{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":15,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":15,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"fb61ad895423","filters":{"venue":"Philosophy of Photography"}},"results":[{"id":"W2333679859","doi":"10.1386/pop.2.2.315_1","title":"Index marks the spot? The photo-diagram's referential system","year":2012,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Indexicality; Salient; Index (typography); Diagram; Photography; Juncture; Iconicity; History; Visual arts; Art; Computer science; Linguistics; Philosophy","authors":[{"name":"Jordan Bear","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03916328220444307,"gpt":0.2405344340740064,"spread":0.2013711518695633,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006262745,0.0003551742,0.0003651227,0.0002222248,0.0009074374,0.0001558222,0.0007873519,0.0001273385,0.0007362388],"category_scores_gemma":[0.00001295676,0.0001816303,0.0007674601,0.0003354786,0.001089348,0.0003186267,0.0001021694,0.0005490914,0.00003604323],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001263226,"about_ca_system_score_gemma":0.00001711461,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001082367,"about_ca_topic_score_gemma":0.0002248588,"domain_scores_codex":[0.9979495,0.000191699,0.0004667766,0.0002639887,0.0005823674,0.0005456753],"domain_scores_gemma":[0.9985053,0.0001640499,0.0003206604,0.0006865946,0.0001833496,0.000140054],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002112063,0.0003978687,0.003574887,0.0002665577,0.0004977807,0.000001504639,0.02339795,7.699157e-7,0.001335018,0.9642499,0.005712156,0.0003543683],"study_design_scores_gemma":[0.003120207,0.000852384,0.01924218,0.000831808,0.001424105,0.00006391259,0.04215745,0.0001493983,0.03066524,0.06327708,0.835876,0.002340274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6567883,0.004048117,0.00004153779,0.0008671687,0.003688343,0.001666712,0.0004010037,0.0003330765,0.3321657],"genre_scores_gemma":[0.996523,0.0000507436,0.000006104322,0.0004997522,0.002604433,0.0001585473,0.00002782493,0.00003460911,0.00009496776],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9009728,"threshold_uncertainty_score":0.8061299,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2330556673","doi":"10.1386/pop.4.2.217_1","title":"In favour of Heroines: Lincoln Clarkes’s Vancouver photographs","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Western University","funders":"","keywords":"Photography; Representation (politics); Postmodernism; Identity (music); Politics; Visual arts; Art; Sociology; History; Aesthetics; Literature; Law; Political science","authors":[{"name":"Kelly Wood","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0225664247286441,"gpt":0.2320093984594588,"spread":0.2094429737308147,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002060398,0.0003879839,0.0007173804,0.001196069,0.000115016,0.00004697312,0.0004852133,0.0001538763,0.00285143],"category_scores_gemma":[0.00001850728,0.0003324084,0.0007881077,0.0007574793,0.0008681168,0.0006535092,0.00006015946,0.0003467398,0.00002391841],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009166768,"about_ca_system_score_gemma":0.00002771992,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006149488,"about_ca_topic_score_gemma":0.002999624,"domain_scores_codex":[0.9977589,0.00009304761,0.0008661301,0.0004150284,0.0004403715,0.0004264788],"domain_scores_gemma":[0.998498,0.00009355784,0.0004260245,0.0004575998,0.0003861133,0.0001387682],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000881653,0.009594711,0.1066439,0.003738568,0.001881198,0.00004230437,0.1288414,0.00002307992,0.123314,0.5438941,0.07968216,0.001462987],"study_design_scores_gemma":[0.00795553,0.002945916,0.01436024,0.001588318,0.0003394954,0.000005963595,0.02086698,0.0002153856,0.1162422,0.7363762,0.09619328,0.002910445],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9020061,0.0007922962,0.000007970998,0.0001279925,0.0009549432,0.001175974,0.0001751299,0.00008754771,0.09467205],"genre_scores_gemma":[0.9987231,0.00008255589,0.0001286832,0.0004233682,0.000283819,0.0001842826,0.00001462948,0.0000389173,0.0001206708],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1924822,"threshold_uncertainty_score":0.9999128,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2763667775","doi":"10.1386/pop.5.2.133_1","title":"Of