{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"27533a335983","filters":{"venue":"Revista Vórtex"}},"results":[{"id":"W2267408729","doi":"10.33871/23179937.2014.2.1.446","title":"The Collaborative Role of the Technician in ...sofferte onde serene...","year":2014,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Musical; Context (archaeology); Electronic music; Scope (computer science); Period (music); Soundscape; Sound (geography); Visual arts; Musical composition; Linguistics; History; Art; Acoustics; Computer science; Aesthetics; Philosophy; Physics","authors":[{"name":"Darren Miller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004029897651522865,"gpt":0.2076907263059484,"spread":0.2036608286544255,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004231694,0.001023637,0.0006580738,0.001624414,0.00775517,0.008875159,0.001377149,0.002084171,0.03614479],"category_scores_gemma":[0.005695102,0.0004712977,0.0004722004,0.001179192,0.007366593,0.003771088,0.007109349,0.003165229,0.01472654],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003824244,"about_ca_system_score_gemma":0.007722556,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003401482,"about_ca_topic_score_gemma":0.006731309,"domain_scores_codex":[0.9963432,0.001419202,0.0001284104,0.0007298145,0.0006804199,0.0006988851],"domain_scores_gemma":[0.996242,0.001370312,0.0002897514,0.0003722029,0.0004293,0.001296363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005403318,0.0001787085,0.005284741,0.0008052022,0.00005110792,0.001638641,0.05895656,0.001543325,0.007490396,0.3766219,0.1615313,0.3853578],"study_design_scores_gemma":[0.000008879779,0.00008636757,0.002076179,0.0003877618,0.000009409331,0.0004752831,0.008548168,0.0002828013,0.001117767,0.01283537,0.9741372,0.00003475102],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05668063,0.01511158,0.0606599,0.07592881,0.01309054,0.000186055,0.0003009477,0.0009516083,0.7770899],"genre_scores_gemma":[0.4722652,0.01112008,0.02409967,0.004926585,0.002132684,0.0001559267,0.0002371319,0.0007690822,0.4842936],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03614479,"threshold_uncertainty_score":0.1209164,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2244623778","doi":"10.33871/23179937.2013.1.1.367","title":"Historicized Composition and Creative Ethnomusicology","year":2013,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Ethnomusicology; Composition (language); Musical composition; Musical; History; Sociology; Literature; Epistemology; Art; Philosophy","authors":[{"name":"Dániel Péter Biró","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08221716284347029,"gpt":0.2361017693245804,"spread":0.1538846064811101,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004586282,0.0003277399,0.0002769288,0.003565464,0.005226176,0.0071623,0.000784749,0.0006539598,0.004904442],"category_scores_gemma":[0.006490778,0.0002073597,0.0001712524,0.002277892,0.03523913,0.005378894,0.006217381,0.001204588,0.0001585305],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00236883,"about_ca_system_score_gemma":0.001243558,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001606566,"about_ca_topic_score_gemma":0.003695794,"domain_scores_codex":[0.9953098,0.00355658,0.00009421856,0.0003884176,0.0003985189,0.0002524593],"domain_scores_gemma":[0.9966563,0.002260928,0.0003730163,0.0004460799,0.0001533385,0.0001102466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00005548731,0.00003750258,0.002650027,0.0001825548,0.00001308776,0.0002702444,0.2877454,0.0002172646,0.0007128528,0.6773003,0.000485148,0.03033011],"study_design_scores_gemma":[0.00003410503,0.0001095359,0.01068158,0.0008197327,0.00003265865,0.001046011,0.5300255,0.0006851527,0.002787944,0.2893544,0.1643859,0.00003747348],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5104564,0.008366853,0.02598437,0.003738042,0.0003261679,0.000109496,0.0000578644,0.00005368635,0.4509072],"genre_scores_gemma":[0.9922143,0.001070944,0.002184311,0.0001146735,0.00005705353,0.00002805434,0.00001438327,0.0000194768,0.004296797],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0071623,"threshold_uncertainty_score":0.02425486,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4361764669","doi":"10.33871/23179937.2015.3.2.903","title":"Août/Magnétique","year":2015,"lang":"pt","type":"article","venue":"Revista Vórtex","topic":"Physical Education and Gymnastics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Mathematics","authors":[{"name":"Julia