{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":9,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":9,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"be9b0782eeb5","filters":{"venue":"Photographica"}},"results":[{"id":"W4398204193","doi":"10.4000/11pb6","title":"Anatomie d’une entreprise photographique","year":2024,"lang":"fr","type":"article","venue":"Photographica","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Marie-Ève Bouillon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01392048524504903,"gpt":0.2231163304022297,"spread":0.2091958451571807,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002596578,0.0005276604,0.0006244588,0.000426298,0.003835739,0.0007603435,0.0003351478,0.0002547718,0.00994503],"category_scores_gemma":[0.00002833576,0.0004281207,0.00163072,0.00142228,0.001505427,0.0002960507,0.0001193584,0.0007381541,0.0007190703],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006488244,"about_ca_system_score_gemma":0.00004419421,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03392077,"about_ca_topic_score_gemma":0.01071376,"domain_scores_codex":[0.9971768,0.0001264256,0.0005985094,0.0008434725,0.0004596099,0.0007951891],"domain_scores_gemma":[0.9987302,0.0002404098,0.0000897444,0.0003980496,0.0001985188,0.0003430477],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004148768,0.0005244458,0.000406035,0.0007930608,0.002898606,0.0006054622,0.1094697,0.000003800899,0.0001832585,0.5006173,0.3565394,0.0279174],"study_design_scores_gemma":[0.0001655999,0.0001075123,0.00004209258,0.0003108126,0.0007748162,0.000009834847,0.003159708,0.0003611384,0.00003341425,0.02784616,0.9666008,0.0005881214],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1728451,0.3766873,0.00008190805,0.3865068,0.007920119,0.0007224909,0.0005214583,0.0009181368,0.05379674],"genre_scores_gemma":[0.6981387,0.1890649,0.00005815718,0.0009394935,0.002515422,0.000157573,0.00005244456,0.00008555711,0.1089878],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6100613,"threshold_uncertainty_score":0.9998171,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4398225886","doi":"10.4000/11pbi","title":"Szczepańska, Ania. Une histoire visuelle de Solidarność","year":2024,"lang":"pl","type":"article","venue":"Photographica","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Psychology","authors":[{"name":"Małgorzata Maria Grąbczewska","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01706557192820415,"gpt":0.2166108193710854,"spread":0.1995452474428812,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001656367,0.000507145,0.0005082609,0.0002283764,0.002292805,0.000618775,0.0003361184,0.0001792353,0.008206418],"category_scores_gemma":[0.00002464648,0.0003911903,0.0006437176,0.0006048435,0.001278225,0.0002059918,0.0001164105,0.0006094046,0.0008026111],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002285088,"about_ca_system_score_gemma":0.0000877183,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008654836,"about_ca_topic_score_gemma":0.003380009,"domain_scores_codex":[0.9975727,0.00007615955,0.0004664669,0.0006856706,0.0004001801,0.0007988727],"domain_scores_gemma":[0.9991044,0.0001220219,0.00007709492,0.0003031712,0.0001272604,0.0002659952],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005697389,0.0004436736,0.0001372491,0.0009562225,0.0008196316,0.0003629262,0.05096173,0.000001953286,0.001641806,0.1723921,0.7384126,0.0338131],"study_design_scores_gemma":[0.0001829279,0.00027552,0.0001368264,0.0003166773,0.0003050361,0.00001686984,0.002529686,0.0002519637,0.00009249507,0.007250312,0.9880474,0.0005942623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01520716,0.5668471,0.00005116219,0.01148312,0.007986643,0.0005271725,0.0003466568,0.0009911868,0.3965597],"genre_scores_gemma":[0.8396241,0.006657865,0.00003251567,0.0005054878,0.001644939,0.00009507447,0.00003219102,0.00006172694,0.1513461],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8244169,"threshold_uncertainty_score":0.9999754,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404484799","doi":"10.4000/12pb1","title":"Auguste-Hilaire Léveillé (lithographe, France), Taha-Tahala et Heroua","year":2024,"lang":"fr","type":"article","venue":"Photographica","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity College","funders":"","keywords":"Art; Humanities; Political science","authors":[{"name":"Geoffrey