{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"6982d2358216","filters":{"venue":"Revista Laika"}},"results":[{"id":"W3199460204","doi":"10.11606/issn.2316-4077.v4i7p52-63","title":"Recycled Images: the Art and Politics of Found Footage Films","year":2021,"lang":"en","type":"article","venue":"Revista Laika","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":163,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Film director; Nothing; Persuasion; Politics; Entertainment; Art; Postmodernism; Shot (pellet); Mosaic; Aesthetics; Visual arts; Movie theater; Literature; Psychology; Materials science; Political science; Philosophy; Law; Epistemology; Social psychology","authors":[{"name":"William C. Wees","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02909079858362838,"gpt":0.2604631844367548,"spread":0.2313723858531264,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001281318,0.00008593611,0.0001582355,0.00001335342,0.0002494224,0.000183727,0.00007787273,0.00001998442,0.00206335],"category_scores_gemma":[0.00005028165,0.00005413974,0.00006895207,0.00002382395,0.0002483926,0.00007539411,0.00005440968,0.00007139718,0.00004569765],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004667917,"about_ca_system_score_gemma":0.00002101848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001303685,"about_ca_topic_score_gemma":0.00003886878,"domain_scores_codex":[0.999422,0.00007078255,0.0001673922,0.0001161719,0.0000934433,0.0001302651],"domain_scores_gemma":[0.9995099,0.00009897994,0.00005702969,0.0002068139,0.00009163434,0.00003564063],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003173728,0.00002576088,0.00002386576,0.0000710854,0.0000261344,0.000008064078,0.003441205,4.812499e-8,0.0003936756,0.9492982,0.04584122,0.0008675745],"study_design_scores_gemma":[0.0001147931,0.00003182648,0.00004083434,0.00006515858,0.00003723356,0.000008549565,0.00268044,0.000004840628,0.0007168859,0.007994878,0.9882231,0.00008144881],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1472737,0.01214574,0.0001216291,0.002666418,0.0004463831,0.0002398704,0.0001749919,0.00008217018,0.8368491],"genre_scores_gemma":[0.8634045,0.0002515897,0.00005378697,0.001046806,0.0004411972,0.000005139918,0.00002570797,0.00001596451,0.1347553],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9423819,"threshold_uncertainty_score":0.9988489,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388219819","doi":"10.11606/issn.2316-4077.v1i2p105-119","title":"Aspectos composicionais na obra de Michael Snow","year":2012,"lang":"en","type":"article","venue":"Revista Laika","topic":"History, Culture, and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Film director; Snow; Composition (language); Art history; Art; Literature; Meteorology; Movie theater; Geography","authors":[{"name":"Lucas Baptista","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04897933854225879,"gpt":0.3780834775614881,"spread":0.3291041390192294,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000728096,0.0001666811,0.0003075093,0.0000258676,0.0008995413,0.00001085125,0.0001919119,0.000249821,0.001350327],"category_scores_gemma":[0.0001505394,0.0001419879,0.0001591918,0.0001284585,0.00007970262,0.0001277415,0.00004321499,0.0006232402,0.001962787],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000642268,"about_ca_system_score_gemma":0.0001510858,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001583049,"about_ca_topic_score_gemma":0.00002928411,"domain_scores_codex":[0.9981318,0.0004325297,0.0003430077,0.0001895419,0.0001966979,0.0007064609],"domain_scores_gemma":[0.9988227,0.0002539855,0.0001503427,0.0003605608,0.00009266585,0.0003196753],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002022504,0.000189505,0.1036583,0.0006191935,0.00006716749,0.00000524086,0.0434952,3.558583e-7,0.005253191,0.1046295,0.7412735,0.0007885874],"study_design_scores_gemma":[0.0003593807,0.00001529834,0.01425474,0.0002055458,0.00003600651,0.000003623859,0.003358887,0.00001184662,0.00006798192,0.00004637634,0.9814531,0.0001872072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5307636,0.0292921,0.003156698,0.004987639,0.004507766,0.00261742,0.0001799289,0.0009400644,0.4235548],"genre_scores_gemma":[0.9696999,0.0002512662,0.001675002,0.009003309,0.001778934,0.00008628491,0.00006300124,0.00005307594,0.01738929],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4389362,"threshold_uncertainty_score":0.9995626,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393103164","doi":"10.11606/issn.2316-4077.v3i5p81-108","title":"História