science Fund; York University; Princeton University","keywords":"Temporality; Meditation; Philosophy; The arts; Eternity; Epistemology; Existentialism; Democracy; Contemporary philosophy; Politics; Aesthetics; Art; Visual arts; Law; Theology","authors":[{"name":"Arno Böhler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06756333791651485,"gpt":0.2802355477595492,"spread":0.2126722098430344,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003144582,0.0002318137,0.0002433285,0.00009080252,0.001800407,0.0008241608,0.0006405301,0.00006131443,0.003300685],"category_scores_gemma":[0.00004120666,0.0001976123,0.0001125129,0.00001748954,0.0003914901,0.002064555,0.0001300588,0.0003083555,0.002898342],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002122148,"about_ca_system_score_gemma":0.0000498217,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005693093,"about_ca_topic_score_gemma":0.00009957949,"domain_scores_codex":[0.9987431,0.00002575753,0.000278985,0.0002969521,0.0003334463,0.0003217907],"domain_scores_gemma":[0.9987256,0.00003519215,0.000225908,0.0007315265,0.0001677612,0.0001139918],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002187732,0.0003149709,0.01250155,0.0004235919,0.0001874754,0.00002185413,0.05176206,0.00001665041,0.0002283553,0.8151454,0.1051438,0.01403551],"study_design_scores_gemma":[0.001305779,0.0002893236,0.01293072,0.0001864091,0.00005630073,0.000007649655,0.0004906931,0.0005643761,0.0006076933,0.01968707,0.9631805,0.0006935068],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3069336,0.0004366547,0.000006862739,0.006828296,0.002046145,0.0001925368,0.00003204376,0.0001234418,0.6834004],"genre_scores_gemma":[0.9861439,0.0004353265,0.0002037992,0.001520483,0.004261117,0.00004577483,0.00003705459,0.00003570165,0.007316793],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8580366,"threshold_uncertainty_score":0.9994991,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3210565008","doi":"10.21476/pp.2021.62334","title":"Lettuce Entertain You: Floral Agency in Ralph Knevet's &lt;i&gt;Rhodon and Iris&lt;/i&gt;","year":2021,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Animal and Plant Science Education","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Agency (philosophy); Performativity; IRIS (biosensor); Style (visual arts); Sociology; Aesthetics; Art history; Art; Visual arts; Literature; Social science; Gender studies","authors":[{"name":"Ashley Howard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03657160508776754,"gpt":0.285187983476097,"spread":0.2486163783883295,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004005472,0.000229553,0.0002531708,0.0001846311,0.0001771035,0.00004960593,0.0002449283,0.0001312645,0.0009218924],"category_scores_gemma":[0.00003506276,0.0002204327,0.00006114441,0.0005019935,0.000132165,0.0004704916,0.00008045357,0.0002570056,0.0006674573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004949547,"about_ca_system_score_gemma":0.00007088259,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002459869,"about_ca_topic_score_gemma":0.00004358366,"domain_scores_codex":[0.998226,0.0001209946,0.0003515218,0.000564467,0.0002434886,0.0004935041],"domain_scores_gemma":[0.9992988,0.00006541439,0.0001041984,0.000333055,0.00005993397,0.0001386705],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0007384607,0.001399171,0.7609896,0.0003217004,0.00009260984,0.0002589113,0.02569382,0.00007828945,0.08381999,0.05521022,0.01370258,0.05769466],"study_design_scores_gemma":[0.001243508,0.0003907329,0.9429874,0.0001586322,0.00003178434,0.0002488272,0.00027288,0.001522649,0.00093531,0.006935076,0.04457724,0.0006958908],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9529281,0.001554129,0.0000436554,0.003884299,0.001325201,0.00016761,0.00001994183,0.00004658997,0.04003054],"genre_scores_gemma":[0.9955472,0.0003612173,0.0004005445,0.0007769636,0.0006435644,0.00004613567,0.00007134432,0.00001811087,0.002134915],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1819979,"threshold_uncertainty_score":0.9999914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4405913598","doi":"10.21476/pp.2024.91454","title":"The