civil and social contracts: Azoulay after Hobbes","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Political Theology and Sovereignty","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Citizenship; Social contract; Monster; Ideology; State (computer science); Law; Law and economics; Debt; Social citizenship; Sociology; Philosophy; Political science; Politics; Economics; Art history; Art; Mathematics","authors":[{"name":"Jonathan Fardy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01586648237166076,"gpt":0.2682977681479575,"spread":0.2524312857762968,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004973792,0.00008703272,0.0002718332,0.0001037984,0.0001395694,0.000006592184,0.0001336571,0.0001365397,0.0001449657],"category_scores_gemma":[0.0001060467,0.0000819612,0.0001551812,0.000143933,0.002069121,0.00008518596,0.00002623984,0.00009618322,0.000002033831],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004003701,"about_ca_system_score_gemma":0.00002041809,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001995934,"about_ca_topic_score_gemma":0.00005927115,"domain_scores_codex":[0.9990128,0.0002181745,0.0001966673,0.000141188,0.0002008046,0.0002304142],"domain_scores_gemma":[0.9993706,0.0002812543,0.00009819659,0.00009601852,0.00007370186,0.00008025061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006353067,0.00006947063,0.006285798,0.00002911372,0.00003784048,4.743731e-7,0.001550939,5.961602e-8,0.00012096,0.9916345,0.0000117118,0.0001956212],"study_design_scores_gemma":[0.0003093959,0.00007293896,0.02211833,0.00001401928,0.00002999272,2.059225e-7,0.0001649955,0.000002956222,0.0007325186,0.9744674,0.001994111,0.00009311508],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5827178,0.0002246155,0.00009167575,0.0007871797,0.0000878604,0.0001304757,0.00004053059,0.00002544658,0.4158944],"genre_scores_gemma":[0.9991508,0.00002800381,0.00005980491,0.0005246027,0.000214163,0.000009053136,0.000001178701,0.000005286351,0.000007105059],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4164329,"threshold_uncertainty_score":0.7623765,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232007207","doi":"10.1386/pop.6.1-2.73_1","title":"Levinas and the photographic undergone","year":2015,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Dawson College","funders":"","keywords":"Photography; Face (sociological concept); Ambiguity; Consciousness; Object (grammar); Aesthetics; Reading (process); Art; Philosophy; Visual arts; Epistemology; Linguistics","authors":[{"name":"John Hunting","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0829691153492602,"gpt":0.2564148707305396,"spread":0.1734457553812794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007622373,0.0002694447,0.0004755709,0.0003617844,0.0003472177,0.0001163721,0.0003752596,0.00008353245,0.00008865187],"category_scores_gemma":[0.00006260871,0.0001862995,0.000388739,0.0001899021,0.004515101,0.0002320053,0.0001009269,0.000310508,0.00001837504],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006949254,"about_ca_system_score_gemma":0.00003991485,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001616342,"about_ca_topic_score_gemma":0.0003552221,"domain_scores_codex":[0.9983168,0.0001701421,0.0004339132,0.0003203354,0.0004757961,0.0002829985],"domain_scores_gemma":[0.9986254,0.0001802651,0.0002347828,0.0004750951,0.0003001668,0.000184285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003252738,0.0001091182,0.0002129496,0.00008514147,0.0001984106,0.000002815247,0.02374027,9.965611e-7,0.00005617466,0.9741997,0.0009772223,0.00009194766],"study_design_scores_gemma":[0.002792825,0.0001890012,0.00005672829,0.00006251156,0.0001414657,0.00000722307,0.001881523,0.00004473302,0.0001909571,0.9629745,0.03138981,0.0002686815],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1602382,0.01096393,0.00006308575,0.01645174,0.00253274,0.001121703,0.000181038,0.0002702863,0.8081773],"genre_scores_gemma":[0.9971053,0.0002148678,0.0000532495,0.001328946,0.001074455,0.00004668606,0.00001314015,0.00003152449,0.0001318231],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8368671,"threshold_uncertainty_score":0.998194,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2323596569","doi":"10.1386/pop.6.1-2.71_1","title":"Levinas and the photographic undergone","year":2015,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Dawson