Soares de Freitas Teles","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1129344239276836,"gpt":0.4037838573882477,"spread":0.290849433460564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006199666,0.0004500163,0.0003838493,0.00123045,0.0008368886,0.001535031,0.0004963784,0.00139527,0.07250049],"category_scores_gemma":[0.002111358,0.0001851562,0.0004198748,0.0005151726,0.0007393581,0.00110542,0.001292703,0.002042865,0.01968058],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005140873,"about_ca_system_score_gemma":0.001494176,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005888528,"about_ca_topic_score_gemma":0.01145712,"domain_scores_codex":[0.9996297,0.0000853348,0.00003410793,0.00005725633,0.000132844,0.0000607591],"domain_scores_gemma":[0.9993838,0.0001732587,0.00006583498,0.00002963693,0.0001808485,0.0001665071],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003263622,0.0001137611,0.002753112,0.001964422,0.00005966999,0.001563764,0.001031359,0.00005662208,0.002328733,0.005816133,0.2822267,0.7017594],"study_design_scores_gemma":[0.00008982974,0.0001621186,0.01029868,0.002376856,0.00006807256,0.006989848,0.001429752,0.00007259491,0.001365785,0.002463789,0.9746465,0.00003611096],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03404741,0.2840045,0.008698056,0.1286899,0.04871596,0.0002706612,0.002201118,0.001880091,0.4914923],"genre_scores_gemma":[0.1669389,0.2169872,0.01786708,0.03234299,0.01831046,0.0003681632,0.001683364,0.001173524,0.5443282],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07250049,"threshold_uncertainty_score":0.2425383,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4394857455","doi":"10.33871/vortex.2024.12.8348","title":"Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II","year":2024,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Fundação para a Ciência e a Tecnologia","keywords":"Symphony; Musical; Perspective (graphical); Narrative; Sociology; Violin; Visual arts; Art; Art history; Literature","authors":[{"name":"Erickinson Lima","is_ca":false},{"name":"André Luiz Muniz Oliveira","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05838162606990162,"gpt":0.3227652867570601,"spread":0.2643836606871585,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0109637,0.0009826041,0.001080054,0.001516435,0.01859829,0.01128459,0.001611459,0.006008863,0.002254075],"category_scores_gemma":[0.03244522,0.0007587976,0.0004727703,0.0008786035,0.01661359,0.005288777,0.003318039,0.01335213,0.0007350872],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01296027,"about_ca_system_score_gemma":0.008025956,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07441936,"about_ca_topic_score_gemma":0.05258081,"domain_scores_codex":[0.9847994,0.01173405,0.0002675201,0.0009981971,0.001450336,0.0007504117],"domain_scores_gemma":[0.9808897,0.01424513,0.0007873018,0.0003549646,0.00181983,0.001903117],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008020437,0.00008030501,0.001133545,0.0001182051,0.00001473752,0.003075605,0.8567035,0.0003099157,0.0008970672,0.06440791,0.06032827,0.01285092],"study_design_scores_gemma":[0.000006867482,0.00004258121,0.0009282115,0.0003779571,0.000004376141,0.001303376,0.2960628,0.0002635018,0.0003496782,0.00310749,0.6975049,0.00004829373],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.2124401,0.03365628,0.02172,0.5971853,0.01152596,0.0005363661,0.0002194365,0.0004560822,0.1222604],"genre_scores_gemma":[0.8395234,0.008821978,0.006711749,0.04429732,0.001967757,0.0005919766,0.00006186078,0.0005416572,0.09748221],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.07441936,"threshold_uncertainty_score":0.1479723,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2261555572","doi":"10.33871/23179937.2014.2.1.451","title":"Resenha crítica do livro Escuela de la Guitarra: Exposición de la teoría instrumental de Abel Carlevaro","year":2014,"lang":"pt","type":"article","venue":"Revista Vórtex","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Aluísio Coelho