{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"efbd40193ad2","filters":{"venue":"Pynchon Notes"}},"results":[{"id":"W272080607","doi":"10.16995/pn.33","title":"<i>Gravity's Rainbow</i> as Metaphoric Narrative: Film, Fairy Tale and Fantasy in Pynchon's Germany","year":2008,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trent University","funders":"","keywords":"Narrative; Literature; Fantasy; Meaning (existential); Doctrine; Explication; Uncanny; Polyphony; Rainbow; Ideology; Philosophy; Aesthetics; Psychoanalysis; Epistemology; Art; Psychology; Law; Theology","authors":[{"name":"Victoria de Zwaan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01772222057676941,"gpt":0.231606972885909,"spread":0.2138847523091396,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002711244,0.0004494174,0.0005814887,0.0003624949,0.0006404427,0.0003053543,0.000261798,0.0001488463,0.002190109],"category_scores_gemma":[0.0001447277,0.0004026519,0.000183299,0.0001835612,0.0005569661,0.00088841,0.0001139803,0.0003860063,0.0001544002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004050793,"about_ca_system_score_gemma":0.00008512042,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009713476,"about_ca_topic_score_gemma":0.001202403,"domain_scores_codex":[0.997775,0.0001655922,0.0005218928,0.0006051263,0.0003822352,0.0005501809],"domain_scores_gemma":[0.9987683,0.0003629202,0.0001288822,0.000401285,0.0001455756,0.000193041],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002358204,0.0006184924,0.0007593336,0.0002170886,0.0002304556,0.001124425,0.5107136,0.000004545607,0.01675821,0.4151381,0.04858562,0.005614345],"study_design_scores_gemma":[0.001358141,0.0002520386,0.003854709,0.0001297041,0.00005436282,0.00009087216,0.002983927,0.00007444462,0.001020312,0.007552198,0.9818515,0.000777809],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8486977,0.01410351,0.00001116737,0.001843763,0.0008170682,0.0005058835,0.0001386155,0.0001960901,0.1336862],"genre_scores_gemma":[0.9749564,0.000312849,0.00008531824,0.001039787,0.0007145352,0.00007568362,0.00009496463,0.00005185475,0.02266859],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9332659,"threshold_uncertainty_score":0.9998425,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235613028","doi":"10.16995/pn.85","title":"Notes","year":2002,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Postmodernism; Reading (process); Criticism; Art; Entertainment; Order (exchange); Rainbow; Literature; Visual arts; Art history; Computer science; Philosophy; Linguistics","authors":[{"name":"Bernard Duyfhuizen","is_ca":false},{"name":"John M. Krafft","is_ca":false},{"name":"Khachig Tölölyan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06328790330972998,"gpt":0.219123651052195,"spread":0.155835747742465,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004422001,0.0001142399,0.00012004,0.00005507413,0.0001825362,0.0002541805,0.0001057972,0.00003095039,0.01419583],"category_scores_gemma":[0.00007451685,0.00009427232,0.00007356149,0.00002480778,0.00009325585,0.0002719418,0.00002016423,0.0001057699,0.001117002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005753746,"about_ca_system_score_gemma":0.000002770149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005463975,"about_ca_topic_score_gemma":0.0001698908,"domain_scores_codex":[0.9993851,0.00001852028,0.0001434828,0.0001566203,0.0001144568,0.0001818076],"domain_scores_gemma":[0.9994944,0.0001934976,0.00002625202,0.0001794298,0.00005390077,0.0000524716],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006192652,0.0001142162,0.0003071269,0.00002687631,0.00002412373,0.00002630134,0.03513924,3.091054e-7,0.000203613,0.9043286,0.02670698,0.03311642],"study_design_scores_gemma":[0.0001668125,0.00004609112,0.00006800025,0.0000241742,0.00001157668,0.000002471074,0.0002108359,0.0001040164,0.0004922794,0.005253126,0.9934504,0.0001702093],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04551154,0.005726901,0.00007988694,0.01076069,0.001188266,0.0001502747,0.00004765252,0.0003180603,0.9362167],"genre_scores_gemma":[0.9824051,0.00001676818,0.00005570289,0.001655179,0.001183365,0.000009576031,0.000009544601,0.00001498844,0.01464981],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9667434,"threshold_uncertainty_score":0.9996607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2403539952","doi":"10.16995/pn.15","title":"In Fascism’s Footprint: The History of “Creeping” and <i>Vineland’s</i> Poetics of Betrayal","year":2011,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Betrayal; Subversion; Law; State (computer science); Psychoanalysis; History; Literature; Politics; Philosophy; Psychology; Art; Political science","authors":[{"name":"Jeffrey