Batchen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02001714016423135,"gpt":0.2829719634766023,"spread":0.262954823312371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001153634,0.000635653,0.0008829572,0.0007753618,0.000489792,0.0002186349,0.0003707166,0.0004327115,0.002993185],"category_scores_gemma":[0.0001710614,0.000540441,0.001069625,0.005112858,0.001416794,0.000252558,0.0001667286,0.001253434,0.001447288],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001224644,"about_ca_system_score_gemma":0.0002576477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000844968,"about_ca_topic_score_gemma":0.0002106535,"domain_scores_codex":[0.9953283,0.0002451923,0.0007737359,0.001363371,0.00100844,0.001280966],"domain_scores_gemma":[0.997649,0.0004906726,0.00009476244,0.0008423994,0.0002118615,0.0007112862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001521427,0.001506643,0.04904322,0.005303734,0.002229942,0.00300695,0.01064789,0.000006192892,0.004354403,0.02903534,0.7795975,0.1151161],"study_design_scores_gemma":[0.0006558074,0.0003568934,0.01127214,0.002513361,0.0005643854,0.0001467822,0.0005223406,0.0004756392,0.0002215072,0.002265178,0.9804122,0.0005937179],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0434914,0.7142244,0.0008094402,0.02705934,0.04600124,0.001298349,0.0006667881,0.001191272,0.1652578],"genre_scores_gemma":[0.8207982,0.02050225,0.0005835681,0.002190161,0.00214652,0.0002136484,0.00009038161,0.0001424456,0.1533328],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7773068,"threshold_uncertainty_score":0.9997047,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389674906","doi":"10.4000/photographica.1166","title":"Un modèle et ses images. Les albums de Lili Grenier (1863-1936)","year":2023,"lang":"fr","type":"article","venue":"Photographica","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Mod; Humanities; Computer science","authors":[{"name":"Marie Robert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02784172892183566,"gpt":0.2459831622028776,"spread":0.2181414332810419,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006558488,0.0004270302,0.0004024507,0.0003932299,0.0007667117,0.0006780276,0.000371921,0.0002796909,0.007855719],"category_scores_gemma":[0.0001107149,0.0004023456,0.0004995062,0.0005290632,0.00161474,0.0003631909,0.0001397304,0.0007601063,0.0005379842],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002390209,"about_ca_system_score_gemma":0.000068171,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001745342,"about_ca_topic_score_gemma":0.0003464101,"domain_scores_codex":[0.9973781,0.0003466284,0.0004109717,0.0005371781,0.0003311187,0.000996043],"domain_scores_gemma":[0.9984501,0.0004942312,0.00006933498,0.0004960781,0.0001735418,0.0003167347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003979012,0.0002824506,0.0002277569,0.0002636355,0.0001958984,0.0002029164,0.006799228,0.000005283783,0.001175927,0.8940888,0.08699328,0.009725027],"study_design_scores_gemma":[0.0003439071,0.0001533365,0.0004432571,0.0002481401,0.0001454599,0.00002124652,0.001411922,0.0002444703,0.001725851,0.1643647,0.8304362,0.0004615562],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.117343,0.1268038,0.0004958756,0.04011254,0.004908428,0.0009130877,0.002854463,0.001468046,0.7051008],"genre_scores_gemma":[0.8822604,0.006857191,0.0002931691,0.0030222,0.001436795,0.0001293747,0.0001629473,0.0001015348,0.1057364],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7649174,"threshold_uncertainty_score":0.9998428,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4398204097","doi":"10.4000/11pbk","title":"Burkhard Maus, [L’artiste Hans-Peter Feldmann fait une manifestation à la foire Art Cologne]","year":2024,"lang":"fr","type":"article","venue":"Photographica","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Philosophy; Humanities","authors":[{"name":"Steffen