{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":8,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":8,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"791113181b1c","filters":{"venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series"}},"results":[{"id":"W4360917443","doi":"10.28995/2686-7249-2023-2-88-101","title":"THE MOTIF OF THE “SEVEN SACRAMENTS” IN RUSSIAN ART OF THE 17TH CENTURY AND ITS BOOK SOURCE","year":2023,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Diverse Scientific Research in Ukraine","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Iconography; Motif (music); Baroque; Passion; Icon; Painting; Art; Literature; Composition (language); Quarter (Canadian coin); Art history; History; Aesthetics; Psychology; Archaeology","authors":[{"name":"Liudmila B. Sukina","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01479454521683182,"gpt":0.2583967175367678,"spread":0.243602172319936,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002638019,0.0003315601,0.000249334,0.0008513441,0.002547418,0.002133794,0.0001996492,0.0003237867,0.004009095],"category_scores_gemma":[0.0003630843,0.0001630315,0.0001832264,0.001047309,0.003713498,0.0008584188,0.0008681261,0.0007785522,0.0009610837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002142724,"about_ca_system_score_gemma":0.001278452,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00733012,"about_ca_topic_score_gemma":0.01190449,"domain_scores_codex":[0.9997666,0.00007545827,0.00001664368,0.00003630305,0.00005668474,0.00004823258],"domain_scores_gemma":[0.9999241,0.00001919939,0.00001518443,0.00001552986,0.00001578911,0.00001035531],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001771699,0.00004146437,0.006497462,0.0007034935,0.00005342783,0.001266264,0.1196242,0.000548442,0.003150646,0.7476334,0.03138671,0.0889174],"study_design_scores_gemma":[0.00001021973,0.00005953103,0.01370525,0.0003171047,0.00003139779,0.000963954,0.01215225,0.0001434771,0.001191219,0.008293577,0.9631166,0.00001543541],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2285496,0.03228286,0.002195275,0.002602278,0.00145039,0.00004588116,0.0005194693,0.0001108269,0.7322434],"genre_scores_gemma":[0.9069125,0.008711529,0.0009738349,0.0002186381,0.0002647846,0.00002327274,0.0002346392,0.0001114413,0.0825493],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00733012,"threshold_uncertainty_score":0.01554662,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4214563824","doi":"10.28995/2686-7249-2022-1-72-84","title":"“THE WISDOM OF GOD” IN THE MOSAICS OF THE CATHEDRALE MONREALE","year":2022,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Byzantine architecture; Art; Nave; Depiction; Wife; Queen (butterfly); Prayer; Painting; Art history; Literature; Theology; Philosophy; Classics; Visual arts","authors":[{"name":"Liliya M. Evseeva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02462890636648525,"gpt":0.2362965734603297,"spread":0.2116676670938445,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006365457,0.0002476554,0.0001635715,0.0004527705,0.008312382,0.003787182,0.0003726427,0.000586535,0.004924412],"category_scores_gemma":[0.001115737,0.0001495265,0.0001198473,0.0004082287,0.01520282,0.001305,0.002043071,0.001576078,0.000414888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00669567,"about_ca_system_score_gemma":0.002083183,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08481458,"about_ca_topic_score_gemma":0.3335367,"domain_scores_codex":[0.9993895,0.0003174517,0.000006368054,0.00005475283,0.00009078913,0.000141116],"domain_scores_gemma":[0.9997137,0.00007110243,0.0000365894,0.00005509056,0.0000427882,0.00008067641],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009795752,0.00001627359,0.001354153,0.0000820975,0.000009121954,0.0009339736,0.4447584,0.0001292791,0.001198093,0.5077552,0.02838109,0.01528424],"study_design_scores_gemma":[0.00001081853,0.00002348,0.006772022,0.0001342132,0.000008991749,0.001148699,0.1185344,0.0001301996,0.0007654209,0.008935795,0.8635132,0.0000228069],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2187897,0.005159372,0.001918886,0.01485847,0.0006603195,0.00003144004,0.0001389346,0.00009975991,0.7583432],"genre_scores_gemma":[0.9345313,0.0005024131,0.0004332617,0.0004409414,0.00006627828,0.000006000815,0.00002362455,0.00005374284,0.06394247],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08481458,"threshold_uncertainty_score":0.1686418,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3116551177","doi":"10.28995/2686-7249-2020-6-45-54","title":"THE