{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":738,"total_is_capped":false,"direct_labels_cover":3,"predictions_cover":738,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"40750df845fa","filters":{"venue":"Quaderni d italianistica"}},"results":[{"id":"W604475638","doi":"10.33137/q.i..v34i2.21066","title":"Terms of the Political: Community, Immunity, Biopolitics","year":2014,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":165,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Biopower; Politics; Kinship; Sociology; Democracy; Sovereignty; Political subjectivity; Epistemology; Aesthetics; Environmental ethics; Gender studies; Philosophy; Law; Anthropology; Political science","authors":[{"name":"Roberto Esposito","is_ca":false},{"name":"Rhiannon Noel Welch","is_ca":false},{"name":"John Picchione","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07672760826754944,"gpt":0.2885550587479068,"spread":0.2118274504803574,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001843898,0.0006536262,0.0003302824,0.00166427,0.004279533,0.009905458,0.0008134883,0.002760137,0.005507618],"category_scores_gemma":[0.002889582,0.0001926124,0.0002337085,0.001970337,0.02968158,0.007053906,0.003131326,0.003793201,0.001400938],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004292476,"about_ca_system_score_gemma":0.003670641,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002198464,"about_ca_topic_score_gemma":0.003517691,"domain_scores_codex":[0.9974086,0.001628363,0.00004972564,0.0002241876,0.0004562923,0.0002328411],"domain_scores_gemma":[0.9989059,0.000561016,0.0001307544,0.0001132628,0.0001065991,0.0001824991],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00000351759,0.000006521614,0.00006895817,0.00003545847,8.933592e-7,0.00002391484,0.002582878,0.00003196902,0.00004871249,0.9747533,0.01702669,0.005417248],"study_design_scores_gemma":[0.00000837481,0.00001476718,0.0005960486,0.0001920057,0.000002894257,0.0001561224,0.003499207,0.0001503804,0.00005748788,0.3791195,0.6161978,0.000005442135],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.008132378,0.05063478,0.01510776,0.06741743,0.003243291,0.00006534677,0.00007303236,0.0001390393,0.8551869],"genre_scores_gemma":[0.7105962,0.02267851,0.01175855,0.02245798,0.007502732,0.0005569063,0.0001444347,0.0002095385,0.2240951],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009905458,"threshold_uncertainty_score":0.0311442,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4230630000","doi":"10.33137/q.i..v37i2.29239","title":"From Byzantium to Italy: Greek Studies in the Italian Renaissance","year":2018,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":143,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Ancient history; Classics; History; Art history","authors":[{"name":"N. G. Wilson","is_ca":false},{"name":"Jessica Greenfield","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1336062583524624,"gpt":0.3300619236788885,"spread":0.1964556653264261,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002452287,0.0005513167,0.0005176308,0.003194598,0.004835893,0.006654549,0.0006239699,0.001907526,0.005247454],"category_scores_gemma":[0.003101343,0.0002276651,0.0003028917,0.005177229,0.01486225,0.004312689,0.003790869,0.002317863,0.0003737382],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008611847,"about_ca_system_score_gemma":0.002638611,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0223271,"about_ca_topic_score_gemma":0.05136663,"domain_scores_codex":[0.998619,0.0008488421,0.00003742153,0.0001078877,0.00008442592,0.0003025667],"domain_scores_gemma":[0.9986785,0.0007637583,0.0002150948,0.0001247005,0.00009003654,0.0001279005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001256424,0.00005152012,0.003137173,0.0003904835,0.00001539736,0.0006399333,0.4420379,0.0000965772,0.0002537503,0.5230241,0.007953301,0.02227423],"study_design_scores_gemma":[0.0000637642,0.0001058256,0.05490289,0.001354386,0.00004761365,0.000662574,0.1296576,0.00009782263,0.0003968347,0.02739042,0.7852831,0.00003714196],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.3785768,0.09297655,0.0003670484,0.02409686,0.0004773254,0.00002475903,0.00008467519,0.00002313434,0.5033728],"genre_scores_gemma":[0.9716793,0.00918495,0.00008806378,0.001007259,0.0004513904,0.00001859719,0.00002840163,0.00002603071,0.01751612],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.0223271,"threshold_uncertainty_score":0.06248361,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242739784","doi":"10.33137/q.i..v27i2.8624","title":"Legitimizing the Artist. Manifesto Writing and European Modernism 1885-1915","year":2006,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":100,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Manifesto; Modernism (music); Art; Art history; Political science; Law","authors":[{"name":"Luca Somigli","is_ca":false},{"name":"Peter Carravetta","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04088425213431818,"gpt":0.2391284148512463,"spread":0.1982441627169281,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003161397,0.000530412,0.0003344794,0.001969802,0.00807079,0.01082602,0.0006365651,0.001852195,0.00801138],"category_scores_gemma":[0.00363064,0.0002081308,0.0001954342,0.002548879,0.02188396,0.003701442,0.003259687,0.002445946,0.0007993394],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01183498,"about_ca_system_score_gemma":0.003193835,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01793242,"about_ca_topic_score_gemma":0.02529573,"domain_scores_codex":[0.9981745,0.0008185486,0.0000835489,0.0002645213,0.0002605238,0.0003983972],"domain_scores_gemma":[0.9990376,0.000398232,0.000137656,0.0001961916,0.0001306061,0.00009970196],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001873493,0.000007623932,0.0001324126,0.00003540655,0.000002321235,0.0001038683,0.02445343,0.00005894041,0.00007593336,0.9563508,0.0114032,0.007357364],"study_design_scores_gemma":[0.00001008294,0.00001400039,0.001135857,0.0001834286,0.000004354076,0.0001384989,0.006669994,0.00008045295,0.0002205247,0.03631307,0.9552194,0.00001038004],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0249023,0.008692923,0.0007192498,0.007743874,0.0006112935,0.0000167827,0.00009706251,0.00003958791,0.957177],"genre_scores_gemma":[0.7729045,0.003572105,0.0005774387,0.001637722,0.0005805219,0.00003015271,0.00007012385,0.0001222696,0.2205052],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01793242,"threshold_uncertainty_score":0.08586919,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1495003161","doi":"10.33137/q.i..v27i2.8583","title":"Dante and Renaissance Florence","year":2006,"lang":"fr","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":86,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Vernacular; Humanism; Prologue; Classicism; Art; The Renaissance; Literature; Index (typography); Italian Renaissance; Vernacular culture; Classics; Art history; Philosophy; Theology; Aesthetics","authors":[{"name":"Simon Gilson","is_ca":false},{"name":"Mary Alexandra Watt","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03196845528171887,"gpt":0.2444836427860624,"spread":0.2125151875043435,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001594551,0.0006167047,0.0004583026,0.002466787,0.01493176,0.006084032,0.0009552476,0.001620567,0.00920833],"category_scores_gemma":[0.001646566,0.0002891248,0.0002422054,0.00160313,0.01848856,0.001694519,0.005681631,0.003026261,0.0007599939],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01568839,"about_ca_system_score_gemma":0.00245534,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05767994,"about_ca_topic_score_gemma":0.172817,"domain_scores_codex":[0.9984248,0.0005442442,0.00001809525,0.00015833,0.0001743924,0.0006802031],"domain_scores_gemma":[0.999563,0.0001388674,0.00006117866,0.00002841574,0.00005117429,0.0001574217],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001665489,0.00004860143,0.005375106,0.0001215518,0.00001837968,0.001980609,0.2305505,0.0001029002,0.0003622402,0.6901178,0.04363527,0.02752049],"study_design_scores_gemma":[0.00001876498,0.00003824796,0.0109046,0.0001939166,0.000006073521,0.0003226759,0.023677,0.00001994527,0.0001429711,0.007765931,0.9568876,0.00002216764],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2403549,0.03811496,0.0002220323,0.04308029,0.001005125,0.00001989362,0.00005308862,0.00004405442,0.6771057],"genre_scores_gemma":[0.9111843,0.002863973,0.00008098097,0.001408226,0.0003221936,0.00001269079,0.00001747184,0.00002095266,0.08408932],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05767994,"threshold_uncertainty_score":0.1146885,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1907057762","doi":"10.33137/q.i..v29i2.8484","title":"Migration Italy. The Art of Talking Back in a Destination Culture","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Diverse academic and cultural studies","field":"Economics, Econometrics and Finance","cited_by":74,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Geography","authors":[{"name":"Graziella Parati","is_ca":false},{"name":"Anne Urbancic","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04983651927316086,"gpt":0.2285161610056524,"spread":0.1786796417324915,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005392329,0.0004906747,0.0001775976,0.0006706768,0.002280285,0.003481593,0.0003497994,0.0007204256,0.01966927],"category_scores_gemma":[0.001465839,0.0001355528,0.0002303685,0.001207759,0.002234753,0.001259262,0.00151048,0.00155639,0.003529157],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001244892,"about_ca_system_score_gemma":0.0006350617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008953533,"about_ca_topic_score_gemma":0.01674362,"domain_scores_codex":[0.9996312,0.0001994319,0.000009069333,0.00004446271,0.00005569778,0.00006018944],"domain_scores_gemma":[0.9997552,0.00006761688,0.00005046148,0.00004770189,0.00002831189,0.00005067299],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001229956,0.00004707478,0.004276113,0.0003020799,0.00001637219,0.00073626,0.06506781,0.0001191691,0.0006091775,0.2595131,0.5564706,0.1127193],"study_design_scores_gemma":[0.000006656062,0.0000224679,0.007426972,0.000216246,0.000006181123,0.0003454675,0.009857515,0.00005442178,0.00008117983,0.003578723,0.9783962,0.000007808786],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03328604,0.01249015,0.001627085,0.04564141,0.003909816,0.00004006724,0.0006836457,0.0002806088,0.9020412],"genre_scores_gemma":[0.5195958,0.007877436,0.001858943,0.007087177,0.002812362,0.00007928988,0.0004673526,0.0002534509,0.4599682],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01966927,"threshold_uncertainty_score":0.06580025,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2991994204","doi":"10.33137/q.i..v29i1.8509","title":"D. H. Lawrence’s Italian Travel Literature and Translations of Giovanni Verga","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Art; History; Literature","authors":[{"name":"Antonio Traficante","is_ca":true},{"name":"Mássimo Verdicchio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03245458211916349,"gpt":0.2313088534164392,"spread":0.1988542712972757,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001520807,0.0007868962,0.0003348987,0.002677686,0.004963844,0.003742906,0.0006465708,0.001893532,0.01131873],"category_scores_gemma":[0.004920607,0.0002788805,0.0002470196,0.003112307,0.005585588,0.003006672,0.001563539,0.003268507,0.002522573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005818089,"about_ca_system_score_gemma":0.002479219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03111929,"about_ca_topic_score_gemma":0.1002887,"domain_scores_codex":[0.9988579,0.0005626151,0.00004113872,0.0001513719,0.0002087713,0.0001783049],"domain_scores_gemma":[0.998038,0.001193794,0.0001801478,0.0001208296,0.0003074601,0.0001598847],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005136621,0.00001125076,0.0005939485,0.0002259506,0.000005251834,0.0002263971,0.01920397,0.00003955639,0.000093562,0.2886318,0.670379,0.02053801],"study_design_scores_gemma":[0.000003911372,0.000007426601,0.001279378,0.0002209982,0.000002854589,0.000136738,0.002577975,0.00002294734,0.0000588524,0.004681353,0.9909996,0.000007962899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.009507216,0.1132363,0.001014345,0.1934075,0.008667466,0.00002368038,0.0003311464,0.0001250012,0.6736873],"genre_scores_gemma":[0.385529,0.05908609,0.001901612,0.03762376,0.00746719,0.0000991141,0.0003292063,0.0003772101,0.5075867],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03111929,"threshold_uncertainty_score":0.0618763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1533373196","doi":"10.33137/q.i..v30i2.11910","title":"Filologia e critica