e ambivalência no Magellan de Hollis Frampton","year":2014,"lang":"en","type":"article","venue":"Revista Laika","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Sculpture; Animation; Painting; Art; Photography; Art history; Visual arts; Construct (python library); Computer science","authors":[{"name":"Michael Zryd","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01716605225743542,"gpt":0.2099732613924219,"spread":0.1928072091349865,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005001465,0.0001418902,0.0004196507,0.00008462252,0.00009395664,0.00007126589,0.0001737697,0.00007403296,0.0008507465],"category_scores_gemma":[0.0005099315,0.0001529055,0.0001224672,0.0001260756,0.00004518455,0.00005466102,0.0000572786,0.0001219482,0.003875784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009042094,"about_ca_system_score_gemma":0.00001171638,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001314591,"about_ca_topic_score_gemma":0.00001863628,"domain_scores_codex":[0.9989679,0.00001623809,0.0003650817,0.0003029079,0.00003243457,0.000315433],"domain_scores_gemma":[0.9992623,0.00007174353,0.0001669565,0.0003623938,0.00003106014,0.0001055184],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002983,0.0001200083,0.1820084,0.0003716949,0.00009750768,0.00001195095,0.0008125518,0.000005356105,0.0003390438,0.6042315,0.2038144,0.008157678],"study_design_scores_gemma":[0.0003040918,0.00004784984,0.02288533,0.00002708438,0.000008221908,0.000002411542,0.00001225381,0.0002004961,0.00004210516,0.003701646,0.9725723,0.0001962603],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4324679,0.01164631,0.005355726,0.002220327,0.001522234,0.0004103103,0.000118239,0.0001891731,0.5460698],"genre_scores_gemma":[0.9718609,0.001576332,0.001723826,0.0009545783,0.0008534789,0.00002658469,0.00002165157,0.00004033315,0.02294225],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7687578,"threshold_uncertainty_score":0.9968998,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388219824","doi":"10.11606/issn.2316-4077.v2i3p124-163","title":"Colorido e/como monocromático","year":2013,"lang":"pt","type":"article","venue":"Revista Laika","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Philosophy; Physics","authors":[{"name":"Paul Coates","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02003633991284824,"gpt":0.2308930083433715,"spread":0.2108566684305233,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001837014,0.0005449773,0.0006762321,0.00009174535,0.0008051785,0.004272955,0.0004886513,0.0002469404,0.03042381],"category_scores_gemma":[0.00005889653,0.0004378076,0.0003677418,0.0001059757,0.0003339791,0.0007413555,0.0001253196,0.0005580091,0.01014178],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008444509,"about_ca_system_score_gemma":0.00006702836,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002979796,"about_ca_topic_score_gemma":0.00003771433,"domain_scores_codex":[0.9973992,0.0001513856,0.0006830984,0.0005813028,0.0003839108,0.0008011057],"domain_scores_gemma":[0.9982238,0.0001077795,0.000183147,0.0007102131,0.000445024,0.0003299742],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001315518,0.0001735993,0.00007681626,0.0005444473,0.0001080774,0.00003085934,0.01148743,2.692009e-7,0.00008498614,0.6208108,0.3649968,0.001672756],"study_design_scores_gemma":[0.0005167259,0.0001779862,0.0003106872,0.0004903625,0.0001808621,0.00001778442,0.003863832,0.0000755863,0.00006482509,0.002194642,0.9914728,0.0006338386],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1933697,0.08127878,0.00004222656,0.00646887,0.006784008,0.003045498,0.0008651235,0.0005671831,0.7075786],"genre_scores_gemma":[0.6430677,0.0006266688,0.00004500607,0.003805338,0.003284186,0.0001080663,0.0001347712,0.00008274501,0.3488455],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6264761,"threshold_uncertainty_score":0.9998074,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}