Barros","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01431736499664984,"gpt":0.3270511396787954,"spread":0.3127337746821456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004248781,0.0003471181,0.0003931738,0.001334568,0.01374692,0.007073977,0.0008671581,0.003015516,0.005084314],"category_scores_gemma":[0.007101214,0.0002297311,0.0003024337,0.001654936,0.02080695,0.002885056,0.004324846,0.00441695,0.0003851677],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01470635,"about_ca_system_score_gemma":0.01239785,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08925988,"about_ca_topic_score_gemma":0.1596708,"domain_scores_codex":[0.9962085,0.002205422,0.00005109023,0.0003488343,0.0006144522,0.0005717269],"domain_scores_gemma":[0.9968636,0.00171996,0.0003137423,0.0002685839,0.0004746057,0.0003595134],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002265003,0.00001684164,0.002178698,0.0001367297,0.000005013265,0.0005745964,0.2182184,0.00009011292,0.0005593494,0.75338,0.01090024,0.01391733],"study_design_scores_gemma":[0.00001005112,0.00003625671,0.00831282,0.0008067454,0.00001493921,0.0003732662,0.1499217,0.0001942948,0.0006438139,0.04359283,0.7960538,0.00003947198],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.2140999,0.02046525,0.003775748,0.1706719,0.00116818,0.00007317455,0.00006839768,0.00004903425,0.5896284],"genre_scores_gemma":[0.9438908,0.004270907,0.0006436204,0.003555852,0.0001540927,0.00004033882,0.00001249684,0.0000440022,0.04738788],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.08925988,"threshold_uncertainty_score":0.1774806,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4361765808","doi":"10.33871/23179937.2016.4.3.1347","title":"Gotas","year":2016,"lang":"pt","type":"article","venue":"Revista Vórtex","topic":"Linguistics and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","authors":[{"name":"Aluísio Coelho Barros","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02824391228832472,"gpt":0.2567813932448166,"spread":0.2285374809564919,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002144879,0.0007921355,0.0007204335,0.003635128,0.007082317,0.00617665,0.001143743,0.002293492,0.02978768],"category_scores_gemma":[0.00732817,0.0005460063,0.0007479535,0.00469448,0.005979455,0.004084736,0.004146545,0.004272744,0.00540378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006012606,"about_ca_system_score_gemma":0.003948573,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0380616,"about_ca_topic_score_gemma":0.07866583,"domain_scores_codex":[0.9965001,0.001353845,0.0001901096,0.0005587102,0.0008907638,0.0005064381],"domain_scores_gemma":[0.9978563,0.0005134552,0.0002358321,0.000456138,0.0007596363,0.0001786017],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002719497,0.00006110963,0.002909624,0.000947679,0.00003742486,0.001343414,0.07442702,0.0002130295,0.001325794,0.6802668,0.1157543,0.1224418],"study_design_scores_gemma":[0.000005954827,0.00001177797,0.001531242,0.0004032403,0.00001301111,0.0003718696,0.006866876,0.00004420234,0.0003137192,0.006964133,0.9834593,0.0000146256],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03459201,0.01880355,0.005079187,0.01832182,0.002740805,0.0001243576,0.00134116,0.0005607211,0.9184363],"genre_scores_gemma":[0.5350256,0.0195837,0.0102289,0.005941415,0.001761561,0.0002640693,0.001742928,0.001724795,0.423727],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0380616,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2228314565","doi":"10.33871/23179937.2014.2.1.447","title":"The Role of Proportion in the First-Movement Expositions of Mozart's String Quintets","year":2014,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Repertoire; MOZART; Scope (computer science); Movement (music); String (physics); Balance (ability); Tonic (physiology); Performing arts; Computer science; Epistemology; Theoretical physics; Pure mathematics; Sociology; Psychology; Literature; Mathematics; Physics; Aesthetics; Philosophy; Art; Neuroscience","authors":[{"name":"Eduardo Solá Chagas Lima","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01167420157943845,"gpt":0.2093760375750059,"spread":0.1977018359955675,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001544799,0.0003900476,0.0003085062,0.001888906,0.003223744,0.005177566,0.0006199757,0.0006961374,0.005746521],"category_scores_gemma":[0.005525409,0.0002549393,0.0003058364,0.0007751424,0.00750023,0.005368633,0.005248179,0.001312383,0.0005429302],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001090969,"about_ca_system_score_gemma":0.000461272,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007098114,"about_ca_topic_score_gemma":0.0008883456,"domain_scores_codex":[0.998692,0.0006112121,0.00005267822,0.0001839917,0.0002943874,0.0001657916],"domain_scores_gemma":[0.9986879,0.0007656343,0.0001390829,0.0001565286,0.0001306892,0.0001201679],