dantesca","year":2009,"lang":"fr","type":"article","venue":"Quaderni d italianistica","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Literature","authors":[{"name":"Saverio Bellomo","is_ca":false},{"name":"Sarah Melanie Rolfe","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02022265949476069,"gpt":0.248649136556055,"spread":0.2284264770612943,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003391206,0.001023478,0.0008515003,0.00509651,0.00762586,0.01178365,0.00135307,0.005803858,0.01778179],"category_scores_gemma":[0.005273719,0.0004962634,0.0005340066,0.002835939,0.01184348,0.003237634,0.003680671,0.009483411,0.003841728],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009757753,"about_ca_system_score_gemma":0.004491249,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01807462,"about_ca_topic_score_gemma":0.02033018,"domain_scores_codex":[0.996378,0.001697091,0.00009966154,0.0005187783,0.0007281815,0.0005782516],"domain_scores_gemma":[0.9981007,0.0008266097,0.0001497515,0.000351946,0.0003925119,0.0001783982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003370878,0.00002724854,0.000402728,0.0001766444,0.00001082347,0.00009529579,0.00513204,0.00005796974,0.00009999427,0.7799507,0.1981602,0.0158526],"study_design_scores_gemma":[0.00001020097,0.000009220837,0.0007181354,0.000211106,0.000008697587,0.00007955491,0.0006201072,0.00005717031,0.00008596557,0.01523124,0.9829608,0.000007734998],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.008650246,0.07248183,0.001101117,0.1699151,0.01624007,0.00003958022,0.0002162552,0.0002609143,0.7310949],"genre_scores_gemma":[0.4113879,0.03152339,0.001259668,0.03758024,0.03836815,0.0002380778,0.0002525834,0.0006470607,0.4787429],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01807462,"threshold_uncertainty_score":0.0707978,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2796260172","doi":"10.33137/q.i..v27i1.8985","title":"Sins of the Flesh. Responding to Sexual Disease in Early Modern Europe","year":2006,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Relation (database); Professionalization; Statement (logic); State (computer science); Power (physics); Subject (documents); Flesh; Sociology; Psychoanalysis; Epistemology; Aesthetics; Social science; Psychology; Philosophy; Computer science","authors":[{"name":"Kevin Siena","is_ca":false},{"name":"Cristian Berco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05405096705696393,"gpt":0.2645244990706888,"spread":0.2104735320137249,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000769978,0.0002460939,0.0001334091,0.0004575664,0.003079586,0.002825036,0.0001784189,0.001446188,0.005361638],"category_scores_gemma":[0.0008561229,0.0001039611,0.0001110376,0.0004687133,0.007240735,0.001571765,0.001508633,0.001880923,0.0005045413],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001620075,"about_ca_system_score_gemma":0.0009639013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00785864,"about_ca_topic_score_gemma":0.01207078,"domain_scores_codex":[0.999619,0.0001764241,0.00001459456,0.00004088328,0.00003778807,0.000111351],"domain_scores_gemma":[0.99985,0.00005585616,0.00003012067,0.00001102506,0.00001531246,0.00003767761],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007604463,0.00009253736,0.01030727,0.0002101256,0.00001645911,0.00181098,0.2239351,0.0002241682,0.001716594,0.6514146,0.04954122,0.06065485],"study_design_scores_gemma":[0.00001136009,0.00004151731,0.01047594,0.0003260555,0.000005653976,0.001431847,0.05435813,0.00007149705,0.0004843621,0.01137807,0.9213999,0.00001563776],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2819089,0.04138913,0.001091872,0.04366916,0.002633661,0.00002586215,0.00008715093,0.00003960032,0.6291547],"genre_scores_gemma":[0.8699561,0.007345828,0.0002551871,0.007800652,0.000437263,0.0000111329,0.00002926145,0.00002216969,0.1141424],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00785864,"threshold_uncertainty_score":0.01793647,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1663319302","doi":"10.33137/q.i..v25i2.9202","title":"The Historic Imaginary: Politics of History in Fascist Italy","year":2004,"lang":"en","type":"book","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"The Imaginary; Historicism; Ideology; Politics; Aesthetics; Historicity (philosophy); Philosophy of history; New Historicism; Cultural history; Historiography; Literature; History; Sociology; Art; Anthropology; Epistemology; Philosophy; Law; Political science","authors":[{"name":"Claudio Fogu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02179759888647652,"gpt":0.2647810603522963,"spread":0.2429834614658198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001139155,0.0003278592,0.0002022148,0.001514186,0.006402298,0.009084471,0.0006101712,0.001424865,0.003650774],"category_scores_gemma":[0.001753911,0.0002492582,0.0002270765,0.00177779,0.02336766,0.003752801,0.002951107,0.001993629,0.0003684],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009950586,"about_ca_system_score_gemma":0.001477153,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008155863,"about_ca_topic_score_gemma":0.01172682,"domain_scores_codex":[0.9990433,0.0005030165,0.00001509017,0.0001087377,0.0001137213,0.0002160639],"domain_scores_gemma":[0.9994637,0.0002777789,0.00009200458,0.0000691372,0.00002917957,0.00006815528],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001818892,0.00001161722,0.0006824344,0.00002968214,0.000002363811,0.0002000809,0.05281337,0.00009035874,0.00008454583,0.9286687,0.008150327,0.009248368],"study_design_scores_gemma":[0.00001397522,0.00003243584,0.005045411,0.0003005743,0.00001220395,0.0006886469,0.04116452,0.0003643681,0.000249568,0.1065876,0.8455206,0.00001999397],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07546273,0.007530573,0.001761352,0.01453951,0.0004925649,0.00001336718,0.00003738752,0.00008182533,0.9000806],"genre_scores_gemma":[0.9633436,0.001589063,0.0003550947,0.0006481119,0.0004981056,0.00002435658,0.00002479106,0.00004536516,0.03347161],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.009950586,"threshold_uncertainty_score":0.07219696,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W787845032","doi":"10.33137/q.i..v30i2.11923","title":"The Unpolitical. On the Radical Critique of Political Reason","year":2009,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Critical Theory and Philosophy","field":"Social Sciences","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Politics; Art; Philosophy; Political science; Law","authors":[{"name":"Massimo Cacciari","is_ca":false},{"name":"Alessandro Carrera","is_ca":false},{"name":"Mássimo Verdicchio","is_ca":false},{"name":"Davide Panagia","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03805648408435122,"gpt":0.349391039996119,"spread":0.3113345559117678,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002390202,0.0004417171,0.0002897926,0.0009059173,0.005967882,0.007234075,0.0008159104,0.002648298,0.005453737],"category_scores_gemma":[0.003133577,0.0002433407,0.0004277737,0.0007040446,0.03253519,0.003650162,0.002923389,0.00462,0.0009880832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005384695,"about_ca_system_score_gemma":0.003741348,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005667288,"about_ca_topic_score_gemma":0.01249822,"domain_scores_codex":[0.9981719,0.00104359,0.00003107306,0.0002121513,0.0003235816,0.0002177355],"domain_scores_gemma":[0.9987772,0.0005836561,0.0001269314,0.0002549956,0.0001525797,0.0001046743],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000004150076,0.0000020108,0.00009795184,0.00001144202,0.000001404879,0.00001183712,0.001722647,0.00002110563,0.00001752558,0.9765461,0.01877962,0.00278422],"study_design_scores_gemma":[0.000007694584,0.000005475565,0.000561951,0.0001290416,0.000003514827,0.0000510546,0.001888488,0.0001257776,0.0000764184,0.4647653,0.5323791,0.000006200511],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01014819,0.02193968,0.005956925,0.2632285,0.00241704,0.00001300335,0.00009199539,0.0001000272,0.6961046],"genre_scores_gemma":[0.7864239,0.005777247,0.003029182,0.05384558,0.004135143,0.0001026482,0.00006834529,0.0001798656,0.1464381],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007234075,"threshold_uncertainty_score":0.03906888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W581677800","doi":"10.33137/q.i..v23i2.9282","title":"Naples in the Eighteenth Century: The Birth and Death of a Nation State","year":2002,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Feudalism; Enlightenment; State (computer science); Power (physics); Capital (architecture); Scottish Enlightenment; History; Index (typography); Classics; Humanities; Art; Art history; Ancient history; Law; Philosophy; Theology; Political science; Politics","authors":[{"name":"Girolamo Imbruglia","is_ca":false},{"name":"Christopher Carlsmith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07372543414358639,"gpt":0.2397159017837792,"spread":0.1659904676401928,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009068849,0.0003249128,0.0002323013,0.0007404234,0.01261127,0.006617537,0.0007538261,0.00139671,0.006722932],"category_scores_gemma":[0.001545632,0.000192683,0.0001764831,0.0005077561,0.01371766,0.004864344,0.005586692,0.003103915,0.0005302911],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01066301,"about_ca_system_score_gemma":0.003725659,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08389561,"about_ca_topic_score_gemma":0.1687574,"domain_scores_codex":[0.9993876,0.0002125271,0.00001273539,0.00007327842,0.00009045898,0.000223345],"domain_scores_gemma":[0.9997206,0.0000782579,0.00004984671,0.00002681653,0.00005041611,0.00007405227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003743752,0.00001199649,0.0007412976,0.00006919268,0.000006060595,0.0007147919,0.2279948,0.00005925672,0.00009910345,0.7261699,0.02625857,0.01783763],"study_design_scores_gemma":[0.000008783853,0.00001505008,0.003737005,0.0002388633,0.000004809327,0.0001552676,0.0340881,0.00003265568,0.000125153,0.01440546,0.9471764,0.00001236628],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1724577,0.03030306,0.0006875736,0.04293359,0.001067379,0.00003563405,0.0001547653,0.00004357406,0.7523167],"genre_scores_gemma":[0.8369015,0.009384735,0.0003729571,0.003380562,0.0003373256,0.00006304636,0.00007576573,0.00003600038,0.149448],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08389561,"threshold_uncertainty_score":0.1668146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4300718408","doi":"10.33137/q.i..v29i2.8478","title":"The Tigress in the Snow. Motherhood and Literature in Twentieth-Century Italy","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"ECW Press (Canada); University of Toronto","funders":"","keywords":"Snow; Art; History; Physical geography; Geography; Meteorology","authors":[{"name":"L. R. Benedetti","is_ca":true},{"name":"Giuliana Sanguinetti Katz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01783001823080499,"gpt":0.2704209154993566,"spread":0.2525908972685516,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005610179,0.0002056487,0.0001044772,0.0007453837,0.002995702,0.002506855,0.000213836,0.0008027676,0.002853949],"category_scores_gemma":[0.0009153054,0.0001322774,0.0001062702,0.0007719028,0.006293005,0.001612212,0.001213917,0.0009136773,0.0003680205],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002333831,"about_ca_system_score_gemma":0.001144954,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01612454,"about_ca_topic_score_gemma":0.05394743,"domain_scores_codex":[0.9997244,0.0001465866,0.000006066731,0.00002597898,0.0000285553,0.00006832948],"domain_scores_gemma":[0.9996895,0.0001565428,0.00006858568,0.00001853015,0.00002843593,0.0000384183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008257409,0.0000278059,0.01047553,0.0001801693,0.000007116374,0.000545584,0.2012187,0.00007251214,0.0002646575,0.5952277,0.1356322,0.05626541],"study_design_scores_gemma":[0.00001330057,0.00002617382,0.03335056,0.0005690785,0.000009417004,0.000402552,0.03947828,0.00006548033,0.0001256081,0.02841788,0.8975309,0.00001073419],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1683032,0.2490957,0.0003740343,0.1851983,0.002539949,0.0000109603,0.0001559608,0.00003434919,0.3942875],"genre_scores_gemma":[0.8821462,0.03552898,0.0002005567,0.004546248,0.00185361,0.00001660275,0.00003325619,0.00002721912,0.0756473],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01612454,"threshold_uncertainty_score":0.0320614,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2339012244","doi":"10.33137/q.i..v29i1.8492","title":"Style, the Muscle of the Soul. Theories on Reading and Writing in Petrarch's Texts","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanism; Reading (process); Literature; Soul; Passion; Historicity (philosophy); Style (visual arts); Hermeneutics; Skepticism; Indeterminacy (philosophy); Philosophy; Art; Aesthetics; Epistemology; Psychology; Linguistics; Theology","authors":[{"name":"Unn Falkeid","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03067342877709193,"gpt":0.2307165153514349,"spread":0.2000430865743429,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00156112,0.0005960325,0.0002521413,0.002714255,0.00464037,0.007781269,0.0009162124,0.002204196,0.004277504],"category_scores_gemma":[0.003850195,0.000160219,0.0002160915,0.002365261,0.03075307,0.005167314,0.002407532,0.002760869,0.001002615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003799098,"about_ca_system_score_gemma":0.001905401,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005358613,"about_ca_topic_score_gemma":0.006398071,"domain_scores_codex":[0.9979092,0.001189466,0.00005887534,0.0002533911,0.0004491846,0.0001398462],"domain_scores_gemma":[0.9983084,0.0008850542,0.0002440807,0.0002270102,0.0001709459,0.0001645053],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002382538,0.00000804604,0.0005244873,0.0000699642,0.000003308279,0.0001156961,0.04285447,0.00008649467,0.000109571,0.9375345,0.005319516,0.01335013],"study_design_scores_gemma":[0.00001908301,0.00005694614,0.002419593,0.0004503785,0.00001039401,0.0003571598,0.0259426,0.000225974,0.0003075005,0.5600343,0.4101573,0.00001869898],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04465321,0.02176184,0.006064482,0.03586459,0.001038425,0.00003398947,0.0001044987,0.00009515036,0.8903838],"genre_scores_gemma":[0.9061755,0.004474438,0.001517417,0.001782346,0.0007217349,0.00003648272,0.00004524307,0.0000897322,0.08515718],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007781269,"threshold_uncertainty_score":0.02756453,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1532974911","doi":"10.33137/q.i..v29i2.8467","title":"Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Metamorphosis; Face (sociological concept); Early modern Europe; Art; History; Ancient history; Linguistics; Philosophy; Biology","authors":[{"name":"Alison Keith","is_ca":true},{"name":"Stephen Rupp","is_ca":true},{"name":"Thomas E. Mussio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03349005300631178,"gpt":0.2282696580232995,"spread":0.1947796050169877,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001244852,0.0001076934,0.0002037939,0.001162431,0.003533248,0.004266609,0.0003304071,0.001025997,0.004936048],"category_scores_gemma":[0.001633322,0.0001250396,0.0001406849,0.001234858,0.008079395,0.002958268,0.002994823,0.001471033,0.0002939291],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002300966,"about_ca_system_score_gemma":0.0008732029,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01261031,"about_ca_topic_score_gemma":0.02342784,"domain_scores_codex":[0.9995019,0.0001437139,0.00002538068,0.00009769985,0.00006363673,0.0001676523],"domain_scores_gemma":[0.9996624,0.00009185926,0.00008263837,0.00004442074,0.00006165128,0.00005709886],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002523249,0.00004106336,0.02443354,0.0001762858,0.000021212,0.000935477,0.2141881,0.0001017602,0.001092824,0.6804966,0.008782963,0.06947786],"study_design_scores_gemma":[0.00002485264,0.0000917893,0.15866,0.0004624881,0.00001440465,0.001707106,0.08851079,0.0001149319,0.0005540896,0.03619345,0.7136299,0.0000362367],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7190897,0.01915763,0.0007369835,0.01294033,0.000415393,0.00001029036,0.000145239,0.00002364042,0.2474807],"genre_scores_gemma":[0.9835501,0.002690384,0.000157295,0.0008932545,0.0001642307,0.000003757084,0.00003896697,0.0000144206,0.01248754],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01261031,"threshold_uncertainty_score":0.02507383,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2746098299","doi":"10.33137/q.i..v38i1.31239","title":"Pre-Occupied Spaces: Remapping Italy’s Transnational Migrations and Colonial Legacies","year":2018,"lang":"en","type":"book","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Colonialism; Geography; Political science; Ancient history; History; Archaeology","authors":[{"name":"Teresa Fiore","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02533392824049135,"gpt":0.287394604349863,"spread":0.2620606761093717,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003130501,0.0004228381,0.0001583387,0.001500282,0.003026294,0.004393331,0.0004179669,0.0005994065,0.005220136],"category_scores_gemma":[0.0006521347,0.0001283401,0.0001901724,0.002193287,0.009749939,0.00286621,0.002751788,0.00126235,0.0006174116],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005485967,"about_ca_system_score_gemma":0.002022911,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01667662,"about_ca_topic_score_gemma":0.0753711,"domain_scores_codex":[0.9997773,0.00009666413,0.000004784425,0.00002516762,0.00003906359,0.00005702619],"domain_scores_gemma":[0.9998341,0.00006836376,0.00002195493,0.00003028819,0.00001737799,0.00002794092],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003492284,0.00001563855,0.00234559,0.0001075621,0.00000440129,0.0004016381,0.1581492,0.0002217301,0.0002938428,0.7368741,0.04471476,0.05683665],"study_design_scores_gemma":[0.000003924266,0.00001276783,0.007583778,0.0002516011,0.000005838341,0.0002744475,0.03427843,0.0001167908,0.0001072639,0.03441599,0.9229401,0.000009018097],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05532273,0.01775756,0.0008623098,0.008971795,0.0007835077,0.00001328146,0.00006449272,0.00003651446,0.9161878],"genre_scores_gemma":[0.654388,0.01076961,0.0007545369,0.001131492,0.001007825,0.00004381243,0.00009878446,0.00009405264,0.3317119],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01667662,"threshold_uncertainty_score":0.03980368,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1825794158","doi":"10.33137/q.i..v29i1.8511","title":"Sex, the Self and the Sacred. Women in the Cinema of Pier Paolo Pasolini","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Filmography; Pier; Movie theater; Art; Index (typography); Art history; Performance art; Humanities; History; Archaeology; Computer science","authors":[{"name":"Colleen Ryan-Scheutz","is_ca":true},{"name":"Sciltian Gastaldi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01991749765009795,"gpt":0.2658509252556358,"spread":0.2459334276055378,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008325831,0.0004131329,0.0001471889,0.0007105955,0.004399066,0.004147417,0.0002544789,0.0008224283,0.003705976],"category_scores_gemma":[0.001488886,0.0001866291,0.0001264901,0.0004884378,0.008687505,0.001675074,0.001630822,0.001552201,0.0003203994],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002116895,"about_ca_system_score_gemma":0.0009011681,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006647319,"about_ca_topic_score_gemma":0.01907122,"domain_scores_codex":[0.9994166,0.0003969533,0.000006856495,0.00003543673,0.00005592142,0.00008827544],"domain_scores_gemma":[0.9994348,0.0002855162,0.0001051712,0.00002270396,0.00003436632,0.0001175205],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001532321,0.00005378831,0.004592048,0.0002762282,0.00001268975,0.001093144,0.6016026,0.0000749097,0.0007165331,0.2414731,0.1163603,0.03359141],"study_design_scores_gemma":[0.0000131092,0.00003447591,0.00855475,0.0003421569,0.00001201452,0.0006736161,0.08061273,0.00006533667,0.0001866146,0.008642889,0.900846,0.00001634916],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2515293,0.04958518,0.0004040885,0.09366453,0.002095221,0.00003524991,0.00008344613,0.00004554293,0.6025575],"genre_scores_gemma":[0.9321757,0.006158475,0.0001406256,0.002709258,0.0009046254,0.00002065964,0.00001170923,0.00002981089,0.057849],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006647319,"threshold_uncertainty_score":0.01535916,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4236977168","doi":"10.33137/q.i..v27i2.8625","title":"The Cinema of Economic Miracles — Visuality and Modernization in the Italian Art Film","year":2006,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Movie theater; Modernization theory; Art; Art history; Visual arts; Political science; Law","authors":[{"name":"Angelo Restivo","is_ca":false},{"name":"Sara A. Carey","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01769788147507469,"gpt":0.2912703913618746,"spread":0.2735725098867999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000738132,0.0003115162,0.0001149153,0.001218742,0.003178811,0.005333288,0.0003597891,0.0007804857,0.005317721],"category_scores_gemma":[0.001460905,0.0001630452,0.0001854394,0.001022275,0.007626221,0.002299763,0.001572382,0.00189024,0.0002741649],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002716185,"about_ca_system_score_gemma":0.0005678881,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008906777,"about_ca_topic_score_gemma":0.0247758,"domain_scores_codex":[0.999615,0.0001981575,0.000004841588,0.00003146594,0.00005977688,0.00009065438],"domain_scores_gemma":[0.999539,0.0002226648,0.00007586177,0.00005346789,0.00003480908,0.00007415973],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001163953,0.00005011441,0.004097922,0.0002559885,0.00001951112,0.0007562407,0.268344,0.0001862456,0.001646355,0.588557,0.09667299,0.03929721],"study_design_scores_gemma":[0.000008105183,0.00002712871,0.02021981,0.0002175854,0.0000114485,0.0004945115,0.03950159,0.0002644717,0.0003232621,0.01069001,0.9282219,0.00002024493],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1226001,0.009476325,0.0009647455,0.03270508,0.0009826267,0.00002034964,0.00008049177,0.00008948927,0.8330809],"genre_scores_gemma":[0.9541346,0.003006304,0.0002997698,0.0009692241,0.0009037092,0.00001272425,0.00002741008,0.00006930845,0.04057706],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008906777,"threshold_uncertainty_score":0.01970738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1950965274","doi":"10.33137/q.i..v24i1.9257","title":"Daily Life in Renaissance Italy","year":2003,"lang":"fr","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"The Renaissance; Honor; Clothing; Literacy; Order (exchange); Family life; History; Everyday life; Art; Sociology; Genealogy; Art history; Political science; Archaeology; Law","authors":[{"name":"Elizabeth S. Cohen","is_ca":false},{"name":"Thomas V. Cohen","is_ca":false},{"name":"John Gagné","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0264407178283972,"gpt":0.2449471976959697,"spread":0.2185064798675725,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001102052,0.0005217785,0.0003257447,0.001579502,0.003328032,0.003220547,0.0005390137,0.001110474,0.0126784],"category_scores_gemma":[0.001605447,0.0002587018,0.0002589175,0.00251325,0.003511599,0.002006006,0.001985645,0.001639306,0.001586614],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003727605,"about_ca_system_score_gemma":0.001642553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06174801,"about_ca_topic_score_gemma":0.1040683,"domain_scores_codex":[0.9993016,0.0003454473,0.00003302957,0.00006832539,0.0001148584,0.0001368638],"domain_scores_gemma":[0.9993806,0.0001679514,0.00009795572,0.00005304856,0.0001012448,0.0001992384],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005160427,0.00008114528,0.02265308,0.0007528439,0.00002261746,0.001942479,0.5877768,0.0001379904,0.0006984073,0.02243263,0.2638423,0.09960814],"study_design_scores_gemma":[0.0000062491,0.00005239033,0.07538708,0.0003942529,0.000005369581,0.000823196,0.06289104,0.00001559095,0.00003942515,0.000537536,0.8598249,0.00002307787],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3363002,0.2499105,0.0003270507,0.1216744,0.006076544,0.00006535395,0.0009756818,0.000249288,0.2844211],"genre_scores_gemma":[0.8543692,0.05421519,0.0004283104,0.007937307,0.003159055,0.00008760406,0.0004168755,0.00007175042,0.07931472],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06174801,"threshold_uncertainty_score":0.1227772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2278457362","doi":"10.33137/q.i..v30i2.11927","title":"Myths and Counter-Myths of America. New World Allegories in 20th–Century Italian Literature and Film","year":2009,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":18,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Mythology; Art; History; Literature","authors":[{"name":"Fabio Ferrari","is_ca":false},{"name":"Anthony