College","funders":"","keywords":"Art; Art history","authors":[{"name":"John Hunting","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0829691153492602,"gpt":0.2564148707305396,"spread":0.1734457553812794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007622373,0.0002694447,0.0004755709,0.0003617844,0.0003472177,0.0001163721,0.0003752596,0.00008353245,0.00008865187],"category_scores_gemma":[0.00006260871,0.0001862995,0.000388739,0.0001899021,0.004515101,0.0002320053,0.0001009269,0.000310508,0.00001837504],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006949254,"about_ca_system_score_gemma":0.00003991485,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001616342,"about_ca_topic_score_gemma":0.0003552221,"domain_scores_codex":[0.9983168,0.0001701421,0.0004339132,0.0003203354,0.0004757961,0.0002829985],"domain_scores_gemma":[0.9986254,0.0001802651,0.0002347828,0.0004750951,0.0003001668,0.000184285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003252738,0.0001091182,0.0002129496,0.00008514147,0.0001984106,0.000002815247,0.02374027,9.965611e-7,0.00005617466,0.9741997,0.0009772223,0.00009194766],"study_design_scores_gemma":[0.002792825,0.0001890012,0.00005672829,0.00006251156,0.0001414657,0.00000722307,0.001881523,0.00004473302,0.0001909571,0.9629745,0.03138981,0.0002686815],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1602382,0.01096393,0.00006308575,0.01645174,0.00253274,0.001121703,0.000181038,0.0002702863,0.8081773],"genre_scores_gemma":[0.9971053,0.0002148678,0.0000532495,0.001328946,0.001074455,0.00004668606,0.00001314015,0.00003152449,0.0001318231],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8368671,"threshold_uncertainty_score":0.998194,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321382881","doi":"10.1386/pop.4.2.243_1","title":"Photography at a crossroads: Studio as genealogy, dispositif, spur","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Studio; Allegory; Painting; Photography; Art; Art history; Visual arts; Order (exchange); Sociology","authors":[{"name":"Shepherd Steiner","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02422167274012262,"gpt":0.2425900245010411,"spread":0.2183683517609185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001634087,0.000440805,0.0005729265,0.0003602997,0.0007194302,0.0001684342,0.0004763747,0.0001052343,0.006116815],"category_scores_gemma":[0.00001179711,0.0003618222,0.000819735,0.0002573501,0.001541826,0.0004180609,0.0001684964,0.0002261415,0.0008482681],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001667722,"about_ca_system_score_gemma":0.00001799473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001433776,"about_ca_topic_score_gemma":0.0003475026,"domain_scores_codex":[0.997856,0.00009576641,0.0005573197,0.0005254985,0.000427196,0.0005382602],"domain_scores_gemma":[0.9985982,0.00007664797,0.0002659946,0.0005299117,0.0003004735,0.0002287795],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003682229,0.001746632,0.01255853,0.0003958827,0.0014902,0.00002989325,0.05956275,0.000002628809,0.04401344,0.8473854,0.03074384,0.00170256],"study_design_scores_gemma":[0.002691774,0.002139319,0.005751452,0.0002804996,0.0003964839,0.00003202643,0.004333954,0.00001759565,0.03663456,0.6061674,0.3396925,0.001862366],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7748504,0.001413796,0.000004461481,0.0003982997,0.0005088805,0.0007729051,0.0001275742,0.0001706627,0.221753],"genre_scores_gemma":[0.9961305,0.00009111738,0.00005681598,0.001545818,0.0009423069,0.0002481459,0.00006036309,0.00005586941,0.0008690867],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3089487,"threshold_uncertainty_score":0.9999297,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400206530","doi":"10.1386/pop_00095_7","title":"Analog(ue) photography","year":2024,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Photography; Encyclopedia; Scope (computer science); Field (mathematics); Construct (python library); Computer science; Identity (music); Digital photography; Visual arts; Art; Aesthetics; Library science; Mathematics","authors":[{"name":"Frances