{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":284,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":284,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"59a365fa034b","filters":{"venue":"Public"}},"results":[{"id":"W3205108825","doi":"10.1386/public_00067_5","title":"Atmospheric Noise: The Indefinite Urbanism of Los Angeles","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Urbanism; Metaphysics; Noise (video); Governmentality; Sound (geography); Politics; Sociology; Acoustics; Geography; Political science; Archaeology; Philosophy; Epistemology; Computer science; Physics; Architecture; Artificial intelligence; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.03688123007809457,"gpt":0.2994161540262741,"spread":0.2625349239481796,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002782658,0.00006530275,0.00009872101,0.00001959163,0.0004719012,0.0001728796,0.0003266299,0.00005289655,0.002507312],"category_scores_gemma":[0.0005440889,0.00005270734,0.0001092465,0.0008357473,0.0003740792,0.0002873304,0.0000794742,0.0001423742,0.00004789196],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002446773,"about_ca_system_score_gemma":0.0001596283,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001081433,"about_ca_topic_score_gemma":0.02931647,"domain_scores_codex":[0.9990047,0.0001557271,0.0001518746,0.0001391628,0.0003061537,0.0002423354],"domain_scores_gemma":[0.9990862,0.0002185546,0.00009178241,0.0002338546,0.000300319,0.00006929818],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007084878,0.000358681,0.07245053,0.00001973173,0.0001506362,0.00001227713,0.0104933,0.000007237029,0.001121199,0.8165836,0.09549462,0.00330106],"study_design_scores_gemma":[0.0001295463,0.00002793835,0.1245989,0.00001187975,0.00002869618,0.000003873059,0.02855995,0.00001966701,0.0001791491,0.007020122,0.8392758,0.0001445063],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.677936,0.001843376,0.00001352715,0.0149756,0.0005765365,0.0001474121,0.00003046513,0.0000973416,0.3043798],"genre_scores_gemma":[0.9957834,0.0000683375,0.0003276639,0.0004300763,0.0001344917,0.00001738922,0.000005284801,0.000007766461,0.003225612],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8095635,"threshold_uncertainty_score":0.9984045,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2318103481","doi":"10.1386/public.24.47.149_1","title":"Perceptual artefacts, suspension of disbelief and realism in stereoscopic 3D film","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Advanced Optical Imaging Technologies","field":"Engineering","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Realism; Illusion; Perception; Stereoscopy; Movie theater; Fidelity; Aesthetics; Scale (ratio); Psychology; Computer science; Visual arts; Art; Cognitive psychology; Artificial intelligence; Geography","retraction":null,"screen_n_in":null,"score":{"opus":0.0118048098456229,"gpt":0.2064154410147653,"spread":0.1946106311691424,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003772056,0.0000860211,0.0001339933,0.0001212526,0.00001120606,0.00002883083,0.0001029375,0.00006023938,0.00007875435],"category_scores_gemma":[0.000143334,0.00007823141,0.00001003023,0.0001385331,0.00009613443,0.0003433661,0.00008127055,0.0001397884,0.0000258332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000259334,"about_ca_system_score_gemma":0.000003900491,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004224568,"about_ca_topic_score_gemma":0.00002741619,"domain_scores_codex":[0.9994593,0.000007443952,0.0001448296,0.000111181,0.00007023128,0.0002069862],"domain_scores_gemma":[0.9996718,0.00004937601,0.0000139564,0.0001983679,0.00002548829,0.00004107428],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.00001064916,0.0003169833,0.1147734,0.0008350978,0.00008723126,0.00003451061,0.00343449,0.003515028,0.1291828,0.05477568,0.01399626,0.6790379],"study_design_scores_gemma":[0.001745897,0.0001878836,0.7734699,0.0002591835,0.00001632268,0.00002786988,0.002607878,0.1738312,0.01048854,0.02783335,0.008554243,0.0009776882],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9952322,0.0002467762,0.001352479,0.0007484229,0.00005427634,0.000125436,0.00000238035,0.0003378905,0.001900166],"genre_scores_gemma":[0.9901029,0.0001011093,0.009684894,0.00002482119,0.00000725007,0.00001615437,0.000004503705,0.00001445673,0.0000438535],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6780602,"threshold_uncertainty_score":0.3190185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329505202","doi":"10.1386/public.24.47.214_7","title":"A FILM FOR PINA Keynote of the Toronto International Stereoscopic 3D Conference","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Computer Graphics and Visualization Techniques","field":"Computer Science","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Stereoscopy; Computer graphics (images); Visual arts; Art; Media studies; Art history; Computer science; Sociology; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.03234953940757045,"gpt":0.2885717140364345,"spread":0.256222174628864,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001128451,0.00006382666,0.00007619607,0.00004186729,0.00005226444,0.0002709777,0.001234639,0.00002912537,0.00009896977],"category_scores_gemma":[0.00002890632,0.00004645604,0.00005310405,0.0001271594,0.00002916718,0.0006394993,0.0003544504,0.00003094658,0.000002482487],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003147453,"about_ca_system_score_gemma":0.00007151634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002096337,"about_ca_topic_score_gemma":0.00007019947,"domain_scores_codex":[0.9993716,0.00002470965,0.0001637265,0.0001601742,0.0001613568,0.0001183993],"domain_scores_gemma":[0.9990923,0.00003879733,0.0001014281,0.0003660269,0.0003663091,0.00003510338],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[4.295162e-7,0.00002957541,0.001205112,0.00001010994,0.00001104003,2.370995e-8,0.0002741915,4.651113e-7,0.00009307294,0.9654611,0.003862211,0.02905271],"study_design_scores_gemma":[0.0003890837,0.0001337831,0.02519016,0.00004539256,0.000003112176,0.000002489313,0.00002705208,0.8222121,0.002034417,0.05460427,0.09515744,0.0002007107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.006133971,0.00003563797,0.9892353,0.001981838,0.0004575195,0.0003023197,0.000004122875,0.00008682562,0.001762462],"genre_scores_gemma":[0.9788475,0.0000139471,0.02018993,0.0005008766,0.00003706466,0.00009969237,0.000002971207,0.000004048931,0.0003039844],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.9727135,"threshold_uncertainty_score":0.2613044,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4226237161","doi":"10.1386/public_00087_5","title":"Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Frontier; Disturbance (geology); Resource (disambiguation); Mediation; Protestantism; Colonialism; Order (exchange); History; Political science; Environmental resource management; Sociology; Geography; Business; Archaeology; Computer science; Law; Geology; Economics; Geomorphology","retraction":null,"screen_n_in":null,"score":{"opus":0.01205919031253053,"gpt":0.2179308412537095,"spread":0.2058716509411789,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000267854,0.00004152445,0.00005958027,0.00007631836,0.001047529,0.0005875686,0.0001690921,0.00006027021,0.002332278],"category_scores_gemma":[0.0006932332,0.00003984759,0.00004317607,0.0002979919,0.0002991414,0.0001641133,0.00002110077,0.0001367761,0.0001287678],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000504724,"about_ca_system_score_gemma":0.0006760662,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01821588,"about_ca_topic_score_gemma":0.3865364,"domain_scores_codex":[0.9991161,0.0001665104,0.00007597313,0.0001232135,0.0003211976,0.0001969952],"domain_scores_gemma":[0.9995669,0.00008592514,0.00004062876,0.0001392783,0.00007012548,0.00009719956],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003296089,0.000009428852,0.001822498,0.000001722773,0.000008815323,0.000004486169,0.008120211,0.000001652569,0.000008811797,0.1236153,0.8594608,0.006943046],"study_design_scores_gemma":[0.00006584192,0.000003776343,0.03961934,0.000001790873,0.000003136734,3.560613e-7,0.0008115339,0.000005839736,0.000003174896,0.00153179,0.9579015,0.00005186064],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.416155,0.0006730533,0.00002372224,0.3236946,0.002768408,0.0002076524,0.00006517794,0.00008612963,0.2563262],"genre_scores_gemma":[0.9446144,0.00003061103,0.00002149605,0.003068004,0.001026323,0.00001615122,0.00003333914,0.000006795264,0.05118294],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5284593,"threshold_uncertainty_score":0.9985797,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1506984603","doi":"","title":"Tracing out an Anglo-Bohemia: Musicmaking and Myth in Montréal","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mythology; Tracing; History; Art; Computer science; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.0305127011327751,"gpt":0.253792602932792,"spread":0.2232799018000169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003566076,0.0000385401,0.00007074715,0.0003140422,0.0005020385,0.0004806372,0.00009336735,0.00006018286,0.0001901922],"category_scores_gemma":[0.0001105506,0.00005302785,0.0000167937,0.0002516534,0.0001533104,0.0006245417,0.00001352837,0.0001026019,0.00001778762],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003544601,"about_ca_system_score_gemma":0.0002031301,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4932311,"about_ca_topic_score_gemma":0.9896592,"domain_scores_codex":[0.9993552,0.00005089086,0.00008171817,0.000133889,0.0001314203,0.0002469075],"domain_scores_gemma":[0.9996933,0.00001886494,0.00002525014,0.0000768187,0.00002109655,0.0001647178],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001226624,0.0001796211,0.05200127,0.00002245934,0.00001402205,0.0002684477,0.2224641,0.00000848796,0.0001222245,0.08332699,0.02747039,0.6141098],"study_design_scores_gemma":[0.0001271445,0.000006608267,0.0150497,0.00000592228,0.000002421602,0.00000275932,0.004708618,0.00003986382,4.442996e-7,0.0005673586,0.9794062,0.00008295539],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8292834,0.00119962,0.00002231887,0.006236706,0.000217036,0.00007739187,0.000002585269,0.00005159366,0.1629094],"genre_scores_gemma":[0.9948609,0.0001356717,0.00003952211,0.0004706014,0.0002162549,0.000004833354,0.00000164334,0.000005121352,0.004265483],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9519358,"threshold_uncertainty_score":0.5101436,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2324781220","doi":"10.1386/public.24.48.95_1","title":"OFFSHORE: Extreme oil and our disappearing future","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Global Energy and Sustainability Research","field":"Energy","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Anthropocene; Modernity; Submarine pipeline; Environmental ethics; Addiction; History; Political science; Oceanography; Geology; Psychology; Philosophy; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02575979086787536,"gpt":0.2508194090174056,"spread":0.2250596181495303,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001906205,0.0001131469,0.0001240831,0.000070755,0.0001430012,0.0002527677,0.0002024357,0.0001043404,0.0004861781],"category_scores_gemma":[0.000188304,0.00009328913,0.00004216181,0.0002516227,0.00004515989,0.0003938971,0.0001846891,0.0001850931,0.0002116818],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005970826,"about_ca_system_score_gemma":0.00004862662,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002242862,"about_ca_topic_score_gemma":0.0005010082,"domain_scores_codex":[0.9988369,0.00007609608,0.0001262044,0.0002509218,0.0002210428,0.0004888866],"domain_scores_gemma":[0.9992709,0.00001850253,0.00001830888,0.0002978629,0.0001557469,0.000238718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006882074,0.00006217828,0.01417582,0.00005710936,0.00002652956,0.000006672517,0.0001779499,0.00003225958,0.0001340287,0.276234,0.003388494,0.705698],"study_design_scores_gemma":[0.0004406028,0.00003577242,0.06110755,0.000007230838,0.000004973194,0.00001542309,0.004623495,0.001439952,0.0000431586,0.0242458,0.9077624,0.0002736327],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7825156,0.0006612609,0.00001015604,0.05048602,0.0001916596,0.00004534342,0.000001132939,0.0001440098,0.1659448],"genre_scores_gemma":[0.9798301,0.00006610163,0.00008685482,0.0002303815,0.0003247146,0.00004930506,0.000008832953,0.00001379873,0.01938984],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9043739,"threshold_uncertainty_score":0.5323309,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2043208770","doi":"10.1386/public.23.45.128_1","title":"Spectacular