Severs","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04064516114437242,"gpt":0.2082990979984067,"spread":0.1676539368540343,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002361969,0.0001476282,0.0002743967,0.000128732,0.00005094429,0.00002087233,0.0001932653,0.00006273726,0.000506685],"category_scores_gemma":[0.00007582644,0.0001088241,0.000082789,0.00003430595,0.0004963609,0.0001332872,0.00006427342,0.0001438379,0.000004213683],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002420024,"about_ca_system_score_gemma":0.00004505457,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001709763,"about_ca_topic_score_gemma":0.001236071,"domain_scores_codex":[0.9990481,0.00005717592,0.0003771813,0.0001765838,0.0001635005,0.000177514],"domain_scores_gemma":[0.9992437,0.0002151782,0.0001223961,0.0002707065,0.0001043861,0.00004357456],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008056969,0.0001765706,0.001223187,0.0001474159,0.00004448889,0.0000120759,0.1468963,2.498166e-7,0.004102481,0.8406708,0.002648043,0.003997781],"study_design_scores_gemma":[0.0008994644,0.0003690138,0.01260164,0.0002204292,0.00007986246,0.000005737189,0.0009535078,0.00005290051,0.002257682,0.01696525,0.9652435,0.00035096],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6308119,0.020251,0.00005291455,0.0008121647,0.001433481,0.0003086653,0.0000578777,0.00003939282,0.3462326],"genre_scores_gemma":[0.9946289,0.00007477628,0.000078017,0.0002124278,0.0001886083,0.000008324377,0.000004541241,0.00001587512,0.004788551],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9625955,"threshold_uncertainty_score":0.5547845,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2397003883","doi":"10.16995/pn.9","title":"Useless Lumpens in <i>Gravity’s Rainbow</i>","year":2011,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Nothing; Narrative; Period (music); Theme (computing); Nazism; Hollywood; Psychoanalysis; History; Literature; Politics; Art history; Art; Aesthetics; Philosophy; Law; Psychology; Political science","authors":[{"name":"Robert J. Holton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04470101238073679,"gpt":0.2248550937870424,"spread":0.1801540814063056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002408346,0.0002673783,0.0003365454,0.0002112954,0.0001917668,0.0002287393,0.0002872212,0.0001027646,0.004336994],"category_scores_gemma":[0.00007819109,0.000240487,0.0001358136,0.00008409029,0.0002124452,0.0004964066,0.0000707083,0.0002342349,0.0003279275],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002503295,"about_ca_system_score_gemma":0.00004303593,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001656843,"about_ca_topic_score_gemma":0.005133458,"domain_scores_codex":[0.9985152,0.00008663053,0.0003832136,0.0003664917,0.0002144422,0.0004339654],"domain_scores_gemma":[0.9991494,0.0001674158,0.00007581312,0.0003763044,0.000113461,0.0001175661],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005868673,0.0002737195,0.0008266407,0.00005435213,0.00003479129,0.0001077769,0.08259272,1.838566e-7,0.002678477,0.9017876,0.006849015,0.004736056],"study_design_scores_gemma":[0.0007628903,0.0001257756,0.004619505,0.0001392854,0.00003406997,0.000005950752,0.0005708656,0.00002883505,0.001425264,0.02089094,0.9708633,0.0005333605],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3944758,0.003029032,0.00003257673,0.0009242721,0.001344592,0.0004075341,0.0001085019,0.0002509117,0.5994268],"genre_scores_gemma":[0.9846065,0.00002513199,0.0001157803,0.0008424802,0.0006400815,0.00003931907,0.00004199508,0.0000394017,0.0136493],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9640142,"threshold_uncertainty_score":0.9965732,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232634069","doi":"10.16995/pn.103","title":"National Fantasies","year":2001,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Casual; Phenomenon; Worry; Power (physics); History; Media studies; Sociology; Psychology; Psychoanalysis; Anxiety; Epistemology; Philosophy; Law; Political science","authors":[{"name":"Robert J. Holton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04886908540303936,"gpt":0.255842750456626,"spread":0.2069736650535866,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006094595,0.00007499826,0.00007425583,0.00005408719,0.0001554205,0.0001894131,0.00007085681,0.00001915765,0.003761674],"category_scores_gemma":[0.00005008064,0.00006233655,0.00004602198,0.00002191542,0.00007145289,0.0002651766,0.00001381307,0.00006512153,0.0003042087],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007875379,"about_ca_system_score_gemma":0.00001739543,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003237213,"about_ca_topic_score_gemma":0.0002393862,"domain_scores_codex":[0.9995045,0.0000122728,0.0001062,0.0001058661,0.0001554238,0.0001157256],"domain_scores_gemma":[0.9996735,0.0001013668,0.00001912132,0.0000689415,0.0001080506,0.0000289647],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000109448,0.00003483427,0.0003522746,0.000