Cristiano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01068555252758592,"gpt":0.2676011984046401,"spread":0.2569156458770542,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002852794,0.0004834468,0.0002510443,0.002640422,0.008748869,0.007664112,0.0007020031,0.002519529,0.005620084],"category_scores_gemma":[0.004710314,0.000277192,0.000260971,0.002306541,0.02610622,0.006791695,0.003188852,0.004957169,0.0003477202],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006769382,"about_ca_system_score_gemma":0.001976258,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01720583,"about_ca_topic_score_gemma":0.03359037,"domain_scores_codex":[0.9988359,0.0005969908,0.00003579846,0.0001275024,0.0001359034,0.0002679204],"domain_scores_gemma":[0.9982358,0.001095862,0.0002521393,0.0001454528,0.0001429887,0.0001276427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003155608,0.00002307448,0.0006601161,0.000086483,0.000005448324,0.0001439451,0.2342832,0.00002973069,0.0001721709,0.7385076,0.01852873,0.007527865],"study_design_scores_gemma":[0.00003076367,0.00002963068,0.007687015,0.0006652122,0.00003281056,0.0003291243,0.10381,0.0001994101,0.0003049743,0.07880269,0.8080816,0.0000268836],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1149888,0.02463089,0.0006779217,0.1004911,0.001508325,0.0000232463,0.00008984426,0.00003755656,0.7575523],"genre_scores_gemma":[0.9591659,0.005128899,0.0001912456,0.00481112,0.001390398,0.0000326915,0.00002789913,0.00003669927,0.02921507],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01720583,"threshold_uncertainty_score":0.0491156,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1869775988","doi":"10.33137/q.i..v29i2.8454","title":"Indici e controindici: la polemica di Pier Paolo Vergerio contro la censura ecclesiastica","year":2008,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Alessandro La Monica","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03554194950053059,"gpt":0.2459116917745724,"spread":0.2103697422740418,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00154222,0.0005000167,0.0003151135,0.001881763,0.003240114,0.009436053,0.0007148386,0.001397723,0.007308781],"category_scores_gemma":[0.004720495,0.0001625657,0.000204489,0.002387401,0.01390703,0.00446939,0.003611456,0.002875199,0.001001917],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004424917,"about_ca_system_score_gemma":0.002683255,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01015599,"about_ca_topic_score_gemma":0.02117811,"domain_scores_codex":[0.9981331,0.0007764617,0.00004283012,0.0003869991,0.0004135414,0.0002470141],"domain_scores_gemma":[0.9983504,0.0006565495,0.0003370129,0.0002367544,0.0002571068,0.0001621985],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001428688,0.000006762353,0.001856519,0.00006481489,0.000005586473,0.00006670227,0.01103903,0.00004705626,0.00009093578,0.9677564,0.007368662,0.01168327],"study_design_scores_gemma":[0.00001303691,0.00003209309,0.01299846,0.0005394125,0.00002712642,0.0002387017,0.007400866,0.0001820745,0.0003557326,0.146777,0.8314034,0.00003207302],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06920935,0.04515298,0.005605356,0.07650235,0.001360443,0.00002443015,0.0001979968,0.00009701756,0.8018501],"genre_scores_gemma":[0.919986,0.01039432,0.001534565,0.003814403,0.001571415,0.00004144451,0.00009292125,0.00007818123,0.06248676],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01015599,"threshold_uncertainty_score":0.03210515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2496283492","doi":"10.33137/q.i..v36i1.26273","title":"La voce dei poeti alla corte aragonese. La festa e il teatro","year":2016,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Francesca Bortoletti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03301428934898321,"gpt":0.2494538752378286,"spread":0.2164395858888454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000635806,0.0003391244,0.0001919573,0.0006551872,0.003444468,0.002834193,0.0003119995,0.001045824,0.01226052],"category_scores_gemma":[0.0007229149,0.0001963224,0.0002370083,0.0008068456,0.005102153,0.001122281,0.002334981,0.002722004,0.001955833],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003831517,"about_ca_system_score_gemma":0.001664938,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02261958,"about_ca_topic_score_gemma":0.07816302,"domain_scores_codex":[0.9996302,0.0001179854,0.000007809885,0.00006889094,0.00005831068,0.0001167089],"domain_scores_gemma":[0.9998403,0.00004050451,0.00002219443,0.00002712838,0.00002803157,0.00004189865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000380511,0.00006354236,0.00571648,0.0004083409,0.00002470882,0.0005213563,0.130722,0.0001575829,0.003607672,0.6402493,0.06046377,0.1576847],"study_design_scores_gemma":[0.000009662399,0.00002286524,0.006782126,0.0001274452,0.000004111665,0.0001169333,0.005780111,0.00001461073,0.0001509978,0.005534098,0.9814464,0.00001066461],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.107324,0.0171035,0.001203298,0.01281038,0.001078485,0.00005226742,0.0002158014,0.00007303846,0.8601392],"genre_scores_gemma":[0.589326,0.004024315,0.001100192,0.002230209,0.0003105947,0.00006469258,0.0001524102,0.0001288434,0.4026628],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02261958,"threshold_uncertainty_score":0.04497582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2205417088","doi":"10.33137/q.i..v37i2.29241","title":"Two Renaissance Friends: Baldassarre Castiglione, Domizio Falcone and Their Neo-Latin Poetry","year":2018,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"The Renaissance; Poetry; Art; Classics; Latin Americans; Humanities; Literature; Political science; Art history; Law","authors":[{"name":"Rodney Lokaj","is_ca":false},{"name":"Mara Nerbano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04584511611830629,"gpt":0.2617204053883552,"spread":0.2158752892700489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001265822,0.0008897829,0.000463039,0.0010657,0.00681888,0.003580298,0.0006197123,0.001141695,0.01153604],"category_scores_gemma":[0.002204524,0.0002563137,0.000184278,0.0008267459,0.006645264,0.00207696,0.002248028,0.003999515,0.001215506],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003586861,"about_ca_system_score_gemma":0.00104835,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03267714,"about_ca_topic_score_gemma":0.07302536,"domain_scores_codex":[0.9991689,0.0004368054,0.00001119714,0.0001216128,0.0001181517,0.0001433512],"domain_scores_gemma":[0.9992753,0.0002759566,0.00007573609,0.00005445725,0.0001468992,0.0001716887],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002265234,0.00007563373,0.003209983,0.0003155214,0.00004267034,0.001229742,0.2872523,0.0001014128,0.001088029,0.3465775,0.3020778,0.05780281],"study_design_scores_gemma":[0.000006350441,0.00000972634,0.001330072,0.00009414806,0.000004753513,0.0002109781,0.01306853,0.00002068482,0.0001810022,0.001770125,0.983293,0.0000106881],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09694002,0.1657454,0.003083901,0.2984356,0.01912884,0.00007307921,0.0002017216,0.0002601972,0.4161313],"genre_scores_gemma":[0.6088478,0.01996437,0.001057745,0.02095924,0.005144131,0.0000628431,0.00005729902,0.0003429101,0.3435637],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03267714,"threshold_uncertainty_score":0.06497389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2992713574","doi":"10.33137/q.i..v32i2.16307","title":"Reading Marsilio Ficino in Quattrocento Italy. The Case of Aragonese Naples","year":2012,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Reading (process); The Renaissance; Contextualization; Neoplatonism; Literature; Flute; Elite; Art history; Humanities; Philosophy; Politics; Interpretation (philosophy); Law","authors":[{"name":"Matteo Soranzo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05859869546037735,"gpt":0.2776905397611252,"spread":0.2190918443007479,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001360892,0.0005334065,0.0003284552,0.001800504,0.009633007,0.005445942,0.0009247776,0.002633771,0.007249485],"category_scores_gemma":[0.002463848,0.0003339884,0.0002411937,0.001555798,0.01202919,0.002536288,0.004226493,0.003200549,0.0009107995],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008343792,"about_ca_system_score_gemma":0.001112948,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02271332,"about_ca_topic_score_gemma":0.05528503,"domain_scores_codex":[0.9991158,0.000479936,0.000009242506,0.00009953836,0.00009625625,0.0001992139],"domain_scores_gemma":[0.9992173,0.0005070432,0.00009718876,0.0000596526,0.00003504573,0.00008385444],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001024872,0.0000313067,0.0009515102,0.00026426,0.00001134982,0.005288964,0.7063301,0.0001225099,0.001253338,0.2385963,0.02999484,0.01705305],"study_design_scores_gemma":[0.00001768308,0.00002746177,0.007721026,0.0003824119,0.00001120534,0.001085522,0.1166173,0.00007548433,0.0005324706,0.004559113,0.8689496,0.00002080441],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4474531,0.02294418,0.00080622,0.03534567,0.0009698191,0.00005835339,0.00008902617,0.00009591586,0.4922376],"genre_scores_gemma":[0.9405771,0.00249266,0.0002023544,0.001839809,0.0005855261,0.00004318102,0.0000376048,0.00005516462,0.05416651],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02271332,"threshold_uncertainty_score":0.06053871,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1599285826","doi":"10.33137/q.i..v35i2.23635","title":"Italian Immigrant Radical Culture: The Idealism of the Sovversivi in the United States, 1890–1940","year":2015,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Anarchism and Radical Politics","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Counterculture; Idealism; Politics; Immigration; Newspaper; History; Political science; Gender studies; Media studies; Sociology; Art history; Law","authors":[{"name":"Marcella Bencivenni","is_ca":false},{"name":"Nick J. Sciullo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03762928237049246,"gpt":0.303788313166887,"spread":0.2661590307963945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002442927,0.0002450132,0.0001883927,0.001253432,0.009459646,0.004753835,0.0004030958,0.0006992815,0.002079776],"category_scores_gemma":[0.001275363,0.0001680899,0.0002023946,0.001104872,0.009106948,0.001369418,0.00324859,0.002723493,0.0002003968],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007976187,"about_ca_system_score_gemma":0.00249454,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07976998,"about_ca_topic_score_gemma":0.16411,"domain_scores_codex":[0.9989536,0.000380075,0.000018796,0.00008069213,0.00008452416,0.0004822163],"domain_scores_gemma":[0.9995593,0.00008338116,0.0001032127,0.00003963811,0.00005920012,0.0001552143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001363565,0.00007561717,0.03563444,0.00002979945,0.0000139541,0.00032728,0.6868189,0.00008007044,0.0003648457,0.2527488,0.007539205,0.01623077],"study_design_scores_gemma":[0.00003077893,0.0001178321,0.1789555,0.0002141798,0.00002995255,0.0003423011,0.5195663,0.0003464774,0.0003718766,0.009394397,0.290571,0.00005930198],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8663784,0.0008385027,0.0001165624,0.007257699,0.0001003082,0.00001165283,0.00005054479,0.000006050605,0.1252403],"genre_scores_gemma":[0.9952906,0.0001912625,0.00003287012,0.0002749199,0.00002116416,0.000006098643,0.00001345824,0.000003550535,0.00416625],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07976998,"threshold_uncertainty_score":0.1586113,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4230890753","doi":"10.33137/q.i..v32i1.15938","title":"Dante’s Journey to Polyphony","year":2011,"lang":"fr","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Polyphony; Art; Literature","authors":[{"name":"Francesco Ciabattoni","is_ca":false},{"name":"Antonio Rossini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1254747907074356,"gpt":0.2821137352312288,"spread":0.1566389445237932,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001462901,0.0007123975,0.0004165874,0.001354633,0.008995582,0.008866288,0.000737405,0.00325799,0.01553417],"category_scores_gemma":[0.003110172,0.0002988951,0.0002539742,0.0007958142,0.01592413,0.00673398,0.00552053,0.005394416,0.003239712],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004109155,"about_ca_system_score_gemma":0.00226195,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007571198,"about_ca_topic_score_gemma":0.01909851,"domain_scores_codex":[0.9983627,0.0007800816,0.0000358093,0.0002971075,0.0002869618,0.0002372818],"domain_scores_gemma":[0.9990465,0.0004753616,0.00003535948,0.0001032889,0.0001122345,0.0002272898],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003867217,0.00001548762,0.0002652497,0.00007726961,0.000003296722,0.0002571251,0.03189441,0.00004901771,0.0002240601,0.842681,0.08704677,0.03744763],"study_design_scores_gemma":[0.000003491878,0.000008563155,0.0001308879,0.0001096775,8.469765e-7,0.000225526,0.002981183,0.00005165707,0.0000796708,0.0428136,0.9535876,0.000007416704],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01965151,0.06403381,0.005177975,0.122057,0.005503661,0.00002959629,0.0000855371,0.0001104793,0.7833504],"genre_scores_gemma":[0.2810047,0.01982557,0.002672917,0.01982019,0.003680525,0.00009620525,0.00006775447,0.0002625331,0.6725696],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01553417,"threshold_uncertainty_score":0.05196697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2555601033","doi":"10.33137/q.i..v34i1.19888","title":"On