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003434701,0.00003397168,0.003813508,0.0001720266,0.00001815774,0.0005030083,0.1488671,0.000518761,0.01274053,0.7859806,0.0006722074,0.04633658],"study_design_scores_gemma":[0.0001071953,0.000798082,0.0512792,0.000825974,0.0001170496,0.003278593,0.169762,0.005418619,0.01980285,0.5269564,0.221495,0.0001590316],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5365658,0.001076891,0.03714008,0.001155605,0.0001608323,0.0000442846,0.00006008403,0.000200403,0.4235959],"genre_scores_gemma":[0.991349,0.0001191386,0.001690909,0.00003609974,0.0000406089,0.00001711936,0.00001813729,0.00007299452,0.006655859],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005746521,"threshold_uncertainty_score":0.01922399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200562703","doi":"10.33871/23179937.2021.9.2.25","title":"ESPER 2, an improvised oscilloscope music set","year":2021,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Oscilloscope; Set (abstract data type); Quarter (Canadian coin); Musical; Computer science; Visual arts; Computer graphics (images); History; Art; Programming language; Telecommunications; Archaeology","authors":[{"name":"Eric Lennartson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02870047788042269,"gpt":0.2664685319571694,"spread":0.2377680540767467,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001148355,0.0006220742,0.0003847055,0.0009548568,0.0008498965,0.001922778,0.001243518,0.001486952,0.04952811],"category_scores_gemma":[0.001865748,0.0003086507,0.0003117676,0.0004534832,0.0005693617,0.001345356,0.001686352,0.001612985,0.01127853],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003188383,"about_ca_system_score_gemma":0.0005347561,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00046774,"about_ca_topic_score_gemma":0.001635453,"domain_scores_codex":[0.999051,0.00009638871,0.00005778832,0.0001058415,0.0006440575,0.00004488026],"domain_scores_gemma":[0.9994466,0.000135912,0.00002022374,0.0001077365,0.0001928163,0.00009670093],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008693882,0.0001442236,0.0005037423,0.0003103132,0.00003345015,0.00103835,0.0005839602,0.0006141,0.04766973,0.02097953,0.3103114,0.6169418],"study_design_scores_gemma":[0.0001096002,0.0003162609,0.001163885,0.00005154661,0.00002242999,0.00116107,0.0001405164,0.001859828,0.0117055,0.002515232,0.9809145,0.00003972307],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05003535,0.006202883,0.352426,0.01244894,0.04440035,0.0008246399,0.004264775,0.0321341,0.497263],"genre_scores_gemma":[0.1017466,0.002113048,0.1339359,0.003706592,0.006209327,0.0003043248,0.003670646,0.004787182,0.7435264],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04952811,"threshold_uncertainty_score":0.165688,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4417439698","doi":"10.33871/vortex.2025.13.9621","title":"The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance","year":2025,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Burman University","funders":"","keywords":"Vagueness; Relation (database); Chromatic scale; Trope (literature); The Renaissance; Term (time); Mode (computer interface)","authors":[{"name":"Eduardo Solá Chagas Lima","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01680638293049545,"gpt":0.2376510175676789,"spread":0.2208446346371835,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002829551,0.0004146148,0.0001978117,0.001090475,0.003330664,0.004915101,0.0006222969,0.001320038,0.002631641],"category_scores_gemma":[0.005558606,0.0002190785,0.0001551123,0.0007042439,0.02537733,0.006881448,0.002935107,0.00220716,0.0003149411],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002568321,"about_ca_system_score_gemma":0.0008772054,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005041741,"about_ca_topic_score_gemma":0.007430979,"domain_scores_codex":[0.9977134,0.001356636,0.00008371978,0.0002697769,0.0004154,0.0001609132],"domain_scores_gemma":[0.9985215,0.0009195858,0.0001171972,0.0002128172,0.000174644,0.00005422802],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002825824,0.000003441928,0.0005721918,0.00003243725,0.000001886908,0.0002029029,0.08019383,0.00006631483,0.000575976,0.911245,0.0005727282,0.00650498],"study_design_scores_gemma":[0.00003973626,0.0001075603,0.006529192,0.0004042256,0.00002889824,0.002186054,0.1159519,0.002316267,0.002998675,0.4997973,0.3695613,0.00007887802],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3308628,0.007760182,0.0738854,0.02218034,0.001172087,0.00005200349,0.00008900639,0.0002227656,0.5637755],"genre_scores_gemma":[0.9887261,0.0003925543,0.002200337,0.0003455419,0.0001105273,0.00001094418,0.00001088906,0.00005034578,0.008152712],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005041741,"threshold_uncertainty_score":0.01863456,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200418551","doi":"10.33871/23179937.2021.9.2.19","title":"Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd","year":2021,"lang":"en","type":"article","venue":"Revista