infrastructure: The mediatic space of Montreal’s ‘Quartier des spectacles’","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Downtown; Public space; Plan (archaeology); Space (punctuation); Public art; Urban space; Aesthetics; Urban planning; Sociology; Architectural engineering; Art; Visual arts; Geography; Civil engineering; Economic geography; Engineering; Archaeology; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.02062468342189733,"gpt":0.2808514115104158,"spread":0.2602267280885184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001466109,0.0001431888,0.000206827,0.0001095837,0.0004751568,0.0001434962,0.0006367729,0.0001005251,0.001271972],"category_scores_gemma":[0.001660945,0.000101817,0.0001060653,0.0009446567,0.001029927,0.001131447,0.0001109014,0.0001755277,0.0001219509],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000196761,"about_ca_system_score_gemma":0.000252652,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002952408,"about_ca_topic_score_gemma":0.004794313,"domain_scores_codex":[0.9977096,0.0003355145,0.0002266325,0.0001663471,0.0007243261,0.0008375629],"domain_scores_gemma":[0.9986741,0.0002432344,0.0001745917,0.0004232888,0.0001547374,0.0003300318],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007211081,0.0001517088,0.4105572,0.00001889687,0.0001104258,0.000001452549,0.08607095,0.000005668909,0.0002302617,0.4508467,0.04468688,0.007312585],"study_design_scores_gemma":[0.0002931105,0.0000283978,0.4420122,0.00000841478,0.00004092925,0.000004595157,0.02035879,0.00004409976,0.0003675402,0.0230417,0.513564,0.000236196],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7260748,0.001859056,0.0003500961,0.02882494,0.0008892028,0.0004063271,0.00000796222,0.0001542284,0.2414334],"genre_scores_gemma":[0.997205,0.0001152652,0.0005215949,0.0002201529,0.0009149568,0.00002024132,0.00000292587,0.00001860588,0.0009813231],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4688771,"threshold_uncertainty_score":0.999641,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2762759919","doi":"10.1386/public.27.53.35_1","title":"‘You just censored two native artists’: Art as antidote, resisting the Vancouver Olympics","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Carleton University","funders":"","keywords":"Resistance (ecology); Context (archaeology); Power (physics); Indigenous; Capitalism; Aesthetics; Art; Sociology; Media studies; Political science; History; Politics; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.04846898096369234,"gpt":0.3362256118475767,"spread":0.2877566308838843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001198058,0.0001217639,0.0001403494,0.00007645188,0.0008405467,0.0001727446,0.0003708083,0.00007086232,0.0009213047],"category_scores_gemma":[0.002734747,0.00007052271,0.00007960774,0.0004755871,0.0003491766,0.0005877283,0.00006239148,0.0001032164,0.0005159508],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001600825,"about_ca_system_score_gemma":0.0004089891,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007618549,"about_ca_topic_score_gemma":0.01044141,"domain_scores_codex":[0.9982334,0.0001496032,0.0001974886,0.0002317888,0.0005811998,0.0006065113],"domain_scores_gemma":[0.9988394,0.0002968043,0.0001582622,0.0002604039,0.0002125086,0.0002325763],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003120102,0.0001195583,0.0189364,0.000006889205,0.00006080695,0.00002369681,0.006524024,6.491983e-7,0.0004898943,0.5325664,0.4112037,0.03003674],"study_design_scores_gemma":[0.0004020006,0.00001642682,0.008250006,0.00002504796,0.00001480972,0.00000130608,0.001273955,0.000002684897,0.0002699807,0.003985626,0.9856172,0.0001409551],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4587396,0.0001007955,0.0001371858,0.02759545,0.001710381,0.0002948893,0.00001466496,0.0001852748,0.5112217],"genre_scores_gemma":[0.9094337,0.00004974879,0.00008996909,0.0008593717,0.000710257,0.00001297745,0.000003372926,0.00001451512,0.08882609],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5744135,"threshold_uncertainty_score":0.999992,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133029989","doi":"10.1386/public_00030_1","title":"Invisible Hospitalities of the Art School","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Plural; Hospitality; Sociology; Politics; Process (computing); Visual arts; Pedagogy; Aesthetics; Gender studies; Political science; Art; Law; Linguistics; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.05708925973024254,"gpt":0.2178587711202629,"spread":0.1607695113900204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004739158,0.00004145793,0.00005436514,0.00001888798,0.0001223479,0.00009164901,0.0001337495,0.000008447728,0.009313029],"category_scores_gemma":[0.00009994048,0.00002682911,0.00003332297,0.00003679415,0.00008850543,0.0001443837,0.00005079615,0.00004450303,0.0005756072],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000951753,"about_ca_system_score_gemma":0.0001219957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009543257,"about_ca_topic_score_gemma":0.00002549825,"domain_scores_codex":[0.9996169,0.00001356971,0.0001131568,0.0000621638,0.0001123162,0.00008186034],"domain_scores_gemma":[0.9997231,0.00001106844,0.00003970308,0.00009200778,0.00006966023,0.00006440591],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[7.19139e-7,0.00001733219,0.003793512,0.00001123548,0.000009171841,3.416163e-8,0.02592487,1.741837e-7,0.000003429599,0.5295745,0.4404463,0.0002187104],"study_design_scores_gemma":[0.00005164052,0.000009665394,0.003256462,0.000003398654,0.000001765161,9.160029e-8,0.006884253,0.000005500168,0.000115832,0.001378011,0.9882519,0.00004151689],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1077199,0.00009341584,0.00001076181,0.1387115,0.0006126297,0.0001206772,0.000008454887,0.00005585556,0.7526668],"genre_scores_gemma":[0.9501672,0.000003299671,0.0000273968,0.007450778,0.0002257165,0.00001043484,0.000003933029,0.000004602129,0.04210668],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8424472,"threshold_uncertainty_score":0.9915926,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2889578961","doi":"10.1386/public.29.57.128_1","title":"Fugitives: Anarchival Materiality in Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria; Simon Fraser University","funders":"","keywords":"Materiality (auditing); Transformative learning; Photography; Resistance (ecology); Generative grammar; Visual arts; Art; Sociology; Aesthetics; Computer science; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.06219294233146628,"gpt":0.251629876918705,"spread":0.1894369345872387,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001696344,0.0001257806,0.0001992567,0.0003456718,0.0002577709,0.0002048778,0.0002188498,0.00001867636,0.007835498],"category_scores_gemma":[0.00006583404,0.000110638,0.00007616219,0.00008355912,0.001076659,0.0003654383,0.00005128251,0.00009080902,0.0004240404],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004175106,"about_ca_system_score_gemma":0.00004902026,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003497847,"about_ca_topic_score_gemma":0.005256233,"domain_scores_codex":[0.998904,0.0001789328,0.000223199,0.00025541,0.0001411133,0.0002973047],"domain_scores_gemma":[0.9995154,0.00004055175,0.00006926701,0.0002393768,0.00005648194,0.00007890984],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001300692,0.0004662906,0.009378865,0.00005663585,0.0001303161,0.00002024973,0.2523883,3.139071e-7,0.00210917,0.6990496,0.01590931,0.0203609],"study_design_scores_gemma":[0.0003888792,0.0001665438,0.01732952,0.00001741324,0.00001463127,0.000001061984,0.009759178,0.00009460201,0.0004480568,0.01364526,0.9578438,0.000291092],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5616547,0.00006597961,0.00003077287,0.001756439,0.000552934,0.00009804893,0.00003978143,0.00007335579,0.435728],"genre_scores_gemma":[0.9862769,0.000004385884,0.00006248328,0.0003145975,0.001247315,0.00001804934,0.00002570462,0.00001443956,0.01203618],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9419345,"threshold_uncertainty_score":0.9930715,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2962937857","doi":"10.1386/public.30.59.149_1","title":"Fermenting Communications: Fermentation Praxis as Interspecies Communication","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Thriving; Praxis; Anthropocentrism; Environmental ethics; Embodied cognition; Meaning (existential); Fermentation; Sociology; Communication; Epistemology; Biology; Political science; Social science; Law; Philosophy; Food science","retraction":null,"screen_n_in":null,"score":{"opus":0.05631969810784562,"gpt":0.3707455636937235,"spread":0.3144258655858779,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006518578,0.00008449092,0.00009774793,0.0002507296,0.0010414,0.0005629063,0.001049884,0.00005664098,0.00258205],"category_scores_gemma":[0.0003981312,0.00009602095,0.00007799289,0.0004669103,0.0003623893,0.001439523,0.000292322,0.0002045075,0.00155487],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001797398,"about_ca_system_score_gemma":0.00006310024,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002741875,"about_ca_topic_score_gemma":0.009197694,"domain_scores_codex":[0.9987173,0.0003297135,0.0002336105,0.0001637537,0.0002961255,0.0002594878],"domain_scores_gemma":[0.9984295,0.0001910448,0.0001781993,0.0008353816,0.0002910912,0.00007480039],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001015084,0.000278861,0.05499817,0.00001088578,0.00008100826,1.901234e-7,0.04791971,0.000001488782,0.001401207,0.8868809,0.005151076,0.003266323],"study_design_scores_gemma":[0.0003501039,0.00007996256,0.06934667,0.00005362654,0.00002325278,0.000002377569,0.2769651,0.00009862197,0.00007086544,0.01235585,0.6403669,0.0002866428],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6040531,0.0002923743,0.000003686519,0.02880548,0.0002025225,0.0003649508,0.000002080597,0.0001617143,0.3661141],"genre_scores_gemma":[0.9897949,0.0004752575,0.00099412,0.000462118,0.00003822413,0.0000789197,0.00006029594,0.00001116667,0.00808504],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8745251,"threshold_uncertainty_score":0.9992225,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2762264554","doi":"10.1386/public.27.53.22_1","title":"The illusion of inclusion: Agenda 21 and the commodification of Aboriginal culture in the Vancouver 2010 Olympic Games","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Western University","funders":"","keywords":"Commodification; Inclusion (mineral); Nothing; Indigenous; Power (physics); Media studies; Political science; Sociology; Gender studies; Economy","retraction":null,"screen_n_in":null,"score":{"opus":0.0260782037438704,"gpt":0.3127513028931359,"spread":0.2866730991492655,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002150455,0.00005318343,0.00009223894,0.00002986524,0.0005642778,0.0000321141,0.0003948316,0.00005120234,0.00004304625],"category_scores_gemma":[0.0002683775,0.00001785658,0.00003553891,0.0002744937,0.0006184526,0.0002029516,0.00008511713,0.00006527948,0.000001510491],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002762097,"about_ca_system_score_gemma":0.000142168,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001206702,"about_ca_topic_score_gemma":0.009822229,"domain_scores_codex":[0.9990144,0.0002227337,0.0001565374,0.00007651089,0.0003749317,0.0001548463],"domain_scores_gemma":[0.9992096,0.0003014698,0.0001588799,0.0002024968,0.00009656983,0.00003097367],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000146826,0.0001657014,0.01536476,0.00001764165,0.000024262,0.000001057194,0.1863667,5.228293e-7,0.001876047,0.6120786,0.06203992,0.1219179],"study_design_scores_gemma":[0.000566975,0.00001564529,0.03906087,0.00001992007,0.000009134544,4.683495e-7,0.003992014,0.000004385701,0.0001139832,0.005412928,0.9507642,0.00003952437],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9448711,0.001278162,0.0000242254,0.04237644,0.0004046831,0.0003100543,0.000004989043,0.0000089082,0.01072142],"genre_scores_gemma":[0.9962813,0.001416972,0.000008013301,0.0002327766,0.00008671319,0.00001079004,0.000001225196,0.000002469777,0.001959722],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8887242,"threshold_uncertainty_score":0.5481035,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2600428739","doi":"10.1386/public.27.54.36_1","title":"A Brief (Media) History of the Indigenous Future","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Indigenous; Futures contract; The Imaginary; Politics; Perspective (graphical); Sociology; Work (physics); Action (physics); Media studies; Social science; Political science; Engineering; Visual arts; Psychology; Law; Ecology; Art; Business","retraction":null,"screen_n_in":null,"score":{"opus":0.09818442252104038,"gpt":0.1899433637782521,"spread":0.09175894125721167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007340485,0.00004329458,0.00004871839,0.00002506635,0.0000667768,0.00002883019,0.0001758947,0.00001575943,0.003441112],"category_scores_gemma":[0.00002301398,0.00001979413,0.00004274115,0.0000190366,0.00009658577,0.0002795687,0.00004826252,0.00002890256,0.00002654299],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006087981,"about_ca_system_score_gemma":0.00002487582,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001384575,"about_ca_topic_score_gemma":0.001926859,"domain_scores_codex":[0.9996293,0.00002167241,0.00007976693,0.00006096862,0.0001151426,0.00009315812],"domain_scores_gemma":[0.9997043,0.00002022544,0.00005502191,0.000142775,0.00006182325,0.00001585502],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005471157,0.00003171247,0.002232276,0.00002507508,0.00002152071,4.936757e-7,0.07204387,1.45976e-8,0.0001567776,0.6239232,0.2355069,0.06605272],"study_design_scores_gemma":[0.0001000643,0.000007152069,0.006202923,0.000006012189,0.000004472112,1.446191e-7,0.0006913712,4.909226e-7,0.000008960159,0.001211984,0.9917267,0.00003970634],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4668171,0.001264844,0.000005698809,0.0165494,0.003879246,0.0002492939,0.00002211292,0.00008278758,0.5111296],"genre_scores_gemma":[0.8879414,0.0000140047,0.000002954506,0.0003265732,0.0008432778,0.000008144535,0.000004041971,0.000004545296,0.1108551],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7562199,"threshold_uncertainty_score":0.9974699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2890631552","doi":"10.1386/public.29.57.88_1","title":"SEARCHING FOR BLACK VOICESIN CANADA’S ARCHIVES: The Invisibility of a “Visible” Minority","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Invisibility; Nova scotia; Hogan; George (robot); Visibility; Art history; History; Visual arts; Alley; Art; Sociology; Archaeology; Geography; Meteorology","retraction":null,"screen_n_in":null,"score":{"opus":0.05764290099194327,"gpt":0.2307967485769939,"spread":0.1731538475850507,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001800378,0.00008348376,0.000100308,0.00005482241,0.0003189882,0.0001870796,0.0003035437,0.000004002879,0.0001276611],"category_scores_gemma":[0.00006950328,0.00005448305,0.00006798439,0.00003181777,0.0007943576,0.0002126445,0.00009112324,0.00006270342,0.000009188396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001728657,"about_ca_system_score_gemma":0.0002138889,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.07120816,"about_ca_topic_score_gemma":0.5180336,"domain_scores_codex":[0.9991931,0.00003887819,0.0001781172,0.0001641193,0.0001989769,0.0002268004],"domain_scores_gemma":[0.9992785,0.0003196574,0.00006713789,0.0002032394,0.00006976214,0.00006168503],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001881179,0.00008301221,0.0001878862,0.0001014086,0.00004895708,2.781183e-7,0.003764466,0.000001032412,0.000003272932,0.9699611,0.009555999,0.01627376],"study_design_scores_gemma":[0.0001744222,0.0001123847,0.02580159,0.00001371421,0.00001224768,2.98274e-7,0.0009296514,0.0009220245,0.00002757946,0.2092792,0.7626302,0.00009666401],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1909673,0.00001051506,0.0001726024,0.007685207,0.0001788299,0.0003414026,0.0002599281,0.00002073448,0.8003634],"genre_scores_gemma":[0.9925056,0.000001316327,0.00007525509,0.0006374289,0.0005289835,0.00002160562,0.00004101059,0.000005857516,0.006182995],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8015382,"threshold_uncertainty_score":0.9349768,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2890595286","doi":"10.1386/public.29.57.68_1","title":"Hip Hop Archives or an Archive of Hip Hop? A Remix Impulse","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ethos; Hop (telecommunications); Sociology; Aesthetics; Art; Political science; Telecommunications; Law; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.05986495839684491,"gpt":0.2357170380649873,"spread":0.1758520796681423,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008468979,0.0001560401,0.000176392,0.0002433775,0.0002162723,0.0002899577,0.0003557653,0.000008607391,0.001342584],"category_scores_gemma":[0.00004001847,0.0001132769,0.0000994058,0.0000544561,0.0009097336,0.0006297409,0.0001401353,0.00008725572,0.0001621376],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007472544,"about_ca_system_score_gemma":0.00005154894,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008270016,"about_ca_topic_score_gemma":0.0003281396,"domain_scores_codex":[0.9988982,0.00005069629,0.0002466395,0.0002683847,0.0002180693,0.0003180133],"domain_scores_gemma":[0.9992777,0.0001370974,0.0001020199,0.000276427,0.00004965611,0.0001570721],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001024548,0.0003558967,0.00006187095,0.00005188441,0.00007785006,0.000007428129,0.01181921,3.174142e-7,0.00006979027,0.9192994,0.004585541,0.06356835],"study_design_scores_gemma":[0.0004623896,0.0009364536,0.007985388,0.00004761476,0.00002498703,0.000007015738,0.001857166,0.000232235,0.0001033537,0.4240287,0.5640424,0.0002722014],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1794638,0.00001364031,0.0001662694,0.001409927,0.0002536284,0.0001929381,0.0002870522,0.00009766592,0.8181151],"genre_scores_gemma":[0.9833795,0.00001087087,0.0003643048,0.0005809665,0.0009730558,0.00003089861,0.0001920491,0.00002067012,0.01444773],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8039157,"threshold_uncertainty_score":0.9995703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4238726287","doi":"10.1386/public.29.57.5_1","title":"Introduction","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University; Queen's University; Concordia University","funders":"","keywords":"Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.05243326468944395,"gpt":0.3320039134349849,"spread":0.2795706487455409,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005250371,0.00002040688,0.00002439244,0.00002775625,0.0004770223,0.0001170942,0.00009146902,0.00003225788,0.001601917],"category_scores_gemma":[0.0002663909,0.00001926081,0.00001157273,0.0001270762,0.0002617225,0.0002077182,0.00001319639,0.00005426659,0.0005241386],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002850773,"about_ca_system_score_gemma":0.00007214778,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003002165,"about_ca_topic_score_gemma":0.0008686038,"domain_scores_codex":[0.9995815,0.00004512642,0.00003298946,0.00007773923,0.0001279283,0.0001347875],"domain_scores_gemma":[0.9997529,0.00001452614,0.00001687532,0.00007310892,0.00009736781,0.00004516537],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[4.873103e-7,0.00001147386,0.0001499536,3.237953e-7,0.000001809884,8.928657e-8,0.002818016,3.150495e-9,0.0001322505,0.9612348,0.02483758,0.0108132],"study_design_scores_gemma":[0.00001926203,0.00001027366,0.001015605,3.080916e-7,6.226614e-7,1.673885e-7,0.0003088495,0.000002728322,0.0001064805,0.01857235,0.9799358,0.00002752098],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1120896,0.00001665455,0.0002698624,0.2177941,0.001241064,0.00005186367,5.933928e-7,0.0001162062,0.6684201],"genre_scores_gemma":[0.9868187,0.000007161077,0.00005053749,0.0004151201,0.005649852,0.000002156121,9.135185e-7,0.00000250206,0.00705308],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9550983,"threshold_uncertainty_score":0.9993107,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2762429820","doi":"10.1386/public.26.52.59_1","title":"Miss Bienal inaugurates La Primavera del Amor: Genesis of a platform for research and intercultural artistic production in Cuba, June 2014–June 2015","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Political science; Geography; Sociology; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.184956264600436,"gpt":0.3928860323307899,"spread":0.207929767730354,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003403726,0.00008103318,0.000166505,0.0001504084,0.0002741016,0.0000946002,0.0001741683,0.0001116901,0.00002177623],"category_scores_gemma":[0.001496017,0.00007291115,0.00003916462,0.0004685564,0.0006501426,0.0005984416,0.0000554046,0.000162025,0.000008824736],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003269697,"about_ca_system_score_gemma":0.0003828182,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001922805,"about_ca_topic_score_gemma":0.005885887,"domain_scores_codex":[0.9986262,0.0001722983,0.0002185931,0.0002455402,0.0003831596,0.0003542257],"domain_scores_gemma":[0.998845,0.0001757214,0.00007386175,0.0001227716,0.0006028915,0.0001796832],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003397211,0.0006773458,0.03215578,0.0002117216,0.00005840717,0.000006256306,0.2486,0.00001754929,0.003687641,0.03241107,0.6721155,0.009718963],"study_design_scores_gemma":[0.00198775,0.0003717144,0.01943601,0.00008871881,0.00002889695,0.00002051928,0.108679,0.0004192319,0.001229481,0.01705009,0.8501641,0.0005244928],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9908469,0.0007916083,0.00004072923,0.005508643,0.0004534117,0.0004362519,0.00001084723,0.00002755246,0.001883995],"genre_scores_gemma":[0.9919057,0.0001326582,0.000500963,0.00001985872,0.0002110262,0.00007091144,0.00001377809,0.000008151043,0.007136954],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1780486,"threshold_uncertainty_score":0.3284463,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2601319682","doi":"10.1386/public.27.54.206_5","title":"Girls’ Feminist Blogging in a Postfeminist Age, Jessalynn Keller","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Sociology; Gender studies; Feminism; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.06381158206981137,"gpt":0.3196948228198322,"spread":0.2558832407500208,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00126954,0.0001507228,0.0002119933,0.0002152349,0.0003527076,0.0002121714,0.0004927292,0.0001490537,0.0008261461],"category_scores_gemma":[0.0009924058,0.0001171588,0.00008091923,0.0003851322,0.0005747482,0.0002547538,0.00008605001,0.0001438556,0.0003985364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001517858,"about_ca_system_score_gemma":0.0004685918,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006861219,"about_ca_topic_score_gemma":0.004655211,"domain_scores_codex":[0.9979191,0.0001659612,0.0002823032,0.0003654493,0.0004608115,0.0008063961],"domain_scores_gemma":[0.9988715,0.0003257366,0.00009356601,0.00028566,0.00006797243,0.0003555379],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003311934,0.0005497391,0.254363,0.00003957623,0.00005683799,0.0002466182,0.2745364,1.571579e-7,0.001558108,0.3005066,0.05792129,0.1101886],"study_design_scores_gemma":[0.0006142107,0.00002619754,0.01176811,0.0000336544,0.000007279013,0.000003060012,0.02187837,7.564302e-7,0.00008763594,0.002046397,0.963273,0.0002612997],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3235148,0.0001744959,0.00002572722,0.02607403,0.001373651,0.0002547106,0.0000131239,0.0001863636,0.6483831],"genre_scores_gemma":[0.9721622,0.0001103103,0.00008610715,0.0009506937,0.0006289028,0.00004707065,0.000004564021,0.00002054941,0.02598963],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9053518,"threshold_uncertainty_score":0.904572,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2603913950","doi":"10.1386/public.27.54.98_1","title":"Arctic Cultural (Mis)Representation: Advocacy, Activism, and Artistic Expression on Social Media","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Representation (politics); Narrative; Arctic; The Internet; The arctic; Social media; Broadband; Expression (computer science); Media studies; Sociology; Political science; Art; Computer science; World Wide