Cullen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02269788737492472,"gpt":0.2271288495279487,"spread":0.204430962153024,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001538304,0.0002328441,0.0002994892,0.0006264774,0.0001695422,0.0001117332,0.0003283215,0.0001113612,0.001489251],"category_scores_gemma":[0.000005966031,0.0002073147,0.0007528009,0.0004429634,0.001346668,0.0001203394,0.00005979242,0.0003078374,0.00005521026],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007751506,"about_ca_system_score_gemma":0.00001876393,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003268017,"about_ca_topic_score_gemma":0.00008853004,"domain_scores_codex":[0.9987246,0.00002040665,0.0003434419,0.0003687113,0.0002607833,0.000282032],"domain_scores_gemma":[0.9992998,0.0000787878,0.00007498515,0.0003759896,0.0001013327,0.00006916989],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000009347459,0.0001252339,0.0007974626,0.0001762341,0.0004014106,0.00001287563,0.005956112,3.542868e-7,0.0009766649,0.9810238,0.008624236,0.001896196],"study_design_scores_gemma":[0.0002170237,0.0002195465,0.0001679894,0.0001525892,0.0001297022,0.000004488652,0.0005849039,0.00007942479,0.002882802,0.553701,0.4415242,0.0003362993],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3256744,0.01481471,0.0000807157,0.001810646,0.00254553,0.0005626751,0.000475828,0.001225833,0.6528096],"genre_scores_gemma":[0.9984095,0.0003945377,0.0001827836,0.0002466606,0.0005286309,0.00004344017,0.00002339402,0.00003703223,0.0001340273],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6727351,"threshold_uncertainty_score":0.9994235,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7128795837","doi":"10.1386/pop_00124_5","title":"The Perception Machine: Our Photographic Future between the Eye and AI, Joanna Zylinska (2023)","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Perception; Photography; Visual perception","authors":[{"name":"Frances Cullen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01777885091304447,"gpt":0.2733046296831134,"spread":0.2555257787700689,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005010096,0.0004142172,0.0004272335,0.0004732921,0.001981301,0.0003227576,0.0006572532,0.0001560995,0.00006631111],"category_scores_gemma":[0.00001502971,0.0002322943,0.0006789698,0.0007239023,0.001036149,0.0002326602,0.0001178931,0.0007090486,0.000008055916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007687645,"about_ca_system_score_gemma":0.00002689133,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004930421,"about_ca_topic_score_gemma":0.0003647784,"domain_scores_codex":[0.9980287,0.0001977637,0.0005192885,0.0004431861,0.0003932868,0.0004177595],"domain_scores_gemma":[0.9987106,0.0001180465,0.0002305422,0.0005883899,0.0002505331,0.0001018442],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008291926,0.000738353,0.09653766,0.0009654114,0.003461877,0.000006908547,0.02927344,0.000001710154,0.005355433,0.7933732,0.04943648,0.02002033],"study_design_scores_gemma":[0.00133922,0.000459308,0.06382905,0.0002640987,0.0006488695,0.000002085214,0.01344761,0.00004763837,0.0009274285,0.1677803,0.750504,0.000750399],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8000119,0.03189882,0.00008035924,0.04971782,0.004629494,0.00369541,0.001643969,0.0005457088,0.1077765],"genre_scores_gemma":[0.9942987,0.001337085,0.00001350669,0.002183274,0.00168625,0.0001159698,0.00005195882,0.00002540358,0.0002878604],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7010675,"threshold_uncertainty_score":0.999318,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385961336","doi":"10.1386/pop_00060_1","title":"Landscape and autopsy: Photography and the natural history of capital","year":2022,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Temporality; Sublime; Temptation; Photography; Natural history; Natural (archaeology); Capital (architecture); Agency (philosophy); Art history; History; Art; Aesthetics; Visual arts; Sociology; Archaeology; Philosophy; Social science; Epistemology","authors":[{"name":"Alberto