{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9ad6a13c3520","filters":{"venue":"Photographies"}},"results":[{"id":"W2793932237","doi":"10.1080/17540763.2017.1399287","title":"The Experience of Elsewhere: Photography in the Travelogues of Pierre Trémaux","year":2018,"lang":"en","type":"article","venue":"Photographies","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto; Ohio State University; Brown University","keywords":"Photography; Art; Visual arts; History","authors":[{"name":"Kate Addleman-Frankel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02008898068993138,"gpt":0.2401177402843797,"spread":0.2200287595944484,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001667216,0.0004623003,0.0003719242,0.001105025,0.01636697,0.006322463,0.0007566679,0.001961423,0.005754872],"category_scores_gemma":[0.003018079,0.0003202418,0.0002020765,0.001347611,0.01655874,0.003860508,0.003708621,0.003341561,0.0004314297],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005361997,"about_ca_system_score_gemma":0.001755021,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04663133,"about_ca_topic_score_gemma":0.09820791,"domain_scores_codex":[0.9980212,0.001464519,0.0000189507,0.0001306694,0.000148521,0.0002161407],"domain_scores_gemma":[0.9988971,0.0006885063,0.0001090244,0.00006177757,0.00008767511,0.000155848],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001771313,0.000007145848,0.0005460358,0.00002618386,0.000002002716,0.0008899714,0.9813918,0.00001796951,0.0002928282,0.01249928,0.00165902,0.002650042],"study_design_scores_gemma":[0.00000635409,0.00004674851,0.002537715,0.000157322,0.000006608784,0.001429976,0.8080857,0.00003863719,0.0003175722,0.001170056,0.1861847,0.00001867794],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8366896,0.006818906,0.00103392,0.01160013,0.0002508449,0.00002223102,0.00008077385,0.00006165355,0.143442],"genre_scores_gemma":[0.9833855,0.001121848,0.000225039,0.0005142642,0.00005373973,0.000009471958,0.00001426662,0.00003424503,0.01464165],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04663133,"threshold_uncertainty_score":0.09271985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392236282","doi":"10.1080/17540763.2023.2272245","title":"TREVOR PAGLEN’S BORDER ABSTRACTIONS IN THE AGE OF MACHINE VISION","year":2024,"lang":"en","type":"article","venue":"Photographies","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Western University","keywords":"Photography; Representation (politics); Abstraction; Meaning (existential); Sensibility; Space (punctuation); Field (mathematics); Aesthetics; Work (physics); Artificial intelligence; Computer science; Visual arts; Art; Epistemology; Political science; Engineering; Law; Politics; Philosophy","authors":[{"name":"Sarah Bassnett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02172338608591646,"gpt":0.3649561224014515,"spread":0.3432327363155351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001301207,0.0004718108,0.0002506079,0.001543621,0.00461966,0.007160033,0.0004381421,0.001418347,0.004660267],"category_scores_gemma":[0.004760666,0.0001950925,0.0002046936,0.0008132771,0.01602103,0.007563342,0.002772524,0.003880899,0.001090167],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00369399,"about_ca_system_score_gemma":0.0008770892,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006847743,"about_ca_topic_score_gemma":0.01057094,"domain_scores_codex":[0.9987897,0.0007084475,0.00002055806,0.0001777408,0.00022574,0.00007779493],"domain_scores_gemma":[0.9985635,0.001004459,0.00006652487,0.0001110811,0.0001499451,0.000104429],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003246269,0.000006598694,0.0003781564,0.0000583071,0.000004934564,0.0001524566,0.01911407,0.000252431,0.0002125196,0.8203149,0.1333711,0.02610211],"study_design_scores_gemma":[0.000004816632,0.000009633764,0.000417581,0.0002477272,0.000002965341,0.0002409091,0.004569479,0.0004832247,0.0002112477,0.2269372,0.7668591,0.00001617613],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02672838,0.06413355,0.02613365,0.3380477,0.00501047,0.00003167936,0.0001953445,0.0004535833,0.5392657],"genre_scores_gemma":[0.8249674,0.02841791,0.01471743,0.02763931,0.004227953,0.00008457438,0.0001002907,0.000592645,0.09925244],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007160033,"threshold_uncertainty_score":0.02680182,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4378380983","doi":"10.1080/17540763.2023.2189287","title":"INTRODUCTION: THE POLITICS AND PRACTICES OF COMPUTATIONAL SEEING","year":2023,"lang":"en","type":"article","venue":"Photographies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Visual culture; Photography; Media studies; Sociology; Digitization; Social media; Everyday life; Digital media; Digital culture; The arts; Visual arts; Aesthetics; Art history; Art; Political science; Law; Computer science","authors":[{"name":"Martin Hand","is_ca":true},{"name":"Ashley Scarlett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04776371587325132,"gpt":0.3021112336190923,"spread":0.2543475177458409,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003711971,0.0004084459,0.0003536889,0.001439935,0.002928143,0.01190002,0.001899596,0.004658549,0.09764954],"category_scores_gemma":[0.01791923,0.0005830787,0.0004906429,0.002197345,0.01028443,0.01575766,0.003928742,0.007259983,0.02460164],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003208129,"about_ca_system_score_gemma":0.001543402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007284276,"about_ca_topic_score_gemma":0.007953996,"domain_scores_codex":[0.9969343,0.001107876,0.0001010038,0.0006818112,0.0009914109,0.0001835952],"domain_scores_gemma":[0.9802931,0.01348827,0.000472284,0.00275325,0.002252104,0.0007410787],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003069789,0.00001541351,0.0002297918,0.0001087144,0.000003022002,0.00001777329,0.0009310557,0.0002681125,0.0004948897,0.6705472,0.2720573,0.05529605],"study_design_scores_gemma":[0.000006825326,0.000007851003,0.0003066509,0.0001710493,0.000002768184,0.00008003442,0.0003263276,0.0005803134,0.0005030537,0.06993943,0.9280528,0.00002279733],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004439887,0.01556811,0.0712745,0.2363778,0.009211946,0.00006796863,0.001101081,0.002131473,0.6598272],"genre_scores_gemma":[0.2130056,0.02802108,0.09622328,0.09831105,0.03222022,0.0004150458,0.00150804,0.007088543,0.5232071],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09764954,"threshold_uncertainty_score":0.3266703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3172428694","doi":"10.1080/17540763.2021.1877791","title":"“Just like us”: migrancy, photography, and visual incorporation","year":2021,"lang":"en","type":"article","venue":"Photographies","topic":"Migration, Refugees, and Integration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Photography; Visual arts; Art","authors":[{"name":"Alison V. Dean","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01431243249118917,"gpt":0.2921433503740346,"spread":0.2778309178828454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001458324,0.0003863274,0.0001650865,0.001729764,0.006547067,0.00691982,0.0005156937,0.00109857,0.009281376],"category_scores_gemma":[0.003293066,0.000193389,0.0001946158,0.0011646,0.01313256,0.005530429,0.004579306,0.0024105,0.0006715616],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002239625,"about_ca_system_score_gemma":0.001020581,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01325144,"about_ca_topic_score_gemma":0.02714557,"domain_scores_codex":[0.998828,0.0007692605,0.00002206232,0.00009951017,0.000137283,0.0001438573],"domain_scores_gemma":[0.9989826,0.0005794581,0.0000936575,0.0001179048,0.00008766824,0.0001387286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007231209,0.00002988424,0.00294437,0.0002135731,0.000008704649,0.0009285033,0.758792,0.00007658014,0.0006543007,0.1680235,0.02220851,0.04604778],"study_design_scores_gemma":[0.000007144695,0.00003927425,0.005932993,0.0007690871,0.000008811968,0.001155426,0.4314612,0.00007623851,0.0004783278,0.01039622,0.54965,0.00002531549],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2754821,0.01882163,0.005686504,0.03096713,0.002455809,0.00005704977,0.0001958088,0.0001280003,0.6662059],"genre_scores_gemma":[0.9502898,0.005840055,0.001227112,0.001523253,0.0005699508,0.00003215179,0.00006834477,0.0001550646,0.04029423],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01325144,"threshold_uncertainty_score":0.03104925,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}