Web; Ecology; Law; Politics; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.1227371967642381,"gpt":0.4103312751970557,"spread":0.2875940784328176,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002784915,0.0001188248,0.0002004374,0.00006221328,0.002838466,0.00001458842,0.00009090662,0.0001393659,0.00107886],"category_scores_gemma":[0.00107529,0.00007049808,0.00003523695,0.00009307784,0.0001028808,0.0001807627,0.0001350416,0.0002139943,0.0005262883],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002283331,"about_ca_system_score_gemma":0.0001612236,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001293425,"about_ca_topic_score_gemma":0.001043087,"domain_scores_codex":[0.9982742,0.000268318,0.0002291386,0.000252121,0.0001632871,0.0008129398],"domain_scores_gemma":[0.9983227,0.001114462,0.0001320885,0.0001303765,0.0001742955,0.000126044],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0005621719,0.0004774085,0.2964999,0.0003647137,0.0001744247,0.00003785281,0.3287207,3.628137e-7,0.006201092,0.03141381,0.2641148,0.07143272],"study_design_scores_gemma":[0.003243848,0.0001539912,0.841405,0.0001383953,0.00003183596,0.000006871789,0.06292254,0.000005759429,0.0001695791,0.003188561,0.08836365,0.0003699176],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9600312,0.00004400289,0.00007781677,0.02627421,0.001195343,0.000423368,0.00001495789,0.00009343545,0.01184571],"genre_scores_gemma":[0.9965273,0.00007459863,0.00003693446,0.00086311,0.001056631,0.000209797,0.00001187654,0.00001552429,0.001204269],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5449051,"threshold_uncertainty_score":0.9998343,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2273988966","doi":"","title":"At the Scene of the Crossroads, \"Somewhere in this Silvered City:\" Diasporic Public Spheres in Toronto","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"SPHERES; History; Media studies; Visual arts; Sociology; Art; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.04496876648423172,"gpt":0.3159725846607043,"spread":0.2710038181764726,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001230742,0.0001281333,0.0001849174,0.00008386921,0.0003833893,0.0002345458,0.0009335597,0.00012827,0.009590831],"category_scores_gemma":[0.0009265328,0.00009132946,0.0001133361,0.00162001,0.0004628611,0.001456495,0.0001163285,0.0001616724,0.00002821409],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001248913,"about_ca_system_score_gemma":0.0005749015,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2604421,"about_ca_topic_score_gemma":0.9825947,"domain_scores_codex":[0.9975798,0.0003992449,0.0004047722,0.0002673799,0.0008786739,0.0004701171],"domain_scores_gemma":[0.9988671,0.0002285114,0.0001768647,0.0003857708,0.0002479777,0.0000937966],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.000007971249,0.0001846682,0.9289369,0.000005307896,0.00001050042,0.000001416273,0.004997888,0.000009098488,0.00003822648,0.05893952,0.002702652,0.004165835],"study_design_scores_gemma":[0.0003652234,0.000007409099,0.9353319,0.00001017891,0.000004693139,6.654572e-7,0.01264847,0.00002795269,0.00003165261,0.004261167,0.04718738,0.0001232462],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9280442,0.001636997,0.000004763954,0.01669424,0.0003303908,0.000411445,0.00001522074,0.00003378304,0.05282896],"genre_scores_gemma":[0.9930268,0.0004194529,0.00001712971,0.0002829235,0.0001043198,0.0000459111,0.00001250742,0.00001120365,0.006079744],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7221527,"threshold_uncertainty_score":0.9913145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2913587433","doi":"10.1386/public.29.58.188_5","title":"Archiveology: Walter Benjamin and Archival Film Practices","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Obsolescence; Movie theater; Key (lock); Art history; Art; Sociology; Aesthetics; Visual arts; Media studies; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.07207655143154558,"gpt":0.2640284426040594,"spread":0.1919518911725139,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002422205,0.00008238242,0.0001895682,0.0001643546,0.0001155784,0.00005857456,0.0001062416,0.0000247313,0.0002677189],"category_scores_gemma":[0.0007857775,0.00008174305,0.00002886377,0.00008857712,0.0002283445,0.0001977699,0.0001239506,0.00009064354,0.0004769997],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008564618,"about_ca_system_score_gemma":0.00001110095,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008053223,"about_ca_topic_score_gemma":0.0001299409,"domain_scores_codex":[0.9992595,0.00001127738,0.0001970086,0.0002632235,0.0000177247,0.0002512473],"domain_scores_gemma":[0.999381,0.0001297053,0.0002230471,0.0001645377,0.00001911402,0.00008258958],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002019611,0.00009249208,0.4574607,0.00002885081,0.0001044284,0.000004661916,0.002909386,9.899652e-8,0.00003633683,0.4978315,0.02519396,0.01631737],"study_design_scores_gemma":[0.0003134954,0.0001086345,0.3276172,0.000003240845,0.000004071316,0.00001164057,0.0001092773,0.0003136221,0.00002274208,0.03600971,0.6353576,0.0001287678],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7384459,0.00137759,0.0004058987,0.02054327,0.0005977371,0.0001126863,0.00004283111,0.0000386289,0.2384355],"genre_scores_gemma":[0.9946513,0.0003504991,0.000816561,0.0007123724,0.0004991737,0.00001980061,0.000008272976,0.000009709548,0.002932354],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6101636,"threshold_uncertainty_score":0.6131026,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3134334227","doi":"10.1386/public_00037_5","title":"Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Race (biology); Representation (politics); Diversity (politics); Racial diversity; Gender studies; Art; Sociology; Visual arts; Anthropology; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1404187066160054,"gpt":0.2925091811874269,"spread":0.1520904745714215,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007442178,0.00001926234,0.000030834,0.00001718897,0.0003060862,0.00005100809,0.00004223158,0.00002495898,0.001021228],"category_scores_gemma":[0.0001073444,0.00001889015,0.000004651072,0.0001512765,0.00003808682,0.000138709,0.00004548707,0.00003434743,0.00003771118],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007106917,"about_ca_system_score_gemma":0.0001458568,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1688503,"about_ca_topic_score_gemma":0.5152783,"domain_scores_codex":[0.9997082,0.00001607747,0.00003184515,0.00006070667,0.00007701815,0.0001061549],"domain_scores_gemma":[0.9998097,0.000006381999,0.000008821885,0.00001662669,0.00002100361,0.0001374268],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[8.072103e-7,0.00000156701,0.3900743,0.000001087237,0.000002822395,0.000002757074,0.0134297,1.874783e-7,4.061388e-7,0.004226493,0.5898256,0.00243431],"study_design_scores_gemma":[0.0000326134,0.000001247831,0.09207179,4.858886e-7,4.999516e-7,7.083295e-8,0.003777739,0.000006136883,5.684841e-7,0.00008397237,0.9039991,0.00002580401],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2752114,0.0002036911,0.000005031647,0.2046332,0.0001959571,0.0001629078,0.000006743604,0.00003804807,0.5195431],"genre_scores_gemma":[0.9877673,0.0001021537,0.00001175519,0.0007302065,0.00004503081,0.000001306409,0.000005603488,9.203052e-7,0.01133567],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7125559,"threshold_uncertainty_score":0.999892,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2606541296","doi":"10.1386/public.28.55.84_1","title":"Border, Theory, Contract: An Interview with Angela Mitropoulos","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Speculation; Neoliberalism (international relations); Fordism; Work (physics); Critical theory; Sociology; Relation (database); Control (management); Political economy; Political science; Gender studies; Management; Economics; Economy; Law; Finance","retraction":null,"screen_n_in":null,"score":{"opus":0.05446393883469967,"gpt":0.2639105737528386,"spread":0.2094466349181389,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007416486,0.0001820761,0.0003951413,0.0001349564,0.0004141274,0.0006834561,0.0006903594,0.0001019325,0.001045076],"category_scores_gemma":[0.0000502907,0.0001719635,0.00008728926,0.00007650458,0.0001794772,0.001190712,0.00007898343,0.0001788531,0.0004394909],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004369428,"about_ca_system_score_gemma":0.0000311918,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004555941,"about_ca_topic_score_gemma":0.000459428,"domain_scores_codex":[0.9987549,0.00002970583,0.0003325636,0.0004238147,0.00003934081,0.0004197195],"domain_scores_gemma":[0.9982594,0.00002388402,0.0004799168,0.001027612,0.00005514249,0.0001540583],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002190567,0.0002042187,0.03939842,0.00002667968,0.00006447969,0.00001926405,0.0005030076,5.001423e-7,0.000004941075,0.9168813,0.001343374,0.04153196],"study_design_scores_gemma":[0.0008168336,0.0001256659,0.1122468,0.00002221379,0.000006995382,0.00001428471,0.00002746869,0.0001901523,0.00002199215,0.00853259,0.8776855,0.0003095056],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5411744,0.004406108,0.004519554,0.007601883,0.0009298543,0.0003589723,0.0001261921,0.0001487307,0.4407343],"genre_scores_gemma":[0.9927591,0.0003546379,0.0004229732,0.001399442,0.0002194388,0.00003446765,0.00001847515,0.00004370775,0.00474776],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9083487,"threshold_uncertainty_score":0.9998681,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2320863536","doi":"10.1386/public.24.48.71_1","title":"All that's frozen melts into air: Arctic cinemas at the end of the world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Sublime; Adventure; Spectacle; Ideology; Danish; Arctic; Politics; The arctic; Art; Art history; Media studies; Visual arts; Aesthetics; History; Sociology; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02716525128628023,"gpt":0.2139817314102861,"spread":0.1868164801240059,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002712745,0.0001407946,0.0001960824,0.0001240879,0.0004480265,0.0005281224,0.0004987161,0.00003028784,0.02247732],"category_scores_gemma":[0.000049252,0.00006361045,0.0002524634,0.0001233199,0.0003078869,0.0005119308,0.0001708998,0.0002126116,0.0001904645],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003757778,"about_ca_system_score_gemma":0.00002686867,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002954241,"about_ca_topic_score_gemma":0.02748871,"domain_scores_codex":[0.9988893,0.0001210692,0.0002467801,0.0001558598,0.0003352295,0.0002517194],"domain_scores_gemma":[0.9988964,0.0001290661,0.0001891773,0.0005138017,0.0001946891,0.00007690798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001089672,0.0001389643,0.01526493,0.00009122951,0.0007534497,0.000002452022,0.06875806,0.000005304669,0.0001162529,0.3619021,0.5491095,0.003846918],"study_design_scores_gemma":[0.0001850142,0.00001024409,0.007877448,0.00002413703,0.0001052791,0.000002688642,0.001720881,0.00004035702,0.0001438489,0.01045005,0.9793281,0.000111941],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5111277,0.004223006,0.000004440043,0.1801371,0.001721688,0.0005417595,0.00005829095,0.00008196563,0.3021041],"genre_scores_gemma":[0.9048452,0.00002001837,0.000008212226,0.004499441,0.0005851741,0.00002322483,0.00001924929,0.00001404775,0.08998539],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4302187,"threshold_uncertainty_score":0.9902571,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306408363","doi":"10.1386/public_00113_7","title":"Introduction: Access Aesthetics— Toward a Prefigurative Cultural Politics","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Social Media and Politics","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary; York University","funders":"","keywords":"Politics; Aesthetics; Sociology; Political science; Art; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.08984817170888561,"gpt":0.3711054672166049,"spread":0.2812572955077193,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002550813,0.0000832546,0.0001146131,0.00007208316,0.001452369,0.0003135194,0.0004842485,0.00004662939,0.002759785],"category_scores_gemma":[0.0006373923,0.00008457615,0.00006345251,0.0005612503,0.0003285515,0.0004730303,0.0001589811,0.0002483906,0.00005030119],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004005735,"about_ca_system_score_gemma":0.0004921763,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001285317,"about_ca_topic_score_gemma":0.00008881104,"domain_scores_codex":[0.9982397,0.0004028401,0.000141015,0.0001817475,0.0005413601,0.0004933708],"domain_scores_gemma":[0.9993019,0.00008073787,0.00007048895,0.0001316729,0.0001976002,0.0002176732],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002786214,0.00007673779,0.00483309,0.000004617019,0.00001766783,0.000003157143,0.09301537,0.000003794187,0.000007604087,0.8126242,0.0868435,0.00256751],"study_design_scores_gemma":[0.00009732512,0.00003284889,0.0003897416,5.100127e-7,0.00000845567,0.000003494403,0.06878268,0.000006082456,0.00004104298,0.01080076,0.9197268,0.0001102468],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5110823,0.0001896282,0.00003404017,0.3950866,0.005259328,0.0003771094,0.00005209245,0.0002693808,0.08764949],"genre_scores_gemma":[0.988517,0.00003012991,0.00005111438,0.001303608,0.004696345,0.0001224107,0.00002937992,0.00001006592,0.00523991],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8328833,"threshold_uncertainty_score":0.9998476,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306408342","doi":"10.1386/public_00130_1","title":"Stretching