{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"862c1265ae30","filters":{"venue":"Revista Criação & Crítica"}},"results":[{"id":"W1990918331","doi":"10.11606/issn.1984-1124.v3i4p91-102","title":"Autoficção feminina: a mulher nua diante do espelho","year":2010,"lang":"pt","type":"article","venue":"Revista Criação & Crítica","topic":"Linguistics and Education Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romance; Portrait; Humanities; Art; Gender studies; Sociology; Art history; Literature","authors":[{"name":"Eurídice Figueiredo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04534539746424447,"gpt":0.3332978161563108,"spread":0.2879524186920663,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00224585,0.00048,0.0003345859,0.001132631,0.01325015,0.006553272,0.0006941772,0.002100126,0.01030635],"category_scores_gemma":[0.003257868,0.0002319574,0.0002025297,0.001187838,0.02960617,0.00434808,0.003163378,0.003054253,0.0009361539],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009086759,"about_ca_system_score_gemma":0.00566201,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1146845,"about_ca_topic_score_gemma":0.2114322,"domain_scores_codex":[0.9977607,0.001191781,0.00003096299,0.000242256,0.0003885168,0.0003859396],"domain_scores_gemma":[0.998118,0.0008608192,0.0001585468,0.0002296331,0.0004445155,0.0001885577],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002576309,0.00001190387,0.002088481,0.00007801877,0.000005494132,0.0007659703,0.3688672,0.00005253997,0.0004545804,0.5783108,0.02773614,0.02160301],"study_design_scores_gemma":[0.000005037342,0.00001673219,0.003493483,0.0002588809,0.000007139707,0.0006862013,0.1033672,0.0001215717,0.0004341283,0.01651607,0.8750762,0.00001745535],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1318965,0.01450505,0.004583356,0.05605792,0.0007669512,0.00002284749,0.0001240341,0.0001023128,0.791941],"genre_scores_gemma":[0.8477703,0.002751727,0.0006066401,0.00319803,0.0002471434,0.00002124268,0.00002807753,0.00009570019,0.1452812],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1146845,"threshold_uncertainty_score":0.228034,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064660691","doi":"10.11606/issn.1984-1124.v0i10p38-46","title":"Détruire, créer, jouer: lire la folie de Caligula chez Camus","year":2013,"lang":"fr","type":"article","venue":"Revista Criação & Crítica","topic":"North African History and Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Kinga Zawada","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01037645156627914,"gpt":0.223172994700595,"spread":0.2127965431343159,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006124306,0.000305316,0.0001729864,0.00091772,0.01138943,0.003060795,0.0004349086,0.001611212,0.004814532],"category_scores_gemma":[0.001183044,0.0001147757,0.00006637973,0.0009197903,0.01090632,0.001593522,0.001236602,0.002027512,0.0002583146],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007696092,"about_ca_system_score_gemma":0.002941547,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.104537,"about_ca_topic_score_gemma":0.2665152,"domain_scores_codex":[0.9997063,0.0001355033,0.000004357846,0.00004335861,0.00004253628,0.00006787245],"domain_scores_gemma":[0.9996967,0.0001918066,0.00003710639,0.00001095023,0.00003142015,0.00003201924],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000783936,0.00001562849,0.00221271,0.0002319731,0.000005754917,0.001351416,0.5284792,0.00005116609,0.001788688,0.3997485,0.02848516,0.03755139],"study_design_scores_gemma":[0.00001588958,0.00004237496,0.01302979,0.0008934576,0.00001338606,0.0005342502,0.1697229,0.000097847,0.0007454755,0.009085459,0.8058016,0.0000176266],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3090664,0.09203852,0.0009705442,0.06987033,0.001596984,0.00004816275,0.00007540136,0.00004063217,0.526293],"genre_scores_gemma":[0.9408657,0.008763544,0.0004150333,0.003269562,0.0003964101,0.00002879302,0.00001482805,0.00002966853,0.04621652],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.104537,"threshold_uncertainty_score":0.2078571,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2076829079","doi":"10.11606/issn.1984-1124.v0i12p33-43","title":"Conflit entre narration et création dans La maison des temps rompus de Pascale Quiviger","year":2014,"lang":"fr","type":"article","venue":"Revista Criação & Crítica","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","authors":[{"name":"Suzette