the Causes of the Greatness and Magnificence of Cities","year":2013,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Greatness; Context (archaeology); History; Art; Environmental ethics; Sociology; Classics; Literature; Philosophy; Archaeology","authors":[{"name":"Giovanni Botero","is_ca":false},{"name":"Geoffrey Symcox","is_ca":false},{"name":"Johnny L. Bertolio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03455514697099372,"gpt":0.2086390552330965,"spread":0.1740839082621028,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001068654,0.0004198984,0.0002561827,0.0008615719,0.00506877,0.006519256,0.0006851602,0.001540218,0.007089275],"category_scores_gemma":[0.002186838,0.0002065083,0.0002890583,0.002202667,0.02104581,0.003698359,0.003791054,0.004057898,0.0007550198],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008285092,"about_ca_system_score_gemma":0.004782747,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02636615,"about_ca_topic_score_gemma":0.05497371,"domain_scores_codex":[0.9992061,0.000304075,0.00002144715,0.00009426753,0.0001853619,0.0001887226],"domain_scores_gemma":[0.9992932,0.0002830025,0.00009902275,0.0001111522,0.0001355947,0.00007801034],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000329708,8.676253e-7,0.0001309046,0.00001974,0.000001709858,0.00003782946,0.003561516,0.00009218234,0.00001296479,0.9608293,0.03243767,0.002872],"study_design_scores_gemma":[0.000008771571,0.000005699676,0.002059578,0.0001861137,0.000008132083,0.00008879924,0.006049439,0.0001079394,0.0001053509,0.222025,0.769342,0.00001318407],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01361956,0.03323756,0.002311137,0.08965428,0.002278505,0.00001378713,0.0001741906,0.00008531762,0.8586257],"genre_scores_gemma":[0.7910197,0.02089078,0.0008198319,0.006972619,0.002991477,0.00008381542,0.0001462272,0.0001642382,0.1769113],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02636615,"threshold_uncertainty_score":0.06011283,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W244737343","doi":"10.33137/q.i..v29i1.8504","title":"Poussin and the Poetics of Painting. Pictorial Narrative and the Legacy of Tasso","year":2008,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetics; Painting; Art; Mythology; Narrative; Art history; The arts; Literature; Poetry; Visual arts","authors":[{"name":"Jonathan Unglaub","is_ca":false},{"name":"Rebekah Smick","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02746550761568953,"gpt":0.2432861128747681,"spread":0.2158206052590786,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006045791,0.0004790501,0.0001804627,0.0009644741,0.004757947,0.004074917,0.0003841212,0.0009430035,0.01025549],"category_scores_gemma":[0.001415109,0.0001840339,0.0001703878,0.001557389,0.01296851,0.002653351,0.001622597,0.00161358,0.0006640988],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00358229,"about_ca_system_score_gemma":0.001377304,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01551179,"about_ca_topic_score_gemma":0.02720256,"domain_scores_codex":[0.9995505,0.0002423104,0.000008775535,0.00005972813,0.00006626191,0.00007230716],"domain_scores_gemma":[0.999774,0.00009659278,0.00003707986,0.00002599529,0.00003024025,0.00003608737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003933657,0.000006964731,0.0002583151,0.00009317294,0.000003004053,0.0001885009,0.05201859,0.00008866045,0.0003034495,0.8988506,0.03464952,0.01349995],"study_design_scores_gemma":[0.000009464628,0.0000285579,0.001820026,0.0002006585,0.00000669718,0.0004134378,0.02032673,0.0001183819,0.000203514,0.04556156,0.9313021,0.000008734745],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03866755,0.03661944,0.002587365,0.02011389,0.001926493,0.00002483679,0.00009235874,0.0001074622,0.8998606],"genre_scores_gemma":[0.86068,0.009804907,0.001049936,0.00149164,0.0006795444,0.00002856572,0.00005404705,0.00008925941,0.1261221],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01551179,"threshold_uncertainty_score":0.03430802,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2210708811","doi":"10.33137/q.i..v30i2.11912","title":"Fairy-Tale Science: Monstrous Generation in the Tales of Straparola and Basile","year":2009,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Literature","authors":[{"name":"Suzanne Magnanini","is_ca":false},{"name":"Stephen Pender","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0319577499657796,"gpt":0.2646830283209778,"spread":0.2327252783551982,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003628959,0.0005909202,0.0003359122,0.001988302,0.01515073,0.007614704,0.000771003,0.001942897,0.00419636],"category_scores_gemma":[0.005426341,0.0002263864,0.0002652437,0.0009891239,0.02270458,0.00449301,0.003918095,0.003862663,0.0005705701],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004346177,"about_ca_system_score_gemma":0.00178576,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003714398,"about_ca_topic_score_gemma":0.01130409,"domain_scores_codex":[0.9980156,0.001303328,0.00001730729,0.0001384816,0.000246752,0.0002785123],"domain_scores_gemma":[0.9977868,0.001409979,0.0001723348,0.0001169739,0.0001847281,0.0003291862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006766705,0.00002968786,0.0009597934,0.00007072421,0.000005588663,0.0004264142,0.3096079,0.00003904183,0.0001826549,0.5977495,0.0707655,0.02009559],"study_design_scores_gemma":[0.00002220357,0.00006759269,0.004386614,0.0003239277,0.00001103695,0.0004489714,0.09915581,0.0001757136,0.000341295,0.05779101,0.8372495,0.0000264002],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1196217,0.01603535,0.002587997,0.1020562,0.004170741,0.00004735138,0.00005100145,0.0001801463,0.7552493],"genre_scores_gemma":[0.9292914,0.001655785,0.000631639,0.005409199,0.00134404,0.00005095389,0.0000202533,0.00007808256,0.06151855],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01515073,"threshold_uncertainty_score":0.0315339,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2625723374","doi":"10.33137/q.i..v33i2.19441","title":"Making the Italians. Poetics and Politics of Italian Children’s Fantasy","year":2013,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Fantasy; Poetics; Politics; Literature; Identity (music); History; Aesthetics; Sociology; Art; Political science; Law; Poetry","authors":[{"name":"Lindsay Myers","is_ca":false},{"name":"Anne Urbančič","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02508804097297764,"gpt":0.2893522856383836,"spread":0.2642642446654059,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001547311,0.0005354632,0.0002446313,0.001295418,0.004312843,0.005858333,0.0004444327,0.001157885,0.002860933],"category_scores_gemma":[0.002290056,0.0002731716,0.0002764598,0.0008066372,0.02182938,0.002269959,0.002210586,0.002178187,0.0004960248],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006861296,"about_ca_system_score_gemma":0.001473735,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01897391,"about_ca_topic_score_gemma":0.03384788,"domain_scores_codex":[0.9989527,0.0005278832,0.00002316241,0.00008453666,0.0001710418,0.0002405432],"domain_scores_gemma":[0.9991046,0.0003667817,0.0001771706,0.000082746,0.00007669463,0.0001919417],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005080042,0.00003177052,0.003956198,0.0000992601,0.000006735668,0.001219792,0.5762838,0.00005692439,0.0005520725,0.3856077,0.01450313,0.01763177],"study_design_scores_gemma":[0.00002103248,0.00005641486,0.02442239,0.0004355274,0.00001541676,0.002313282,0.1599298,0.0001028083,0.0003653893,0.01350278,0.7988038,0.00003132064],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2290329,0.01304089,0.0008578735,0.01884444,0.0003485712,0.0000357178,0.0000962563,0.00009077297,0.7376527],"genre_scores_gemma":[0.9643729,0.00259285,0.0003549409,0.0005941977,0.0001255091,0.00002402341,0.00002476846,0.00003433674,0.0318765],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01897391,"threshold_uncertainty_score":0.04978245,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1645369237","doi":"10.33137/q.i..v35i2.23640","title":"Ending Terrorism in Italy","year":2013,"lang":"en","type":"book","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Arts and Humanities Research Council","keywords":"Terrorism; Criminology; Political science; Narrative; Communism; Sociology; Law; Politics","authors":[{"name":"Anna Cento Bull","is_ca":false},{"name":"Philip Cooke","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02717234358511937,"gpt":0.286134970855387,"spread":0.2589626272702676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006960137,0.0005054525,0.0002672353,0.0009375228,0.002644363,0.004314055,0.0005142152,0.001554463,0.003697491],"category_scores_gemma":[0.001142197,0.0002126009,0.0004993837,0.001030857,0.003551684,0.001564848,0.003465447,0.002692733,0.001171353],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003057481,"about_ca_system_score_gemma":0.001279593,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002815985,"about_ca_topic_score_gemma":0.004609723,"domain_scores_codex":[0.9990916,0.0004306115,0.0000199252,0.00005892363,0.0001271752,0.0002717185],"domain_scores_gemma":[0.9996452,0.0001166439,0.00007498964,0.00004087032,0.00003175646,0.00009058867],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001421975,0.000078971,0.006355104,0.0005594243,0.00003232351,0.002121268,0.1419214,0.001022534,0.001565119,0.4174104,0.2915663,0.1372249],"study_design_scores_gemma":[0.000006759066,0.00005497773,0.008854708,0.0006030907,0.00001330801,0.0009376002,0.009784881,0.0001196868,0.00023059,0.007435055,0.9719436,0.00001576473],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.08432653,0.0381007,0.001227614,0.02389428,0.004914108,0.00005801776,0.00009196272,0.0001377009,0.847249],"genre_scores_gemma":[0.7590531,0.02813517,0.001275579,0.006645451,0.00441124,0.0001209899,0.0003082718,0.0001628624,0.1998873],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.004314055,"threshold_uncertainty_score":0.02218366,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2518584025","doi":"10.33137/q.i..v35i1.22373","title":"Teaching Italian American Literature, Film, and Popular Culture","year":2015,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Visual arts","authors":[{"name":"Edvige Giunta","is_ca":false},{"name":"Kathleen Zamboni McCormik","is_ca":false},{"name":"Alberto Zambenedetti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0231386117495817,"gpt":0.2992540820618976,"spread":0.2761154703123159,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001394005,0.0003314312,0.0001851269,0.002189248,0.005549101,0.008720609,0.0005246691,0.001342226,0.01195722],"category_scores_gemma":[0.003617299,0.0001658277,0.0001255312,0.00252043,0.008050411,0.002580852,0.001741,0.00195403,0.0005685249],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005168977,"about_ca_system_score_gemma":0.002676668,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01056333,"about_ca_topic_score_gemma":0.03272196,"domain_scores_codex":[0.9990339,0.0005592643,0.00001526826,0.00006116284,0.0001222421,0.0002082554],"domain_scores_gemma":[0.997057,0.001776601,0.000389301,0.0001192875,0.0001740436,0.0004838695],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00014223,0.0006235766,0.02647722,0.0003294499,0.00002984092,0.0007710405,0.4917095,0.0001660903,0.001380383,0.344866,0.0424996,0.09100503],"study_design_scores_gemma":[0.00005122417,0.0001243315,0.1011436,0.0006317043,0.00005280989,0.0005468345,0.3726545,0.0002896296,0.0008027459,0.03244234,0.49123,0.00003039372],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3061652,0.009496235,0.000256373,0.02312155,0.0002823135,0.00001188467,0.00003320024,0.0000260856,0.6606072],"genre_scores_gemma":[0.9817509,0.002721994,0.00004876709,0.0006458696,0.000297631,0.000009331448,0.000009441472,0.00001027712,0.01450586],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01195722,"threshold_uncertainty_score":0.04000092,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4299165734","doi":"10.33137/q.i..v30i1.8446","title":"The Politics of the Piazza. The History and Meaning of the Italian Square","year":2009,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Diverse academic and cultural studies","field":"Economics, Econometrics and