Our Stories (SOS): Digital Worldmaking in Troubled Times","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University; Centre for Social Innovation; Brandon University; Brock University","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Intersectionality; Sociology; Normative; The arts; 2019-20 coronavirus outbreak; Media studies; Pandemic; Ableism; Aesthetics; Movie theater; Inequality; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Work (physics); Public relations; Visual arts; Political science; Gender studies; Art; Law; Medicine; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.5971609094179193,"gpt":0.6173829014844245,"spread":0.02022199206650521,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004598441,0.00008718335,0.0001568536,0.0002962801,0.0008888887,0.0005775851,0.0005107861,0.00002939335,0.0005161799],"category_scores_gemma":[0.003391702,0.00009616151,0.00005404587,0.001222307,0.00008551593,0.001097898,0.000344239,0.0004026872,0.00002341134],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005975726,"about_ca_system_score_gemma":0.0006690094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006918024,"about_ca_topic_score_gemma":0.001031423,"domain_scores_codex":[0.9965034,0.001340951,0.0001988832,0.000246631,0.000967254,0.0007428989],"domain_scores_gemma":[0.9991506,0.0003527294,0.00006561745,0.0001660856,0.00005432352,0.0002105915],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005817573,0.000419258,0.4473965,0.00001492028,0.00004529723,0.00008079521,0.07175557,0.000161198,0.000136675,0.3899096,0.006006014,0.08401603],"study_design_scores_gemma":[0.0006085624,0.00009603498,0.01602939,0.00001049004,0.000004675549,0.000001186086,0.1273294,0.0009054799,0.00004657789,0.01258651,0.8420256,0.0003561275],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.915382,0.0001309531,0.00006076391,0.00709885,0.0003868606,0.0002281884,0.000008878768,0.0001380873,0.07656544],"genre_scores_gemma":[0.9950641,0.000002571579,0.000210235,0.00008736433,0.0001697693,0.0001295638,0.000003325438,0.00001426446,0.00431875],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8360196,"threshold_uncertainty_score":0.6836703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2602722706","doi":"10.1386/public.27.54.58_1","title":"Aesthetics, Violence, and Indigeneity","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Anthropological Studies and Insights","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Aesthetics; Sociology; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04045801265545945,"gpt":0.3060635960485228,"spread":0.2656055833930634,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001752199,0.00003572366,0.00005632585,0.0000137533,0.000669068,0.00003495111,0.0000846185,0.00004136654,0.0006413901],"category_scores_gemma":[0.0001559356,0.00001843219,0.00001506899,0.00007440333,0.0008359409,0.0001094314,0.00004757844,0.00002181261,0.0000612609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002214447,"about_ca_system_score_gemma":0.00002322012,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007449229,"about_ca_topic_score_gemma":0.001174188,"domain_scores_codex":[0.9994907,0.00004477835,0.00005214624,0.0001027266,0.0001057923,0.0002038786],"domain_scores_gemma":[0.9997556,0.00004390108,0.0000201162,0.00004912489,0.0000385196,0.0000927543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001026682,0.00002230777,0.0879377,5.700994e-7,0.000003858504,8.938198e-7,0.0008161068,2.074335e-9,0.000003956304,0.3797235,0.001440775,0.5300493],"study_design_scores_gemma":[0.00007127186,0.00003005093,0.02136303,0.00000906182,0.000001225336,2.070239e-7,0.001208872,2.869859e-7,0.00001217506,0.0216208,0.955624,0.00005899163],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7624287,0.00164525,0.0004951009,0.05418041,0.0002823963,0.0001149382,0.000003464118,0.0000995914,0.1807501],"genre_scores_gemma":[0.989363,0.009644782,0.00002775805,0.0003519315,0.00009814028,0.000003256346,1.054963e-7,0.000001584536,0.0005094372],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9541832,"threshold_uncertainty_score":0.7022772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2598588017","doi":"10.1386/public.27.54.5_7","title":"Transmissions: The Future Possibilities of Indigenous Digital and New Media Art","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg; NSCAD University; Concordia University","funders":"","keywords":"Indigenous; Digital media; Media arts; Computer science; Data science; Visual arts; World Wide Web; Art; Biology","retraction":null,"screen_n_in":null,"score":{"opus":0.04020004492311804,"gpt":0.2014026092515629,"spread":0.1612025643284448,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005159992,0.00007630549,0.00009215045,0.0000215646,0.0001550106,0.000223771,0.0001167404,0.0000259807,0.002809229],"category_scores_gemma":[0.00002076685,0.00002932308,0.00004414821,0.0000183216,0.0001956816,0.000449316,0.00001783847,0.00004173389,0.00002738175],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005574731,"about_ca_system_score_gemma":0.00004100959,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004289244,"about_ca_topic_score_gemma":0.0006438004,"domain_scores_codex":[0.9995175,0.00001055625,0.0001247114,0.00009249947,0.0001118687,0.0001428596],"domain_scores_gemma":[0.9996592,0.000057962,0.00003490725,0.0001218779,0.00004411176,0.00008191604],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000160999,0.00004867874,0.0006699965,0.00002965081,0.00003589385,0.000001066222,0.1611734,4.193351e-9,0.000127439,0.4099197,0.03600405,0.391974],"study_design_scores_gemma":[0.0001425004,0.00003943815,0.001293256,0.00001962467,0.000004559271,0.000002298223,0.01146847,1.571181e-7,0.00002332692,0.008712758,0.9782239,0.00006974104],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9296408,0.002458171,0.000008246578,0.01818284,0.00042302,0.000182986,0.000196119,0.00006376248,0.048844],"genre_scores_gemma":[0.9663071,0.0001320549,0.000005160266,0.0001455222,0.0007148838,0.00000449216,0.000006271172,0.000006817077,0.03267771],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9422198,"threshold_uncertainty_score":0.9981024,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200568272","doi":"10.1386/public_00073_1","title":"Towards a Poetics of Conspiracy","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Poetics; Poetry; Normative; Context (archaeology); Colonialism; Sociology; Treaty; Law; Literature; Political science; History; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03219190969001397,"gpt":0.2126151153841554,"spread":0.1804232056941414,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003431966,0.00004839791,0.00008072861,0.00002225509,0.0000562575,0.0001066344,0.00005830876,0.00001811377,0.007347988],"category_scores_gemma":[0.00003355958,0.00004309845,0.00004110821,0.00002067284,0.0001212706,0.0001431868,0.00004086465,0.00005392287,0.00005717815],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006925445,"about_ca_system_score_gemma":0.00002373094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001238717,"about_ca_topic_score_gemma":0.00004382264,"domain_scores_codex":[0.9996123,0.00001389017,0.000103478,0.00007891133,0.00008328352,0.0001081797],"domain_scores_gemma":[0.999756,0.00001386008,0.00002020438,0.000125889,0.00004623692,0.00003780476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[9.615364e-7,0.00008755713,0.0004710419,0.00004358663,0.00001227028,0.00001083495,0.004464283,1.082421e-7,0.00021046,0.9873357,0.004711974,0.002651266],"study_design_scores_gemma":[0.0001145609,0.00001684539,0.000495327,0.000009011917,0.000007289263,0.000004903545,0.001422671,0.000005187236,0.0009833792,0.004307845,0.9925726,0.00006039004],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1460234,0.001617881,0.00001171786,0.0045713,0.0003843266,0.00003554197,0.0001360039,0.00002847036,0.8471913],"genre_scores_gemma":[0.9891814,0.00002915008,0.0001311632,0.001135769,0.0001524836,0.000002843039,0.00004961712,0.000006478544,0.009311115],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9878606,"threshold_uncertainty_score":0.9935594,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2325739268","doi":"10.1386/public.23.45.212_1","title":"Participatory art at the Vancouver 2010 Cultural Olympiad","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Olympiad; Crowds; Citizen journalism; Choreography; Visual arts; Participatory culture; Action (physics); Media studies; Sociology; Political science; Art; History; Dance; Computer science; Archaeology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1929729030072838,"gpt":0.3233253523690056,"spread":0.1303524493617218,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003384246,0.00008847193,0.00008436166,0.00002381946,0.0006578712,0.0001419606,0.0001421018,0.00002202414,0.03992434],"category_scores_gemma":[0.00008009018,0.00004661113,0.00005451078,0.000026532,0.0005187976,0.0004659714,0.0001102365,0.0001098818,0.005776407],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006669177,"about_ca_system_score_gemma":0.00002688646,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007298223,"about_ca_topic_score_gemma":0.002099956,"domain_scores_codex":[0.9989747,0.00008450884,0.0001095381,0.00009613894,0.0002416782,0.0004934294],"domain_scores_gemma":[0.9994245,0.0001010322,0.0000332839,0.000187741,0.00009760765,0.0001558947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004373779,0.00004455515,0.009094581,0.000003382735,0.00002071788,4.269106e-7,0.005232437,6.580288e-8,0.00001169574,0.2669363,0.7176086,0.001042809],"study_design_scores_gemma":[0.00009444197,0.00001389076,0.005775222,0.000002029359,0.000009487484,0.000001014546,0.00605858,0.0000177556,0.00004944429,0.0001521218,0.9877446,0.00008142426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1292687,0.0007033027,0.00002038411,0.002571668,0.0006310149,0.0001272377,0.00001964609,0.00005824395,0.8665998],"genre_scores_gemma":[0.672783,0.000008346099,0.000002578344,0.0003340804,0.0007015605,0.0000455174,0.000008132401,0.000007289233,0.3261096],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5435143,"threshold_uncertainty_score":0.9949977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4249802184","doi":"10.1386/public.23.45.35_1","title":"NIGHTSENSE","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Exhibition; Context (archaeology); Locale (computer software); Interrogation; Capital (architecture); Value (mathematics); Citizenship; Aesthetics; Space (punctuation); Visual arts; Sociology; Art; Political science; History; Politics; Archaeology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1150067535921817,"gpt":0.3129872209517968,"spread":0.1979804673596152,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002812255,0.00003140042,0.0000355443,0.00001740252,0.0002896758,0.00007793841,0.00007286968,0.00004098313,0.002595386],"category_scores_gemma":[0.0001073885,0.00002393743,0.00001763206,0.0001650335,0.00005737708,0.0003112739,0.00001901533,0.00004555048,0.0003397924],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006153447,"about_ca_system_score_gemma":0.00005777251,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005110347,"about_ca_topic_score_gemma":0.0003802269,"domain_scores_codex":[0.9994248,0.00003415758,0.00005155398,0.00004365103,0.0001457465,0.000300141],"domain_scores_gemma":[0.9997061,0.00001820447,0.00001576644,0.00004724734,0.00003652536,0.0001761728],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[5.926381e-7,0.00003323878,0.04858111,6.244235e-7,0.000007015374,4.624513e-7,0.006835176,1.853914e-8,0.000009090179,0.1608639,0.7355803,0.04808852],"study_design_scores_gemma":[0.00002659087,0.000001315499,0.01137757,6.18308e-7,9.054804e-7,4.075732e-7,0.001466263,1.487074e-7,0.00001705203,0.0002082603,0.9868544,0.00004644023],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2430233,0.0003622386,0.00002002874,0.06519482,0.0008973595,0.00009775356,9.461016e-7,0.0001171632,0.6902864],"genre_scores_gemma":[0.8906837,0.00002423652,0.0000489928,0.0003263594,0.000515875,0.000004520193,0.000001865127,0.000002012373,0.1083925],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6476603,"threshold_uncertainty_score":0.9983163,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2891569344","doi":"10.1386/public.29.57.96_1","title":"Commemoration