Vórtex","topic":"Music and Audio Processing","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science; Scheme (mathematics); Lisp; Scheduling (production processes); Scripting language; Musical; Distributed computing; Programming language; Engineering; Art; Mathematics","authors":[{"name":"I. B. Duncan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0551572701829143,"gpt":0.2957335657426479,"spread":0.2405762955597336,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027345,0.0008761036,0.0005589089,0.0009806887,0.0006070686,0.002047642,0.002241483,0.0008007822,0.01329543],"category_scores_gemma":[0.006212366,0.0006684421,0.0008056267,0.0006871045,0.001229689,0.00256424,0.002855679,0.001532532,0.005883854],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000873649,"about_ca_system_score_gemma":0.001692983,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009751004,"about_ca_topic_score_gemma":0.001144078,"domain_scores_codex":[0.9985707,0.0002638665,0.0002437809,0.0002814923,0.0004581935,0.0001819227],"domain_scores_gemma":[0.9969931,0.001057368,0.000166828,0.001055157,0.0004597057,0.0002678493],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.006246392,0.0005558923,0.007279385,0.00155724,0.0001355105,0.0007610366,0.002674856,0.02270596,0.1334455,0.1542298,0.08089928,0.5895091],"study_design_scores_gemma":[0.0007896047,0.0008776181,0.001845826,0.0001993863,0.00007681142,0.0006970298,0.0002975723,0.2200189,0.2125026,0.05898862,0.5034593,0.0002467938],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.01921525,0.0001274812,0.8769252,0.0001942056,0.0002556098,0.0003310529,0.001667476,0.08988979,0.01139392],"genre_scores_gemma":[0.2248425,0.0002670037,0.7184787,0.0004056974,0.0001673094,0.0006358688,0.008409493,0.02765956,0.01913382],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.01329543,"threshold_uncertainty_score":0.0444777,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2400566023","doi":"10.33871/23179937.2015.3.2.904","title":"Cidade (ou cinco cenários para uma lembrança)","year":2015,"lang":"pt","type":"article","venue":"Revista Vórtex","topic":"Urban and sociocultural dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Medicine; Art","authors":[{"name":"Thais Montanari","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1001642181865877,"gpt":0.3411956288112153,"spread":0.2410314106246275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008582391,0.0003340929,0.0003214068,0.001221099,0.00567884,0.002143105,0.0006169362,0.001098242,0.02027227],"category_scores_gemma":[0.001899336,0.0002594821,0.0002991645,0.001559589,0.001383915,0.001587963,0.003319994,0.001576888,0.00219603],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00142071,"about_ca_system_score_gemma":0.002337484,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02780906,"about_ca_topic_score_gemma":0.1349874,"domain_scores_codex":[0.9995369,0.0001421981,0.00002172587,0.00006134731,0.00006649909,0.0001714087],"domain_scores_gemma":[0.999074,0.0001422866,0.0002123728,0.00005509102,0.0001661206,0.000350177],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009413707,0.0003032964,0.3145333,0.001333066,0.0001796185,0.007166726,0.1277819,0.0001953495,0.00541646,0.02547197,0.1154174,0.4012597],"study_design_scores_gemma":[0.00002994274,0.00023725,0.4572181,0.0009404172,0.00006539029,0.003118143,0.1916116,0.00005330255,0.0005615327,0.00161495,0.3444919,0.00005737786],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7939416,0.01536771,0.001489139,0.03057859,0.002091716,0.0001537046,0.002228983,0.000206496,0.1539421],"genre_scores_gemma":[0.9421733,0.00788382,0.002367762,0.002519176,0.0003694273,0.00009820886,0.0006848891,0.00005592704,0.04384754],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02780906,"threshold_uncertainty_score":0.06781757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}