{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9ad6a13c3520","filters":{"venue":"Photographies"}},"results":[{"id":"W2793932237","doi":"10.1080/17540763.2017.1399287","title":"The Experience of Elsewhere: Photography in the Travelogues of Pierre Trémaux","year":2018,"lang":"en","type":"article","venue":"Photographies","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto; Ohio State University; Brown University","keywords":"Photography; Art; Visual arts; History","authors":[{"name":"Kate Addleman-Frankel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02008898068993138,"gpt":0.2401177402843797,"spread":0.2200287595944484,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003100051,0.0001350652,0.0001791719,0.0002093705,0.0003570442,0.0001049047,0.000455521,0.00003946766,0.0001033863],"category_scores_gemma":[0.00002696909,0.00007033956,0.0001621896,0.0003910151,0.002707972,0.00008946088,0.00001952675,0.0001515391,0.00000139129],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001389743,"about_ca_system_score_gemma":0.00001092297,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001194433,"about_ca_topic_score_gemma":0.005709768,"domain_scores_codex":[0.9989809,0.00008784404,0.0003303261,0.0001482624,0.0002326757,0.0002199288],"domain_scores_gemma":[0.9991651,0.0002213513,0.0001360942,0.0003211239,0.000137572,0.00001874546],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001189733,0.0001647823,0.005845421,0.00006811134,0.0000598907,0.000002151723,0.8106343,1.595604e-7,0.002871905,0.1728612,0.003455594,0.003917473],"study_design_scores_gemma":[0.0006184036,0.0004987395,0.02647598,0.0002712952,0.00003667393,0.000007346794,0.3812739,0.00001730891,0.01855255,0.01067617,0.5612497,0.0003219834],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9541448,0.00331772,0.000001880734,0.0001340492,0.0003052327,0.0002169176,0.00004949939,0.00002631218,0.04180362],"genre_scores_gemma":[0.9986711,0.0004556565,0.00002738295,0.0001243335,0.0002533948,0.00005321938,0.000004048861,0.000009500509,0.0004013625],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5577941,"threshold_uncertainty_score":0.9977635,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392236282","doi":"10.1080/17540763.2023.2272245","title":"TREVOR PAGLEN’S BORDER ABSTRACTIONS IN THE AGE OF MACHINE VISION","year":2024,"lang":"en","type":"article","venue":"Photographies","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Western University","keywords":"Photography; Representation (politics); Abstraction; Meaning (existential); Sensibility; Space (punctuation); Field (mathematics); Aesthetics; Work (physics); Artificial intelligence; Computer science; Visual arts; Art; Epistemology; Political science; Engineering; Law; Politics; Philosophy","authors":[{"name":"Sarah Bassnett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02172338608591646,"gpt":0.3649561224014515,"spread":0.3432327363155351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005517934,0.0001116083,0.0001361215,0.000926553,0.0003715446,0.0001859249,0.0003233044,0.0000633593,0.0009604535],"category_scores_gemma":[0.00007756344,0.00008236896,0.000229846,0.001653382,0.0006675008,0.0004602514,0.00002604428,0.0002961901,0.0000401703],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001428918,"about_ca_system_score_gemma":0.00002570952,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02146668,"about_ca_topic_score_gemma":0.2783325,"domain_scores_codex":[0.9988123,0.0001412818,0.0002641099,0.0001988921,0.0003457503,0.0002377219],"domain_scores_gemma":[0.9991935,0.0004671382,0.00004821293,0.0002070849,0.00005199608,0.00003209071],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002340022,0.00322397,0.0748121,0.0005463795,0.0007745257,0.0004594708,0.3200828,0.000111754,0.02848924,0.4075217,0.1483916,0.01535249],"study_design_scores_gemma":[0.000171846,0.0001614653,0.1646175,0.000164192,0.00008313149,0.000007653215,0.0751616,0.00004753268,0.0001608569,0.01154652,0.7476159,0.000261785],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8855587,0.00825878,0.000009254331,0.01047655,0.001316335,0.0006933528,0.00007538929,0.000275446,0.09333621],"genre_scores_gemma":[0.996403,0.002579914,0.00008882398,0.0001331301,0.0001135549,0.00007156451,0.00001226521,0.00001114374,0.000586581],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5992244,"threshold_uncertainty_score":0.9999528,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4378380983","doi":"10.1080/17540763.2023.2189287","title":"INTRODUCTION: THE POLITICS AND PRACTICES OF COMPUTATIONAL SEEING","year":2023,"lang":"en","type":"article","venue":"Photographies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Visual culture; Photography; Media studies; Sociology; Digitization; Social media; Everyday life; Digital media; Digital culture; The arts; Visual arts; Aesthetics; Art history; Art; Political science; Law; Computer science","authors":[{"name":"Martin Hand","is_ca":true},{"name":"Ashley Scarlett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04776371587325132,"gpt":0.3021112336190923,"spread":0.2543475177458409,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001755296,0.00007147265,0.00008567853,0.0001778739,0.0004854923,0.00009200012,0.00007211699,0.00001713391,0.0001401698],"category_scores_gemma":[0.00004335893,0.00004605478,0.00005647552,0.0002642604,0.0006274136,0.000156674,0.00003252019,0.00008553415,0.000006540476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000001059842,"about_ca_system_score_gemma":0.000006518553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003060993,"about_ca_topic_score_gemma":0.0002011452,"domain_scores_codex":[0.9994767,0.00003358594,0.0001226797,0.0001064443,0.0001338979,0.0001267466],"domain_scores_gemma":[0.9995052,0.0001499563,0.0001436627,0.00008364137,0.00009630675,0.00002127982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001972476,0.00005116359,0.002830948,0.0001193611,0.0001993521,0.000001731153,0.06180701,0.00003037675,0.0008524497,0.8734443,0.06042865,0.0002149189],"study_design_scores_gemma":[0.0002447713,0.0001303167,0.01017534,0.00002799159,0.0001049658,0.00001350787,0.05516554,0.0003005719,0.001962105,0.07230683,0.8593617,0.0002063399],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9932644,0.000763992,0.000002702459,0.002664585,0.0003892926,0.000125182,0.0000468565,0.0001075982,0.002635387],"genre_scores_gemma":[0.998212,0.0002482181,0.00002421481,0.0001264061,0.0008709476,0.00001339278,0.00002506756,0.000006032675,0.0004737078],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8011375,"threshold_uncertainty_score":0.3734064,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3172428694","doi":"10.1080/17540763.2021.1877791","title":"“Just like us”: migrancy, photography, and visual incorporation","year":2021,"lang":"en","type":"article","venue":"Photographies","topic":"Migration, Refugees, and Integration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Photography; Visual arts; Art","authors":[{"name":"Alison V. Dean","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01431243249118917,"gpt":0.2921433503740346,"spread":0.2778309178828454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003777722,0.000161858,0.0001876331,0.0003668358,0.0008114855,0.0002744335,0.00008955476,0.0001437957,0.0002441067],"category_scores_gemma":[0.000113552,0.0001595374,0.0001371117,0.001612123,0.0005055367,0.0004956249,0.00002532028,0.000132079,0.00001183561],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001690966,"about_ca_system_score_gemma":0.0001391391,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.006687234,"about_ca_topic_score_gemma":0.1555259,"domain_scores_codex":[0.9985029,0.0002209168,0.0002680735,0.0003421011,0.000396437,0.000269609],"domain_scores_gemma":[0.9992121,0.00007453393,0.0001167601,0.000137236,0.0003231638,0.0001362461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001055886,0.0005541251,0.7819747,0.0001131047,0.0001918135,0.00002651026,0.07509759,0.000003004977,0.0467122,0.05428927,0.02527577,0.01565631],"study_design_scores_gemma":[0.001226654,0.0003248002,0.1705579,0.0001627953,0.0001807244,0.00002019601,0.058454,0.0004339587,0.04455448,0.02151079,0.7013504,0.001223295],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9889427,0.002695416,0.0003408188,0.0003084848,0.0005343381,0.0002687388,0.00001324878,0.0001500018,0.006746241],"genre_scores_gemma":[0.9902189,0.007717891,0.0004479907,0.000435828,0.0003233177,0.00005516801,0.00008195895,0.00001390306,0.000705038],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6760746,"threshold_uncertainty_score":0.9999273,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}