Finance","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Meaning (existential); Politics; Square (algebra); Art; Political science; Philosophy; Epistemology; Law; Mathematics; Geometry","authors":[{"name":"Eamonn Canniffe","is_ca":false},{"name":"Corrado Federici","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03604439778124218,"gpt":0.2109501336941874,"spread":0.1749057359129452,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001647328,0.0003322186,0.0002465766,0.001078051,0.006953825,0.008405189,0.0004918062,0.001856763,0.01164537],"category_scores_gemma":[0.004756563,0.0003496742,0.0002427503,0.001977761,0.01801921,0.00333381,0.002635157,0.003485378,0.002235561],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008456391,"about_ca_system_score_gemma":0.002938462,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03645458,"about_ca_topic_score_gemma":0.06905272,"domain_scores_codex":[0.9984725,0.0006160852,0.00002990333,0.0003187023,0.0002811071,0.000281655],"domain_scores_gemma":[0.9987805,0.0004868709,0.0001516708,0.0002190965,0.000151911,0.0002098388],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001708228,0.000004595252,0.0005682982,0.00001496111,0.000001481078,0.00004540691,0.005731089,0.00003531198,0.0000194732,0.9544682,0.03101235,0.008081776],"study_design_scores_gemma":[0.00001288513,0.00001185855,0.004811857,0.0001531313,0.000005717382,0.00009296842,0.003601058,0.0001311545,0.00005853578,0.08711009,0.9039963,0.00001449534],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01642958,0.009048146,0.0008357455,0.05820388,0.0006137717,0.00001083187,0.00007892805,0.00004400992,0.9147351],"genre_scores_gemma":[0.7832167,0.004290756,0.0005208597,0.006792035,0.00170943,0.00004044103,0.00005882166,0.0001213334,0.2032496],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03645458,"threshold_uncertainty_score":0.07248479,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1609510396","doi":"10.33137/q.i..v21i2.9403","title":"Vittorio De Sica: Contemporary Perspectives","year":2000,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Yesterday; Miracle; Art; Style (visual arts); Comedy; Movie theater; Art history; Tragedy (event); Period (music); World War II; Spanish Civil War; History; Literature; Aesthetics; Law; Political science","authors":[{"name":"Howard Curle","is_ca":false},{"name":"Stephen Snyder","is_ca":true},{"name":"Frank Burke","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02587989129139581,"gpt":0.2904211181660944,"spread":0.2645412268746986,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002381478,0.0005543407,0.0005588199,0.003325289,0.008926634,0.01065548,0.0009559842,0.003667894,0.01292472],"category_scores_gemma":[0.003143288,0.0002298466,0.0005000539,0.00462115,0.02657721,0.004325571,0.004250022,0.006161754,0.001605375],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01050757,"about_ca_system_score_gemma":0.008074895,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02255422,"about_ca_topic_score_gemma":0.04054461,"domain_scores_codex":[0.9979068,0.0009134702,0.00005328222,0.0002110623,0.0002921049,0.0006233681],"domain_scores_gemma":[0.9989359,0.000438019,0.0001176134,0.00007688891,0.0001987436,0.0002327948],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002519797,0.00002452756,0.001083152,0.000226169,0.000006233926,0.0002464335,0.01792376,0.00005554299,0.00005243601,0.8818676,0.0725797,0.02590924],"study_design_scores_gemma":[0.000006737867,0.00001525568,0.003218062,0.0006366167,0.000005078492,0.0002719465,0.00858523,0.0000635031,0.0000319844,0.04681908,0.9403366,0.000009889262],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01289709,0.1360912,0.0006352913,0.1358753,0.003331644,0.00001333761,0.00006904165,0.00002830917,0.7110589],"genre_scores_gemma":[0.6417184,0.1662832,0.0007694298,0.06278549,0.01580653,0.0001157394,0.0001861078,0.00009639462,0.1122386],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02255422,"threshold_uncertainty_score":0.0762381,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4256578025","doi":"10.33137/q.i..v22i2.9333","title":"A History of Women's Writing in Italy","year":2001,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; History","authors":[{"name":"Letizia Panizza","is_ca":false},{"name":"Sharon L. Wood","is_ca":false},{"name":"Patrizia Bettella","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02613623559587533,"gpt":0.2752035238851868,"spread":0.2490672882893114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001297331,0.0005661721,0.0003719715,0.002913673,0.006176094,0.006793013,0.0006676497,0.001660917,0.01018253],"category_scores_gemma":[0.002796026,0.0003419552,0.0002436688,0.006209976,0.009320944,0.002155895,0.002529663,0.002500024,0.001419783],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009854624,"about_ca_system_score_gemma":0.003770375,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.033761,"about_ca_topic_score_gemma":0.07918287,"domain_scores_codex":[0.9982983,0.0006627,0.00006819888,0.0001784928,0.00022605,0.0005662984],"domain_scores_gemma":[0.9987123,0.0006806109,0.0002189946,0.00008730483,0.0001005583,0.0002002609],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001621498,0.00005579672,0.003916216,0.0006201139,0.00001714233,0.002032162,0.3804075,0.00009303246,0.0004626587,0.3344958,0.1891114,0.08862609],"study_design_scores_gemma":[0.000005498055,0.00001422099,0.007927026,0.0004046001,0.000004323745,0.0002659322,0.008632746,0.00001486462,0.00006363933,0.002047214,0.98061,0.00000994072],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04814244,0.1055367,0.0002565284,0.06052417,0.002572695,0.00002806612,0.0002697084,0.00005895776,0.7826107],"genre_scores_gemma":[0.6820902,0.04801466,0.0003986084,0.01057693,0.006250105,0.0001036354,0.0002311659,0.000177677,0.2521572],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.033761,"threshold_uncertainty_score":0.07150066,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2992356613","doi":"10.33137/q.i..v21i1.9431","title":"Linguistica testuale comparativa","year":2000,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Linguistics and Language Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Gunver Skytte","is_ca":false},{"name":"Francesco Sabatini","is_ca":false},{"name":"Anna L. Moro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03799007633337746,"gpt":0.275190715641926,"spread":0.2372006393085485,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00205305,0.001054348,0.0009421823,0.002552919,0.0030218,0.01054526,0.000894729,0.001108005,0.06082711],"category_scores_gemma":[0.004732805,0.0003801601,0.0004855165,0.002790631,0.00493509,0.004531094,0.00339164,0.003610508,0.01441027],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003147257,"about_ca_system_score_gemma":0.001158558,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005705927,"about_ca_topic_score_gemma":0.00437973,"domain_scores_codex":[0.99666,0.001895255,0.0001409661,0.000609794,0.0004260418,0.0002680043],"domain_scores_gemma":[0.9977586,0.001060181,0.0002324269,0.0004862932,0.0003660974,0.00009638638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001718017,0.0001024169,0.001254844,0.0005182755,0.00005837538,0.0003982915,0.01783011,0.0001853076,0.0008697703,0.7459294,0.1383661,0.09431533],"study_design_scores_gemma":[0.00001111287,0.000025968,0.001427582,0.0002768787,0.00001184294,0.0002573604,0.002495749,0.0001788863,0.0002472863,0.01717787,0.9778767,0.00001276988],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01033453,0.02015016,0.007940294,0.01099622,0.009152427,0.00005282633,0.001088465,0.0007254798,0.9395596],"genre_scores_gemma":[0.5892884,0.01661081,0.007170041,0.005415168,0.01204437,0.0005043168,0.003582281,0.002504817,0.3628798],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06082711,"threshold_uncertainty_score":0.2034869,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4300463027","doi":"10.33137/q.i..v32i1.15946","title":"Vico and the Transformation of Rhetoric in Early Modern Europe","year":2011,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Giambattista Vico and Joyce","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Rhetoric; Transformation (genetics); Art; History; Philosophy; Linguistics; Biology","authors":[{"name":"David Marshall","is_ca":false},{"name":"Giuseppe Mazzotta","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04310086100561373,"gpt":0.2213972626849587,"spread":0.178296401679345,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003814949,0.0003923429,0.0003128066,0.002346297,0.005718232,0.008869004,0.0006128694,0.002153231,0.002640321],"category_scores_gemma":[0.002724505,0.0002473298,0.0002604754,0.001588001,0.03348717,0.003512932,0.003630975,0.003315633,0.0003676306],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01052348,"about_ca_system_score_gemma":0.001948924,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005517599,"about_ca_topic_score_gemma":0.00671083,"domain_scores_codex":[0.9966396,0.002062584,0.0001030596,0.0004061132,0.0002933166,0.0004954013],"domain_scores_gemma":[0.999173,0.0004090071,0.0001094682,0.0001427344,0.0000805427,0.00008531313],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001805691,0.0000117944,0.0002584641,0.00003340486,0.000003144307,0.0001067588,0.03980835,0.00008109824,0.0002343562,0.9505945,0.001662133,0.007187915],"study_design_scores_gemma":[0.00003724608,0.00007205147,0.003704106,0.0003734226,0.00001034593,0.0006501785,0.01882069,0.0003769063,0.0007415322,0.2128684,0.7623083,0.00003686643],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08729246,0.01555368,0.003680597,0.01152854,0.0004938719,0.0000262871,0.00002424354,0.00006807835,0.8813323],"genre_scores_gemma":[0.9671817,0.00149368,0.0009459773,0.001094625,0.0002575756,0.00001858886,0.0000145061,0.00005879268,0.02893445],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01052348,"threshold_uncertainty_score":0.07635355,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3118283324","doi":"10.33137/q.i..v39i1.32654","title":"The Horn of Africa and Italy: Colonial, Postcolonial and Transnational Cultural Encounters","year":2019,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"French horn; Colonialism; Ethnology; Geography; History; Art; Ancient history; Sociology; Archaeology","authors":[{"name":"Simone Brioni","is_ca":false},{"name":"Shimelis Bonsa Gulema","is_ca":false},{"name":"Jessica L. Harris","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01439627282660083,"gpt":0.2692352408586622,"spread":0.2548389680320614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00147559,0.0003019854,0.000277726,0.001550641,0.007613597,0.00560122,0.0005710429,0.001089855,0.006716662],"category_scores_gemma":[0.004134286,0.0002676999,0.0001155131,0.002893528,0.00901149,0.003566472,0.004924181,0.002190089,0.0002220894],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00486584,"about_ca_system_score_gemma":0.002677161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04947831,"about_ca_topic_score_gemma":0.1592519,"domain_scores_codex":[0.9989752,0.0004465987,0.00001374668,0.00003928897,0.00004313601,0.0004822085],"domain_scores_gemma":[0.9986135,0.0007461084,0.0002529533,0.00003823594,0.00004991569,0.0002993482],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001304317,0.00004069059,0.01346306,0.00006988928,0.000005247658,0.001068661,0.9430498,0.00002172239,0.0003207263,0.02493837,0.001880464,0.01501082],"study_design_scores_gemma":[0.0000164028,0.00003961643,0.04768569,0.0001884605,0.000009221304,0.0004514221,0.8924314,0.00003527593,0.00006960755,0.001352036,0.05770918,0.00001175046],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.942196,0.003560949,0.00007496167,0.004272265,0.00004723316,0.00001282883,0.0000231404,0.000003462779,0.04980917],"genre_scores_gemma":[0.9942737,0.001442846,0.00005300355,0.0004897518,0.0000467942,0.00001422002,0.00001298123,0.000007498241,0.003659212],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04947831,"threshold_uncertainty_score":0.09838063,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2566612107","doi":"10.33137/q.i..v36i2.26932","title":"Unfinished Business. Screening the Italian Mafia in the New Millennium","year":2016,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Crime, Illicit Activities, and Governance","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Political science; Ancient history; History","authors":[{"name":"Dana Renga","is_ca":false},{"name":"Flavia