005892346,0.00001177676,0.00001197518,0.00750461,3.340468e-7,0.00005646029,0.9737804,0.01436428,0.003866206],"study_design_scores_gemma":[0.0001189232,0.00002038603,0.0002894736,0.00001255859,0.000004314481,0.000005797591,0.0003371417,0.00001977576,0.0001019979,0.02529166,0.9737009,0.00009708208],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05041461,0.0009393825,0.00004521979,0.003674407,0.0005429405,0.00006323199,0.00003619258,0.0001204588,0.9441636],"genre_scores_gemma":[0.9815143,0.00001256654,0.00003363504,0.001552056,0.001232793,0.000008443529,0.00003058368,0.000007914993,0.01560774],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9593366,"threshold_uncertainty_score":0.9971491,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W280710347","doi":"10.16995/pn.75","title":"The \"Cold Sophie\" of <i>Gravity's Rainbow</i>","year":2002,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Rainbow; Frost (temperature); Spring (device); Theology; Art; Art history; Philosophy; Physics; Meteorology; Optics; Thermodynamics","authors":[{"name":"Arnd Böhm","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01662897876875483,"gpt":0.2005741583947282,"spread":0.1839451796259733,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001306502,0.000205155,0.0002456438,0.00004643988,0.0005372317,0.0002208791,0.0003007752,0.00007650968,0.002680904],"category_scores_gemma":[0.00009967534,0.0001259854,0.0001767397,0.00008940852,0.0005954342,0.0001698761,0.00004539248,0.0001996563,0.0002048557],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001391957,"about_ca_system_score_gemma":0.00001076588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001484649,"about_ca_topic_score_gemma":0.0002256951,"domain_scores_codex":[0.9988571,0.00006253595,0.0002756598,0.0002186313,0.0002699025,0.0003161828],"domain_scores_gemma":[0.9989831,0.0002663099,0.0001621532,0.0003676947,0.0001459661,0.00007476134],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001976405,0.000127817,0.00004218559,0.00003073163,0.00008705768,0.000006826933,0.04120048,0.000003403574,0.01475024,0.743584,0.1892662,0.01088131],"study_design_scores_gemma":[0.0001948842,0.00009443091,0.00008866703,0.00003092747,0.00003370769,0.000002426614,0.0004394313,0.00002981837,0.0007292498,0.001910624,0.9962624,0.0001834702],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04981319,0.03530265,0.00004326904,0.01455631,0.002300116,0.0007631438,0.0003001633,0.0003710431,0.8965501],"genre_scores_gemma":[0.9334995,0.0002523093,0.00007355466,0.0009672508,0.001301444,0.00002460552,0.00001152636,0.00002583039,0.06384398],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8836863,"threshold_uncertainty_score":0.9982308,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4248402723","doi":"10.16995/pn.46","title":"Notes","year":2008,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Postmodernism; Reading (process); Criticism; Entertainment; Art; Order (exchange); Rainbow; Space (punctuation); Literature; Visual arts; Art history; Computer science; Philosophy; Linguistics","authors":[{"name":"Bernard Duyfhuizen","is_ca":false},{"name":"John M. Krafft","is_ca":false},{"name":"Khachig Tölölyan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06209181648753485,"gpt":0.2278520048197936,"spread":0.1657601883322588,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004349163,0.0001139539,0.0001299319,0.00005527494,0.0003130944,0.00009688058,0.0001027135,0.00003058276,0.002471018],"category_scores_gemma":[0.00007420487,0.00009370474,0.00007730021,0.00002429208,0.0001646567,0.0002654919,0.0000219563,0.0001057107,0.0004522518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000005921983,"about_ca_system_score_gemma":0.00001813156,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001148974,"about_ca_topic_score_gemma":0.0001752413,"domain_scores_codex":[0.9993813,0.00001823846,0.0001457623,0.000155321,0.00012395,0.0001754357],"domain_scores_gemma":[0.9994856,0.0001916757,0.00002672636,0.0001730186,0.00006947014,0.00005355689],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002445534,0.0001183795,0.001784311,0.00002744962,0.00003182893,0.0001129817,0.05759693,5.233388e-7,0.0004072174,0.9147711,0.01809419,0.007030576],"study_design_scores_gemma":[0.000209284,0.00005518313,0.0006309066,0.00002147211,0.000009321631,0.00001476105,0.0002183226,0.00001427263,0.001295803,0.004960205,0.9923735,0.0001969206],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3673815,0.003333277,0.0001598264,0.00588679,0.001380247,0.0001834202,0.00005569239,0.0003875105,0.6212318],"genre_scores_gemma":[0.9889771,0.00001882173,0.00008324152,0.001383959,0.001201191,0.000009538223,0.00001943174,0.00001495572,0.008291702],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9742793,"threshold_uncertainty_score":0.9984409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}