Toscano","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01495411718850987,"gpt":0.2483546888420693,"spread":0.2334005716535594,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00060631,0.0001539906,0.0003253693,0.0006938188,0.0005747774,0.00001977354,0.0003630773,0.00004064798,0.000350061],"category_scores_gemma":[0.0000470417,0.0001326047,0.0003576477,0.0006583022,0.003392618,0.0001713956,0.0001692011,0.0003390805,4.45348e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002346296,"about_ca_system_score_gemma":0.00005800473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005240193,"about_ca_topic_score_gemma":0.001285096,"domain_scores_codex":[0.9983912,0.0002820365,0.0003089902,0.0002685478,0.0005171256,0.0002320864],"domain_scores_gemma":[0.9989725,0.0003087985,0.0002921146,0.0002316978,0.0001110881,0.00008379986],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.001283493,0.0006179215,0.09527345,0.0001614453,0.0008743969,0.000008572403,0.1492653,0.00000618504,0.003773863,0.7404364,0.00786435,0.000434598],"study_design_scores_gemma":[0.01077329,0.00191679,0.1407141,0.0001368328,0.0009967611,0.00006436133,0.1608308,0.0002601098,0.0004604303,0.5055417,0.1764818,0.001822944],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9308068,0.0192211,3.862123e-7,0.001431991,0.0007907486,0.0004861968,0.00005725582,0.00005571586,0.04714977],"genre_scores_gemma":[0.9989781,0.0004638314,0.0000893716,0.0002077306,0.00007985558,0.00008503296,0.000005485175,0.00001283404,0.00007774997],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2348947,"threshold_uncertainty_score":0.9993196,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410192947","doi":"10.1386/pop_00110_5","title":"Mortevivum: Photography and the Politics of the Visual, Kimberly Juanita Brown (2024)","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Art; Photography; Politics; Visual arts; Art history; Political science; Law","authors":[{"name":"Santasil Mallik","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01818767917845777,"gpt":0.2517778102290791,"spread":0.2335901310506213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003475494,0.0003830664,0.0006411045,0.000538199,0.0007647469,0.0001105064,0.0006998696,0.0001150062,0.000203944],"category_scores_gemma":[0.00004105325,0.0002181655,0.00105409,0.0009455686,0.004755195,0.0001661816,0.0001778074,0.0004186142,0.000001559871],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005937442,"about_ca_system_score_gemma":0.00004902769,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001680425,"about_ca_topic_score_gemma":0.0002589955,"domain_scores_codex":[0.997919,0.0002052164,0.0006772185,0.000377662,0.000445846,0.00037508],"domain_scores_gemma":[0.9982717,0.0002691464,0.0003913891,0.0006496098,0.0003353719,0.00008280344],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002131361,0.0003873511,0.004543984,0.0004505512,0.0007516379,7.81156e-7,0.009893318,6.633991e-7,0.002126309,0.9769187,0.00457082,0.0001427345],"study_design_scores_gemma":[0.00531086,0.0006015271,0.007461467,0.00101095,0.001443217,0.000006687227,0.006746228,0.0001026208,0.02537079,0.8313087,0.1197776,0.0008593697],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8063534,0.007931251,0.0000204017,0.002315555,0.001938262,0.001862843,0.000517414,0.0001122985,0.1789485],"genre_scores_gemma":[0.9974971,0.0002832044,0.00002250491,0.001339436,0.0002552809,0.00008263849,0.000008240246,0.00002379179,0.0004877482],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1911437,"threshold_uncertainty_score":0.9979533,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4410192753","doi":"10.1386/pop_00106_1","title":"The sleep of reason produces monsters: Steven Shearer’s Profaned Travelers","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Sleep (system call); Art history; History; Psychology; Psychoanalysis; Humanities; Computer science; Operating system","authors":[{"name":"Andrew Witt","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01346012701903709,"gpt":0.2841664232151621,"spread":0.270706296196125,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008356294,0.0001223578,0.0002965912,0.0003108154,0.000312415,0.00003659454,0.0004532246,0.0001005381,0.00001471415],"category_scores_gemma":[0.0002858365,0.00008768542,0.0003449806,0.001699125,0.0008348696,0.0001164986,0.0000260066,0.0001488012,8.856803e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001338038,"about_ca_system_score_gemma":0.0001415246,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001133036,"about_ca_topic_score_gemma":0.0004038922,"domain_scores_codex":[0.9984391,0.0002327943,0.0003528137,0.0002443293,0.0004817003,0.0002493139],"domain_scores_gemma":[0.9987617,0.0003446291,0.0002107319,0.0003567352,0.0002525466,0.00007363233],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0008313162,0.001135548,0.1086898,0.00104565,0.0035005,0.000008247831,0.1642226,0.0000149152,0.02378462,0