Siegel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01823849584119715,"gpt":0.2447837655038358,"spread":0.2265452696626386,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003171047,0.0004057391,0.000364502,0.0002930593,0.0008056152,0.002405305,0.0002488021,0.0002810975,0.01083703],"category_scores_gemma":[0.00002017018,0.0003941045,0.0005336875,0.0003645104,0.001028416,0.0008711004,0.00008836018,0.0006366555,0.002649327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006293011,"about_ca_system_score_gemma":0.00006016485,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005185451,"about_ca_topic_score_gemma":0.03100224,"domain_scores_codex":[0.9977469,0.0001752654,0.0005147631,0.0006093193,0.0003696142,0.0005841284],"domain_scores_gemma":[0.999122,0.0001571574,0.00009440407,0.0003023328,0.0001397257,0.0001843665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006449046,0.0002626669,0.0001227568,0.001559322,0.0004788423,0.001116041,0.02307451,0.000003267326,0.001602554,0.6323132,0.3351279,0.00427446],"study_design_scores_gemma":[0.0002942299,0.0002245346,0.001286445,0.0007266989,0.0003820336,0.0001140482,0.002196243,0.0002808074,0.00009218713,0.01385587,0.9800323,0.0005145756],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2193785,0.04513267,0.0001492319,0.03724716,0.01261176,0.001551321,0.002213519,0.001157803,0.680558],"genre_scores_gemma":[0.6119558,0.004398757,0.00008033468,0.0005504299,0.001413299,0.0001144444,0.0002677766,0.00006898418,0.3811502],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6449044,"threshold_uncertainty_score":0.9998511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133911553","doi":"10.54390/photographica.249","title":"Brunet, François. The Birth of the Idea of Photography","year":2020,"lang":"en","type":"article","venue":"Photographica","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy; Art history","authors":[{"name":"Carolin Görgen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03124491701246588,"gpt":0.2099401059408874,"spread":0.1786951889284215,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000181456,0.0002297517,0.0003392735,0.0001165816,0.0003791959,0.00005039967,0.000844411,0.00007118849,0.0009961667],"category_scores_gemma":[0.00003769447,0.0001165039,0.0008542773,0.0008666046,0.001519519,0.00009399949,0.0001083042,0.0003655004,0.000004394221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001516703,"about_ca_system_score_gemma":0.00002966056,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001770158,"about_ca_topic_score_gemma":0.001201237,"domain_scores_codex":[0.9984843,0.0001201417,0.000446108,0.0002615544,0.000429126,0.0002588233],"domain_scores_gemma":[0.998816,0.0001051689,0.0003211721,0.0004886485,0.0001785059,0.00009046224],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006382802,0.0008767872,0.06961884,0.0009148089,0.001469352,0.000004850232,0.2451109,0.00001256852,0.1860331,0.4492956,0.04506468,0.0009601709],"study_design_scores_gemma":[0.001139235,0.0006083825,0.01949144,0.000151082,0.0002958372,0.000003406708,0.01240572,0.00009641069,0.1097594,0.007667623,0.8478303,0.0005511492],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9784666,0.001336722,0.000008674748,0.001263667,0.000365141,0.0006787874,0.0003175348,0.00008560916,0.01747723],"genre_scores_gemma":[0.9973908,0.0001327002,0.000009456786,0.002136993,0.0001988227,0.0000386545,0.000005364366,0.00002285597,0.00006435022],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8027656,"threshold_uncertainty_score":0.999917,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389674919","doi":"10.4000/photographica.1186","title":"Aux origines de la photographie aux Philippines. Nouvelles découvertes","year":2023,"lang":"fr","type":"article","venue":"Photographica","topic":"History, Culture, and Diplomacy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Noemí Espinosa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02461094041350032,"gpt":0.2811632134543837,"spread":0.2565522730408833,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0006628744,0.0008027576,0.0007195371,0.001298431,0.002228729,0.000616605,0.0007273342,0.0004816276,0.006728917],"category_scores_gemma":[0.0001530629,0.000761585,0.001000708,0.001552108,0.004057525,0.0003992018,0.0001000612,0.0007291181,0.0008790003],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000574309,"about_ca_system_score_gemma":0.0007160113,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01266261,"about_ca_topic_score_gemma":0.006056904,"domain_scores_codex":[0.9961534,0.0003085181,0.0006824032,0.0008864443,0.0005985535,0.001370661],"domain_scores_gemma":[0.9976285,0.0005156902,0.0002214743,0.0007424673,0.0003631602,0.0005287679],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001135544,0.0008185265,0.002995896,0.0006620689,0.0006238928,0.0003530495,0.03344741,0.00001459556,0.002848042,0.3882886,0.5670002,0.002834169],"study_design_scores_gemma":[0.0009781492,0.0001665158,0.0008645621,0.0002859053,0.0003261696,0.00003846832,0.006581936,0.0002842433,0.0004024646,0.008810876,0.9802933,0.0009674362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3825574,0.06485199,0.00003735999,0.004181108,0.01023754,0.001451655,0.00135809,0.002974506,0.5323504],"genre_scores_gemma":[0.7058097,0.03537336,0.0001979644,0.002429925,0.0056188,0.0005412687,0.0003182577,0.0003458384,0.249365],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4132931,"threshold_uncertainty_score":0.9998989,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4398204140","doi":"10.4000/11pb7","title":"Le