{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"32f29293ec49","filters":{"venue":"Philologus"}},"results":[{"id":"W2573921611","doi":"10.1515/phil-2016-5017","title":"The Hellenistic Origins of Memory as Trope for Literary Allusion in Latin Poetry","year":2017,"lang":"en","type":"article","venue":"Philologus","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Allusion; Trope (literature); Poetry; Literature; Latin poetry; Art; History; Philosophy","authors":[{"name":"Riemer A. Faber","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06430422863337323,"gpt":0.3799511689207922,"spread":0.315646940287419,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009661752,0.0002395845,0.0001986803,0.0009308645,0.00188433,0.004560768,0.0003468063,0.0006158988,0.003078989],"category_scores_gemma":[0.002885375,0.00009923484,0.0001220868,0.0007553678,0.01605195,0.004228956,0.002455795,0.0009811247,0.0002502636],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001060356,"about_ca_system_score_gemma":0.0005180138,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006986544,"about_ca_topic_score_gemma":0.0009376956,"domain_scores_codex":[0.9994127,0.0004012492,0.0000233036,0.00005561857,0.00006646167,0.0000407019],"domain_scores_gemma":[0.9987496,0.0006814813,0.000138026,0.0002446704,0.0001324028,0.00005382251],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009100985,0.00002549744,0.001982243,0.0002004105,0.00001011925,0.0007399945,0.289912,0.0001405719,0.003714239,0.6766421,0.001190551,0.02535125],"study_design_scores_gemma":[0.00005136591,0.0001530015,0.01118819,0.001081126,0.00003338369,0.003759644,0.3118575,0.0009040807,0.00663865,0.3042268,0.3600363,0.00006986604],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4850596,0.006253254,0.01626622,0.00526795,0.0003531593,0.00003921341,0.00007076997,0.0001355831,0.4865541],"genre_scores_gemma":[0.9940539,0.0004127846,0.0005606624,0.0001059389,0.00004457485,0.000008769034,0.000006252994,0.00002318962,0.004784036],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004560768,"threshold_uncertainty_score":0.01030028,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2030800642","doi":"10.1524/phil.2009.0005","title":"Leukippe as Tragedy","year":2009,"lang":"en","type":"article","venue":"Philologus","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary; McMaster University","funders":"","keywords":"Tragedy (event); Plot (graphics); Literature; Mythology; Romance; Greek tragedy; Art; Mosaic; Iconography; Transvestism; Philosophy; History; Art history; Psychoanalysis; Psychology; Visual arts","authors":[{"name":"William J. Slater","is_ca":true},{"name":"Martin Cropp","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04746514441507927,"gpt":0.3604046517277498,"spread":0.3129395073126706,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005896869,0.0002441192,0.0002474628,0.0009473072,0.00338954,0.003329426,0.0004071504,0.0008348762,0.007025321],"category_scores_gemma":[0.001208672,0.0001234142,0.00009311201,0.001153553,0.01024272,0.004003735,0.003793192,0.001445957,0.0003403708],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002288627,"about_ca_system_score_gemma":0.0007017265,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003025735,"about_ca_topic_score_gemma":0.005992982,"domain_scores_codex":[0.9994975,0.0002275729,0.00001424601,0.00006864349,0.0001073204,0.00008464095],"domain_scores_gemma":[0.9997767,0.00009336118,0.00004991725,0.00002950473,0.00002297173,0.00002759122],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001079208,0.00001755945,0.002472315,0.0002660917,0.00001104086,0.001359942,0.3027978,0.0002331613,0.001082366,0.6572651,0.007789826,0.02659693],"study_design_scores_gemma":[0.00001457189,0.00009452527,0.01210609,0.0006225593,0.00001631711,0.002278247,0.2084872,0.0003079433,0.0009339922,0.06057139,0.7145379,0.00002922498],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5172235,0.01284721,0.004009311,0.01115946,0.0007200441,0.00003629776,0.000304809,0.00008976666,0.4536095],"genre_scores_gemma":[0.9817243,0.001514563,0.0002584033,0.0002271911,0.00006412451,0.000008002331,0.00004470029,0.0000255362,0.01613327],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007025321,"threshold_uncertainty_score":0.02350205,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2551947425","doi":"10.1515/phil-2016-5011","title":"Women’s Playthings: The Meaning of δούλευμα in Soph.<i>Ant</i>. 756, Eur.<i>Ion</i>748, and Eur.<i>Or.