Laviosa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04004148752078128,"gpt":0.2918005738335901,"spread":0.2517590863128088,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002088118,0.0003283829,0.0002210548,0.004188703,0.001636804,0.003109916,0.0004708076,0.001127478,0.008828709],"category_scores_gemma":[0.006920436,0.0002098095,0.0002354687,0.003723826,0.001560295,0.002909417,0.001804153,0.001516603,0.001871914],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003017361,"about_ca_system_score_gemma":0.002672724,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02644241,"about_ca_topic_score_gemma":0.0919439,"domain_scores_codex":[0.9987317,0.000359022,0.00006784088,0.0001310046,0.0003923609,0.0003180747],"domain_scores_gemma":[0.9954199,0.0006328663,0.00153284,0.0004745043,0.0009340483,0.001005942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001076598,0.0001246896,0.2488907,0.0004138321,0.00003699138,0.000427546,0.01200892,0.0001109264,0.0007216268,0.1713106,0.3109816,0.2548649],"study_design_scores_gemma":[0.000009353445,0.0000585142,0.3729291,0.0005474841,0.00002183415,0.0005460126,0.007989455,0.0003086546,0.0003218195,0.01144881,0.6057858,0.00003311881],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2240317,0.03702725,0.001263307,0.1806438,0.001681302,0.0001159672,0.004810731,0.0001868993,0.5502391],"genre_scores_gemma":[0.8826793,0.01175143,0.002787945,0.01465909,0.001520067,0.0001806775,0.002886872,0.00007164724,0.08346302],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02644241,"threshold_uncertainty_score":0.05257702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2602257971","doi":"10.33137/q.i..v34i1.19921","title":"Imparare da adulti, insegnare ad adulti le lingue","year":2013,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Mathematics; Art","authors":[{"name":"Paola Begotti","is_ca":false},{"name":"Jacqueline Samperi Mangan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02103274298355994,"gpt":0.257847323085578,"spread":0.236814580102018,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009301347,0.0003330352,0.0003306949,0.0007171797,0.001482832,0.002514572,0.0004007891,0.0007221585,0.02138618],"category_scores_gemma":[0.003876466,0.0001703806,0.0001786305,0.000456777,0.001540205,0.00198494,0.001377815,0.001806931,0.004938871],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008571282,"about_ca_system_score_gemma":0.0008223856,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002753639,"about_ca_topic_score_gemma":0.01305844,"domain_scores_codex":[0.9994981,0.0002064581,0.00002816848,0.00008706186,0.0001178347,0.00006243285],"domain_scores_gemma":[0.9978974,0.0009725746,0.0001656644,0.0002977324,0.00036226,0.0003043947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003033617,0.0002515659,0.04543068,0.001196752,0.00003745218,0.002648153,0.129512,0.0001139759,0.01897799,0.17094,0.341869,0.288719],"study_design_scores_gemma":[0.000005258809,0.000162541,0.0290181,0.0002625948,0.00001862512,0.001624402,0.01101746,0.0000954073,0.002028574,0.006415262,0.9493282,0.00002368186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1731405,0.0199916,0.00775606,0.02220983,0.003366835,0.00009774105,0.0009665943,0.0003172545,0.7721536],"genre_scores_gemma":[0.6583299,0.0124406,0.003530732,0.004615052,0.002220286,0.0000922164,0.0005790797,0.0002123579,0.3179799],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02138618,"threshold_uncertainty_score":0.07154387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1825234598","doi":"10.33137/q.i..v22i1.9344","title":"I test della (im)popolarità: il fenomeno Camilleri","year":2001,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Educational and Social Studies","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Jana Vizmuller-Zocco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04455025856237613,"gpt":0.3117893748762651,"spread":0.267239116313889,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008909561,0.0005773875,0.0008629616,0.002682989,0.0009590879,0.002908358,0.002303275,0.001401422,0.01805438],"category_scores_gemma":[0.07370421,0.0002423874,0.0004662817,0.003969784,0.003365247,0.004106073,0.003390452,0.001754596,0.002154973],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008186853,"about_ca_system_score_gemma":0.0009652007,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004238525,"about_ca_topic_score_gemma":0.003427943,"domain_scores_codex":[0.9931289,0.004276225,0.0002116235,0.0007821234,0.001201873,0.0003992285],"domain_scores_gemma":[0.9651527,0.0263386,0.003200102,0.002179385,0.001870284,0.001258826],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.00239708,0.0006551911,0.662148,0.0009267488,0.0008090865,0.0007118125,0.0199535,0.0003474855,0.0006472146,0.06131391,0.03934218,0.2107477],"study_design_scores_gemma":[0.0004202214,0.003176502,0.735374,0.001528283,0.0009760418,0.002224207,0.03396597,0.00609975,0.003506425,0.1016323,0.1109075,0.0001887305],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8473915,0.005473972,0.008833187,0.01740795,0.0005613307,0.0003677998,0.004269042,0.0002937024,0.1154016],"genre_scores_gemma":[0.9902657,0.000460973,0.002511109,0.001188336,0.0001595011,0.0003255687,0.000578135,0.00005416311,0.00445659],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01805438,"threshold_uncertainty_score":0.06039786,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2531361206","doi":"10.33137/q.i..v33i2.19423","title":"Il linguaggio dell’amicizia e della città: <i>L’amica geniale</i> di Elena Ferrante tra continuità e cambiamento","year":2013,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Laura Benedetti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01605557138290521,"gpt":0.2207041329137943,"spread":0.2046485615308891,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009014102,0.0005238811,0.0002078276,0.0008619932,0.003891317,0.006192159,0.0004975835,0.001899442,0.01416441],"category_scores_gemma":[0.00180264,0.000170452,0.0002465103,0.00104432,0.00982536,0.003491554,0.002325886,0.003840478,0.002741787],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003629114,"about_ca_system_score_gemma":0.002399116,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01426394,"about_ca_topic_score_gemma":0.03003337,"domain_scores_codex":[0.998961,0.000459981,0.00002543268,0.0001580439,0.0001777016,0.0002178563],"domain_scores_gemma":[0.9993817,0.0002315502,0.00009751347,0.00008799565,0.0001082035,0.0000930001],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003690615,0.00001618264,0.002484346,0.000169588,0.000007566554,0.0002574506,0.04846494,0.00005589871,0.0007986189,0.7966767,0.116791,0.03424082],"study_design_scores_gemma":[0.000004989143,0.00002013015,0.00613258,0.0002518134,0.00000714828,0.0003211861,0.009874882,0.00007903604,0.0003360363,0.02376553,0.95919,0.00001670192],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0314024,0.03010139,0.003113224,0.08688877,0.002515517,0.0000353265,0.0002318737,0.00009639273,0.8456151],"genre_scores_gemma":[0.7390386,0.008318455,0.001863802,0.01131524,0.002430627,0.00009279932,0.0001541257,0.0001967316,0.2365896],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01426394,"threshold_uncertainty_score":0.04738468,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3090708510","doi":"10.33137/q.i..v40i1.34160","title":"Plurilingualism and Language Contact in Friuli Venezia Giulia: The State of the Research","year":2020,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"German; Language contact; Opposition (politics); Linguistics; Sociolinguistics; Feeling; Language planning; Language policy; Politics; State (computer science); Official language; Political science; History; Media studies; Sociology; Psychology; Law; Social psychology; Computer science","authors":[{"name":"Fabiana Fusco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06040241320243149,"gpt":0.3027196812139402,"spread":0.2423172680115087,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00159872,0.0003550613,0.0005829986,0.002735591,0.003404898,0.006455206,0.001011395,0.001088405,0.003372792],"category_scores_gemma":[0.00310867,0.0002909975,0.0002439045,0.005932005,0.009833327,0.003884081,0.004148351,0.001440767,0.0002314182],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00487523,"about_ca_system_score_gemma":0.00170385,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04116729,"about_ca_topic_score_gemma":0.05403591,"domain_scores_codex":[0.9987555,0.0004827618,0.00003765567,0.0002627836,0.0001503275,0.0003109765],"domain_scores_gemma":[0.9974446,0.001762467,0.0004533479,0.0001234377,0.00008483369,0.0001313391],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002328746,0.0002355033,0.1148603,0.001691513,0.000127229,0.002290091,0.5737141,0.0003010109,0.00142689,0.1010977,0.002105883,0.2019168],"study_design_scores_gemma":[0.00001582298,0.0001381639,0.6315781,0.00209133,0.00008433733,0.001423235,0.2664678,0.0003393165,0.0003694295,0.01567493,0.08173434,0.00008308756],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"review","genre_scores_codex":[0.8784817,0.07869665,0.0004806267,0.003318029,0.0001026698,0.00001840579,0.000113514,0.00001069033,0.03877778],"genre_scores_gemma":[0.9891323,0.009566056,0.0001020464,0.0001129015,0.0000738086,0.00001576323,0.0000409866,0.000005124246,0.000951021],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.04116729,"threshold_uncertainty_score":0.08185536,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2733162640","doi":"10.33137/q.i..v33i2.19445","title":"Verso la consapevolezza traduttiva","year":2013,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"European and International Law Studies","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Pierangela Diadori","is_ca":false},{"name":"Gessica De Angelis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03288845384203669,"gpt":0.2891202557431291,"spread":0.2562318019010923,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001070548,0.0006368534,0.0002561532,0.001515621,0.003827693,0.006199018,0.0006419399,0.001987881,0.02373325],"category_scores_gemma":[0.002149659,0.0002830275,0.0003919372,0.001407142,0.005619842,0.002552885,0.00222797,0.00501036,0.005459916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003886608,"about_ca_system_score_gemma":0.002780523,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01806242,"about_ca_topic_score_gemma":0.03278818,"domain_scores_codex":[0.9985297,0.0004350341,0.00003585328,0.0003302079,0.0004332643,0.0002359824],"domain_scores_gemma":[0.9989992,0.0002340448,0.00009189975,0.0002709642,0.0003058567,0.00009809059],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002722403,0.00002158743,0.0006776568,0.00009347509,0.000006933622,0.00009423366,0.01067046,0.00003805794,0.0008686424,0.8612251,0.1093433,0.01693329],"study_design_scores_gemma":[0.000006396008,0.00001209976,0.001182783,0.00008538394,0.000008178716,0.000091735,0.001131894,0.00005242643,0.000358076,0.01390014,0.9831628,0.000007980802],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.008857605,0.002969209,0.00191495,0.03191144,0.002829614,0.00003330186,0.0002124433,0.0001726737,0.9510989],"genre_scores_gemma":[0.2315436,0.002480532,0.002914944,0.01430726,0.004127272,0.0001518918,0.0002444003,0.0006331505,0.743597],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02373325,"threshold_uncertainty_score":0.07939565,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134740301","doi":"10.33137/q.i..v24i1.9254","title":"The Figino, or On the Purpose of Painting:' Art Theory in the Late Renaissance","year":2003,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"The Renaissance; Painting; Counter-Reformation; Scholarship; Context (archaeology); Art; Period (music); State (computer science); Renaissance art; Literature; Classics; Art history; History; Philosophy; Theology; Aesthetics; Law; Computer science","authors":[{"name":"Gregorio Comanini'","is_ca":false},{"name":"Ann Doyle-Anderson","is_ca":false},{"name":"Giancarlo Maiorino","is_ca":false},{"name":"Cathleen Hoeniger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06304799125297891,"gpt":0.2595774706203632,"spread":0.1965294793673843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002090168,0.0004804573,0.0002326125,0.001336365,0.005102151,0.006304852,0.0007957758,0.001614749,0.006428733],"category_scores_gemma":[0.001459798,0.0002269745,0.0002444112,0.0009380942,0.03580985,0.003326963,0.001941529,0.002148691,0.0005202951],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005962024,"about_ca_system_score_gemma":0.001106767,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01243937,"about_ca_topic_score_gemma":0.02486891,"domain_scores_codex":[0.9992335,0.0004568307,0.00000858035,0.0000808454,0.00007537984,0.0001448219],"domain_scores_gemma":[0.999423,0.0003492196,0.00006843047,0.00006103328,0.00004454911,0.00005374316],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007103237,0.000008839641,0.0003880913,0.00003024993,0.000001758183,0.00009537722,0.06828033,0.0000766178,0.00004355482,0.9244332,0.002795879,0.003839077],"study_design_scores_gemma":[0.00001869925,0.00004548378,0.004989001,0.0003768773,0.00001250693,0.0003672808,0.05866948,0.0003382731,0.0002170713,0.1886666,0.7462795,0.00001919397],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05618565,0.02151621,0.003150395,0.01375789,0.000433518,0.00001916445,0.0000256709,0.0000400121,0.9048715],"genre_scores_gemma":[0.927497,0.003882538,0.000647603,0.0007321562,0.0002246597,0.0000198073,0.000009348028,0.00004092126,0.06694599],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01243937,"threshold_uncertainty_score":0.04325777,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2570461711","doi":"10.33137/q.i..v30i2.11905","title":"Calvino’s