cours du Herschel","year":2024,"lang":"fr","type":"article","venue":"Photographica","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Physics","authors":[{"name":"François Cheval","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01422647866810202,"gpt":0.2554510828072813,"spread":0.2412246041391793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003415916,0.0001564944,0.0001949894,0.0001164021,0.0009031155,0.000165816,0.0002046904,0.0001361344,0.0008940866],"category_scores_gemma":[0.00003268601,0.0001531053,0.00028786,0.001703778,0.001488792,0.0002587118,0.00004682422,0.0002785684,0.0004726939],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005077944,"about_ca_system_score_gemma":0.00028749,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01024821,"about_ca_topic_score_gemma":0.001297486,"domain_scores_codex":[0.9985961,0.0001511278,0.0001849383,0.0003477438,0.0003043811,0.0004156984],"domain_scores_gemma":[0.9994097,0.0001957242,0.00002437623,0.0001283807,0.00004918014,0.0001925827],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008705856,0.0001553689,0.001048253,0.000110365,0.0001648891,0.000113154,0.04551874,3.7273e-7,0.00005669329,0.7832934,0.1494357,0.02009435],"study_design_scores_gemma":[0.00006767103,0.00006152457,0.0001809476,0.000107012,0.00005154515,0.000003338293,0.001920503,0.00007316358,0.000009590308,0.01043013,0.9868987,0.0001958868],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03687901,0.2341375,0.0001678912,0.09556484,0.01077299,0.0002285074,0.00006055495,0.0003776804,0.621811],"genre_scores_gemma":[0.9374669,0.007652939,0.0001227817,0.0007591189,0.001448398,0.00003004938,0.000003378202,0.00001963069,0.05249687],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9005878,"threshold_uncertainty_score":0.9963427,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389674949","doi":"10.4000/photographica.1216","title":"Bajorek, Jennifer. Unfixed: Photography and Decolonial Imagination in West Africa","year":2023,"lang":"en","type":"article","venue":"Photographica","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Photography; Art; Visual arts; Art history","authors":[{"name":"Érika Nimis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01861937968545973,"gpt":0.2824149255013493,"spread":0.2637955458158896,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006699715,0.0001395949,0.0001908719,0.0005317515,0.0007774555,0.00005446691,0.0001771204,0.00009666598,0.0001372686],"category_scores_gemma":[0.0001886837,0.0001373189,0.00009135584,0.003154546,0.000831461,0.0001724478,0.00005274805,0.0001790615,0.00003631591],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003846023,"about_ca_system_score_gemma":0.00005355269,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001261299,"about_ca_topic_score_gemma":0.0206321,"domain_scores_codex":[0.9985657,0.0001651493,0.000183218,0.0003334844,0.0003151603,0.0004372857],"domain_scores_gemma":[0.9994507,0.000140668,0.00006418706,0.0001248591,0.000097733,0.0001218841],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001746539,0.0004542377,0.4606046,0.00008198924,0.0001734362,0.0001691321,0.3912033,0.000004847644,0.004311132,0.08460858,0.04852694,0.009687249],"study_design_scores_gemma":[0.0007604322,0.0001065124,0.2493971,0.00003574755,0.00004273238,0.000001678481,0.03728712,0.0000299335,0.00005694865,0.01856556,0.6932157,0.0005005411],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7817369,0.001495331,0.00001210024,0.003356567,0.0005567938,0.0006877893,0.00003361293,0.0005362377,0.2115847],"genre_scores_gemma":[0.9980155,0.001236652,0.00007099469,0.0001158123,0.0001011197,0.0001430753,0.000005874834,0.00001159889,0.0002993334],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6446887,"threshold_uncertainty_score":0.9972388,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}