Ali","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02145367926675005,"gpt":0.2867467301734334,"spread":0.2652930509066833,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002653989,0.0003821961,0.0003929815,0.0009932966,0.007306045,0.005104013,0.0007581002,0.001253028,0.003880534],"category_scores_gemma":[0.005812895,0.0002416419,0.0002114833,0.001022491,0.01968456,0.003775241,0.004110363,0.002000546,0.0003846821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00330673,"about_ca_system_score_gemma":0.001523115,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007783706,"about_ca_topic_score_gemma":0.01179335,"domain_scores_codex":[0.9949747,0.003852507,0.00006181591,0.0003179385,0.000475353,0.0003176997],"domain_scores_gemma":[0.9978008,0.001498618,0.0002375538,0.0001515894,0.0001805962,0.0001308623],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005879818,0.0000125488,0.001517262,0.0001750925,0.00001086256,0.001145261,0.56568,0.0001380727,0.0009430013,0.4124205,0.002388599,0.01550997],"study_design_scores_gemma":[0.00001088598,0.00007081161,0.009365314,0.0004209274,0.00002254232,0.002426455,0.3620616,0.00044371,0.002815004,0.03424788,0.5880609,0.00005395474],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5035148,0.006300012,0.01992198,0.01109451,0.0006780615,0.00007837208,0.0001153078,0.0001273842,0.4581696],"genre_scores_gemma":[0.9858307,0.000458712,0.0009549572,0.0001819006,0.00006265752,0.00001762111,0.00001806673,0.00004915696,0.01242623],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007783706,"threshold_uncertainty_score":0.02399212,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2289461926","doi":"10.11606/issn.1984-1124.v0i15p188-194","title":"Tisser la sociabilité, la presse et les imaginaires: Entretien avec Guillaume Pinson (Université Laval - Canada)","year":2015,"lang":"fr","type":"article","venue":"Revista Criação & Crítica","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Yuri Cerqueira dos Anjos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01376100591916291,"gpt":0.2321280953448272,"spread":0.2183670894256643,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003909682,0.0005564595,0.00049501,0.001730855,0.01676815,0.01367265,0.001101181,0.00221739,0.005530342],"category_scores_gemma":[0.004972341,0.0003200138,0.0002538617,0.00298714,0.02020299,0.004605413,0.002336338,0.004232994,0.0006208234],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04832813,"about_ca_system_score_gemma":0.03671685,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8105833,"about_ca_topic_score_gemma":0.8741586,"domain_scores_codex":[0.9963908,0.001802374,0.00005605034,0.0004639804,0.000926102,0.0003606707],"domain_scores_gemma":[0.9943493,0.003220705,0.0002865202,0.0001312926,0.001311927,0.0007002785],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001416661,0.00004845441,0.00655441,0.0004713272,0.00003432631,0.0006568057,0.1615289,0.0004227303,0.0006329313,0.5177562,0.2448409,0.06691156],"study_design_scores_gemma":[0.000009258497,0.00002005011,0.006575666,0.0007154034,0.00001409885,0.0001628908,0.05425445,0.000152373,0.0004639319,0.01340033,0.9241831,0.00004838354],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.04879682,0.3061138,0.002035824,0.5167607,0.004195041,0.00003964095,0.0002078111,0.00006218372,0.1217882],"genre_scores_gemma":[0.589625,0.1344362,0.002434591,0.0340912,0.002264039,0.00009292136,0.00006943445,0.0002331658,0.2367534],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1894167,"threshold_uncertainty_score":0.3810644,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2777040147","doi":"10.11606/issn.1984-1124.v0i19p84-94","title":"De la porosité des frontières narratives, mémorielles et spatiales dans \"Jonas de Mémoire\" d'Anne-Élaine Cliche","year":2017,"lang":"fr","type":"article","venue":"Revista Criação & Crítica","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Marilyne Lamer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0474743127867536,"gpt":0.3406749099892827,"spread":0.2932005972025291,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001926112,0.000833882,0.0003157887,0.001116142,0.007744356,0.009558992,0.000775169,0.002389048,0.006901576],"category_scores_gemma":[0.004146923,0.000258935,0.0004024027,0.0009132844,0.02000725,0.01038176,0.005039911,0.004636458,0.001198523],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003721507,"about_ca_system_score_gemma":0.002645302,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006543479,"about_ca_topic_score_gemma":0.01073685,"domain_scores_codex":[0.9978595,0.001381788,0.00004262794,0.0002459351,0.0002865415,0.0001836395],"domain_scores_gemma":[0.9986039,0.0007116612,0.0001441627,0.0001711319,0.0002246944,0.0001444386],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005494267,0.00001265935,0.0004660855,0.00009721725,0.000005257184,0.0004027276,0.1977115,0.00009619135,0.0005397567,0.7832051,0.009955359,0.007453216],"study_design_scores_gemma":[0.00002392391,0.0000429621,0.001730964,0.00047828,0.00001771676,0.001340983,0.1768219,0.000520553,0.00159078,0.1270896,0.6902956,0.00004674904],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1902035,0.01285124,0.0505412,0.06283014,0.003115356,0.0001146136,0.00028552,0.0003381969,0.6797203],"genre_scores_gemma":[0.8519785,0.002581126,0.005339179,0.003391864,0.0004664658,0.0001154057,0.0001008817,0.0002682707,0.1357582],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009558992,"threshold_uncertainty_score":0.02700156,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}