CRITICISM OF JAMES MATTHEW BARRIE'S PLAY \"THE BOY WHO WOULD NOT GROW UP\" IN BRITISH PERIODICALS IN 1904","year":2020,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Criticism; Literature; History; Art","authors":[{"name":"Darina S. Alekseeva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02833137116820085,"gpt":0.2536285306804374,"spread":0.2252971595122365,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008600878,0.0006150875,0.0006777637,0.002693817,0.01722553,0.01058245,0.001629369,0.008067191,0.004220875],"category_scores_gemma":[0.0201771,0.0007880669,0.0002788813,0.002612663,0.02891296,0.005117175,0.003530672,0.01071532,0.001367979],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02031133,"about_ca_system_score_gemma":0.01125107,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.222132,"about_ca_topic_score_gemma":0.2761492,"domain_scores_codex":[0.9857471,0.007298456,0.0005004365,0.001047918,0.004266646,0.001139425],"domain_scores_gemma":[0.9830445,0.01103787,0.001014233,0.0004266287,0.003632855,0.0008439285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009860442,0.00001471906,0.0007036374,0.0003564966,0.00001366134,0.0005613447,0.1072485,0.00006600118,0.0003182955,0.2342019,0.6411034,0.01531345],"study_design_scores_gemma":[0.000005547212,0.00001442002,0.001337091,0.0006292349,0.000007030318,0.0001435502,0.01780969,0.0000285685,0.0002445693,0.003484252,0.9762704,0.00002562452],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02108559,0.1169763,0.001216383,0.6091849,0.03123303,0.0000371233,0.0001266686,0.00009385413,0.2200461],"genre_scores_gemma":[0.5734523,0.04452712,0.0008773412,0.1347529,0.01854493,0.0001184787,0.0001059654,0.0005745791,0.2270465],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.222132,"threshold_uncertainty_score":0.4416781,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4214610298","doi":"10.28995/2686-7249-2022-1-98-113","title":"“CHRIST PANTOCRATOR” OF THE 13TH CENTURY FROM THE COLLECTION OF RUBLEV MUSEUM IN THE CONTEXT OF GREEK-RUSSIAN RELATIONS","year":2022,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Byzantine architecture; Icon; Painting; Context (archaeology); Style (visual arts); Period (music); Object (grammar); Ancient history; Quarter (Canadian coin); Art; History; Art history; Literature; Archaeology; Philosophy","authors":[{"name":"Ol’ga E. Etinhof","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02123353339407774,"gpt":0.2225235886700895,"spread":0.2012900552760118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008131194,0.0002385592,0.0002882674,0.0009513982,0.005281384,0.004000134,0.0003521933,0.0006110371,0.005257083],"category_scores_gemma":[0.0008681497,0.0001778857,0.0001405195,0.0008518554,0.006672979,0.00126596,0.002817187,0.00154142,0.0006426438],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005759181,"about_ca_system_score_gemma":0.002248623,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0181064,"about_ca_topic_score_gemma":0.06238798,"domain_scores_codex":[0.9993888,0.0002388745,0.00002095084,0.0000883728,0.0001190864,0.0001438648],"domain_scores_gemma":[0.9998382,0.00005266043,0.00003508624,0.00002192598,0.0000235371,0.00002865475],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001984256,0.00004310573,0.00603149,0.000480926,0.00003243861,0.002468662,0.3915778,0.0003766196,0.001568435,0.5330728,0.02259892,0.04155042],"study_design_scores_gemma":[0.00001650359,0.00007625867,0.03226449,0.0004231535,0.0000173315,0.001582154,0.06465364,0.00008862584,0.001132771,0.008310711,0.891403,0.00003146858],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4644975,0.01586268,0.0007028147,0.006132944,0.0005748763,0.00002966869,0.0001841612,0.00005221279,0.5119632],"genre_scores_gemma":[0.9475077,0.001888259,0.0002391416,0.0002869135,0.0000575962,0.00001023531,0.00005008666,0.00005138506,0.0499086],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0181064,"threshold_uncertainty_score":0.04178596,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4320152120","doi":"10.28995/2686-7249-2022-7-153-168","title":"THE