{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"b7cc91f3869b","filters":{"venue":"RAUDEM Revista de Estudios de las Mujeres"}},"results":[{"id":"W2566028278","doi":"10.25115/raudem.v3i0.625","title":"Locuras detectivescas en La detective miope de Rosa Ribás","year":2017,"lang":"es","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Art; Detective fiction; Cartography; Art history; Geography","authors":[{"name":"Marina Bettaglio","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01308124783579765,"gpt":0.2693555210922147,"spread":0.256274273256417,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001248742,0.0003583884,0.0002925673,0.001409581,0.004283829,0.003781282,0.000808055,0.001508843,0.01332069],"category_scores_gemma":[0.004377504,0.0002072415,0.0002758582,0.0008857669,0.007351284,0.002469003,0.003371646,0.002550924,0.001763652],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004719195,"about_ca_system_score_gemma":0.001706931,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01912724,"about_ca_topic_score_gemma":0.02486928,"domain_scores_codex":[0.9987006,0.0004884927,0.00003780992,0.0002366275,0.0003463719,0.0001899976],"domain_scores_gemma":[0.9978101,0.0008906305,0.0004032722,0.0002308708,0.0005231252,0.0001420434],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003071375,0.00004647671,0.006903767,0.000348829,0.0000195943,0.005298663,0.2532424,0.0002785987,0.004620643,0.6347128,0.03576699,0.05845421],"study_design_scores_gemma":[0.00002274615,0.00006966512,0.01268339,0.0003232614,0.00002090896,0.002332962,0.06833547,0.0002941841,0.00335123,0.02692135,0.8855835,0.0000613895],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2711763,0.00576979,0.009407334,0.02262414,0.0007456711,0.00008687621,0.0004425617,0.0005642578,0.6891831],"genre_scores_gemma":[0.9057631,0.0009800206,0.002246487,0.0009927494,0.0001882505,0.00003508518,0.0001117306,0.0001285828,0.08955416],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01912724,"threshold_uncertainty_score":0.0445621,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7117120143","doi":"10.25115/raudem.v13i1.10725","title":"&lt;i&gt;EL CUENTO SEMANAL&lt;/i&gt; COMO ARCHIVO DE ALTERIDADES: ETNOGRAFÍA, GÉNERO Y VIOLENCIA EN LA VENGANZA DE MANUEL CIGES APARICIO","year":2025,"lang":"","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Power (physics); Perspective (graphical); Order (exchange); Work (physics)","authors":[{"name":"María Ignacia Barraza","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008990593439585807,"gpt":0.2548551854100557,"spread":0.2458645919704699,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001019093,0.0004188023,0.0002311597,0.001747202,0.004695882,0.006968912,0.0007574531,0.001560076,0.01030279],"category_scores_gemma":[0.001921246,0.0001545264,0.0002616035,0.001884209,0.01331352,0.0038518,0.002828232,0.002496044,0.001190085],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006416215,"about_ca_system_score_gemma":0.003012654,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03886665,"about_ca_topic_score_gemma":0.05918884,"domain_scores_codex":[0.9990132,0.0004819249,0.00003280606,0.0001668878,0.0001535625,0.0001517319],"domain_scores_gemma":[0.9990896,0.0003818402,0.0001585803,0.00009830635,0.000188762,0.00008296117],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000469802,0.00003267296,0.005474981,0.0002548948,0.00001406653,0.0006254285,0.1241803,0.0001413926,0.0005817477,0.7713852,0.0576477,0.03961474],"study_design_scores_gemma":[0.000008118011,0.00002321523,0.007889497,0.0004117337,0.00001649497,0.0003119498,0.08113423,0.0001487939,0.0006380255,0.0419841,0.8674124,0.0000214017],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07508051,0.02407055,0.003689476,0.04973795,0.001691328,0.00004535878,0.0002909514,0.00006414195,0.8453297],"genre_scores_gemma":[0.850639,0.01100133,0.00120231,0.005324367,0.0008159013,0.00006675378,0.0001281799,0.0001290106,0.1306931],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03886665,"threshold_uncertainty_score":0.07728082,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2177407930","doi":"10.25115/raudem.v2i0.605","title":"ENTREVISTA A MAURY MARCANO, DIRECTORA DEL DOCUMENTAL COMO DIOS NOS TRAJO","year":2017,"lang":"es","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","authors":[{"name":"Ana María Díaz Marcos","is_ca":false},{"name":"Luis Alfonso Meléndez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02114531344259982,"gpt":0.2720538133476471,"spread":0.2509084999050472,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001522008,0.000461181,0.0002687784,0.0007986245,0.0105153,0.005234229,0.0006724098,0.001422598,0.03168653],"category_scores_gemma":[0.00359988,0.0002829787,0.000227125,0.000700858,0.004016745,0.001931494,0.00316235,0.00331383,0.003236396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008813104,"about_ca_system_score_gemma":0.008252847,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2309783,"about_ca_topic_score_gemma":0.5377451,"domain_scores_codex":[0.9985623,0.0003016432,0.00001814484,0.0002054603,0.0005033613,0.000409175],"domain_scores_gemma":[0.9977296,0.0003814379,0.0001876421,0.0001166452,0.0006932487,0.0008913552],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003189124,0.0001202841,0.01444019,0.000508981,0.00003510515,0.001695565,0.1329194,0.0001273204,0.006884155,0.109185,0.6032273,0.1305378],"study_design_scores_gemma":[0.00000548343,0.00002581007,0.01026671,0.0001272497,0.000005573288,0.0001579841,0.01044046,0.00002867607,0.0005750426,0.0003921335,0.9779623,0.0000127163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1278243,0.02112579,0.002766695,0.09303139,0.007672211,0.0002399061,0.0006797548,0.0004692444,0.7461907],"genre_scores_gemma":[0.2884642,0.004375021,0.0007695307,0.003547451,0.0008333622,0.00005575463,0.0001596644,0.000212679,0.7015824],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2309783,"threshold_uncertainty_score":0.4592677,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}