</i>221","year":2016,"lang":"en","type":"article","venue":"Philologus","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University; Vanier College","funders":"","keywords":"Meaning (existential); Original meaning; Object (grammar); Perspective (graphical); Greek tragedy; Linguistics; Word (group theory); Tragedy (event); Literature; Psychology; Art; Philosophy; Epistemology; Visual arts","authors":[{"name":"Roger S. Fisher","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04820811042976907,"gpt":0.2976948412838319,"spread":0.2494867308540629,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001701996,0.0008847142,0.0005057341,0.001525736,0.005436985,0.005365332,0.0008138287,0.00192399,0.006211371],"category_scores_gemma":[0.003169002,0.0004158064,0.0002204779,0.001336273,0.02045357,0.005068175,0.00378086,0.002514461,0.0007479748],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004371988,"about_ca_system_score_gemma":0.001114144,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004991957,"about_ca_topic_score_gemma":0.007106791,"domain_scores_codex":[0.99796,0.001326612,0.00007713062,0.0001789456,0.0002559945,0.0002013438],"domain_scores_gemma":[0.9985791,0.0008272725,0.0001861161,0.00007938454,0.0001821584,0.0001460133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006854373,0.00001574261,0.0004528637,0.0001574202,0.000008803409,0.0006510263,0.6657879,0.00004792056,0.001109955,0.323009,0.003170506,0.005520359],"study_design_scores_gemma":[0.00003133701,0.00008027961,0.003218831,0.0007530138,0.00001537806,0.0009021978,0.4698399,0.0002620346,0.0009020107,0.05187544,0.4720724,0.00004724551],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3000905,0.009191803,0.01026843,0.01652341,0.002490777,0.00008636719,0.0002738042,0.0001402571,0.6609347],"genre_scores_gemma":[0.9819973,0.001074227,0.0007594414,0.0007309211,0.000176044,0.00002858401,0.00004136987,0.00009412233,0.01509795],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006211371,"threshold_uncertainty_score":0.03172112,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2326371871","doi":"10.1524/phil.2011.0017","title":"Theatres for Hire","year":2011,"lang":"en","type":"article","venue":"Philologus","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Position (finance); Art; History; Literature; Business","authors":[{"name":"William J. Slater","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1960342788117503,"gpt":0.3595478663084313,"spread":0.163513587496681,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001899187,0.0002480484,0.0002072786,0.0006557685,0.006030266,0.003068629,0.0004746364,0.0007606721,0.03366639],"category_scores_gemma":[0.00341414,0.000163414,0.0001267571,0.000452433,0.007301154,0.002675672,0.003997498,0.002237518,0.002459711],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00249599,"about_ca_system_score_gemma":0.0008055849,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001953899,"about_ca_topic_score_gemma":0.004712576,"domain_scores_codex":[0.9982303,0.0009691288,0.00005512955,0.0001572866,0.0002796187,0.0003086428],"domain_scores_gemma":[0.9984664,0.0005681485,0.0001803931,0.0002873446,0.0002190025,0.0002787026],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000072002,0.00006342035,0.001639097,0.0001497711,0.000007141671,0.0004373709,0.1088877,0.0001201578,0.001048571,0.8118878,0.0320681,0.04361894],"study_design_scores_gemma":[0.000009580287,0.00009661049,0.005039755,0.0002472099,0.000005272282,0.0006055283,0.0678442,0.0001506437,0.000832168,0.02622567,0.8989191,0.00002438969],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1860045,0.002051557,0.003022481,0.009907806,0.001084285,0.00004943202,0.0001186211,0.00009237292,0.7976689],"genre_scores_gemma":[0.9265484,0.0002663358,0.0006341017,0.0003283906,0.0001096574,0.00001349797,0.00002648824,0.00002949554,0.0720435],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03366639,"threshold_uncertainty_score":0.1126254,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2891464381","doi":"10.1515/phil-2018-0017","title":"Two Lovers and a Lion: Pankrates’ Poem on Hadrian’s Royal Hunt","year":2018,"lang":"en","type":"article","venue":"Philologus","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Apotheosis; Poetry; Literature; Evocation; Emblem; Art; Iconography; Narrative; Mythology; Simile; Analogy; Metaphor; Art history; Philosophy; Theology","authors":[{"name":"Regina Höschele","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04472627292507305,"gpt":0.3444422296622249,"spread":0.2997159567371519,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006688696,0.0004188368,0.0002440834,0.0005955682,0.005230335,0.00289555,0.000341978,0.001052787,0.005306117],"category_scores_gemma":[0.0008826539,0.0001522116,0.0001356155,0.0004509588,0.01301629,0.001802223,0.002041767,0.00179064,0.0006637248],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002232736,"about_ca_system_score_gemma":0.0006842398,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00578807,"about_ca_topic_score_gemma":0.01442424,"domain_scores_codex":[0.9994529,0.0003272014,0.000009558583,0.00004512196,0.00006937282,0.00009595961],"domain_scores_gemma":[0.9997507,0.0001171332,0.00003128305,0.00001755175,0.00003095039,0.00005245914],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001645035,0.00003228282,0.0007717523,0.0001481062,0.0000104309,0.