and Decolonization in the Missing and Murdered Indigenous Women Database","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Gender, Security, and Conflict","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta; University of Manitoba","funders":"","keywords":"Indigenous; Decolonization; Mainstream; Colonialism; Vision; Citizen journalism; Politics; Gender studies; Sociology; Political science; History; Law; Anthropology","retraction":null,"screen_n_in":null,"score":{"opus":0.05134865482396023,"gpt":0.3148845198356604,"spread":0.2635358650117002,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008820475,0.00003709172,0.00004401567,0.0000531247,0.0005897544,0.0003149322,0.00009376911,0.00003457689,0.00003455362],"category_scores_gemma":[0.0002100063,0.00003091567,0.00000336776,0.000229086,0.0001533673,0.0002954548,0.00002534867,0.00004587204,0.000003137914],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003220878,"about_ca_system_score_gemma":0.00009179553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001028383,"about_ca_topic_score_gemma":0.01129015,"domain_scores_codex":[0.9993642,0.0001750034,0.00006717837,0.00009788773,0.000116649,0.0001790677],"domain_scores_gemma":[0.9997319,0.00005536364,0.00002985238,0.00008015722,0.000049648,0.00005310446],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.000004876205,0.00006090717,0.08483503,0.0000107573,0.000004683292,0.000001541885,0.8532482,6.71405e-8,0.00006746893,0.00972986,0.0004092687,0.05162729],"study_design_scores_gemma":[0.001033223,0.0001603171,0.4136668,0.00001391731,0.00001145276,0.000007736318,0.2249314,0.0007098697,0.00005129363,0.01468171,0.3444139,0.000318309],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9880649,0.0002041445,0.0001442137,0.00766021,0.00006152364,0.0001630457,0.000002110733,0.00001575439,0.003684108],"genre_scores_gemma":[0.9987641,0.00006911557,0.00004688569,0.000923723,0.0001253985,0.00001064086,0.00001050506,0.000002579758,0.0000470722],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6283168,"threshold_uncertainty_score":0.6300167,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3015758654","doi":"10.1386/public_00019_7","title":"Virtual Bodies Inc.","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Framing (construction); Transformative learning; Politics; Sociology; Aesthetics; Epistemology; Political science; Art; Philosophy; Geography; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.09608475408350145,"gpt":0.2237012223019377,"spread":0.1276164682184362,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002331171,0.00006060452,0.0000680656,0.00001492215,0.0001602378,0.0002924085,0.0001076782,0.00001361857,0.01398249],"category_scores_gemma":[0.0000444329,0.00004296094,0.00003184817,0.00001328318,0.00008455871,0.0002564492,0.00003806761,0.00006117726,0.002087153],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004357082,"about_ca_system_score_gemma":0.000009204021,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001068665,"about_ca_topic_score_gemma":0.0001646836,"domain_scores_codex":[0.999611,0.00001297513,0.00007683942,0.00009146445,0.00008924181,0.0001185446],"domain_scores_gemma":[0.9997897,0.00001059959,0.0000186879,0.00004897524,0.00004748799,0.0000845237],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001473044,0.00001088473,0.0000205822,0.000003962167,0.000008867592,0.000001077777,0.05127673,1.568432e-7,0.00003589553,0.7978299,0.1437376,0.007072865],"study_design_scores_gemma":[0.00008308944,0.00004151402,0.00007742147,0.000001281253,0.000002216564,3.416689e-7,0.01689502,0.00005747768,0.0000147274,0.0002384673,0.9825159,0.00007253312],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2221733,0.00009445114,0.000004876097,0.06043977,0.0004160905,0.00007649718,0.00002898739,0.0003949307,0.7163711],"genre_scores_gemma":[0.9779496,0.000008867371,0.000005503814,0.007400726,0.0006209725,0.000005704797,0.00002033219,0.000005847568,0.01398244],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8387783,"threshold_uncertainty_score":0.9986898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2606431765","doi":"10.1386/public.28.55.40_7","title":"Art, Politics and Systemic Change: An Interview with Astra Taylor","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"ASTRA; Politics; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1320415350518732,"gpt":0.3154140089768768,"spread":0.1833724739250036,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003443955,0.0000588249,0.000112372,0.00002746603,0.0008838367,0.0003163719,0.0002371075,0.00004266461,0.0001686527],"category_scores_gemma":[0.00005581865,0.00004806932,0.00001793508,0.00001263106,0.0004069282,0.000633689,0.00003085571,0.00005551631,0.00009921083],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005314504,"about_ca_system_score_gemma":0.00005513894,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001284687,"about_ca_topic_score_gemma":0.002176015,"domain_scores_codex":[0.9993515,0.00005013459,0.0000786763,0.0001324053,0.00006857445,0.0003187088],"domain_scores_gemma":[0.9993677,0.00001392184,0.00005403962,0.0001913014,0.00002796658,0.0003450314],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003181041,0.0000578613,0.0132682,0.00007465682,0.00002041882,0.00000857319,0.007344512,1.978707e-8,0.000003105094,0.9147066,0.001762582,0.06275029],"study_design_scores_gemma":[0.0001794259,0.00006717137,0.01726607,0.0000338026,0.00001009725,0.00001171162,0.001538317,0.000030978,9.801505e-7,0.002229111,0.9784984,0.0001339292],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7104736,0.0004145243,0.0000427916,0.02340725,0.0004255636,0.0001776646,0.00001777311,0.0000702349,0.2649706],"genre_scores_gemma":[0.9932718,0.00004206707,0.00003049661,0.000701595,0.000430962,0.00001544361,0.000002179697,0.000004923789,0.005500479],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9767358,"threshold_uncertainty_score":0.6797847,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4238850661","doi":"10.1386/public.27.53.140_7","title":"Olympic homonationalisms","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Queer; Colonialism; Indigenous; Resistance (ecology); Lesbian; Politics; Gender studies; Political science; Media studies; Sociology; History; Ethnology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.06540169163638862,"gpt":0.3250873953014004,"spread":0.2596857036650118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003758674,0.00003519402,0.00004144858,0.00005633306,0.0001611894,0.00005178783,0.0001404663,0.00003644135,0.003533345],"category_scores_gemma":[0.00028398,0.00002344779,0.00002923285,0.0001762046,0.00008309034,0.0003913175,0.00001357142,0.00001615148,0.0004583747],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006423803,"about_ca_system_score_gemma":0.0001838559,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001957149,"about_ca_topic_score_gemma":0.0003350342,"domain_scores_codex":[0.999329,0.00002749745,0.00006039218,0.00008224121,0.0002653472,0.0002355392],"domain_scores_gemma":[0.9996159,0.00005571929,0.00002856445,0.00008196161,0.00006571723,0.0001521016],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[6.559981e-7,0.00002074255,0.006185723,3.067429e-7,0.000004069333,0.00000110956,0.0005921258,6.287675e-9,0.00005547473,0.9442717,0.009918269,0.03894984],"study_design_scores_gemma":[0.0001301995,0.000004283927,0.02720588,0.000002796659,0.000001926086,4.018024e-7,0.00008066517,9.218969e-8,0.00003406957,0.007336483,0.9651546,0.00004854821],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6166212,0.0001489493,0.0001846076,0.0625727,0.0007147054,0.00008506738,0.000004189536,0.0001229564,0.3195456],"genre_scores_gemma":[0.9467314,0.00002275607,0.00003146395,0.0004445304,0.0003158657,0.000009663514,0.000002207929,0.000003834025,0.05243828],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9552364,"threshold_uncertainty_score":0.9973776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2890755219","doi":"10.1386/public.29.57.27_1","title":"Anarchival Impulses: A Performance Theory of Media","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Dance; Impulse (physics); Digital media; Media theory; Key (lock); Queer; Sociology; Art; Computer science; Visual arts; Media studies; Gender studies; Computer security; World Wide Web; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.04904096124332435,"gpt":0.2173541489677454,"spread":0.168313187724421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004193703,0.00006987522,0.0002161835,0.0001830834,0.00006049786,0.00001342812,0.0001616639,0.00002619535,0.0005471905],"category_scores_gemma":[0.0003879892,0.00006789676,0.00005105922,0.0002070851,0.0002082018,0.0001369558,0.00007075533,0.00005343006,0.0003779987],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001426968,"about_ca_system_score_gemma":0.00001758236,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000151622,"about_ca_topic_score_gemma":0.00002140768,"domain_scores_codex":[0.9993323,0.000007177867,0.0002656768,0.0001577761,0.0000261549,0.0002109132],"domain_scores_gemma":[0.9994969,0.00007940884,0.0001220133,0.0002024191,0.00004102951,0.00005819476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00002442906,0.00007851871,0.25454,0.00004517754,0.00006669411,5.86168e-7,0.004022836,1.714896e-7,0.00002737189,0.7037936,0.004299551,0.03310111],"study_design_scores_gemma":[0.0007825888,0.0002594358,0.6835893,0.00001846428,0.000007222551,0.000004823308,0.0006005444,0.0003523731,0.0004559876,0.08123111,0.2324276,0.0002705785],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8630006,0.001086899,0.0003352364,0.0008935175,0.0005801681,0.00006483524,0.000039413,0.00002292115,0.1339764],"genre_scores_gemma":[0.9983918,0.0002792194,0.0002116863,0.0001494815,0.0003263103,0.00001115368,0.00000522195,0.000008886045,0.0006162314],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6225625,"threshold_uncertainty_score":0.5991353,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306408379","doi":"10.1386/public_00114_1","title":"Balancing Form and Function: The Politics of Access Aesthetics","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Disability Rights and Representation","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Aesthetics; Politics; Normative; Meaning (existential); Function (biology); Sociology; Art; Epistemology; Political science; Philosophy; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.05872657223349771,"gpt":0.3293230874776526,"spread":0.2705965152441549,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004366643,0.00002119261,0.00003565463,0.00001932842,0.0008456645,0.00009765328,0.0001427071,0.00001050695,0.0002896305],"category_scores_gemma":[0.00004727985,0.00001349779,0.00001705549,0.0001699681,0.0002538447,0.0001827711,0.0000875123,0.00004711113,6.224495e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003013497,"about_ca_system_score_gemma":0.00007705844,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001100988,"about_ca_topic_score_gemma":0.000402839,"domain_scores_codex":[0.9994723,0.00008016961,0.00007002503,0.00005819721,0.0002192958,0.0001000205],"domain_scores_gemma":[0.999752,0.00005843405,0.00003654746,0.00008051317,0.00004197297,0.00003055578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000146911,0.00003282046,0.03641867,0.000004633594,0.000004615446,8.666118e-8,0.00701691,0.000007303301,0.000002443052,0.947312,0.001091436,0.008107606],"study_design_scores_gemma":[0.0001054426,0.00003278571,0.03491486,8.746595e-7,0.00001008214,0.000001318053,0.02065512,0.0001304751,0.000009745768,0.163983,0.7801081,0.00004820286],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8672732,0.0001140889,0.0001078456,0.05883492,0.000401228,0.0001889079,0.000005821357,0.00002544041,0.07304859],"genre_scores_gemma":[0.9981552,0.0000109738,0.000005908066,0.0002071022,0.00006567971,0.00001095323,0.000002211498,0.000001821673,0.001540098],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.783329,"threshold_uncertainty_score":0.6504253,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200551607","doi":"10.1386/public_00086_5","title":"The Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Ontario College of Art and Design; University of Toronto","funders":"","keywords":"Regret; Politics; Commission; Political science; Political theatre; Media