{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"8c479580efc8","filters":{"venue":"Revista de estudos literários"}},"results":[{"id":"W4389099581","doi":"10.14195/2183-847x_13_5","title":"Filling the Hollow","year":2023,"lang":"en","type":"article","venue":"Revista de estudos literários","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Sociocultural evolution; Chorus; Identity (music); Coming out; Aesthetics; Space (punctuation); Sociology; History; Gender studies; Visual arts; Literature; Art; Anthropology; Linguistics; Philosophy","authors":[{"name":"Valeria Silva de Oliveira","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03256662038937178,"gpt":0.243336760536156,"spread":0.2107701401467843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002600051,0.0001491503,0.0001731276,0.00003917268,0.0007661883,0.0005527347,0.0002436302,0.00002234974,0.0004097935],"category_scores_gemma":[0.00006421618,0.00008223761,0.0001305298,0.0001205695,0.0001365659,0.0001641978,0.0001065603,0.0001330395,0.0009200838],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002229611,"about_ca_system_score_gemma":0.0000149238,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000374679,"about_ca_topic_score_gemma":0.00003659229,"domain_scores_codex":[0.9990661,0.00006901004,0.0002021534,0.000176137,0.0001566698,0.000329987],"domain_scores_gemma":[0.9994983,0.000132189,0.00005397885,0.0002060511,0.00005973819,0.00004975109],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003707899,0.00006686939,0.007226606,0.0001901021,0.0002442783,0.0001131672,0.2619797,0.000009321076,0.0002356081,0.5633286,0.1490227,0.01754608],"study_design_scores_gemma":[0.0001062448,0.00004008187,0.006736613,0.00007400129,0.00002585223,0.000004503203,0.002335768,0.00008755013,0.000008223053,0.000593911,0.9898489,0.0001383148],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9427844,0.003473585,0.000003806562,0.007083208,0.0006094582,0.0004880982,0.0001155809,0.0005867368,0.04485515],"genre_scores_gemma":[0.9517429,0.0001822158,0.00001353717,0.001547728,0.001022242,0.00007055057,0.00002961022,0.00001627803,0.04537489],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8408263,"threshold_uncertainty_score":0.9998578,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3091579691","doi":"10.14195/2183-847x_10_29","title":"Um século na vida de Peter Pan: a personagem de James Barrie e as suas metamorfoses cinematográficas","year":2020,"lang":"pt","type":"article","venue":"Revista de estudos literários","topic":"Social and Cultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"María da Natividade Pires","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03923936104816957,"gpt":0.3132697363258117,"spread":0.2740303752776421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001135841,0.0007822855,0.0012696,0.00006686807,0.001773895,0.001280623,0.0009974227,0.0003897314,0.001512297],"category_scores_gemma":[0.002122316,0.0006787947,0.0009383116,0.001269022,0.0005910556,0.00042516,0.0004565526,0.0007057499,0.0008111983],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004717309,"about_ca_system_score_gemma":0.0005832742,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001336231,"about_ca_topic_score_gemma":0.0001989816,"domain_scores_codex":[0.9942357,0.001297091,0.0007810249,0.001011491,0.0009893209,0.001685396],"domain_scores_gemma":[0.9973578,0.0005193675,0.0003994354,0.000358803,0.0002797015,0.001084878],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002380652,0.0004180029,0.1195294,0.001485102,0.001732868,0.0008029981,0.7874801,0.000005842651,0.001097646,0.01470902,0.0543126,0.01818839],"study_design_scores_gemma":[0.0010284,0.0006837109,0.04509075,0.0006399492,0.001232921,0.00005241052,0.204023,0.0001387841,0.0001325768,0.0002304669,0.7453434,0.001403693],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9258437,0.04131879,0.00007750408,0.02036666,0.0003269124,0.001646861,0.0001025306,0.0004738976,0.009843112],"genre_scores_gemma":[0.9780467,0.004123777,0.0002499851,0.008710104,0.001881563,0.0002284762,0.00001389583,0.00008033696,0.006665124],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6910308,"threshold_uncertainty_score":0.9999668,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3213169248","doi":"10.14195/2183-847x_11_26","title":"Iberianism and crisis: Spain and Portugal at the turn of the twentieth century. Robert Patrick Newcomb. Toronto: Univ. Toronto Press, 2018 246 páginas. ISBN 9781487502966","year":2021,"lang":"pt","type":"article","venue":"Revista de estudos literários","topic":"Hispanic-African Historical Relations","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"David Duarte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01287725151460106,"gpt":0.2271378381739263,"spread":0.2142605866593252,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006747666,0.0006152252,0.0008363365,0.00002373937,0.001252334,0.0006903965,0.0005614324,0.0002597425,0.00258291],"category_scores_gemma":[0.0003161754,0.0004301313,0.0003929607,0.0001202335,0.0005111102,0.0005536808,0.0009170921,0.0004643465,0.00001695866],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001420208,"about_ca_system_score_gemma":0.000331715,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01058228,"about_ca_topic_score_gemma":0.01730978,"domain_scores_codex":[0.9957976,0.0009424979,0.001031953,0.0008176395,0.0006826887,0.0007275916],"domain_scores_gemma":[0.9967146,0.00049097,0.000681404,0.00140986,0.0003278255,0.0003753439],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001410035,0.0009494362,0.01116719,0.00134917,0.001030476,0.0001166237,0.1820918,0.000007621685,0.0002861861,0.4700766,0.3249236,0.007860288],"study_design_scores_gemma":[0.0006876307,0.0001518183,0.009581458,0.000383224,0.0007942459,0.00005871765,0.009420238,0.0001178312,0.00001851472,0.0000639596,0.9782322,0.0004901378],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.07665303,0.8997729,0.00008551702,0.004293569,0.002315875,0.001940464,0.0009573401,0.0001006286,0.01388064],"genre_scores_gemma":[0.8419341,0.05506044,0.0001372597,0.0009636179,0.000974118,0.00007801605,0.00006569331,0.0001539803,0.1006327],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.8447125,"threshold_uncertainty_score":0.999815,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}