.6380348,0.005821418,0.05291057],"study_design_scores_gemma":[0.002631846,0.0006914195,0.02249626,0.001679216,0.001769706,7.94305e-7,0.04197311,0.0000915264,0.1185668,0.5733716,0.2355934,0.001134281],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6291062,0.01135284,0.0001002798,0.03979256,0.001632748,0.002386276,0.00006554755,0.0001357438,0.3154278],"genre_scores_gemma":[0.9989204,0.0003556791,0.0001768005,0.00014162,0.0001271383,0.00004496949,0.000004612879,0.00000589464,0.0002229334],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3698142,"threshold_uncertainty_score":0.3575708,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4244848558","doi":"10.1386/pop.4.1.113_5","title":"Reviews","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; Art; Painting; Politics; Publishing; Media studies; Sociology; Humanities; Political science; Law; Literature","authors":[{"name":"Blake Stimson","is_ca":false},{"name":"Josefine Wikström","is_ca":false},{"name":"Richard J. Paul","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05127718498262858,"gpt":0.2489920108661133,"spread":0.1977148258834847,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009609896,0.000120113,0.0002336868,0.00008326936,0.0001143382,0.0000389525,0.0001573262,0.00002145309,0.006414494],"category_scores_gemma":[0.000008392911,0.00008575399,0.0002638851,0.0000596652,0.0002993953,0.0002122763,0.00002067665,0.00007294169,0.0007542486],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001640868,"about_ca_system_score_gemma":0.00000284142,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001292554,"about_ca_topic_score_gemma":0.00001714458,"domain_scores_codex":[0.9993417,0.00003781868,0.0002503362,0.0001296559,0.0001049452,0.0001355402],"domain_scores_gemma":[0.9995472,0.00001775327,0.0001057824,0.0001909598,0.00008265291,0.00005563513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000053749,0.0001195011,0.0001658164,0.00009400458,0.000036662,3.350995e-7,0.007815449,4.188065e-8,0.002368316,0.9564628,0.03066473,0.002266953],"study_design_scores_gemma":[0.0001311195,0.0001132015,0.00007734714,0.00006312999,0.00001866128,4.626263e-7,0.0002763811,0.000001403733,0.001345291,0.3758244,0.6220019,0.0001467148],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07033271,0.003107365,0.000008107377,0.0006430807,0.0003951245,0.0005954026,0.00001713968,0.00008473216,0.9248164],"genre_scores_gemma":[0.99764,0.0001157164,0.00006980402,0.000902361,0.0006304884,0.00007040952,0.000007035162,0.0000110885,0.0005530581],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9273073,"threshold_uncertainty_score":0.9944938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321405903","doi":"10.1386/pop.2.1.57_1","title":"Dialectical inroads to a post-political photography: Democratic violence in the work of Lidwien van de Ven","year":2011,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Spectacle; Dialectic; Performative utterance; Politics; Aesthetics; Sociology; Identity (music); Identity politics; Reading (process); Democracy; Art; Philosophy; Epistemology; Law; Political science","authors":[{"name":"Shepherd Steiner","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06292563739759215,"gpt":0.2651949198416277,"spread":0.2022692824440356,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006508455,0.0003055639,0.0005293865,0.0007301474,0.0001779052,0.00004346563,0.0008210939,0.0001358252,0.0002532211],"category_scores_gemma":[0.0001764081,0.0002451864,0.0005208419,0.0005481914,0.001518067,0.0001622795,0.0000898586,0.0004812988,0.00002121934],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001790666,"about_ca_system_score_gemma":0.00007238887,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003180095,"about_ca_topic_score_gemma":0.000456996,"domain_scores_codex":[0.9975047,0.0002890991,0.0006830224,0.0003818791,0.0004990766,0.0006422626],"domain_scores_gemma":[0.9984006,0.0002887288,0.0001695693,0.0005875108,0.0003230614,0.0002305729],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0005180113,0.001078573,0.01045648,0.0002231073,0.0001487262,0.00002408844,0.08319757,9.142114e-7,0.0006781475,0.9033234,0.0001373957,0.0002136333],"study_design_scores_gemma":[0.0004824649,0.0008430482,0.00799331,0.0004317616,0.000124298,0.000004937343,0.001950188,0.000005339253,0.002039424,0.9854078,0.0003762554,0.0003411779],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8313436,0.0002422129,0.00004608638,0.001910399,0.0004954017,0.0007728297,0.0001323113,0.00006121304,0.164996],"genre_scores_gemma":[0.9959878,0.00001809134,0.000325563,0.002953174,0.0005545873,0.0001143066,0.000009395006,0.00003212565,0.000004977624],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.164991,"threshold_uncertainty_score":0.999841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243530381","doi":"10.1386/pop.5.1.77_5","title":"Reviews","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"George