SACCOS AND THE CRAZIER OF METROPOLITAN PLATO (LEVSHIN). MUSEUM ARTIFACT AS A REFLECTION OF CULTURAL-HISTORICAL EVENTS","year":2022,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Byzantine architecture; Metropolitan area; Emperor; Context (archaeology); Artifact (error); Quarter (Canadian coin); History; Art; Ancient history; Art history; Archaeology; Psychology","authors":[{"name":"N adezda A. Astafyeva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02290688234067374,"gpt":0.2594704979001824,"spread":0.2365636155595087,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003454167,0.0002206156,0.00009152218,0.0007603321,0.003540764,0.001849225,0.0001819449,0.0002884873,0.003287275],"category_scores_gemma":[0.0006261691,0.0001050334,0.00006855048,0.0008570668,0.009061663,0.0007947588,0.002033269,0.0004246083,0.0002330045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003000974,"about_ca_system_score_gemma":0.001153018,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0262591,"about_ca_topic_score_gemma":0.07606012,"domain_scores_codex":[0.9997963,0.00008065,0.000007344845,0.00004375123,0.00004148486,0.00003038973],"domain_scores_gemma":[0.9998618,0.0000458178,0.0000427987,0.00001862644,0.00001056886,0.0000203066],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002029749,0.00002774469,0.03243848,0.0001927642,0.0000117142,0.001794415,0.7175025,0.0001620999,0.003363716,0.1949235,0.005398132,0.04398186],"study_design_scores_gemma":[0.0000224695,0.00008669133,0.1826988,0.0003247859,0.00002133394,0.001008524,0.4022711,0.0002164769,0.00140911,0.00929183,0.4026258,0.00002303978],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8416219,0.002116774,0.0004252859,0.001564219,0.00009870024,0.00002133153,0.0001122255,0.00001753852,0.154022],"genre_scores_gemma":[0.9920064,0.0002105594,0.00007674538,0.00002940228,0.000009196856,0.000004452886,0.00002302447,0.00000612832,0.007634052],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0262591,"threshold_uncertainty_score":0.05221248,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204463498","doi":"10.28995/2686-7249-2021-6-78-87","title":"ARCHIVAL PHOTOGRAPHS OF THE LOST SINAI ICON FROM THE COLLECTION OF PORFIRY USPENSKY","year":2021,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Painting; Style (visual arts); Parallels; Art; Descent (aeronautics); Art history; White (mutation); Quarter (Canadian coin); Ancient history; Visual arts; History; Archaeology; Geography","authors":[{"name":"Olga E. Etinhof","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02412445604196906,"gpt":0.2313790120021923,"spread":0.2072545559602233,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002647927,0.0004395682,0.0002341644,0.00290973,0.003200677,0.001313092,0.0002747528,0.0003194249,0.04576309],"category_scores_gemma":[0.000598745,0.0002121336,0.0001101496,0.004283635,0.001002319,0.0006448959,0.001240104,0.0009717339,0.0044365],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001175964,"about_ca_system_score_gemma":0.0005725097,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02447584,"about_ca_topic_score_gemma":0.1581912,"domain_scores_codex":[0.9998267,0.00002057519,0.000007872235,0.00004151628,0.00006753896,0.00003571096],"domain_scores_gemma":[0.9997715,0.00003527277,0.00002466112,0.00006587962,0.00007521422,0.00002743957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008863558,0.000132536,0.013496,0.00229021,0.00004433434,0.004293935,0.192132,0.0004116432,0.03128373,0.01394455,0.459179,0.2819058],"study_design_scores_gemma":[0.00000661755,0.00002887973,0.1055785,0.0002579814,0.00001067749,0.0008274523,0.03155495,0.00005084317,0.002341382,0.0002066898,0.8591124,0.00002355402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.4447249,0.004262843,0.001563288,0.00170018,0.002228761,0.0003877653,0.02115495,0.0004187308,0.5235587],"genre_scores_gemma":[0.5903301,0.003447248,0.00372935,0.0003109229,0.000413345,0.0002195466,0.01671257,0.0009231588,0.3839138],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04576309,"threshold_uncertainty_score":0.1530929,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4417033441","doi":"10.28995/2686-7249-2025-9-19-38","title":"DOMESTIC