Work of Sharing","year":2024,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design; University of Calgary","funders":"","keywords":"Work (physics); Computer science; Engineering; Mechanical engineering","authors":[{"name":"Annette Arlander","is_ca":false},{"name":"Johanna Householder","is_ca":true},{"name":"Michelle Man","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0262197807286152,"gpt":0.2650466936183223,"spread":0.2388269128897071,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002385243,0.00007787105,0.00006880754,0.0001375229,0.0001667123,0.00009582805,0.000829433,0.00003768277,0.000007811104],"category_scores_gemma":[0.00001390472,0.00005356518,0.00003541273,0.0007855037,0.0001037903,0.0006154784,0.0002575217,0.0002533287,0.0001915623],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003561091,"about_ca_system_score_gemma":0.00001788588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":8.452946e-7,"about_ca_topic_score_gemma":2.403443e-7,"domain_scores_codex":[0.9993151,0.000007344223,0.0001837107,0.0002000882,0.0001415303,0.0001521678],"domain_scores_gemma":[0.9993767,0.0000578506,0.00004945989,0.0004359327,0.00006971507,0.00001038729],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000006110692,0.000009637227,0.001665424,0.00004099591,0.00002452047,0.000002748427,0.0003017407,0.00002426065,0.000415906,0.9456921,0.0003994244,0.05141718],"study_design_scores_gemma":[0.0002635703,0.0003746092,0.0143124,0.0009863698,0.00001594047,0.00007355002,0.00002625669,0.2222477,0.07930951,0.60855,0.0732913,0.0005487556],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8719729,0.001716659,0.03655544,0.01456247,0.004020861,0.0002540488,0.000001074266,0.0009501747,0.06996641],"genre_scores_gemma":[0.9985475,0.00004709923,0.000950323,0.00007891912,0.0001384404,0.00001884659,4.341265e-7,0.000006399935,0.0002120564],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.337142,"threshold_uncertainty_score":0.2462209,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2581243266","doi":"10.21476/pp.2017.22102","title":"\"Any Search for an Origin is Hysterical\": Summoning the Ghost of J.L. Austin","year":2017,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Performative utterance; Utterance; Performativity; Dramaturgy; Indexicality; Praxis; Consciousness; Philosophy; Phenomenology (philosophy); Deixis; Context (archaeology); Linguistics; Epistemology; Heteroglossia; Literature; Sociology; Aesthetics; Art; History","authors":[{"name":"Tawny Andersen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.174269950764381,"gpt":0.3311641143580599,"spread":0.1568941635936789,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003351398,0.0001837923,0.0002639495,0.00005995037,0.002536293,0.0002172292,0.0006387905,0.00003356887,0.000216263],"category_scores_gemma":[0.00001004138,0.0001171453,0.0001081674,0.00002109189,0.0007210459,0.0007094446,0.0001300752,0.0001581505,0.00007021755],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001629658,"about_ca_system_score_gemma":0.00003086516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002316093,"about_ca_topic_score_gemma":0.00009297721,"domain_scores_codex":[0.9989331,0.00001680932,0.0002662648,0.0002150537,0.0002203487,0.0003483756],"domain_scores_gemma":[0.9988503,0.00006009885,0.0001746547,0.0006825223,0.0001807185,0.00005165671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001580842,0.000617142,0.1815742,0.002745493,0.0006278934,0.00000310584,0.3225794,0.000132557,0.0008675935,0.3719931,0.01768771,0.09959099],"study_design_scores_gemma":[0.002512142,0.003326672,0.0343228,0.0006530734,0.0002336485,0.000007315024,0.006428165,0.009222568,0.01230514,0.0101444,0.919587,0.001257033],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8782603,0.0001734388,0.000007891927,0.002788528,0.0005560237,0.0003365444,0.0001127913,0.0000368334,0.1177277],"genre_scores_gemma":[0.9957339,0.0001339083,0.00005513795,0.0003104675,0.002182759,0.00006869171,0.00001002287,0.00002416069,0.001480941],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9018993,"threshold_uncertainty_score":0.9987622,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2777041160","doi":"10.21476/pp.2017.33163","title":"Immanence: A life… Friedrich Nietzsche","year":2017,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Universität Wien; Austrian Science Fund; York University; Universität Heidelberg; Princeton University","keywords":"Immanence; Instinct; Philosophy; Metaphysics; Transcendence (philosophy); Epistemology; Asceticism; Multitude; Sensibility; Nihilism; Eudaimonia; Aesthetics; Literature; Art; Theology","authors":[{"name":"Arno Böhler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05370835201449469,"gpt":0.2590062563260531,"spread":0.2052979043115584,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002671924,0.0002999568,0.0003261972,0.0001048151,0.002979067,0.0008778692,0.001012396,0.00008589861,0.003930258],"category_scores_gemma":[0.00006914076,0.000253442,0.0001454635,0.00002546873,0.0005736439,0.001637539,0.0002164349,0.0003937574,0.003939916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002623208,"about_ca_system_score_gemma":0.00007977107,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001206624,"about_ca_topic_score_gemma":0.00006976901,"domain_scores_codex":[0.9983718,0.00001929632,0.0003407046,0.0003980986,0.0003773095,0.0004927761],"domain_scores_gemma":[0.9982336,0.00002583147,0.0002659411,0.001084808,0.0001683401,0.0002214702],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004834076,0.0006484254,0.06096352,0.0007874233,0.0003454473,0.00004145834,0.05011183,0.00001828455,0.0004051611,0.7393094,0.1305807,0.01630496],"study_design_scores_gemma":[0.0015151,0.000346957,0.01686429,0.0001996956,0.0000862072,0.000009341427,0.0008424046,0.0008130425,0.0005451994,0.01471958,0.9630056,0.001052603],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4655107,0.0008185973,0.000003630443,0.002579849,0.001390721,0.0001996575,0.00002241348,0.0001284377,0.529346],"genre_scores_gemma":[0.9834009,0.0007422632,0.00009445484,0.0009911992,0.005060744,0.00006305423,0.00001578151,0.00004332103,0.009588275],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8324249,"threshold_uncertainty_score":0.9999918,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407957137","doi":"10.21476/pp.2024.92521","title":"Wounded Objects: Mexican and Global Contexts of Disposable Life","year":2025,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada; University of Michigan","keywords":"Psychology; Gerontology; Sociology; Medicine","authors":[{"name":"Susan Antebi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01823075848802504,"gpt":0.3134080745446708,"spread":0.2951773160566458,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001940431,0.0001061054,0.0001911886,0.0001203999,0.0005131493,0.00005513527,0.0002343634,0.00006416896,0.0001126696],"category_scores_gemma":[0.0001388699,0.0001064309,0.00006641763,0.0005278595,0.0006740983,0.0004156484,0.0000752422,0.0001130336,0.000019553],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005325739,"about_ca_system_score_gemma":0.0001204181,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001219381,"about_ca_topic_score_gemma":0.00337592,"domain_scores_codex":[0.999088,0.00004253372,0.0002246223,0.0001885836,0.00021342,0.0002427895],"domain_scores_gemma":[0.9994373,0.00006506296,0.00009343722,0.0001669389,0.0001347234,0.0001024908],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0002306891,0.0002371181,0.3235651,0.000187379,0.0001763465,0.000001244562,0.004942038,0.00001879727,0.0001336126,0.6661708,0.0025126,0.001824279],"study_design_scores_gemma":[0.002369568,0.0007218948,0.620833,0.0007366655,0.0002419383,0.000003445289,0.01679552,0.0004296995,0.000734394,0.3113505,0.04485328,0.0009300809],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6629601,0.000537149,0.00000174212,0.003251304,0.0002780525,0.00015865,0.00001239821,0.00004967674,0.332751],"genre_scores_gemma":[0.9985117,0.000372353,0.00008497542,0.0004787146,0.0001248433,0.00001818887,0.000002499936,0.000004014926,0.0004027455],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3548203,"threshold_uncertainty_score":0.4340127,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}