002854217,0.6372893,0.0001721109,0.002004325,0.3325764,0.01174445,0.01223222],"study_design_scores_gemma":[0.00001964197,0.0001627991,0.002659994,0.0002305135,0.00001261758,0.003781154,0.2791475,0.0003100109,0.001267239,0.01376277,0.6985996,0.00004613323],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.4218577,0.006418067,0.003021036,0.01000842,0.0008330516,0.00005716682,0.00007141363,0.0001282327,0.557605],"genre_scores_gemma":[0.9502119,0.0006282892,0.0003102602,0.0003368099,0.000100732,0.000008783325,0.000009993062,0.00003181408,0.04836148],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.00578807,"threshold_uncertainty_score":0.01775074,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2772988870","doi":"10.1515/phil-2017-0023","title":"The Table of Ptolemy’s Terms (<i>Tetr.</i> 1.21)","year":2017,"lang":"en","type":"article","venue":"Philologus","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Ptolemy's table of chords; Antique; Table (database); Byzantine architecture; The Renaissance; Classics; Philosophy; History; Literature; Art; Computer science; Art history; Ancient history; Database","authors":[{"name":"Cristian Tolsa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04800062813231588,"gpt":0.3456283160571805,"spread":0.2976276879248646,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001405109,0.000357986,0.0003555389,0.001955475,0.002832921,0.004029447,0.0005792495,0.0007777161,0.02149474],"category_scores_gemma":[0.006512422,0.00027711,0.0001508781,0.00170236,0.003713466,0.004107149,0.002113234,0.003270126,0.006491833],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003379386,"about_ca_system_score_gemma":0.001596298,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003039441,"about_ca_topic_score_gemma":0.002771021,"domain_scores_codex":[0.9988464,0.0004446242,0.000101873,0.0001960711,0.0003169215,0.00009395864],"domain_scores_gemma":[0.9982288,0.0008753684,0.0002033776,0.0002017508,0.0004065114,0.00008422393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005902563,0.000004866156,0.0002797961,0.0001478805,0.000004579446,0.00007812015,0.00780417,0.00005837547,0.0005585509,0.7317779,0.2343922,0.02483447],"study_design_scores_gemma":[0.000004423337,0.00001519063,0.0007093435,0.0001714845,0.000003952519,0.0001340448,0.00137746,0.0001002589,0.0006572393,0.02608911,0.9707235,0.0000140839],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02939035,0.01079152,0.03892133,0.08230428,0.0287099,0.0001552607,0.005628625,0.001333952,0.8027648],"genre_scores_gemma":[0.7372921,0.00638035,0.01989113,0.007671282,0.007880894,0.000441392,0.00237326,0.003565189,0.2145045],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02149474,"threshold_uncertainty_score":0.0719071,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2605881027","doi":"10.1515/phil-2017-0003","title":"The Inter- and Intratextuality of Seneca the Elder’s <i>Controversia</i> 6.8: The Vestal Virgin Writer and her challenging <i>persona</i>","year":2017,"lang":"en","type":"article","venue":"Philologus","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"McGill University","keywords":"Persona; Literature; Rhetoric; Art; Philosophy; Character (mathematics); Rhetorical question; Linguistics; Humanities","authors":[{"name":"Christian Stoffel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03685690950617647,"gpt":0.3183968621566117,"spread":0.2815399526504352,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00259922,0.0003582223,0.0003058279,0.001163475,0.009393713,0.006681161,0.0007526464,0.001414163,0.002943006],"category_scores_gemma":[0.005598976,0.0002791385,0.0001553468,0.0007972608,0.02363851,0.003178609,0.004937104,0.003831582,0.0003843155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002688597,"about_ca_system_score_gemma":0.001199476,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005096151,"about_ca_topic_score_gemma":0.01044413,"domain_scores_codex":[0.9970865,0.001959438,0.00006304782,0.0002381665,0.0003537964,0.0002991006],"domain_scores_gemma":[0.9966789,0.002117144,0.000362649,0.0002683677,0.0003247854,0.0002480566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000382591,0.00001774171,0.001136392,0.0000716446,0.000008208686,0.001491867,0.8220977,0.00005031136,0.0009893194,0.1596612,0.005160114,0.009277343],"study_design_scores_gemma":[0.00000899918,0.00006031635,0.004100086,0.0004882119,0.00001905065,0.002755895,0.480246,0.0002158914,0.00279988,0.01077269,0.4984799,0.00005319493],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6500119,0.004247347,0.00269916,0.01356907,0.0007497257,0.00002416394,0.0000553958,0.00007764487,0.3285657],"genre_scores_gemma":[0.9865897,0.0003698929,0.0001943539,0.0004437125,0.0001413894,0.000010433,0.000009629409,0.00004734096,0.01219367],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009393713,"threshold_uncertainty_score":0.01950729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}