CONFLICTS IN THE FRENCH QUARTER OF SAINT PETERSBURG UNDER PETER THE FIRST","year":2025,"lang":"","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Soviet and Russian History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Saint petersburg; St petersburg; SAINT; Social conflict; Patron saint","authors":[{"name":"Aleksandr N. Andreev","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01974310480047933,"gpt":0.2976968604114698,"spread":0.2779537556109904,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000556381,0.000362593,0.0002504813,0.000974306,0.01029953,0.003217649,0.0004242126,0.0015198,0.002482736],"category_scores_gemma":[0.001441335,0.0002637433,0.000195039,0.001115716,0.006285859,0.001349142,0.002425845,0.001314243,0.000189685],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009075851,"about_ca_system_score_gemma":0.003007214,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1624804,"about_ca_topic_score_gemma":0.1739537,"domain_scores_codex":[0.9990877,0.000388283,0.00002300153,0.00009526379,0.00008370751,0.000322088],"domain_scores_gemma":[0.9995325,0.000207243,0.0001346085,0.00002158921,0.00003558616,0.00006846153],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002192032,0.00005505522,0.02171017,0.0002093018,0.00006911032,0.01156789,0.6890836,0.0009286308,0.001729871,0.2107985,0.01717337,0.04645525],"study_design_scores_gemma":[0.00001696938,0.0001231982,0.082041,0.0002439693,0.0000353065,0.004514664,0.3700455,0.0003959478,0.00132256,0.006403727,0.534778,0.00007912389],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9519948,0.00343674,0.0002399588,0.004774918,0.0001888247,0.00001318503,0.0000705121,0.00001692482,0.03926415],"genre_scores_gemma":[0.9967563,0.0003997452,0.00004666082,0.0001291615,0.00001986604,0.000003238004,0.00001008949,0.000003127625,0.00263177],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1624804,"threshold_uncertainty_score":0.3230693,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312412347","doi":"10.28995/2686-7249-2022-7-86-97","title":"SOVIET PROPAGANDA PORCELAIN: IDEOLOGY VS ART","year":2022,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Communism; Ideology; Proletariat; Portrait; Exhibition; Popularity; Context (archaeology); Politics; Population; Object (grammar); China; Quarter (Canadian coin); Political science; Law; Sociology; Art; Visual arts; History","authors":[{"name":"Egor V. Luk’yanenko","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03806125720379816,"gpt":0.2649859199638281,"spread":0.22692466276003,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007168142,0.000296214,0.0002407969,0.001860904,0.002197107,0.006218772,0.0002611926,0.0008089711,0.003655457],"category_scores_gemma":[0.0009659275,0.0001300048,0.0001544323,0.001939297,0.01273853,0.002368876,0.001768157,0.0009457939,0.0005079205],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00149388,"about_ca_system_score_gemma":0.0009164111,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001095336,"about_ca_topic_score_gemma":0.0009628284,"domain_scores_codex":[0.9992862,0.0003710695,0.00002158405,0.00007564575,0.0001252121,0.0001202628],"domain_scores_gemma":[0.9993609,0.0003829781,0.0001306416,0.00005021508,0.00003509665,0.00004006941],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000615258,0.00005511047,0.004561087,0.0001888074,0.000008228215,0.0003650743,0.06011263,0.0001654648,0.0005307421,0.8920642,0.002739311,0.03914791],"study_design_scores_gemma":[0.00003711348,0.0003616067,0.03866461,0.001746781,0.00004538248,0.002331577,0.1210705,0.0008617879,0.001626537,0.2028429,0.630362,0.00004929864],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2057268,0.02842006,0.003127058,0.003926233,0.0006558065,0.00001971489,0.00005992645,0.00003443571,0.75803],"genre_scores_gemma":[0.9809536,0.006274148,0.0004253629,0.0002712017,0.0004623439,0.00001747849,0.00003315787,0.00002244049,0.01154027],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006218772,"threshold_uncertainty_score":0.01222873,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}