studies; Aesthetics; Sociology; Art; Law; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.00891868855061173,"gpt":0.1961052024119042,"spread":0.1871865138612924,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003947831,0.00001713845,0.00005387503,0.0000382641,0.0002354692,0.00009888606,0.000075023,0.00001850459,0.00003933972],"category_scores_gemma":[0.0003570493,0.00001308458,0.00001490943,0.0002443073,0.0002822203,0.00006397361,0.000009385878,0.00005285135,3.122464e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003325503,"about_ca_system_score_gemma":0.003991044,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9897196,"about_ca_topic_score_gemma":0.9999563,"domain_scores_codex":[0.9995149,0.0001361039,0.00009161856,0.00004116973,0.0001277818,0.00008844247],"domain_scores_gemma":[0.9995661,0.0001797852,0.00004454704,0.00008450805,0.00009331245,0.00003170818],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004917687,0.00000622435,0.007214178,0.00001952011,0.00001124509,0.000003253483,0.0156914,6.482954e-7,0.000003854176,0.9276832,0.0344134,0.01494812],"study_design_scores_gemma":[0.000113342,0.000001429402,0.006946571,0.00001038539,0.000002490262,5.06436e-7,0.004066783,0.000008441521,0.000005207104,0.004518826,0.9843073,0.000018716],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4770856,0.02763277,0.000001612326,0.1284248,0.0007986428,0.000226584,0.0001060274,0.000005818981,0.3657181],"genre_scores_gemma":[0.9893715,0.0009098399,0.000003496143,0.0002392599,0.00004039494,0.000002268553,0.000002814355,0.000001403439,0.009429034],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9498939,"threshold_uncertainty_score":0.707994,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234052801","doi":"10.1386/public.31.59.26_1","title":"Animals that Live in the Mirror: On Colonial Bestiaries and Interspecies Architecture","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Architecture; Ignorance; Theme (computing); Colonialism; Aesthetics; Ideal (ethics); Animal life; Environmental ethics; History; Art; Sociology; Visual arts; Computer science; Archaeology; Epistemology; Philosophy; Biology; Zoology","retraction":null,"screen_n_in":null,"score":{"opus":0.04284946117670047,"gpt":0.3141836533159547,"spread":0.2713341921392542,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004043929,0.00008994683,0.0001070085,0.0002052167,0.0003282028,0.0004928448,0.0003521133,0.00006028997,0.0007120788],"category_scores_gemma":[0.0003117546,0.00006494188,0.00004950863,0.000242825,0.000473665,0.0002378238,0.00006015875,0.0002713825,0.0001564907],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003476367,"about_ca_system_score_gemma":0.00003644737,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005028489,"about_ca_topic_score_gemma":0.1891331,"domain_scores_codex":[0.9989801,0.0002001922,0.00009111989,0.0001849753,0.0002698134,0.0002737781],"domain_scores_gemma":[0.9991872,0.00051772,0.00005146433,0.0001472493,0.00004729499,0.00004902881],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00009533657,0.0001868432,0.2377645,0.00001291641,0.00004385963,0.000009271915,0.2795254,0.000001351125,0.0001802586,0.475774,0.005636906,0.0007693259],"study_design_scores_gemma":[0.0002294836,0.0003325243,0.5738381,0.00002877643,0.000009043234,0.000005823342,0.1567463,0.0000035888,0.00001440002,0.008756611,0.2598641,0.0001713109],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9116064,0.0001583527,2.232028e-7,0.05007971,0.0002306046,0.0002804075,0.000006027301,0.00003575085,0.03760254],"genre_scores_gemma":[0.9984487,0.00003679788,0.00005550874,0.0007508383,0.00005741635,0.00002662698,0.000001686897,0.000005692868,0.0006167716],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4670174,"threshold_uncertainty_score":0.8256631,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321702718","doi":"10.1386/public.23.45.78_1","title":"Halifax’s Nocturne versus(?) the spectacle of neo-liberal civics","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Spectacle; Politics; Enthusiasm; Civics; Meaning (existential); Sociology; Political science; The arts; Aesthetics; Choreography; Media studies; Public administration; Political economy; Gender studies; Law; Visual arts; Art; Dance; Social psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.1143301515599185,"gpt":0.3530711840244042,"spread":0.2387410324644857,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008467467,0.00006864197,0.0001006624,0.000043926,0.0002670994,0.00006185929,0.00028816,0.00005863478,0.001116668],"category_scores_gemma":[0.0003638438,0.00004806325,0.00007200671,0.0003530922,0.000170377,0.0004945126,0.00004299726,0.00009807993,0.0001013669],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000570749,"about_ca_system_score_gemma":0.0001645023,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00135658,"about_ca_topic_score_gemma":0.002182193,"domain_scores_codex":[0.9988924,0.00006401254,0.0001225537,0.00007397148,0.0003650167,0.000482088],"domain_scores_gemma":[0.999338,0.0001043338,0.00008613976,0.0001874351,0.00006427083,0.0002197854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004630503,0.0002555377,0.05976877,0.000009919448,0.00006638166,0.00000127491,0.03746203,0.00000128576,0.000147931,0.8212764,0.06596518,0.01499895],"study_design_scores_gemma":[0.0002863237,0.00002041197,0.04511566,0.000002810109,0.00001746149,6.470869e-7,0.001580513,0.000002608459,0.0001699074,0.0005273331,0.9521955,0.0000807869],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7967942,0.0003254004,0.00000903847,0.008905026,0.001445678,0.0001183161,0.000003806116,0.00004497391,0.1923535],"genre_scores_gemma":[0.9947703,0.00003334787,0.00004715877,0.0003393248,0.0009139361,0.000004356461,0.000005596032,0.000007874534,0.00387804],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8862303,"threshold_uncertainty_score":0.9997965,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3015193231","doi":"10.1386/public_00026_4","title":"Tear Gas Epiphanies","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Medicine","retraction":null,"screen_n_in":null,"score":{"opus":0.1284241909068732,"gpt":0.2360502060572712,"spread":0.107626015150398,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007113737,0.00008068948,0.0001140153,0.00002220443,0.0003587357,0.0004520067,0.0001392893,0.0000144963,0.002686753],"category_scores_gemma":[0.0001754742,0.00006251165,0.00005212648,0.00002919254,0.0001057554,0.0003670651,0.00007329635,0.00009232626,0.001218825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006156495,"about_ca_system_score_gemma":0.00001305119,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000164258,"about_ca_topic_score_gemma":0.0002277897,"domain_scores_codex":[0.9993983,0.00001982981,0.0001170363,0.0001367428,0.0001297552,0.0001983355],"domain_scores_gemma":[0.9996585,0.00004964036,0.00004826294,0.00008128813,0.00007221066,0.00009006455],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007472576,0.00002829738,0.0001786106,0.00001988135,0.00005159297,0.000005424314,0.02444103,4.454102e-7,0.00001292011,0.5797184,0.3895854,0.005950537],"study_design_scores_gemma":[0.00009755712,0.00008244495,0.00002540931,0.000001653206,0.000007991594,7.036559e-7,0.005904373,0.00005596813,0.000008290041,0.001687719,0.992039,0.00008894799],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03631661,0.001174097,0.00001171404,0.1761754,0.0003027784,0.00008320912,0.00000883768,0.0001852494,0.785742],"genre_scores_gemma":[0.9876598,0.0002729774,0.00002767733,0.007431084,0.001279175,0.000009260861,0.000003676961,0.0000118061,0.003304587],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9513431,"threshold_uncertainty_score":0.9995589,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2963540006","doi":"10.1386/public.30.59.26_1","title":"Animals that Live in the Mirror: On Colonial Bestiaries and Interspecies Architecture","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Architecture; Ignorance; Theme (computing); Colonialism; Aesthetics; Ideal (ethics); Animal life; History; Environmental ethics; Visual arts; Art; Sociology; Ecology; Computer science; Archaeology; Epistemology; Biology; Philosophy; Zoology","retraction":null,"screen_n_in":null,"score":{"opus":0.04284946117670047,"gpt":0.3141836533159547,"spread":0.2713341921392542,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004043929,0.00008994683,0.0001070085,0.0002052167,0.0003282028,0.0004928448,0.0003521133,0.00006028997,0.0007120788],"category_scores_gemma":[0.0003117546,0.00006494188,0.00004950863,0.000242825,0.000473665,0.0002378238,0.00006015875,0.0002713825,0.0001564907],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003476367,"about_ca_system_score_gemma":0.00003644737,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005028489,"about_ca_topic_score_gemma":0.1891331,"domain_scores_codex":[0.9989801,0.0002001922,0.00009111989,0.0001849753,0.0002698134,0.0002737781],"domain_scores_gemma":[0.9991872,0.00051772,0.00005146433,0.0001472493,0.00004729499,0.00004902881],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00009533657,0.0001868432,0.2377645,0.00001291641,0.00004385963,0.000009271915,0.2795254,0.000001351125,0.0001802586,0.475774,0.005636906,0.0007693259],"study_design_scores_gemma":[0.0002294836,0.0003325243,0.5738381,0.00002877643,0.000009043234,0.000005823342,0.1567463,0.0000035888,0.00001440002,0.008756611,0.2598641,0.0001713109],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9116064,0.0001583527,2.232028e-7,0.05007971,0.0002306046,0.0002804075,0.000006027301,0.00003575085,0.03760254],"genre_scores_gemma":[0.9984487,0.00003679788,0.00005550874,0.0007508383,0.00005741635,0.00002662698,0.000001686897,0.000005692868,0.0006167716],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4670174,"threshold_uncertainty_score":0.8256631,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306408395","doi":"10.1386/public_00115_3","title":"Access Entanglements: Approaching Accessible Publishing Through Engagement and Dissensus","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Publishing; Conversation; Centring; Inclusion (mineral); Sociology; Generative grammar; Universal design; Visual arts; Epistemology; Media studies; Computer science; World Wide Web; Art; Communication; Philosophy; Social science; Literature; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.2388481105882798,"gpt":0.338364532599808,"spread":0.09951642201152819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008229594,0.0001318435,0.0001325377,0.0001053059,0.002944531,0.002508308,0.0004340041,0.0000142866,0.005087791],"category_scores_gemma":[0.00002209021,0.0001203787,0.00003776202,0.00008523018,0.00007753653,0.004199687,0.0008889408,0.000358141,0.0000055532],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001392625,"about_ca_system_score_gemma":0.00004610643,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005591906,"about_ca_topic_score_gemma":0.0003293919,"domain_scores_codex":[0.9985334,0.0002082314,0.0002350406,0.0002846415,0.0003473085,0.0003913224],"domain_scores_gemma":[0.999517,0.00005749034,0.0001156455,0.0001828662,0.00002941875,0.00009758826],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002577722,0.0002833507,0.002505264,0.00006533069,0.00007253101,0.000005701036,0.04900588,0.000004752689,0.0000108182,0.9052159,0.0171167,0.02568798],"study_design_scores_gemma":[0.0004745964,0.0000781985,0.0002960166,0.000006209566,0.00001061616,0.000004693028,0.05432925,0.00008693813,0.00001862834,0.00572847,0.9388062,0.0001601745],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4457483,0.001217217,0.0001395575,0.01427983,0.001549795,0.0006972299,0.0001230995,0.0002519754,0.535993],"genre_scores_gemma":[0.993787,0.00005965219,0.00008674842,0.002620966,0.0003557819,0.0002157616,0.0001393982,0.00002179444,0.002712906],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9216895,"threshold_uncertainty_score":0.9985272,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2326805543","doi":"10.1386/public.24.47.123_1","title":"Industrial magic and light: 3D at the New York World’s Fair (1939)","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Animation; MAGIC (telescope); Context (archaeology); Engineering; Political science; Visual