Brown College","funders":"","keywords":"Photography; Humanities; Art; Globalization; Media studies; Art history; Sociology; Political science; Visual arts; Law","authors":[{"name":"Larne Abse Gogarty","is_ca":false},{"name":"Chris Vanderwees","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05373289625254825,"gpt":0.2557010360685159,"spread":0.2019681398159677,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002683605,0.0001879531,0.0003733736,0.0002437285,0.0001701192,0.00003634761,0.0002557525,0.00004387951,0.0008301373],"category_scores_gemma":[0.00002386362,0.0001448289,0.0005144587,0.0001620563,0.000430842,0.0001488576,0.0000234184,0.0001340713,0.00006615813],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001993481,"about_ca_system_score_gemma":0.000003677324,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001135445,"about_ca_topic_score_gemma":0.00004749166,"domain_scores_codex":[0.9989785,0.00008298925,0.0003471772,0.0002183243,0.0001782101,0.0001948135],"domain_scores_gemma":[0.9992912,0.00003704401,0.0001877131,0.0003099036,0.00009012742,0.00008397143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002696713,0.0001814981,0.000499144,0.0001934001,0.00005420951,3.167508e-7,0.00555088,1.437593e-7,0.003219788,0.9819025,0.006815248,0.001555876],"study_design_scores_gemma":[0.0002802751,0.0002513158,0.0001476082,0.0001055802,0.00004344949,7.267508e-7,0.0001022872,0.000007621541,0.003864892,0.1214708,0.8734948,0.0002307038],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1083652,0.003655911,0.000122999,0.0005378195,0.001142281,0.0008096419,0.0001001133,0.0002498124,0.8850163],"genre_scores_gemma":[0.9979647,0.0001619983,0.0001197952,0.0007707212,0.0008254432,0.00004049769,0.00001532477,0.00001543364,0.00008611925],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8895995,"threshold_uncertainty_score":0.9089422,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235255545","doi":"10.1386/pop.5.2.171_5","title":"Review","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"George Brown College","funders":"","keywords":"Art; Art history; Humanities","authors":[{"name":"Chris Vanderwees","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01694835150852178,"gpt":0.2330197063750855,"spread":0.2160713548665638,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001901636,0.0001620316,0.0003368711,0.0002167416,0.00003719136,0.00002618555,0.001058506,0.00003719396,0.00001165912],"category_scores_gemma":[0.00006203329,0.0001439869,0.0002953314,0.0009273945,0.0001142331,0.0003597139,0.0001276265,0.00009496523,0.00005592226],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000295965,"about_ca_system_score_gemma":0.0000136233,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006417229,"about_ca_topic_score_gemma":2.517625e-7,"domain_scores_codex":[0.9987992,0.00005795943,0.0003154183,0.0003200594,0.0003047534,0.0002026344],"domain_scores_gemma":[0.9986889,0.0001046358,0.0001519594,0.0008128282,0.00009739333,0.0001442916],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000003779466,0.0001493798,0.0005781013,0.001107785,0.00003584133,0.000001601939,0.00005862903,5.576158e-7,0.0004376859,0.9646083,0.002914034,0.0301043],"study_design_scores_gemma":[0.0002326484,0.0002482221,0.0002423719,0.001076048,0.00001651769,0.000006745121,3.287662e-7,0.0001423223,0.002582271,0.9321573,0.06305125,0.0002439571],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.002046469,0.0388976,0.06999294,0.01508902,0.001537114,0.000945444,0.00002061807,0.0006360038,0.8708348],"genre_scores_gemma":[0.9849522,0.001729727,0.00665229,0.006438284,0.0001786367,0.00002925569,0.000003966005,0.00001151032,0.000004134079],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9829057,"threshold_uncertainty_score":0.5871615,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}