Encounter with the Animal: Anthropomorphism, Cognition and Ethics in <i>Palomar</i>","year":2009,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Narrative; Reading (process); Representation (politics); Root (linguistics); Cognition; Key (lock); Literature; Philosophy; Aesthetics; Psychology; Art; Linguistics; Law; Computer science; Political science","authors":[{"name":"Eugenio Bolongaro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03514304467216486,"gpt":0.2744024275792135,"spread":0.2392593829070486,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001615531,0.0003063362,0.0001953382,0.0006123101,0.005014986,0.005513558,0.0006358269,0.002527287,0.002103654],"category_scores_gemma":[0.003294736,0.0001510781,0.0001454943,0.0004444011,0.03327787,0.00346761,0.002192076,0.003970384,0.0002282014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004100459,"about_ca_system_score_gemma":0.0009638012,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006762224,"about_ca_topic_score_gemma":0.008345737,"domain_scores_codex":[0.9981616,0.001333971,0.00001784199,0.0001742677,0.0001794038,0.0001328553],"domain_scores_gemma":[0.9986324,0.001057613,0.0001046676,0.00008578424,0.00005755542,0.00006208434],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001112303,0.000008008231,0.0002589166,0.0000306318,0.000001731621,0.000236911,0.1095439,0.0001029132,0.0001628029,0.8667569,0.01494639,0.007939662],"study_design_scores_gemma":[0.000009279981,0.00002629069,0.001026969,0.0002008051,0.000004786009,0.0007968223,0.04793581,0.0003978813,0.0004636861,0.1925727,0.7565457,0.00001933489],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09185414,0.01049862,0.008430211,0.09094085,0.0009548377,0.00002737591,0.00002612394,0.000048609,0.7972193],"genre_scores_gemma":[0.9706267,0.001467503,0.001146223,0.003535507,0.0002936371,0.00001920368,0.000008588746,0.00003022933,0.02287242],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006762224,"threshold_uncertainty_score":0.02975106,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1624969885","doi":"10.33137/q.i..v28i2.8539","title":"Under Arturo's Star. The Cultural Legacies of Elsa Morante","year":2007,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Star (game theory); Art; History; Astrophysics; Physics","authors":[{"name":"Stefania Lucamante","is_ca":false},{"name":"Sharon Wood","is_ca":false},{"name":"Laura Benedetti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03466114796956248,"gpt":0.3120122451198634,"spread":0.2773510971503009,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006743981,0.0003871901,0.000185015,0.0004285817,0.005468403,0.003752049,0.0003243041,0.002252223,0.01292631],"category_scores_gemma":[0.001393185,0.000148981,0.000215278,0.0003119703,0.003822226,0.001718955,0.002311108,0.002766252,0.00210432],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002174758,"about_ca_system_score_gemma":0.001170114,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01382224,"about_ca_topic_score_gemma":0.04777671,"domain_scores_codex":[0.9996206,0.0001457636,0.000007506603,0.00005187209,0.00005623122,0.0001180697],"domain_scores_gemma":[0.999661,0.0001037421,0.00005724387,0.00003292045,0.00004909729,0.00009606082],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009333172,0.00004327928,0.001994458,0.0001364326,0.00001054234,0.0003287568,0.02724814,0.00005872475,0.0003599112,0.37972,0.5162513,0.07375507],"study_design_scores_gemma":[0.000005504794,0.00001576794,0.003207615,0.00009606801,0.00000423726,0.00008737796,0.003201606,0.00002327735,0.00009928452,0.006403381,0.9868501,0.000005669659],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03549055,0.04663021,0.0003666576,0.2562992,0.01056117,0.00002325361,0.0001368214,0.0001003491,0.6503918],"genre_scores_gemma":[0.4156192,0.006386671,0.0003502782,0.03592584,0.006963448,0.00004302216,0.00005374161,0.0001345843,0.5345231],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01382224,"threshold_uncertainty_score":0.04324281,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2178987371","doi":"10.33137/q.i..v32i1.15937","title":"The Presence of Myth in Claudio Magris’s Postmillennial Narrative","year":2011,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Mythology; Appropriation; Narrative; Literature; Postmodernism; Representation (politics); Theme (computing); Impossibility; Art; History; Philosophy; Politics; Epistemology; Law; Computer science","authors":[{"name":"Sandra Parmegiani","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03045819074297116,"gpt":0.2827071180999552,"spread":0.252248927356984,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00319558,0.0002861701,0.0003024908,0.001496547,0.01074866,0.007390254,0.001106114,0.002372012,0.002645063],"category_scores_gemma":[0.005308689,0.0002185054,0.0001541795,0.0009919703,0.01740408,0.004723442,0.005172158,0.003277255,0.0003747056],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007672799,"about_ca_system_score_gemma":0.002066352,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007391761,"about_ca_topic_score_gemma":0.01552536,"domain_scores_codex":[0.997778,0.00118397,0.00004198937,0.0002053492,0.000413827,0.0003768714],"domain_scores_gemma":[0.9977429,0.001180319,0.0002596417,0.000157968,0.0003072338,0.0003519204],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000347327,0.00002351578,0.0004847743,0.00004598939,0.000003895032,0.0007967612,0.8221085,0.00004231048,0.0004909565,0.1634199,0.005571118,0.006977483],"study_design_scores_gemma":[0.00001426389,0.00005967119,0.004081207,0.0002706925,0.000008516433,0.00106359,0.3042868,0.000199405,0.0007700592,0.01669824,0.6725028,0.00004464756],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6833795,0.00615145,0.002398114,0.01773832,0.0007307365,0.00002906493,0.00005261082,0.0001125476,0.2894076],"genre_scores_gemma":[0.9823976,0.0004576223,0.0002355121,0.0005067176,0.0001106726,0.00001557414,0.00001600099,0.00003610524,0.01622411],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01074866,"threshold_uncertainty_score":0.05567032,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020931649","doi":"10.33137/q.i..v27i2.8600","title":"The Manly Masquerade. Masculinity, Paternity, and Castration in the Italian Renaissance","year":2006,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Guelph; University of Toronto","funders":"","keywords":"Masculinity; The Renaissance; Castration; Art; Art history; Gender studies; Sociology; Medicine; Internal medicine","authors":[{"name":"Valeria Finucci","is_ca":true},{"name":"Jacqueline Murray","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02378221767581468,"gpt":0.2805195176488014,"spread":0.2567372999729867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001027954,0.0005010396,0.0001712434,0.0007883361,0.00477249,0.003139979,0.0002967805,0.0009972636,0.002968172],"category_scores_gemma":[0.001255855,0.000143225,0.0002030127,0.0006662872,0.01655808,0.001114053,0.001683767,0.001574857,0.0002966962],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004640472,"about_ca_system_score_gemma":0.001051206,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01519648,"about_ca_topic_score_gemma":0.05454824,"domain_scores_codex":[0.9992015,0.0004811734,0.000007039742,0.0000451409,0.00009647597,0.0001687289],"domain_scores_gemma":[0.9996852,0.0001432513,0.00005553715,0.00002765751,0.00002130353,0.00006702497],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005175611,0.00001323413,0.002032703,0.00008455051,0.000006447781,0.0003739502,0.1442987,0.00009070021,0.0002387593,0.7907032,0.04584191,0.01626423],"study_design_scores_gemma":[0.000008758797,0.0000371685,0.01416553,0.0002762688,0.00001154338,0.0005027966,0.03061208,0.0001072616,0.0002534729,0.02499153,0.9290156,0.00001785866],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.132679,0.02331361,0.00095442,0.05523727,0.001171572,0.00001548652,0.00004521228,0.00005735407,0.7865261],"genre_scores_gemma":[0.9195346,0.002895637,0.0001489821,0.001936457,0.0006808652,0.00001198395,0.000007928164,0.00002411851,0.07475955],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01519648,"threshold_uncertainty_score":0.03366917,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2993032971","doi":"10.33137/q.i..v36i2.26913","title":"Machiavelli nel Rinascimento italiano","year":2016,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"William J. Connell","is_ca":false},{"name":"Nicla Riverso","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04810798136172117,"gpt":0.2595703258022949,"spread":0.2114623444405737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002324993,0.0006407935,0.0003578523,0.001491382,0.002923154,0.0066986,0.0005526559,0.001225382,0.01147436],"category_scores_gemma":[0.003642753,0.0002540667,0.0003383197,0.001400788,0.006951346,0.003428545,0.003275086,0.002957176,0.00356581],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002933335,"about_ca_system_score_gemma":0.002865457,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005551091,"about_ca_topic_score_gemma":0.01777743,"domain_scores_codex":[0.9977891,0.001057474,0.00004109776,0.0004060364,0.0003826747,0.000323501],"domain_scores_gemma":[0.9981925,0.0005512292,0.0002486867,0.0004920317,0.0002907057,0.0002248037],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003626907,0.00003213623,0.002616925,0.0001827121,0.00001259172,0.0001930702,0.01706184,0.000101475,0.000625161,0.8434824,0.08224174,0.05341367],"study_design_scores_gemma":[0.000005233694,0.0000149042,0.003040823,0.0001427329,0.000008266416,0.0001536757,0.001102663,0.0000781165,0.0001507449,0.01653816,0.9787556,0.000009024076],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02504793,0.02052744,0.003590983,0.04505059,0.001720767,0.00004710053,0.000131198,0.0002075976,0.9036765],"genre_scores_gemma":[0.5718994,0.01835775,0.006316664,0.0130618,0.005830397,0.0002139618,0.0002177067,0.00054729,0.3835551],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01147436,"threshold_uncertainty_score":0.03838557,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2528348174","doi":"10.33137/q.i..v23i2.9286","title":"Sentences: The Memoirs and Letters of Italian Political Prisoners from Benvenuto Cellini to Aldo Moro","year":2002,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Memoir; Politics; Art; History; Law; Theology; Philosophy; Literature; Political science","authors":[{"name":"Charles Klopp","is_ca":false},{"name":"Rosaria Moretti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03073751847474927,"gpt":0.2719806870192205,"spread":0.2412431685444713,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001125867,0.0006748963,0.0003064995,0.001653342,0.008254088,0.00432201,0.0007315452,0.00181837,0.004795988],"category_scores_gemma":[0.006228631,0.0002223371,0.0001640811,0.001469468,0.003593341,0.001011626,0.001546425,0.002399514,0.001311823],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005235337,"about_ca_system_score_gemma":0.001601766,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02409162,"about_ca_topic_score_gemma":0.04498575,"domain_scores_codex":[0.998947,0.000516459,0.00003387019,0.00007442944,0.0002262184,0.0002021489],"domain_scores_gemma":[0.9979308,0.0009850714,0.000293448,0.00007195066,0.0004076714,0.0003110031],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002467626,0.000039242,0.001282525,0.0004559962,0.0000146448,0.001831439,0.3191879,0.00007548269,0.001653045,0.02403062,0.6317483,0.019434],"study_design_scores_gemma":[0.000008625608,0.00002559847,0.00503763,0.0003764004,0.000007620535,0.0003545889,0.05171453,0.00004627348,0.0004405299,0.0006864882,0.9412848,0.0000168745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2321154,0.05503687,0.0009838659,0.302792,0.04194185,0.0001393483,0.001309512,0.0003354819,0.3653457],"genre_scores_gemma":[0.7640795,0.01083941,0.000589487,0.03516634,0.01786735,0.0002050607,0.0003493711,0.0004264372,0.1704772],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02409162,"threshold_uncertainty_score":0.04790282,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}