arts; Art; History; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.07737205414480611,"gpt":0.2064095444721941,"spread":0.129037490327388,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001864328,0.000113392,0.0002279734,0.0001509139,0.0001444537,0.0001840353,0.0001528719,0.00005692446,0.002797222],"category_scores_gemma":[0.0001951371,0.00008640387,0.00004884555,0.0002978234,0.00006352019,0.0002008817,0.0001587677,0.0001384431,0.002765913],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005043933,"about_ca_system_score_gemma":0.00002049898,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005376745,"about_ca_topic_score_gemma":0.0008215746,"domain_scores_codex":[0.9991658,0.000007932598,0.0002633838,0.000244214,0.00003057759,0.0002881234],"domain_scores_gemma":[0.9994191,0.00006889927,0.0001206652,0.000237318,0.0000173562,0.0001366437],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002754869,0.00001673856,0.08468661,0.000004042751,0.00003781814,4.683135e-7,0.0005149208,2.484165e-7,0.000004014943,0.03274649,0.870039,0.01194689],"study_design_scores_gemma":[0.0004830945,0.00001702731,0.02661347,0.000003199164,0.000003909552,0.000002079131,0.00009044568,0.00002805189,0.000009817057,0.005963317,0.9666685,0.0001170613],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3702713,0.02009884,0.00003467457,0.2919343,0.002358399,0.0006646159,0.00003138165,0.00008530582,0.3145213],"genre_scores_gemma":[0.8731454,0.0002502683,0.00006379699,0.001463142,0.0009834566,0.00004728038,0.00000763289,0.0000183015,0.1240207],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5028741,"threshold_uncertainty_score":0.9981143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2242283997","doi":"","title":"Film Scenes: Paris, New York, Toronto","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.07110879563971198,"gpt":0.2296845397972317,"spread":0.1585757441575197,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001554566,0.0001040576,0.0002463622,0.00006089932,0.00007561251,0.00007657063,0.0001563738,0.00005581251,0.003694981],"category_scores_gemma":[0.0001391515,0.0001119147,0.00007486678,0.0001486709,0.00002182962,0.0002541886,0.00005072679,0.00005642886,0.001323995],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009421907,"about_ca_system_score_gemma":0.00002698816,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00345067,"about_ca_topic_score_gemma":0.002791077,"domain_scores_codex":[0.9991249,0.000003729248,0.0002750016,0.0002476796,0.00002692972,0.0003217603],"domain_scores_gemma":[0.9994475,0.00002790256,0.00009669163,0.000249958,0.00001690294,0.0001610782],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005676793,0.00007396696,0.2823776,0.000009629458,0.00005396166,0.000003438635,0.0008512024,0.000001747085,0.000002403582,0.121719,0.5828024,0.01209902],"study_design_scores_gemma":[0.0003376568,0.00002188931,0.03105605,0.000003273198,0.000002378723,0.00000347111,0.000280597,0.00006149638,0.000003685364,0.003425141,0.9646647,0.0001396804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06066535,0.1002569,0.001275196,0.02016877,0.002051209,0.0002325856,0.00003486222,0.0001661502,0.815149],"genre_scores_gemma":[0.9232102,0.006742368,0.0003849675,0.001159446,0.0008607896,0.00003097078,0.00002080207,0.00002395921,0.06756647],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8625449,"threshold_uncertainty_score":0.9994536,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3207247619","doi":"10.1386/public_00056_7","title":"Creative Ecologies: How Might We Live in the Ruins of the More-Than-Human Anthropocene?","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Anthropocene; Environmental ethics; History; Archaeology; Geography; Sociology; Anthropology; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.08919114407048295,"gpt":0.3892664657837775,"spread":0.3000753217132945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002927165,0.00009584586,0.0001347355,0.00007524341,0.0001861515,0.00008401939,0.0005714839,0.00005912355,0.001806029],"category_scores_gemma":[0.000705017,0.00005602507,0.00007316283,0.0008127221,0.0006226477,0.0001200361,0.00009726209,0.0002047706,0.0000320332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003943202,"about_ca_system_score_gemma":0.0001422806,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001367085,"about_ca_topic_score_gemma":0.0005916659,"domain_scores_codex":[0.9986185,0.0005420666,0.0001357425,0.0002664361,0.0001967919,0.0002404723],"domain_scores_gemma":[0.998707,0.000461991,0.0001159391,0.0005851379,0.00009740658,0.00003252039],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00001846893,0.005170816,0.5606646,0.00003943237,0.00006854348,0.00005065876,0.1831703,0.000003832927,0.006167659,0.1185923,0.1218818,0.004171548],"study_design_scores_gemma":[0.0002277763,0.00006304859,0.8953797,0.0000120611,0.000008072255,0.00002220384,0.0645258,0.000006084851,0.002547359,0.0005701601,0.03655425,0.00008354741],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.850836,0.0001670218,0.0000077197,0.1187077,0.0007143344,0.0001834648,0.00001871523,0.00001668062,0.02934837],"genre_scores_gemma":[0.9927738,0.00005977233,0.00001362579,0.001401436,0.00005040054,0.00006231844,0.000003777046,0.000006317718,0.005628505],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.334715,"threshold_uncertainty_score":0.9991065,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3016021811","doi":"10.1386/public_00013_7","title":"Health Biometrics and the Narrative Self","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Empathy and Medical Education","field":"Medicine","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Biometrics; Narrative; Psychology; State (computer science); Recall; Social psychology; Sociology; Cognitive psychology; Aesthetics; Computer science; Artificial intelligence; Literature; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.05037563429234819,"gpt":0.327905255396834,"spread":0.2775296211044858,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003171838,0.00003561881,0.000111838,0.0000506758,0.00006966472,0.00001572116,0.00003108805,0.00002195495,0.0000495537],"category_scores_gemma":[0.001553204,0.00001972081,0.00001704222,0.0006503541,0.00007166137,0.00004077192,0.00001524891,0.0001148421,0.0000130702],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001986673,"about_ca_system_score_gemma":0.00025364,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001936031,"about_ca_topic_score_gemma":0.000001120829,"domain_scores_codex":[0.9995522,0.00004635501,0.00008724268,0.00008521591,0.0001282676,0.0001007566],"domain_scores_gemma":[0.9994773,0.00008752094,0.00003334852,0.00006244711,0.00004442297,0.0002949711],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009968943,0.0002286425,0.003099371,0.000234679,0.00007907601,0.000002815937,0.7756503,3.320056e-8,0.00001240329,0.01958982,0.07064506,0.1303581],"study_design_scores_gemma":[0.007698867,0.000899585,0.04600983,0.00004039492,0.00005609173,0.00006046079,0.1310793,0.001405203,0.00006572708,0.0007483288,0.8117933,0.0001428439],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.2456738,0.001732321,0.0001311011,0.7506344,0.00009727076,0.0002044135,8.872885e-7,0.00004476449,0.001481042],"genre_scores_gemma":[0.9589019,0.0002718375,0.0002495813,0.04025418,0.0002084788,0.00001025504,0.000009499765,0.000003414656,0.00009089695],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7411483,"threshold_uncertainty_score":0.1859443,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306408314","doi":"10.1386/public_00121_1","title":"We’re waving hands! Creating a graphic novel in Quebec Sign Language","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Sign language; Agency (philosophy); Inscribed figure; Sign (mathematics); American Sign Language; Linguistics; Sociology; Queer; Sign system; Psychology; Communication; Gender studies","retraction":null,"screen_n_in":null,"score":{"opus":0.04627646105844446,"gpt":0.2558618727682888,"spread":0.2095854117098443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002847823,0.0001007015,0.0001555137,0.0003399787,0.0005419257,0.0004581593,0.0001902536,0.00001457888,0.008159743],"category_scores_gemma":[0.0001236383,0.00009403937,0.00009355893,0.0001529383,0.00005038699,0.0001393054,0.0001271431,0.0001763879,0.00001300507],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005700759,"about_ca_system_score_gemma":0.00006809698,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04565404,"about_ca_topic_score_gemma":0.1756522,"domain_scores_codex":[0.999084,0.00003921884,0.0001986446,0.0001912284,0.0002273678,0.0002595531],"domain_scores_gemma":[0.9995822,0.00007024724,0.000077251,0.0001724456,0.00004518661,0.00005269963],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005649129,0.0002619137,0.002932768,0.00002554192,0.00006369669,0.00003849193,0.1119777,0.0000979684,0.00008153122,0.8798302,0.001761235,0.002923272],"study_design_scores_gemma":[0.001428414,0.0001008362,0.0007135258,0.00004644919,0.0001076975,0.000003061137,0.3784072,0.008010349,0.00002328051,0.003065329,0.6074638,0.0006300503],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4866682,0.00121809,0.00004376657,0.003114839,0.0003306775,0.000140387,0.00007955165,0.0001126373,0.5082918],"genre_scores_gemma":[0.9790263,0.000006575739,0.00001950981,0.0003440075,0.0006070923,0.00004941614,0.00005984873,0.00001649356,0.0198708],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8767649,"threshold_uncertainty_score":0.9927469,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1955953606","doi":"","title":"Intentional Disturbances: Making the Toronto Movement Scene","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movement (music); History; Aesthetics; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03027035760700501,"gpt":0.2687720036688809,"spread":0.2385016460618759,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003474175,0.00003266012,0.00004054183,0.00004093255,0.001168978,0.0005692362,0.0002391402,0.00002335975,0.005361334],"category_scores_gemma":[0.00008997907,0.00003118978,0.00004623017,0.0001327269,0.0002685049,0.0003545492,0.00002463904,0.00004565704,0.00008244489],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001219045,"about_ca_system_score_gemma":0.0002646067,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4039643,"about_ca_topic_score_gemma":0.9774311,"domain_scores_codex":[0.9993134,0.00004687034,0.00007597339,0.00009315871,0.0002662982,0.0002042693],"domain_scores_gemma":[0.9997237,0.0000202678,0.00003364859,0.0000996251,0.00005319189,0.00006954747],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002946993,0.00004502612,0.005666242,0.000003047473,0.00001764753,0.000004071999,0.006332945,7.005664e-7,0.000003823461,0.7543926,0.1847101,0.04882086],"study_design_scores_gemma":[0.00004090456,0.000002966766,0.01662831,0.000003953864,0.000002652872,3.18273e-7,0.00279469,0.000006657574,5.770928e-8,0.002204784,0.9782709,0.00004380746],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01277609,0.004969074,0.0002453063,0.04180844,0.001460479,0.0001762316,0.00000848022,0.00007404693,0.9384819],"genre_scores_gemma":[0.9387557,0.0004301177,0.00003216467,0.002565674,0.0006031607,0.00002556257,0.000003927465,0.000004601488,0.0575791],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9259796,"threshold_uncertainty_score":0.9955479,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2890128432","doi":"10.1386/public.29.57.217_7","title":"Making Pancakes: Intergenerational Cooking and Remediating the Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Recipe; Performative utterance; Subject (documents); Event (particle physics); Sociology; Visual arts; Aesthetics; History; Art; Computer science; Library science; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.134021458815476,"gpt":0.3709358853772544,"spread":0.2369144265617784,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007504169,0.00004927481,0.00005258725,0.00004008368,0.0009829948,0.0002223507,0.0001360628,0.00002535037,0.0001349652],"category_scores_gemma":[0.0007899443,0.00003696985,0.00001838872,0.0001327037,0.0003391049,0.0001928251,0.00004965211,0.0000808838,0.00001488225],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002821556,"about_ca_system_score_gemma":0.0001263937,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008487961,"about_ca_topic_score_gemma":0.002192175,"domain_scores_codex":[0.9991457,0.0001442659,0.000109728,0.0001295162,0.0002354029,0.0002353883],"domain_scores_gemma":[0.9995334,0.0002070051,0.00005635474,0.00007388068,0.00006626218,0.00006310942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006539198,0.00002684231,0.1042897,0.00001545548,0.00004614768,0.000003131476,0.3460007,0.000002726695,0.001730868,0.3744429,0.01184881,0.1615861],"study_design_scores_gemma":[0.0004566867,0.00006127973,0.0386337,0.0001263801,0.00002363246,0.000009937372,0.0766998,0.00588624,0.0003939914,0.03587846,0.8413645,0.0004653632],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7539275,0.000519566,0.01555214,0.01898019,0.002125472,0.0002606464,0.000005288995,0.0001243097,0.2085049],"genre_scores_gemma":[0.9952928,0.00002863053,0.0007562714,0.0011127,0.002516811,0.000004649795,0.00000287498,0.000005173356,0.0002801325],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8295157,"threshold_uncertainty_score":0.7560501,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}